#as i tried to organized and simplify everything into something mostly coherant
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prehistoricalcats Ā· 5 years ago
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I'm really interested in your Cats universe! It seems like you have them living like humans but humans also exist? Can you describe your universe a bit more, if you'd like to? :)
I'd love to!
I must warn you though, this is a very in-depth universe, and even focusing on specific points and trying to simplify things as much as I could, I still managed to make to this about a mile long. Damn I wish Tumblr mobile let me do a read more cut
First of all, yes the Cats are anthropomorphic, and yes humans also exist in this universe. Anthro Dogs, Rats, and Mice all definitely also exist, and I'm considering a few other anthro races like Hyenas and maybe like Rabbits and some others, but haven't put too much thought to that yet.
Just for reference, if it's capitalized (Dog, Cat, etc) it's the anthro race, if it's lower case (dog, cat, etc) it's the fourlegger
Some Basic Terminology:
Non-human beings/non-human people - collective term for all anthro races
NHP - non-human person(s)
Furfolk - common English slang for non-human beings, not politically correct but still pretty widely used. There is also a version of this word for each specific race, Catfolk, Ratfolk, etc. (Note: Mice and Rats often are collectively refered to as Rodents or Rodentfolk)
Fourlegger - regular dogs, cats, etc. Used mostly by NHPs to differentiate between them and NHPs
Bald-bodies - humans. Used by NHPs, considered derogatory by most (nearly everyone uses it anyway)
Kit - kid, child, teenager (for Cats). Short for kitten
Tom - you know this one, an adult or teenage male Cat
Mot - an adult or teenage female Cat, an alternative word for "queen"
License Name - once called the "family name" back when it was still quite common for Cats to work for a human family in a residential household. Essentially this is the name that humans assign to Cats because Particular Names are often "too hard" for humans to remember/pronounce. It's their "official" name that appears on most legal documents, including their "license" which is essentially a registration card and number that all Cats are required to have. Most Cats have a license, and a license name, by age three, some get theirs as infants. Sometimes the parents have a say in what the license name will be, sometimes not. Sometimes a Cat will prefer their license name, some prefer their Particular Name, others don't care and will respond to either.
The Junkyard - a slum, mostly populated by Cats, on the outskirts of the metropolitan area of an unnamed imaginary British city, comprised partly of makeshift shelters scattered throughout an actual dump/landfill/junkyard, and partly of several large shantytowns built on the unused land surrounding the dump
Some biology stuff:
Okay brief anatomy lesson before we begin
(For real though, please at least glance over that link before continuing, it is fairly brief and it makes what I'm about to try to explain a lot less complicated)
I've had to do some fantasy science to work out how Cats can have retractable claws without becoming less dextrous than humans (because I need them to be able to play instruments made for human hands). What I've essentially gone with so far is that Cats have extra bones in their hands/feet, which would make them unlike any other known tetrapod either living or in the fossil record, so the science side of me rebels at this, but the art side of me says it's a story about bipedal talking felines with mystical powers it's already science fiction they could have duckbills if I wanted them to (I don't), and so I think this is a decent compromise. I can go into further detail about the way the claws work later on if you like, but this post is already going to be pretty long so for now I'll just say that you can describe the claw as an extra joint attached to the end of the distal phalange.
Cats are super bendy, for the same reason that (fourlegger) cats are bendy. They have extra bones/joints in their spines. Cats have 7 cervical, 13 thoracic, 7 lumbar, 5 sacral, and 19-23 caudal. They have more sacral bones than fourleggers because they're bipedal.
Cats are habitual bipeds, like humans. But unlike humans, they are perfectly comfortable wandering around on their hands and knees. Though the bipedal stance is more comfortable and usually perfered by adults especially, most non-elderly Cats are still perfectly fine crawling on the ground on their hands and knees. You're generally more likely to see kits and young adults doing this, but older adults do it to. If they want to move fast or run, they use a bipedal stance. Beyond that it's just whatever feels right for the situation.
