#as a response because there always is one. without fail.

[h-sleepingirl]

You Are A Wizard, So Pour Over The Tomes

Hypnosis is magic. It is not just “the closest we can get to magic.” Trance practices in all kinds of forms have served as the basis for mysticism across cultures and human history -- thousands of years. It is not new. It is not western. It did not start with Franz Mesmer or James Braid or Milton Erickson or Wiseguy.

Modern hypnosis stems from a rich human history of fascination and spiritual veneration of the mind’s power. We are practitioners of a comparably new discipline where we can literally change the way that other people experience the world. Their innermost selves are as leverage to us -- putty to us, when we know what we are doing. We can transform others freely. We can give pleasure or pain. We can facilitate experiences that seem to defy reality.

People talk a big game about respecting that power. What they usually mean by that is respecting EACH OTHER. That’s crucial, obviously -- not manipulating, not harming, being a good person.

But what about respecting the discipline itself?

It’s tempting to see what we do as disconnected from the “historical” and “outdated” methods of hypnosis. But we are a part of that history. We are likely hilariously wrong about a lot of things related to trance, hypnosis, the human mind -- what will hypnosis and psychology look like in 100 years? And even as we innovate, we are always building on the techniques and ideas that came before us -- in ways we are often not even aware of. We reinvent; we use ideas from the past unknowingly.

We have a right -- and a responsibility -- to OWN our magic. I am not here to gatekeep and say that this magic is not yours. It IS yours; it’s unequivocally yours. But as a whole we could do more to respect it.

“Any sufficiently advanced technology is indistinguishable from magic.” And hypnosis is not even a technology that we UNDERSTAND. The only real reason we DON’T see ourselves as wizards is because there is a huge motivation to legitimize hypnosis as a scientific discipline -- and non-rationalist perspectives are looked down upon in our culture. I’m not anti-science (maybe a little -- tongue in cheek) but I do think that labeling hypnosis as “just psychology” is dishonest about how much we actually objectively know about it -- and does a disservice to the phenomenon itself.

I’m not saying hypnosis is literally metaphysical. But I am saying we practice something very powerful without knowing its nature. There are secrets we have tried to suss out about this magic through history that we have written down -- past and present. We actually have tomes of knowledge, records of past experiments and modern inventors.

In the last couple of years, I’ve started teaching/facilitating “text studies” -- classes where we sit down with an excerpt from a hypnosis book and parse through it as a collaborative group. I desperately want to show people that there is value in just critically reading the resources available to us. The clinical texts -- especially older ones -- are hard to read, like they are almost in a different language. But it is amazing the insights we have come to by tackling them together.

These old texts are not pure truths -- there is a lot we’ve improved on over time. But we can learn a lot by learning what hypnosis was like historically. The entire discipline of hypnosis is extremely susceptible to change -- it is defined SO MUCH by how we view it culturally. I just recently was amazed at re-reading some Erickson where he talks about making his subjects daydream autonomously -- as a primary mode and result of inducing hypnosis. Contrast that with today, where if someone’s mind wanders for even a moment, they feel like they’ve failed. There’s something really important here -- a technique from 50 years ago that tells us something we’ve lost in modern practice.

And there are countless examples of this, of people losing and reinventing methods over and over. As I’ve watched our kinky niche grow over just the past 13 years, I’ve watched ideas phase in, out, and in again -- there is both growth and regression of our collective body of knowledge. That’s the nature of things, especially when we operate partially disconnected from the resources that are available to us.

We CAN be connected to the rich human history of trying to unravel the secrets about our minds, and about this thing that gives us enormous transformative powers -- powers that we take for granted.

You are a wizard -- so pour over the tomes.

Read a book. Read an article. Set aside some time and view yourself with the respect of being someone who can study and suss out a magical text. Take notes, look up words and concepts you don’t know. Or just absorb what you can on a first pass and go back later. Read a chapter or just master a single page. Romanticize the aesthetic of sitting with the scent of paper, or as the technomancer with words appearing on a screen.

