#as well as emotionally intelligent too
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sitting here thinking about how itadori sees himself, saying things like ‘i didn’t know there was anyone dumber than me’ or the fight against todo ‘what if you made me dumber than i already was?’ yet he’s so intelligent and i feel it’s overlooked a lot and he’s often underestimated. especially when it comes to others emotions he’s very observant. besides that, later on in the manga when they’re planning on how to go about taking sukuna down, it’s clear he had a big part in working things out. he’s come such a long way.
#ooc.#just late night thoughts#sitting here thinking about my son that’s all#he’s so smart okay#i hc him having adhd so sometimes he struggles#his brain can be like a beehive sometimes#and he often thinks of himself as being ‘dumb’#but he is not and has proved that time and time again#he is SO smart#as well as emotionally intelligent too
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Angela Orosco Silent Hill 2
#in anticipation of the incoming remake#i tried my best to imitate the SH font but#silent hill#silent hill 2#angela#angela orosco#theme of laura (reprise)#i've said it before but in spite of its occasionally clunky diction i think silent hill 2 is an unusually emotionally intelligent game#for any year and still today but especially so for where gaming storytelling was in 2001#and for as many pitfalls a story like hers could've dipped into i think it particularly shines through with how they treated angela#not just choosing to depict victimhood as something that can be ugly and fractious and open quote “difficult” but then this#actively rebuffing james for trying to be a white knight and dressing him down for it too#“i know you mean well and want to help but this isn't a simple problem"#“and it's really hurtful and a bit insulting that you act like you can”#the switching to a first person view turning it into an address to the player as well#maybe even old videogame tropes too#“this isn't some princess in a castle kind of situation dude this is more serious than that”#it felt like a very deliberate statement about the depth and severity of a trauma like this#and in doing so showing it so much respect#then angela just leaves#and you never see her again#i really don't think it was to imply that it consumed her i think it was to underline what was just said#this isn't your problem to fix#this is where your part in this story ends#there's some strength in that
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of all the good reasons to have an ace headcanon for him, why would you land on this
#not maintagging this#and I wish I could say this was a singular instance#but sadly it isn't#people can be uninterested in sex without being reduced to children or having their intelligence insulted#not even mentioning that a-spectrum experience is so varied in general#the two sides of terrible asexual generalisation: unfeeling robots and children#if you say someone is too dumb or emotionally immature to understand sex#you imply that if they just grew up a little or learned a bit more they would change their mind#ace people get that kind of patronising enough we don't need the call to come from inside the house as well
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I think kripke should be in extensive therapy and i personally don’t want jared on that set i just hope things work out for the best however.
#like given recent revelations#it’s true . kripke does treat male rape and sa like it’s a huge fucking joke because at the end of the day he too believes the men can’t#be raped/ assaulted narrative#that’s it’s just not the same for them and it’s a form of breaking balls or whatever#the boys might be a good show#in terms of compelling characters but it’s extremely disturbing and feeds into specific narratives as well especially about +#emotionally intelligent men#spn#like hughie is the heart of the show in every way that matters but#terrible things keep happening to him and it’s never truly addressed and he’s referred to as a “gaping wet pussy the implications +#of which I don’t even want to explore because it’s too horrifying#kripke’s thematic is that he takes a male character who’s the main character and he’s an emotionally intelligent and all around good guy#female character stand-in#and punishes them for having more “feminine traits despite being a Man . and thinks it’s funny. thinks they deserve it even#their ability to emphathise with people etc)#it’s frankly very horrifying to see. of course hughie can’t catch a break#he’s just a narrative device .#kripke is dense as hell#he's a bully . is the thing.
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Andrew Garfield as Eduardo Saverin in The Social Network
#I realize I've never giffed anything from the social network before#andrew garfield#the social network#eduardo saverin#my gifs#the way his face does that thing where it's beautiful drives me crazy#his eyes and when he glances downwards#ugh wow#he was so good in this as well (everyone else was too honestly)#he's so talented and attractive and smart and emotionally intelligent HSFhjdf#I'm just wild about him#sir please hmu anytime
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Dreamworks dragons is an objectively goofy show but i prefer its version of literally every dragon rider except hiccup (sometimes) to what the movies manage
Thinking abt it because the third movie did them all so dirty but in particular ruffnut who is my queen and snotlout who deserved better and astrid who deserves to be a bitch and and and
#httyd#ruffnut is so clever and emotionally intelligent and she deserved better#snotlout is a softie and he deserved so much better#i love them so much the movies do no justice#number 1 can stay because theyre 15 and idiots but they develop so well and the movies just said no#hiccup too honestly if we talk abt movie 3#i know the movies ignore the show but AAAAAAAHHHHH
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Why did I start like three other projects when I was already working on a big project when I just got hit with the autism exhaustion beam (requires. At least One Full Day just dead in bed, and then some more Taking It Easy time after)
#i don't even know what prompted it...#hit w a vision. not enough time to execute it. hit w a vision. too tired to execute it.#i guess technically it was just two huh. but all the moving parts made the other one feel like two in and of itself#oh. now i remember there was another shitpost behind it. i just. didn't get to.#thinking about bruno... thinking about anna... thinking about the fairies... thinking about mirabilis specifically actually#she gets the short end of the stick characterization wise and it's such a shame.#to the point where i was unsure what to do w her... i think i got some ideas rattling around though#I CAN... GIVE HER.... SO MUCH MORE.... without changing too much about her. i just need to extrapolate.#hits her w the disability beam. idk if it's also autism but she has some sort of chronic condition#that just makes you. so tireds. moe and mira shaking hands. let's lay down and rest together.#also thinking about the subtle differences between a full dream and a daydream... between sleeping and just resting#and. making her kitty coded. she is such a kitten pile type girl. she is such a lap cat. queen of catnapping#which i'm thinking works really well w peony and even sharena. not so much moe though 😭💔#i want to capture a playful side. and maybe even a 'i'm still figuring out how i feel about that' side to her#like... i'm imagining peony as someone who's surprisingly insightful and emotionally intelligent.#she's got it all figured out. she already knows. she's not always right. but she tends to know what's up#i'm thinking... maybe mira isn't quite there yet. or struggles to see outside of herself. for obvious/understandable reasons#but she has that unwavering desire for joy and comfort the way peony does. she may feel a pang of jealousy here and there#but it doesn't get in the way of her goals and wants for others. which may be the defining factor actually#like obviously this could get messy if you simplify it too much into 'good' or 'bad'. bc all these girls are DIRECT reflections#of each one's trauma response. assigning morality to that is fucked up. but for story purposes... maybe freyja/freyr did. to a degree.#bc maybe they're flawed and fucked up too. it's about The Cycles. i'm getting so lost in the sauce though LMFAOO#i am GOING to do SOMETHING. for mirabilis. mark my fucking words.
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quincy comforting yakumo is great obviously but yakumo comforting quincy…. yeah…..
#yakumo is sweet and kind. he’s compassionate and feels best when he’s helping others#he’s sensitive and he’s grown very emotionally intelligent over the past year#and he’ll need that emotional intelligence because quincy.. is not open about his feelings#he often tries to dismiss or downplay what he’s going through#he’s such a strong sturdy presence in other people’s lives but..#he deserves to have a strong person of his own he can depend on and lean against#someone who can share his pain#and even if they can’t#they can still understand what he’s feeling and support him through that#and i think yakumo is just the guy for the job#(besides eiden best boyfriend and everyone’s therapist ofc)#yakumo is very domestiand i feel like he’d take care of quincy physically as well as emotionally#it’s too tiring to make a meal when you’re depressed and grieving?? yakumo can do it no problem#don’t see the point in anything because the negatives are overwhelming and blocking out the positives?#yeah yakumo’s been there#it’s just. it’s good#ESPECIALLY yakumo returning the favour because quincy has comforted him so often#nu carnival#quincy ♡#yakumo ♡#quincamo#mouser muses
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||. anyways it’s wild right it keeps taking sonic losing everything to actually let himself feel enough to admit stuff and move tf on
#(looking at you lost world and frontiers)#(and idw's surge arc at this point)#(god he's so stubborn. he means so well but he's so STUBBORN)#(AND CAGEY)#(but also man really tthinking about that response 2 tails wowwwwww... it also showcases how emotionally intelligent he is too)#(he didn't get the chance to really deep dive into what he was saying because eggman cut them off and-)#(-forced that argument to go unfinished)#(but like... tails: you don't trust me (At all) // sonic: no that's not the real issue /this/ is the real issue)#(it wasn't about trusting tails it was about trusting sonic rip;;; unfortunately it kinda worked out in the worst way-)#(-possible in that regard. like tails was deemed correct but at what cost dnjkasbdksja)#(And sonic clearly never got to actually ... tell tails... that trust in /tails/ was ever in quuestion //sobs)#⸨ * OOC ⸩ — he was never actually called a rodent in the games but yknow .
