#at this point i check in on bnha to see how it ends

[problemswithbooks]

BNHA 423

So, I can't say I feel much of anything reading this weeks leaks.

I'm not shocked that Shigaraki died, nor would I be surprised if his death is taken back next chapter and he gets brought back to life in some way.

The thing is despite people saying Shigaraki dying messes with the themes of the story the themes have always been more then a little shaky. IDK if it's just a difference in culture, but Hori has a way of setting something up as being a big deal/theme and then doing something that completely contradicts it.

It's really no surprise he might have killed off most of the villains including Shigaraki despite setting the story up in a way where saving villains seemed to be a theme. He did the same thing with self-sacrifice being portrayed as bad, but later showing it as good.

I will say I don't necessarily agree with how some people are framing Shigaraki's death as throwing abuse victims under the bus. I do get the frustration because Hori did focus a lot of how Shigaraki was used by AfO and in a lot of stories that would be used to absolve him of guilt for all the destruction he caused. But Hori never had Shigaraki change his mind. His last words are him continuing to wish he could have destroyed more and wanting Izuku to relay to Spinner he never stopped fighting for destruction.

I think if this had been a more thought out and focused story you really could make it a great tragedy. It feels unfair that he couldn't be saved, that despite Izuku's effort, at the end of the day Shigaraki wasn't able to break away from the destruction he was manipulated and groomed into believing.

In that way I can understand the anger of some fans, because the story is essentially a tragedy framed as a simply triumphant narrative. It always felt like it wanted to have some deep meaning, and always seemed on the verge of it, but never stuck the landing. The one thing I've always been left wondering is: what is Hori trying to say with this story?, and IDK if the ending, given what's on the page right now will really give me an answer.

If anything I think perhaps Hori was trying to say to much at once. I'm sure a lot of it gets lost in translation and cultural differences, still part of me thinks he bit off more then he could reasonably flesh out. Thinking back many writing choices feel like he had an idea or passing thought and added it because it was cool or thought he'd have time to do more with it latter but due to shitty writing conditions couldn't implement properly.

[narwhalsarefalling]

rats, huh?

All the way back in 158, we have Chisaki give a monologue that I had completely fucking forgot about because it was cut from the anime

And it reminded me of a lot more recent chapter that we had gotten.

With this evidence put together, we really can make an effort to discover where exactly quirks came from.

The mother of all quirks isn't the mother of the glowing baby, as is thought by the characters in-universe. no, it was actually someone else.

The mother of all quirks is AFO and OFA's mother, and when the twins were born and she passed away, the rats that ate her corpse spread the disease to humans.

But not just any humans. Children. Mostly babies that were born at that time and children on the onset of puberty.

We don't hear of meta-abilities/quirks manifesting at puberty now, because almost everyone in this world is infected with this disease that alters their dna. this is the true source of quirks. I bet the remaining 20% of people are either people who were born before that time, or people who have resistance/immunity to the original disease so the side effects of quirks never manifested.

In the end, I don't know what type of solution will best fit for the world of BNHA. things won't go back to normal, as deku said. society has been at a tipping point for a long time, and something has to give. I really wonder what will happen next.

I don't know if Eri will be the solution for solving all of society's problems with quirks. I don't know if getting rid of everyone's quirks will even be a good solution, seeing as how much technology has advanced because of it. Destroying the symptoms of the problem at hand rarely makes the problem itself go away. Quirks just magnified every single known flaw with society and dragged them into the light.

(i had discovered this while gathering screencaps for this post, go check that out too if you dont mind)

[villainsandvictimsalliance]

Time to be delulu yet completely serious on my bnha 423 opinions.

Good points: The resolution between AFO and Yoichi was satisfactory, love as a reason for evil and evil deeds, the rooftop trio having one final moment full of emotion, the moment of Kurogiri thinking about Tomura and the LOV, Deku having a quirk of his own born out of determination and hard work, Deku as the protagonist of bnha in general, Tomura's last actions and words.

Bad points: Rushed arc conclusions, moments that felt kinda repetitive or lacked the punch given that we've seen/lived them before, not the best compositions we've seen from Horikoshi on the panels, Tomura's arc being rushed to a martyr ending— for impact???? ( or it ending on another cliffhanger that is gonna turn to be different from what we expected ).

I'll go in depth, so please check under the cut.

GOOD POINTS:

Yoichi and AFO:

The last conversation among these brothers was everything I was expecting. The love was there and it transformed them. It made AFO a monster and Yoichi a ghost.

For me, this time the AFO ending needed to be quick because we've already said goodbye to him too many times. This was supposed to be about AFO's refusal to give up on his brother and the unresolved relationship of those two.

I really liked how Yoichi reminded AFO that he needs to face the consequences of his actions and that he's love won't be able to save them.

Villain love:

Love as a reason for pain and destruction is perhaps one of my favorite tropes. So many stories approach love as this purely morally good feeling, when in the end it is just like any other feeling, you know?

People go to war for love all the time. They kill for love. Die for love. Do unforgivable things for love. Human existence is sooooo complex, why would love be the exception?

Horikoshi has been REALLY careful with the AFO backstory and his motivations. He didn't want an antagonist that felt empty. He made AFO human without redeeming him, okay? Because our ability to sympathize with some of AFO's traits doesn't make him less evil. To put it simply, it means that evil things are also human at heart.

Even those acts that you can't forgive or forget are motivated by something.

Kurogiri and the rooftop trio:

We knew from the beginning they were not the main characters of this manga.

We've gotten their story through glimpses and moments. Their time together had always been somehow rushed. Too many things to say, not enough time and they are on opposite sides of the war after all.

We knew that Kurogiri would go back because we knew he would protect Tomura during the final fight. We knew that he'd help the heroes defeat AFO. We knew he'd have to make his choice and say his goodbyes to his old friends.

Kurogiri, Tomura and the LOV

"He's friends are waiting" along with the image of Spinner asking Kurogiri to bring Tomura back to them was the highlight of this chapter for me. (You all expected it, right?)

Something about the way it reads like a father who wants his son to live because he is being waited for. He has friends who love him and would do anything to protect him, see him safe and sound. Something about the symbolism of Spinner putting Father (aka Kotaro's hand) on Kurogiri's face as he asked for it.

This chapter acknowledged that Kurogiri and Shirakumo share the same character core. They are always the protectors, the ones who would sacrifice themselves to see their charge survive. Similar to how Mic was waiting for Shouta so Shirakumo made sure that Shouta would survive, Kurogiri wants to do the same for Spinner and Tomura.

This alone would require an entire post to elaborate.

Deku's quirk:

The debate between endgame quirkless Deku or endgame OFA user Deku is settle.

I really liked that Deku got a quirk on his own that was born out of his own determination to be a hero. It's a nice representation of all he is as a character and what he stands for. Similarly, I enjoyed a lot the fact that it was short-lived. I'm the type who likes it better when things require a sacrifice or when miracles have their own conditions.

Deku doesn't feel overpowered to me. You get that sense that he really deserves everything he has and that it hasn't been a nonsense gift from the narrative. There's also the human condition, the limitations that keep him grounded.

Bnha and Deku:

Deku defeating AFO 'cause villains and heroes help him, his friends being there for him and being there to cheer for him as he fights, his sensei being there despite the fact that Aizawa at first thought Deku wouldn't make it— all the details that make bnha what it is.

They were good.

The UA kids really keep the story consistent when it is about them. They don't give up on anyone, they fight for each other, they stay to witness things for themselves. I love them <3

Tomura's last actions and words:

Careful here. Listen to what I'm saying.

If the narrative had pointed out to this ending, this would have been a good way to execute it.

Tomura coming back along with the vestiges to pack one final punch to defeat AFO— I know many fans that would be moved to tears and would be super excited to see it. Tomura was on point in this chapter, dialoguing with Deku without the hatred in his heart, his face being clearer and almost tender.

He felt defeated, like he had accepted his death already. There's also the connection to Kurogiri and Nana (who defended him) and his words to Spinner, that are meant as a general message to depict how much Tomura values the LOV.

Even the fact that AFO kept him around 'cause a part of him loved / cared about Tomura feels fitting, but I'm not sure if I correctly read the leaks in that part...

Anyway, we got the old trope of the antagonist who used his last moments to help defeat the real villain. It serves as his redemption and the expectation is for the public to feel sorry bad for him.

BAD POINTS

Rushed conclusions:

In my opinion, this chapter was too fast paced and therefore was not as emotional as it should have been.

It doesn't give the feeling that it's fast because the battle is intense. It gives the feeling of too much information packed on one chapter, so nothing really shines on its own. It's way too informative, not enough action narration.

Like I said before, the fatal mistake of a story is to be boring. Art has to provoke you, it has to engage with you, question you, awake things in you. This chapter tho, many things happened at the same time and it grew a bit murky.

Repetitive moments

Again, personal opinion here.

I think certain bnha movies were a mistake. Not because they were bad or boring or whatever, but because Horikoshi wrote parts of bnha real ending into them to the point you'd say "we've already seen that" while reading bnha 423.

Deku and Bakugo teaming up to defeat AFO was so expected. Not as in "the narrative is making sense", but as in "we saw it on heroes rising".

I feel the same with the students all appearing to help Deku fight AFO. That's a typical shonen structure where the friends making space for the protagonist to reach the main villain. It was already happening, so why bring AFO back?? I think the story is over-explaining here, making everything way too obvious. We could have had AFO's resolution with Yoichi before and the students moment after. In truth, it feels like Horikoshi closed some character arcs before he should and left plot holes without explanation, so he needed to reopen to accommodate.

Panel composition:

I admire Horikoshi when it comes to panel composition. He has some amazing panels that make the story really flow, but bnha 423 isn't there.

There are too many elements clustered and empty spaces that don't feel with purpose (in manga, even the blanks must have a purpose). This chapter should have been at least two, so you wouldn't have to rush Bakugo appearing, Yoichi and AFO resolution, Kurogiri saying his goodbye to the rooftop trio and facing AFO for Tomura's sake, Deku remembering where he started and where he is, Tomura last words and the Tomura and Deku resolution...

Those are too many important plot points to illustrate in a hurry.

Also?? The panel of Tomura and Deku punching AFO is so unserious. Totally wrong place to be funny sjbdjdnd why does it even feel like the vestiges are punching air???

" Tomura's ending " :

I'm not the first to say it feels anticlimactic and as if it isn't the ending at all.

The major problem is that through the manga, Horikoshi has focused a lot on Tomura as a character, carefully developing him, giving him tropes that are often reserved for the hero or the main character, making sure we empathize with him, we understand him, hyping up Deku's journey to rescue him.

We got an entire arc from the LOV perspective. This is not the type of one sentence ending you give to an antagonist you spent so much ink and sweat on. The nonchalant way of Tomura accepting his death? The little reaction from Deku? What was the purpose of the manga building up the LOV friendship to the moment where Kurogiri told AFO that Tomura's friends were waiting for him, if you'd make him just disappear on thin air?

This reads absolutely like a bunny within a hat.

That's being optimistic.

If we want to be cynical, maybe this is all there is. I don't find it readable to end the story with Tomura dying. All that effort to save him and it ends in "oh well, he decayed along with AFO"?!