Read. Own this art. And bring that respect of this art to the people you share it with. I promise you can do things with hypnosis that you have never thought possible.

------------------

This is a little motivational piece (for you and me!) as I gear up to teach "Analyzing Erickson" at Charmed. It's something I feel really passionately about, and I wanted to share it.

Permanently linked/free on Patreon.

[hetaestoniahq]

"Who is Estonia?"

A series of responses heavily based on little facts of culture and history with the Nordic-Baltic 8. This is just a fun little short way I thought of to talk about their relationships and history. Pretty much everything is a reference to something. This is all for fun! :D

FINLAND

Two out of three of the only independent Uralic countries to exist. You’d think it would be a heavy burden to carry, but it’s easier not being alone.

Even when I was the one to wrong him, Eduard did not change his stance. Guess it's part of being family to not always see eye to eye. It never discouraged him from rushing to my aid even when things were hard for him too. Eduard refused to let any hardship stop him from bleeding for my country. Ridiculously stubborn he is - but it’s been one of his greatest strengths. Of course I repaid him, then he proceeded to do it again. It's like a cycle of fighting for each other's freedom, one I was unable to continue because what I could do had became incredibly limited. These limited set of actions still seemed to mean the world to him. Re-independence had its rough patches, but more than ever were we glad to both be free and have each other again.

Eduard always wants what's best for both of us. He doesn't want any one of us to end up in the hands of our Eastern neighbours and puts so much time and effort into our cooperation and safety. Why do you think he became so dedicated in Cybersecurity? If he can't be a physical powerhouse, he'll be a powerhouse of the mind. Even when I was uncertain of what I will do, he did not pressure me. Instead, he promised that no matter what I decide, he will always be there for me, no matter what.

The only flag I want to see down south is a tricolour blue-black-blue, if the sun one day rises without it then I will know I have failed as a brother.

🇫🇮💙🇪🇪

NORWAY

I didn’t expect us to have many things alike outside similarities that are basic and expected for a northern nation. Never expected that something as simple as common patterns among our sweaters, hats and mittens could mean a lot more in hindsight. Another is the familiar feeling of having been thrown between nations and finally being independent again- even if our stories on that are much different.

When life told him no, he looked for another way- even though his government in exile continued to operate elsewhere, the mere fact that it was founded in Norway seemed to mean a lot to him. Perhaps it was my way of making up for the time he bled for me as well. When his own freedom was compromised, he would not sit idly and watch as someone he cared about was fighting for the same reason. As small as it may have seemed in the big picture, it is the passion and care that counts.

Estonia has always wanted to bridge any gaps between us. Inviting my people to sing in song festivals, making work deals, rushing to create a flight connection for a direct method of transport. It seems like every year Estonia finds ways to bring us a little closer, be it economic or cultural.

I too know the weight of sharing a border with Russia, partially to have so much history of dealing with him.. The Baltic’s strength is commendable.

Keep singing, songbird.

🇳🇴❤️🇪🇪

LATVIA

Long ago I used to hate Estonia. We used to be at each other's throats declaring each other “blood enemies”. It's a little funny looking back on it, the way history went on to tie us so close together. Together we saw countless wars, famines, storms, rarely were we separated through it. Sometimes I'd ask him “What do you think the world will throw at us next?” And he'd look at me and simply shrug “We'll see.”

A moment of truth was when we both fought for independence, for two new nations to be formed.

When I was backstabbed by the people who had tormented both of us for centuries, It was then I saw how our relationship had changed over the ages when Estonia without question stepped up to fight by my side. So casually my fight became his fight, no strings attached.

Estonia, his culture and language is notably different from mine, but must that mean we can't be brothers too? What brought us together was our experiences, not our blood. This applies to most of us, all I have been left with in regards to any sense of family is Lithuania. It would be a sad reality to live in if I considered only one country as worth being brothers with.

Estonia with his bond with Finland is the bridge that ties the Nordic-Baltic 8 together, but that doesn't mean me and Lithuania don't contribute to it either!