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Some Brute doodles plus a bonus Button
#keese draws#eternal gales#Ive been thinking abt them a lot lately#theyre my other quote unquote time looper#and those quotes are pretty damn big because its entirely within their own control brute just has time rewinding abilities basically#but they sort of did a self inflicted timeloop to try to save one of their friends (softie)#it was. a rough time.#and spoilers but it didnt end well softie in the current version of reality died as a child#the past timeline stuff is mostly nonexistent within eg proper but sprinkles and tali both get to remember some stuff so good for them#<- bad for them. they do not have a good time#butter (aka current brute) would have remembered if it wasnt for the hastag brain damage#I have a LOT of thoughts and feeling on past timeline stuff but thats either stuff Ive already talked abt or stuff Im too tired to explain#well I've already explained everything in this post before but shhhh I like to imagine newcomers will actually read this#but yeah brute is my beloved they absolutely suck ass at being a timelooper they have no imagination and little patience#two of their group spent the entire period of the loops repeatedly murdering eachother and brute Never found out#all because they were too honed in on like 3 staliens to even consider how weird it was that one or both of them would Always go missing#just sprinkles showing up bleeding out like yeah. looser went to a farm where he can run around and be happy. dont worry abt it.#brute isnt stupid but they are impatient and bad at emotional stuff which makes keeping track of everyones issues hard as hell#theres so much fucking drama going on in this gaggle of teens getting them to not murder eachother is a challenge that even the more#emotionally intelligent characters arouns wouldnt be able to solve without a great deal of struggle#so brute spends a huge deal of it all feeling incredibly lost and frustrated and this leads to them making some rash decisions that make#things get much worse for both them and those around them#their arc with how they view themself over the loops is one of my favorite things abt them#finding yourself only to kill yourself all over again for the sake of those around you and all that jazz#fun fact! butters name comes from back when they were brute!#they had been internally calling themself by that for so long that by the time the brain damage left that was the name that stuck with them#brute just never got to actually use the name fully in their version of reality for a wide variety of reasons#mostly the time loop but also because most of the others wouldnt take it seriously even when they tried#this was mostly because butter is well. a fully english word that doesnt have any stalien equivalent#brute just made some bullshit up to act as their language version of it
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youtube
youtube
#could it be#baby don't hurt me#“i'm not your mary” oo i got chills#the most encouraging thing was seeing all the new areas that nailed one of my favourite (and most underrated) parts of the original trilogy#which is the very lovingly rendered individual rooms and places with so many bespoke details and bits and bops to peruse#if they can only avoid what happened with homecoming#who actually got the “gorgeous atmospheric environments” part down pretty well but#the event director had for some reason tragically fallen completely asleep and said environments just never gave you any reason to fear#that anything unexpected might ever happen#so they just chucked a monster at you every now and then to (try to) create tension instead#it was very boring#my other fear is one i've had from the very beginning but#as i said earlier i think the original is an unusually emotionally intelligent game (regarding Angela especially)#and i have never played a booby team game but#from assorted coverage i've kind of gathered that “tactful depictions of mental health” hasn't been something they particularly excel at#but if they're just sticking to the script of the original i guess it'll be just fine#i hope#(and don't play up the “abstract daddy” bit too much because that might just be the only part)#(where the original started to skirt the line of taste just a bit hn)
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1st house overlays/synastry
18+
please do not copy or repeat my work anywhere sun in the 1st house overlay: as we know, the sun illuminates anything it touches. naturally, in synastry, the sun will light up & shine onto the house's personality, appearance, and approach to life. this is a great placement to have for both romantic and platonic endeavors because you feel a mutual understanding; like you're on the same page in the book of life. the house will feel an abundance of validation and recognition from the sun. something about the sun just makes the house feel good, like the world still has something to offer. the sun is very fond of the way the house deals with situations thrown at them. "i love the way you handled that". there's a natural sense of comfort found in one other, it feels like you just get each other. the house may find a lot of peace and serenity within themselves when they find their way back to the sun. gives me the energy of the house thinking "i wish they were here" when they're at a shitty party. the house's general character and disposition is highly aligned with how the sun sees themselves, giving a sense of familiarity and closeness. complimenting each other back to back energy. this person would be a great partner to go out with, because they will always give you the acknowledgement and confidence you're seeking. "should i get this tattoo?" "you would look amazing with that tattoo".
moon in the 1st house overlay: there is no room for concealing emotions in this connection. both parties intuitively sense how the other is feeling, and can see their true motivations with ease. the house may feel almost unveiled by the moon, surprised by how quickly they are able to keep up with their emotions. this is the type of person you miss having as a friend when breaking it off with them, even if you were romantically involved. similar to the sun, the moon overlay shares a natural compatibility with one another. this synastry provokes emotional harmony and deep understanding. the feeling of telling them something you wouldn't ever open up about with anyone else. in this connection, the moon can serve as a tender reflection to show the house how to heal and nurture themselves. this overlay will make both not only physically attracted to each other, but also intensely emotionally. the moon finds the house's mind, body and soul irresistible, while the house desires the moon physically as a means of emotionally connecting. you are able to read each other exceptionally well, the energy of knowing how they feel just by the look on their face. the house will be openly receptive to the moon's way of reassurance. the house saying "i never thought about it that way" when the moon offers them consolation. both parties feel immense relief and comfort within each other. the person you look for in a crowd, to find they were looking for you too.
mercury in the 1st house overlay: this overlay is a like-minded and stimulating bond. having this synastry makes connecting on basic levels practically intrinsic. it feels like you get along right away, and often share similar outlooks on topics and values. the way mercury speaks and allocates knowledge is admirable to the house, like mercury is able to lay out information in a way that resonates with them. the house feels listened to by mercury, like they don't understate the house's intelligence. mercury can easily enthrall the house person. it's like mercury has an innate ability to make any conversation exciting and intriguing for the house. both may steal slang and phrases from each other, because they like the way they sound coming from the other person. initially, the house may struggle to keep up with mercury's fast-paced nature, or find them hard to fully grasp. mercury may feel like they're much more charismatic and magnetic when they're in the presence of the house. it's like a switch flipping for mercury, being able to reel the house in with their words. both parties banter and make fun of each other all the time. the two of them may be very attracted to each other's hands and arms, like you can't stop staring at their fingers when they're doing random tasks. mercury will be inclined to mentally pursue the house, they want to win them over with the charm they exude. no matter what, mercury feels an unquenchable curiosity for how the house operates and perceives information.
venus in the 1st house overlay: this is a connection that will cause intense physical attraction no matter what. in my personal experience, this has been an infatuation placement. the intangible pull these two feel for one another is powerful and consuming. venus finds the house very physically appealing, and the house basks in the planet's admiration. everything about the house, how they move, walk, and talk, venus can't get enough of. on a less superficial level, both parties will find the other very gratifying and enjoyable to be around. this connection will be fun under any circumstances, they can have a good time together even if they're on a sinking boat. venus will feel proud and confident in public with the house. "can you believe i pulled them?" energy. however, this placement can be bittersweet, in the sense of the house feeling like venus doesn't see their personality, only their looks. this can be difficult to overcome if there aren't substantial placements or aspects to show genuine admiration rather than shallow attraction. at its worst, this synastry can have the energy of shane & rachel from the white lotus. in this bond, both venus and the house share a similar taste for clothing, art and culture. the type of relationship where they like to dress each other up and pick out their clothes. the house will feel increasingly attractive and charming when in the vicinity of venus, and venus easily finds inspiration through the house. this is the person you have a hallway crush on at school.
