#as in they don't really accept authority of others
Explore tagged Tumblr posts
lady-of-endless · 1 day ago
Text
"Veiled Intentions" (Hwang In-ho/Player 001/Front man x player!reader)
Tumblr media
Summary: No game of cat and mouse ends well.
Author's Note: Thank you so much to everyone who voted for this fic to be done first. I'm happy to provide. He might be a little obsessive, but you should've expected it by now. Don't worry; I got a softer, heartfelt, and angsty fic on the go for tomorrow. Hope you'll enjoy this one until then, darlings!
(Squid Game masterlist here)
Whenever he flashed a smile to the team, no one noticed how the coldness of his eyes was somehow still persistent. The charm of his smile always eclipsed that detail. It was enough to successfully manipulate most players, except for you. The only one who seemed to see the bigger picture was you and he could sense it. No amount of calculated smooth-talking, apparent encouragement, or fake short smiles could trick you too.
The others seemed to accept him easily, either for the calmness that made him seem reliable or for the vital need to have more people with the same vote. Not you, and it was clear to him.
In-ho had a plan going on; he had no intention of wasting time and trying harder to trick you too, letting you do your silent judging. But still, you were slowly becoming more and more present in his mind. You weren't warming up to him, weren't impressed like the others. Why not? More importantly, why did he like it that way? You were smarter and he enjoyed watching you analyzing everyone around, including him. Yes, you were a problem for him, but he was almost proud of having such a fascinating problem to take care of.
In-ho was too good at looking relieved, and joyful whenever the other players from player 456's team made it during the games. You noticed a strange spark in his eyes whenever you also completed the games. Was he really relieved or just glad that with each game he was getting closer to taking care of you personally?
Even now, he was watching you silently when the speakers announced bedtime. You all remembered what was the plan Gi-hun came up with to stay safe and looked around for a lonely bed bunk. Your constant doubt pushed you to come up with a plan to figure him out and now it was the perfect time to strike.
In-ho was ready to make a strategic choice when your voice interrupted his thoughts again.
"Join me?" You asked bluntly, with a warm smile on your face. A fake smile, a reflection of his. He looked at you, raising an eyebrow at your proposal. "For bonding time, getting along." You added, encouragingly, almost playfully, not to stir suspicion in others.
All the other teammates noticed how you kept your distance from him and were glad to see you try to get along.
In-ho almost wanted to chuckle at your reasoning but his expression remained composed. He could tell that you were trying to convince him with your charm and that you only played a role. And he was doing the same.
"Lead the way then." In-ho responded calmly, as always.
In-ho had a small, almost imperceptible smirk on his face the whole time following you, and his eyes were glued to the nape of your neck. How could he ignore you?
You crawled carefully under a bed that was placed closer to a corner no one else chose. A shiver ran down your spine when he joined you effortlessly, making almost no sound at all. The lights dimmed. However, that wasn't the problem. The problem was that the space from under the beds was not enough for two. Both of you were lying down on your backs, staring at the bed from above. His shoulder was pressed against yours, the feeling was impossible to push aside.
You closed your eyes tightly, cursing the tight space and sighing deeply. Why didn't you think this through? In-ho was amused by your frustration and how your body tensed next to his.
"You seemed so sure about this." He teased with a mocking tone he didn't even try to hide.
The way his voice sounded so intimate in the dark and how his warmth surrounded you, were making it hard to stick to the plan. You grew a little hotter under your clothes but you had to go for it. You took a breath in and spoke in a whisper.
"I can see right through your tactics." You said bluntly, still looking at the bed from above to avoid his gaze, knowing how intense it gets sometimes. You were almost proud of the sternness of your tone. "What are your intentions?"
He didn't respond right away, taking time to just look at your expression. In-ho was a meticulous man, he was expecting that question sooner or later from you.
"Wasn't I clear from the start?" In-ho asked calmly, almost innocently, switching his position to lay on his stomach and elbows, never losing sight of you. That position forced you to look up at him, exactly the way he liked it. He was getting too comfortable for someone who was cornered. Seeing how there was no sign of panic or surprise on his face, the previous boost of confidence was starting to slowly diminish in you.
"I think we both know what I mean." You added coldly, letting him know you've had enough of his games. He could feel your patience running thin and he was enjoying it.
Your assumption was true; you were so close to figuring it out but, at the same time, so far away, so clueless about what he really wanted, what he really was capable of. It gave him the freedom of acting anyways he wanted for a little bit.
"Indeed." He said, seeing an opening and moving a hand to the opposite side of your face on the floor, making it look like he was just supporting himself and not caging you. "And that's because you're playing the same games, don't you agree?" He asked smoothly. He watched as you rolled your eyes and looked away to hide your real reaction, taking you longer to respond. In-ho didn't insist, wanting to take his time exposing you bit by bit. When you turned your head back at him to answer, your heart halted, words dying. Your eyes met intimately, his face was even closer than expected.