Some culture stuff
Cats and other NHPs (except Rats) don't need clothing to cover their privates. I'm not going to go into the anatomy of how that works. For now let's just imagine it's the fur that's hiding it. They do wear clothes, especially in winter, but it's not so much for modesty as it is for functionality and fashion. Basically clothes for Cats are for three purposes: to protect from the elements (cold, rain, sun, etc), to shut the outraged humans up, and to look good. It's pretty common in the summer to see Cats wearing nothing but some arm/leg warmers or other fashion accessory, and a belt/rope around their waist to store things on in the absence of pockets,(even if they also have a bag)
If you've ever owned or seen or been around a male rat you probably know why I say "except Rats" and I'm not going to get into it here, just know Rat men always where pants/trousers
Cats exist globally and have a variety of different cultures, often greatly influenced by the human culture of that region, but one of the most universal elements of Cat culture is the idea that "It's considerably dishonorable for a Cat to use anything but their own claws (and teeth in many cultures) in combat against another unarmed Cat." Translation: Cats generally frown on using weapons, though many recognize the need to know how to use them, because humans use weapons, and a claws against a machete or a cattle prod or a gun isn't fair. By the same line many modern Cats consider it okay to use weapons against a (dishonorable) Cat that pulled a weapon on you first, though many elders still frown upon this.
The relationship between Cats (and other NHPs) and humans isn't very good, and the relationship between different types of NHPs isn't much better. There's a social hierarchy that puts humans (especially white straight cis male humans) at the top. The hierarchy goes humans > Dogs > Cats > Rodents
About the Jellicles
The Jellicles are the name of a specific tribe that once was primarily a religious tribe. Back a really fuck long time ago when Deuteronomy was still a kitten, the Jellicles lived off the land and practiced their religion (still working out the details of that sorry but I do have a few things)
The Jellicle Choice is a real thing, though I haven't decided if it started with Deuteronomy or if he was the next in a line sorta kinda but not exactly like the Avatar. The Jellicle Ball is held every year and people used to come from all over hoping to be picked. The humans didn't like this mass gathering, and the space they had in their own territory couldn't quite handle it anyway, so the Jellicles had to start keeping the Ball's location a secret until the day of, to keep the attendance numbers down somewhat. A Choice isn't made every year, though there's always a chance one will be made, and they've had a dry spell for the past 20 or 30 or so years before Grizabella. They don't have to keep the locale a secret anymore, most people don't bother coming and some even think the Jellicle Choice is just a myth. Few people remember when the Jellicles were primarily religious
Deut was trained as a shaman from early childhood, and groomed to be the next leader since he was ten, but he's always been a performer at heart. At some point after taking over as lead, he met (a very very young) Gus and invited him into the tribe. With Gus's help he organized plays and small musical performances, slowly and gradually getting other members in on it as well, until putting on plays every now and then was just a part of Jellicle life. And it was a good thing too, because by this point the tribe had been forced to give up their land and had to move to an industrial slum in the nearest city. No longer able to live off the land, they turned to performance to make a living. This was all well before Skimble/Jenny/Jelly/Spara (Jr)/Griz were born. These days the Jellicles are known primarily as a tribe of performers. Every current member that was born into the tribe except Deut was brought up as a performer
The play we see is an actual play being put on by the Jellicles as a dramatization of the events of That One Particular Jellice Ballā„¢ which happened three years prior to the current timeline.
I think that covers the basic rundown. You can also see this jumbled mess for my first attempt at explaining all this crap lol.
Oh yeah and before I forget, I haven't decided yet if "Peke" and especially "Pollicle" refer to a certain culture of Dog, a certain body type, or two specific gangs ("packs") that just happen to be mostly comprised of a certain culture and/or body type of Dog. But they do exist in this universe. At the very least they are fictional gangs made up for the Rumpus Cat comics (yeah he's a comic book hero in this), or else real gangs or cultures/types of Dog written into Munk's Rumpus Cat fanwork play.
There's also a very important event that I really need to go over at some point but it's a really heavy topic and this isn't the best time like politically to post it right now, or even for me emotionally to write it out. But I do need to get this out at some point...
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maiji Ā· 6 years ago
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On writing HokushinĀ 
(unrelated: WOW I just realized I can do headings in tumblr! WOw!!!)
Iā€™m on a roll avoiding other work I should be doing lolll! Lately Iā€™ve been super fortunate to have some great conversations with multiple lovely people about characterization of Hokushin. To probably no oneā€™s surprise, I already think an embarrassingly lot about this and try to convey it in my fanworks, but I actually havenā€™t really sat down and articulated in depth. Shocking, I know. So here are some cleaned up/slightly more coherently organized version of thoughts!