mars in the 1st house overlay: mars falling in the 1st house is an enticing, aggressively playful, and physically erotic linkage. this synastry gives me the energy of not being able to contain your smile, even though you're arguing. these two grind each other's gears, in a way that you want to strangle them, then make out. mars is instantly on a pursuit for the house, like they see them as something to conquer. the house thrives on the ego boost from mars' chase, and may deprive mars of their presence to maintain control. initially, the mars is definitely somewhat at a whim of the house. however, the house is physically captivated by mars. mars appears as a rugged, lustful meal of sex appeal for the house. "i could eat that girl for lunch". it's like mars gives the house a taste for life and adrenaline. eye-fucking each other across the room vibes. this overlay may feel like a game at times, like a nonchalant war to see who breaks the tension first. the house's behavior riles mars up, intentionally or not. the energy of mars making fun of the house constantly, while the house is telling them to shut up. the first impressions of this person are very strong and memorable, you definitely won't forget them after originally meeting. this connection is inspiring for the house, as if mars pulls motivation out of them. very lively and dynamic relationship. laughing, tickle torture, and angry sex.
jupiter in the 1st house overlay: both the house and jupiter light up when they're around each other. jupiter, the planet of "so much abundance it's spilling off the plate," entering the 1st house is a great placement for self-esteem and confidence. both parties exhilarate and inspire each other plenty. jupiter is able to expand the worldview of the house, encouraging them to take risks and learn about life simply by having fun. jupiter's praise massively inflates the houses ego and self-worth. the house feels emotionally enriched by jupiter, like they can't help but feel fulfilled by them. the house may find that being around jupiter brings luck & opportunities for them, like things just fall into place. it makes me think of jupiter as a celebrity, and the house as their friend who gains recognition through jupiter's influence. jupiter feels very admired by the house in this connection. the house can learn a lot from this bond; it feels like jupiter is an infinite well of knowledge for the house to dive into. this synastry can almost be pedestal-like for jupiter, as if the house thinks they can do no wrong. be wary of rose-colored glasses and too much glorification. if the house is younger or less mature, jupiter can find their timidity annoying at times; offended that the house doesn't always trust jupiter's wisdom and direction. however, the mutual respect this connection brings is healing for the soul of both jupiter and the house. this synastry is groupie love, painting portraits of each other, and endless flattery.
saturn in the 1st house overlay: this synastry will force you to grow outside of yourself. if saturn does one thing in this connection, its holding the house accountable for their bullshit. both party's insecurities and weaknesses are obvious to each other, like they're sprawled out on the table. saturn often tries to clean out the house's faults to help them grow. this can be suffocating for the house at times, especially if they aren't looking for or open to change. the house can subconsciously try to look good and doll up if they know saturn is going to be there. the house craves saturn's validation, and can succumb to imbalanced power dynamics if not careful. if saturn is afflicted or unevolved, this connection can be critical and envious in nature. the house easily expresses themselves, which can inspire jealousy in saturn for something that doesn't come as instinctually to them. saturn can really pick at the house's insecurities if they want to, and vice versa. these two need to be mindful of their jabs, and careful of being too mean and berating. if this connection is stabilized and healthy, these two can be the ultimate power couple that comes off as sultry and mature to others. saturn builds the house's confidence from the ground up, like they're a project for saturn to work on and improve. saturn returns are a great time for these connections, because of the structure and discipline the saturn person offers in the chaos.
uranus in the 1st house overlay: in this connection, uranus loves to stir things up within the house and help them break free from the mundane comforts of life. initially, the house can find uranus to be totally weird, "out there," and sporadic. it's like the house is puzzled by how uranus acts. "i've never met anyone in my life like you before". uranus grows on the house very fast, and inevitably, they start thinking uranus is unique and ahead of their time. the house needs to be cautious of being too stubborn and apprehensive in order to keep uranus' flighty nature from kicking in. this connection can feel like you grow into the best and most authentic version of yourself through each other. uranus helps catapult the house into being who they truly are, leaving no room for self-doubt and embarrassment. the house may be fascinated with how uranus conducts and presents themselves. it gives me the energy of the house pulling a lot of fashion inspiration from uranus, because of how innovative and original the planet comes off to the house. the type of people you save to your pinterest board. this bond is electric and unpredictable, they love to keep each other on their toes. however, both may be resistant in relation to commitment because of the intense need for freedom uranian energy activates. these people provoke rebellion in yourself you've never felt before, like you want to see how far you can go before getting caught. uranus sees a plethora of untapped energy in the house, and thrives off inspiring them.
neptune in the 1st house overlay: the converging of this overlay is dreamy and illusive. the energy lingering around this connection is an intoxicating, love-at-first-sight experience. neptune is bewitched by the house's beauty. this synastry is rose-colored glasses on steroids. underneath the blissful admiration and mesmerized gazes, neptune's blurry nature makes what you think you know about your partner and what is actually real an uncomfortable awakening. the house can feel a frustrating pressure to live up to neptune's unrealistic fantasy that they have projected onto them. on one hand, the house wants to indulge and relish in neptune's perception in order to maintain a beautiful and magnetic aura. on the other hand, the house wants to be loved for their true, genuine self. both need to tread carefully in this connection, as the neptunian influence can replace typical bonding and becoming acquainted with predetermined conjectures and assumptions. the feeling of cutting them off, then realizing you didn't know anything about them. however, this synastry is a great opportunity for combined spiritual expansion and growth. sex is an unearthly union between them. deep understanding is mutual and almost psychic. "you make me feel like a person". they slip into your dreams, and know what you are going to say before you speak.
pluto in the 1st house overlay: pluto's presence in the 1st house can be an intensely metamorphic bond. this relationship goes beyond physical, into the deep intertwining of each other. the house portrays a fascinating allure towards pluto. pluto feels very tempted and inexplicably drawn towards the house, almost like the house is testing to see when pluto gives in. the house feels like pluto dominates their mind, which can quickly lead to them becoming smitten. pluto's persona intimidates and simultaneously attracts the house. in this connection, pluto will inevitably hold a lot of power, and can become jealous and overbearing regarding the house. this bond requires pluto to be mindful of arising insecurities revolving the house's outward charm to others. the house feels like pluto peers into their soul, seeing their vulnerabilities and weak spots. the house almost can't turn away, because of the intimacy they discover through this connection. this is the type of couple that turns heads when they walk in. if pluto is afflicted, this synastry is susceptible for forced change and control. pluto needs to be cautious of trying to mold the house into what they want, rather than what the house wants. by supporting the house, pluto can propel the house's spiritual and psychological broadening, and act as an important guide for the house to fulfill the immense potential that pluto sees in them.
lilith in the 1st house overlay: in this overlay, lilith finds the house to be the living embodiment of their raw and primal "dark" side. everything lilith hides away and rejects in themselves, they see in the house- physically and internally. in this relationship, identity is extremely affected on both sides. the house's friends & family may find them unrecognizable in the presence of lilith, because of the shadow they naturally evoke in the house. these two mirror each other's most repressed desires & taboos, easily exhilarating each other in the process. your heartbeat increasing uncontrollably when in their presence vibes. upon meeting, both parties feel irrevocably lustful and attracted to each other. there is a very intense bodily chemistry between the two, the type of energy that other's can feel because of the potency. in this connection, there is innate mutual respect, but heavily lilith for the house. lilith honors and admires the house's unapologetic nature regarding themselves; and the house thrives on lilith's passion and sexuality. in public, the house may feel like their impulses are drawn out- simply by lilith's company. although, however transforming this experience may be for both parties, this overlay can cause lilith to be obsessed with the house superficially- if the powerful lilith energy is not handled correctly. something about this couple could be scandalous or "unacceptable" to normal society, like age gaps, background differences, or social statuses. however, they are not concerned with backlash from others, and love uplifting each other to their deeper emotions and true colors.