🇱🇻❤️🇪🇪

LITHUANIA

You'd think that with how different our history till the last century is, that I would be a weak link in all this, right?

I would not say so, even if there's some truth in the fact that I am not as close to Estonia as some others might be, it's the continuous effort to bring us together that counts.

Our old history includes fights here and there, the Balt Estonia once held close is no longer with us and with the Finnic brothers he has seen fade - he shares our pain of loss. Our enemies have often been the same, but back then we failed to see unity. What would have happened if we realised that far sooner? We’ll never know.

Our time together under the commonwealth was brief but the time under Russian rule slowly gave us a new opportunity.

The moment all three of us became independent, Estonia was the one to seek ways to bring us closer. Of course the main motive for it was to stand together stronger in the scenario of our east neighbour attacking, it still planted seeds for more than just that.

Latvia may be the one linking the Baltics together, but if it was necessary for me to be the one to reach out and hold his hand instead - I would not find it strange.

I'll always enjoy sitting back and enjoying some ice cream together, basking under a shared free sun.

🇱🇹❤️🇪🇪

ICELAND

I know the feeling of not being seen or heard, I decided a change was needed and took the first step. I never expected how much my simple words of “I recognize you as an independent country” would be worth more than gold. I became seen as a true friend, a “fellow small country”, an icebreaker, a name immortalised on a memorial- for just stubbornly expressing my stance? They seemed surprised when I showed my gratitude with a similar gesture.

Neither of us care for large mighty extravagant buildings as tourist attractions, instead we value and guide people to explore what mother nature has gifted us. I appreciate having him around. Even if I were the only Nordic to feel this way - I would still speak up for him.

🇮🇸❤️🇪🇪

DENMARK

Resilient, stubborn and always ready to improve - that's how I would describe Estonia.

I was part of the era that turned his history dark, I had celebrated victory for conquering a fierce land. When I had pointed my sword to his throat to submit him to the Danish crown, Estonia stood up and said “I will never die, no matter what you do to me.”

That was a promise.

Instead of looking at me with distaste for what I did to him so long ago, these memories instead are proof that we have always been connected. The flag of my nation - Dannebrog, stands as the strongest symbol of that. Hah! Why do you think Tallinn keeps showing it off all over the place? Give the coat of arms a closer look while you're at it! My guess is it's how Eduard expresses holding something dear.

It was like a hit of nostalgia to come back 700 years after that battle, hearing of Eduard’s fight for independence.

Like repaying a debt of honour, I couldn't sit back and watch a wounded land fight against a giant alone. I knew I had to do at least something, even if the government was not the most supportive of it. Two hundred men out of two thousands who were able to go and able to risk their lives in the end may seem small, but their effort was a success that brought honour to the crown.

This turn in history gave us another chance to start over, kindling a friendship neither of us thought we could ever have, before being struck with another turn that took him away from us again. I sat in silence refusing to accept it until he and his Baltic brothers reminded the world of their existence and stepped up to stand in support.

I made sure to keep the promises I made. I had 50 lost years to make up for, so I gave a hand in as many areas as I possibly could.

I'm proud to be his friend and I know that if he falls then I might too, which is why I know I can never let that happen. Never again will I let that happen.

🇩🇰❤️🇪🇪

SWEDEN

Most people don't realise how far back we go.

I saw Eduard at his fiercest point, a land that would strike fear into kings and just as easily burn what he didn’t like. He wasn’t someone to upset and yet I kept poking at him like a bear with a stick.

He allowed my people to come as settlers into uninhabited areas, despite his experience with foreigners taking and taking from him. Those settlers seemingly became a natural part of his nation, honoured even if most of them are now gone.

Something I quickly learned was how studious Eduard is, someone who picks up new skills incredibly fast. To think Eduard steadily became one of the most literate parts of the Russian empire back in the day makes me wonder how much of it was the seeds of education I planted or his hard work in fighting to keep it.