Below the cut I basically ramble for a long time about understanding Hokushin's character with cultural/historical background and his relationship with Yusuke (and by extension Raizen). And some misc other stuff. I tried to break it out by topic, but a lot of it overlaps.Ā One thing I don't really get into here is specific aspects of Mahayana (Zen) Buddhism, but it has an important underlying relationship with a lot of what l talk about below, and forms a significant part of Raizen and therefore Hokushin's narrative, how their characters are portrayed and framed, aaaand this is already really long.Ā 
With all that in mind, this is one personā€™s interpretation! Iā€™m no expert, I mostly just read a lot of stuff when I get obsessed with it (usually for storytelling/comics research, and then forget everything soon after lol). In any case, it'd be boring if my ideas on Hokushin were the only ones that exist, and the point of fanworks is to create for personal enjoyment/fulfillment, so please make of it what you will!Ā All I hope is that this was at least somewhat interesting/informative and helps give people more material and more love for Hokushin =D
The loyal retainer archetype
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Hokushin's character is very strongly tied to the perceived classic Japanese archetype of the loyal servant/retainer and samurai (bushi/warrior class) ideals. They come with a very distinct paradigm and set of principles. Hereā€™s a simplified summary.Ā 
Purpose, honour and thereby happiness comes from selfless loyalty and servitude. The fulfillment of your existence is to serve the will of your master.Ā 
The ideal/collective whole is prioritized above an (your) individual existence. There is a greater goal that you are merely one small aspect of, and you may not even expect to understand it.
Death is not necessarily perceived as a worst-case scenario, and can be viewed as the most honourable alternative to violating your own or someone else's principles, particularly that of your master. And in some cases, it may even not be an alternative. Death is not an end, but a means to an end usually to support the beliefs held in the previous two points.
We can reference the 8 virtues of bushido - the way of the warrior, sometimes called the samurai code. Now, bear in mind nobody necessarily went around going ā€œIā€™m a samurai, and this is the code I follow.ā€ This is a list formalized in the late 19th century by writer Nitobe Inazo to explain a concept of bushido and Japanese culture for a Western audience, and then it basically got absorbed back into Japan. Thus, bushido is a pretty heavily romanticized thing, and... anyway thatā€™s beyond the scope of this post lol. The virtues are:
Righteousness (also rendered rectitude, justice)
Courage
Benevolence/mercy
Politeness
Honesty/sincerity
Honour
Duty/Loyalty
Character/self-control
BASICALLY A HOKUSHIN RECIPE, AMIRITE??Ā There are also particularĀ aesthetic sensibilities to the execution of this archetype partly based on how Japanese history and culture evolved. Bearing and sensitivity matters, more is said in what is not said, thereā€™s stoicism and elegance and refinement and poetry etc. Mono no aware and transience of life and all that stuff.
Essentially, even if such a character disagrees fundamentally with their master's reasoning, it's not unusual for a "true" servant to still abandon their family or their lovers and follow or even precede their master to death in order to uphold their masterā€™s principles.Ā 
In the series, Hokushin says that he doesn't understand the king's reasons for his self-imposed abstinence, but that he still supports the kingā€™s will. Later in the arc, he demonstrates the truth of his statement when he obviously doesn't agree with Yusuke's outrageous tactics regarding the future of their kingdom and the entire Demon World, but upholds it regardless. (As I noted in One and a Half Revolutions, the most "disobedientā€ Hokushin gets is when he plots strategy with the other monks for what they should do if they end up fighting each other during the tournament, and Yusuke is like YO KNOCK IT OFF NO THROWING FIGHTS. AND ESPECIALLY NOT TO MAKE ME EMPEROR. And Hokushinā€™s like, well you said youā€™re not our king anymore, so we donā€™t have to follow you and can do as we wish. And what we wish to do is make you Emperor. So whatā€™s your issue. And Yusuke is like THATā€™S NOT WHAT I MEANT)
This archetype is also NOTORIOUS for assuming a huge burden of responsibility and/or shame on behalf of their master, often in secret, for maximum service/honour value (and narrative/dramatic impact). The legendary Ako incident (the 47 ronin) is a famous historical example.
This intense commitment can be tricky to depict because you have to finely balance outward stoicism and emotional resonance, and you also want to temper things to make a character more nuanced and not just a flat stereotype - e.g., a "you say jump, I jump" personality or have readers going "omg why is this character so spineless/stupid", ridiculous levels of melodrama, etc. You still want people to be able to empathize with the character and to really feel for them when they make decisions that may otherwise seem extreme or incomprehensible. (Although in many ways there's an Eastern/Western philosophical difference in the perception and understanding of this. A simple modern example that comes to mind is in Pacific Rim, when Raleigh asks Mako why she's so obedient to Pentecost and she replies (paraphrased from memory), "It's not obedience. It's respect.")