#astrology#synastry#1st house#astrology notes#astro observations#astro notes#astro#astro posts#venus#pluto#moon#metaphysical#mars#lilith#ascendant#astrology blog#astrology tumblr#synastry overlays#1st house synastry
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astrology observations #6
7th house synastry is dreamy, in reality it's manifestation isn't as strong
3rd house synastry is important, especially moon or mercury
Aquarius stellium people are slow af
Gemini moon's inner feeling are different from what they outwardly show
Aquarius moon like to show that they're not affected by things but they actually care a lot
Sun unfavourable aspect to moon in natal makes the person lost in life, or lack direction. They always have some shit to figure out
Libra aspects are good liars.. a little too good tbh
Underdeveloped pisces people tend to be careless about other people's feelings/needs and hurt people often (a lot of times intentionally)
Underdeveloped leo people are vain and egoistical. They get hurt by not receiving as much attention as they think they deserve
Well developed leo people are one of the sweetest people ever
Fire and water sun-moon combo is one of my faves, emotionally intelligent and strong willed
Air and earth sun-moon combo usually is a fun but laid back person
Taurus sun/moon people are very dependable people, you can count on them to take responsibility
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୨♡୧ ASTRO OBSERVATIONS PT 5
Please take all of these predictions with a grain of salt I'm not a professional astrologer.
Here's my masterlist
& if you have any questions here are the GUIDELINES
NATAL OBSERVATIONS
🫐 Aquarius Mercuries also leave people on read thinking they'll reply later, dude reply now you guys will forget later on.
🫐 Venus square Pluto may get bullied by women and the men they reject.
🫐 Your Moon also shows what you overthink about :-
Eg : Virgo Moons overthink whether their intelligent enough or not.
Libra Moons overthink whether people love them or not.
Capricorn Moons are busy overthinking about who's lying.
Pisces Moons are busy overthinking about fictional characters or things that have not even taken place.
🫐 Mars in Taurus is also quite sensual and these people may have a high libido. Most of them know how to channel their energy.
🫐 Venus in Virgo tends to look good no matter what they wear [at times they may wear clothes that won't necessarily be their style but they will still end up looking good in it].
🫐 Cancer Moons are also good at manifestation.
🫐 Pisces Sun, Pisces Moons are better at hiding things, stuff, their personal life. Basically they lie where required.
🫐 Mars in Capricorn reminds me people who are more active mentally than physically. These people know when to play and when to be serious.
🫐 Cancer Risings I can't just blatantly state you guys get bad partners, it's just you guys often fall for people who have a tough time expressing themselves emotionally. You guys also end up being in karmic relationships many a times.
🫐 Moon square Mars tends to feel emotions very intensely. They should journal their anger on a clean piece of paper and then burn the paper.
VEDIC OBSERVATIONS
🫐 If you have a moon darakaraka, only in this placement you can marry a person with the same sign as yours.
🫐 Mars in the 2nd house may eat alot of meat, it's like they'll love meat and find it hard to be a Vegan or Vegetarian.
🫐 Also Mars in the 2nd house swears or curses a lot doesn't matter what sign. They can end up creating new cuss words too lol.
🫐 Rahu 10th house is a good placement however the natives with this placement struggle to choose a career for themselves.
🫐 Venus in the 9th house also tends to be asexual or sapiosexual.
🫐 Rahu in the 9th house makes you doubt your morals. Whether your a good person or not.
🫐 Sun-Mercury conjunction in the 7th house can give a spouse you has solutions to mostly all of your problems. Even if their not too educated they may still have solutions to your problems.
🫐 Sun Nakshatra people have so much perseverance like no matter what they go through they always stand tall facing their problems all by themselves.
🫐 Like 12th house reminds people of spiritual, paranormal, esoteric, escapism but what people forget is this house represents creativity as well.
🫐 12th house lord in the 9th house could mean your creative and would want to pursue a career in something artistic.
🫐 Venus in Pisces in any nakshatra gives you such ethereal dreamy looking face these people never age.
🫐 Sometimes I feel Mars atmakaraka has trouble asking for help.
🫐 Sagittarius Moons and Capricorn moons easily argue with each other then 5 min later their bffs like dude [yeh rishta kya keh lata hai.]
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#astrology#astro observations#astro community#astro notes#astro blog#astroblr#vedic astrology#vedic astro observations#vedic astro notes#vedic chart#natal chart#natal astrology
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As hilarious as it is to read about WWX initially being unable to perceive his own attraction to Lwj as anything other than the typical reactions of a woman, I wish more people would realise that it was not due to obliviousness, but rather because of compulsory heterosexuality and him simply not being aware such things existed. The time period he grew up in speaks for itself, as well as his unsafe (because the Jiang household was anything but secure) environment.
It was funny when it was treated as a crack idea, but it's frustrating when it's treated as a canon trait of his, when it's not. This guy is highly intelligent, both emotionally and intellectually, and the conclusions he came to regarding his own feelings as well as Lwj's were based on the information he had at the time. I see people point it out most in that scene at the start of the novel where Lwj gets drunk and points to WWX saying 'Mine."
But I can't believe how obtuse those same people are when they don't realise that while it's obvious to the reader (because duh they're reading a danmei novel about romance between the two main leads, and they let themselves be blinded by their own perceptions) that he's referring to WWX, to him it's not. Because what was he supposed to think? When all Lwj had ever been towards him was tolerant at best, and outright hostile at worst, and with his previous cold behaviour, was WWX really supposed to think, oh he must mean for me to be his! Because that would have made no sense at that part of the story. It was only logical for him to try to find a rational explanation, and the only one WWX could come to was that LWJ was referring to his sword, because obviously WWX wasn't going to take him seriously even if he had confessed, he would have only thought that he was drunk rambling or something. He didn't have any reason to believe him at that point.
It's not until the rest of the events of his second life progress and give WWX many opportunities and chances to reflect on his own feelings and Lwj's (changed and more affectionate) behaviour, does he start to think, could it be that I like him? Because WWX is no idiot; he realises his own feelings for Lwj pretty early on. And he catches onto Lwj's love for him too! Which is what the whole getting drunk at the inn thing before Guanyin Temple was about; he was scared to find out whether or not Lwj's love for him was platonic or not. (Which is a valid thing literally every person who has ever had a crush can relate to; worrying over whether the person of your affections feels the same or not. And it's difficult enough navigating these things in heterosexual relationships, let alone same-sex ones)
I think the way MXTX wrote WWX's journey of discovering his sexuality as well as his budding love for Lwj is beautiful and deserves more praise and recognition, rather than just glossed over as tee hee 'obliviousness'.
#mxtx mdzs#wangxian#wei wuxian#lan wangji#the seeds of their love were planted in WWX's first life but really grow because of well everything that happened#and it's not until his second one that their given space and time to boom and grow beautifully#and I think that's wonderful#mdzs
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can i have one were zoro realises she does things bc of truama (like doesnt speak much etc)
hold me (still)
opla!zoro; 6,680 words; slow!!!!burn, fem!reader, ex-assassin!reader, straw hat!reader, general tragic backstory/trauma, fluff, hurt/comfort, bit of angst, emotionally constipated zoro, communication? what's that?, nami playing therapist bc she's the only one with 1 iota of emotional intelligence
summary: sometimes, stillness is a virtue, and others -- a tragedy. or, in which the straw hats pick up a new member and zoro is equally intrigued and weirded out by you.
a/n: well. you guys asked for slow burn and... the burn is so slow u gotta squint to see the smoke yall. but trust. the burn does get there! pls be patient!! and i tried to combine 2 dif reqs in this one fic :)
You are of the quiet sort. Just a shadow dancing in the periphery of their vision, and when they first met you, you’d told them it was your superpower, a soft, still smile slipping across your lips. Luffy had bought into it immediately, and the invitation was out his mouth before anyone could stop him.