I tried my best to give my part in his fight for independence, turns out my support in this fight had been something his people had fantasized for decades. To think that after the way I left the people would continue to hold Sweden so dear in their hearts as the words “Good ol’ Swedish age” would be carried from generation to generation. Of course once given the opportunity we reconnected, provided a warm welcome.

Guilt gnawed at me every year as freedom had been so easily robbed from him again. I made mistakes. Mistakes I've apologised for repeatedly. Because of all the people given a chance of freedom and a normal life that my land gave - it's been forgiven. Sweden became a place where people could gather and continue the fight in safety - I am proud to have been able to have a role like that.

I am glad to have been given the chance to now stand as close to equals as possible.

All I hope is that Eduard learns to truly value and love himself more, do not let the ignorant voices shake him now.

🇸🇪❤️🇪🇪

All of us together, we will thrive as the Nordic-Baltic 8 and all of us are glad to have Estonia be part of it. It wouldn't be the same without any one of us, which is why we will continue to stand together no matter what others try to claim we are.

With love,

Northern Europe

🇮🇸🇳🇴🇩🇰🇸🇪🇫🇮🇪🇪🇱🇻🇱🇹

[fragmentaryremains]

Thank you for answering my questions! I'm glad you liked my suggestions. I'll admit—I was a little worried at times that I was practically monopolizing the responses for most dialogue updates (the only exception being the pickup line contest, since I started following along after that had happened). So it's definitely nice to know that you liked all my responses!

In regards to your comments on the level of engagement and the desire for a quick way of participating that's light on commitment, yeah, that definitely rings true. It certainly applies to me—while I've reblogged and responded to some of your ASWaM posts, I only did that when I felt I had something interesting to bring to the table—the majority of the time I stayed quiet because, well … there's really only so many times you can say "this is great!" before it starts coming off as somewhat phony. Especially when it's in quick succession (such as once per day).

I do still have a few more questions if you're still taking them though! Starting with less "meta" questions:

As someone who was one of the people that was trying to both figure out a way to know who sailor was AND stay with Calibani, I'm curious. Was there ever any way (or even any planned way) to learn the information you revealed about sailor here? I know that it's really stupid looking for "optimal playthrough strats" in a narrative that is being made up by the author on the spot as a result of audience choices. But I guess I can't help but be curious/try and push the limits.

Failing that, was there ever any way to contact Earth and send a message back without leaving the Sea of Monsters?

You also voted along with the audience in every poll. With that in mind, I'm curious what your "chosen" version of At Sea Without a Map would have looked like. Do you think there'd have been any big differences between a hypothetical version that was solely influenced by you and the version that we got?

Either way, thank you again for answering my questions! I had a lot of fun following the story (even if it wasn't always visible).

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[bi-sapphics]

just read a “positivity” post that went along the lines of something like this:

“i want to be able to go to a lesbian bar! i want to have cute little deserts available and a peaceful place for butches and femmes to meet and set up dates together. i want trivia nights, bake sales, and weekly club meetings to learn how to write sappho poetry. i want spaces that are safe for talking about women having sex with other women and i want young women to be able to experience the joys of same-sex love in full like it was done in the old days. i want feminist love to be lively again. oh but i don’t want them to be bi tho”

(yes, it explicitly mentioned excluding bi sapphics at the end like that)

like ??? hello ???

what was the point of that last part ????? no really, what was the reason ?????

that was so unnecessary and unrelated. you can say that the post is about lesbians without expressing a distaste for bi women who partake in WLW culture.

i don’t know if you think bi women are incapable of loving other women properly and seeking out gay bars or if you just don’t want us to be cultured but i’m calling biphobia, even if that term means nothing to you.

i understand wanting lesbian-exclusive spaces and that makes sense. but the post a. wasn’t specifically about lesbians, but about wlw in general (”lesbian bars” use the word lesbian broadly in real life to include bisexuals, and always have due to pre-dating separatism), and b. wasn’t talking about about discourse at all. it was just a positive daydreaming post. where did that comment come from out of nowhere? why prohibit bi sapphics from having a fun night with other WLW?

excluding bisexuals from lesbianism isn’t supposed to turn into excluding bisexuals from sapphism. but we all knew where that was headed anyway from the start.