If you think about it, Toga status is unknown because we don't even know where she went or if she's still alive, Touya status is also unknown although we know he wanted to live and that the ice prevented him from further damage, we haven't seen Spinner, we don't know if Kurogiri vanished with that last attack on AFO and now we saw Tomura decaying into the wind.

Yo kill half the surviving LOV would be a bold move that wouldn't follow the narrative. The reward for the hero students should be being able to save their counterpart, so the world can regard them as the greatest heroes 'cause they save the unsalable and blah blah blah.

There's also the fact Tomura hasn't been saved yet. Tenko? Nana and Deku saved him from Kotaro. The crying kid? Saved from AFO by Deku and the vestiges and the others. Tomura? Nop, he's dying/dead. The one person Spinner really wanted to save was Tomura. He didn't know about the crying kid or Tenko. He wanted to save his friend, the "irredeemable" villain, the young man he played videogames with and fought alongside and vowed to follow.

If this is the end, it's incomplete.

So we might hope it is not the end.

[bnhaobservation]

BNHA and Japanese law, aka why Enji and Hawks can't go to jail

I think it’s fair to dislike BNHA ending.

However when I see posts saying they don’t like it because neither Hawks nor Endeavor ended up in jail I think it’s important to remember that, in Japan, when BNHA was written:

Law enforcers can murder escaping criminals provided said criminals were judged dangerous enough (just so you know Japan had been asked to revise its domestic legislation on police use of firearms to ensure it complies with international law because currently it still doesn’t).

Although domestic violence is forbidden by 2001, Japanese law does not provide for domestic violence in terms of prosecutorial considerations. At the time BNHA took place the police wasn’t even obliged to investigate when ‘domestic disputes’ were reported, and the most they would do was offer counseling. The law has been changed in 2024 and things are a little better (even though Japanese law STILL does not provide for domestic violence in terms of prosecutorial considerations police is encouraged to investigate and the court may consider to impose penalties for crimes related to domestic violence aka assault and injury), but Japanese women still complain that, despite the improvements, it’s extremely hard to have their abusers punished.

Parents were banned from physically punishing their children solely in 2019 (BNHA started in 2014, Vol 21 was still printed in 2018, meaning the Todoroki saga was established PRIOR to this) following several fatal cases of abuse dealt out in the name of discipline however Japanese law does not provide for this in terms of prosecutorial considerations. The most that will be done is to take the children away if they fear for their life.

Abusive training (which includes beating, name calling, humiliation, overworking…) is not forbidden (although guidelines recommend not to do it) and, of course, as a consequence, Japanese law does not provide for abusive training in terms of prosecutorial considerations. People are protesting about this (notable protests had been done during the Olympic games) as people had also committed suicide over this. By the end of BNHA as far as I know, nothing was done.

Children of third-year elementary school age and below can be left unsupervised. A 2023 attempt at changing it due to unsupervised children dying was met with severe criticism nationwide so that in the end nothing was done.

Arranged marriages (as in parents picking up a candidate for their child to marry) are legal. The children have however the power to refuse a partner presented to them by the parents. Also, when organizing an arranged marriage it’s fair for both parts to investigate the other party and check if the family doesn’t have undesirable genetic traits (mental illness cases, lack of pure Japanese blood, relations with people belonging to groups considered impure) so that the children won’t inherit them.

Now, I oversimplified what are in truth a lot of regulations and rules expressed by the laws and compared Hero training to sport training (I digged a little more deeply on this sort of things in this post) but, long story short, Enji and Hawks don’t escape jail because they’re rich, because they’re high in ranking, because they have connections or bribed someone. It’s just because law doesn’t consider punishing them and law wouldn’t punish them even if they were commoners like, let’s say, Kotarou or Himiko’s parents.

Also, Horikoshi is basically showing the negative consequences of all the above mentioned points, which can be viewed as a subtle way to criticize such things.

So, again, it’s fine if you hate BNHA ending, but please, don’t think Horikoshi is just letting those guys break law without consequences just because. If they don’t end in jail for such things it’s exactly because people normally don’t do it and that’s why we’ve the League criticizing society for how wrong it is, not just their abusive parents. Society enabled the abuse and you might very well see the League as a representation for the Toyoko Kids and the Jōhatsu.

Also, just in case, I'm not Japanese and just saying Japanese law doesn't think they should be punished, doesn't mean I agree. Just that I don't expect the story would follow my country's law.

If you want to know more about Japanese law please, research about them. It'll give you a better perspective on why some things in BNHA go the way they go.

[makeste]

BnHA Chapter 428: Night of the Kouhai

Previously on BnHA: Well at least Spinner is sort of kind of doing okay??

Today on BnHA: I see the check that I sent to Horikoshi finally cleared.

okay first things first, you all know how it is right. I’ve never made a secret of my Kacchan bias on this blog. I promise you I did actually write a recap to 426 and 427 as well, but both of those chapters went HEAVY on the themes and drama and philosophical shit, and my reactions were kind of all over the place, and the Todoroki one in particular was like a million words wrong and it needs a shit ton of editing which I don’t know when I’ll have the spoons for

on the other hand however, a chapter like this which features class 2A cuteness and an absolutely unreasonable amount of Kacchan character development fanservice to hyperfixate on, takes absolutely no spoons at all and in fact actively recharges some of my spoons, so yeah. here we are

anyway so when we last left off Kacchan and Shouto were in terrible danger from a threat more terrifying than any they’ve ever encountered before. so I already knew this chapter was going to be great

“IIDA IS BIG AND STRONG AND AUTHORITATIVE, LET’S HIDE BEHIND HIM, HE WILL PROTECT US” everyone, I’m delighted to announce that the BnHA manga ending arc, despite having its ups and downs until this point, has officially been saved thanks to this panel right here. pack it up folks. this was officially a sweeping success. this panel brought Tomura back to life and teleported Touya’s mind back into his childhood self from roughly ten years ago time travel fix-it style. Horikoshi you beautiful bastard

Shouto trying to explain that he can handle them one on one but just not ALL TOGETHER IN THIS TERRIFYING SWARM LIKE THIS... buddy you don’t have to explain yourself sob. or is he trying to negotiate with them??

meanwhile Kacchan skips the negotiations entirely because he’s already assessed the situation and knows that the best way to handle this is to appeal to Iida Tenya’s boundless love of regulation and social order

y’all it’s killing me that this boy can handle being LITERALLY MURDERED by the greatest evil the world has ever known. but a group of admiring fifteen year old kouhais? no sir. that’s where he taps out

“but I thought Bakugou liked attention” yes well, you see, Shinsou, it’s kinda a “monkey’s paw curls” sort of thing

Kaminari with the BLACK SPEECH BUBBLE lmfao. FRIENDSHIP WITH KACCHAN HAS BEEN CANCELLED. NOW MIDORIYA IS MY BEST FRIEND

“well you see up until recently the ladies all thought Kacchan was a feral troll so they avoided him at all costs” wow Deku this man literally died for you and you just throw him under the bus with zero hesitation just like that

“SOURCE: ME, HIS CHILDHOOD FRIEND” just adding in his credentials in that little footnote there lest anyone question his authority on the subject

wait so is Shinsou surprised that girls used to not like Kacchan? or is he surprised that Kacchan and Deku were childhood friends? I can see how the latter might be surprising (oh Shinsou, sometimes I forget that you effectively just got here. we have so much to catch you up on. you will not BELIEVE how badly the two of these kids just want to hold hands all the time), but ngl, I’m rooting for the former just for the implications. “you’re seriously telling me a certified ten like him never had any girls interested in him?”

Horikoshi, hear me out, I know there are only two chapters left after this, and they’ve both already been written. but if you wanted to rewrite one of them at the last minute in order to add about a dozen more pages solely dedicated to Shinsou interrogating the rest of class 2A about Kacchan’s love life, out of what he insists is just innocent curiosity with no ulterior motives. well, I would not complain about that

anyway so yes Shinsou he is still single, for now. though I don’t really think it’s the girls you need to be worried about

meanwhile Mineta is all, “I just wanted to let all of you know MY opinion, which is that Bakugou isn’t morally upstanding enough for my delicate sensibilities.” yes you heard that right. Mineta of all people is weighing in on which personalities are deserving of being popular. that’s some audacity right there

A WILD DEKU FANBOY APPEARS???!

“IT GAVE ME COURAGE” omg yesssssss. jotting this down for essay material at some future point in time!! because THIS. this right here is the true “what it means to be a hero” in my opinion. a hero is someone who brings reassurance, yes. someone who makes people feel safe. but I think a hero should also be someone who makes people feel brave. someone who inspires other people to be heroic in turn. so yes, this, all of this, inject it into my veins. wtg Deku

having an official fanboy apparently broke Deku’s brain. hang in there bud. I know you’ve still got villain angst to work through, but try to enjoy this. you’re allowed to have nice things

IS MINETA STRANGLING KACCHAN BY HIS FUCKING TIE OMFG. THAT’S WHY HE NEVER USED TO WEAR THEM. also you’ve worn my patience down all the way now Mineta. get the fuck out of my blog

also Kacchan successfully beat the shit out of him with his ONE GOOD ARM so take that Mineta

also shoutout to this KiriBaku moment right here which feels like the first time we’ve had the two of them together in ages. good stuff

I’m LOVING this panel of Ochako staring at Deku all indecipherably, but ngl it’s also giving me just the slightest bit of anxiety, because does this mean we’re finally gonna get answers on what ultimately happened to Toga. it better not be sad. please don’t ruin my happy chapter with depressing things Horikoshi

“tell them no” OH MY GOD AIZAWA’S TURNING DOWN ALL THE INTERVIEW REQUESTS FOR HIS KIDS SO THEY CAN JUST BE KIDS AGAIN FOR A LITTLE WHILE nooooo what is this. “yeah but I’m prioritizing the kids who aren’t up for dishing to the media about all of their horrific trauma.” omfg. it’s been too long since my last Dadzawa feels. I wasn’t ready after all this time

you guys Izuku finally got a new hero costume that’s not in tatters after all this time. all it took was his old costume getting literally torn to shreds. and now he’s back to looking twelve years old again lol

JEANIST AND FATGUM REUNION?!?! RETURN OF KACCHAN’S THIRD DAD, AND A SECOND WACKY UNCLE TO BACK UP GOOD OLD MIC? GOD BLESS

FAT HIRED TAMAKI AS A SIDEKICK D’AWWWW

now they’re putting the kids to work. glorified janitorial duty. Deku you better not be using up any more of your embers on this sob

this motherfucker did not just liken my baby boy Kacchan to “distressed denim” omg. we have less than three chapters left and we’re spending our hard-earned time on this and I TRULY WOULD NOT CHANGE A SINGLE THING

“Kacchan on light duty” PROTECT HIM!!! don’t think I don’t see you over there too in the background, Aizawa. he’s surrounded by dads. they’re not letting him out of their sight again until he’s thirty

meanwhile he’s out here quietly sorting through trash with his one good hand without complaint and without even the barest hint of a gremlin face. with his half-and-half costume so we can’t see how fucked up his arm is. AND NO MORE MASK. we burned the mask. my thank you letters are in the mail, Horikoshi. and you too TomurAFO, this was your actual greatest contribution to society

ANOTHER DAD?!?!?!

dfjsdlfksldkfjl

“don’t worry, I’m gradually recovering” fsdfkslfkj r.i.p. my ability to take this man seriously ever again. do you think his voice is like the normal sexy Edgeshot ASMR voice except all high-pitched like a squirrel in a Disney princess movie. it is, isn’t it

he can make hands now. buddy you’re amazing. mvp of the entire fucking manga. my son literally owes you his life. please let me see you sitting Jeanist’s shoulder like a parrot before this wonderful glorious chapter ends

Kacchan’s little cheek scar is somehow both badass and adorable at the same time. I can’t stress how fucking much this chapter is just surrounding me with “protect him at all costs” feelings.