“Come with us!”
“Oh…” your lips pressed into a thin line of consideration.
Zoro’s fingers itched towards his swords because something about you makes the hairs on the back of his neck stand up. But something else — something uncomfortable and strange, something very much like curiosity — seizes his chest and twists his stomach. Strange, he thinks, too strange.
“C’mon! It’ll be fun!”
And then, you’d smiled wider, and nodded, and that had been that.
It’s been three months since then, and you are still of the quiet sort, though it had receded a bit with time. What with Sanji’s gentle flirting and Usopp’s not-so-gentle stories and Nami’s bright, dry-humored companionship, you’d begun to “open up a bit”, so Luffy observed.
Zoro, for his part, has kept his distance. Because sometimes he still catches you at the bow of the ship, staring out across the midnight waters, still as a stone-carved statue. Still as a wooden beam — stiller, even.
“What’s with that?” he asks one day, strolling up to Nami as she traces a fine line over a new map she’s working on.
“Hm?” is her very eloquent response.
Zoro ticks his tongue against his teeth and casts his eyes about the ship, finding them drawn to the shape of you, up at the bow again, reading in the shade of the tangerine trees. Nothing moves except for the wind as it whisps through your hair and the slow scanning of your eyes as it skates across the page.
“New girl,” Zoro says, crossing his arms as Nami finally looks up at him and then off towards you.
“Why don’t you ask her yourself?”
Zoro lets out a puff of breath, unfolding his arms to glare at Nami. He finds her grinning a lopsided grin as she clicks shut her compass and puts down her pen. She leans a hip on the barrel she’d been drawing on and folds her own arms.
“Oh, you like her.”
“I’m weirded out by her. ‘S not the same thing,” Zoro snaps, but when he tries to leave, Nami blocks him with an arm and pins him with a sharp, leveling look.
“No, no, no — we’re gonna work this through.”
“No thanks, I’m good.”
“Uh-uh, you still owe me after that round of drinks the other night — remember when you bet you could drink more than me?”
Zoro narrows his eyes, “I did drink more than you.”
Nami’s grin is gleeful, “No, you didn’t. You had to be dragged back to your room after clogging up the toilet. Or do I need to show you the evidence —”
“Alright — fuck, fine. But really? This is what you’re gonna waste your favor on? You could’ve asked me to —” Zoro gestures around vaguely, “clean the bilge or something.”
Nami shrugs, looking almost too pleased, “Nope! This is what I wanna use my favor for. And, really, you think a bit of bilge water is gonna gross me out? C’mon.”
Zoro heaves a sigh and leans back against the main mast, closing his eyes.
“Fine then. Go.”
Nami sits back on the edge of the barrel.
“No, you go. Admit that you like the new girl.”
“I don’t.” He doesn’t open his eyes.
“I’ve seen you staring at her. We’ve all seen you staring at her.”
“What, that a crime now?”
Nami fights the urge to roll her eyes, “No, but I’ve never seen you try so hard to avoid someone before.”
Zoro lets out a bark of laughter, hard and mirthless, “Yeah, so that must mean I like her.”
Nami cocks her head, “It means you feel something towards her. And I’d suggest you figure it out.”
“And how’d you propose I do that?”
Nami once again waves in your direction, “Go. Talk. To her.”
Zoro lets out another breath, eyes scanning across the ship, anywhere but towards where you’re still sitting and reading, finger flipping a page in a perfect, smooth, singular motion.
And Zoro’s not blind. Blunt though he may be at times and careless as he is about most material things, he can still appreciate beauty when he sees it. And you — there’s no denying that you’re beautiful. Your strange stillness aside, when you do move, it’s with a dancer’s lissome grace, fluid lines, not a single movement wasted. When you smile, it seems to light you up from the inside, and your words, though soft, carries the well-worn weight of river stones, glittering beneath the clear, spring stream of your voice.
There’s a sharpness in your eyes, a straightness to your spine, a way of carrying yourself as if you’re afraid that one wrong move might shatter you and the entire world around you.
Sometimes when he sees you, he wonders at the hands that had sculpted you this way. He wonders at your life before they’d picked you up in Loguetown, when you’d oh-so-silently slipped up the execution platform and helped Luffy down, all the while staying free of Smoker’s watchful gaze.
The few times he’s seen you fight, he can’t help wondering if you’ve eaten some kind of devil fruit as well. No human could be so fast as that. Or be so quiet. But then again, he’d fought Kuro, and they’d seen stranger things. Still, he marvels at the way you flicker in and out of sight, slipping around the edges of battle like a dark, haunting thing, and men would drop like flies beneath your quick, quiet hands. With nary a sound or shout before their eyes roll back and their breathing is no more.
On the instances when Sanji had asked about your past, your eyes had gone misty and dark, unfocused. You’d gone still, freezing for so long that Usopp would cough just to fill the silence. And then slowly, ever so slowly, you’d turn back towards them with a small, sad smile and say:
“There’s… not much to talk about. I grew up somewhere far away, where if you didn’t keep quiet and still, bad things would happen to you. And then when those bad things happened, if you weren’t quick — the quickest of all, you’d die.”
Bad things, huh? Zoro thinks as he makes his way towards you, a hand resting on the hilt of his swords. He comes to a stop next to you and leans against one of the white planters, casually peering over your shoulder at the book in your hands.
For a long moment, neither of you move. Then, Zoro clears his throat and forces himself to speak.
“Is it good?”
It takes you a second, but eventually, you turn towards him.
“The book? Yeah, I suppose.”
“Not exactly a glowing review.”
You laugh, a soft, breathy little thing as you look back down at the page.
“It's about a girl who falls into an enchanted sleep, and a prince who wakes her up with a kiss.”
“Must’ve been one hell of a kiss.”
“Yes, and one hell of a prince.”
Zoro finds himself chuckling, his shoulders loosening as he takes another breath.
“And then what?” he asks.
“And then… he asks her to marry him.”
You run your fingers along the page, smoothing your palm over the ink and parchment. Zoro watches you, wondering, always wondering.
“What’s she say?” and it’s then that he notices his own voice, hushed and low, barely a whisper.
You look back up at him and smile a smile a sphynx would have been proud of.
“I don’t know. I haven’t gotten there yet.”
Zoro takes a breath, and the breath tastes distinctly different than all the breaths he’d taken before it. As if the world takes the breath with him, and some fundamental truth had shifted on the exhale.
The moment breaks, as moments are wont to do, when Sanji calls out for lunch and Zoro jerks out of his almost-reverie. You slowly close your book and rise to your feet, turning back to smile at him.
“C’mon, it’s lunchtime.”
Zoro nods and follows you into the kitchen, where Luffy and Usopp are already digging in, and Nami is pouring herself a drink. She spots the pair of you and catches Zoro’s eyes. A grin ticks at the edge of her lips but before she can say anything, you’re accosted by Sanji sweeping into a deep, flourishing bow, and ushering you towards the table, where he’d set your place in a manner fit for a princess.
“Where’s my setup?” Zoro asks as he drops into the seat next to you, cocking an eyebrow. Sanji shoots him an unimpressed look.
“I’m surprised you can use a fork and knife, moss-head. Just be grateful and eat up.”
Zoro scoffs but digs in nonetheless.
When next they dock, it’s on a rare, peaceful island — an island of light and books and learning, where the air smells of salt and ink and drying parchment, of unwritten words and untold stories. But it smells of a stillness too, and Zoro knows without having to ask that you’d like it here.
And you do.
He’s never seen you smile so much, never seen you so vibrant and full of life. You chat and laugh and read with a voracious hunger, and he finds himself drawn to this new, warm, moving side of you. He finds himself, more often than not, by your side, even when neither of you speak. And he basks in the comfort of the quiet that permeates the air when it’s just the two of you — him hanging in the hammock on deck, you reading by his side.
