#asher friedman

[marymcmagic-hair]

this is a masterclass in comedy

[coochiequeens]

I know this blog focuses on TIMs invading women’s sports and locker rooms but Saving Women’s Sports means more than that. Like calling out sexist bs when companies give men real clothes to compete in and women get basically underwear.

The Nike Air Innovation Summit in Paris on Thursday.Credit...Dominique Maitre/WWD, via Getty Images

By Vanessa Friedman April 12, 2024

Ever since the Norwegian women’s beach handball team turned the fact that they were required to wear teeny-tiny bikini bottoms for competition into a cause célèbre, a quiet revolution has been brewing throughout women’s sports. It’s one that questions received conventions about what female athletes do — or don’t — have to wear to perform at their very best.

It has touched women’s soccer (why white shorts?), gymnastics (why not a unitard rather than a leotard?), field hockey (why a low-cut tank top?) and many more, including running.

So it probably should not have come as a shock to Nike that when it offered a sneak peek of the Team U.S.A. track and field unies during a Nike Air event in Paris celebrating its Air technology on Thursday (which also included looks for other Olympic athletes, like Kenya’s track and field team, France’s basketball team and Korea’s break dancing delegation), they were met with some less-than-enthusiastic reactions.

See, the two uniforms Nike chose to single out on the mannequins included a men’s compression tank top and mid-thigh-length compression shorts and a woman’s bodysuit, cut notably high on the hip. It looked sort of like a sporty version of a 1980s workout leotard. As it was displayed, the bodysuit seemed as if it would demand some complicated intimate grooming.

Citius Mag, which focuses on running news, posted a photo of the uniforms on Instagram, and many of its followers were not amused.

“What man designed the woman’s cut?” wrote one.

“I hope U.S.A.T.F. is paying for the bikini waxes,” wrote another. So went most of the more than 1,900 comments.

The running comedian Laura Green posted an Instagram reel in which she pretended to be trying on the look (“We’re feeling pretty, um, breezy,” she said) and checking out the rest of the athlete’s kit bag, which turned out to include hair spray, lip gloss and a “hysterectomy kit,” so the women would not have to worry about periods.

When asked, Nike did not address the brouhaha directly, but according to John Hoke, the chief innovation officer, the woman’s bodysuit and the man’s shorts and top are only two of the options Nike will have for its Olympic runners. There are “nearly 50 unique pieces across men’s and women’s and a dozen competition styles fine-tuned for specific events,” Mr. Hoke said.

Sha’Carri Richardson

Women will be able to opt for compression shorts, a crop top or tank and a bodysuit with shorts rather than bikini bottoms. The full slate of looks was not on hand in Paris but more will be revealed next week at the U.S. Olympic Committee media summit in New York. The Paris reveal was meant to be a teaser.

Anna Cockrell.Credit...Dominique Maitre/WWD, via Getty Images

Mr. Hoke also pointed out that Nike consults with a large number of athletes at every stage of the uniform design. Its track and field roster includes Sha’Carri Richardson, who happened to be wearing the compression shorts during the Paris presentation, and Athing Mu. And there are certainly runners who like the high-cut brief. (The British Olympic sprinter Dina Asher-Smith, another Nike athlete, told The New York Times last summer that while she opts to run in briefs, she also leans toward a leotard style, rather than a two-piece.)

What Nike missed, however, was that in choosing those two looks as the primary preview for Team U.S.A., rather than, say, the matching shorts and tanks that will be also available, it shored up a longstanding inequity in sports — one that puts the body of a female athlete on display in a way it does not for the male athlete.

“Why are we presenting this sexualized outfit as the standard of excellence?” said Lauren Fleshman, a U.S. national champion distance runner and the author of “Good for a Girl.” “In part because we think that’s what nets us the most financial gain from sponsors or NIL opportunities, most of which are handed out by powerful men or people looking at it through a male gaze. But women are breaking records with ratings in sports where you don’t have to wear essentially a bathing suit to perform.”

The problem such imagery creates is twofold. When Nike chose to reveal the high-cut bodysuit as the first Olympics outfit, purposefully or not, the implication for anyone watching is that “this is what excellence looks like,” Ms. Fleshman said.

That perception filters down to young athletes and becomes the model girls think they have to adopt, often at a developmental stage when their relationships with their bodies are particularly fraught.

And more broadly, given the current political debate around adjudicating women’s bodies, it reinforces the idea that they are public property.

Still, Ms. Fleshman said, “I’m glad Nike put this image out as the crown jewel of Olympic Team design,” because it may act as the catalyst for another conversation that has been long overdue.

“If you showed this outfit to someone from the W.N.B.A. or women’s soccer, they would laugh in your face,” she said. “We shouldn’t have to normalize it for track and field anymore. Time’s up on that.”

[galathynius]

2023 reading log

the uncensored picture of dorian gray by oscar wilde / jan. 2-9 / 4 stars

buzz saw: the improbable story of how the washington nationals won the world series by jesse dougherty / jan. 9-11 / 4.5 stars

proposal by meg cabot / jan. 17 / 3 stars

sidelined: sports, culture, and being a woman in america by julie dicaro / jan. 12-17 / 4 stars

remembrance by meg cabot / jan. 18-19 / 3 stars

how sweet it is by dylan newton / jan. 19-20 / 3 stars

daughters of sparta by claire heywood / jan. 21-22 / 3 stars

highly suspicious and unfairly cute by talia hibbert / jan. 22 / 4 stars

gentlemen prefer blondes: the diary of a professional lady by anita loos / jan. 23-26 / 3 stars

hell bent by leigh bardugo / jan. 26-31 / 4 stars

all about love: new visions by bell hooks / jan. 22-31 / 4 stars

daisy jones & the six by taylor jenkins reid / jan. 31-feb. 2 / 4 stars

everything i know about love: a memoir by dolly alderton / feb. 2-9 / 4 stars

emma by jane austen / feb. 11-19 / 4 stars

fake it till you bake it by jamie wesley / feb 19-23 / 3.5 stars

my dark vanessa by kate elizabeth russell / feb. 23-26 / 4 stars

throttled by lauren asher / feb. 26-28/ 2 stars

the locker room by meghan quinn / mar. 1-5 / 1 star

come as you are: the surprising new science that will transform your sex life by emily nagoski / feb. 17-mar. 5 / 4.5 stars

pucked by helena hunting / mar. 5-11 / 3 stars

legendborn by tracy deonn / mar 12-23 / 4.5 stars

unadulterated something by m.j. duncan / mar. 23-25 / 4 stars

the fifth season by n.k. jemisin / mar. 26-apr. 15 / 4 stars

how to fake it in hollywood by ava wilder / apr. 16-19 / 3.5 stars

sharp objects by gillian flynn / apr. 19-22 / 4 stars

the homewreckers by mary kay andrews / apr. 22-25 / 3.5 stars

the kiss curse by erin sterling / apr. 25-26 / 3.5 stars

the wedding crasher by mia sosa / apr. 26-27 / 3 stars

let’s get physical: how women discovered exercise and reshaped the world by danielle friedman / mar. 25-apr. 27 / 4 stars

mile high by liz tomforde / apr. 27-may 6 / 1.5 stars

happy place by emily henry / may 6-7 / 5 stars

carrie soto is back by taylor jenkins reid / may 7 / 4 stars

the spanish love deception by elena armas / may 8 / 2 stars

neon gods by katee robert / may 8-9 / 1 star

love in the time of serial killers by alicia thompson / may 9-11 / 4 stars

the bodyguard by katherine center / may 11 / 4 stars

the intimacy experiment by rosie danan / may 11-12 / 3 stars

upgrade by blake crouch / may 12-13 / 4 stars

by any other name by lauren kate / may 13 / 3 stars

the dead romantics by ashley poston / may 15-17 / 4 stars

the ballad of songbirds and snakes by suzanne collins / may 19-28 / 3.5 stars

so many ways to lose: the amazin’ true story of the new york mets—the best worst team in baseball by devin gordon / may 13-jun. 4 / 4 stars

iron widow by xiran jay zhao / jun. 5-7 / 3 stars

the grace year by kim liggett / jun. 7-8 / 4 stars

the last magician by lisa maxwell / jun. 9-11 / 4.5 stars

little fires everywhere by celeste ng / jun. 12-14 / 4 stars

not a happy family by shari lapena / jun. 14-17 / 2.5 stars

the familiars by stacey halls / jun. 17-21 / 3 stars

the girls i’ve been by tess sharpe / jun. 21-22 / 3.5 stars

once more with feeling by elissa sussman / jun. 23 / 3 stars

the cheat sheet by sarah adams / jun. 24-25 / 1 star

how to sell a haunted house by grady hendrix / jun. 26-29 / 3 stars

little thieves by margaret owen / jul. 1-3 / 4.5 stars

this is how you lose the time war by amal el-mohtar and max gladstone / jul. 3-6 / 3 stars

the very secret society of irregular witches by sangu mandanna / jul. 11-12 / 4 stars

the lies of locke lamora by scott lynch / jul. 13-27 / 4.5 stars

seven days in june by tia williams / jul. 28-30 / 4 stars

bloodmarked by tracy deonn / jul. 31-aug. 2 / 4 stars

something wilder by christina lauren / aug. 3-4 / 3 stars

howl’s moving castle by diana wynne jones / aug. 4-5 / 4 stars

dark matter by blake crouch / aug. 12-13 / 3 stars

eat up! food, appetite, and eating what you want by ruby tandoh / jul. 30-aug. 14 / 4 stars

the silent companions by laura purcell / aug. 5-18 / 4 stars

mr. wrong number by lynn painter / aug. 19-20 / 2 stars

romantic comedy by curtis sittenfeld / aug. 20-21 / 4 stars

the last tale of the flower bride by roshani chokshi / aug. 21-23 / 4 stars

the hating game by sally thorne / aug. 23-25 / 2 stars

lessons in chemistry by bonnie garmus / aug. 25-26 / 2.5 stars

the godparent trap by rachel van dyken / aug. 27 / 2 stars

i’m glad my mom died by jennette mccurdy / aug. 27-29 / 4 stars

the atlas six by olivie blake / aug. 29-sep. 9 / 3 stars

wordslut: a feminist guide to taking back the english language by amanda montell / sep. 1-9 / 4 stars