MORE SOFT KACCHAN FEELS ON THE NEXT PAGE BECAUSE HORIKOSHI WROTE THIS CHAPTER SPECIFICALLY FOR ME, THANK YOU SO MUCH

“are you... [ever] gonna go back to normal?” because if not he’s gonna cry himself to sleep every night for the rest of his life!! no big!! YOU WOULDN’T DO THAT TO HIM WOULD YOU EDGESHOT?

NO HE WOULD NOT. THANK YOU EDGESHOT. ONCE AGAIN YOU ARE A REAL ONE

...or wait. so does he mean he is indeed going to go back to normal eventually? or is it that he’s embracing this new form as an exciting new evolution, hence the “even further”? it kind of feels like the latter, ngl. especially with this weird sad little smile Kacchan gives in response... fuck me. what the hell am I gonna do when this series ends in two weeks. nobody can rip my soul to pieces as utterly and effortlessly as Horikoshi does, man

THEY MADE THE KIDS LUNCH AWWWW. though in fairness there’s something seriously messed up with Japan if any of these kids ever has to pay for another meal again for the REST OF THEIR LIVES. like come on

noooooo goddammit I’m tired of seeing Izuku quietly despairing over things that AREN’T HIS FAULT

I am glad to see this side of the civilian population, though. sure have come a long way since the low point that was the U.A. clown mob. I like this a whole lot better ngl

what’s up with this mysterious bus all of a sudden

OH MY GOD THEY’RE BACK LMAO. QUICKLY BAKUDADS. form a perimeter

they’re apologizing again dsfkjlskdfjlsfd THEY DIDN’T EVEN CONSIDER EVERYONE’S CIRCUMSTANCES!!! holy shit these first years are all collectively my new favorite character

Cementoss couldn’t take the pressure omfg. is this your first year as a homeroom teacher?? YOU CAN MAKE ANYTHING OUT OF CEMENT BUT CAN YOU MAKE YOURSELF A FREAKING SPINE, CEMENTOSS. I love him

Cementoss is telling them to go work in the corner so they don’t bother everyone else lmao. stuck them as far away from Kacchan as possible. good looking out, Cementoss. how many dads are we up to now?? five? six if we count Iida????

“hey so anyway what actually is up with these fucking kouhai though” I don’t know but my greatest regret is that this only became a thing three chapters before the series finale. where has this nonsense been all my life

“I don’t really understand” me neither fella but here in BnHA land we just roll with it

now we’re cutting back to Ochako who’s making yet another mysterious face that makes me think she knows perfectly well how much we all want to know whether Toga is alive or not, and she’s deliberately dragging it out just to fuck with us

okay I honestly can’t tell if Ochako is being fake cheerful or genuinely cheerful. but it’s definitely fake cheerful right??

aaaaand there’s a close up of Deku with FULL LIGHT back in his eyes like the clouds just parted for the first time in an age. accompanied by a THROB sound effect. ohhhh buddy. did my boy just have a hormone. is it finally that time

THEY’RE LETTING THE KIDS GO BACK HOME OMG. if they want. awwww. r.i.p. fanfic dorms. poor Shinsou missing out ONCE AGAIN

THEY DIDN’T CATCH THE CONCLUSION OF THE TOGACHAKO FIGHT ON FILM??! oh hell no. that settles it, she’s definitely still alive

tell me this cheeky motherfucker (Horikoshi, not Ochako lol) isn’t going to try and actually END THE SERIES with Toga’s fate still all ~mysterious~ and ~up in the air~ like I’m starting to get the sneaking suspicion that he’s doing

HORIKOSHI I SAID I DIDN’T WANT A DEPRESSING CHAPTER WHY ARE YOU HITTING ME WITH THESE FEELS AFTER I LET MY GUARD DOWN

YOU REALLY GAVE MY GIRL A SYMBOLIC FRODO STYLE ANGSTY STAB WOUND SO SHE CAN NEVER FORGET THE PAIN OF THAT DAY ARE YOU KIDDING ME RIGHT NOW WITH THIS

DEKU AHHHHHH

oh my god lol. I’m so curious what’s going to happen next week. my money for the record is on them bonding in a STRICTLY PLATONIC WAY over their respective dead(!??!?!) villains rather than a Romance Thing happening. but I wouldn’t be bothered if they do go there though just so long as we don’t get any timeskip epilogues where they’ve all got fucking kids and such now. don’t you do that to me Horikoshi Kouhei. I swear to god two chapters left omfg. this is really happening. the inexorable march of time etc. etc. ahhhhhhhhh

[aki-shigaraki]

I CAN’T STOP THINKING ABOUT how I saw someone’s slideshow on tiktok the other day and they said something like

IzuOcha becoming canon would mean that Horikoshi doesn’t know how to write romance. Their relationship isn’t even close to being romantic (besides the somehow undeniable?? argument that it’s shonen so it has to be canon, spoiler, it IS deniable since Horikoshi said he does what he wants loool). Maybe there was a crush from Ochaco at some point, but she’s past that and it’s obvious whenever we see their interactions past ~4th season. If they would become canon, that would be just bad writing. It wouldn’t make sense storywise.

BUT he DOES know how to write romance - look at the implied canon pairings like KamiJirou, HagaOjiro, KiriMina. we all agreed on them being canon not because they blush at each other, but they CARE for each other and WORRY about the other person

*insert KamiJirou first war scene „do it for someone who is closest to your heart”*

AND… because the canon pairings in bnha also have this little funny thing in common. Both sides inspire each other and in some ways they want to resemble each other too!!! I’ve noticed it especially in KiriMina, first when in Kirishima’s backstory he says that the „horns” he stylizes his hair into are inspired by Mina’s horns, and then when she said in s5ep25 that she created Acidman because of Kiri’s Unbreakable.

So, it looks like Horikoshi KNOWS how to write romance - because this is how it looks in real life. You care about your s/o, you worry about them, they inspire you, you know stuff about them because you’re curious about them, you want to spend time with them etc. It’s literally how every canon implied ship in BNHA is written. It’s not a surprise. It’s just good writing.

and you know whose relatiohsips are also written this way??? hm. let me see

not IzuOcha for sure (they had their little moments but PLEASE we get TWO scenes of Ochaco moving on from Izuku. this isn’t canon at all)

BUT THE GAYS.

The biggest canon pairing of them all, the BKDK and their lesbian sisters TOGACHACO

it’s already canon because it’s written the way Horikoshi writes romances. He isn’t oblivious what he’s creating BECAUSE IT’S INTENTIONAL. THEY ARE CANON.

edit: it’s dynamight.delight on tiktok check it out it’s her second pinned video it’s soooo goood

so.

my guess is: IzuOcha isn’t going to become canon, but I’m not sure if ANY of the pairings above will ask each other out etc / make it official. I just think it will be obviously hinted and my hero will end without any labels attatched to the pairings. This isn’t my only theory but yeah, the only thing that I’m sure about is IzuOcha aren’t supposed to be canon.

[justatypicalwizard]

Late night frustration | Bakugo Katsuki

✦ Bnha characters have their quirks but they are all secret heroes living a doubble-life. Katsuki has a had crush on you but instead of asking you out on a date he's stuck listening to you fangirling over Red Riot. Out of frustration he decided to do something very stupid.

✦ Word count: 2,5k

✦ Warnings: none

Secret hero Dynamite on rampage once again [see video]

Stupid fucking media. They just don’t give a time of the day to check how it all happened. All they see are Mina’s boobs and Eiji’s smile. Bakugo grunted while scrolling through a bunch of shorts featuring yesterday's secret hero action. They all showed the two mentioned earlier in a glorifying light or his, not so subtle, bursting out of the convenience store, glass shattering behind him as he grabs the thief by the collar.

Apart from being a college student Bakugo lives a double-life as a secret hero. How did he get his powers? No one knows, including himself. The same with Mina, Kirishima and Denki. There were a bunch of other people who rolled out on the streets after sunset with masked faces but he didn’t know them all, he didn’t care. It's not like he ever even agreed to the idea, his friends convinced him that they should all use their powers to save the world. Honestly he just saw this as an opportunity to manifest his quirk, otherwise too destructive to play with. Over time he got fed up with what people talked about him, he’s not gonna lie, at some point such an amount of hate would touch anyone. Yet, he didn’t stop, didn’t hide behind a fake personality denying he even has any powers. He got out every second night and did what he’s done for years now.

A bag dropping near his face tore him out of his thoughts bubble. Looking up he spotted your smile as you sat down opposite of him, the well used wooden chair creaked under your ass. There was one more reason why he kept trying all the time. After every night action he waited with gritted teeth for your excited text sending him an awesome video of Dynamite that you just found and fell in love with. He wanted you to fangirl over Dynamite so he could drop by in the middle of the night, take his mask off and tell you that it’s him, he’s the secret hero that you’re in love with. But it never came. You never said a positive word about his alter ego, either being neutral or agreeing with some of the opinions on his brutality and carelessness.

Yet, how could you know better? You were not there last night with the shop owner, an old man too shocked to mumble anything into the microphone after onlookers and reporters flooded the crime scene. You didn’t hear him when he grabbed Bakugo by the sleeve just as he was about to run and thanked him. You didn’t know that the old man was grateful, claiming that the window was nothing, repairing it will cost less than what the thief was about to steal. Of course none of them heard that because Katsuki always gets those compliments off-scene. Noone ever listens to the actual victims, they have a forged history that will match their shitty profiles and online channels.

“Did you see yesterday’s action?” Quite close up actually, princess.

“Mhm.” He mumbled, opening a random book to quickly end the topic.

“There’s a lot of shots of Dynamite breaking that window. I mean, I get that he has a very destructive power but was it really necessary to catch the thief bursting through the glass? Maybe he could run up to him on the streets?” And what would it change? Then he’d blast a car standing on the roadside or a street lamp and they aren’t that cheap either! “Well, at least he got the criminal.” Oh finally, some scarce words of compliment. “But look at that, look, look.”

He nearly grabbed your hand as you started to wave it in front of his face. It was a short featuring Red Riot flexing as he ran to help Bakugo tackle down the thief. It was unnecessary as Bakugo’s explosive hand was already on the criminal's neck which paralysed the guy with fear. Yet, Eiji always wanted to help. He sincerely didn’t do it for attention, he just always wanted to make sure he did the best he could. How can he stand back and watch? It was him who handed the tief to the police. Bakugo already learned that they were not keen on being close to Dynamite so it was always Eiji talking to them. That’s how he stole the whole spotlight of the previous night, he jumped on the already disarmed thief, picked him up and handed him to the police. Simple as that. And yet it had you squeaking and scrolling through more phone-made shots from different angles, all painfully exposing Eiji’s flexing muscles in the scarce suit he wore.

“Red Riot is so hot. I can’t believe he lives somewhere there as a normal person.” Oh he actually lived very close by. Your Red Riot was just a few tables away, chewing on a pencil, sweating over a simple maths equation.