But now, there’s the soft tapping of your foot, the shuffle of pages when you flip forward to see what’s coming next, and of course the ever-present shush of the ocean as it washes against the Merry’s side.
The Log Pose needs two weeks to properly calibrate to the next island, so they’ve got time to kill.
On the fifth night, over dinner and drinks, Luffy asks the question that everyone’s been thinking since the day they’d all met you —
“So. Why’re you so still all the time? Not that it’s weird or anything — well, actually — it kind of is, but it doesn’t bother me. I’m just asking cause I'm curious!”
You look up from your half-finished wine but Zoro feels it happening, like the hush of a fan blade slicing through air, the gasp before a porcelain vase tips over and shatters. You stop. You stare. You’re frozen in every sense of the word. And he’s known you for long enough to know that you only go still as a reflex, only reach for it as a shield. Against what? He doesn’t quite know.
“It’s… something of a long story,” you say, your voice low and hoarse.
Luffy grins, smacking his lips as he sucks the meat off a chicken leg, “We’ve got tons of time! Right?” he looks around as if for validation, but everyone’s eyes are caught on you and your unnatural stillness.
Zoro shifts slightly in the seat next to you, opening his stance and turning towards you.
“Could do with a good story.”
Your eyes flash in his direction and he offers you the barest hint of a smile.
You relax, ever so slightly, drifting back in your seat, your glass cupped in the palms of your hands. And then, you begin to speak, your voice smooth and lilting, your words washing over them like the faint lull of the tides.
“When I was three, my father sold me for a barrel of beer.”
A dull clack echoes around the room and everyone turns to see Sanji hurriedly righting the thick stein he’s knocked over. Thankfully, it’d been empty.
“Sorry — I just — what?” he sounds furious but Usopp lays a hand across his arm and shakes his head.
You take a deep breath and continue, your voice oddly emotionless as you say, “The man who bought me took me to an island. It was… a dark place. A quiet place. I only learned its name after I escaped — an island called Elysium.”
Nami gasps before clapping her hands over her mouth.
“I’ve just — I’ve heard of that place before, but I thought… I thought it was just a made-up place.”
Luffy swallows hard, frowning, “What’s it like?”
Nami’s eyes flicker between you and Luffy, “Supposedly… it’s the home island for… for the most feared group of assassins in all the seas combined.”
Usopp’s eyebrows jerk up, “The most feared?”
A faint smile seeps across your lips like blood.
“Yes. The Shadows that Live.”
Everyone turns to look at you. Luffy picks up another drumstick.
“Whoa… cool name!”
Zoro hums, “I’ve heard of them before — but mostly, it was just an old wive’s tale about… shadow assassins who hunt in the dark. Mercenaries for hire. But… no one’s ever seen one before.”
“Because… once you see one, you’ll never live to tell the tale,” you say, your eyes now downcast and fixed on the glass in your hands.
“Then…” Usopp’s voice is soft, “What about… you?”
“I… I ran away.”
Silence greets you. But after a moment, Luffy spits out a bit of bone and uses it to pick at the space between his teeth, his eyes round.
“Wow! You must be pretty good to run away from an island full of shadow assassins!”
You almost laugh, his boundless trust hitting you like a punch to the stomach.
“So…” Sanji lets out a puff of silvery smoke, “the staying still thing… that’s just part of your training, yeah?”
You nod, “Something like that.”
Someday, you think, you’ll tell them about the hellscape that was Elysium island, of the long echoing halls, dark and still and silent. Of the mechanical beasts that hunted by sound and movement alone. Someday, you’ll let them know about the poisoned pomegranate seeds that they feed all the “recruits” to keep them hazy, of how you’d kept six of them suspended in your mouth and spat them all out when you’d finally made it far enough from the island to allow yourself to breathe.
“And… are these shadow assassins gonna come after us?” Nami asks, her voice careful and light.
You purse your lips, “I… I don’t know.”
Nami sighs, but a moment later, she moves to refill her drink with a slight shrug, “Well, just one more enemy to add to our growing list. Soon, we’re gonna have to post a sign-up sheet.”
At this, everyone laughs, and the tension snaps like a wounded spring.
Luffy burps loudly, patting his stomach, “I’m not worried — I mean, if you were able to run away from them once, that means you’re stronger than them, right?”
You pause, your hand hovering over the wine bottle. Zoro gently reaches over and refills your glass for you. You shift back into movement, casting him a small smile and taking a sip. The wine is cool and tangy as it hits the back of your throat. You breathe, and the world keeps spinning.
“I… I’m not sure — I’ve never fought… any of… them… before.”
“Guess we’ll find out if they try to come for you then — but you’ve got us now!” Luffy says, reaching for an apple and chomping into it, “ — Sho… you duon gotta wourry —” he licks his lips as he takes another huge bite before tossing the core towards the waste bin, “We’ve got your back!”
Nami makes a disgusted face, “Don’t talk with your mouth full, ugh.”
Sanji chuckles, tapping out his cigarette, “Yeah Luffy, mind your manners.” But his voice is full of laughter and you find yourself relaxing into the sway of the night, the swing of conversation. Beside you, Zoro refills his own glass and leans over to clink it against yours.
You turn, but he only raises his glass before taking a sip.
You mirror his movement, cradling the cup to your chest when you finish.
Later, he finds you by the tangerine trees, ghosting your fingers over their lush green leaves, dark enough to look black in the evening light.
“Hey.”
You turn, “Hi.”
Zoro sighs and looks out over the darkened waves, the moonlight refracted into a million shattered bits of sky.
“Luffy’s right, y’know.”
“What about?” you ask, joining him by the railings. The night air is cool and crisp. Behind you both, the island oozes with lamplight and laughter. Even from here, you can hear the joy, the peace that permeates the air here. It wouldn’t be a bad thing, you think, to stay here forever.
“If they come for you,” Zoro says, “we’ll have your back.”
You let out a small chuckle, looking down at your hands, “I know.”
“So,” he turns towards you, his earrings glinting in beneath the scimitar moon, “you don’t have to be afraid anymore.”
You lick your lips, and instinctively, you reach for the stillness. All the days and weeks and months with the people around you have softened you, and for that, you know you should be thankful. Still, old habits die hard, and you have to clench your fists and dig your nails into your own palms to keep from freezing completely.
You take a shivering breath and force it out again.
“Fear’s a hard habit to break.”
At this, Zoro grunts, though it sounds something like consent. The moment stretches, long and soft and taffy-sweet.
He turns back towards the sea, “Yeah,” he says, and then —
“But we can take it slow.”
You swallow hard, passed the broken shards of forgotten words lodged in your throat (you find that they all somehow taste like thank you), and you nod. Warmth tickles your cheeks and you wonder why he’s said we instead of you — and later, lying in your bed at night, staring at the moon-slatted ceiling, you wonder if he was really talking about fear or if it was something else entirely.
You don’t get a lick of sleep that night.
The next few days pass in a light, repetitive blur. You and Zoro are sent on a few short shopping trips in the city, and you’re glad for something to do that involves movement. Shocking how quickly the body adapts once the weight it’d been holding on to is lifted.
You are still quiet, and he, the same; but the silence has shifted around you, and whereas before it’d been solid and steady, it’s now thrumming and charged with some unspoken energy.
Neither of you are blind to it; nor, it seems, is the rest of the crew.
Sanji’s taken to openly teasing Zoro about being with you all the time, complaining loudly that he can’t get a word in edgewise because Zoro refuses to leave you alone. Nami keeps on trying to drag you out for “girl's day” shopping trips, hinting at all the cute clothes you could get and how “green really suits your skin tone, y’know?”
Luffy and Usopp for their part, both just grin whenever they see you together — Luffy stoked at the fact that you seem more happy and talkative, Usopp gleeful at the way Zoro always seems so much softer when he’s next to you.