practice makes perfect by sarah adams / sep. 10-11 / 3 stars

all systems red by martha wells / sep. 13-14 / 3 stars

do i know you? by emily wibberly and austin siegemund-broka / sep. 14-16 / 4 stars

same time next summer by annabel monaghan / sep. 17 / 3.5 stars

Ounder the influence by noelle crooks / sep. 18-22 / 4 stars

burn for me by ilona andrews / sep. 22-23 / 4 stars

the littlest library by poppy alexander / sep. 24 / 3 stars

the neighbor favor by kristina forest / sep. 25-27 / 3 stars

satisfaction guaranteed by karelia stetz-waters / sep. 28-oct. 5 / 3 stars

the ex talk by rachel lynn solomon / oct. 5-7 / 4 stars

change of plans by dylan newton / oct. 8-9 / 2 stars

coraline by neil gaiman / oct. 9 / 4 stars

you, again by kate goldbeck / oct. 9-11 / 3 stars

mrs. caliban by rachel ingalls / oct. 12 / 3 stars

summer sons by lee mandelo / oct. 12-19 / 4 stars

the death of jane lawrence by caitlin starling / oct. 19-24 / 3 stars

house of hollow by krystal sutherland / oct. 25-29 / 4 stars

white hot by ilona andrews / oct. 28-nov. 2 / 4.5 stars

twice shy by sarah hogle / nov. 4-5 / 3 stars

sexed up: how society sexualizes us, and how we can fight back by julia serano / nov. 2-10 / 4 stars

artificial condition by martha wells / nov. 11-14 / 4 stars

wildfire by ilona andrews / nov. 14-16 / 4.5 stars

between a fox and a hard place by mary frame / nov. 18 / 3 stars

revolting prostitutes: the fight for sex workers’ rights by molly smith and juno mac / nov. 18-20 / 4 stars

emily wilde’s encyclopaedia of faeries by heather fawcett / nov. 21-24 / 4.5 stars

love and other words by christina lauren / nov. 24-25 / 3 stars

the boyfriend candidate by ashley winstead / nov. 26 / 3.5 stars

the seven year slip by ashley poston / nov. 27-28 / 5 stars

how to fall out of love madly by jana casale / dec. 3-10 / 3 stars

ordinary monsters by j.m. miro / dec. 10-21 / 3 stars

rogue protocol by martha wells / dec. 22-23 / 4 stars

what you wish for by katherine center / dec. 25 / 3 stars

the blonde identity by ally carter / dec. 25-26 / 2.5 stars

just my type by falon ballard / dec. 26-31 / 2 stars

[straysinfiltrator]

~10 (give or take) blorbos, fandoms, tags 

In reverse order from present day to childhood: Kerr Avon - Blake’s 7 Gerald Tarrant - Coldfire Trilogy by CS Friedman Aaravos -  The Dragon Prince cartoon Iorveth - The Witcher 2 videogame Gascon Brossard - Thronebreaker videogame Don Simon Ysidro - James Asher novels by Barbara Hambly Lestat - Anne Rice’s vampire novels  Methos - Highlander TV series  Old Shatterhand - Winnetou by Karl May Zorro - Kaiketsu Zoro anime Shredder - Ninja Turtles cartoon series 

A lot of these are good bad boys, or villains with a heart. Many have some hidden dark past or secret identity. They often look elegant, swift or graceful rather than bulky; their strength tends to lie in their mind more than their body, and insofar as they’re physically strong, it’s in a way that makes them look like a figure skater rather than a wrestler. They’re all brilliant and very competent at what they do. They tend to have a certain wisdom in the way they see the world, delivering unexpected and often sarcastic insights, but with a sweet bitterness that hints at a sensitivity they are trying to hide. 

Thanks for the tag @myblacksailstales  Tagging with no pressure @theobscurepotato @bertilakslady @first-and-last-neocount @aretuzagradschooldropout @alter-koker @witch-and-her-witcher @vigil-of-the-red-waste @sarasade @zzzett @marnasid @she-who-drank-vodka-with-cats @between-thepages and anyone else who wants to join.

[biographygen]

Who is The Asher House Girlfriend?

The Asher House is like the official name of our hero Lee Asher who loves animals more than his close people. These days, his fans are curious to know about his Asher House girlfriend and dating life. Asher House girlfriend stay informed on their journey together, featuring exclusive content, photos, and relationship highlights. That is why we have brought this article to you. Read below to know who is the Asher House girlfriend.

What is The Asher House?

More than just a house, The Asher House is a movement propelled by a passion for animals. The company's creator, Lee Asher, transformed his love of animal rescue into a meaningful journey by driving across America in a camper with his four adopted dogs. Their mission is to promote the adoption of rescue animals and increase public awareness of them.

The Asher House Girlfriend

As of 2024, The Asher House Girlfriend is currently single and has no girlfriend right now. However, he was previously engaged in a relationship with two ladies, Sydney Ferbrache and Ann Rubiolo. But as of now, Lee Asher is out of relationships as we can see on his social media handles. But we also don't know if he is dating someone privately. Well, take it easy and just move on considering him single at this moment. The animal rescue legend currently seems busy with his professional work.

Is Lee Asher House Girlfriend in a Relationship?

No, Lee Asher House girlfriend in a currently out of relationships and living his life alone. Earlier, he used to be in a few relationships. However, he is no longer spending time with any woman whom we can refer to as his Asher House girlfriend. This does not mean he has lost interest in women.

Lee Asher Previous Relationships

Lee Asher girlfriend had been in a relationship with two women, namely Sydney Ferbracheand Ann Rubiolo. Let's take a look at their relationship in detail. 1 Lee Asher and Sydney Ferbrache Lee Asher's journey through past relationships includes a significant chapter with Sydney Ferbrache, a native of Indiana. Their romance blossomed around 2016 or 2017, fueled by their shared passion for rescuing dogs. Sydney, a popular Instagram blogger with over 287,000 followers, documented their joint efforts in adopting rescue dogs. During their time together, Lee and Sydney's love for animals shone brightly as they welcomed several furry friends into their lives. However, their relationship came to an unfortunate end after two years, officially parting ways in April 2018. Despite the separation, Sydney remained dedicated to her mission of rescuing and caring for dogs, continuing her journey while living in her van alongside her cherished golden retriever. Currently, Sydney is engaged to her partner, Henry Friedman, who shares her deep affection for dogs. Their commitment to animal welfare strengthens their bond and continues to inspire others in their endeavors. 2 Lee Asher and Ann Rubiolo Another significant relationship in Lee Asher's past was with Ann Rubiolo. Although the exact duration of their relationship remains unclear, their connection lasted for a considerable period before they went their separate ways. Presently, Ann Rubiolo is in a relationship with Marian Benitez, embracing new beginnings in her personal life. Through his past relationships, Lee Asher's affinity for individuals who share his love for animal welfare, specifically in the realm of dog rescue, becomes evident. Despite the ups and downs experienced, Lee continues to pour his heart and soul into promoting the well-being and adoption of rescue dogs. His commitment to the cause remains steadfast, inspiring countless others to join him on his mission to make a positive impact in the lives of animals in need.

Why Lee Asher is Single These Days

Some people might be curious as to why Lee Asher is still single today given the success of his work with The Asher House girlfriend. His intense dedication to the cause is the key. Lee doesn't have much time for interpersonal relationships because of his commitment to animal rescue and his busy travel schedule. He dedicates his entire being to The Asher House, making sure that his goal of saving as many animals as he can always comes first.

Is Lee Asher Gay?

No, Lee Asher is not gay because he has been already in a relationship with two females. And we already know that he has never opened up about his sexual identity. Thus, considering him gay is nothing other than a time waste. Take a Look: Michael Reeves Biography

Lee Asher's Thoughts on Relationships

Even though Lee Asher is single right now, that doesn't mean he doesn't value relationships. In fact, Lee thinks that relationships with people and animals are essential to achieving personal fulfillment. He urges others to enjoy the joy of pet ownership and loves the love and companionship that animals bring into their lives. Relationships, whether with people or animals, in Lee's opinion, have the potential to improve the world.

The Bottom Line

The Asher House Girlfriend is more than simply a house; it is a movement fueled by love, compassion, and the desire to improve animal welfare. Lee Asher's story is an example of the influence one person can have when they follow their passion, and it inspires animal lovers all over the world. Lee Asher continues to raise awareness about animal rescue and adoption through his collaboration with groups like Best Friends Animal Society and his own experiences. The Asher House is a ray of hope, showing us all that by working hard and with love, we can give animals in need a better future. Check Out: Who is Trina's Boyfriend Raymond Taylor? FAQ Q1. Where is Lee Asher now?Ans. Lee Asher now Living in Oregon.Q2.  How much is Lee Asher Net worth right now?Ans.  Lee Asher's net worth stands at approximately $2 million in 2024.Q3. Why is Asher so popular?Ans. Asher is particularly popular among Jewish parents and in Jewish literature.Q4. Who was Asher married to?Ans. Asher got married twice. His first wife was Adon, Ishmael's great-granddaughter his second was Hadurah, Eber's granddaughter and widow.Q5. How old is Asher?Ans. Asher is 36 years old. You might also like:– - Camila Cabello Biography, Net Worth, Career, Boyfriend and Family - Arnold Schwarzenegger Biography, Net Worth, Early Life, Career, Girlfrien - Sarah Drew Biography, Height, Age, Family, Boyfriend and Net Worth - Nadia Hilker Biography, Height, Age, Family, Boyfriend and Net Worth - Eleanor Calder Biography Height Age Family Boyfriend and Net Worth Read the full article

[ulkaralakbarova]