Bakugo was seriously in awe that people didn’t see that bulked form in Kirishima. It was obviously good that his cover never blew but apart from covering his face and hair during actions Kiri was nearly all on display. In the daytime he also didn’t bother covering too much, always wearing a hugging shirt that would show off his tremendous muscles. Guess the mass doesn’t really look for the heroes, they just admire them and later forget that they actually exist as said normal people.

“I would totally fuck Red Riot stupid.”

This was enough. Having someone you love, I mean have a crush on, whatever, talking about fucking a different guy in you very face was too much for Bakugo.

“You know what, I got a text from mom, I need to go.” The blonde stood up, pushing the chair from under his knees with such a force it nearly fell down. He looked at your surprised face as you mumbled a ‘okay’ and that you’d ‘do the assignment they were both due’.

As much as Bakugo wanted to spend time with you, he also couldn’t listen to what you said, a painful feeling aching in his chest.

Later that evening Bakugo found himself sitting on a roof, looking at the city below him. It wasn’t supposed to be a patrol night but he couldn’t sit at home, he had to do something, anything to take his mind off of the earlier talk. Eijiro didn’t even do anything bad but the blonde was furious with him. If he saw that dumb face he’d punch him, which of course he didn’t want to do so he distanced himself for the time being.

A cool breeze grazed his form, sneaking under his masked face. He certainly didn’t like the cold, it made him slower and weaker but autumn was taking over. He saw it in your coat, you picked a new one, a warmer one. You wrapped it around yourself tightly, hiding your chin into the large collar. Oh, you were there, again.

Bakugo leaned over the edge of the roof to see you better. It was past sunset, the yellow light of the street lamps giving your silhouette a golden hue. You were walking down a narrow lane in the middle of the park. You must be heading from some shop as your hands were wrapped around big paper bags.

If not his earlier outburst maybe he could have been next to you. Maybe he’d lie that he doesn’t have anything to do and he can go to the shop with you. You’d spend the evening fooling around in some shopping mall, maybe take out something to eat and he could pretend, just for a second, that you were his girlfriend. Later he’d walk you home and give you a goodbye hug because that’s what friends do. And he would keep you close just a split second longer, so that you don’t notice.

Nothing would come true if he keeps on ditching you for the sake of his own anger. So what if you’re fangirling over Red Riot? You’re not stupid enough to fall in love with the unreachable secret hero. Yet, Bakugo couldn’t shake off the creeping feeling that you could meet Eiji at some point, at a party with your mutual friends and talk to him. You could talk to him a lot, laughing at his shitty jokes, unconsciously brushing his biceps with your hand because of course you’d like him. The redhead is a funny, charming himbo that girls love. If Bakugo would sit down on the couch and watch your interaction for afar then he’s sure that Eiji would put down his hand on the counter behind you, narrowing the space between your bodies. He’d flirt with you jokingly just as he does best up to the point when you both sneak out of the party. Then he’d give you a night you’ll never forget because Bakugo knows damn well what girls say after spending an evening with Kirishima. Maybe Eiji would break it to you that he’s Red Riot and after that he’d never get rid of you. It’s a dream come true. For you. A nightmare for Katsuki.

He actually had to cough because the clench in his chest and the turn in his stomach became unbearable. He felt hurt, as if everything that he just imagined actually happened. As if you were already Eiji's girlfriend. He just wanted you so badly right now that he actually leapt down from the roof down onto the park lane, catching your attention with the small explosions.

Katsuki knew that who you saw approaching you right now was Dynamite. He saw the shock in your eyes as they focused on him but not fear. Good, because he was about to do something very stupid.

Bakugo closed the space between you with a few long strides. He grabbed the puffy collar of your coat and with his other hand slid up his mask, just enough to plant his lips onto yours. Katsuki was not innocent, not even a bit. If he was going to kiss you as Dynamite, so that you never know what actually happened, he was going to do it good.

Your lips were already parted, they never actually closed after seeing the secret hero cross your path. Bakugo used it to his advantage, slipping his tongue inside to taste you, grazing his teeth over your lower lip. He swore you moaned quietly but maybe he just imagined it getting way too horny. You were soft, no matter where he grabbed you. Unfortunately it was the coat, it secured you from his touch and he silently cursed it was late autumn and not summer.

Finally he let go of you and you stumbled a bit backwards. Before you could ask any questions he ran away, leaving you gaping behind him.

Bakugo could already imagine the sexual assault headlines after you tell everyone Dynamite kissed you out of nowhere. Or maybe you would first talk to him about it. Either way his hero name was already stained enough so that one more spot won’t change anything. But he did it, he kissed you, he felt it. Now he can play it over and over in his mind, fixating on your taste. Hope he never forgets. But he also felt guilty. He basically stole it away from you and that’s not how he wanted to have the first kiss with you.

Katsuki wandered the streets for some time before the emotions overflooded him and he found himself heading towards Mina’s crumpled up college flat. He just had to yell at someone, to someone. He’d throw it all on Eiji once more, complaining how his crush fangirls over Red Riot, the same as usual. Mina was well aware of the whole drama.

As quiet as possible he jumped up and up until he reached the  window of her unused room. It was open, as always, and he flew through it, landing on the floor, tearing his mask off.

“Racoon fucking eyes…” He was just about to start when he dropped his mask to the ground.

Instead of Mina he saw someone else, someone he really didn’t want to see now. It was you, standing in the middle of the room, picking something out of the same paper bag you carried earlier. Now that he saw it up close it had a print of a home supplies shop. You looked at him, eyes wide as ever, mouth gaping once again.

You were not stupid so of course he couldn’t make you think it was all a dream but he honestly didn’t have any better idea right now.

“Bakugo?” You asked, standing up and walking to him, your scrutinising eyes scanning his costume. “What the fuck? You’re Dynamite?”

Of course you were quick to connect the dots, who wouldn’t when he saw his best friend fly up the window with the, oh so well known, explosions.

“You’re, but, how? Why?” You looked like you didn’t know what to ask about.

“Okay, shut it, I’ll explain the whole damn hero thing…” The blonde also started to throw words at you with the speed of a machine gun.

“What? Hero? Why did you kiss me an hour ago?”

That’s not what he expected. You were more concerned with the kiss than with him being Dynamite? He didn’t know whether he liked it. It would be way easier to explain his secret hero life than what he did that said hour ago.

“I…” No words came out of his throat as he looked at you, at your face, tense and focused.

“Why did you kiss me Katsuki?”

“Because I’m in love with you okay, fuck it.”

“What?”

“I’m. In. Love. With. You.” He spat out every word. “And after hearing, once again, how you’d fuck Red fucking Riot today I had enough. It’s always Red Riot this and Red Riot that, but no one cares about the fact that it was me who caught the thief. Why don’t you just go and actually fuck Red Riot. Now that you know I’m Dynamite might as well just show you the way to his fucking apartment…”

Bakugo didn’t have the chance to end his rumble because he felt the familiar taste once again. You were pressing him up the windowsill, your small form no match for him. Your lips were planted against his. You broke the kiss before he had the time to react.

“Shut up about Red Riot. I was just joking. Why didn’t you tell me you liked me?”

“What?” It was his turn to ask stupid questions.

“I, uh damn, I also like you, crush you very much. I just didn’t think you liked me back, giving your shitty demeanour all the time.”

It would take him some time to explain the whole situation to you. It would also take some time for you to get used to him being a secret hero, though after you agreed to be his girlfriend you noticed he threw himself in crossfire less during his night actions. Who knows, maybe he’ll even gain a bit in the eye of the public soon. Now he doesn't really care for it any more as the only person he ever wanted to impress is already snuggled up beside him in bed, late in the night.

[obsessive-dumpling]

If you don't mind, can I ask something from My Hero Academia? What do you think are Midoriya and Bakugou's greatest personality strengths and weaknesses? Why? What do you love about their dynamic? Sorry if you've answered these questions before.....

Also, If you don't mind me asking (again), can I also ask your top fav characters and fav moments from the series (BNHA)...? Thanks if you want to answer....

Hello! I'm so sorry, I'm not sure how long this has been sitting in my asks because I don't know about y'all, but mine is a black hole. (For real, I checked today and it said I had 8 asks but I could only see 2 and one of them was one I have been trying to delete for like ten years but it won't budge. So if you send an ask and I don't answer, know that it's due to the black hole. It will give you back to me when the time is right. I hope.) But I am more than happy to answer!

What do /I/ think are Midoriya and Bakugo's greatest personality strengths and weaknesses... There really isn't enough time and space for me to cover all my thoughts but...

Let's start with Baku, shall we? I think that his greatest personality strength is actually his charisma. *Crickets* Wait! Hear me out! Baku throughout the series is often painted into a position of leadership. In the beginning, it is thought that, that is solely based on his strong quirk. But it's not. He exhibits having that leadership quality even before him and Izuku are supposed to get their quirks. During the Licensing Exam Arc (as well as the Kidnapping Arc) Aizawa gives a whole [2] monologue[s] about this. Katsuki is a natural born leader and hero though he presents prickly. And I think the reason why is because the charisma he exudes is authentic and honest to his character and others can see that. He might be perceived as mean but he is trustworthy and he has follow through. Any joint trainings or missions we've seen him in shows that. His teammates may complain, but they don't actually question him. They trust him and his assessment, judgement, and execution of resolving a situation. Though not traditionally "charismatic", we have to give it to the man who has won "favorite character" as many consecutive times as he.

For Deku, it's much less nuanced and much more straightforward. His biggest personality strength is without a doubt his unwaivering belief in people. He truly believes the best in every single person. I don't think I need to expound on that one as much, as it is shown *waves at entire show* countless times.

Before I get into the weaknesses, I would like to point out that these two characteristics put together start to answer one of your other questions: "Why do you love their dynamic?" I love their dynamic for many reasons but when you face these two characteristics in these two different characters (who start out at odds) and make them face each other, something beautiful happens.

Izuku's unwaivering belief in Katsuki to be better, to be THE BEST, and Katsuki's unwaivering resolve to always show up as he is WITH expectation calling him to new heights, and then watching that cycle motivate Izuku to be a better version of his own self is just so....inspiring? The word doesn't feel big enough. They are the personification of an infinity symbol. ♾️ Just constantly pouring back into one another and becoming stronger for it.

It really brings back the meaning of "rivals" and what they should be. I feel like the Shonen genre has a habit of getting caught in its own equation of what makes a Shonen a Shonen and loses the meaning of what the genre was originally created to promote: rising above it all. Bakudeku does a really great job of calling out the bad points of the genre and resetting them back to a worthy messaging. We're all continuously learning and trying and growing to be the very best we can be. And that progress is never supposed to end.

With that said, let's talk about weaknesses.

Baku's is obvious: his pride. The boy ends up having amazing amount of self reflection, but it comes at the cost of having a painful amount of time for self correction. And he's still trying. And I'm certain that it is Horikoshi's vision to have him always trying and learning and growing some more. None of us are perfect, not even Kacchan of the Bakugo's. And that's, again, how it should be. Katsuki is a great character for wearing his flaws so openly on his sleeves from start to finish.