[mikoriin]

i am mid black moon arc in my sm rewatch and i wanna draw chibiusa soo bad

[drysauce]

truly a blessing that im not home right now or i don't what i'd do to my roommate. fucking audacity

[awek-s]

I think I wouldn’t even be this angry re finding a job if it wasn’t so hard communicating how difficult it is to the average person

[wonder-worker]

Didn't edward iv leave his brother Richard in lots of financial difficulties though?

No, he did not. I really don't know where this myth has originated from other than the persistent need to victimize Richard.

Firstly, Edward IV didn't leave Richard anything. Whatever he left was for his own son and heir, Richard's nephew, who Richard usurped.

Secondly, Edward IV was literally one of the rare few medieval kings of England to die solvent. He had managed to break the vicious cycle of plummeting debt and inefficiency that had plagued pretty much every single ruler till then. It doesn't really matter how much money the crown actually had left at the time of his death*, because the fact that he died solvent meant that whoever his successor was (in this case, Richard III), they were going to begin their reign with a financial advantage that no English monarch had enjoyed for the past 200 years. I don't know Richard's fans have convinced themselves that he inherited financial difficulties instead.

As stated by David Horspool, Richard's own historian:

"(Richard III) would try to differentiate himself from his brother, whose ‘unlawful invencions and inordinate covetise, ayenst the lawe of this roialme’ he would later denounce in an Act of Parliament. In fact Edward had managed to set royal finances back on an even keel after the disastrous waste and inefficiency of Henry VI (and all former kings post Henry II), Richard was, initially, the beneficiary of the better practise instituted by Edward IV.”

(The contemporary Croyland Chronicle mentions a main reason that Richard was better prepared to defend his kingship was "because of the treasure which he had in hand—since what King Edward had left behind had not yet all been consumed". They may have exaggerated the money Edward left behind, but either way it shows how contemporaries were aware of Richard's comparative advantages. It's highly ironic that what should have been used to uphold Edward's son was now being used to uphold his son's usurper instead).

Thirdly, Edward IV had presided over a highly effective and innovative combination of financial policies. These included the elevation/increase of royal chamber finance, the enlargement of the crown lands (Steven Gunn calls it "the most extensive royal demesne in medieval English History"), and an increase in royal feudal rights towards the end of his reign, among others**. Most importantly of all, he was actually successful, meaning that whoever followed him would have the huge benefit of having his established and well-attested precedent to continue from. Indeed, Charles Ross has noted how "Henry VII had the great advantage of being able to build upon the foundations laid by his father-in-law". Richard III, who seized the throne just a few months later, would have had the same advantages, as Horspool also notes.

Richard III, in fact, seems to have (temporarily) reversed some of his brother's well-established policies which could be used to gain money. Eg: he abolished benevolences; and he repealed Edward IV's newly established wardships and marriages act in the Duchy of Lancaster "notwithstanding that he conceiveth the said act to be to his great profit … having more affection to the common weal of this his realm and of his subjects than to his own singular profit". If you deliberately reverse policies with immense potential for revenue-raising, I don't know how you can then go on to complain that your brother left you nothing.

In conclusion: no, Edward IV did not leave Richard in financial difficulties. If anything, he left Richard with financial advantages that no king had had in over 200 years.

(Also, just to clarify: the Woodvilles did not steal the treasury. We know for a fact that Elizabeth Woodville did not have any money in sanctuary. The story of a theft was only mentioned by Mancini and either originated in gossip or, more likely, from Ricardian propaganda aiming to vilify them in 1483 by positioning them against the crown.)