A wannabe rock star who fronts a Pennsylvania-based tribute band is devastated when his kick him out of the group he founded. Things begin to look up for Izzy when he is asked to join Steel Dragon, the heavy metal rockers he had been imitating for so long. This film is loosely based on the true story of the band Judas Priest. Credits: TheMovieDb. Film Cast: Chris ‘Izzy’ Cole: Mark Wahlberg Emily Poule: Jennifer Aniston Kirk Cuddy: Dominic West A.C.: Jason Bonham Jorgen: Jeff Pilson Ghode: Zakk Wylde Mats, Steel Dragon Road Manager: Timothy Spall Donny Johnson: Blas Elias Xander Cummins: Nick Catanese Ricki Bell: Brian Vander Ark Rob Malcolm: Timothy Olyphant Tania Asher, Steel Dragon PR: Dagmara Domińczyk Joe Cole: Matthew Glave Mr. Cole: Michael Shamus Wiles Mrs. Cole: Beth Grant Bobby Beers: Jason Flemyng Nina: Carey Lessard Samantha: Kristin Richardson Mason Bell: Jamie Williams Roadie #1: Keith Loneker Amber: Sami Reed Marci: Kara Zediker Bradley: Stephan Jenkins Guitarist in Crowd Outside Mansion: Vitamin C Cream Reporter: Kevin Ryder Melody-Maker Reporter: Gene Baxter Bouncer: Gregory Hinton Nurse: Sonya Stephens Photographer: Neil Zlozower Fan #1: Kirk Enochs Thor: Myles Kennedy A.C.’s Wife: Rachel Hunter Kirk’s Wife: Heidi Mark Ghode’s Wife: Carrie Stevens Jorgen’s Wife: Amy Miller Office Worker: William Martin Brennan Mrs. Andrews: Lorna Scott Auditioning Singer: Ralph Saenz Topless Cutie #1: Jennifer Rovero Topless Cutie #2: Natalie Raynes Scalper: Jamal Weathers Two-Year Old Girl: Hailie Brennand Roadie #2: Eric Weinstein MTV Veejay: Jamie White Metal Head: Jeffrey Wetzel Guitar Tech: Frederick E. Kowalo Girl with P-Pass: Jennifer Uilani Warren Roxy Dancer: Chad Azadan Roxy Dancer: Linda Cevallos Roxy Dancer: Jennifer Edmond Roxy Dancer: Brian Friedman Roxy Dancer: Cynthia Fuhrer Roxy Dancer: Cati Jean Roxy Dancer: Edward Jenkins Roxy Dancer: Kelly Knox Roxy Dancer: Tabbatha Mays Roxy Dancer: Udee McGeoy Roxy Dancer: Ted Napolitano Roxy Dancer: Tomasina Parrott Roxy Dancer: Gabriel Ramírez Roxy Dancer: Ursula Whittaker Roxy Dancer: Zachary Woodlee Concert Rocker: Andrew Wayne Bar Patron (uncredited): Gia Franzia Film Crew: Production Design: Mayne Berke Executive Producer: Steven Reuther Original Music Composer: Trevor Rabin Executive Producer: George Clooney Second Unit Director: David R. Ellis Director of Photography: Ueli Steiger Casting: Sharon Bialy Actor’s Assistant: Eric Weinstein Co-Producer: Michael Fottrell Costume Design: Aggie Guerard Rodgers Screenplay: John Stockwell Stunts: Chad Stahelski Director: Stephen Herek Stunts: Chris Palermo Stunts: Joe Bucaro III Producer: Toby Jaffe Editor: Trudy Ship Stunts: Julie Michaels Stunts: Keith Woulard Stunts: T.J. White Executive Producer: Mike Ockrent Choreographer: Peggy Holmes Music Supervisor: Budd Carr Set Decoration: Casey Hallenbeck Unit Production Manager: Paul Moen Swing: P. Scott Bailey Stunts: Laura Albert Stunts: Mike Gunther Supervising Art Director: Caty Maxey Stunt Coordinator: Brad Martin Stunts: Jeff Imada Still Photographer: Claudette Barius First Assistant Director: Jeffrey Wetzel Actor’s Assistant: Ozzie Areu Production Accountant: Ravi D. Mehta Art Department Coordinator: Joe Walser Leadman: Mark Woods Stunts: Tim Rigby Camera Operator: Thomas Yatsko Stunts: Sean Graham Set Designer: Harry E. Otto Makeup Artist: Donald Mowat Special Effects Coordinator: Paul J. Lombardi Makeup Artist: Jean Ann Black Boom Operator: Carl Fischer Stunts: Damon Caro Stunts: Chris O’Hara First Assistant Camera: Gary L. Camp Script Supervisor: Adrienne Hamalian-Mangine Special Effects: Scott Blackwell Video Assist Operator: David Katz Stunts: Steve Holladay Hairstylist: Johnny Villanueva Set Costumer: Lisa A. Doyle Hairstylist: Kerry Mendenhall Music Editor: Brent Brooks Steadicam Operator: Dan Kneece Location Manager: Curtis Collins Hairstylist: Shari Perry Key Makeup Artist: Michael Mills Key Costumer: Sabrina Calley Stunts: Brandon Sebek Producer: Robert Lawrence Art Direction: Richard Schreiber Costume Supervisor: Bruce Erickse...

[gaia-aviva]

Almost every day in Israel, some innocent motorist is the target of potentially lethal rock-throwing. At least 16 Israelis, including four American citizens, have been murdered by Palestinian Arabs throwing rocks at them. Thousands of Israelis have suffered injuries, and some have been permanently maimed, by rock-throwers.

The Israeli victims of rock-throwing are never mentioned by the international news media. Their names never appear in press releases from J Street or U.N. resolutions. U.S. State Department spokespeople are not interested in their suffering.

On Jan. 29, 1983, 21-year-old Esther Ohana was a passenger in a car on her way to deliver invitations to her wedding. Palestinian Arab rock-throwers attacked. A rock struck Esther in the head and killed her. Friedman will never write a column about her.

Chava Wechsberg, age 11, was a passenger in a car that was ambushed by Palestinian Arab rock-throwers on Feb. 24, 1993. The attack caused the car to crash, killing her. The Washington Post never investigated her death.

Yehuda Haim Shoham, just 5 months old, was strapped into his car seat on June 5, 2021, when Palestinian Arab rock-throwers attacked. Rocks struck Yehuda in the head, killing him. His death was never discussed at the United Nations.

Asher Palmer and his year-old son, Yonatan, were murdered by Palestinian Arab rock-throwers on Sept. 23, 2011, when the rocks they threw caused the car to crash. In the countless press releases and articles that Americans for Peace Now and Partners for Progressive Israel have distributed over the years, they have never mentioned the Palmers.

Adele Bitton was just 2 in March 2013 when the car in which she was a passenger overturned as a result of being attacked by Palestinian Arab rock-throwers. She was badly injured but clung to life. For two more years, Adele suffered. For two long years, her family agonized at their little girl’s pain. And then they mourned her death when she finally succumbed to the injuries the rock-throwers had inflicted. And the international community remained silent.

Why the silence? The answer is obvious: Arab rock-throwing is politically inconvenient. It undermines the Palestinian cause. When there is a terrorist attack involving bombs or guns or knives, there are only a few terrorists involved. The media and Israel’s critics pretend that the violence is the work of “only a few extremists.”

But Palestinian Arab rock-throwing is a very different matter. It involves large groups of people, every single day. The total number of Palestinians who have thrown rocks at Israeli Jews over the years is certainly in the tens of thousands, probably in the hundreds of thousands.

Acknowledging that such a huge number of people have been trying to murder Israeli Jews means admitting that the desire to murder innocent Jews is not some isolated fringe phenomenon in Palestinian society but is widespread. It shatters the myth that the Palestinians have become moderate—that they are peaceful, willing to coexist with Israel. And that makes it harder to promote the creation of a Palestinian state.

So, what can Israel’s critics do? First, they try to ignore it. Journalists don’t report Palestinian rock-throwing, and pundits don’t comment on it. When rock-throwing does attract attention, commentators minimize it; they try to pretend that it’s not really so dangerous. Some of the apologists even go to ridiculous lengths, such as Friedman’s infamous description of rock-throwing as “non-violent resistance.”

But the truth has once again been tragically demonstrated, this time on a road in Jefferson County, Colo. Whether in the Mideast or the Midwest, rocks are deadly weapons.

[cinemalerta]

93rd Academy Awards Nominees

BEST PICTURE

The Father – David Parfitt, Jean-Louis Livi, and Philippe Carcassonne

Judas and the Black Messiah – Shaka King, Charles D. King, and Ryan Coogler

Mank – Ceán Chaffin, Eric Roth, and Douglas Urbanski

Minari – Christina Oh

Nomadland – Frances McDormand, Peter Spears, Mollye Asher, Dan Javey, and Chloé Zhao

Promising Young Woman – Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara

Sound of Metal – Bert Hamelinick and Sacha Ben Harroche

The Trial of the Chicago 7 – Marc Platt and Stuart Besser

BEST DIRECTOR

Lee Isaac Chung – Minari

Emerald Fennell – Promising Young Woman

David Fincher – Mank

Thomas Vinterberg – Another Round

Chloé Zhao – Nomadland

BEST ACTOR

Riz Ahmed – Sound of Metal as Ruben Stone

Chadwick Boseman (posthumous nominee) – Ma Rainey's Black Bottom as Levee Green

Anthony Hopkins – The Father as Anthony

Gary Oldman – Mank as Herman J. Mankiewicz

Steven Yeun – Minari as Jacob Yi

BEST ACTRESS

Viola Davis – Ma Rainey's Black Bottom as Ma Rainey

Andra Day – The United States vs. Billie Holiday as Billie Holiday

Vanessa Kirby – Pieces of a Woman as Martha Weiss

Frances McDormand – Nomadland as Fern

Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas

BEST SUPPORTING ACTOR

Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman

Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton

Leslie Odom Jr. – One Night in Miami... as Sam Cooke

Paul Raci – Sound of Metal as Joe

Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal

BEST SUPPORTING ACTRESS

Maria Bakalova – Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan as Tutar Sagdiyev

Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance

Olivia Colman – The Father as Anne

Amanda Seyfried – Mank as Marion Davies

Youn Yuh-jung – Minari as Soon-ja

BEST ORIGINAL SCREENPLAY

Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Will Berson, Shaka King, Keith Lucas, and Kenny Lucas

Minari – Lee Isaac Chung

Promising Young Woman – Emerald Fennell

Sound of Metal – Screenplay by Darius Marder and Abraham Marder; Story by Darius Marder and Derek Cianfrance

The Trial of the Chicago 7 – Aaron Sorkin

BEST ADAPTED SCREENPLAY

Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan – Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, and Lee Kern; Story by Baron Cohen, Hines, Swimer, and Nina Pedrad; Based on the character Borat Sagdiyev by Baron Cohen

The Father – Christopher Hampton & Florian Zeller, based on the play by Zeller

Nomadland – Chloé Zhao, based on the book by Jessica Bruder

One Night in Miami... – Kemp Powers, based on his play

The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

BEST INTERNATIONAL FEATURE FILM

Another Round (Denmark) in Danish – directed by Thomas Vinterberg

Better Days (Hong Kong) in Mandarin – directed by Derek Tsang

Collective (Romania) in Romanian – directed by Alexander Nanau

The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania

Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

BEST ANIMATED FEATURE FILM

Onward – Dan Scanlon and Kori Rae

Over the Moon – Glen Keane, Gennie Rin, and Peilin Chou

A Shaun the Sheep Movie: Farmageddon – Richard Phelan, Will Becher, and Paul Kewley

Soul – Pete Docter and Dana Murray

Wolfwalkers – Tomm Moore, Ross Stewart, Paul Young, and Stéphan Roelants

BEST DOCUMENTARY FEATURE

Collective – Alexander Nanau and Bianca Oana

Crip Camp – Nicole Newnham, Jim LeBrecht and Sara Bolder

The Mole Agent – Maite Alberdi and Marcela Santibáñez

My Octopus Teacher – Pippa Ehrlich, James Reed, and Craig Foster

Time – Garrett Bradley, Lauren Domino, and Kellen Quinn

BEST CINEMATOGRAPHY

Judas and the Black Messiah – Sean Bobbitt

Mank – Erik Messerschmidt

News of the World – Dariusz Wolski

Nomadland – Joshua James Richards

The Trial of the Chicago 7 – Phedon Papamichael

BEST FILM EDITING

The Father – Yorgos Lamprinos

Nomadland – Chloé Zhao

Promising Young Woman – Frédéric Thoraval

Sound of Metal – Mikkel E.G. Nielsen

The Trial of the Chicago 7 – Alan Baumgarten

BEST PRODUCTION DESIGN

The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone

Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Sroughton

Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan

Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

BEST COSTUME DESIGN

Emma – Alexandra Byrne

Ma Rainey’s Black Bottom – Ann Roth

Mank – Trish Summerville

Mulan – Bina Daigeler

Pinocchio – Massimo Cantini Parrini

BEST MAKEUP AND HAIRSTYLING

Emma – Marese Langan, Laura Allen, and Claudia Stolze

Hillbilly Elegy – Eryn Krueger Mekash, Patricia Dehaney, and Matthew Mungle

Ma Rainey's Black Bottom – Matiki Anoff, Mia Neal, and Larry M. Cherry

Mank – Kimberley Spiteri, Gigi Williams

Pinocchio – Dalia Colli, Mark Coulier, and Francesco Pegoretti

BEST VISUAL EFFECTS

Love and Monsters – Matt Sloan, Genevieve Camailleri, Matt Everitt, and Brian Cox

The Midnight Sky – Matthew Kasmir, Christopher Lawren, Max Solomon, and David Watkins

Mulan – Sean Faden, Anders Langlands, Seth Maury, and Steven Ingram

The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones, and Santiago Colomo Martinez

Tenet – Andrew Jackson, David Lee, Andrew Lockley and

BEST ORIGINAL SCORE

Da 5 Bloods – Terence Blanchard

Mank – Trent Reznor and Atticus Ross

Minari – Emile Mosseri

News of the World – James Newton Howard

Soul – Trent Reznor, Atticus Ross, and Jon Batiste

BEST ORIGINAL SONG

"Fight for You" from Judas and the Black Messiah – Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

"Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

"Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and Lyric by Savan Kotecha, Fat Max Gsus, and Rickard Göransson

"Io Sì (Seen)" from The Life Ahead – Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

"Speak Now" from One Night in Miami... – Music and Lyric by Leslie Odom Jr. and Sam Ashworth

BEST SOUND

Greyhound – Warren Shaw, Michael Minkler, Beau Borders, and David Wyman

Mank – Ren Klyce, Jeremy Molod, David Parker, Nathan Nance, and Drew Kunin

News of the World – Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett

Soul – Ren Klyce, Coya Elliot, and David Parker

Sound of Metal – Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortes, and Philip Bladh

BEST LIVE ACTION SHORT FILM

Feeling Through – Doug Roland and Susan Ruzenski

The Letter Room – Elvira Lind and Sofia Sondervan

The Present – Farah Nabulsi

Two Distant Strangers – Travon Free and Martin Desmond Roe

White Eye – Tomer Shushan and Shira Hochman

BEST ANIMATED SHORT FILM

Burrow – Madeline Sharafian and Michael Capbarat

Genius Loci – Adrien Mérigeau and Amaury Ovise

If Anything Happens I Love You – Will McCormack and Michael Govier

Opera – Eric Oh

Yes-People – Gísli Darri Halldórsson and Arnar Gunnarsson

BEST DOCUMENTARY SHORT SUBJECT

Colette – Anthony Giacchino and Alice Doyard

A Concerto Is a Conversation – Ben Proudfoot and Kris Bowers

Do Not Split – Anders Hammer and Charlotte Cook

Hunger Ward – Skye Fitzgerald and Michael Shueuerman

A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

[extrabeurre]

MANK part en tête d’une course aux Oscars bien bizarre

Je me suis réveillé tantôt, j'ai parti la cafetière, puis en checkant Twitter, je me suis dit: "Ah oui, c'est vrai, les nominations des Oscars ont été dévoilées." 

 C’est la première année depuis une éternité où je ne suis pas au poste au moment où les nominations des Oscars sont annoncées. Je l’ai déjà dit, mais je suis assez désinteressé cette année par cette course aux remises de prix où sont honorés des films que presque personne n’a pu voir sur grand écran, pandémie oblige. 

Oui, il y a d’excellents films en lice, comme Nomadland, Sound of Metal et Promising Young Woman. Il y en a aussi que je vais essayer de voir prochainement, Minari notamment. Mais je n’ai pas l’impression qu’il y ait de gros titres qui ont enflammé la planète cinéma comme par exemple Parasite, Once Upon a Time... in Hollywood ou même le divisif Joker l’an dernier.

J’ai vu Mank de David Fincher sur Netflix, j’ai trouvé ça correct, mais c’est loin d’être un film marquant pour moi. Je reviens quand même sur Nomadland, un de mes préférés de 2020 (même s’il ne sortira techniquement pas en salle au Québec avant avril 2021) - ce sera un bon moment de voir Chloé Zhao probablement remporter l’Oscar de la Meilleure réalisation. Il y a plein d’actrices et d’acteurs talentueux qui sont en nomination. Je serais content que Trent Reznor & Atticus Ross soient récompensés pour la musique de Soul. Je trouve ça plate que TENET de Christopher Nolan ait presque été complètement ignoré.

Mais dans l’ensemble, je suis assez indifférent face à tout ça. Je vais sûrement regarder le gala quand même, en espérant que ce ne soit pas un désastre avec des fenêtres Zoom comme les Golden Globes...

Best motion picture of the year

“The Father” David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers

“Judas and the Black Messiah” Shaka King, Charles D. King and Ryan Coogler, Producers

“Mank” Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers

“Minari” Christina Oh, Producer

“Nomadland” Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers

“Promising Young Woman” Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers

“Sound of Metal” Bert Hamelinck and Sacha Ben Harroche, Producers

“The Trial of the Chicago 7” Marc Platt and Stuart Besser, Producers

Achievement in directing

“Another Round” Thomas Vinterberg

“Mank” David Fincher

“Minari” Lee Isaac Chung

“Nomadland” Chloé Zhao

“Promising Young Woman” Emerald Fennell

Performance by an actor in a leading role

Riz Ahmed in “Sound of Metal”

Chadwick Boseman in “Ma Rainey’s Black Bottom”

Anthony Hopkins in “The Father”

Gary Oldman in “Mank”

Steven Yeun in “Minari”

Performance by an actor in a supporting role

Sacha Baron Cohen in “The Trial of the Chicago 7”

Daniel Kaluuya in “Judas and the Black Messiah”

Leslie Odom, Jr. in “One Night in Miami…”

Paul Raci in “Sound of Metal”

Lakeith Stanfield in “Judas and the Black Messiah”

Performance by an actress in a leading role

Viola Davis in “Ma Rainey’s Black Bottom”

Andra Day in “The United States vs. Billie Holiday”

Vanessa Kirby in “Pieces of a Woman”

Frances McDormand in “Nomadland”

Carey Mulligan in “Promising Young Woman”

Performance by an actress in a supporting role

Maria Bakalova in “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”

Glenn Close in “Hillbilly Elegy”

Olivia Colman in “The Father”

Amanda Seyfried in “Mank”

Yuh-Jung Youn in “Minari”

Adapted screenplay

“Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan” Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad

“The Father” Screenplay by Christopher Hampton and Florian Zeller

“Nomadland” Written for the screen by Chloé Zhao

“One Night in Miami…” Screenplay by Kemp Powers

“The White Tigers” Written for the screen by Ramin Bahrani

Original screenplay

“Judas and the Black Messiah” Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas

“Minari” Written by Lee Isaac Chung

“Promising Young Woman” Written by Emerald Fennell

“Sound of Metal” Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance

“The Trial of the Chicago 7” Written by Aaron Sorkin

Best international feature film of the year

“Another Round” Denmark

“Better Days” Hong Kong

“Collective” Romania

“The Man Who Sold His Skin” Tunisia

“Quo Vadis, Aida?” Bosnia and Herzegovina

Best animated feature film of the year

“Onward” Dan Scanlon and Kori Rae

“Over the Moon” Glen Keane, Gennie Rim and Peilin Chou

“A Shaun the Sheep Movie: Farmageddon” Richard Phelan, Will Becher and Paul Kewley

“Soul” Pete Docter and Dana Murray

“Wolfwalkers” Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Best documentary feature

“Collective” Alexander Nanau and Bianca Oana

“Crip Camp” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher” Pippa Ehrlich, James Reed and Craig Foster

“Time” Garrett Bradley, Lauren Domino and Kellen Quinn

Achievement in cinematography

“Judas and the Black Messiah” Sean Bobbitt

“Mank” Erik Messerschmidt

“News of the World” Dariusz Wolski

“Nomadland” Joshua James Richards

“The Trial of the Chicago 7” Phedon Papamichael

Achievement in film editing

“The Father” Yorgos Lamprinos

“Nomadland” Chloé Zhao

“Promising Young Woman” Frédéric Thoraval

“Sound of Metal” Mikkel E. G. Nielsen

“The Trial of the Chicago 7” Alan Baumgarten

Achievement in music written for motion pictures (Original score)

“Da 5 Bloods” Terence Blanchard

“Mank” Trent Reznor and Atticus Ross

“Minari” Emile Mosseri

“News of the World” James Newton Howard

“Soul” Trent Reznor, Atticus Ross and Jon Batiste

Achievement in production design

“The Father” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

“News of the World” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Achievement in costume design

“Emma” Alexandra Byrne

“Ma Rainey’s Black Bottom” Ann Roth

“Mank” Trish Summerville

“Mulan” Bina Daigeler

“Pinocchio” Massimo Cantini Parrini

Achievement in sound

“Greyhound” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Achievement in makeup and hairstyling

“Emma” Marese Langan, Laura Allen and Claudia Stolze

“Hillbilly Elegy” Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney

“Ma Rainey’s Black Bottom” Sergio Lopez-Rivera, Mia Neal and Jamika Wilson

“Mank” Gigi Williams, Kimberley Spiteri and Colleen LaBaff

“Pinocchio” Mark Coulier, Dalia Colli and Francesco Pegoretti

Achievement in visual effects

“Love and Monsters” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Best documentary short film

“Colette” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation” Ben Proudfoot and Kris Bowers

“Do Not Split” Anders Hammer and Charlotte Cook

“Hunger Ward” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha” Sophia Nahli Allison and Janice Duncan

Best animated short film

“Burrow” Madeline Sharafian and Michael Capbarat

“Genius Loci” Adrien Mérigeau and Amaury Ovise

“If Anything Happens I Love You” Will McCormack and Michael Govier

“Opera” Erick Oh

“Yes-People” Gísli Darri Halldórsson and Arnar Gunnarsson

Best live action short film

“Feeling Through” Doug Roland and Susan Ruzenski

“The Letter Room” Elvira Lind and Sofia Sondervan

“The Present” Farah Nabulsi

“Two Distant Strangers” Travon Free and Martin Desmond Roe

“White Eye” Tomer Shushan and Shira Hochman

Achievement in music written for motion pictures (Original song)

“Fight For You” from “Judas and the Black Messiah” Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice” from “The Trial of the Chicago 7” Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Husavik” from “Eurovision Song Contest: The Story of Fire Saga” Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)” Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now” from “One Night in Miami…” Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

[bongaboi]

93rd Academy Awards: The List.

Best Picture

· Nomadland – Mollye Asher, Dan Janvey, Frances McDormand, Peter Spears and Chloé Zhao

o The Father – Philippe Carcassonne, Jean-Louis Livi and David Parfitt

o Judas and the Black Messiah – Ryan Coogler, Charles D. King and Shaka King

o Mank – Ceán Chaffin, Eric Roth and Douglas Urbanski

o Minari – Christina Oh

o Promising Young Woman – Ben Browning, Emerald Fennell, Ashley Fox and Josey McNamara

o Sound of Metal – Bert Hamelinck and Sacha Ben Harroche

o The Trial of the Chicago 7 – Stuart M. Besser and Marc Platt

Best Director

· Chloé Zhao – Nomadland

o Thomas Vinterberg – Another Round

o David Fincher – Mank

o Lee Isaac Chung – Minari

o Emerald Fennell – Promising Young Woman

Best Actor

· Anthony Hopkins – The Father as Anthony

· Riz Ahmed – Sound of Metal as Ruben Stone

· Chadwick Boseman (posthumous) – Ma Rainey's Black Bottom as Levee Green

Gary Oldman – Mank as Herman J. Mankiewicz

· Steven Yeun – Minari as Jacob Yi

Best Actress

· Frances McDormand – Nomadland as Fern

o Viola Davis – Ma Rainey's Black Bottom as Ma Rainey

o Andra Day – The United States vs. Billie Holiday as Billie Holiday

o Vanessa Kirby – Pieces of a Woman as Martha Weiss

o Carey Mulligan – Promising Young Woman as Cassandra "Cassie" Thomas

Best Supporting Actor

· Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton

o Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman

o Leslie Odom Jr. – One Night in Miami... as Sam Cooke

o Paul Raci – Sound of Metal as Joe

o Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal

Best Supporting Actress

· Youn Yuh-jung – Minari as Soon-ja

o Maria Bakalova – Borat Subsequent Moviefilm as Tutar Sagdiyev

o Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance

o Olivia Colman – The Father as Anne

o Amanda Seyfried – Mank as Marion Davies

Best Original Screenplay

· Promising Young Woman – Emerald Fennell

o Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Berson, King, Keith Lucas and Kenny Lucas

o Minari – Lee Isaac Chung

o Sound of Metal – Screenplay by Abraham Marder and Darius Marder; Story by Derek Cianfrance and D. Marder

o The Trial of the Chicago 7 – Aaron Sorkin

Best Adapted Screenplay

· The Father – Christopher Hampton and Florian Zeller, based on the play by Zeller

o Borat Subsequent Moviefilm – Screenplay by Sacha Baron Cohen, Peter Baynham, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Erica Rivinoja and Dan Swimer; Story by Baron Cohen, Hines, Nina Pedrad and Swimer; Based on the character by Baron Cohen

o Nomadland – Chloé Zhao, based on the book by Jessica Bruder

o One Night in Miami... – Kemp Powers, based on his play

o The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

Best Animated Feature Film

· Soul – Pete Docter and Dana Murray

o Onward – Dan Scanlon and Kori Rae

o Over the Moon – Peilin Chou, Glen Keane, and Gennie Rin

o A Shaun the Sheep Movie: Farmageddon – Will Becher, Paul Kewley, and Richard Phelan

o Wolfwalkers – Tomm Moore, Stéphan Roelants, Ross Stewart and Paul Young

Best International Feature Film

· Another Round (Denmark) in Danish – directed by Thomas Vinterberg

o Better Days (Hong Kong) in Mandarin – directed by Derek Tsang

o Collective (Romania) in Romanian – directed by Alexander Nanau

o The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania

o Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

Best Documentary Feature

· My Octopus Teacher – Pippa Ehrlich, Craig Foster and James Reed

o Collective – Alexander Nanau and Bianca Oana

o Crip Camp – Sara Bolder, Jim LeBrecht and Nicole Newnham

o The Mole Agent – Maite Alberdi and Marcela Santibáñez

o Time – Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject

· Colette – Alice Doyard and Anthony Giacchino

o A Concerto Is a Conversation – Kris Bowers and Ben Proudfoot

o Do Not Split – Charlotte Cook and Anders Hammer

o Hunger Ward – Skye Fitzgerald and Michael Shueuerman

o A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

Best Live Action Short Film

· Two Distant Strangers – Travon Free and Martin Desmond Roe

o Feeling Through – Doug Roland and Susan Ruzenski

o The Letter Room – Elvira Lind and Sofia Sondervan

o The Present – Ossama Bawardi and Farah Nabulsi

o White Eye – Shira Hochman and Tomer Shushan

Best Animated Short Film

· If Anything Happens I Love You – Michael Govier and Will McCormack

o Burrow – Michael Capbarat and Madeline Sharafian

o Genius Loci – Adrien Mérigeau and Amaury Ovise

o Opera – Erick Oh

o Yes-People – Arnar Gunnarsson and Gísli Darri Halldórsson

Best Original Score

· Soul – Trent Reznor, Atticus Ross and Jon Batiste

o Da 5 Bloods – Terence Blanchard

o Mank – Trent Reznor and Atticus Ross

o Minari – Emile Mosseri

o News of the World – James Newton Howard

Best Original Song

· "Fight for You" from Judas and the Black Messiah – Music by D'Mile and H.E.R.; lyric by H.E.R. and Tiara Thomas

o "Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; lyric by Celeste and Pemberton

o "Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and lyric by Rickard Göransson, Fat Max Gsus and Savan Kotecha

o "Io sì (Seen)" from The Life Ahead – Music by Diane Warren; lyric by Laura Pausini and Warren

o "Speak Now" from One Night in Miami... – Music and lyric by Sam Ashworth and Leslie Odom Jr.