The Hokushin decision-making flowchart
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I use this very rough mental outline as a general guide if Iā€™m struggling to decide whether or not Hokushin would do something significant. Bearing in mind interesting opportunities are usually not black and white, soĀ ā€œyesā€ andĀ ā€œnoā€ below are usually more like,Ā ā€œyeah pretty much...ā€ orĀ ā€œno, kinda not...ā€ lol
Is it in accordance with his values? * If yes: go for it. * If no:
Is it in accordance with the will/principles of his master (Raizen, Yusuke, or whomever heā€™s committed to serve)? * If yes, go for it. * If no:
Does it ultimately aid the endgoals/ideals of his master? * If no: forget it. * If yes:
Can any negative consequences be minimized to affecting Hokushin only or mostly (e.g., punishment or humiliation or capture or whatever) with little to no long-term effects for his master? * If yes: DO IT!!! * If no: FIGURE SOMETHING OUT TO MAKE THIS ANSWER YES!!!!Ā Ā 
Situations of deceit must be handled carefully, especially as honour is a major element of this archetype. The above flowchart can sometimes help... That said, deceit can be particularly challenging to contrive within the master and servant relationship. While we don't see Raizen and Hokushin directly interacting in the series, there's extremely strong implied trust between them. We can see this from how they speak of each other to other characters, namely Yusuke. We can also extrapolate aspects of their relationship from how Yusuke and Hokushin interact, because it's repeatedly emphasized that Yusuke and Raizen are quite similar fundamentally, and Hokushin clearly assumes Yusuke will succeed Raizen.
Yusuke and Hokushin: the initial meeting
In their first meeting, Yusukeā€™s absolutely furious at being misled by Hokushin. The beautiful thing about the setup of this deceit is how it:
Allows us to see the values and personalities of both characters.
Enables Yusuke and Hokushin to evaluate each other.
Establishes and enhances the dynamics of their relationship.
The above lies in Yusukeā€™s reaction to a particular piece of information being withheld, and how Hokushin handles the situation after being called out.Ā Remember:
Lying is generally not in line with the loyal retainer/Hokushinā€™s values.
Honesty and straightforwardness are also big for Yusuke.
With point 1, Hokushin deceivesĀ not by lyingĀ but by leaving out significant information: that he - and potentially by implication, some % of Raizenā€™s followers - still eats humans so that they donā€™t get weak and die. His rationale for doing so is that Yusuke, being formerly human and having lots of people close to him who are human, would have a hard time getting past that fact if he learned this on their first meeting, and would not be willing to follow them to the Demon World. Totally reasonable assumption. If Yusuke doesnā€™t know, heā€™s more likely to be receptive to joining their kingdom, which protects the interests of his king and the safety of his people. This passes our flowchart with flying colours. (I elaborate on this a bit more inĀ A Song on All Sides.)
However, when Yusuke figures out what happened, point 2 makes this especially problematic for their relationship. We know Yusuke is all about gut feelings and first impressions, so this couldā€™ve been an awful miscalculation on Hokushinā€™s part.
When Iā€™ve talked about this scene in the past, I usually focus on how in the next few moments Hokushinā€™s actions allow him to pass Yusukeā€™s assessment of whether or not heā€™s trustworthy. But whatā€™s especially great about it is that judgement is actually going both ways.Ā Before Yusuke explains his position, Hokushinā€™s politeness is his professional courtesy - heā€™s doing his duty as Raizenā€™s retainer. As Yusuke speaks in both manga and anime, you can see the exact moment whenĀ Hokushin decides Yusuke is a worthy successor. When Yusuke finishes talking, Hokushinā€™s manner changes - Iā€™d say subtly, but since he essentially gushes about how much Yusuke resembles Raizen for several lines thatā€™s not really true lmao.
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In any case, now that Yusukeā€™s been deemed worthy, Hokushin steps up immediately to rectify his mistake. And merely admitting an error and explaining himself isnā€™t gonna cut it in meeting Yusukeā€™s values - thatā€™s just the bare minimum. A good retainer must know their master so well that they anticipate and go beyond what is merely being requested.
So when Yusuke asks for honesty, not only does Hokushin give that, he takes it one step further with his very succinct, very personal answer to Yusukeā€™s question of why he follows Raizen. (Paraphrased) "Because King Raizen is like you. Fighting at his side makes me happy. That's everything to me." I can't think of a more perfect reply to mollify, impress and intrigue Yusuke as quickly as that. And in both manga and anime they give Yusuke this little pause as he takes it in - the animation team makes this even more exaggerated than what Togashi did. What I also love is that the dialogue in this scene strongly implies that Hokushin knew how to respond because he knew Raizen so well.