You’ve taken to watching him when he trains, sitting in the shade of the tangerine trees, a cold drink in your hand as Zoro runs through his katas. You content yourself with watching him flow through the movements, one and then another, and then another after that. He contents himself with your presence, knowing that you’re here, feeling your eyes as they skate down the length of his back or the width of his shoulders.
It’s a peaceful sort of companionship, even if it is living on borrowed time.
When you all wave the little island goodbye, it’s with heavy hearts and tearful smiles. It had treated you well, and you think you’d miss it. But adventure is as adventure does — it calls, beckoning to those with wandering hearts to listen.
The first week back at sea is a strange one, full of a ringing nostalgia. As if you’re simultaneously coming home and leaving one at the same time. Everyone is a bit quiet, except for Luffy, of course, who literally bounces off the freshly waxed planks, humming to himself as he sits on top of the great ram’s figurehead.
“Is he ever still?” you ask one day, sometime in the second week.
To which Zoro makes a sound between a scoff and a laugh, “You’ve been here a while. What’d you think?”
You sigh softly and tear your eyes away from the bright, shivering ball of energy that is your captain towards the far horizon. A sliver of uncertainty twines through you and your breath slows. Zoro glances at you, now long since attuned to your subtle shifts in movement and stillness. He narrows his eyes.
“What is it?”
You shake yourself back into the moment, forcing a smile.
“Nothing. I think…” your words fade as the feeling twists in you again, knife-sharp and stinging. You clear your throat and reach up to brush away a strand of hair. Skin grazes skin as Zoro’s hand meets yours in the same gesture and you both freeze — hands held up, his finger caught against the bend of your cheekbone, your fingers curling over his.
Time slows, slackens around the pair of you, and the moment stays, suspended in space — garnet dark and perfect.
Neither of you dare to breathe. It’s then that you realize how close Zoro is — close enough for you to see the entire ocean reflected in his eyes: big and dark and so endless it nearly unmoors you. Close enough for you to feel the warmth of his skin; his body, emanating heat. You’d often wondered, in the long hours of watching him train, at the glistening copper of his skin and the light-kissed quality, if the sun himself favored Zoro as well.
Like this, it’s easy to believe that beneath his skin, there pulsed something like sunlight.
“Look! It’s an island! It’s an island!”
And just like that, the moment shatters. Time slips back into motion and you pull away from each other, breathless, with warm cheeks and thundering hearts, feeling somehow lightning-touched and static-ridden.
You take half a step back, reaching up to press a hand to your mouth as if to stop something from tumbling through. But what? You can’t really say.
Zoro tips back as well, whipping around to help Usopp and Sanji with the sails as Luffy continues to holler, waving his hat. On the horizon, you see it looming — the silhouette of an island. You lower your palm from your lips to your heart and wonder what kind of island it will be.
Deserted — seems to be the answer when you all make landfall. The island is quiet, but the occasional chirp and cricket staves off your nerves as you all wander cautiously about the beach, squinting into the dense forest that seems to encompass the whole of the island.
“Looks like a good place to camp for the night!” Luffy says, grinning as he plops down on the sand.
Sanji nods, dusting off his hands, “We’ll need some wood for a fire, but I reckon I can whip up some grilled fish from the fresh catch.”
You wrap your arms around yourself and look around, glancing back at the darkening horizon.
“Something the matter?” Zoro’s voice is soft as he helps you carry some of the camping supplies from the ship.
“No… yes… I —” you look up at him, pursing your lips, “I don’t know. I’ve just… this island is…”
Zoro looks around, his dark eyes scanning the thick swath of forest just beyond the beach, “Too quiet?”
You let out a tiny laugh, “Yeah, something like that.”
He nods, “Don’t worry, I’m — we’re here.”
And he leaves it at that, hoisting a stack of wood over his shoulders and going to help Nami with the fire. You watch him with a smile, wondering what on earth you’d done to deserve this level of caring, this magnitude of kindness. Soon, dinner is had and drinks are shared and laughter is spilled like so many silver coins over the white sand beach. The lull of the evening takes over you all, and before long, Luffy and Usopp are slumped over each other, snoring loudly.
You stare into the depths of the fire and try to tamp down the growing dread festering inside your bones. All those years of holding still, of breathing and listening and feeling — you shake yourself — no, not all stillness is a bad thing. Not all silences are made the same.
“You’re doing it again,” Zoro’s voice almost makes you jump. Instead, you turn, finding him next to you as he nurses a half-drunk bottle of wine in his hands. He doesn’t look at you, but there’s a loose grin hinged across his lips.
“Sorry,” you say, ducking your head, feeling a now familiar heat creep into your cheeks that has nothing to do with the dwindling bonfire.
“Don’t be,” Zoro takes another drink, “But I told you… you don’t have to be afraid anymore.”
“I know… and I’ve said before —”
“Fear’s a hard habit to break,” Zoro echoes back at you, finally glancing over and catching your eye.
You breathe out, looking down at your own hands, “Yeah… but I’m trying.”
You both fall silent, and for a while, the only sounds are the crackle of the dying flames, the shush of the ocean waves, and the occasional snores from the rest of your crew. It’s late — later than you realized.
“Do you… want me to grab a book for you?”
You smile, “No, I don’t think it’s bright enough.”
“I could restoke the fire.”
“No, it’s — it’s okay.”
“Alright.”
A bird coos the distance.
“Why don’t you tell me a story?” you ask, turning to look at Zoro proper, shifting till your body is facing him.
In the faint light, you can see the edge of his adam’s apple bobbing as he swallows.
“You’re asking the wrong guy — you should wait till the Great Captain Usopp’s awake.”
“Yeah, but I want to hear one from you.”
Zoro sighs, his eyes fixed on the last of the flickering flames. He takes another swig of wine before he starts to speak, his voice low and a bit stilted, but he pushes on. He tells you about his childhood, the village he’d trained in, the doujou in the middle of the wood, his friend who he’d never beat — not even once.
He tells you about he early mornings and the late nights, and how the world had seemed large enough to conquer.
“… And then… there came a morning when she didn’t show up… and sensei came and told me that there’d been an accident.”
His voice almost breaks then, and your eyes catch on the shining white hilt of the Wadou Ichimonji — his thumb pressing against the guard, running along it’s hard metal edge.
“Oh… I’m sorry.”
Zoro shrugs, “Don’t be.”
You nod, “Still.”
Zoro slates you a lopsided smirk, “So. Now you know my tragic backstory too.”
You laugh, leaning back to cast your eyes up towards the sky, “And you know mine — it’s almost like we’re friends or something.”
Zoro lets out a long breath, “Yeah… or something.”
There’s a tightness to his voice that makes your skin tingle and it takes everything you have not to look over at him, to try and see if he’s looking at you, watching you the way you’d imagined him to be. You fancy you can feel his gaze on your face, but you close your eyes instead.
You let yourself fall into the warm haze of sleep, and for a while you drift there, your mind sifting through shards of memories and slivers of sound, casting them against the backs of your eyelids as you slowly slide into the darkness of dreams.
You wake up to a gasping stillness — the silence pressing in on your eardrums like thumbs, the darkness around you so complete it’s almost a solid thing. You freeze, your breath hissing to a halt inside you. Then distantly, ever so distantly, you hear the sounds of battle — metal clashing against metal, the hard thud of boots against flesh. You shake your head and reach up to clap your hands over your ears and only then do your senses return to you, snapping back as if you’d been abruptly shunted back into your earthly body.
“Gum Gum — Pistol!”
“Seize her!”
You whip into movement, fast as a flash, dashing away, hoping against hope that it would draw your attackers far enough from your crewmates.
“No one… ever… leaves us…”
The voice is serpentine and susurrus, sinking into your skin like sharpened teeth, but before it can reach you, it’s cut short by a bright flash of silver.
You gasp, whirling around, reaching for the nearest pulse, instinct taking over as you sink your fingers into muscle and flesh. The rush of blood thrumming beneath your fingertips comes too easy, even as a familiar scent accosts you. A moment later, your hands are being pinned above you, and thick, rough bark is digging into your wrists as Zoro stands before you, a sword in one hand, the other holding you still.