Best Sound

· Sound of Metal – Jaime Baksht, Nicolas Becker, Philip Bladh, Carlos Cortés and Michelle Couttolenc

o Greyhound – Beau Borders, Michael Minkler, Warren Shaw and David Wyman

o Mank – Ren Klyce, Drew Kunin, Jeremy Molod, Nathan Nance and David Parker

o News of the World – William Miller, John Pritchett, Mike Prestwood Smith and Oliver Tarney

o Soul – Coya Elliot, Ren Klyce and David Parker

Best Production Design

· Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

o The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone

o Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton

o News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan

o Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Cinematography

· Mank – Erik Messerschmidt

o Judas and the Black Messiah – Sean Bobbitt

o News of the World – Dariusz Wolski

o Nomadland – Joshua James Richards

o The Trial of the Chicago 7 – Phedon Papamichael

Best Makeup and Hairstyling

· Ma Rainey's Black Bottom – Sergio Lopez-Rivera, Mia Neal and Jamika Wilson

o Emma. – Laura Allen, Marese Langan and Claudia Stolze

o Hillbilly Elegy – Patricia Dehaney, Eryn Krueger Mekash and Matthew W. Mungle

o Mank – Colleen LaBaff, Kimberley Spiteri and Gigi Williams

o Pinocchio – Dalia Colli, Mark Coulier and Francesco Pegoretti

Best Costume Design

· Ma Rainey's Black Bottom – Ann Roth

o Emma. – Alexandra Byrne

o Mank – Trish Summerville

o Mulan – Bina Daigeler

o Pinocchio – Massimo Cantini Parrini

Best Film Editing

· Sound of Metal – Mikkel E.G. Nielsen

o The Father – Yorgos Lamprinos

o Nomadland – Chloé Zhao

o Promising Young Woman – Frédéric Thoraval

o The Trial of the Chicago 7 – Alan Baumgarten

Best Visual Effects

· Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley

o Love and Monsters – Genevieve Camailleri, Brian Cox, Matt Everitt and Matt Sloan

o The Midnight Sky – Matthew Kasmir, Chris Lawrence, Max Solomon and David Watkins

o Mulan – Sean Andrew Faden, Steve Ingram, Anders Langlands and Seth Maury

o The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

[viktorfredriksson]

Oscarstippning 2021

Sent omsider är det dags för årets Oscarsgala. Efter det kanske tuffaste året någonsin för filmbranschen råder det såklart andra förutsättningar än vanligt. Många filmer med planerad premiär under fjolåret har blivit framflyttade, och möjligheten att uppleva de filmer som faktiskt har släppts har varit mycket begränsad. Att uppmärksamma bra filmer känns därför viktigare än någonsin. 

Oscarsgalan är den 93:e i ordningen. Den kommer, precis som föregående två år, inte ha någon enskild värd. På grund av omständigheterna kommer galan att hållas på både Dolby Theatre och Union Station i Los Angeles samtidigt. Exakt på vilket sätt återstår att se, men galans producenter har sagt att »the plan is to stage an intimate, in-person event at Union Station in Los Angeles, with additional show elements live from the Dolby Theatre in Hollywood.«

I vanlig ordning har jag tippat samtliga kategorier – vinnare i fetstil. 

Best Picture

“The Father” (David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers)

“Judas and the Black Messiah” (Shaka King, Charles D. King and Ryan Coogler, producers)

“Mank” (Ceán Chaffin, Eric Roth and Douglas Urbanski, producers)

“Minari” (Christina Oh, producer)

“Nomadland” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers)

“Promising Young Woman” (Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers)

“Sound of Metal” (Bert Hamelinck and Sacha Ben Harroche, producers)

“The Trial of the Chicago 7” (Marc Platt and Stuart Besser, producers)

David Finchers »Mank« är galans mest nominerade film (tio stycken) men favoritskapet i den största kategorin ligger hos Chloé Zhaos lågmälda neo-Western »Nomadland«, med vinster på Producers Guild Award (PGA), Directors Guild Award (DGA), BAFTA och Golden Globe. 

Det enda som talar emot »Nomadland« är vinsten för »The Trial of the Chicago 7« på Screen Actors Guild Awards (SAG). Det är ett pris som historiskt sett har korrelerat starkt med vinnaren för Bästa Film på Oscarsgalan – främst på grund av att skådespelare är den största röstande grenen inom Akademin. Faktum kvarstår dock att »Nomadland« inte ens nominerades för Best Ensembe (som är motsvarande Best Picture på SAG) eftersom filmen inte har någon ensemble, utan drivs av Frances McDormands ensamma huvudkaraktär. 

De som utmanar närmast efter »The Trial of the Chicago 7« är »Minari« och »Promising Young Woman«. De senaste åren har som bekant bjudit på flera skrällar (»Moonlight« och »Parasite«), och därmed är kampen långt ifrån avgjord, men i år känns inte utmanaren lika tydlig. Aaron Sorkin misslyckades med att landa en nominering för bästa regi för »The Trial of the Chicago 7«, och momentum för »Minari« och »Promising Young Woman« känns inte tillräckligt starkt för att lyckas hela vägen. Själv har jag endast haft möjlighet att se fem av de åtta nominerade (ej sett »The Father«, »Minari« eller »Sound of Metal«). De jag har sett har hållit hyfsad jämnhög kvalitet, utan att riktigt nå hela vägen. 

Best Director

Thomas Vinterberg (“Another Round”)

David Fincher (“Mank”)

Lee Isaac Chung (“Minari”)

Chloé Zhao (“Nomadland”)

Emerald Fennell (“Promising Young Woman”)

Oavsett om »Nomadland« går hela vägen eller ej så tror jag att Chloé Zhao står mer eller mindre ohotad för sin regi. Vid vinst blir hon blott den andra kvinnan i filmhistorien (efter Kathryn Bigelow för »The Hurt Locker«) att lyckas med det. 

Best Actor in a Leading Role

Riz Ahmed (“Sound of Metal”)

Chadwick Boseman (“Ma Rainey’s Black Bottom”)

Anthony Hopkins (“The Father”)

Gary Oldman (“Mank”)

Steven Yeun (“Minari”)

Om Hopkins skulle ta hem det vore han som 83-åring den äldsta vinnaren i kategorin någonsin. Riz Ahmed skulle vara den första muslimska mannen. Allting talar dock för Chadwick Boseman, som endast 43 år gammal gick bort i cancer i augusti i fjol. 

Best Actress in a Leading Role

Viola Davis (“Ma Rainey’s Black Bottom”)

Andra Day (“The United States v. Billie Holiday”)

Vanessa Kirby (“Pieces of a Woman”)

Frances McDormand (“Nomadland”)

Carey Mulligan (“Promising Young Woman”)

Förmodligen galans mest öppna kategori på förhand, då samtliga fem har vunnit priser under galasäsongen. Vanessa Kirby kan sannolikt räknas bort men övriga fyra har alla reella chanser. Andra Day tror jag dock faller bort på grund av att filmen inte är lika populär (och därmed sedd) som de övriga. Vidare har Frances McDormand redan belönats med två Oscars tidigare, den senaste för bara tre år sedan. Även Viola Davis har varit en återkommande favorit hos Akademin. I »Ma Rainey’s Black Bottom« spelar hon en fysisk och utagerande roll, vilket brukar premieras i sammanhanget. Min röst faller dock på Carey Mulligan. Hon har inte nominerats sedan genombrottet i »An Education« för elva år sedan, men är en personlig favorit med starka roller i bland annat »Drive«, »Inside Llewyn Davis« och »Shame«. Hennes roll i »Promising Young Woman« är en av årets mest debatterade – förmodligen på både gott och ont. 

Best Actor in a Supporting Role

Sacha Baron Cohen (“The Trial of the Chicago 7”)

Daniel Kaluuya (“Judas and the Black Messiah”)

Leslie Odom Jr. (“One Night in Miami”)

Paul Raci (“Sound of Metal”)

Lakeith Stanfield (“Judas and the Black Messiah”)

Allt pekar på att Kaluuya kraftfulla gestaltning av Fred Hampton räcker för vinst. Hans största risk är förmodligen att Stanfield är nominerad i samma kategori för samma film, vilket skulle kunna »stjäla« röster från Kaluuya, men det ska mycket till. 

Best Actress in a Supporting Role

Maria Bakalova (‘Borat Subsequent Moviefilm”)

Glenn Close (“Hillbilly Elegy”)

Olivia Colman (“The Father”)

Amanda Seyfried (“Mank”)

Yuh-jung Youn (“Minari”)

Glenn Close har tidigare aldrig vunnit en Oscar, trots sju nomineringar. Så sent som 2019 var hon favorittippad för sin roll i »The Wife« men föll på målsnöret mot Olivia Colman. En slags hedersoscar vore därför inte otänkbart, men givet den relativit anonyma filmen hon är nominerad för tror jag inte det kommer hända. Bisarrt nog är Maria Bakalova en av favoriterna, men efter att SAG och BAFTA gått till Yuh-jjung Youn är det hennes statyett att förlora. 

Best Animated Feature Film

“Onward” (Pixar)

“Over the Moon” (Netflix)

“A Shaun the Sheep Movie: Farmageddon” (Netflix)

“Soul” (Pixar)

“Wolfwalkers” (Apple TV Plus/GKIDS)

Ett annat år vore hyllade »Wolfwalkers« ett säkert bet, men »Soul« är en av Pixars bästa och mest kreativa skapelser på många år. Dessutom nominerad för ljud och musik. 

Best Adapted Screenplay

“Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad

“The Father,” Christopher Hampton and Florian Zeller

“Nomadland,” Chloé Zhao

“One Night in Miami,” Kemp Powers

“The White Tiger,” Ramin Bahrani

Best Original Screenplay

“Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas

“Minari,” Lee Isaac Chung

“Promising Young Woman,” Emerald Fennell

“Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance

“The Trial of the Chicago 7,” Aaron Sorkin

En duell mellan »Promising Young Woman« och »The Trail of the Chicago 7«. Personligen tycker jag att Sorkin har gjort mycket som är av betydligt högre kvalitet än »The Trial...«. 

Best Original Song

“Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Om en låt från den filmen kan nomineras så kan den väl lika gärna vinna?