*We know for a fact that Edward IV died solvent, but from what I understand, the exact money he had is impossible to know because of his missing chamber records. Contemporaries like Croyland did believe he had substantial money and treasure; on the other hand, Rosemary Horrox has analyzed how his cash reserves were probably relatively low due to international conflicts the previous two years. Either way, like I said, the main thing is that he was the first king in over 200 years to die solvent, which was massively advantageous to his successor. **While his policies were clearly innovative, they weren't all completely original. However, their combination certainly was; they were modified to actually work better; and they were initiated from the beginning of his first/second reign and widespread across the royal lands (rather than in smaller pockets), meaning that they were clear systematic policies. They were also, like I mentioned, actually successful - meaning that they would be the proven precedent that his successors would turn to.

[c0wabungaz]

casey recognizing raph as the nightwatcher when his own brother didn’t

[girlivealwaysbean]

dni.

[frankpunisher]

do any of you have this problem where when you obsess over something you have to tell someone about it and you always fuck up and tell one friend when youre saving up for something that youre excited for but she always makes a point of buying it first for herself and you dont want to have all the same clothes and shoes as her so you cant get it anymore?

[celestiamour]

‧₊˚✧ ❛[ stick with me ]❜

━━━ .°˖✧ requested by anonymous ˚₊ ⊹

ft. kang sae-byeok x f! reader — squid game

╰₊✧ finding out you’re also participating in the games & staying by your side throughout┊1.6k words

contains: mentions of canon-typical violence, open ending, season one spoilers, headcanons mainly, established relationship, sunshine (& kinda naive) x grumpy trope, sae-byeok being protective & the best gf, all of this is a little rambly like word vomit i hope you don’t mind

➤ author's note: squid game felt so empty without her like i adore all of the new women in season two but i missed her so much T-T

╰₊✧ even if she doesn’t show it through her expressions, she’s really upset to find you in this situation— not because she’s mad at you, but because she’s mad at herself. she wonders what kind of awful girlfriend she must be not to have noticed you were struggling through debt like she was. now that she thinks about it, she realizes how painfully obvious it was with your strange behavior when it came to working any freelance job you saw a sign of (you weren’t a pickpocket like her, you would never commit any crime intentionally), and being overall stingy when it came to spending money on yourself. she might unintentionally give you the silent treatment for the first few hours simply because she feels terrible about it all but still doesn’t want you to leave her side despite that.

“are you mad at me because i didn’t tell you?” you whined, sticking by her side like a baby duckling with its mama and gently holding on to her arm because she wasn’t looking at you. “sae-byeok… i just didn’t want you to worry about me when you already had so much on your plate…”

she merely blinked in response, stone-faced like usual, making it impossible to determine what was going through her mind. there was a sinking feeling in her chest, the feeling of failing one of the few people she cared about.

“it’s okay… i get it… i’ll give you some space— just come look for me when you wanna talk, i’m going to talk with some of the other people here…” 

she suddenly grabbed you by the hand and dragged you back before you could move away, wrapping her arm around your waist in a protective manner, “no, i’m not mad at you, i promise. just stick with me, okay? i wouldn’t trust anyone here if i were you.” yes, the majority of people here seemed to be middle-aged people who were simply down on their luck. no, she didn’t believe there weren’t any bad ones who would easily take advantage of your kindness in such a large group of people.

you didn’t seem to quite understand what she meant in the last part, but you still cheerfully pulled her in for an embrace once she confirmed she wasn’t upset as you always did when a miscommunication was cleared up. (you didn’t see it, but she cracked a little smile when she hugged you back.)

╰₊✧ pushes you away the second she spots deok-su and quickly tells you to stay away while he confronts her about a past you didn’t know much about, making a scene in front of everyone and progressively getting more aggressive towards her. of course, once he makes his first swing, you immediately run in and start yelling at him to leave her alone when there were clearly more pressing issues at hand. when gi-hun interrupts because he wants to also confront her about something, you had to restrain yourself from pushing him away because you were a pacifist at heart and had been taught to respect your elders no matter what all your life. 