Deku's is less obvious I think: his pride. Yes, I think they both have the same downfall. Izuku's pride and arrogance does not come from the same place as Baku's. His comes from a fearless pit that allows him to throw his body around like it means nothing. Self sacrificial without the awareness. Dangerous combo. Baku has him beat by miles on the self awareness train. A strategic brain without self awareness allows him to overcome virtually all his obstacles without any consideration for the consequences to himself or those who care for him. This is a repeated theme that we see illustrated time and time again by Inko and by the end, all of his friends and Kacchan himself. Izuku's pride is arguably bigger than Katsuki's, which therefore makes it harder to overcome. To be honest, I don't think we've actually really seen this have ANY concrete improvement throughout the series as he regularly reverts to self sacrificing throughout the entire series BUT I do think it will be addressed by the end. He is, as of now, at least aware of his shortcomings.

I could talk about these two for days so obviously they are included in my last answer to your questions: top favs. So these are my favorites outside of our wonder duo (for the record all of my fav moments are bkdk):

-Hawks: I love the duality he lends to the series in bringing the question: how do you form morals you can stand on in a corrupt society? Specifically in a transitional generation (a generation between two times in history like millennials and Gen Z's (in their own rights)) while the world falls apart around you.

-Shoto: As someone who comes from complicated, multigenerational trauma, I really did not want to like Shoto or his story. I tried to get away from being a fan but honestly the ultimate move he developes and the resolution he comes up with for his own families story killed me. A flame that doesn't destroy?! Come on! He literally became peace! I didn't stand a chance!

-Koji Koda & Mezo Shoji with Spinner: Tackling the complexities of racism in modern times where people try to say it doesn't still exist. Holding everyone accountable, as they should. There is so much here.

-Tenya Iida: Define justice for me really quick. This man is trying his ducking best.

-Fat Gum: I'm so glad you're not dead! Sunshine incarnate. He makes me WANT to believe in myself.

-Mount Lady: Turn around of the century for me as a character. I love a "came in shallow but stood firm when everyone else ran" queen.

-Virtually every character in MHA because they all give the same message:

Be.

Better.

Be.

Better!

Be!

Better!

Be Better!

God all of THIS is why I love MHA. Why I love bakudeku. I know I'm going off now and I'm sorry but, it's fucking scary outside right now.

Our world is crumbling.

And I can hear man,

named Kohei Horikoshi,

who had no superpower,

but was an artist,

and used the talent that he did have to create a series,

that allowed him to SHOUT at the world to:

BE BETTER!

He wanted to create a symbol of hope.

And he did it.

And that is my absolute favorite part of My Hero Academia. 💛❤️💙

@dnana-2809-blog thanks for the ask 💛🥟

[haleigh-sloth]

Hi! I saw some people saying that Hawks is gonna have a mental break, but honestly I don't see that happening currently, do you think there is a chance for that?? (I tough only him realizing that villains can be saved through Ochaco but nothing more than that maybe him been involved on the Todoroki plot but it's seems that they are now far away from him)

Maybe you are focusing on the extreme negative connotations with the word "mental break" and not really reading it for what people mean when they say that, which is:

Hawks's walls that close him off from everyone and everything and his own true emotions need to finally come down. And that happening is not going to be a fun or smooth or easy process. He needs to "break", as in, those mental walls/barriers need to break. And with that, an emotional and mental "break" should follow behind it.

I can vouch for several friends of mine who desperately want to see him cry. That's really what people mean when they say mental break. Because Hawks won't cry, he won't express hardly any emotion right now because he's not facing what he's done and what he really feels. I wrote about the villains needing to CRY and I feel the same applies to Hawks. The cathartic emotional and mental release people are wanting is because they want him to face his actions, face how he really feels about them, and challenge his way of thinking. That is not an easy process (See: Tomura), so it shouldn't just be something he casually shrugs off like no big deal. If you're thinking people are wanting a legit psychotic break then no, that's not true. And if they are, well, weird, but that's not the crowd I'm talking about here.

I'm sure you didn't want a whole thoroughly thought-out response to this but this is the consequences of your actions (jk)

You brought up Ochacko as Hawks realizing villains can be saved, and yes I agree that's a thing that should happen. Hawks killed Twice, and then proceeded to say he wants to be like Twice. That is not a normal thought process. And in the act of killing Twice, he struggled internally due to his own conflicting feelings on the Jin Bubaigawara he grew a sort of attachment to before the PLF raid, and used language indicating that he genuinely felt pretty fondly of Twice---and then proceeds to stab him in the back (literally). I highly recommend checking out @transhawks meta on the interaction between Hawks and Twice before he killed him, as it really points out some of the emotions Hawks was cycling through in that moment. Also, re-read that scene anyway because you can clearly see Hawks struggling with the situation, only to snap at the end.

So again, even within the context of fictional bnha it's not normal for Hawks to stab a guy in the back and murder him, express pretty much zero remorse about it at all, and then proceed to say you want to be like him because you like him as a person.

Hawks and Twice were put into a mirror situation of Izuku/Tomura, Shouto/Touya, Ochacko/Toga. Twice was Hawks's villain. And Hawks actually kickstarted the whole narrative of attempting to save a villain you've formed a connection with by appealing to their needs in some way and using who you are as a person to that villain. The thing about their situation is that Hawks failed. For obvious story-telling reasons, like he can't accomplish what the kids' goal is before they do, before they even get a chance to entertain the idea of it. But for character-related reasons such as Hawks refusing to face himself and be vulnerable. Twice was just openly vulnerable 24/7, but Hawks didn't let his walls come down even one bit, which was the problem in their dynamic. The problem extends beyond that because Twice is gone now, and you can see that Hawks won't even be vulnerable within himself, to himself, for himself. He just won't do it. And with these hero/villain pairs the manga has set up for the end game, vulnerability from BOTH sides plays a huge part in the kids succeeding at their goal of saving. Hawks refuses to do that, so therefore he failed.

And rather than reflecting on his time since then, what we get when Toga!Twice shows up again:

is Hawks immediately resorting to killing him again, still not facing the mess of a situation it was when he did it for real back in the PLF war.

When Hawks talks about Twice in the way that he does--such as wanting to be like him and liking him as a person (yk like when he killed him), it's framed pretty ominously:

And this panel brings me to his involvement with the Todorokis.

Do I know how Hawks's involvement with Toga will lead into/tie into his involvement with the Todorokis? No, I don't and can't really see the pathway YET, but he's tied to both and it's uncharacteristic of Hori's writing style to leave things unfinished/unaddressed, so I'm confident he's going to make it happen.

Hawks and Endeavor, my god. Hawks, for lack of a better way of phrasing it, wishes Endeavor was his dad. It's coded this way, Hori doesn't go out of his way to beat the allegations either with his art:

Hawks's parasocial attachment to Endeavor (who quite literally never pays any extra mind to Hawks or spares a thought toward him during this whole final arc (or ever tbh)) is not a good thing. It's not cute, it's not sweet, it's not a normal admiration. Hawks's commentary on the Todorokis, his intrusion into their conversation during the hospital chapters, his curiosity about special details (like Shouto's eye), him insisting on just supporting Endeavor literally no matter what--there is nothing positive about that. Hawks even says it himself that he admires Shouto for facing his family's problems, when Hawks never got to (through no fault of his own, but this is a testament to how he feels about the Todorokis). In a sense Hawks just...wishes Endeavor was his dad. I mean that's the most blunt way I can put it. He views Endeavor (the doll) as a source of comfort, like a child would/should their parent. Little Hawks and little Touya being placed in front of Endeavor, whose face is split evenly on the page, is not subtle. It's clear a choice has to be made, and Hawks is not the choice Endeavor is going to make. Touya is.

Now, if Horikoshi wants to write a satisfying conclusion for Hawks similar to that of the LOV setup to have an emotional catharsis moment later on, then he'll make this impact Hawks believably. That should NOT be something Hawks just shrugs off like it wasn't a big deal. Because it 100% will be/should be treated AS A BIG DEAL. He's clung to his image of Endeavor since he was a child. Endeavor the hero, who beats bad guys. Not Enji, the father who rejects heroism in the name of saving his villain son--who burned Hawks's wings and went after his mom let's not forget. That is not something we've seen Hawks contemplate internally. The whole fight Hawks is worried about Endeavor, meanwhile inside Endeavor's head he's thinking about himself or his kids. The relationship is not the two way street Hawks would want it to be. And it's gonna be made clear, and that should hurt.

So, two major things here that really shouldn't be just "¯\_(ツ)_/¯" moments for Hawks. Ochacko saving Toga (dressed as Twice) should be a pretty jarring awakening for Hawks that HE tried to save Twice, but he failed. But Ochacko is succeeding in saving Twice's friend. It should be a pretty upsetting event to look back on that situation and realize that killing Twice really wasn't the answer, or the only options, because Ochacko saving Toga (again, currentlydressed as Twice) is living proof. Hawks failed, and Twice, the guy he says he likes, is dead. Endeavor choosing family (Touya) over heroism (Keigo) should also be upsetting, because his childhood ideal Endeavor is gone.

Both of these things happening should be challenges to Hawks's thoughts and feelings about himself, and that should not be a smooth process that doesn't involve strong emotional reactions from the character. There's a LOT left to be done with Hawks and that's why people want to see it.

Am I confident that it'll happen to the level of that I am confident Tomura, Touya, and Toga will be saved? I wouldn't say I'm that high up on the confidence scale, just because Hawks has always been so weirdly handled by Horikoshi that I scratch my head at his choices with Hawks sometimes. But I AM confident they will be addressed. Hawks maintaining his cool guy demeanor would be really stupid and disappointing tbh, especially because the LOV losing their "cool" demeanor elevates their stories so well and I think Hawks deserves the same treatment.

[welkinsky]

Hawks X Reader | When You Two Started Getting Closer

A/N: I've had this idea in mind for sometime so here it is.

I could see that he would be a little bit uncomfortable at first. Not that he doesn't like it. He did, but he has never let anyone this near to his REAL personality. He always put on a show for the world, but you could see right through it all.

At first, he always brushed it off, but every encounter with you ended with him thinking, "Am I that transparent?" So to test it once more, he ends up "accidentally" bumping into you a lot. And every time, you left him even more insecure in his abilities to hide it all from the world.

You always would ask a question that'd hit a nerve but ended the conversation with such soothing words that would make him look at himself differently, in a good way.

You can see the good in him, and he always saw the bad. You were determined not to be his support system but rather to show him what you can see because you want him to be independent in his ability to bring himself up when he is down emotionally. But you ended up as both in the end.

After a couple of months, he was hooked on you! The people he hung out with were other pro heroes who would repeat the same nonsense things repeatedly or he was with press & media people who were toxic as hell! They knew exactly how to use him for their profits and hawks knew it all. But the cycle of always being in the limelight was so natural to him that now he cannot live without it.

But with you, it was all different. You could see his insecurities and his own "made-up flaws" oh-so-clearly. You confused him with your kindness and your affection. His mind would be running with questions like, "What are you even getting out of this?". This is why with you, he could feel like he just wants to let out all the emotions that he has been burying for all these years. 

He felt safe but he didn't know it yet because he never felt it before. He didn't know how it felt to be emotionally safe with someone. This broke your heart because you could see how kind he was and how observant he was for others and would sacrifice a lot for them, who would never do the same for him. Also, you can see how he is wrapped up in these materialistic dopamine kicks that are actually hurting his inner peace and happiness.

You had no motive to be with him at first because of his Playboy persona. So all you wanted for your favorite hero was to be happy off-camera too. But as you started understanding him more, somehow helping him healed you as well.

He'd get distant at times when you were too straightforward because you scared him. And you understood that, so you tried to be as subtle in helping as you could, but sometimes you just couldn't help but state the obvious. And he cannot stay away from you for long too so he'd come back around.

It came to a point that you two had very deep feelings for each other but were just confused if these were because of the way you two can see through each other or do you actually like each other.

If you could see from a third person's perspective, it could have not been any clearer that you two were in love.

_____________________________

Thanks For Reading and for the ask! Here is BNHA Masterlist <3

If you liked it you can check out the masterlist too!

A-Z Headcanon

[stillness-in-green]

On Heteromorphs and Heteromorphobia (Arc XIX - XXI-a, Star & Stripe to Final War-a)

Okay, so, I had intended to make one last post to cover through the hospital attack, but as my work week kept me very busy, the write-up on the hospital stuff itself is not finished yet. However, when I checked the word count on the S&S arc up through the end of what I had on the hospital--somewhat shorthanded notes on the first two chapters that would need considerable fleshing out, and bupkis on the second two chapters--I found it was already at seven thousand words, far over the four to five thousand mark I've been aiming for per post in this series. So, this week's somewhat shorter post covers from where we left off up through Chapter 369, the last chapter before the hospital material starts. Hit the jump!

The Star and Stripe Arc (Chapters 329-334)

Chapter 329: 

AFO explicitly pins the blame for Spinner’s difficult life on his being a heteromorph and notes that many in the shadows empathize with his cause, leading to an explanation for the Spinner fanboys from 318: Spinner is becoming the face of a movement!     

Much of this stirring up of heteromorphs around the country is being done by the remnants of the PLF, particularly Spinner’s PLF advisors, who have been putting up posters about Spinner being the voice of discontented and mistreated heteromorphs, posters that also suggest a coming reckoning in grand language steeped in cult mentality: gather soon, liberation, fruition, neutrality is a sin.      (And not just Spinner!  The line about neutrality being a sin is from a set of posters about the tragedy of Toga Himiko, picking back up the tack Curious had wanted to take in using Toga’s story to realize Liberation.[1] It’s unclear whether Spinner’s advisors are also putting up the Togaganda or whether that’s being handled by some of the other remnants we’ll see later.)      The beauty of this is that once heteromorphs are stirred up enough, they’ll be gathering comrades and spreading the word of their own volition, even to those with no contact with the PLF.  Of course, the people ultimately behind this are Skeptic and AFO, neither of them heteromorphs, and both with transparent ulterior motivations, though Skeptic at least is still holding to Re-Destro’s ideology of Liberation and likely does view the subsequent mob activity as helpful to heteromorphs themselves, as opposed to the mere means to his own end of becoming the Demon King AFO has in mind.      [1] And which Skeptic had once scoffed at, feeling Toga a poorly suited choice for that sort of mythologizing.  I wonder if he’s just gotten more desperate or if he’s acceded that Toga’s just fine for bringing about Liberation provided that it’s Liberation à la Shigaraki Tomura?     

But how about Spinner himself?  Well, he looks unconvinced, to say the least.  More on this later, when he gets more context on what the reader is already seeing.     

Chapter 333: 

There’s one lone heteromorph outside of Agpar in Star’s crew.  He’s not a very extreme one—tall but not inhumanly so, with a snouty facial structure and long, upward-pointing ears—but he is still the only heteromorph I’ve yet seen in the default masses of a uniformed group of military-types.  Like, BNHA’s masses of riot squad type cops are all baseline, the guards at Tartarus were all baseline, the probably-JSDF guys in the movie are baseline, and so forth.  These folks are often wearing helmets, of course, so there might be some minor divergences scattered amongst them, but there’s only so much divergence that a helmet and full-coverage uniform will hide!  Odd skin tones, yes, unusual eyes, sure, but not protruding facial features or anything other than very small horns, and divergent body plans are right out.     

The U.A. Traitor Arc (Chapters 335-342)

Chapter 335: 

All Might very conspicuously omits Spinner from the list of threats facing the hero side.  In the moment, it reads like All Might doesn’t view Spinner as a threat.  And sure, why would one random, weak-quirked lizard guy constitute a threat worth mentioning, right?  Later on, we’ll find out that the heroes were trying to keep Kurogiri’s location on the down-low, so this omission may simply be an effort to avoid having to discuss the target of the mob that’s brewing by not bringing up the mob to begin with.     

While I assume that’s Horikoshi’s reasoning for this scene playing the way it does, I do think there are some questions raised by later chapters that imply that heroes are underestimating the situation quite severely.  To wit, it’s already known that the obfuscation has failed and an attack on the hospital is coming—even someone as removed from villain goings-on as the Ordinary Woman had heard about it, news which she relayed to Shouji.  I can’t believe that Hawks and company wouldn’t have intel to match that, if only via also learning of the attack from Josei-san.          If the heroes already know the hospital assault is coming, though, why on earth is it so under-defended?  They can’t possibly be running the risk that an attack set to be led by a member of the League of Villains (as they might presume to be the case thanks to all the posters everywhere!) would choose to target the hospital at random, or that it’s just some kind of generic protest that won’t be trying to breach the walls—surely they must know the mob is coming for Kurogiri?  But then why such paltry numbers of defenders?       I can only assume that the heroes badly, badly underestimated how deep heteromorphic anger and pain ran, and thus equally badly underestimated how many people would show up for the attack.  All Might, being part of that central group of planners, is also one of the people being proven deeply ignorant about, and dismissive of, both the suffering endured and the danger presented by the heteromorphs he knows are coming.     

Shouji immediately picks up on the omission and indirectly challenges it when he says, “It’s safe to assume the list goes on,” which All Might deflects with, “Yes.  They will likely amass more allies,” still not talking about who those allies are going to be.  May I say, then, that if there’s any extent to which All Might doesn’t want to talk about this because he doesn’t want to field questions about why a mob of civilian heteromorphs might choose to ally themselves with the League of Villains, it doesn’t reflect particularly well on him.     

Chapter 341: 

Skeptic gives us the line that ties together every single crowd scene demographic we’ve seen over the course of the entire manga:

My vindication, let me show you it.

There are a few subtly different ways you could read this, so I checked with my translator sis-in-law about her take on it.  She said that what Skeptic’s implying here in the Japanese is that, taken as a whole, a telling proportion of criminals designated as “Villains” are heteromorphs.  That is, by inference, heteromorphs are overrepresented in Villain-level criminality.      So why might that be?  Well, look back at everything I’ve said through this whole essay to date: o Discrimination runs rampant in this society, from minor microaggressions perpetrated by otherwise heroic characters all the way up through dedicated, violent hate groups.  Those facing discrimination may have reduced opportunity, thereby pushing them into harder choices, which may make criminality more difficult to avoid.      o Heteromorphs make up a larger proportion of the population in seedy, rougher areas, suggesting they’re probably lower income, proportionally, than non-heteromorphs.  Lower income means the necessity of facing harder choices, as above.      o The very nature of heteromorphism leading to the laws being applied to them more strictly—for example, if a heteromorph gets into a fist fight with an emitter, the heteromorph’s very body being a part of their quirk may make it more likely for them to be charged as Villains for illegal quirk use than the emitter.  (Think of something like Mandalay not thinking of Spinner as having used his quirk during the training camp, but him being categorized as a villain regardless.)          o Bias against heteromorphs leading to the laws being applied to them more strictly.  If the person in charge of deciding how prosecutors are going to handle an accusation against you, and they just reflexively don’t like the look of your face, or are even openly heteromorphobic, of course you’re more likely to get treated like a Villain than someone a baseline prosecutor more readily sees the humanity in.  This problem in particular will self-perpetuate—more heteromorphs being prosecuted as villains means more cops begin to perceive them as inherently more prone to villainy.      Skeptic doesn’t say outright that criminals who are designated as Villains are more frequently heteromorphs compared to baseline types who committed equivalent crimes, but it sure is easy to read as an implication!  After all, why else would he need to specify “Villain-designated criminals” as opposed to simply one or the other?  If all he meant is that heteromorphs make up a larger demographic percentage of criminals and/or of Villains than they do a demographic percentage in the general population, he could just say that.  It would still imply that there’s some unjust reason for that, but “villain-designated criminals” means that he’s suggesting that the numbers are out-of-whack specifically at that intersection, the place where “criminal” gets modified to “Villain.”     

He goes on to say, “No matter how hard heroes and the government have tried to illuminate our society, the light can’t reach every dark corner.  Plenty of heteromorphs hold deep grudges against the so-called heroes,” referencing ideas of light and illumination that will come up again in the hospital attack.      Most literally, we could say this refers to rural discrimination, far away from the advanced, “integrated” cities, and the way heroes cluster around those urban areas because that’s where the money and fame are at.  But I think it can cover my points above, as well—think back to the purse snatcher from the first chapter, who got run down by a whole passel of heroes and then paraded around in front of cameras in a muzzle, like an animal, for—stealing a purse.  Called “pure evil” by Kamui Woods for—blocking traffic?  Gosh, I wonder if that guy might hold a grudge against heroes?     

Spinner articulates what he was almost certainly feeling back when AFO was first talking him up in 329: that he’s average dude, not some messiah, that he’s only here for Shigaraki, not to serve a great cause.  Still, Skeptic says, the common people are waiting for him; he’ll be the one to pull a trigger Re-Destro no longer can.  The very perception that he’s someone average, Just Another Heteromorph Like Us That Got Tired Of It, is what makes him such an inspiring figure.     

Chapter 342: 

All the students in the little montage bidding farewell to people at U.A. are those whose parents we’ve met, all also there in the scene, with one conspicuous exception: Shouji is talking to the Ordinary Woman, who is most certainly not any relative of his.  I grow more annoyed by her lack of a name by the chapter.     

This chapter features one of the manga’s starkest examples of the dehumanization of villains: Uraraka’s dialogue about how it had never even crossed her mind to consider Toga Himiko’s circumstances and beliefs.  Toga is, of course, a seventeen-year-old girl, only a year and a half older than Uraraka herself, and one who first went on the run at fifteen.  They’re so close in age, even met over the summer, yet Uraraka only realized—truly understood—that Toga was “a person too” when she saw Toga crying.      Further, when confronted when this realization, Uraraka’s instinct is to try to quash it, to assume that even thinking this way makes her some kind of villain-apologist freak, so she has to banish those thoughts by going out and staring at scenes of immensely traumatic destruction to remind herself of what Toga had a hand in and thereby banish her human compassion.      This is not framed as being about heteromorphs, but just last chapter, it was laid out for the reader in black and white that heteromorphs make up an outsized proportion of “Villain-designated criminals.”  Thus, in turn, they’re proportionally more likely than any other group to be subject to the dehumanization faced by villains, and here we see just how extreme that social conditioning is even in a nice, empathetic, thoughtful girl like Uraraka.     

The Final War Arc (Chapters 343-369, for now)

Chapter 345: 

Geten’s #3, a heteromorph right on the border between resembling an animal and just being weird-shaped (if anything, he looks more like a heteromorph based on a Pokémon), calls the heroes Mammonists, a term referring to followers of Mammon, a personification of wealth/lust for wealth.[2]  Professional Heroism as HeroAca’s Japan practices it is an inherently capitalistic endeavor.  It’s wildly commercialized, rewards competition before cooperation, and dehumanizes the human assets that keep it going, hero and villain alike.  Calling heroes Mammonists, therefore, echoes Stain’s accusations, and recalls Mount Lady’s grin way back in the first chapter when she stole the “kill” from Kamui Woods, all in the interest of fame, benefits, and government pay.      [2] In the Japanese, haikin shugisha, literally “money-worshipper”; jisho even gives Mammonist as a direct translation.      I want to reiterate a few points I’ve talked about before, as well as add a few new considerations, to get at what I think is telling about not!Greninja’s Mammonist accusation as it relates to heteromorphobia:     o Mount Lady’s bonus chapter established that more rural areas see less heroism.  This impacts heteromorphs like Shouji and Spinner both because there’s no one around who’s both willing and able to save them from the abuses they suffer[3] and because there are no heteromorphic heroes around to serve as role models.      o Tomura’s Chapter 237 flashback established that rougher areas are slower to see hero agencies established in them—the men shortly to be murdered by Tenko complain about a bunch of new hero agencies being built in the area lately.  That’s over a decade prior to canon, sure, but many long years more since the establishment of professional heroism!      o I’ve demonstrated that higher concentrations of heteromorphs in an area can serve as a visual shorthand for it being a poorer, rougher place to live.      o A hero’s ranking depends on incident resolution, public approval, and social contribution—all things that disadvantage those who work in rural areas.      o Two characters in Class 1-A were admitted as “recommendation” students, i.e. those who can take smaller-group versions of the exams, as well as getting the benefit of an interview portion.  Those two characters are Momo and Shouto—both baseline, both powerful, both wealthy.  Does U.A. offer scholarships?  Any financial aid for underprivileged students?  Any programs to seek out promising youth who may not have the connections to get recommendations?  Who knows!  But, we sure do have a telling window on who gets small-batch exam privileges.[4]      [3] Of course, if you take Vigilantes as canon, there’s no guarantee heroes would have helped them anyway—the people attacking them were doing so with pitchforks and pesticides, after all, not quirks.  That firmly puts those attacks in the category of “not a hero’s job.”  But let’s give Heroes enough benefit of the doubt to assume that even a pretty materialistic one would probably not have stood by while a crowd of adults attacked a ten-year-old with farming tools unless they themselves had already been raised to such violent heteromorphobia—which, if they’re content to be working in such rural areas, odds are they were.      [4]    This particular argument is, I admit, much weaker when you factor in Juzo, Tokage and Inasa, but if Horikoshi didn’t want to make some unfortunate implications about who benefits from the recommendation program, he shouldn’t have made 100% of the recommendation students in the Main Character Class baseline, powerful and wealthy.     

Taken all together, it’s easy to understand why someone might accuse Heroes—especially Heroes who bust out the kind of exorbitantly expensive, last-minute constructs the heroes have just busted out—of being money-obsessed.  Successful heroes live and die on commercialism, on public recognition, on their “brand,” and that structure keeps the money flowing—from the government to heroes, from civilians into the Hero industry, from heroes to the vast array of production companies supporting them on all fronts.  The whole industry is a prayer wheel that turns on money.      Now, Geten’s #3 is a pretty flashy dresser himself—those pinstripes!—so whenceforth this “Mammonist” accusation?  Well, I would point out that he is a heteromorph, and reiterate the story’s frequent utilization of heteromorphs to visually communicate lower income brackets.  Perhaps he himself has experience with poverty, even if he’s clearly doing better for himself these days.  If so, then it’s very likely that the beef that drives his embrace of Liberation ideology is that the Hero System first criminalizes public quirk use for non-heroes and then monetarily disincentivizes getting help where it’s truly needed, all while pouring money into Heroics elsewhere like a busted oil tanker spewing crude into the Gulf.     

Chapter 349: 

Spinner is visually suspended between the desire to change the world he lives in and the desire to destroy “the warped imbalances (…) that we all just came to accept.”  He embodies both—he’s someone who once resigned himself to his warped lot in life, who came to the League because he wanted so desperately to change, because he wanted to believe that change could be brought about by only a single man, and who fell in love with the promise of destruction.  Hero Society never promised him either, so he came to the only people who could.     

Chapter 353:

This chapter places Spinner firmly at Central Hospital, here to retrieve Kurogiri.  The group he’s leading is entirely composed of heteromorphs, including two of his three PLF advisors; this, combined with the set-up about heteromorphs looking to him and Mezo “I want to feature him in the story” Shouji’s conspicuous presence, hints at what’s about to go down at this location.     

Chapter 355: 

AFO’s got a snappish “fowl duo” thought about Hawks and Tokoyami—just “two birds” in the Japanese, but still dismissal of them as animals.     

Of the ones we can see, AFO has exactly one vestige with tiny little horns; every other one attacking him is baseline in their general appearance and build.  Not exactly beating my heteromorphobic accusations there, big guy.     

Chapter 358: 

ShigAFO brings up appearance and form in his monologue about how the post-Advent world is a world beyond hope of a status quo, full of disparities that lead to a lack of understanding, and thence to fear and rejection.  It touches on similar themes as Nedzu’s speech back in 323, but with an ultimately fatalistic bent.     

Bakugou relates this all to Deku—their past relationship, as well as Deku being brought back to U.A.—but, as we will see, the arc’s got some heavier hitting stuff in mind for talking about disparities giving rise to fear and rejection.     

Chapter 363: 

Mirko’s gets another self-referential animal quip that only exists in Caleb Cook’s colorful localization.  The line rendered as, “If only I’d been one hop faster!” only references being one step faster in Japanese.

----------

Next time, I will finally actually cover the hospital! Hopefully it will be in a week, but it's only half-written and is, I suspect, going to require a lot more editing to strike the right balance on discussing what I think is relevant and simply complaining about how egregiously bad it is as a resolution to this whole aspect of the worldbuilding. Followers who read my posts on those chapters will likely find my bitching familiar, but this is piece is bound for AO3 eventually, so it needs to be able to stand on its own without too much reference to other posts.

In any case, it should be up in one or two weeks, depending on how busy work keeps me.

On the topic of work, and with a number of new followers around, this is probably a good time for me to point out again that I'm in a pretty tight financial situation, so if you've been enjoying this series of posts and are of a mind to throw a few bucks my way, I do have a ko-fi you can use to do so!

Thanks for reading, all!

[that-spider-fan-over-there]

No because the more I - and many, many others think about it, why five chapters to wrap everything up? I keep thinking of reasons and only one makes sense to me, but.

BNHA is considered a world-wide best-seller, being WSJ's 6th most sold manga (last I checked, which was a few months ago). So many mangakas and artists taking notice and praising it, its big demograohic getting bigger because of its 10th anniversary in two weeks (!), more people are inclined to see it through the end. Hell, even taking out worldwide demographic, it's still very beloved in Japan- they had an entire tour event for the manga, for goodness' sake. It's a weird decision from a financial and commercial standpoint.

From a creator standpoint, Horikoshi likes taking his time writing his arcs down to the most ridiculously minimal details- the most likely possible positive outcomes is that Horikoshi is either planning a sequel or changing publishers but that's a whole leap in logic-

1. A sequel implies we aren't following the Hero Academia like stated by 424's release; and there's a whole bulletpoint of things that need to be addressed; a sequel wouldn't make sense because why tackle everything in a different part of the story?

I've seen people suggesting another MC, but. Remember BNHA as of now took place in the span of 2 years in-universe, but in real life, 10. Izuku's story isn't finished and we have another character (which now I'm certain it's Tenko) to meet, that would be more cluttered than the PLFW Arc.

Others mentioned a possible spin-off, or a time skip, but that's a another can of worms because that's a new world/POV with missing development from the characters we know, which would be interesting but. Again, a whole list of plot points to address; why not address here and now? Surely that's not what we imagined when 424 said "we need to go even further beyond" the end of the story, right? And one more thing: Volume 41 still does not have enough pages to fill in a tankobon unless the page count is huge and that's why we got a two/three-week break. Even then it doesn't fully solve the problem.

2. Publisher changing is another story, because it implies WSJ is falling on hard times, cutting corners, Horikoshi's contract wasn't renewed, or someone offered a better deal, but once again, big money-maker. Which we know it's BS. Not to mention the amount of legal jargon and time it'd take for that to happen behind the scenes for this to be possible- a month ago we got Hori saying he didn't know how long it'd take to reach the ending, and all of these complications would delay, if not officially put the series on a hiatus similar to OP, right?

And then there's the "five chapters is a long epilogue" or the argument, which I do agree, unfortunately. But this is why I'm so baffled; the amount of shit that needed to be addressed in the story- Todofam, Himichako, Spinner, Rooftop Trio, Hitoshi in Class 2-A (Class 2-A in general, really), Izuku and Katsuki's state, future and relationship, societal rebuild and re-evaluation of pro-heroes, what happens to Toshinori now, if OFA is really gone or not, Hero Commission, Mr. Compress's fate, Hawks being Quirkless now, the mystery man from 425, the list goes on and on. Nothing about hero society in BNHA was shown to change, then what's all that talk of long epilogue for if we can barely focus on five of these? So much to answer and not enough time for all.

IDK, there are more "positive"* theories of Horikoshi ending the "Academia" part of Boku no Hero and focusing on the more ambitious part of the manga in a part two, a la Chainsaw Man, but even that feels like wishful thinking- especially because of so many second series being. A mess, to put it lightly.

Horikoshi does deserve the break from writing and drawing, don't get me wrong, ten years of pumping up a story of this quality is not an easy feat, but it's so weird considering all the loose ends. If he did decide to end on his terms, well. His decision, I guess, even if it still feels off. But it is the only explanation that makes sense, in my opinion. Especially with the amount of breaks he needed to get because of health conditions- Shonen Jump is very harsh on their mangakas after all.

*I say "positive" because he said he didn't want it to be a long runner, and he did say he's interested in a BNHA spin-off and elevating the light novels. And that he'd "see us again in Jump" on the countdown announcement, so. There's that, take that as you will.

Maybe I should try and be positive as well, there is a chance this is not the end of the main series yet, and we're getting, Idk, a rebrand of sorts? Maybe Horikoshi will show up at Jump Festa and be like "surprise I got more tricks up my sleeve". Back to the beginning, but not quite the same. Hell imagine if he decided to go to the actual beginning: Boku No Hero one-shot from 2008. Call it Boku no Hero Agency or something like that. Hah.

Won't erase that I am feeling shitty about this right now- but, what do I know, I wanna choose hoping for something as wishful as this until the end of the ride rather than dwell on the doomerism of it all. Just wanted to talk about it. Makes me regret I chose to get into BNHA late in the game, but I'm still glad I got to ride in at all. I hope this "final bow" isn't gonna feel as incomplete as I fear it will.

I. Guess we'll have to wait and see with fingers crossed then. *sigh* So, with that said.

I guess I wanna hope for the handhold, at least.

[sarahjtv]

BNHA Chapter 423 Spoiler Talk:

Testing, testing. Is this mic on? Hello?