Best Original Score

“Da 5 Bloods,” Terence Blanchard

“Mank,” Trent Reznor, Atticus Ross

“Minari,” Emile Mosseri

“News of the World,” James Newton Howard

“Soul,” Trent Reznor, Atticus Ross, Jon Batiste

Trent Reznor och Atticus Ross är dubbelt nominerade och vinnare är förmodligen någon av dessa två filmer.  

Best Sound

“Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul,” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Titeln skvallrar om var krutet har lagts. Allt annat än vinst vore ett misslyckande.

Best Costume Design

“Emma,” Alexandra Byrne

“Mank,” Trish Summerville

“Ma Rainey’s Black Bottom,” Ann Roth

“Mulan,” Bina Daigeler

“Pinocchio,” Massimo Cantini Parrini

Best Animated Short Film

“Burrow” (Disney Plus/Pixar)

“Genius Loci” (Kazak Productions)

“If Anything Happens I Love You” (Netflix)

“Opera” (Beasts and Natives Alike)

“Yes-People” (CAOZ hf. Hólamói)

Best Live-Action Short Film

“Feeling Through”

“The Letter Room”

“The Present”

“Two Distant Strangers”

“White Eye”

Best Cinematography

“Judas and the Black Messiah,” Sean Bobbitt

“Mank,” Erik Messerschmidt

“News of the World,” Dariusz Wolski

“Nomadland,” Joshua James Richards

“The Trial of the Chicago 7,” Phedon Papamichael

Best Documentary Feature

“Collective,” Alexander Nanau and Bianca Oana

“Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent,” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster

“Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject

“Colette,” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers

“Do Not Split,” Anders Hammer and Charlotte Cook

“Hunger Ward,” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

Best Film Editing

“The Father,” Yorgos Lamprinos

“Nomadland,” Chloé Zhao

“Promising Young Woman,” Frédéric Thoraval

“Sound of Metal,” Mikkel E.G. Nielsen

“The Trial of the Chicago 7,” Alan Baumgarten

En stenhård duell mellan »Sound of Metal« och »The Trial of the Chicago 7«. Personligen har jag tyvärr inte hunnit se den förra än. Däremot kan jag konstatera att korsklippningen i den senare är helt central för filmens energi. Redan i filmens första minuter utnyttjas detta på ett effektivt sätt. 

Best International Feature Film

“Another Round” (Denmark)

“Better Days” (Hong Kong)

“Collective” (Romania)

“The Man Who Sold His Skin” (Tunisia)

“Quo Vadis, Aida?”(Bosnia and Herzegovina)

Best Makeup and Hairstyling

“Emma,” Marese Langan, Laura Allen, Claudia Stolze

“Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle

“Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson

“Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff

“Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Production Design

“The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

“News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Visual Effects

“Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Oscarsgalan sänds på TV4 från kl. 00:20 i natt.

[deqpelis]

Oscars 2021: lista completa de nominados

Tarde pero seguro. El próximo 25 de abril se entregarán las estatuillas más esperadas del cine; entre estrenos cancelados y cines transformados en salas de living y streming, llegarán finalmente los premios más ansiados por los amantes del séptimo arte.

- OSCAR NOMINATIONS 2021 -

Best Picture

THE FATHER David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers JUDAS AND THE BLACK MESSIAH Shaka King, Charles D. King and Ryan Coogler, Producers MANK Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers MINARI Christina Oh, Producer NOMADLAND Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers PROMISING YOUNG WOMAN Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers SOUND OF METAL Bert Hamelinck and Sacha Ben Harroche, Producers THE TRIAL OF THE CHICAGO 7 Marc Platt and Stuart Besser, Producers

Actor in a Leading Role

Riz Ahmed in SOUND OF METAL Chadwick Boseman in MA RAINEY'S BLACK BOTTOM Anthony Hopkins in THE FATHER Gary Oldman in MANK Steven Yeun in MINARI

Actor in a Supporting Role

Sacha Baron Cohen in THE TRIAL OF THE CHICAGO 7 Daniel Kaluuya in JUDAS AND THE BLACK MESSIAH Leslie Odom, Jr. in ONE NIGHT IN MIAMI... Paul Raci in SOUND OF METAL Lakeith Stanfield in JUDAS AND THE BLACK MESSIAH

Actress in a Leading Role

Viola Davis in MA RAINEY'S BLACK BOTTOM Andra Day in THE UNITED STATES VS. BILLIE HOLIDAY Vanessa Kirby in PIECES OF A WOMAN Frances McDormand in NOMADLAND Carey Mulligan in PROMISING YOUNG WOMAN

Actress in a Supporting Role

Maria Bakalova in BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR MAKE BENEFIT ONCE GLORIOUS NATION OF KAZAKHSTAN Glenn Close in HILLBILLY ELEGY Olivia Colman in THE FATHER Amanda Seyfried in MANK Yuh-Jung Youn in MINARI

Animated Feature Film

ONWARD Dan Scanlon and Kori Rae OVER THE MOON Glen Keane, Gennie Rim and Peilin Chou A SHAUN THE SHEEP MOVIE: FARMAGEDDON Richard Phelan, Will Becher and Paul Kewley SOUL Pete Docter and Dana Murray WOLFWALKERS Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Cinematography

JUDAS AND THE BLACK MESSIAH Sean Bobbitt MANK Erik Messerschmidt NEWS OF THE WORLD Dariusz Wolski NOMADLAND Joshua James Richards THE TRIAL OF THE CHICAGO 7 Phedon Papamichael

Costume Design

EMMA Alexandra Byrne MA RAINEY'S BLACK BOTTOM Ann Roth MANK Trish Summerville MULAN Bina Daigeler PINOCCHIO Massimo Cantini Parrini

Directing

ANOTHER ROUND Thomas Vinterberg MANK David Fincher MINARI Lee Isaac Chung NOMADLAND Chloé Zhao PROMISING YOUNG WOMAN Emerald Fennell

Documentary (Feature)

COLLECTIVE Alexander Nanau and Bianca Oana CRIP CAMP Nicole Newnham, Jim LeBrecht and Sara Bolder THE MOLE AGENT Maite Alberdi and Marcela Santibáñez MY OCTOPUS TEACHER Pippa Ehrlich, James Reed and Craig Foster TIME Garrett Bradley, Lauren Domino and Kellen Quinn

Documentary (Short Subject)

COLETTE Anthony Giacchino and Alice Doyard A CONCERTO IS A CONVERSATION Ben Proudfoot and Kris Bowers DO NOT SPLIT Anders Hammer and Charlotte Cook HUNGER WARD Skye Fitzgerald and Michael Scheuerman A LOVE SONG FOR LATASHA Sophia Nahli Allison and Janice Duncan

Film Editing

THE FATHER Yorgos Lamprinos NOMADLAND Chloé Zhao PROMISING YOUNG WOMAN Frédéric Thoraval SOUND OF METAL Mikkel E. G. Nielsen THE TRIAL OF THE CHICAGO 7 Alan Baumgarten

International Feature Film

ANOTHER ROUND Denmark BETTER DAYS Hong Kong COLLECTIVE Romania THE MAN WHO SOLD HIS SKIN Tunisia QUO VADIS, AIDA? Bosnia and Herzegovina

Makeup and Hairstyling

EMMA Marese Langan, Laura Allen and Claudia Stolze HILLBILLY ELEGY Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney MA RAINEY'S BLACK BOTTOM Sergio Lopez-Rivera, Mia Neal and Jamika Wilson MANK Gigi Williams, Kimberley Spiteri and Colleen LaBaff PINOCCHIO Mark Coulier, Dalia Colli and Francesco Pegoretti

Music (Original Score)

DA 5 BLOODS Terence Blanchard MANK Trent Reznor and Atticus Ross MINARI Emile Mosseri NEWS OF THE WORLD James Newton Howard SOUL Trent Reznor, Atticus Ross and Jon Batiste

Music (Original Song)

"Fight For You" from JUDAS AND THE BLACK MESSIAH Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas "Hear My Voice" from THE TRIAL OF THE CHICAGO 7 Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite "Husavik" from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson "Io Sì (Seen)" from THE LIFE AHEAD (LA VITA DAVANTI A SE) Music by Diane Warren; Lyric by Diane Warren and Laura Pausini "Speak Now" from ONE NIGHT IN MIAMI... Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Production Design

THE FATHER Production Design: Peter Francis; Set Decoration: Cathy Featherstone MA RAINEY'S BLACK BOTTOM Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton MANK Production Design: Donald Graham Burt; Set Decoration: Jan Pascale NEWS OF THE WORLD Production Design: David Crank; Set Decoration: Elizabeth Keenan TENET Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Short Film (Animated)

BURROW Madeline Sharafian and Michael Capbarat GENIUS LOCI Adrien Mérigeau and Amaury Ovise IF ANYTHING HAPPENS I LOVE YOU Will McCormack and Michael Govier OPERA Erick Oh YES-PEOPLE Gísli Darri Halldórsson and Arnar Gunnarsson

Short Film (Live Action)

FEELING THROUGH Doug Roland and Susan Ruzenski THE LETTER ROOM Elvira Lind and Sofia Sondervan THE PRESENT Farah Nabulsi TWO DISTANT STRANGERS Travon Free and Martin Desmond Roe WHITE EYE Tomer Shushan and Shira Hochman

Sound

GREYHOUND Warren Shaw, Michael Minkler, Beau Borders and David Wyman MANK Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin NEWS OF THE WORLD Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett SOUL Ren Klyce, Coya Elliott and David Parker SOUND OF METAL Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Visual Effects

LOVE AND MONSTERS Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox THE MIDNIGHT SKY Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins MULAN Sean Faden, Anders Langlands, Seth Maury and Steve Ingram THE ONE AND ONLY IVAN Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez TENET Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Writing (Adapted Screenplay)

BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR MAKE BENEFIT ONCE GLORIOUS NATION OF KAZAKHSTAN Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad THE FATHER Screenplay by Christopher Hampton and Florian Zeller NOMADLAND Written for the screen by Chloé Zhao ONE NIGHT IN MIAMI... Screenplay by Kemp Powers THE WHITE TIGER Written for the screen by Ramin Bahrani

Writing (Original Screenplay)

JUDAS AND THE BLACK MESSIAH Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas MINARI Written by Lee Isaac Chung PROMISING YOUNG WOMAN Written by Emerald Fennell SOUND OF METAL Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance THE TRIAL OF THE CHICAGO 7 Written by Aaron Sorkin

[progressivejudaism]

Asher Yatzar, we thank God for keeping us functioning

[reallakerlady]

Blog #10

How overwhelming.....the idea of finding a literary journal has been a whole new world for me. Thankfully, we received some advice from Jane Friedman:

“For literary writers—especially those focused on poetry and short stories—consistently submitting to and being published in literary journals can be a crucial step in being taken more seriously by book publishers.“

BE CONSISTENT AND KEEP SUBMITTTING!!