Obviously more stuff happens in the year and a half they spend together in the Makai. Whatever happens, it's clear Yusuke comes to trust Hokushin a lot. He even tells him private, personal things of a nature we don't see him sharing with any other characters. To me, this signals that Hokushin did what a good loyal retainer does, which is to get what makes Yusuke tick and not repeat the same mistake again. (Which is why I always get annoyed at that unnecessary scene they added in the anime version of the tournament... ANYWAYS lol)
Yusuke and Hokushin: the duty of the master
Yusuke starts the series as a solitary delinquent. He despises convention and authority, and dependence on others is a pain. He generally puts on a disaffected attitude, and he often downplays serious emotions with distracting and emotionally shielding tactics like sarcasm. For a character like him, itā€™s pretty easy to imagine him being all ā€œWhat the hell, I donā€™t want to be king! I donā€™t need a servant!! Go awayā€. To reject Hokushinā€™s presence or role totally wouldnā€™t be out of character.Ā 
One of the things I love about the dynamics between Yusuke and Hokushin is that Yusuke clearly gets Hokushin's mindset, and because of it,Ā steps up in order to be able to reciprocate the relationship. In the classic ideal, the existence of the master gives the retainerā€™s existence purpose. A warrior without a master is considered ronin, which is a very shameful status. The masterā€™s duty is to be(come) worthy of the loyal retainerā€™s devotion and to recognize the latterā€™s value and loyalty, often in unspoken ways.
Yusuke doesnā€™t want to be king - he outright says that he doesnā€™t think himself smart enough to take care of everyone in his kingdom. But he accepts the responsibility of his role in his relationship with Hokushin.
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Yusukeā€™s conversations with Hokushin tend to be discussions that are not onlyĀ honest but also mature. He takes good opportunities to rely on, and to acknowledge, Hokushin as a retainer without hesitation and without pretending complaint. He actually behaves a lot like a lord in the classic relationship in terms of conveying authority, direction, and intimate concerns (in his Yusuke way lol).Ā 
In the meeting with Yomi, Yusukeā€™s use of the rurimaru is shocking to Hokushin, but when you watch the way the scene is carried off, he bears himself really well in his role. He didnā€™t carve the rurimaru just because he couldnā€™t find paper for his lottery names - he specifically chose to do it to the rurimaru, and their value is clearly taken into consideration for his purpose. He also doesnā€™t crack jokes about having vandalized the gemstones, which, again, would not have been out of character for Yusuke. Instead, he merely presents them exactly the way they should be - as a gift - to ensure he gets Yomiā€™s attention about his proposal. His body language is dead serious, and he also doesnā€™t address Hokushin's shocked reactions through the entire scene. He only addresses Yomi. This is totally appropriate form as one ruler to another.Ā 
And even after the kingdom is dissolved, Yusuke doesnā€™t abandon his people, nor shoo Hokushin off. Hokushin is nearly always at his side throughout the tournament. If we look back at the principles of the loyal retainer archetype, one of the things worse than death is to be told by their master "I don't want you for a servant. Youā€™re a useless burden to me". Of course, another aspect of the archetype is that actions speak louder, so the worst would be actually doing things that reinforce/confirm that statement, but it would still be extremely wounding.
A very clear demonstration of the above is when the two of them arrive at the edge of Yomi's territory. The conversation is basically as follows.
Yusuke: OK thanks for guiding me here. You go home now. Dangerous I go alone you know the drill. Hokushin: No, I'm coming with you. Youā€™re my king. It's my duty to protect you. Yusuke: *after a pause* OK fine behave yourself.
withĀ no further argument from Yusuke. No complaints about being called king, no sarcastic remarks about having a tagalong, nothing. Which is not something we usually see or would expect from him. The emotionally downplayed way the entire conversation happens is also very typical. In light of his character and the dynamics of the master-retainer relationship, Yusukeā€™s behaviour is extremely thoughtful and kind.Ā 
Yusuke and Hokushin: the duty of the servant
So Yusuke weighed Hokushinā€™s response and knew thereĀ there was no way Hokushin would have let him go into enemy territory alone. So? Itā€™s not like itā€™s the first time heā€™s ever disagreed with someone over how something should be done. So whatā€™s different about this situation, compared to how things might have gone down with any other character who is very close to/invested in Yusuke and has previously confirmed they WOULD be willing to risk death for him - Keiko or Kuwabara, for example?