His eyes are a little wild and a lot worried. There’s a ring of red rawness around his neck, thin trickles of blood trailing along his jugular, disappearing into the wide scoop neck of his shirt.
“Hey, look at me.”
You nearly whimper, struggling against him, fear still coursing through you like a drug but Zoro is strong enough to keep you held. Behind him, you can see the rest of the crew fending off several shadowy figures, Usopp waving a torch, screaming at the top of his lungs, Luffy whooping as he whacks another figure with his fist.
“Z-Zoro?”
“Yeah, it’s me — eyes up here.”
You swallow in a breath, and then another, and you feel the bright thrum of urgency leave you as your body slowly falls slack. And then you’re slipping, and he’s looping an arm around you to keep you upright.
“Th-they’re here — they —”
“They’re gone — we got rid of them — hey.”
Zoro takes you by the shoulders and gives you a gentle shake. Finally, your eyes catch on his and your gaze holds. You see yourself reflected in them, stark and terrified, but alive — somehow alive.
“They’re gone,” he says, his voice soft and low by your ear, his arm still wrapped around your middle. Shivers wrack your body as you bury your face in his shoulder. He smells of steel and skin and the metallic tang of blood. It’s then that you remember — the wounds on the sides of his neck. The marks in the shape of your hands —
You jerk back and feel a sticky wetness against your cheek.
“Zoro, I hurt you!”
At this, he scoffs, pulling back far enough to flash you a look.
“This is nothing. C’mon.”
He offers you a hand, and after a second you take it, letting him pull you to your feet. Wordlessly, he presses his palm to the small of your back, his arm extended to keep you steady as you both make your way back towards camp.
“Phew! That was a workout!” Luffy is saying just as you both reach the outskirts of the now-darkened bonfire. Sanji is pulling out a cigarette, striking a match, and first lighting the end before tossing it into the remains of the firewood, fanning it up into a slow flame.
Nami and Usopp both look a bit shaken, but none worse for the wear.
They all pivot to look at you.
You go still against Zoro’s side, uncertainty flooding through you. Faintly, you feel Zoro’s fingers as they press into the bend of your waist, solid and steady.
Then, Usopp coughs, “C’mon y’all — the Shadows that Live? Psh! More like — the Shadows that Fled, am I right? Yeah? Didya see the way I sent ‘em runnin’ with my brand new fire-powered explosion rounds?”
Nami chuckles and Sanji follows suit, shaking his head and letting out a thin wisp of smoke. Luffy’s grins at you, pumping a fist in the air, clapping his right shoulder.
“See? Told you we’d have your back! We are your crew, after all!”
Weakness seeps into your limbs as you nod, hot pin-pricks of tears itching at your lower lashes. You lower your head and rub at your eyes before looking back up again with a smile. Sanji grimaces as he looks over Zoro.
“Got something on your neck, mate.”
Zoro glares but you glance over and feel your stomach twist with guilt.
“Sorry… I can clean that up for you. They’re not deep but they do need to be bandaged up.”
Zoro wipes down his sword before sheathing it and motioning towards the ship. Behind you, you can hear Nami yawning and saying something about catching up on some more sleep and Sanji reassuring her about having the last watch anyway.
The kitchen is still dark, but the dusty dawn sweeps against the far horizon and neither of you bother to turn the lights on. You carefully set the first aid kit on the kitchen counter and collect the supplies as Zoro leans back against the edge and folds his arms. You work in near silence, reaching up to first wipe the thin threads of drying blood before tending to the tiny, crescent-shaped puncture wounds.
You press an alcohol-soaked cotton ball against one of them and feel Zoro wince.
“Sorry.”
“I’m fine.”
You bite your lips, “If this had been a bit deeper or a few inches over —”
“But it wasn’t. So it’s fine.”
You don’t look up at him but you can feel his eyes on you. Your movements are fluid and sure; you’d clearly done this before.
“Hey, look at me.”
You freeze, eyes slowly gliding up the planes and divots of his neck, slipping up the line of his jaw, so sharp it might’ve been turned on a diamond cutter’s lathe. Your breath hitches as you finally meet his eyes, and there’s a dark, knowing glint behind them that makes your stomach flip.
“I’m fine.”
And for the second time in a handful of hours, you’re caught by the realization of your closeness — only a breath of space between you. There’s a crimp at the corner of his mouth that looks dangerously like a smile and then you’re tipping forward, a thumb reaching up to trace the line of his bottom lip once —
The movement acts like a trigger, and suddenly, he is leaning in and the breath of space disappears.
For all your life of stillness, you thought you’d learned to appreciate the depths and widths of movement. But nothing could’ve prepared you for this — for the push and pull of lips on lips, for the force and friction of skin against skin. For the gasp and hiss, for the breath and kiss.
For the feeling of his large palm as it settles along the swallow’s-nest bend of your neck, the way his thumb runs along your jaw like tracing the guard of his beloved sword, tilting your mouth towards him. For the way your heart might flutter like a tiny, caged bird, or the way you might feel his heart thumping like a fist from his chest to yours.
For the way his voice rolls over your name like a ship at sea; for the way it would shake your body from your bones and leave you more liquid than solid in his arms. For how you never used to think your story would be a love story, but then you realize that every story is a love story if caught in the right moment, in the right light.
And here, breaking apart from Zoro, with a thick, stolen streak of lemon-yellow sunlight leaking in from the kitchen window — that’s exactly what it feels like.
“Oh,” is all you have the strength to say.
Zoro, in all his solid brilliance and quiet audacity, laughs.
You taste the smile on your own lips before you realize you’re smiling. But when you try to bury your face in his neck, he winces slightly as you brush his still-fresh wounds.
“Crap, I forgot about these.”
Zoro chuckles as you hurry to press a few small bandages to the wounds.
“It’s okay. So did I.”
You finish dressing his wounds in silence, though this silence is markedly different from every other silence that had ever existed between you. There’s ease and tension, both, and when you’re finally finished, Zoro takes both your hands in his.
“So…” you say, unsure suddenly of where to look.
Zoro’s laugh is just as soft, just as uncertain.
“So.”
You try to look out the window, but by now, the dawning sun is so bright that it temporarily blinds you and you jerk back. Zoro smiles, reaching up to run his thumbs along your closed eyelids before dropping them to hook around your wrists again.
“Do you… wanna talk about it?” he asks, quiet as always.
You purse your lips and let your lashes flutter open. You find him watching you. Heat crests up your shoulders and into your cheeks, and suddenly, the exhaustion of the night before saps at your limbs. You sigh.
“Right now? Not really.”
“Yeah, neither do I,” he says, sounding as relieved as you feel.
You bite your lips and cast your gaze shyly across his face, your bird-wing heartbeat still flapping in your chest. You fight the urge to go still, to reach for that shield that has always protected you before. Faintly, you feel Zoro’s thumbs tracing circles along the insides of your wrists.
“Can I ask for something else, though?”
“What is it?”
You reach up a finger, nudging one of his golden earrings. You don’t miss the way he shivers, or the way his breath quickens in his chest.
“Kiss me again.”
Zoro grins, tugging you towards him, leaning into the curve of your palm as he does.
And does.
And does again.
reqs are: temporarily closed
but feedback is much loved and appreciated!!!
#Anonymous#one piece#one piece live action#opla zoro#opla roronoa zoro#roronoa zoro#roronoa zoro x reader#roronoa zoro x you#x reader#opla#one piece netflix#opla zoro x reader#one piece live action x you#one piece live action x reader#roronoa zoro fluff#one piece fluff#opla fluff#roronoa zoro imagines#roronoa zoro scenarios#floofy floof floof#scheduled post#angst mcgee#and yes after some consideration and that poll#im giving Proper Caps a try LOL#its strange i think it actually changes my voice a lil bit#but i dont think i mind???#anyway -- any feedback would be much appreciated! <3
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