Oh, hi! It's been a good *checks calendar* 1+ years. But, I just woke up after reading the spoilers for My Hero Academia chapter 423 last night and I need to process things here so, please indulge with me for a bit:

First off: What? Seriously, what just happened? I can't tell if I'm mad or happy with the way Shigaraki's story ended (at least for now I hope). It kinda just ended in 1 chapter; 3 pages actually... I expected at least one chapter focused solely on Shigaraki/Tenko stuff before he died, but nope. We didn't even get to see Tenko in the end. The way he went out was beautiful and poignant (and Horikoshi's artwork is phenomenal as usual), but I can't help but feel empty about this; like something is missing and I'm not sure how to find that missing piece.

I really hope this isn't final for Shigaraki's story and that we do get one final chapter focusing on Shigaraki's final, final moments and that we get to see Tenko one last time, but I'm not so sure anymore. Horikoshi's storytelling isn't perfect, but I know he cares enough about his characters to give them proper conclusions when he can, so I really hope this isn't it. I hope he doesn't skip this because he feels rushed to finish it or something.

Now, with Shigaraki and AFO dead in the real world, I guess we've reached the epilogue part of MHA unless Horikoshi throws a curveball at us. I assume Deku doesn't have OFA anymore either because Yoichi said that Deku transferred the last of the OFA embers to AFO and now he's dead which makes Deku quirkless. I really did think that Deku would still have OFA at the end of this, but we'll have to see. I do like the fact that Deku's punch changed the weather just like All Might did at the very beginning of the series.

I also need to add that I liked Shoto and Bakugo's last involvement with the final battle though I wish they did more overall since they're part of the Origin Trio and all.

But, yeah, AFO and Shigaraki are dead. The war is over. I think at least. It looks like it. Now we're in epilogue territory. I still think it was a great chapter, but I'm still unsure of how to feel about Shigaraki's ending. I do feel like more could've been done with his conclusion and maybe something will be done about it either in the next few chapters or in the volume release.

This makes me wonder how much of My Hero Academia we have left. It's been a while since I've been present for a long-running manga's conclusion (I think the last one was Haikyuu), but I have a sinking feeling we have 1-3 more chapters left with the final chapter being much longer than usual (30 or something pages to fill out the final volume?). We still have quite a few bows to tie in the series. The only thing announced was that we have a break next week, which thank god I need it to process all this more. Regardless, I am going to be very sad when this series ends. It's been a real bright spot in my life for the past 5+ years. I will be there when it happens, though. Maybe I'll make a post about it then too.

More Theories After Leak Day:

I wonder if the whole "Reconstruction" thing from Decay's origin is going to be brought up at some point. Remember that we learned that Decay originated from Overhaul which can tear apart and put people back together. Decay was the destruction part of that Quirk. Theoretically, the reconstruction part should still be in the Quirk's DNA. So, is it possible that Tomura Shigaraki died with Decay and gets "resurrected" somehow as Tenko Shimura with the last remains of the original Quirk? It would help with Deku "saving" Tenko. I feel like this is a detail that Horikoshi wouldn't just leave out and never come back to it.

There was one panel where Deku and Shigaraki did a fist bump. There was blood on their hands (at least Deku's) and since Heroes Rising is canon and we've seen Deku transfer OFA to Bakugo via blood, it isn't crazy to think that maybe Shigaraki transferred OFA back to Deku. For what reason, I'm not sure. We'll just have to find out.

IF Deku does get OFA back, people have theorized that it's possible that Tenko could live within OFA like the rest of the vestiges. That might be plausible, but I'm not entirely sure how to feel about it. I don't think Tenko/Tomura would really be "saved" like Deku wants if that happened. And even IF Deku had to kill Shigaraki to "save" him, I don't think Deku would be happy with that.

[villainsandvictimsalliance]

Every time I ever come back to bnha to check on dabi I am emotionally wounded. Like is my boy even alive at this point I can’t even tell. (if he ever dies please come tell me immediately)

It's really the same for me and the villains. Bnha is fun, but if it wasn't for the League I'd only check it through mutuals or from time to time see what is going on. Maybe catch up with the anime if I'm bored on a weekend.

The only reason I'm still here is because the hero kids are reeeaaally invested in saving/helping the League of Villains. I need to see how it ends for them. I need them all to be happy.

With all the LOV have lost over the years, I hope they get a chance to be together laughing again 😭😭 this time for real.

(And I'll totally tell you, don't worry. Everyone will know because I'll be one of the unconsolable souls screaming over here lol).

[bat-eclecticwolfbouquet-love]

Bnha didn't do it for me on the whole "Hero-Villain" tropes anymore. It doesn't feel like its groundbreaking ideas are getting written well like how there's no such thing as a defined Hero or Villain, there is just the nature of things. Everything is so Black and White

I think James Gunn's work, Peacemaker actually has amazing ideas on the whole Hero-Villain tropes, everyone had an absolute blast with it, great character developments and also amazing comedy too

The best thing about the entire series is that how they treat comic superheroes in it is exactly how one would expect Superheroes would be treated in a Modern world, like how Aquaman is getting dissed on Twitter lol, Aquaman even said when he made it as the ending's cameo that people gotta stop with the dumb rumours, yes he doesn't fuck fish AND ofc John Cena too, dang he's one hell of character

Also I guess at some point, the entire "Teenage Heroes" trope got stale since it all feels unrealistic and how no one is talking about the gravity of bringing kids into Heroism so early. They missed out on a lot of chances with "Real Horror" with the Modern Heroes World in Bnha, cuz there are bad things in good things and vice versa

It's sad how no one is talking about the societal treatment towards others and how there are always the Villains cuz mostly everyone didn't have the awareness of how badly they treat others who are considered "freaks of society".

The lack of education on certain social aspects is appalling, they ignore the social issues with Quirks in general and didn't educate children on how to treat others kindly regardless of Quirks, you can see that with Bakugo, since it was his huge characteristic everyone knows for. Honestly this part feels extremely realistic cuz it's an actual real life thing but I don't think it was improved and just left it as is. We see the consequences and never solutions to fix

Yeah to me it feels like hero don't face any consequences and the whole 'saving villains things ' was quickly discarded. I'm not saying all should be forgiven but it was made clear they became what they are because of tragedy, especially Shigaraki. I believe nothing is black and white. It's shades of gray, (I think Tokyo ghoul did this really well).

And yeah the whole kids being heroes and put through the things they've dealt with, like the Pro heroes seemed to step aside and let it happen which is weird. Let's be honest the young students were leading the way against AFO and Shigaraki. I know this was there story (Izuku Bakugou Shouto Shigaraki) these were the main characters but that doesn't mean we gotta like how they get there.

I also think the story got darker then people expected.

I've always felt the a hero or villain is perspective. A person can be a great hero then go home and abuse their family. A person whose a villain may be doing bad deeds to help their family or those they love because the system fucked them over. So to those they are the hero and the hero is the bad guy.

Society changes people and shows the world what it thinks is correct. Shigarakis life was horrible he deserves someone to save him but he's committed crimes that can't be swept under the rug yet he only did them cause he was groomed and lied to and abused but all the Society sees is he is bad. Heroes aren't suppose to kill but there ate heroes who enjoy the brutality of beating or killing villains. But their heroes so it's OK.

You made some great points and I really enjoyed reading this.

IM SORRY I RAMBLED. SO MANY THOUGHTS. I HOPE IT MAKES SENSE. I COULD GO ON AND ON. THIS IS NOT SPELL CHECKED.

[cangrellesteponme]

10, 12,14,17, 19 👁️👁️

10. what is the longest amount of time you’ve let a draft rest before you finished it?

i’ve had to check my files for this. Sweeter Days (latest fic i posted, touchstarved vn) was in the drafts from april 13th 2023 to the very end of march 2024. nearly a year.

(and i thought it was the longest, but if we count drafts i do plan on finishing, it clearly isn’t. i started writing Running From Our Ends (kuro) on february 3rd 2022. it’s not done yet. there’s also the Breaking Point (d:bh) sequel but let’s not…)

(also, i wrote Staring Contest in like a day. so yeah not all fics are created equal…)

12. a trope you’re really into right now

right now, i think i have brainrot about two tropes: temporary amnesia and one-sided feelings. but that’s mostly for reading, i don’t write that at all (well… arguably Dichotomies (bnha) was one-sided). i don’t write a lot of tropes, but recently a lot of my writing has been about the mind and the body in conflict but also being one and the same?

14. where do you get your inspiration?

depends on what we’re talking about. for original works, my brain is just a little weird and comes up with weird stuff very often. for fanfic, mostly just from aspects of the characters i want to know more about? like how i wrote Staring Contest before we got a more detailed idea of how bard worked. and for poetry, my shower thoughts are very weird!

(as for art, which is not the focus here but who cares, i enjoy mashing concepts together a lot. so when i do more complex pieces, it’s mostly just that i thought of a thing and went “make it kuro!!”)

17. talk about your writing and editing process

well, The Ota Method is a mess. but it’s pretty systemised.

have some kind of weird thought and deem it worthy of being written.

run to pc (or, if we must, notebooks) and write the basics down (sometimes, a few lines)

whenever there’s enough time for that, do a little writing session (with background music ofc) and write as much information and details as possible. most of what i write then isn’t the actual words you’ll see in the final draft. it’s things like “something about fear but no fight-or-flight, sentiment left aimless as the fight has left him already.” (this is an actual quote from the first draft of dadbastian week day 7) that indicate what ideas i have, what metaphors i want to put in, but are simplified enough so i won’t be stuck on finding the right words immediately. usually when that’s done i have a more global idea of how it’s all going to look. (sometimes, a whole passage is often reduced to a sentence, something like: “after it’s done”, which is again a real quote from the same draft)

then, i do a second writing session. sometimes it’s later on the same day, or the next day, or it can be ages later. first draft notes are put in bold so they stand out as unfinished. and then i just write. one draft note can lead to something like “— it is hard to see any fear in him in the complete absence of fight-or-flight, hard to put an adequate name on this aimless and dulled terror, and the calm facade reigning over it all. Sebastian would once have found it fascinating. He is now appalled at the lack of fight left in his young master.” (again, from dadbastian week day 7) the process is repeated as many times as needed to finish the damn thing. i usually write paragraphs about feelings first, along with everything that involves metaphors. dialogues and more descriptive parts are often done last.

when it’s all done, it’s time to proofread (ugh) which first consists in checking that i didn’t forget to write anything, removing some repetitions (and sometimes adding some), making sure transitions make sense, and asking myself “does this actually convey the right thing?” which never leads me anywhere. and then i read it again and check for typos and other mistakes.

then i sigh as i remember i have to write a summary and figure out tags for ao3, i have a heated debate against myself about the rating, i give up and just pick one, do the things, struggle with formatting for a little while, and boom. posted.

19. the most interesting topic you’ve researched for a fic

well. i don’t do historical research because i hate history (and i’m very dumb), so that’s 99% of the interesting things out of the way. most of my research is one of three things: i’m trying to understand every single way a word or phrase can be used and understood in english (or just making sure i’m remembering it right, or checking that my vocabulary choices match the typical british standard), i want to have a specific image in mind about a thing i’m writing even if i don’t describe it (this is mostly about fashion. and food, oddly enough), or i’m neck deep into psychology and psychiatry for some obscure reason (so far, for all of my writing, i’ve researched anxiety, bpd, npd, aspd, bipolar but just the diagnosis criteria, ptsd, and cptsd. don’t ask me why, it just comes up!!)

I’d say the most interesting one was… well. it’s a tie between looking up the recipes of a bunch of lemon cakes and aspd.