The difference (aside from the fact that theyā€™re civilians and Hokushinā€™s a warrior, and Hokushinā€™s obviously a lot stronger and more likely to survive in most situations) is that Keiko and Kuwabara are Yusukeā€™s friends. Or more, if you want. But even for other people close to Yusuke who ARE warriors, the biggest difference is that they are not bound in servitude to him. Again, the keyword here is dutyĀ - and that concept is huge. Yusukeā€™s friends want to help him. Hokushin wants to help Yusuke too, but not only that, he MUST help Yusuke. His very existence is an obligation to do so. In some cultures, especially modern ones where the emphasis is on the individual, this can be difficult to appreciate and/or seen as an illogical insanity, but itā€™s a matter of fact for the loyal retainer. They see themselves as an extension of the will of their master. Ā 
Keiko and Kuwabara and any of Yusukeā€™s other friends mentally would have a normal person pause ofĀ ā€œThis is ridiculous, stupid Yusuke, youā€™re crazy!!ā€ and still try to do self-preserving-type things in most instances. To some degree, thereā€™s still an aspect of their decision-making that is not only about Yusuke. They still have a sense that in their relationship with him, they have roles of similar or equal value/weight.
Thatā€™s absolutely not true for the loyal retainer. The servant is notĀ equal to the master and the servant firmly believes this because thatā€™s what their existence is defined by. PlusĀ those ingrained principles. For Hokushin, thereā€™d be no normal person pause. Weā€™d zip through that flowchart and heā€™d be like ā€œYouā€™re crazy. But youā€™re my king. Guess Iā€™ll dieā€ and like jump into an active volcano or whatever. He would be completely and unhesitatingly willing do something, whether itā€™s spur-of-the moment or deliberately planned, that would result in death if he thought itā€™d help safeguard Yusuke/achieve Yusukeā€™s endgoal. And obviously that's the last thing Yusuke wants.
With this character archetype, this is where a lot of stories end up going for theĀ ā€œand then one of them pretended to let the other person have their way before SURPRISE KNOCKING THE OTHER PERSON UNCONSCIOUS TO PROTECT THEM, and then they went on to do their selfless ā€˜getting killed in your placeā€™ thingā€ which Iā€™m super glad Togashi never resorts to. Since all the above builds up to a huge part of what makes the reveal of Yusukeā€™s gift to Yomi extra effective - Hokushinā€™s reactions. This is largely why the scene is so comical, because Hokushinā€™s manner grows more and more freaked out - and entertaining, being in direct contrast to his stoic retainer archetype. Meanwhile, as mentioned previously, Yusukeā€™s bearing (if not his manner of speaking...) is exactly as a lord in the midst of negotiations would be. (My favourite part is where Hokushin still tries his best to address Yusuke properly as king, before losing it when he finds out Yusuke vandalized the rurimaru. In the manga, his expressions are beyond hilarious. In the anime, his scramble to recover the appropriate body language is really cute. His constantly shifting expressions throughout the background of this entire episode are great too. I always really like the faces in the episodes directed by Enomoto Akihiro.)
Finally, food.
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One more challenge with Hokushin is his diet. He needs to eat humans or will suffer from the same malnutrition that is sapping Raizenā€™s energy and killing him. At the same time, heā€™s depicted as a character of integrity and compassion, so I always feel obligated to think carefully about the topic of procuring a human for food. I take a stab at an idea in the prequel Mirror Most Dark. However, the approach isnā€™t very feasible for the time period of actual Yu Yu Hakusho.
From a writing perspective, the problem is one of scale. It goes beyond Hokushin as an individual to the situation of a reliable/sustainable food source in Raizenā€™s kingdom for the % of Raizenā€™s population that needs it. And whatever it is, Hokushin is likely highly involved as the main instrument of Raizenā€™s will. I have some ideas but havenā€™t really cared to flesh (haha) them out to a point thatā€™s satisfactory to me yet, so itā€™s only barely touched on in One and a Half Revolutions. This is far less of an issue after the series ends, when you can easily come up with ideas on how theyā€™re looking for or have found alternatives, but during the time period of the actual series your options are more restricted.Ā 
I have lots more stuff around these themes and ideas planned for North Bound too I JUST NEED TO GET AROUND TO DRAWING THEM
In conclusion, thank you for reading this mess lmao.
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