As a beginner I think I was given great advice from L.L. Asher in my OLC who offers the proper format that publications want to see when reviewing material.

https://www.shunn.net/format/classic/

I plan to take my final draft and put it into this format before I submit. 

Here is my short bio:  Michelle Humbard is a MALS candidate at Clayton State University where she works as an Academic Advisor. She has a BS in Advertising from the University of Florida and resides in Atlanta, Georgia with her husband and kids. This is her first work of published fiction.

The letter that I write to accompany my submission will be tailored to the publication that I am submitting to. 

I sure hope that one day I will be published. This is a new life goal of mine. As far as my story for this class, I plan to send it to 25 publications this summer and see how the process works. This will be fun and I will definitely manage my expectations. Good Luck to everyone in my CFW class. I wish everyone much success and happiness. THE END!

[mostwonderfulstory]

Goal: 5000 pages

Read:

We Travel So Far by Laura Knowles & Chris Madden (64 pages)

Dash & Lily's Book of Dares by Rachel Cohn & David Levithan (260 pages)

What Light by Jay Asher (251 pages)

Everafter Vol. 1: The Pandora Protocol (136 pages)

My True Love Gave to Me: Twelve Holiday Stories (336 pages)

The Indisputable Existence of Santa Claus: The Mathematics of Christmas by Hannah Fry &Thomas Oléron Evans (160 pages)

Snow in Love by Melissa de la Cruz, Nic Stone, Aimee Friedman & Kasie West (256 pages)

The Twelve Days of Dash and Lily by Rachel Cohn & David Levithan (215 pages)

Let It Snow by John Green, Maureen Johnson & Lauren Myracle (368 pages)

Hunted by Meagan Spooner (384 pages)

Everafter, Vol. 2: The Unsentimental Education (144 pages)

Avengers: The Children's Crusade (248 pages)

Hawkeye, Volume 1: My Life as a Weapon (136 pages)

Hawkeye, Volume 2: Little Hits (136 pages)

Hawkeye, Volume 3: L.A. Woman (120 pages)

Hawkeye, Volume 4: Rio Bravo (160 pages)

Young Avengers, Volume 1: Style > Substance (120 pages)

Young Avengers, Volume 2: Alternative Culture (112 pages)

Young Avengers, Volume 3: Mic-Drop at the Edge of Time and Space (112 pages)

Loki: Agent of Asgard, Vol. 1: Trust Me (120 pages)

Bittersweet by Sarah Ockler (378 pages)

Let's Talk about Love by Claire Kann (304 pages)

Loki: Agent of Asgard, Vol. 2: I Cannot Tell a Lie (112 pages)

Loki: Agent of Asgard, Vol. 3: Last Days (124 pages)

I'll Be Home for Christmas (384 pages)

Total: 5140 pages.

[theworldisoursforthetaking]

AND THE OSCAR GOES TO...

This year, we thought we’d do something a little different, and post the full list of nominations below, under the cut, so you can send us your “ballot”. Each TWIO member can write down their own predictions, and the winner - the one who got the most wins right - will get something nice from us!

Have fun, and let the best TWIO member win!

Gameplay: Send us your predictions from the list below via submit!

BEST PICTURE

“The Father” (David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers)

“Judas and the Black Messiah” (Shaka King, Charles D. King and Ryan Coogler, producers)

“Mank” (Ceán Chaffin, Eric Roth and Douglas Urbanski, producers)

“Minari” (Christina Oh, producer)

“Nomadland” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers)

“Promising Young Woman” (Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers)

“Sound of Metal” (Bert Hamelinck and Sacha Ben Harroche, producers)

“The Trial of the Chicago 7” (Marc Platt and Stuart Besser, producers)

BEST DIRECTOR

Thomas Vinterberg (“Another Round”)

David Fincher (“Mank”)

Lee Isaac Chung (“Minari”)

Chloé Zhao (“Nomadland”)

Emerald Fennell (“Promising Young Woman”)

BEST ACTOR IN A LEADING ROLE

Riz Ahmed (“Sound of Metal”)

Chadwick Boseman (“Ma Rainey’s Black Bottom”)

Anthony Hopkins (“The Father”)

Gary Oldman (“Mank”)

Steven Yeun (“Minari”)

BEST ACTRESS IN A LEADING ROLE

Viola Davis (“Ma Rainey’s Black Bottom”)

Andra Day (“The United States v. Billie Holiday”)

Vanessa Kirby (“Pieces of a Woman”)

Frances McDormand (“Nomadland”)

Carey Mulligan (“Promising Young Woman”)

BEST ACTOR IN A SUPPORTING ROLE

Sacha Baron Cohen (“The Trial of the Chicago 7”)

Daniel Kaluuya (“Judas and the Black Messiah”)

Leslie Odom Jr. (“One Night in Miami”)

Paul Raci (“Sound of Metal”)

Lakeith Stanfield (“Judas and the Black Messiah”)

BEST ACTOR IN A SUPPORTING ROLE

Maria Bakalova (‘Borat Subsequent Moviefilm”)

Glenn Close (“Hillbilly Elegy”)

Olivia Colman (“The Father”)

Amanda Seyfried (“Mank”)

Yuh-jung Youn (“Minari”)

BEST ANIMATED FEATURE FILM

“Onward” (Pixar)

“Over the Moon” (Netflix)

“A Shaun the Sheep Movie: Farmageddon” (Netflix)

“Soul” (Pixar)

“Wolfwalkers” (Apple TV Plus/GKIDS)

BEST ADAPTED SCREENPLAY

“Borat Subsequent Moviefilm” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad

“The Father” Christopher Hampton and Florian Zeller

“Nomadland” Chloé Zhao

“One Night in Miami” Kemp Powers

“The White Tiger” Ramin Bahrani

BEST ORIGINAL SCREENPLAY

“Judas and the Black Messiah” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas

“Minari” Lee Isaac Chung

“Promising Young Woman” Emerald Fennell

“Sound of Metal” 

Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance

“The Trial of the Chicago 7” Aaron Sorkin

BEST ORIGINAL SONG

“Fight for You,” (“Judas and the Black Messiah”) Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice,” (“The Trial of the Chicago 7”) Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Húsavík,” (“Eurovision Song Contest”) Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Si (Seen),” (“The Life Ahead”) Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now,” (“One Night in Miami”) Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

BEST ORIGINAL SCORE

“Da 5 Bloods,” Terence Blanchard

“Mank,” Trent Reznor, Atticus Ross

“Minari,” Emile Mosseri

“News of the World,” James Newton Howard

“Soul,” Trent Reznor, Atticus Ross, Jon Batiste

BEST SOUND

“Greyhound” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

BEST COSTUME DESIGN

“Emma,” Alexandra Byrne

“Mank,” Trish Summerville

“Ma Rainey’s Black Bottom,” Ann Roth

“Mulan,” Bina Daigeler

“Pinocchio,” Massimo Cantini Parrini

BEST ANIMATED SHORT FILM

“Burrow” (Disney Plus/Pixar)

“Genius Loci” (Kazak Productions)

“If Anything Happens I Love You” (Netflix)

“Opera” (Beasts and Natives Alike)

“Yes-People” (CAOZ hf. Hólamói)

BEST LIVE-ACTION SHORT FILM

“Feeling Through”

“The Letter Room”

“The Present”

“Two Distant Strangers”

“White Eye”

BEST CINEMATOGRAPHY

“Judas and the Black Messiah,” Sean Bobbitt

“Mank,” Erik Messerschmidt

“News of the World,” Dariusz Wolski

“Nomadland,” Joshua James Richards

“The Trial of the Chicago 7,” Phedon Papamichael

BEST DOCUMENTARY FEATURE

“Collective,” Alexander Nanau and Bianca Oana

“Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent,” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster

“Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

BEST DOCUMENTARY SHORT SUBJECT

“Colette” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation” Ben Proudfoot and Kris Bowers

“Do Not Split” Anders Hammer and Charlotte Cook

“Hunger Ward” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha” Sophia Nahli Allison and Janice Duncan

BEST FILM EDITING

“The Father,” Yorgos Lamprinos

“Nomadland,” Chloé Zhao

“Promising Young Woman,” Frédéric Thoraval

“Sound of Metal,” Mikkel E.G. Nielsen

“The Trial of the Chicago 7,” Alan Baumgarten

BEST INTERNATIONAL FEATURE FILM

“Another Round” (Denmark)

“Better Days” (Hong Kong)

“Collective” (Romania)

“The Man Who Sold His Skin” (Tunisia)

“Quo Vadis, Aida?”(Bosnia and Herzegovina)

BEST MAKE-UP AND HAIRSTYLING

“Emma” Marese Langan, Laura Allen, Claudia Stolze

“Hillbilly Elegy” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle

“Ma Rainey’s Black Bottom” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson

“Mank” Kimberley Spiteri, Gigi Williams, Colleen LaBaff

“Pinocchio” Mark Coulier, Dalia Colli, Francesco Pegoretti

BEST PRODUCTION DESIGN

“The Father” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

“News of the World” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

BEST VISUAL EFFECTS

“Love and Monsters” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher