#as the reason why she did the one good thing in her life

[missingininaction]

alright, friends, i might say something you don't like but i think it's important. not just to defend a character, but because i think this is literally making people's experience and relationship with this game worse.

give jimmy like two seconds to exist.

by hating jimmy so much you refuse to even say his name, and judge real, living people for liking him, you are cheapening your experience by boiling down the main character to the most ~yuckiest~ moments. and, by not making a seperate space for hating on him, you are drowning out the voices of people who actually have nuanced things to say about his character. you know, the skilled writers and artists that feed the fandom? limitation is what kills fandoms, you have to know that.

is jimmy a good person? no. is he a good captain/companion/worker? Absolutely Not! he crumbles like dust under any pressure and he immediately shifts blame off of himself, he is an actively harmful individual and it's right to be upset by his actions. i literally had to stop myself from saying "man FUCK jimmy." multiple times because i didn't want to spoil how terrible he got to my friends when i showed the game to them.

but you have to understand; people are more than their actions. thats part of the entire point of the game. thats why its so abstract. you are meant to think about the nuances of their situation.

we can agree that anya was way more as a woman than what happened to her and what she did as a result of it, right? that despite her best efforts, she was a victim of circumstance, and she deserves to be understood and analyzed fully?

then why, seeing a fictional man who has done immoral things, are you so disgusted you won't even draw, write or discuss him outside of hate? what is that doing for you, to ignore literally the main character of the game because of his actions?

now, this is not to say people can't hate jimmy. i understand it! as someone who has been a victim of s/a and abuse, i understand if you hate him and are even triggered by him to the point of avoiding mention of him. (but...why are you in this fandom? ((not aggressive im genuinely asking)))

you can feel however you want about any character, my goal is not to control people. but i thought it was common knowledge to not hatepost about someone in their tag? over actual insight into his character and, you know, the main themes of the game?

jimmy is a man who has struggled his whole life. both him and curly confirm that in the game. he's unable to control his emotional outbursts, and he likely had no idea what to expect from being in fucking SPACE for over a year with people he probably didn't even know before that trip. and pony express and their corporate safety corner cutting certainly didnt help, did it?

for one reason or another, he most likely was never actually taught how to manage his emotions. that's just how it is sometimes, growing up as a man. and it would make sense if he was forced to deal with everything himself, no? he always complains, but he still says he'll handle it. because that's what he's always had to do. and this is just the start of what i could say about what made him the way that he is.

he's a victim too, not only of his own actions.

surprise surprise, people who do awful things can also be victims.

honestly, this entire situation baffles me. how are you going to avoid one of the main characters of the game, let alone the one you play as ninety percent of the time? mind you, curly is also guilty, and i am happy to see at least some people giving him space for nuance. because he is also a victim!!! why is it so impossible to see jimmy as nuanced, when literally every other character also has incredible depth to them??

you're tarnishing and spitting on the beautiful writing of this game just because one character is too icky for you to feel comfortable thinking about for too long. it's horror, you absolute morons. it's supposed to make you uncomfortable.

if you hate jimmy, i dont blame you. but please, please, make your own space for it. be kind to people who want to explore jimmy and the darker themes, and like him for what his character represents. this is a video game fandom, not a witch hunt. and please, learn some fandom etiquette while you're at it, okay? okay. thank you

also just say his name. its not a slur youre not gonna go to hell if you say jimmy. like this isn't as important but still it just feels like a microcosm of this whole thing.

[thefirstlioveyou]

Mike only fights back against bullies after they hurt someone he loves, but never for himself.

When he was tripped? When he was pressured to jump off a cliff? he just took it and never fought against it later. He never got back at them for it.

Mike's learned to take it, but he's ashamed of it. Watching back the clip where they trip him, you can notice Mike is trying not to cry. You can hear it in his voice with the way it cracks and shakes, and especially with the noise he makes at the end. He hides how they actually make him feel.

He tries to hide the real reason why he had a mark on a chin from el, afraid she'd think of him as a wastoid/loser. He just wanted one person - just one - to not think of him the way he thinks everyone else does - the way he thinks of himself.

He hides the reason for the bruise from the first girl that's ever shown interest in him. He doesn't tell his parents. (there is zero implication his parents are aware of the bullying until finally when his son is wanted by the whole town s4. karen is right there in front of him to see the scab but we never see acknowledgment from her). There's a good chance nobody but Dustin and El know about the whole cliff thing.

We are explicitly told how Will and El feel about the bullying and hate they've faced in their life, but not Mike. They are hiding him cause LOOK AT HOW HES OUT OF FOCUS IN BOTH OF THESE SCENES!! DURING THESE LINES!!!

MIKE UNDERSTANDS THEM. He knows where they're coming from!! why isn't he just saying that? pride. shame. fear. downplaying his emotions because his parents have taught him what he thinks/feels/does does not matter. not that they insult him.. they just ignore him or things that matter to him. that's enough to make a child feel insignificant.

buddy all you did was slightly open up about feeling not needed and insulted yourself in the process...

karen failing to call it by the actual name implies she doesn't remember details about him -- the things that matter to him. his correction implies it's important to him that she refers to it by its actual name, and this is most likely not the first time he corrects her by the way he says it casually.

the fact mike has zero reaction to any of this implies this is a normal thing for him to hear in his house (another instance in which he doesn't defend himself from insults, because he himself believes it)

His parents do not go to him. They do not intervene and rather wait for him to feel better on his own. Mind you this is a 12-14 year old boy. Why on earth is it all on him to manage alone???

"how is this bad?"

this plays exactly after we get a scene of Joyce not confronting Jonathan - her son - crying in his bedroom. Jonathan is parentified. He doesn't receive the same attention he needs as a child the way Will does because he needed to help provide. Although they're entirely different situations from each other (put down the fucking pitchforks), they both include a parent avoiding emotional connection with a child that's dealing with grief to let them take care of it by themselves. this is a clear parallel that's meant to be noticed.

they continue to just wait for mike to fix it all himself.

Mike feels worthless. He feels like a loser. He feels like he doesn't belong the same way El and Will do. He doesn't feel needed. But he's not gonna say it because he's learnt it doesn't matter. We have all the reasons to believe why he would feel that way.

Instead, during scenes where Will and El talk about bullying making them feel worthless, the director and cinematographer will simply just make sure he's in the background and out of focus, much like he his to his parents. Much like he is to the GA. Much like how it feels to suffer from depression.

[lara4eclipze]

“i wish you were sober"

— ( 🎲 ) take me where the music ain't too loud

— ( 🎰 ) angst , fluff , drinking , drugs, no label relationship , sort of good ending! , dw they become gir-

— ( 🎥 ) @wonysugar hii bae! , here's some angst for you :)) , idrk how I ended up with this but 🤞😘

this party shit , wish we could dip — go anywhere but here

you never knew what you and lara were , it was like you both were pining each other just waiting until one of you breaks and succumbs to love

she would be mad at you when you showed affection towards others but when she shows affection to others it's alright , it felt like you were getting fried in your own oil

you couldn't leave her — you didn't want to leave her , as much as it hurt you — you were never gonna leave her she was a part of you , someone who made you complete , you couldn't think about your college life without her

"I'm fine lara we should leave you know?—it's getting crowded in here" you wince as you took a look around seeing a bunch of teens passed out or drinking

"y/nnie come on!" lara manages to slurr out of her mouth , she was obviously intoxicated — she looked hypnotizing , her hair perfectly framed her face — lipstick smudged from drinking out of red plastic cups

"gosh your so b-boring" she hiccups, her hands now on yours trying to lift you off the couch you were sitting on

her words struck you — you were boring? for not participating in some stupid shit no teen should do? , "I just don't want to do this" you reason pulling back your hands and shooting her a sympathetic smile

"fine leave then" she suddenly bit — her tone was icy cold leaving no room for argument , she turns away from you and goes to a group of teens who were wasted

"okay...— I'll just go" you awkwardly mumble to yourself , you stand up and make sure all your things are in your bag — as you're walking out of the house you spot lara in the corner of your eye — smiling and flirting with someone

don't kiss my lips and please don't drink more beer

you wanted to storm over there and just scream at lara as if that was gonna make her sober — it really did fucking took a toll out of you , having to put up with this BS from lara — having to see her flirt with everyone but you

you check your watch and see it was already too late, by this point weird men start popping up in the party so you've taken it upon yourself to get lara home safely

"laru—we have to go" you lower your voice and whisper to her , she looks at you confused her eyes were half lidded and she reeked the smell of alcohol

fuck you fell for it again.

"I don't wanna go yet" she whines , her body slumped against yours as you tried to balance her, "I'm not asking if you want to , you're coming with me either way" you sternly declare

you turn to walk away still holding to her , she grips your shoulders and makes you face her — lara's lips soon was on yours , it felt soft and warm , she tasted sweet and almost like chocolate

as you both pull away you saw how her eyes were glossed over , her lips still having your lipstick on it some smudged over

"why won't you love me? hcc , I've done everything yet you never even tried reciprocating my feelings!" lara accused as the previous alcohol she has consumed made her sensitive , tears start to leave her eyes as she continues to reason why she had always wanted you

"i will always choose you over any of these people!" she screams , her voice broke as she kept on tearing up

you held her body , hugging her , as her tears fell on your shoulders — hiccups and many more thoughts left her mouth unfiltered

"I love you — don't you love me back?" she questions, looking up at you — her eyes were filled with tears her nose was red from all the sniffling she had done and god her voice trembled as if she was afraid of losing you

"I love you too , now don't cry I'm not gonna replace you ever" you replied using your handkerchief to wipe away her tears, she clings onto you and sniffles murmuring some thank you and I love you's

[girl-named-matty]

Little morning - Life after Hogwarts

synopsis ✧ Being a parent wasn't exactly easy and Sebastian found that out the hard way after the birth of his first son--who was now two-years-old and they were also expecting another. But regardless, he loved being a father. But the biggest problem with having a pregnant wife? A little toddler who just so happens to be a big mummy's boy that tries to wake her up at any chance he gets.

tags ✧ Fluff, tooth-rotting fluff, like so much fluff you guys. Talks of pregnancy and babies (ofc), toddlers (thats a warning in itself haha), marriage, just all the domestic cutesy stuff we all love. .

word count ✧ 1.6k

a/n ✧ Just some random cute idea I got and I have been ITCHING to write Seb and Matty as parents. You've probably seen my other posts about their kids when they are older but I really wanted to do some of the younger stuff as well because the baby fever is strong rn and I need a outlet LOL.🥺 Hope you enjoy! xoxo

Sebastian Sallow severely underestimated how difficult being a parent would be and just how much sleep he would lose by being one as well. Sure, he knew kids were difficult, and his wife had told him countless stories of the kids she had nannied or worked with who were difficult, but nothing could’ve prepared him for the real deal.

Little Eleazar was just past two years old by now, and yes, he was an abnormally well-behaved child; he still was a toddler, and well—toddlers did toddler things.

But despite the lack of sleep, the rough days, and the struggle of learning how to be a first-time parent, it was all worth it. They loved their little boy, and they loved him just the way he was.

And apparently it was “so worth” it enough that Matty was now pregnant with their second child. Or at least in Sebastian’s words, it was “so worth” having another. Matty had always wanted a couple of children, so she was up for having a second, but Sebastian was definitely the one who pushed the idea to have another.

Hence why she was now seven months pregnant and dealing with a toddler. But thankfully, Sebastian was a very hands-on and involved dad, and it made it all so much easier. He was an amazing husband and father. (She couldn’t lie and say that wasn’t the reason why she considered a second.)

It was nearing seven am when Sebastian, who was half asleep, heard the little pitter-patter of footsteps nearing the bedroom door. They had moved Ele into a different room a couple of months ago so he could get used to sleeping without Mum and Dad, especially once the new baby was around. But almost every morning, like clockwork, he managed to climb out of his crib and sneak off to Mum and Dad's room.

Sebastian, immediately knowing who it was, sat up and rubbed his eyes. The little footsteps stopped right at the door, which meant the door needed to be opened. Eleazar wasn’t quite tall enough to reach the door handle and turn it, so usually Sebastian would have to do it himself since he was the first one up.

He could practically hear his son pouting on the other side of the door, so he swung his legs over the side of the bed and stood up, trying to be as quiet as possible so as not to wake up Matty, who was still peacefully sleeping.

He walked over to the door before opening it, looking down at his son. “Well, good morning,” he said, his voice still gravelly.

Eleazar quickly put his hands up, babbling a little to let his dad know that he wanted to be picked up. Sebastian leaned down and grabbed the little boy up in his arms. “You’re two years old; you gotta start using your words, buddy.” He softly encouraged. But it seemed like Ele was too tired to speak anyway since he was rubbing his eyes the moment he was up in his father's arms.

Sebastian sat back down in bed, Eleazar placed in between him and Matty. “If you’re going to be here, you gotta go back to sleep.” He said, trailing his knuckle against his son's chubby cheeks. Of course, he was only saying this to try and get more sleep himself, but when did toddlers ever listen to anybody?

Instead, Eleazar turned around, seeing that his mother was in bed. “Mummy,” he babbled with a big smile, crawling over to where she was sleeping.

Sebastian’s heart almost jumped out of his chest as he had to quickly grab his son and pull him away from his mother in order for him not to wake her up. She definitely needed more sleep. “Wait, wait, no, we can’t go to Mummy right now, okay? Mummy is sleeping.” Sebastian tried to explain.

However, Eleazar did not like being told no. Especially when it came to his mummy. The corner of his lips curled down, forming a little frown, and by the way his little bottom lip quivered, Sebastian could quickly tell that he was going to start crying.

Panicking a little more, Sebastian quickly grabbed the little boy up in his arms. “Hey, hey, it's okay.” He soothed. “We just can’t wake up Mummy right now; she’s resting.”

He knew Eleazar couldn’t understand a lick of what he was saying, but he hoped the tone of his voice would help calm him down. “Mummy is very tired, and she has little brother or sister to deal with too, okay?” He continued. “I can assure you that definitely isn’t easy.” He half mumbled under his breath with a chuckle. But that was more for his own amusement than an explanation.

Ele didn’t cry, but he looked up at his father with his big blue eyes that he had inherited from his mother, a pout still on his face. “Mummy.” He repeated, this time more determined.

Sebastian sighed, shifting to where he was now lying down with the child in his arms. “Mummy is asleep. Which is what you should be doing right now too. You’re still so young to be waking up this early.”

“No.”

Sebastian sighed again. He hated the fact that usually one of the first five words for children was usually no. It was helpful when they could communicate what they wanted, but it also happened to become their favorite word very quickly. Saying no to everything mummy or daddy needed them to do.

“Yes.”

“Mm-hm.” Eleazar shook his head, clearly conveying that he was saying no.

“What am I going to do with you?” He chuckled, pinching his son's cheeks.

But luckily for the both of them, Matty shifted a little, signaling that she was indeed finally awake. Ele quickly looked behind him, seeing his mother begin to wake up. A big smile instantly appeared on his face, and he slipped out of his dad's arms and immediately crawled over to his mother. He was a big mummy’s boy and always wanted to be with her.

When Matty felt two little hands on her arms, she chuckled, opening her eyes. “Good morning, sweetheart,” she said sweetly, the sleep still obvious in her voice.

Eleazar immediately plopped his full body weight onto his mother, giving her a big hug. She laughed, giving him a hug back before sitting up. She looked over at Sebastian and then back down to her son. “Something tells me you’ve been giving your father a little bit of a hard time.” She said, poking her son's little tummy.

“I’ll say,” Sebastian muttered. “Little bugger tried to wake you up the moment he got into bed.”

Matty smiled. “He just loves his mummy,” she cooed, shifting little Ele so she could have him comfortably against her.

Raising a toddler and being pregnant definitely wasn’t easy, but to Matty, it was worth it in the long run. Not all mornings did she wake up as nicely as she did now, but these mornings definitely helped and made up for the bad days.

“Well, thank you for letting me sleep in a little longer.” She said to Sebastian before leaning in for a quick good morning kiss from him. Sebastian smiled into the kiss, enjoying the attention from his wife. Sometimes that was scarce between work and raising a baby, so he was always loving any attention he got from her.

Meanwhile, little Ele was looking at his mother's belly, still wondering what on earth was going on there. It started to frustrate him that he could no longer sit on his mummy’s lap, but he slightly understood the concept of having another new little sibling that was seemingly “in mummy’s tummy” and that it was a baby.

Matty looked down and chuckled. “Say hi to the baby, Ele.” She urged.

Eleazar didn’t say anything, but he did wave, thinking that his little brother or sister could see him do so. Matty giggled a little bit at her son's expression, and she leaned down to kiss him on the forehead. “In just a little bit you’ll have a new brother or sister, and it’s gonna be sooo fun,” she said.

“Sleepless nights and screaming babies are an interesting thing to consider fun.” Sebastian joked sarcastically.

“Remind me whose idea it was to have a second?” Matty said, raising her brow at her husband. She knew he was just joking, but she did like to poke fun at him because, after all, it was his idea to have another baby once Eleazar was a little older.

“It was mine, and I’ll totally own up to that.” He chuckled, pulling his wife close to him. “And I can’t wait to have another. Anything from you is a complete blessing, and I’m lucky to have you and our children.”

Matty smiled and leaned her head against his chest. She had married the right man, that’s for sure. And boy did she love him.

“I hope it’s a girl,” Sebastian mumbled into her neck.

“Don’t want another little boy?” She chuckled, looking at him with a raised brow.

Sebastian shrugged. “I’ll be happy either way. I just want a healthy baby. But since we have a boy already, I think it’d be nice to have a sweet little girl. Beautiful and intelligent, just like her mother.” He said, giving Matty a little squeeze.

“And here I thought you wanted a little mini-you.” Matty said.

“Oh trust me, I do.” Sebastian replied. “But who's to say that a little girl can’t be my mini-me? We can get into all sorts of trouble together.”

“Mhm, right. Not on my watch.” Matty joked with a laugh.

“Worth a shot.” Sebastian grinned.

I hope you all enjoyed this as much as I enjoyed writing it! Thank you so much for reading! 🥺❤️

[littledeathdove]

Donna Beneviento headcanons

To take a break from writing my analysis on her and Angie 😋

(Bro she is so damn fine/pretty/beautiful basically all of the above, LOOK AT HER HANDS OMG, the elegance when she is making Angie wake back up?? I need someone to match my feelings when it comes to this woman omg)

Okay now that I’m done with my little…rant there, let’s get onto these headcanons ����🙏��

Donna is mute, well selectively mute since she much rather prefers to speak through Angie. When she does speak through her own mouth it’s usually just to speak to Mother Miranda since she does see the woman as her mother in some stance.

Now Donna does sometimes speak through her own mouth to other people, but when this happens it’s usually before she can even stop herself. Usually it’s in situations where Angie went dormant and Donna can’t wake her up in time to get out the words she needs to say.

She only speaks a couple of words before she transfers into speaking through Angie.

Donna does love the enjoy of the kill but she hates thinking about her first actual murder which was the gardener. His death makes Donna withdraw into herself even more since he was one out of the two people kind to her. And she did grieve his death at the time since she did have good intentions when she gave him hallucinations.

Donna is actually very mean inside and that’s why Angie taunts people, mocks them, and even makes insults. It all because Angie is acting out the personality trait that Donna doesn’t show through herself. Which is because she tries to make herself seem as much of a shadow as she can by not speaking.

Donna never puts a bad/ugly feature on any of her dolls and if she does mess up and accidentally causes the doll to have such features, she never gives them life through sharing her cadou. The reasoning for this is because Donna she doesn’t want to make her dolls, things she sees as a part of herself, suffer by making them live with such a face like she had to.

Donna ideal lover would likely be someone playful since she definitely loves games as much as her doll, Angie does. A boring person would just make her bored with them as a person but if you are interesting enough, you’re lack of playfulness will make up for it.

Even though Donna is murderous she isn’t sadistic. Donna doesn’t find pleasure in making people feel pain but she does find it funny most of the time. Speaking of finding pain funny, Donna prefers to watch her victims suffer from the hallucinations she gives than any pain she gives them. Pain always equals to her playmates soon dying way more sooner then they would if she just inflicted nightmarish hallucinations on them.

If Donna did have a childhood friend that protected her from bullies and all of that but somehow drifted away from Donna growing up (likely when Donna isolated herself), Donna would become possessive if she got that friend back. By that I mean like you wouldn’t be able to have anyone else as the main person you give your attention to or else she would withdraw again.

I also believe that you would get a horrific hallucination about said person the next day if you were to come back to her property.

I have more headcanons but I just want to get out of my drafts before they sit in here for another 4 days 😞

[literallys-illiteracy]

Follow Up Post for explanations:

Nothing There

While Nothing There fits several sinners (as do most abnormalities), I personally believe that Meursault is the strongest contender for a Nothing There wielder due to his presence as an “Outsider” or “Stranger” to the rest of the company, and to humanity in large (seen in the source book).

Though Meursault does not do things outwardly incorrectly or in methods foreign humanity at large, having learned the basic processes and standing by them, he is still seen as a person abstracted from normal humanity, despite learning and acting in base like the people that surround him.

For the other possible Nothing There wielders, I think Don Quixote and Gregor both fit equally well for different reasons.

As others have pointed out, visually speaking Gregor is the most fitting for this due to his prosthetic arm, alongside his thematic connections to alienation and change. Noting this is interesting because I personally don’t see Gregor as the greatest fit for this EGO based on my reading of his character and the abnormality, as i feel their stories are somewhat separated – Gregor’s arm acts both as a visual symbol of his past traumas during the war, as well as a stand in for physical damages and changes that one may possess, leading to his discrimination; While this concept of needing to hide something to appear as a human is a fitting description of Nothing There (as is suggested by its EGO name of Mimicry), I believe that the two diverge from this point, while Gregor presents his humanity above else, hiding his arm behind his back often, his own humanity is in fact, his downfall in this case.

Nothing There acts as an imitation of humanity, wishing desperately to become it. While Gregor is visually abstracted from humanity due to his arm, he is unmistakingly human, without wearing a mask or personality to appear as one; Meursault, conversely, appears the part of a normal person, but is recognisably “Hollow” or a “stranger” when spoken to, which correlates with Nothing There’s motif of mimicked speech patterns in the prior two games.

Don Quixote ‘dons’ the other end of this abnormality to Gregor, while not appearing as anything abnormal, she is recognisably different from her peers. Her learning of fixers and attempted imitation of them, or her perceived notions about them, also leads to the same conclusion.

I can imagine Nothing There Don Quixote going “GREETINGS? OUT UPON THEE?. THOU HAST RECEIVED- -A VOICE MAIL”

(purposely kept short to avoid Canto spoilers)

Why did Faust get the following? And other possibilities for said abnormalities:

Dreaming Current:

I am writing this with a migraine. Akin to this, the previous post was made with a migraine as well, such that I do not fully remember what caused me to put certain things in a sinner’s category, but this one I have a fairly good guess at my line of thinking.

This placement was made from my connection between the Homunculus from Faust and this abnormality, largely due to their shared link of the ocean.

It is a somewhat thrown around theory that Faust, the sinner, is either Gretchen or the Homunculus from the book, due to her self referential speaking pattern, which we later learned was due to her connection to the greater “Faust”.

The Homunculus, within Faust, is a lab grown creature representative of the heights that science may achieve. Being a creature that is confined within its container, even during its travels, it seeks to give its unnatural form back to nature, through the form of the ocean.

The Homunculus shares the same wish of the Current to “Live a proper life”, with specific regards to the ocean, after all, a shark on land is decidedly unnatural.

The alternative options for this abnormality are likely Don Quixote and Hong Lou, for rather obvious correlations each, as HourlyDonQui pointed out.

Queen Bee:

See Naked Nest Below for reasoning, I'm not typing the hive mind/collective thing twice.

The latter reasoning is due to her being the primary organisation behind Limbus Company from what we know, having recruited all the sinners and Vergillius.

You may notice that almost every minion abnormality, or almost every abnormality that can possess multiple employees, is in the Faust section. 

Snow Queen:

“[Kai] became curious of the world beyond his knowledge. He felt as though everything he knew amounted to so little”. This line, alongside the fact that Kai lost the feelings of Joy, Cold, and worry that he held upon receiving the Ice Queen’s kiss, is the primary reason why I have chosen Faust for this Abnormality.

There are exactly two other angles to view this abnormality from however, from the Snow Queen herself, and from Gerda’s (the saviour and protagonist of the inspiration story).

As there are many ways of interpreting this, I will first list out the sinners who fit criteria to receive this EGO in some way shape or form due to these three pathways.

Kai:

Yi Sang (a shard of the mirror lodged in his heart causing him to seek knowledge beyond what he knows, and resulting in a later realisation of himself after losing his emotions; As Faust put it “he was not always like this”, alongside the connection to mirrors, and the fact that it was in part the reflection of his Wings that caused this spiral)

Don Quixote (see Below in Gerta)

Fau (see above in Frost Queen)

Gerta:

Don Quixote (the power of love and affection overcoming a cold unfeeling evil in the blizzard) 

Heathcliff (Gerta’s long, arduous quest to find her friend who had been lost in the blizzard, mirroring Heathcliff’s search for Catherine.)

Queen:

Meursault (The Queen within the story is cold and unfeeling, credence to her icy nature, and freezes Kai’s heart so he forgets his family and friends. This mirrors Meursault due to his source book’s opening line of “Mother died today, or maybe it was yesterday”, his lack of care towards his relations and towards life in whole)

Heathcliff (Mirroring his book counterpart, specifically the extreme weather of the Heights, alongside his seeming lack of care towards others following the events of his past)

Naked Nest:

Ill be honest, this abnormality gives me a headache to discuss, similar to Mountain of Smiling Bodies, because it's so extremely direct and to the point with what it is/does that it hardly represents any theme in whole, so this is the best i can do (Basically its on the other end of the spectrum from whitenight, who i avoid talking about because of how many different angles of thought there are).

I believe that I put this abnormality here due to both its connection to a “hive”, which relates to Faust’s hivemind/communion with herselves, alongside the fact that this hivemind seems to supercede the personality of said person, shown similarly with Girlfailure faust in MOTWE event, during which she cannot access this network, and is thus not part of this nest.

There is also the concept of Faust’s knowledge being that of the greater “faust” or “Gesselschaft”, and the relation that by the time the parasite is noticeable, it has already assumed control of, and eaten a large part of, the host’s brain, leading to their inability to function.

If this abnormality were to be given to another sinner, it would be Meursault, see Nothing There discussion for reasons.

Either that or potentially Don due to her persona and clear imitation of an honourable fixer, which has slipped multiple times such as in Canto 2

Tree Sap Meur:

I think I might have been smoking [Giant Tree Sap] when doing this because i do not remember putting this here.

I think(?) The primary reason that it was placed in Meursault is because of the uncaring indiscriminate nature that the Sap is portrayed in, not doing anything out of malice but simply because it must to survive, it simply “reaps from what it sows” in a sense.

This can be related to the stranger in obvious ways so im not going to blabber too far about it.

Multi/Other explanations:

Some questions are those relating to the final miscellaneous tier, so lets go through them as well, and then I will do another follow up at a later date to see if there are any other questions that people want answered.

WellCheers:

I tried to avoid giving sinners EGO they already possessed, and I quite frankly do not know who is the best fitting for this EGO because the one that i would have chosen already got Soda so????

Anyways there are three options based on different straws i grasped at making this: Ishmael: Connection to the ocean

Meursault: Connection to the content lives that those who work the fishing boat day after day have, where they finally enjoy their tasks despite menial labour.

Sinclair: Major paradigm shift leading your life to enter an unforeseen world.

Outis: Stuck on a boat or journey.

Gregor: Funny shrimp arm.

All Around Helper:

I personally think that the Mirror Dungeon aberration of this, “all around cleaner” is a better fit for the cast, as its fitting for Rodion in particular, realisation of “not being special”. That being said I’m not sure if anyone in particular fits this abnormality, except for potentially Don Quixote.

Il Pianto De La Luna:

They often say that the moon is beautiful. 

But when enough time has passed, when you look at it and see what kind of face it truly wears...

You’ll realise you were madly in love with something so broken and shattered. In the end, we all become like the moon. All because we can’t bear ourselves." "

The concept(s) of: Love. Primal humanity. Obsession. Lack of/loss of control.

Ishmael, Heathcliff, Don Quixote.

This one is shorter for multiple reasons, but namely because I want to dissect this abnormality separately later on, because she's cool, but also because shes a backer abnormality and likely wont exist (although Steam Transport Machine exists so the fuck do I know)

Dream of a Black Swan:

Don Quixote, Hong Lou deserved this equally.

[Censored]:

I personally do not think that [Censored] can or will ever get an EGO.

Its archetype *IS* the unknown, it cannot be given to any sinner except for Faust due to her strong connection with knowledge itself. [Censored] is an abnormality that by design should not be given to a sinner, because even that implies too much about its existence; Unlike other archetypes, this cannot be defined nor related to the sinner's archetypes and stories, as it cannot be known nor defined in whole. 

I know this is disappointing, but I wholeheartedly believe that it is a betrayal of the abnormality itself to be given an EGO.

I highly recommend this linked video by Connor McGrath, which explains this concept in a much less pompous manner than I could ever do, which saves time for me and enjoyment for people who don't like my writing style.

That being said, I want to address the concept that [Censored] has been shown.

There is a common theory that [Censored] is related to the Smoke War, specifically being the “creature in the smoke” that Roland saw during his period.

Though I can't say anything in certainty, I refuse this on the above principles. [Censored] cannot be shown for the sake of its existence. 

For the other reasons that I don't think this is true: [Censored] is never shown creating smoke; The creature that Roland saw was the energy source of the previous L corp, which would mean that both L corps in succession used the same method of production without this ever being mentioned by anyone in the story; If we were to assume that everything within Project Moon’s universe, notably creatures, are due only to Lobotomy Corporation and Cogito, then we are completely disregarding the existence of 25 other singularities, natural creatures like the whales, the old “gods of the city” from ages past, and the magical powers and relics from the outskirts, as well as seemingly mystical features such as the rivers of Hades, one recently mentioned by name, and two others heavily implied – While it is not impossible, it is reductive to assume this of Censored in my opinion.

As a final note, people seem to forget that abnormalities don’t simply exist in the world, Lobotomy Corporation is the mother of abnormalities, and is the source of all of them.

Every single abnormality lies, and people seem to forget that they do not exist as they claim; Every abnormality is a conscious perception of an unconscious archetype extant in the autonomy psyche of humanity. Little Red Riding Hood did not grow up to become an abnormality, she did not have a long past of growing up and hunting the wolf, but her existence is that of one who has spent time hunting, obsessing, over this beast – She is not a person, but an existent being who has a perceived and personal history, which did not truly happen.

The same rule applies for every other abnormality, even those who have more recent histories, those who were captured or came to the facility of their own free will. It matters not, they are all borne forth from the collective unconscious, nothing more.

Spider bud:

This abnormality is too closely linked to Ryoshu for me to give it to anyone else by now, the concept of motherhood isn’t one that is shared well enough to any other Sinners.

Snow Whites Apple:

Yi Sang, Don Quixote, Heathcliff, Ishmael, Sinclair, Outis.

Mountain of Smiling Bodies:

See Naked Nest for my thoughts on this abnormality.

No:

No:

No.

[scudismystud]

You’re on the right track but I think there’s more to it than that though. Spoilers under the cut.

Gale was told from a very young age that he would be a great wizard so he has to shoulder the expectation that he has to become one again after his falling out with Mystra (which I am of the opinion they were both wrong it wasn’t him just messing up with her- she was also using him but that’s a whole other conversation). Gale believes his only worth is if he is a great wizard and that is so heartbreaking. This is why he is so willing to sacrifice himself at the drop of a hat. He believes that if he can’t be as powerful as he was with Mystra and heralded as a great wizard instead of a great disappointment that he might as well give his life in a heroic way. He desperately wants to be great - like he views Mystra to be.

The reason he talks about her so often is because he wants to be her. This is clear when you reach Act 3 and he starts talking about the idea of becoming a god himself. Gale has megalomaniacal tendencies and will either pursue them if left to his own devices by the player because he just wants to be great. It isn’t until the player chooses options to tell him that he isn’t defined by his magic or grand power that Gale starts to realize he has worth just being himself outside of magic and Mystra. Yes he will always love magic but he becomes aware that it’s something he can enjoy without having to idolize Mystra in the unhealthy way he does through the first act of the game.

Relating back to your analogy, I think this is more of a case where Disney had all of the legal software to draw and you show talent from a very young age and everyone says you’re going to be the next great artist so Disney CEO hires and then starts sleeping with you when you’re of age. As you get older and your relationship is getting closer (at least on your end you believe the relationship is equal) you start asking for better software you know the ceo is using but they keep telling you that you aren’t good enough.

You then find out there’s a hidden software online that you’ve been told is an altered version of Disney software. You download it in the hopes of bringing it to Disney ceo thinking they’d be happy you found upgraded software for them but then they’re mad at you. They cast you out of their circle.

You then get a virus from that program that is going to slowly kill your computer if you don’t keep letting it eat your files and even though you can still use your other programs from Disney they don’t work like they used to so you can’t make art as great as you once did. You then are told by that ceo that they can stabilize the computer temporarily but you should get rid of your computer which would also kill you in the process.

On top of that you also find out the software you had downloaded never belonged to Disney to begin with. You find out other software has always existed but the public cannot be trusted with it according to Disney CEO. You find out you’ve been misled by the CEO for years and there’s so much more out there you could sharing with the world. You then start to pursue making yourself a CEO convincing yourself you’ll be different than Disney CEO.

I do think comparing Mystra to a CEO is very fitting because she does have a horrible power imbalance to the relationship she has with Gale so he sees her in a good light despite all the things she does wrong for way too long. I don’t think Mystra is evil but I do think that what she did to Gale was wrong and warped him into the man who thinks he needs to be a god to be worthy of being alive. To reiterate again this is why he is constantly talking about her. He wants to be her. He wants infinite knowledge and magic.

At least that’s what he wants if left to his own pursuits. If you romance him, he then starts to think of a future with you. He still talks about Mystra but it isn’t in the idolizing way it was before (“you make me forget my goddess” line my beloved). He comes into his own as a character who could see himself being happy as Gale Dekarios the man instead of Gale of Waterdeep the great wizard.

I feel like people don't grasp that Gale keeps talking about Mystra because (among other things) he's obssessed with magic.

I think it's hard to understand because in our world, any skill is an existence in and of itself but for a rough example,

Imagine if Disney had a monopoly on drawing. They were in charge of all of the drawing softwares, they own all of the art supply companies and hell, maybe they even own paper.

Now imagine you royally mess it up with the CEO of Disney. You love to draw but anytime you draw, it's ultimately seen or controlled by Disney. It must be rough. I feel for him, I really do.

Mystra isn't just some goddess connected to magic. Since most people can only safely access through the weave and Mystra manages the weave, as far as Gale is concerned, Mystra IS magic.

[skay-ali]

The lonely lady

new fandom

The sun was shining, illuminating the dark streets, although they were very busy, there was a tense air in all the people, there was nothing but gray colors devoid of life, frowning or tired faces.

You would miss this small city full of aristocrats and commoners or normal people who always made you smile with their mundane, moderately fierce lives.

What you wouldn't miss is all the trouble about crimes at the hands of aristocrats, dealing with the helplessness of not being able to do anything about how innocent people suffered at the hands of monsters, only crying over the miserable end they had and enduring living without discomfort with the perpetrators. . of stories abominable actions.

You would finally be free from your entire evil family, you wouldn't miss them, they never showed an iota of compassion when you came to the family, you were just a stain on their lineage, that's why they could barely sell you to a nobleman.

But they were foolish, by compromising just to fill their pockets and have more power, they opened their doors to ferocious wolves, who meticulously planned their fall for all the evils they caused for generations.

You were never treated as their equal, you were just another maid, it didn't bother you even though they were cruel, the tasks they made you do were the typical ones you did in your old life, it was like a respite from all the work you were forced to do. to survive in a modern, capitalist world.

In addition, you had good friendships, you were able to gossip with the maids, drink with the gardeners and coachmen, play like a little girl with the children of the employees of the family home.

Your family in this new world would soon see its end, this was the night, the night where you would no longer see the need to stay in a house pretending to be an exemplary young lady and the fiancée of one of the most coveted men in the world. the ladies for their beauty and high status, afraid that your family will punish you for running away and ruining their business.

But above all you would no longer live with the fear of seeing your end at the hands of your fiancé and his family, the vigilantes of this story who wanted to clean up the world, you were not ready for such a thing, you were just an extra you told yourself and as a good extra You would disappear without a trace.

The United States seemed like a good option, going to the future land of dreams, where many people in the future could improve their lives.

Just don't look back, don't remember the affection you have for those characters with whom you lived for a few months, they were only pretending to achieve their goals, you repeated yourself endlessly... but you... you didn't, you actually got attached to them, they helped you overcome the emotional attachment you had with your former friends, the servants of the big dark house in which you were raised.

But now you were free although your heart hurt a lot, because you loved those people, you even allowed yourself to love, the one you never imagined, because you always had reason as your guide, it didn't end well, that person never saw you in such a way.

Even if you tried, you were in his eyes the evil that he sought to eradicate.

Not even his radiant fake smile could lie to you, you saw it many times captured in ink, in his story, that radiant smile he gave to his victims.

It was sad how such a vigilante would end up, not being able to witness the wonderful paradise he created.

Oh if only you had known, your escape would only cause problems later on, those people you didn't expect anything from would surprise you.

“Where is the lady?”

“excuse me who?”

“Miss ___, your fiancée” the maid became impatient, something that did not go unnoticed by those present.

“Excuse me but what do you need from her?” asked one of the brothers, disconcerted by the interest of the servant they had helped, in the noble woman who lived in their winery.

“She must know…” the young woman said calmly.

“she is finally free… she will no longer suffer for that family”

It was a bucket of cold water, although the entire group was very insightful, they never noticed such a thing, it must have been a very well-kept secret on your part.

They knew they had to talk to you after the maid's big confession.

They just didn't expect you to have left.

It is hopeful to see how in the darkness a being emerges capable of bringing light to this place again, it takes being truly brave and determined to try to cleanse the world of corrupt nobles.

But there is something that bothers me, perhaps this new great hero will be corrupted, or will he think that now he is the evil that must be eliminated.

I think that after his great deeds, the hero should live his happily ever after, even if it is a childish thought, doesn't he deserve to be happy after having sacrificed himself?

After all this, the obsessive characters are unleashed....

[kurishiri]

Jude chapter 2 silly but kinda detailed summary

꒰ ִ ֺ ⊹ @ notice ⊹ ֺ ִ ꒱ any pretty translation you may see in here may not be 100% accurate or contain creative liberties due to characterization or narrative flow purposes. this is a sort of summary as well. if you enjoy, though, please consider reblogging, but please don’t repost these or claim these as your own!

for some ungodly reason jude and ellis r in kates room the moment she woke up and judes not lookin very appy hes like how long r ya gon sleep for ya bloody pleb and ellis is like haaii gm kate 🌸✨✨ and then jude like “get ready in 3 seconds” while holdin her chin. again, for some reason lmao

ok turns out we goin to their other jobs at a company called raven co

and ellis tells kate they got shops overseas too (wow jude got a boomin business) and they sell stuff in a lotta places and allat jazz. anw some dude greets kate and the others and thinks that kate is ellis gf. kates like umm no and hes like so ur the boss’ gf?

then he gets judes boot before kate can reply and judes like

Jude: It’s all yappin’ with ya so early in the mornin’, I see.

J: If ya gonna yap useless things, how ‘bout ya use that mouth o’ yours to do a bit more o’ your job?

J: If ya want a pay cut though, that’s a separate matter.

turns out the dudes name is theodore walker. 21 y/o. employee. first impression: bright dude

so kate asks ellis what his role is and hes like “hmm lets see, being a guard, preparing for guests, confirming clients, brewing up a storm…” and kate here thinkin wait a damn minute i have a feeling i heard smth real violent just now and then is like do you do anything else and well ellis responds with more violent words with a 😊 face. kate is like i thought i got myself into an evil org then jude comes in like

Jude: Well this evil company’s boss got some work cut out for ya.

she gotta sort out these letters (a loott of letters…) and judes like “if ya worked as a letter carrier ya mustve had to sort out letters before gettin breakfast”

ok so apparently judes kate just blurts out things w/o thinkin 💀 bc this time shes like well if hes gonna make fun of me (jude calls her princess but /neg) then challenge accepted! and then is like “ok bet i will get this done ez pz 🍋 squeezy” and judes got that shit eatin grin on his face like “that ya will do by the time i get back”

they r indeed still in their enemies era. her only saving grace now is ellis’ kind smile. ellis to the rescue! ⛓️🫶✨

omg ellis is actually an angel here he helps kate when he can sorting out letters and hes like gj today kate. you managed to do sm on ur own, u should be proud of urself and kate is like hes so kind… (yes he is!)

ah yes we cant escape the ellis is sweet as jam™️ allegations here

kate asks ellis why he joined crown and tldr its bc vic reached out to jude and jude said ok

Kate: But did you have to get caught up in all this too…?

Ellis: But——he made a promise with me.

As he said this, Ellis’ eyes narrowed softly.

Kate: …A promise?

Ellis: I’m waiting for Jude to reach the happiest moment of his life.

E: And I need to be by his side to see that moment.

[ insert some lines im too lazy to tl here ]

Ellis: But, it seems that moment just doesn’t want to come. …It’s like Jude is always unhappy.

jude comes in the door like yall so damn annoyin and is like stop yappin bout she don’t need to know. but ellis is like but its her job as fairytale keeper. and kate is like “i have a question for u too jude! why do u have ellis by ur side?” jude responds like “none ya damn business” but one tinie push from ellis and jude lets out a resigned sigh and speaks on it and is like hes got physical strength and a good ability. cant let that sorta value slip by. that said his heads got some screws loose so

and kate is like omg! he answered me!!

(So Jude has Ellis by his side so he can use his abilities at his convenience,)

(and Ellis wants Jude to fulfill his wish, I guess?)

They kept one another by each other’s side to help realize what the other wants.

——If I were to put into words what their relationship would be, it would be ‘a contractual relationship.’

That was the day I had gotten my hands on valuable information on Jude for the first time.

ko-fi☕️ ┊ comms🤍

NOTE: i forgot to mention that i can take comms to tl judes main story chapters, avatar mission stories, and his side stories in full, as ciele, the one whos gonna tl his story, said that i could tl chapters from his story too. the turnaround time per chapter is usually around 1–2 days from the time i start it. (for jude it might be closer to 2 days.)

[annakaspring]

Officially the longest rant I've ever posted

Snater mauraders fans literally being the most shallow people on earth.

I will see them saying Snape deserved to be targeted and bullied. And the reason is always the same.

"he was creepy" how was he creepy? "He was obsessed with Lily and possessive of her."

oh, you mean like how James threatened to physically assault Lily if she didn't go on a date with him while simultaneously bullying her friend? While Severus did as Lily asked and left her alone when she said their friendship was over.

"He was racist." No, comparing the word mudblood a fictional slur to a real life racial slur is so ignorant, problematic and also completely disregards that there could be actual racism in the Harry Potter universe. And Snape is not a pureblood in fact he is way more muggle born than half blood as he grew up in a muggle neighborhood, wearing muggle clothes. Is what Snape called Lily right? No. could she have still been hurt? Yes. But I see the same people who bash Snape, Stan Malfoy who is canonically a pureblood who hates muggle-borns. Like be so for fucking for real rn.

"He was a nazi" Again, comparing a fictional "cult" to real life devastating history is ignorant and frankly ridiculous. But let's just humor that idea for a moment. Then why do I see maurader fans idolizing characters like Barry Crouch Jr? Or Regulus Black? Who not only joined the death eaters just like Severus did but were privileged purebloods who unlike Severus had money, a proper home, family. And in Barty Jr's case he is literally canonically evil.

"He was a bully." So was James, so was Sirius.And both James and Sirius are canonically described as being obviously well loved and privileged while Snape "so obviously lacked" that. Severus had reasons to be cold, stand offish and rude. had a terrible home life, neglectful if not straight up abusive parents, a single friend, depressed and was poor. What was James's excuse?

And I will see ppl who loooove Draco Malfoy yet despise Snape. Draco Malfoy, who is repeatedly voiced his pureblood prejudice so much as saying he wished death upon Hermione Granger simply for her blood status, was a HUGE bully, surely bigger than Snape ever was if he did ever bully (he didn't). Severus Snape used a slur once, once when he was a child while he was being SA'd and regretted it so much he never used the word again. While Draco literally never even apologized for his fanatical white supremacist behavior. "Well he didn't want to kill Dumbledore" I'm sorry but being too cowardly to kill someone does not equal being a good person.

"Oh well they changed, they grew up and became better." Did they? Where's the proof? Where's the evidence? I never saw Sirius own up to his actions. Remus still excused his friends bullying. "Well actually Draco actually liked Hermione the whole time. And that's why he was so mean to her" So? If anything that makes even worse. If a guy wished me dead, was openly vile to I wouldn’t suddenly be okay with it because he was actually attracted to me the whole time.

So what arguments do the Snaters have left?

Nothing, absolutely zero justification other than shallow, half baked reasons.

Severus Snape commits the most unforgivable sin. Being poor, morally grey AND ugly.

Because being poor can be forgiven as long as you're hot i.e Remus Lupin. But forbid they actually show signs of their class. Being malnourished, having hand me clothes, not being able to have proper hygiene. These are all things that actually happen to severely lower class individuals. Being a pureblood snob can be forgiven as long as you're hot. Being actually evil with zero justification is forgiven as long as you're hot.

People will twist and headcanon characters we get two pages of information on into fully fleshed out people with intricate backstories and believable justification for all their evil behavior.

Meanwhile bashing Snape who is one the most complex, dark, interesting character in the series. All because Snape is "ugly".

Because god forbid a character does not fit their rigid beauty standards and is actually complex and human.

And we're not gonna get into how literally not once was Snape ever explicitly described as ugly or how Draco Malfoy in the books described as having a pointed, rat like face.

And just to clarity I'm not trying yuck anybody's yum. Love the characters you love, stan evil ones, ship all the characters you want. I do! I ship character who make absolutely no sense in canon. create intricate stories for background characters all you want That's what fandom is all about. But don't act you have an actual reason for hating Snape while simultaneously stanning Voldemort and Barty Crouch Jr.

Be straightforward and say you don't like him because he does not fit your rigid cookie cutter beauty standards and you have no compassion.

Cheers,

[rekino2114]

How about B, L, Q, and Y for Mikan?

B,L,Q and Y fluff alphabet prompts for mikan tsumiki

🩹B=baby(do they want a family? How are they with kids?)

Mikan is actually pretty great with children. She has had a lot of child patients, so she has experience in dealing with them, and her soft presence is actually really comforting to kids. While she would definitely like to have a kid, she'll need you to bring it up because it would be too embarrassing for her and she needs to know if you'd like to too

🩹L=love confession(how did they confess to you?)

She's pretty sure she would have just died from embarrassment if she told you directly, so she decided to write a love letter. She puts everything she wants to tell you in that letter, how much she loves you and has been crushing on you for months, how thankful she is for how nice you've been to her and that she wants to start dating you. She leaves it in front of the door of your dorm and waits in hers. She was very worried you wouldn't accept it so when you went to find her to tell her you loved her to she couldn't have been happier

🩹Q=quizzes(how much do they remember about you?)

She actually remembers quite a lot, especially if it's something important. She particularly has a really good memory when it comes to your medical history. If you have any allergies, she'll make sure to always check the ingredients in things she buys. If you tell her that you're not feeling good, she'll remind you of everything new you did to try and figure out if it was any of that.

🩹Y=yes (how do they react to you proposing to them?)

"M-my beloved, this date was amazing thanks"

Mikan smiles at you with a small blush on her face

"B-but if I may ask....why did you bring me h-here?"

She quickly waves her hands embarrassed and starts to talk quickly

"N-not that you need a reason b-but-"

"There actually is"

"H-hm?"

"It's this"

You get on one knee and pull out the box with the ring. As you start speaking, mikan starts crying, but for one of the first times in her life, she's not sad. It's tears of happiness

"T-thank you so much beloved, i-i just don't know what to say, I never thought s-someone would want to m-marry me, but......thank you. Y-yes I definitely want to be your wife....f-forever....just thank you so much"

[rei-ismyname]

EXCEPTIONAL X-MEN #3 FTA

After a pretty disappointing week of X-Men comics it's a delight to read and analyse Eve Ewing's Exceptional X-Men. The repeated issues I have with the other titles are just not present here and after three consistent bangers Ewing and co have my trust.

Emma is right

We pick up exactly where issue #2 left off, and this opening scene of all the main characters makes me realise how tightly the execution is. We know where each of them is at and (at least broadly what they want) - we're getting to know the kids organically. Where the other two books feel like action figures isolated from each other for no good reason, Kate Pryde's need to get away from the X-Men was established before the title even began. She just wants a normal life, to date girls and process her trauma. Emma Frost showing up to answer the call she refused throws her off immediately and they briefly scrap. The kids aren't just saying nothing because they didn't get a script today (hi Jubilee) - they're frozen by Emma. It's a small thing, but it's purposeful and flows elegantly.

Priti, Kate's housemate/friend from school, breaks up the fight for the most relatable reason - she doesn't want to lose the security deposit. Perhaps a sign that Kate doesn't fit into the 'norma'l world as much as she wants...or Emma just really knows how to push her buttons. I think Emma is hurting too, though she hides it under her usual scene-stealing exterior. I can't wait for more of their dynamic. Yeah, they'll almost certainly figure out a working relationship but their pain isn't being dismissed either. I feel like the pair are a successful version of what Gail Simone is doing with Rogue.

They stop fighting and have a little tea party, then Axo asks the question I'd been dreading the answer to - 'do you trust Emma or not?' Kate grew up being terrified of Emma with good reason and never let her forget why she did not trust her. Emma spent decades earning that trust and proving herself a hero, leader and teacher - but the First Krakoan Age had them grow closer than ever before. They worked well together and became friends, they were a force for good on Krakoa (mostly.) It's a shame that this is a metric, but two thumbs up for not rolling any of that back. These feel like the members of the resistance who were there for each other in Fall of X. Kate herself is regressing a little, but it's believable as a trauma response.

Kate doesn't want to train young mutants and Emma does. Prito even has a space they can use and the kids are keen! Everyone is happy then, right? Well, I think that's going to be the core tension for a while. Everyone except Kate wants this, but I think Kate needs this.

This 'getting to know you' circle does a lot of work in centering the young mutants, reminding us they're here to stay while showing us who they are and the beginning of their social dynamic. I haven't been a teen for a long time but their voices sound authentic, even to the point of highlighting that Bronze/Trista is a bit younger than the other two.

Agreed, do not read the comments.

They want to be doing this! One of the most challenging parts of being a teen is navigating peer groups. Solidarity in experiencing the same kind of otherness plus scary body changes is healthy, and it's lovely to chalk up a W despite the fact that 'people hate us.'

This issue also asks the question Rogue did in Uncanny #1, but as organic dialectic. It introduces the tension between self defense and being a superhero when you have powers - the difference between Emma and Kate externalised. Kate is excited despite herself until Emma shows up with costumes, and I think she's right to push back or at least be wary. But is this about her or the kids? It's not the most admirable contradiction but it's very human. They're both right that the old ways were flawed and they need to try something new.

Is she talking about Colossus? MF is not that gentle. Their costumes look amazing.

Unsurprisingly, Emma and Kate are a great team. There's tension underneath there, but they wouldn't be doing this if their friendship didn't run deep. New kids in relaunches past have often had their powers explained by Cerebro or a nosy telepath. Learning about it from their mouths as they're starting to use them in a controlled environment achieves the wiki entry, shows them learning to use them, and importantly gives us more of their personality.

Emma conjures up some Brood-like baddies and everyone freaks out but some growth is evident. It's Axo that figures out they're not real. Kate is not impressed. I doubt they'll throw down, but her sending the kids away feels like an extreme reaction. Good, she's got shit to say and hurts that need to be spoken. The kids don't leave, but we're left with all this tension in the air to be resolved next issue.

I LOVE that the three kids cuddle/huddle in the background.

Who better to break the ice (sorry) than Bobby Drake? Having him just fly in the window and cooling down the tension (sorry again) could feel random and silly but it works. These two have a lot of history and it makes sense that he'd seek her out. Kate has been turning her back on anyone X-related - will she freeze Bobby out too? The kids are awed by him and it's half the Marauders back together, so I don't think he'll get the cold shoulder.

I feel very confident in calling Exceptional X-Men the best X-Men book in From The Ashes. It's got an honesty and sincerity to it while remixing the hits of first arcs and adding plenty of new. The art style is colourful and emotive which adds so much to a book taking people's feelings seriously. If you pick up nothing else, this is the one.

[eirakairos]

Rendezvous Chapter 3

Chapter summary: The girl hears her mother cry many times because of this man who is supposed to be his father. She doesn’t have much information, she just hears a lot that she looks like him. She heard stories of the ships belonging to a bad man, so she thinks her father is bad. But why would her Mama go to a man like him? Why didn't he search for them? Did he forget about them?

A/N: Apologies for the late update, I had a hectic week lol

I was thinking the child would be similar to Anya from SpyxFam in terms of being a bit mature at her age

Words: 3,334

Tags: Hurt/comfort, character death implied!, MC and Sylus' child, don't worry this is angst but with happy ending, Sylus is a girl dad hands down

You are so thankful to the wisdom of the mothers and the healers in the tribe in raising a baby girl. She is now five years old and is a rambunctious child. You are amused sometimes as she looks like a little Sylus running around and playing with other kids. But it is also a reminder that she is Sylus and your child. For five years, you didn’t hear any news about him. You had accepted that he probably moved on to his ambitions, or maybe to another woman. It hurts you deeply, but you can’t bring chaos to your life anymore, especially such violence and desolation, to your daughter’s life.

“Maybe it's a good time for you and your daughter if it is still in your consideration to return, dear,” the old woman said. “But rest assured that if you do intend to stay longer, it is alright as well,”

“Thank you,” you said. “I have heard news from the warriors that the nearby cities in the far end had been seeing large ships similar to the one you arrived in,” she said. Your eyes widened. Why is Onychinus in the far cities other than in the N109 Zone? “The warriors heard terrible stories about those ships, so we are planning to move to a farther place,” she said. “So this is the right time to decide, so the journey back won’t be much further,” Your mind is swirling in thoughts if Sylus is still the leader of Onychinus or if there is a new management. “They heard stories of the ship conquering city by city, making them do allegiance to their favor,” You know Onychinus, everything it touches will go to chaos, intentional or not. You can’t bring such things to the tribe.

“Mama, can I go with the warriors please?” her daughter approached her. You sighed, your little girl has the rebellious and mischievous trait from her father. She wanted to be a fighter and often hung out around and amazed at the trained men in the tribe. She wanted to go with them and watch them hunt food. “They are hunting and going farther today, so I can’t allow you,” you reasoned out. Your daughter pouted in response. “And no usage of Evol, you promised,” you followed. This is the dangerous part of handling her, she retaliates by using it in any form, especially when she gets hurt. Both of you discovered it when she was being teased for having a different hair color. Next thing you knew, the kid was crying because she broke his toy in a dark red mist. ‘Ugh, I carried her for nine months after a literal explosion and deserted in a field, squeezed her out of my body and looked like a spitting image of her father,’ you thought whenever you remember it.

You sat down beside her. Despite her age, your daughter has the trait of being mature and understanding, again, just like Sylus. “I want to ask you something, dear,” you said. The girl looked up to you. “Do you want to go to another place? It is much better there,” you asked. “We going now?” she asked back. As young as she is, you did tell her the general situation of things, but her appearance made her realize that she is different from the tribe. “Yes, sadly. They are going further for safety,” you said. “We would be much safer and have more access to the city,” The daughter hummed and looked at the fields, probably thinking about what to decide. “It’s okay, I’ll give you more time-” you stopped when she hugged your waist. “Okay, Mama,” she answered. You were surprised at how fast she responded and you are always grateful for having a good daughter as you hugged her in return.

“I heard the city people while trading goods… Someone important arrived in the city,” the warrior said. Your daughter is hearing their conversations as she is huddled in a basket attached to a horse. Before the warriors depart for a hunt, she sneaks in the basket while you are sleeping. “There is one ship that landed near our hunting spot, but it looked harmless. There is only one camp there but there is not much activity around it… There it is,” Your daughter peeked and saw a huge ship. It only has one illuminated bonfire beside it.

The warriors did make a camp to rest. The girl remained inside the basket, hearing the conversations. “That ship… I only saw one man going out there,” one of the warriors said. “He has the same color as hers… White-haired and has red eyes,”

“Do you think they are from the same place?” one asked. “We did find her in the same type of ship.” The little girl’s eyes widened as she knew it was her mother. Despite being very young, she was hearing a lot of things from adults that she knew she wasn’t supposed to hear.

The warriors are sleeping when she is able to get out of the basket, put her hood on her cloak on and went to the direction of the ship. The little girl is curious about the stories she has been hearing, but it all started when she accidentally eavesdropped on you and the healer talking.

“I assumed that your daughter looked more like her father,” the old woman said. You chuckled. “Yes, she is so much like her father,” you answered. “We saw a ship that looked like when you arrived here but it was going towards the city,” You were surprised by this information. “The warriors said they didn’t see any white-haired man with red eyes,” You were saddened, it's been many years but you are still longing for Sylus. “I feel you are missing him,” she said. “Oh dear, we can arrange your travel if you decide to go back,”

“I am aware of that but… She is still young,” you said. “I’m just making sure she is well for the journey,” The old woman chuckled. “Well, she has been going with the warriors a lot, so I think she would be one,” You chuckled as well in response. “Don’t underestimate children, my dear. They have huge potential despite their innocence in the world,” the old woman said.

“I just thought that… He would find us sooner or later,” you said, opening up your long-time anxieties.

“Dear, even if it takes long if he indeed loves you, he will search for you till the end of the world. Though I understand your longing,” she said. “The tribe is in a remote place, yet I’m still hoping you three would meet again,”

The girl hears her mother cry many times because of this man who is supposed to be his father. She pouted remembering it again. She doesn’t have much information, she just hears a lot that she looks like him. She heard stories of the ships belonging to a bad man, so she thinks her father is bad. But why would her Mama go to a man like him? He didn’t search for them, she heard he didn’t even know her Mama had a baby, who was her. Her mother got into the tribe because she was taken away by a ship that looked in front of her at that moment.

Why didn't he search for them? Did he forget about them?

As she hides from the distance, she can see a man being illuminated by the bonfire. She was wondering why the man was alone. Upon looking closer, the man is looking at a small item but it was too far for her to see. The man is tall, wears a cloak, has… White hair and red eyes.

In reaction, she accidentally sat down in shock, making the leaves rustle. Before she could go elsewhere, a force enveloped her, and was dragged from her hiding to the bonfire area.

Red eyes stared at her. She was enveloped in fear more. Whoever his man is, he looks mean. “Someone was being sneaky,” he said in a deep voice. Black and red mists enveloped her more, his right eye turning red. “Stop!” she yelled, mists appearing around her. The mists from the man quickly disappeared, making her fall down and instinctively scooting away from him. The man looked shocked and looked at his hand for a second before going back at her. He tried it one more time and the mist could grab her arm. She yelled and glared at him, her eyes emitting a red glow from the covered hood, black and red mists swirling around her, disabling his hold on her. Her eyes gazed at the man intently, suddenly she was hearing something while gazing into his eyes. She is hearing a familiar name and the desire to see her and their child again. Both are shocked as her powers reach the limit and quickly dissipate, stopping the voice and the mists. The man halts his either, being surprised that she can do that.

Sylus was not surprised that the mysterious little girl in front of him had the same Evol as his, he was surprised that she was fast and strong enough to use her Evol against him at her age. Sylus took reigns and used his Evol to grab her, as she seemed to have reached her limit already. “Let me go, you’re the mean man!” she exclaimed. “You are a kid sneaking up in a vast field in the middle of the night. I’m assuming you have business with me,” he spoke. “I would be the mean man if you continue to thrash… Like a hissing kitten,” he followed. Calling this kid like a kitten reminded him of you, especially when you first met him.

The girl quickly stopped but crossed her arms while being levitated. “This ship scares my tribe! Leave us alone!” she said. His eyebrow was raised before he hummed as he gently set her down. “I guess our business aligns then. Why don’t we have a deal?” Sylus said. The hooded girl looked at him. “I’m looking for someone,” he continued. “If you help me find that person I was looking for, I will leave your tribe alone, even offer protection, if you fancy,”

“No, you will just double-cross me or something, we don’t need you to protect, you bad man,” she answered. Well, smart little girl, Sylus thought. “I uphold my deals, sweetie,” Sylus said. “I might be a bad man, but I do the end of my bargain, don’t worry,”

The girl squints her eyes as if she is thinking hard. She doesn’t have much leverage in this matter. “Okay, but you have to tell me who are you looking for,” Sylus looked in the distance, he held the small item he was holding earlier. The crow brooch. “A woman,” he said. “She was in a ship that crashed here many years ago,” he then proceeded to describe that woman. Her eyes widened when he mentioned the crash but covered because of the hood. The girl thought the description he said, there is a certain longing to that and is very similar to what you look like. She snapped her thoughts as she thought she would protect you. “I might know someone,” she answered. Sylus glared. “‘Might’ is not a good retort,” he said. “I am not here to waste time,” he said as the sound of flapping wings and cawing was heard. A black bird landed on his shoulder. It cawed softly beside him and Sylus listened as if he understood him.

“Mephisto is telling me that there is a group of warriors nearby,” he said. “They are the warriors from my tribe,” the little girl said. “Okay, we will leave them be,” Sylus said. The girl was relieved somewhat to hear that. He looked at her slyly. “Let me guess, you sneaked in by them?” The little girl was surprised and looked away, making him chuckle. “They will leave in the dawn but if we follow them, they will notice,” she followed. Sylus hummed. “Don’t worry, he will fly again to see where we will be heading,” Sylus said. “Okay, but I do know how to navigate back,” the little girl said. “I’ll help to find that person you want. The elders might know that crash,” Sylus glared at her but let her be.

“So his name is Mephisto?” she asked, looking at the bird preening beside him. “Yes, I made him,” he replied. The girl was confused and looked closer, he was indeed mechanical. “Whoa… I thought he was a real bird,” Sylus smirked, basking in the compliment. He lets Mephisto roam the skies again as he flies in his order. “The winds will get stronger tonight, he shouldn't roam long,” the little girl said. Sylus looked above and felt the wind, thinking she did have a sense of survival skills. “You better rest, we have a long day of travel back. It’s not that far,” she followed and lay down, her head resting on the log. Out of nowhere, a bag was thrown at her. “What-” she said, realizing it was a sleeping bag. She looked at Sylus, who was already lying down from a distance. Her eyes squinted, making her wonder how her mother fell in love with such a man. It wasn’t long before she fell asleep from the long travel and anxious thoughts.

Sylus wakes up early and looks at the girl, who is still sleeping in the sleeping bag. He has a hunch of why she sneaked up on him last night, far deeper reasons than the tribe. As he packed up his things, he looked at the small trinket attached to his bag, it was the pouch you gave him when you were stuck with him in the grasslands. He always remembered you wherever he went, bringing something that reminded him of you. He wanted to get to the tribe fast to learn if his intel was true. He stood up and reached out to the little girl to wake up. She gasped before doing so and used her Evol to stop his hand.

The girl looked at him angrily. “Sweetie, it is only me,” he said. “I… Okay,” the girl releases his hand. “Please don’t do that. I don’t like people sneaking up on me,” she said. She doesn’t want her hood to be lowered down. “Oh, but you sneaking up on me last night was alright?” he crossed his arms but smirked. She blushed in embarrassment. “I was going to talk to you! I just don’t know the timing!” she defended. “It’s just… I don’t like someone pulling my hood down. My hair is weird,” she said. “How so?” Sylus said. “Other kids tease me of how weird it looks, so I often wear a hood,” she replied, making a half lie. She does get teased but she doesn’t care, she retaliates even. She doesn’t want him to give other ideas as they look alike. “Hmm, don’t listen to them, as far as I’m concerned, you can confront and defend yourself,” he said as he brought his bag. His statement has a hint of truth, she often does it as she wants to show them she isn’t backing down but something stops her thoughts. “That’s…” she trailed off. Sylus stopped as she pointed at the pouch. “Did… Did the person you’re looking for give that to you?” The little girl asked. Sylus didn’t respond, but the girl knew the answer. “I… I’m familiar with that pouch,” she said. “... My tribe does that,” Sylus responded with a hum. “Well, adds more reason to visit your tribe then,”

Despite the windy weather in the grasslands, Sylus and the little girl continued to travel. The two had been walking for a while now and all they could see was seemingly endless grass. The little girl looked at Sylus while they were staying for a break. He was looking a bit uncomfortable, probably due to the heat. “I didn’t know you had encountered my tribe before, they often are remote,” she said. “It was… An accidental event,” he answered. “And that person you were looking for, she gave that pouch, right?” she said. “You said it was many years ago… Do you think she is still-” she stopped as she felt the intense glare from the man. “She is important to me, far more than you imagined,” he said with a rough, pained voice as he returned his gaze to the food he was cooking. “What if somehow you meet her again?” the little girl asked, anticipating his answer. “Then, the world will be much better again,” She felt the yearning in his answer. “I will make sure she will be mine this time and… Not lose her and our child again,” he continued. The little girl internally gasped, she was surprised but masked it quickly. She felt his gaze again. “I believed they survived. It was… A challenge to find her this time,” he spoke. She felt the pain in his voice as if he had been searching for that long.

There were a lot of thoughts in the little girl’s head, especially him saying “Our child”. “You know, I was curious what the city looks like,” the little girl said. “I’ve been hearing stories, I heard it was scary,” she followed. “A bad man was going around, no one knows him but many people are scared of him,” Sylus didn’t answer but listened to her. “My mother was considering visiting and maybe staying there for good,” she said. “Maybe if you hold your end of the bargain, I can show you and your mother around,” Sylus said. “Why only your mother? Where is your father?” he casually asked. The little girl looked sad in response. “I don’t know, he probably had left us. My mother is still waiting for him to return,” He remained silent, remembering luck was not on his side since, he was still searching for the love of his life and his little one.

They continued to walk as the winds were getting stronger. The little girl looked up and saw Mephisto struggling to fly. “He should be getting down, the winds are howling but it would be temporary!” She yelled as the winds were noisy. “He would be fine, I would just repair him,” he said. She sees Sylus started to struggle in walking. The girl looked above again and saw Mephisto losing control to fly and was thrown back and falling. She ran while looking at the trajectory where the mechanical bird might fall. Sylus was surprised that she would still run for the bird. Despite struggling, she jumped to catch Mephisto, bracing for the rough fall on the grass. She opened her eyes and saw herself floating, with an energy holding around her. Looking back, she sees Sylus with his hand out, using his Evol while holding onto the grass. Mephisto cawed weakly on her hold, she fixed herself, making sure she was still hooded as Sylus brought them back to him.

They continued walking when the winds calmed down. She held Mephisto, who had his wing broken. Despite being mechanical, the little girl is still worried. “I told you, I can fix him later. He is fine,” Sylus reassured. Mephisto cawed in response and was calm under the girl’s hold as if he were grateful for catching him.

Sylus looked at the girl again, remembering the time she was running towards the bird. Her hair was white, and her eyes were red, just like his. But she looks so much like you. Her face, her powers, her personality, her past… He remembered his dreams of holding his little girl. He had the intense urge to protect her in realization, using his Evol to make sure she was safe.

“Look!” she yelled as she pointed at the distance, seeing huts and goats roaming. “We have arrived!”

[amarriageoftrueminds]

Lotta good points!

1) My issue with 'Bucky does everything' is... why the fuck would he want to be friends with Steve, in that case? And why would Steve go to such lengths for someone he couldn't be bothered to support properly before?

It makes being Steve's friend a quite-literally-thankless job, and Steve's 'friendship' amounts to the chance to serve him in return for nothing - no gratitude, no apology, no happiness to see him, no emotional, financial, physical support in return. It makes Steve selfish and self-absorbed, which are antithetical to his defining traits of selflessness and thinking of the little guy.

He can't vaunt those traits in everyone except Bucky, but then turn around and act as if he valued them all along by, eg. saving Bucky, avenging him, etc!

Plus it makes Steve's claims of independence a joke too, which in turn makes it annoying when he turns up in Basic Training and suddenly is able to do things, so that Token Love Interest can look like the first person to recognise his capabilities, when... no, those traits just weren't there, before, on purpose.

CATFA deliberately avoided showing us anything by the way of Steve's abilities, for Bucky to believe in, just to make it look like Bucky is unfairly undervaluing him (nonsense, since he's known Steve his whole life) and that someone else is a better judge. How the fuck is Bucky supposed to know Steve is capable of throwing himself on a grenade?! It's not like they have those lying around in Brooklyn!

5) Bucky using women to disguise his closet is true to the spirit of Arnie Roth, on whom he was partly based. But I still think it's a step too far to suggest he'd chose strangers over friends and family for his last night; even a lesbian couple.

(Or that Steve wouldn't likewise insist on having Bucky's last night in America for just them, even if they weren't a couple).

Unless Bucky's relationship with his family was bad... But we've never seen/heard any suggestion of that? 🤔

Again my thought process is 'why would A be friends with B if B was like this??' (ie. if A was selfish enough to spend their last night with strangers rather than with B).

8) Re: Steve the incel.

You could also play it as Steve having benevolent misogyny values without realising it, putting women up on a pedestal (explaining why he doesn't clock when he has been molested, or assaulted; is shocked when a woman lies to him; maybe thinks the reason he isn't being sexually attracted to women is because they are Too Perfect to sully with sex, etc.)

The only problem with idealising women is that it surely could not survive contact with a troop of foul-mouthed show girls, unless Steve absolutely went out of his way to avoid them??

But if he did have benevolent misogyny, this could maybe manifest in pre-serum Steve delivering long mopey monologues about how whoever he's been set up with is probably too good for him, probably isn't even interested, he's so poor, and sick all the time *cough cough*, unlike her, she would be embarrassed to be seen with him, probably, he's sorry Bucky set her up with him of all people, etc etc ...delivered during the date.

So that by the time Bucky circles back around to their table, no matter how attracted to Steve the girl was initially, she'd be like '🙂 please get me away from here.'

I could also see a queer Steve self-sabotaging by doing this, as a kind of inverse of ladykiller!Bucky.

Either so deeply in the closet that he doesn't even realise he's doing it, is unaware he's not helping his 'passing for straight' problem, thinks he's just looking out for the poor perfect woman, etc. (perhaps even kinda likes that guilt makes Bucky be extra-nice to him for a while after?)

Or, not closeted Steve having a bloody-minded determination not to date because he thinks it's dishonest to the lady; determined to publically crash and burn, so no one ever questions why he hasn't got married yet. And maybe seething and annoyed about having to do this, because he feels bad for wasting the girl's time.

And, yeah, open-book baby gay Steve absolutely glaring at whoever Bucky's dancing with and his own date either clocking him or being like 'woah he really seems obsessed with his friend's girlfriend?'

(I could also see a closeted himbo Steve being like 'yeah Bucky took me to this secret gay bar he knows about for some reason, but it's just because he knows I always fail with women and wanted to give me a night off from that, that's all!' Poor Bucky dropping absolute anvil hints and Steve's not getting it. 😂)

I ended up doing a long old rant on this other post, about the problems with the Steve/Bucky characterisation in CATFA, how it fails to make them mutual in their support / fails to properly show Steve's struggles and independence, before serum.

And I was thinking...

what would you have to do, if you wanted to write a CATFA or pre-war Stucky fic and wanted to fix all those problems?

So I figured I'd make a list!

Pardon me while I rip CATFA a new one...

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Problem 1) Pre-serum Steve acts as if he's independent and self-reliant without Bucky... when the opposite is shown.

A) He doesn't have a job.

(He isn't shown working, doesn't mention working, or taking time off to do the things we see him doing etc. Bucky is framed as paying for things.)

If the fic is set during CATFA you could fix that by mentioning Steve does have a job but has been given time off to go enlist. Or has just been fired from his job. Basically anything to show that Steve has had a job, has been working. Perhaps even had multiple simultaneous jobs!

Probably cut out the part where Steve scoffs at working in a factory or collecting scrap metal (more likely he'd admire and/or understand why both of those are viable options; maybe they're jobs he has done in the past and is biased against now, for some experiential-related reason.)

Or, if he still does not want to work in a factory... well, at the time, with most men being overseas, factory work would've been women's work. So perhaps Steve was reluctant because it feels emasculating. Or maybe even dysphoric, to be relegated to otherwise female-only spaces, instead of welcomed into (then) male-only spaces like the Army? 🤔

(This would especially ring true if you were doing a trans!Steve story, or emphasising the disability aspect of his life. And it would cycle back when he gets stuck in the USO, doing women's work again.)

B) It would also be better characterisation if pre-serum Steve was already good at fighting, but just happened to be outclassed by heavier weight opponents, and/or hindered sudden disability flare ups mid-fight. (In the tie-in comic, Bucky taught him how to box. Why not keep this?)

And also if his health was in a lifetime high point, then it would be less nonsensical to be trying to lie his way into the Army. There has to be some actual common sense and logic behind his choice, so that he's not essentially snapping 'Bucky why won't you support me committing suicide, gdi?'

Steve shouldn't be getting his first real win by knocking down a flagpole; he should've been showing this capability in his pre-war / pre-Army time, too.

You could emphasise the idea of Steve entering a fight he knows he's going to lose, in order to accomplish a secondary goal that the enemy doesn't recognise. IE. Steve fighting the bully in the alleyway -- he loses the fight, but succeeds in stopping the bully from making a scene in the cinema, which was his original goal. So mention it!

(Steve could be like 'winning this fight wasn't the point.' And Bucky could be like 'ah, so what were you distracting him from?')

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Problem 2) The support is imbalanced; Bucky's doing all the emotional, financial, and physical labour in the relationship.

You could fix that by showing how pre-serum Steve was not only mutually financially supportive (in the sense of having a job), but was also supporting Bucky emotionally and physically, just as much as Bucky supported him. He could be doing at least 2 of the 3!

Possible Examples:

Bucky going through an emotionally hard time that pre-serum Steve pulls him through (just as Bucky did with Steve's Ma).

Steve treating Bucky's wounds after a fight, just as Bucky treats his. (If Bucky's a boxer, like the tie-in comic, then Steve could be his cut man when he's in the ring!)

Steve paying for some of their expenses, or finding places to take Bucky that are free when it's his turn to plan a day out, etc.

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Problem 3: Sarah & problem 2.

If this is CATFA / post-death setting, show flashbacks or make references to Steve visiting her in hospital, or doing the work of nursing her himself / sitting by her bedside if she died at home, paying for her medicine, etc.

So that it's not just another example of Bucky wholly carrying Steve; show the balance. Maybe Bucky was temporarily footing the bill so that Steve could afford to quit his job and do the nursing at home. Both putting the work in, in different ways.

(This would be a perfect example of one way Bucky's experience of looking after sick Steve would pay off, and make him able to teach Steve how to do it when the roles are reversed.)

Better yet, a show-don't-tell of Sarah instilling Steve's moral compass and tenacity; maybe even some Bucky POV to show her impact isn't just relegated to Steve.

Her absence could also be shown in present day with Steve, eg. packing up his things to go to basic and having to leave behind some keepsake of hers.

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Problem 4: The relationship is framed as transactional.

Less 'I'll do X for Bucky now because he did Y for me back then' and more 'helping Bucky is the right thing to do because he's innocent so I'm going to do it regardless of outside whining, and he would still do the same thing for me, or anyone else, because he's a good person.'

There has to be more to it than just convenience, needing each other around to help; there has to be an actual desire to be together for pure enjoyment, too.

IMO you'd need at least one scene where Steve and Bucky aren't benefiting in some way from spending energy on eachother. They're just... happy being together.

And perhaps Bucky isn't the only friend pre-serum Steve could have had, just the one Steve most wanted to stick with. (His options should amount to more than 'Bucky or no one.') Perhaps Steve's health absences and strong principles drove other friendship prospects away?

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Problem 5: A's problems are framed as B's.

No more 'Steve getting attacked' being framed as a problem for Bucky.

No more 'Bucky being drafted to die' framed as a problem for Steve.

Better characterisation would show these bad things affect the victim first and foremost, and only/also the other one, secondarily.

Steve shouldn't be seeing Bucky's shipping-out uniform (skipping right over thank yous and congratulations) and talking about how that's sad for... himself.

Steve shouldn't be sabotaging Bucky's last night of freedom in NYC to spend it on... his own goals.

Sidenote: Bucky wanting to spend his last night of freedom with strangers is such idiotic writing anyway, when he has both Steve and a living family with whom he could be spending those last precious moments! And dragging Steve on a double blind date he clearly doesn't want to go on is counter-productive. It undermines the mutually-supportive / mutually communicative relationship Steve and Bucky should logically have, as lifelong inseparable best friends, and shifts the blame for Steve's singlehood off of him and onto Bucky and women generally.

Steve shouldn't be detailing why he's so keen to fight, and focusing on random men he doesn't know, not directly/unequivocally mentioning Bucky at all (indirectly, he wants to be like the men laying down their lives -- so... like Bucky? But this is still nonsense. He should want to be there to support Bucky, not to copy!)

It's likewise nonsense for Bucky, who has known Steve since he was a child, to ask Steve why he's keen to fight. Bucky doesn't need to ask. Bucky already knows. Lazy clumsy exposition.

And the narrative should be showing us why, rather than having Steve infodump it without anything to back it up.

Speaking of which...

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Problem 6: Lack of explicit politics.

Like in the comics, Steve's reasons for fighting Nazis should be explicitly left wing and political, as well as personal.

(Wanting to be like able-bodied men who get girlfriends is complete cringe incel bullshit as a motivation and not true to the comics, or CEvans's performance!)

Proper Steve characterisation should have him behaving in a way that shows he's a man ahead of his time in terms of Antifa politics, and that's why he wants to fight.

IE. happily sharing housing and schooling with people of other races, ethnicities, and religions. (Especially so when he has been in the same SEC as them / been in multiple different schools and lived in various neighbourhoods as a poor kid.)

Not judging and mistreating disabled people the way he is.

Not judging unmarried mothers, belittling working women, expecting his mother to do all the housework, etc.

Not freaking out about the existence of queer people in public (even in an AU where he isn't one) defending gay men from attack as he does in the comics,

protesting and/or sabotaging public Nazi meetings in NYC, fighting with homegrown Nazi bullies especially, ditto corrupt business owners / mafia union-runners as he does in the comics, etc.

The Hydra saboteur should not be the first Nazi Steve ever got his hands on!

And Bucky should be an addendum when it comes to his reasoning. The heart of Steve's motive, where politics are the guts.

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Problem 7: No disability rep.

A) Steve should not be saying that he, a disabled man, shouldn't have the 'right' to do less than able-bodied men, even though it is literally physically impossible...

...UNLESS, this internalized ableism is addressed in-story, rather than treated as if it's normal and even noble.

Other characters can be ableist; Steve should not (not only is he disabled himself, but he's supposed to know better!) unless it's part of an arc that shows that this trait is weird in him, and he learns the error of his ways.

Instead it could be shown that his health has recently become good enough for him to survive and succeed in the Army. Without Steve arguing that he should throw his disabled life away, just because able-bodied men are taking a significantly lesser risk of dying than him.

B) There should be actual details of Steve's disabilities, what they are and how they affect him. (Him - not Bucky.) In a way that has concrete negative consequences, beyond just not getting into the Army.

Possible Examples:

Steve being held back a year at school because of missing days due to sickness. Kids can be cruel and parents can be ignorant; he might've been bullied and ostracised for being sick and believed contagious.

Kid Steve having to move around a lot (which would also affect which school he'd have to attend) because losing money to medicine affects what his mother can afford, affects her work schedule when she has to look after him. Living in a worse place would then exacerbate his pre-existing symptoms, and so on.

Adult!Steve losing a job because of sick days, losing savings to pay for medicine, getting sick again because he either chose heating and groceries over medicine or vice versa, etc.

(This / the moving-around might be mitigated if he and Bucky are living together, meaning Bucky could make up the shortfall.)

Steve could lose friendships or romantic partners due to sickness taking him out of social circulation.

You could also play into the Nazi eugenics then endemic to the USA and have medical professionals telling Steve he shouldn't be alive; 'well-meaning' people offering to pray for him, saying they'd have 'given up' if they were born like him, etc.

And Steve should, maybe, mention once or twice that he feels better after serum and truly couldn't be doing what he's doing in Europe, if superserum hadn't also cured all his ailments?

If he's much more peppy afterwards, it should be because for the first time in his life he can actually breathe and spring out of bed!

.

Problem 8) The Incelery.

Pre-serum Steve should not be framed as undateable because he's short and disabled.

If Steve hasn't had a girlfriend, it should be because he didn't want one, not because evil women are repulsed by invisible health issues or Bucky is too dreamy for a disabled man to possibly compete with, be so fr. 🙄

You could fix this by making Steve: gay,

ace,

demi,

coincidentally surrounded by lesbians,

by women who have horrible unattractive politics,

too sick or busy with work to date,

getting attention but it's the wrong kind (ie. women who want to fetishize or nanny him),

and/or being very attractive to women even before serum but oblivious and/or simply not interested. 😂

/more than one of the above.

.

[starrygazingpie]

mélusine and aurora fgo drive me insane it's like the portrait of dorian gray with toxic lesbians

you pull a portrait of yourself out the the mud and she reflects you in both your beauty and your horrors.

you cannot stand to see your actions reflected back on yourself

[thepromisedbride]

i don’t talk about bridgerton on here but just to clarify. i will not be having ANY eloise hate on this account. i will bite.