"It won't work with me." His breath touched your lips. He brushed a strand of hair behind your ear to see your face better. He frowned when he caught himself giving in to his instincts, his fingertips caressing your cheek and stopping on your lower lip without thinking.
"But your tries were..." He added, applying pressure on your sensitive skin and moving his lips even closer to yours slowly. "Entertaining, to say the least."
In-ho watched your expression closely, observing the details of your face in the dark. He couldn't get enough that moment but his face didn't betray any sign of the greed that was coursing through him. So he didn't stop there, using the momentum of your shock.
"Was it fun?" He asked, mercilessly but blissfully tormenting and playing you. "To feel like you had the upper hand?" He whispered while his hand descended to the base of your neck.
In-ho looked at your parted lips again, waiting for your answer and not moving away. There was a storm of conflicted thoughts in your mind and the warmth of his palm on your pulse point was not helping you find a good answer in time.
"Answer me." His grip tightened slightly, his tone smooth yet demanding. "And look at me, darling"
You looked up at him and nodded, admitting silently. Finally, you understood what you got yourself into and felt more than exposed. It was frustrating how easily he switched the roles from being the one interrogated to the one asking whatever he wanted.
You shivered at the sight of his subtle smirk. It was nothing like the bright fake smile he offered to the team. One corner of his lips curled upwards while the rest of his expression remained composed. His eyes glinted with icy, calculated sharpness. Finally, you could see him, whoever he was, and not the simple player 001.
In-ho was studying her, thinking about how you weren't aware of the effect you had on him from how well he was concealing it. Still, none of your questions were answered.
"What are you going to-"
"Hush." He murmured against your lips, cutting your words. "Don't wake the others."
In-ho slowly traced your collarbones through the thin material of the shirt with your player number and placed his whole palm on your chest over your racing heart. He paused, just to feel your heart, taking credit for its hectic beating. The silence that surrounded you was not helping either, you could hear every breath, every move, enhancing the intimate feeling so much you had to remind yourself that you were still in the middle of a sick challenge with daily deadly games.
He looked back into your eyes and spoke softly, seeing your inner conflict, wanting to distract you from it. "I've caught you staring at me so many times."
"I was just spacing out." You whispered, not hesitating this time but still telling him another lie.
Even the always calm, rarely out of character In-ho chuckled at that. It was a pleasant, unfiltered but still strange sound.
"Liar." He said while caressing your hair again but making sure to tug gently at the roots as a warning. "You had so many opportunities to push me away since we got under here." He whispered, almost tenderly, meaning it. His eyes were not locked on yours. Was it because he was letting himself think out loud? "But you don't want to do that..." He added, pausing his touches, giving you time to object. But the truth was that your denial ended with him calling you 'darling'. That waited objection never came and In-ho understood.
With that, he allowed himself to take what he wanted. He thought to himself that it was inevitable. His lips found yours with an unexpected gentleness despite his restrained hunger. The hellhole you were trapped in seemed to fade away with the way his lips explored yours. His fingers tightened possessively against your skin as the kiss deepened. His warmth was embracing you blissfully but his tongue was making you dizzy with each breath he was stealing from you.
After what felt like time, bending to his will, In-ho broke the kiss slowly. Even if you didn't say a word, he still covered your lips with his finger for a moment.
"I'm expecting you to still be smart about this and keep it private." He spoke in your ear, an expectation or a warning. "Do that and you'll be safe no matter what."
What you couldn't understand was that this was a hidden promise. If you kept whatever he gave you a secret for yourself, he would pull all the strings to get you alone with him, away from that game.
444 notes · View notes
backseatsoldier · 2 days ago
Text
"Broken", Not Stupid - 12
Pairing: alpha!Simon "Ghost" Riley x unusual omega!OC (13)
CW: Omegaverse; cult-like situation; dehumanization; selling children to a cult
Author's Note: @jeanzoriley-cod ready? owo <3
Tumblr media
"Think maybe we should see about introducing her to Jeanz?"
13 is bolting from clothing rack to clothing rack in the next shop, gathering things to try on. Meanwhile, Simon and Johnny are keeping a close and protective eye while giving her space to do her shopping.
Simon's question, however, pulls Johnny's attention from 13.
"I think it'd be good for her to have other, female friends," Johnny nods, but the look in his eye says he's far more excited about the idea than he's letting on.
"You also just want to see Jeanz again," Simon teases him.
"Who's Jeanz?" 13 asks, having popped up between the two alphas with her arms full of clothing options. "Can you help me get these to the fitting rooms? I haven't gotten new clothes in a while so I wanna try things on before I decide on them."
Simon and Johnny each take an arm-full of the clothes 13 is carrying and follow her to the fitting rooms.
"Jeanz is a co-worker-"
"And friend," Johnny adds. "She helps out our team once in a while."
"And Johnny's sweet on her," Simon chuckles. "She's an omega, though, and I figured you may need friends. Espeically friends that aren't just alphas."
"I am not!" Johnny denies Simon's claim imeediately, his accent getting thicker in his denial.
13 stops outside a fitting room and looks up at Johnny.
"You're blushing," she points out, making the redness in Johnny's cheeks darken.
The Scotsman chooses not to respond this time, instead he gives the clothes back to 13. She grins as she accepts the clothes then disappears into the fitting room with the first load of clothing. By time she's finished trying on all of the clothes she picked out, she's managed to wittle the piles down to enough outfits for a full week that can be mixed and matched as needed.
"So Jeanz?" 13 prods Simon as Johnny leads them to the next shop.
"She's... a lot like you, actually. Even as an omega, she doesn't bend easily. You give her hell, she'll give it back easily. I think you two would get along great, based on what I know of you both. There's a lot of male alphas in my circle and, since you're going to be around, I'll need to expand that circle a bit."
13 scowls a bit but it's quickly replaced with a smile.
"I appreciate it. I haven't had... long term friendships in a while so it'll be nice to try to make those connections again."
"I also need to talk to you about," Simon takes a deep breath, "therpay. Your views on it and so on. I think going would benefit you greatly, but I won't force you into it."
"I've honeslty never been," 13 shrugs. "It... scares be a bit, the idea of going, but I'm willing to try. Seems I'll have a decent support system, though."
The way she looks up at Simon this time nearly makes him come to a full stop. His heart might have done so, though. A warm feeling fills Simon's chest, almost making it ache, but he brushes off the feeling and continues following Johnny with 13.
Simon glances down to 13's feet. She's wearing the slippers from Salvation still.
The woman needs shoes. She needs them badly.
"Johnny," Simon calls to him, "this one next," he announces as he nods towards the shoe store across the street. Then he looks down to 13, offering her an arm. "Stay cloe, yeah? Don't need you getting hit trying to cross the street."
13 shifts what few shopping bags the guys allowed her to carry to one arm and loops her now-free arm through Simon's.
"I'd prefer life, yeah," she chuckles.
Tumblr media
Masterlist | CoD Masterlist | Part One
Tag List: @lucienofthelakes @lostintransist @demothers-empty-blog @scaredyspooks @tessakate @one-really-annoying-tree-rat @nerdyphantomtheorist @gazsluckyhat @peanutismynickname @jeanzoriley-cod
Tumblr media
45 notes · View notes
ladylynse · 2 days ago
Note
What if Lancer met Danny when he was four instead of fourteen? What if Danny wandered away from Maddie at the mall and crossed paths with Lancer?
I mean, the less fun answer is that Lancer would probably try to help Danny find his parents; if they can't find them in the crowd, then going to see if an announcement can be made. I don't see Lancer ignoring him, of course, and he might want to help but not know the best way to do it; there's a reason he's teaching high school and not kindergarten. Dealing with this age group isn't his strong suit.
But let's pretend, for a moment, that Danny wandered off because his parents are arguing about Christmas stuff again, and he's just Done. And that Jazz is distracted enough that she doesn't notice and that Danny gets far enough away by the time she does notice that her hysterics don't immediately alert Lancer to Danny's family.
What if Lancer is confronted by a four year old who refuses to tell him a) his last name, b) who his parents/guardians are, or c) where he lives? He can't just hand this kid over to the authorities, can he? He should really at least try to stick with the kid to make sure he's safe until he can get enough information out of him to get him back safe or until his parents come looking for him--right? The boy looks healthy and isn't shying away from him, and the questions he does answer tells Lancer this isn't a situation where he needs to call the police or protective services.
So this is how Lancer finds himself in the kids section of the bookstore, waiting for Danny to pick out the book he wants read to him on the bench outside said bookstore, listening to this child spew off an impressive number of facts about space because he absolutely refuses to talk about Christmas (except for grumbling about how his parents always fight, but Lancer learns enough to think that both parents do celebrate the holiday and merely disagree on how it is to be celebrated, rather than belonging to other religions and celebrating different holidays, and that--fighting to the point of having a runaway son aside--his parents do seem to care about their family) but is still willing to accept the gift of a book.
Lancer had never thought he was particularly good with young kids, but somehow, by the end of it, he thinks he's made a friend.
Even Danny seems somewhat reluctant to leave, not to mention chagrined, when his parents bring out the bullhorns/megaphones to announce that they are searching for their missing son, and Lancer returns him.
Their other child quietly pulls him aside while the parents are suffocating their son in hugs to thank him for taking care of her little brother, and Lancer makes a mental note to keep an eye out for this family in the future.
This turns out to be much easier to do as the Fentons more than earn their eccentric reputation, but he soon realizes it's a lot easier to track the parents than their children. When Danny and his sister turn up on Lancer's doorstep the next week with cookies, he has to invite them in and make hot chocolate and show them his train set, which they take to gleefully, but they give no indication that they've been dropped off for the purpose, and he rather suspects they got his address out of the phone book and came over on their own.
He waits longer than he probably should to phone their parents, but he enjoys their company.
It's nice, not being alone over the holidays.
41 notes · View notes
genderqueerdykes · 20 hours ago
Note
Book anon brought up is literally called Trans/Rad/Fem and it claims to be essays on "transfeminism" but the entire basis is how r@dical feminism helped build feminsim, including transfeminism - thus transfeminism couldn't exist without radf3minism, and tries to argue the two types of feminism are actually very similar and should support each other. Just a snippet of the summary: "This series of essays aims to reconstruct and reintroduce the r@dical feminist framework that its misbegotten inheritors seem determined to forget and in doing so boldly makes the claim that transfeminism, far from being antagonistic to r@dical feminism, is in fact its direct descendant. It shows how a comprehensive social theory of transsexual oppression flows almost naturally from r@dical feminist precepts and dares to declare that a materialist, r@dical transfeminism is the way forward to seize the foundations of patriarchy at the root." The author has a bunch of free writing on her site, and it's interesting because she seriously uses the term transemasculation and argues that trans men do face specific oppression for being trans men, but then she's got this incredibly bizarre essay on how trans men aren't allowed to relate to Stone Butch Blues even though she personally knows a lot who do. Her stuff also really only pays lipservice to but is notably absent of anyone outside the binary, which is interesting because she also considers herself 'third sexed'. And she parrots these ideas about "degendering" and "regendering" throughout all her essays that just don't seem to /quite/ line up with the broader social definitions of these terms. I don't know, it's like someone who infiltrates 'the enemy' to try and take them down from the inside and doesn't realize they're slowly being converted. Also, she's actually on tumblr (head's up). Here's her own explanation of her book: https://taliabhattwrites.tumblr.com/post/769862585675825152/im-sorry-if-youve-answered-this-or-if-it-should And for some comparison here's genderkoolaid's reaction to the book summary (with full summary included): https://genderkoolaid.tumblr.com/post/771666069645623296/question-have-you-heard-about-the-book
"but then she's got this incredibly bizarre essay on how trans men aren't allowed to relate to Stone Butch Blues,"
does. does she know that Leslie Feinberg was literally a polygender lesbian who identified partially as a trans man. does she know that Leslie lived as a trans man for many years before accepting being multigender. does she know. anything about what she's talking about. like yes, Jess in the book was written to challenge the idea of what a woman "should be". and rightfully so. that part of Leslie's identity needed to be discussed. Leslie's other genders do not overwrite the fact that ze was a transsexual woman. i want that to be clear!
but it doesn't change the fact that transmasculine people are still gonna relate to this experience whether or not they identify as women. also what about transmasculine women...? that right there is enough to tell me this person has no idea what the fuck they're talking about. Stone Butch Blues was quite literally written by someone who was partially a trans man. like you cannot erase the fact that Leslie literally called hirself "polygendered". that was the term ze used for hirself. Leslie was a trans man as well as a transsexual woman. get fucked, talia. you don't know what the fuck you're talking about. even if the character of Jess wasn't a trans man, it doesn't erase the fact that Leslie was. Jess is just a character based off of Leslie.
wow that's actual bullshit. thank you so much for letting me know about this, i had no clue. i don't read books unless i'm looking into a specific topic so i'll be sure to steer clear of that. this shit is sad. rad feminism has never and will never help anyone. rad feminism is about hating women. it's about seeing women as weaker and inferior to men. it's about thinking that women can never hurt anyone else because they can't hold power in society ever. rad feminism is about painting women as pathetic dainty little creatures who could never hurt a fly, that women are so stupid that they can't think for themselves and are always being taken advantage of no matter what, and it's also about how women can only look and act certain ways or else they're not women.
trans rad feminism hurts trans women. if you're a transradfem:
radfems fucking hate you and want you to die. snap out of it. this will not make them like you. this will not make them see you as a woman. they are happy you are spreading their propaganda, but they want you dead and see you as predatory men invading women's spaces. wake. the fuck. up. all you're doing is participating in trans/misogyny and the faster you realize it, the better off you'll be.
32 notes · View notes
scoobydoodean · 11 hours ago
Note
reading the notes makes me feel like im missing something about the plucky pennywhistle thing. like people are tagging it "me when i lie" "man i wish dean would tell the truth about his childhood" like. did he lie in the episode? im not saying he didnt i just. am confused. (also unless we are shown what happened, accusing dean or sam of lying about their childhood is presumption, because sam might've perceived it as "trolling for chicks" but maybe dean was hustling pool.
to be clear i do think dean was blowing off steam and flirting with girls because he was a teenager and probably was exhausted about being forced to parent his brother, but the fandom wiki could've also been remembering the fact that there's a mother in the episode who is dumping her kid at plucky's so she can work enough hours, and dean starts defending the mom, so the wiki author misremembered it as "he was working and told sam he was flirting" . reporting that as fact is Not a good idea for a fandom wiki but there's a weird obsession that sam and dean are ontologically liars or truth tellers when sam and dean lie all the time and might be reporting memories inaccurately, but they usually don't when it comes to their childhood.
like "dean did his best to parent sam despite being ill-equipped and a child" and "sam felt very lonely despite dean's persistent presence in his life and dean felt hurt when he found this out, despite this not being either of their faults" can both be true!
like sam literally lies In That Conversation because he doesn't wanna talk about plucky's! he literally says "no i don't remember it". and this is hilarious of him. he's trying to rewrite his own memory in real time i think.
Dean doesn’t seem to quite remember Plucky’s at first.
Tumblr media
Likely because Dean really doesn’t remember, he also really doesn’t take offense to Sam’s version of events or argue with him at all? He accepts Sam’s version (that he hated Plucky’s) as soon as Sam says so.
Tumblr media
Yeah, when Sam complains that Dean abandoned him there to troll for chicks, Dean says,
“It's not like I left you in jail. I mean, those places are supposed to be fun.”
But that isn’t a denial of how Sam actually felt about the place. It’s a (light-heartedly stated) defense of Dean’s own reasons for leaving him there. He thought it would be fun! If that wasn’t true, surely Dean would have left Sam at the motel and saved himself the time and cash, no? I think the fact that Dean thinks Sam liked it means Dean probably wasn’t paying attention to him at the time, caught up with his own stuff, but I don’t think it makes sense to assume anything other than that, and I think Dean is perfectly willing to accept that he wasn’t really paying attention to what Sam wanted.
Sam’s tone and the content of his complaints when telling Dean how he really felt about Plucky’s also isn’t exactly serious. He reports that Plucky’s was “lame”, “smelled like puke”, and served grainy ice cream. He’s not exactly bringing the real tragedy to the surface here (the kid at Plucky’s with the overworked mom is much more effective at exhibiting the misery of being trapped in a children’s arcade).
The thing is, Dean really isn’t defensive about any of this? He actually just thinks it’s funny. Laughing over the phone with Sam, he says, “What in the world did they do to you?” It’s honestly kind of refreshing that Dean really doesn’t beat himself up about it. Even in the end of the episode when Dean apologizes for ditching Sam, he’s laughing (and then pranks Sam with a clown doll). Maybe that’s what sets them off? That Dean doesn’t “care” enough? Unfortunately for them, Dean was also a child who deserved his own space and was not Sam’s dad.
Totally agree with you that there’s an underlying little narrative here about overworked parents and that a wiki shouldn’t make inferences. And also about Sam and Dean’s differing versions of childhood often making sense from their own perspectives. They can both be right about their own perception.
17 notes · View notes
cienie-isengardu · 1 year ago
Text
Mortal Kombat 1 (2023)
Bi-Han vs Liu Kang
Tumblr media
Bi-Han: Earthrealm isn't yours to rule.
Bi-Han vs Geras
Tumblr media
Bi-Han: I don't recognize your creator's authority.
Bi-Han vs Kenshi
Tumblr media
Kenshi: Why do you resent Liu Kang's authority?
Tumblr media Tumblr media
Kenshi: Your Lin Kuei are now outlaws. Bi-Han: We answer to none but our own.
Bi-Han vs Li Mei
Tumblr media
Bi-Han: My clan isn't subject to your jurisdiction.
MORTAL KOMBAT 11 (2019)
Kuai Liang vs Raiden
Tumblr media Tumblr media
Sub-Zero: You failed to protect Earthrealm. Raiden: Do you question my authority? Sub-Zero: I demand you renounce it.
Kuai Liang vs Cetrion
Tumblr media
Kuai Liang: The Lin Kuei do not worship the Elder Gods.
Tumblr media
Kuai Liang: Why should I pray to you?
Kuai Liang vs Cassie Cage
Tumblr media
Kuai Liang: You do not command the Lin Kuei.
MORTAL KOMBAT X (2015)
Kuai Liang vs Cassie Cage
Cassie: Explain yourself, Sub-Zero. Sub-Zero: I do not answer to you.
Kuai Liang vs Raiden
Raiden: Sub-Zero... Sub-Zero: I fear no gods, Raiden.
Kuai LIang vs Kenshi
Sub-Zero: Kenshi... Kenshi: State your purpose, Kuai Liang. Sub-Zero: I do not answer to you.
+BONUS:
INJUSTICE 2 (2017)
Tumblr media
Kuai Liang: The Lin Kuei answer to no one!
MORTAL KOMBAT VS DC (2008)
Kuai Liang: Raiden. I have come seeking assistance. Raiden: Assistance? For what end? Your kind has challenged me before. Kuai Liang: I'm not my brother. Raiden: But you are still Lin Kuei. Fight!
111 notes · View notes
dykedvonte · 2 months ago
Note
Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like
-💀
It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.
If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.
Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.
He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...
#this is less headcanons and more my thoughts of the intersectional horror this brings to mouthwashing which is also a thing it#already has but more directly in the mix vs just the class gender and positional struggle. like the idea he waited to confront Jimmy becaus#he could conceptualize the crime better because of experience with womanhood and also how it would've destroyed him in terms of being trans#like its weird to word as a comparison but thats kinda how empathy works as in an understanding and ability to project through aspects#like you found out your friend who has always had weird feelings about and relating to you is a rapist and got one of your other friend#pregnant and is now being openly hostile and aggressive towards you. You have only a few days to really think on all of this all the years#with him and how many oppurtunites he had that you blame yourself for giving him both in life and to do to you. You are starting to#realize that he may have done what he did to Anya because it was no longer viable with him or because of weird transphobia/homophobia#from Jimmy and god its so much and he should've know better and what did Jimmy do then - c r a s h#he is at such a small amount of mercy to Jimmy now and he can't protect Anya and it's terrifying because i know and you know that Jimmy is#giving him those weird looks again...#like it adds another layer of horror to things and while I don't think Jimmy would do anything to Curly it's heavily implied he targeted he#because of relatively more important position and getting Curly to have doubts about him as a power play and Curly knows Jimmy well enough#that him immediately exerting his authority and power would set him off after already having been mad about it and even when doing#damage control it still set him off. like its the horror of accidenlty siding with your oppresser and hurting other like you only to then b#stabbed in the back again by the person who took advantage of your nature like its so complext but my actual trans curly headcanons#are just a little bit happier like i imagine he was the first on the boys soccer team and a star player. maybe he and jimmy even picked ou#his first offical “boy” clothes and Jimmy picked most so he looked like the grungiest white boy but she was a boy so it didn't matter cause#it was with his friend who accepted him and I bet on the bed he looks back at all those moments and notices the little details that his#friend wasnt actually so happy but he can't be certain when he started looking so bitter or hes just imagining out of paranoia cause he jus#cant know and even if he could he wouldn't want to ask like god thinking about Anya and probably being a little glad if not heartbroken#that she did get out of it in the end like trans curly and anya destroy me even more its so upsetting like he didn't realize how much he go#you girl and waited to act like it was cowardice but then would she not realize what hes realizing? should that be a grace or more of a#condemnation in her mind like what are her thoughts? espically during the scene Jimmy hits Curly like she had to hear and what did she thin#they are tormented in a similar hells with the same demon and its fascinating#mouthwashing#mouthwashing game#anya mouthwashing#curly mouthwashing#jimmy mouthwashing
82 notes · View notes
nientedal · 11 months ago
Text
On Constructive Criticism.
Hey friends. You ever want to leave a critique on a fic, and the author says they like constructive criticism/"concrit," but then you leave your critique and you try to make it complimentary but the author still seems less than thrilled with you? You may have missed the point of "constructive!" Don't feel bad, you aren't alone. Took me until I started writing and receiving feedback to really figure it out.
The key to remember is, "constructive" doesn't mean "nice." It doesn't mean phrasing gently, or doing a compliment sandwich (although those are fine things to do as well). "Constructive" feedback is feedback that would make the story as the author has already written it stronger.
"The execution of this character's decision to do XYZ felt a little bit out of nowhere, to me. Was that your intent? It didn't seem like it was meant to be a big twist, either. Maybe some extra foreshadowing would make it stronger, or some shock on the part of the other characters." THAT'S constructive criticism.
This is NOT constructive criticism: "This character doing XYZ thing really doesn't make for as strong a story as it could. I think he should have done NQD thing, instead. That would have been better."
The first example offers some ideas on how to help a character's decision land better when the reader couldn't tell what the author's intent was. It's possible the reader didn't like the decision and that's why they noticed - maybe some foreshadowing would have helped them accept it better, or some indication that it was meant to be shocking would have validated the reader's surprise & displeasure. But, crucially, the reader did not suggest anything that would require a massive rewrite to change. Some tweaking, sure, maybe the addition of a few paragraphs. But not a change to the character's decision as a whole, the way the second example suggested. The second example does describe something the reader thinks would make for a stronger story...but it is not something that would make THIS story stronger. It is describing a different story than the one the author has already written so far, so it's just plain ol' criticism. Constructive criticism makes the existing story stronger.
That's the difference. You aren't workshopping. You are commenting on something that is already being written, that is already planned to the point where someone is already posting it. Or it's already complete!There is a BIG DIFFERENCE between helping workshop a story and simply giving concrit. Unless the author has specifically asked for workshop-style help, offering things to do differently from what was already written is worse than useless. Don't.
Rule of thumb: if what you're saying can be boiled down to "I think this cake would be better if it was pie," say something else. The cake is not pie. It's not GOING to be pie. I didn't ask what you think I should bake, I put cake on the table and asked what you thought of this cake. Tell me what would make THIS cake better. Not the pie you were thinking of, and not a different cake you might have liked better. THIS CAKE.
52 notes · View notes
lith-myathar · 1 month ago
Text
.
#people very much want to blame readers for a lack of engagement with fic these days but frankly i think this is.... incorrect#we need to be real about WHAT ao3 is#it is an archive#it is not a space that is particularly conducive to social engagement#the most collaborative experiences i ever had around fic happened on livejournal#it was not on ff.net#like i agree that there is a depressing drop off in like...idk the idea of the social acceptability of leaving comments#and a far more pronounced divide between readers and authors#but this isn't happening bc readers suck now and they're selfish and entitled which frankly is how many posts opining about this issue sound#it's not like lurking or sorting by complete works only is NEW#these are things that have always happened#what has CHANGED imo is that the spaces where fic happens and the spaces where fandom happens are now very different#and isolated from one another#and we can blame readers for not bridging that gap all we want but it's not gonna fix it#especially since we know how well shaming people for Not Enjoying Things Correctly tends to go#like i don't have an answer to this problem but i think this ''you're entitled!'' ''no YOU'RE entitled'' back and forth#between writers and readers certainly isn't going to fix anything either#it's only going to push those two groups further away from each other#to my mind what we need is a) a platform more conducive to collabortive fic writing and fandom interaction#(think LJ or old dedicated fandom message boards)#and b) a cultural shift within fandom spaces away from this idea that authors are like... untouchable or whatever#bc from what I have observed authors who DON'T have this issue are ones who started creating fanworks from within a pre-existing friendgroup#a pre-existing readership really#and these little subsets then grow into larger readerships#the problem is how partioned all these group start#and that i think is a byproduct of an overall more hostile fandom space where people feel like they can't speak or create openly#without being in danger of running afoul of some fandom scold and their lackeys#like fandom has never lacked for drama but i do think in a post-tumblr/twitter fandom space we can all agree that shit jas gotten Buckwild#*gestures at how bg3 fandom recently speedran fandom insanity primarily on twitter*#shit is different these days and blaming each other for that is missing the forest for the trees
7 notes · View notes
tanicus-caesareth · 8 months ago
Text
Tumblr media
guarana drama, damage control
16 notes · View notes
rjalker · 1 year ago
Text
"Reverse misogyny" stories are not the progressive, feminist power move you think they are, especially not when you expect your readers to be happy and content with the status quo presented by your story. Biological essentialism and sexism are never going to be progressive even if you try to dress them up like they're feminist. They're just not.
21 notes · View notes
terpia · 1 year ago
Text
I'm reading Quicksand by Junichiro Tanizaki and god, it's such an interesting reading experience. I don't know what the censorship laws were like in Japan in the 1920s and how they/the culture of the time shaped the portrayal of certain topics in the novel, but reading a book from the 1920s that openly talks about sex, abortion and sexuality (and in my translation at least, straight up uses words like lesbian, homosexual, heterosexual, etc.) is such a novel experience.
Also, and I feel it's worth mentioning, every single character in this novel is fucking insane.
#personal#don't want to mislead anyone into thinking this is a progressive book#even though the story in the novel is being told by a woman in love with another woman the book itself was written by a man#and that definitely comes through#not necessarily in a voyeuristic way as no sex is depicted on page (even though the reader is left in no doubt that sex is taking place)#it's more so in the misogyny of the in-text author the story is being told to and in the depiction of its main female character#who falls into a lot of stereotypes of women as deceptive emotional and flighty#(this is not to say though that other characters are depicted as much better)#with all this in mind i'm really enjoying reading this book#it's about a married lady who falls in love with another lady who is simultaneously having an affair with her and a man#(not in a polycule type of way. the man and the married lady are jealous of each other and barely accepting of this arrangement)#the blurb at the back compares this book to fatal attraction while the introduction compares it to les liaisons dangereuses#and both these comparisons feel apt (the second one a bit more so than the first one though)#the book is a thriller full of mindgames and betrayals where you're never fully sure what's real what's lies or what'll happen next#i'm only halfway through the book (and it is a very short book)#but based on what i've read so far#if you think you'd be into a vaguely trashy queer thriller with a very questionable romance at the centre#or if anything i said about the book so far caught your interest#i'd deffo recomnend it!#quicksand#(the original japanese title is manji i believe)#tanizaki junichirou
6 notes · View notes
thedreamparadox · 2 years ago
Note
thanks for singlehandedly feeding the nights fandom
Tumblr media
I actually came to the realization a few days ago that I (by number of fics, not necessarily by word count) think I am currently the most prolific NiGHTS fic writer on AO3 and I do not know what to do with that information.
We are a handful of people and a shoelace fandom on that site rn it's kind of surreal.
5 notes · View notes
azyrayringee · 3 days ago
Text
I might be outgrowing the age when it's still acceptable to like my childhood fictional crushes, but I am entering the age when liking adult villains is more and more acceptable.
Muahahahahah, soon the 30 year old villains will be mine. But first, the 20 year old muahahahhahaha
0 notes
amplexadversary · 2 months ago
Text
.
#dot post#ignore Morg#morg rants#9/10 times when I see authors write ''compromise'' as a theme they do it wrong#what you're writing is SUBMISSION you fucking fascist#If I am ''compromising'' on something I have either found a solution where everyone can get what they want#or I am being compensated in proportion for NOT getting what I want#this can take the form of a MUTUAL submission but you need to make that abundantly clear or else I'll think you're a wannabe petty tyrant#a character submitting to someone's wishes to [whatever] and finding out they like it is not a compromise#A compromise is ''if you go with my to this party I'll spend the same amount of time playing the game you like but I don't with you''#And if they like the party hey nice but you still need to like. Do shit THEY want to do you know?#I see it in romance I've seen it in childrens' media (a LOT) and I see it when the writer wants to write a ''difficult'' character#but actually instead just wrote an extremely believable Autistic or ADHD character who is actually extremely in the right#basically all the time but is punished by the narrative#ugh I wrote two versions of this rant and this is the less inflammatory one#but I really want to emphasize that most of the time when ''compromise'' is a recurring theme or gets a lot of attention in a work#is when I decide that I would never trust the author or the work's fans with even the tiniest bit of power or ground given#other people can make that mistake#I'm sure I've seen it done right before but that's the thing; if you do it right it registers as something much more egalitarian#and it doesn't end up STICKING OUT LIKE A SORE THUMB#Whenever I see another fucking ''learning how to woman like a womanly woman womaning'' story I start feeling homicidal#gender is actually a horror that we accept as mundane and as someone who LIKES other horror#I think that gender needs to become as niche and uncomfortable and ''weird'' as something to care about and participate in#Yes that's the spark that set off this rant it's gender#it's always fucking gender shit I am haunted by the fucking mirages people see when they look at me#I should go to sleep because now I'm tired AND annoyed
1 note · View note
mortalityplays · 11 months ago
Text
there's something I find really instructive about the whole thing with the columnist who was scammed into handing over her savings in a shoebox, that I haven't seen many people talk about.
plenty of people have justifiably laughed at her credulity for just accepting that she was dealing with the cia and doing whatever they said, and she mentions herself in the article the sense of crushing mortification that she was so ready to bow to any perceived authority. other people have discussed the value of the piece being its "it could happen to anyone" message, coming from a financial analyst who has written about avoiding scams, which is fine and does have value.
but what I find fascinating is the way it illustrates the secret power of a good scam artist or charismatic leader: they don't have to look or sound convincing to 99% of observers. they just have to be talented at picking up on the specific cues that work on one person. this is why they move so quickly to isolate their targets from everyone around them, and maintain intense pressure with ticking clocks and regular check-ins. the scam is not designed to hold up under even 5 minutes of close scrutiny, it's designed to bypass scrutiny by hitting emotional buttons on a specific individual. the stupider you feel after you cool off, the better they've done their job.
anyone interested in charismatic manipulation, whether scams, cults, or abusive relationships, has heard people say "I'd never fall for something like that". and every victim, in retrospect, says "I never thought I'd fall for something like that". there is no special pattern of stupidity, intelligence, vulnerability or confidence. the pattern is that the perpetrator recognises a thought or behaviour characteristic they can take advantage of. they're the ones selecting you. and that's why teaching people the underlying social mechanics of charismatic abuse is more effective than telling them about lists of individual scams to watch out for. the thing that works on you won't look like anything you've scoffed at, by nature. survival bias plane dot jpeg.
7K notes · View notes