╰₊✧ later when you two join the little alliance gi-hun formed, she makes them keep an eye on you if she has to part from you for any reason. she knows that bastard would make a beeline for you the second he sees you alone, and that bastard isn’t above playing dirty by hurting you or holding you hostage to get leverage on her. the guys find this to be so goddamn adorable and frequently tease sae-byeok for her obvious soft spot towards her girlfriend because they can tell she’s flustered despite how indifferent she may look. listening to you talk about her reminds them that she’s just another young woman who is trying to care for her loved ones and not the shady thief who works with gangsters they once thought she was. they also defend you guys from anyone being homophobic and swear that they will attend your wedding once they get out alive, noting they likely won’t have money for gifts after all the reward money goes toward paying off debt, but you tell them you would appreciate their presence anyway!

╰₊✧ after the first game when they vote all go home, she wants to make you swear on your life that you don’t ever go back to that dangerous place, but she knows how unrealistic that is. she now knows about the crippling debt you both have and it wouldn’t be long before the loan sharks will hunt you down to force you to do terrible things to pay it back. so on the last day of staying on the korean mainland, she coughs up the money to pay for a nice last date before the two of you willingly enter what you believe to be the closest thing earth has to hell.

╰₊✧ instead of the dangerous, loner vibe she has in the original, when she has you by her side, she has the aura of a mama bear— which is fitting considering you’re like a little cub. she’s very protective of you and gives everyone a look that says “hurt her and i’ll kill you” to shut down any possible schemes before they start and helps you out during all of the games because she doesn’t want to risk anything happening to you. it might feel a bit infantilizing to you, but she’s just so terrified at the concept of you getting injured or worse.

red light, green light - keeps you behind her at all times, verbally reminding you not to panic even though she can sense you freaking out. might even hold your hand and guide you through it all, telling you to close your eyes and ignore the sound of bullets as she pulls you through the finish line. 

sugar honeycombs - tells ali to keep you company while she goes into the bathroom to sneak around the vents (he’s your best friend, by the way, the energy is immaculate) and immediately has you pick the triangle shape when lining up (there isn’t too much she needs to do because it’s one of the easier games for you to do).

special game (night of murder) - wants you to hide under the bunkbeds at first, a good idea until people started tipping them over. it’s difficult to find you with the lights flickering and with deok-su after her, so she has you met up with everyone else at gi-huns bed to protect each other. this battle is also likely the first time you cause bodily harm to someone else in self-defense, which will probably fuck you up especially if they are found dead later on. you’ll have some minor injuries, maybe a fractured rib or some cuts, but you’re still alive and that’s all that matters to sae-byeok.

tug of war - might look annoyed at your optimism to win with all the women and the old man on your team, but trust me, she really appreciates it since she wouldn’t know what to do with herself if you suddenly shut down and because you seem to keep their heads ups with your infectious smile. there’s not much she could do to help you out here as it’s a team effort, but she was half-tempted to bribe you into a team with all men just in case (and also because you looked like you were about to start a fight with sang-woo over him insisting that they needed more men and wanting to kick ji-yeong off the team) yet ultimately decided against it which turned out to be the best decision. 

╰₊✧ the games strengthen your relationship through all of the blood and trauma, sticking together through it all and taking care of each other in the lowest moments. you two often share food and sometimes even sleep in the same bed if the other needs comfort, which would be very cute if your hands weren’t constantly trembling from fear and your skin didn’t have little specks of dried blood all over. sae-byeok is tough and has seen her share of violence, but it was all things she was trying to hide from you and keep you safe from ever since she entered this relationship with you. no matter how much you try to assure her that you can handle it, the sinking feeling of failure never leaves her.

“i’m… i’m really scared…” you sighed, cuddling yourself into her side. the barracks were so quiet you could hear a pin drop, yet there was the almost suffocating looming fear of death haunting the place knowing so many souls died within these walls. it always felt so cold even under the blankets with the powerful air-conditioning, but the warmth radiating off of sae-byeok’s body felt like a sanctuary. 

“i know, i know,” she assured. there was a part of her that wanted to admit that she was scared too as she rubbed circles into your back to ease you to sleep, she didn’t dare to even think of her biggest fear in case it manifested into reality. she wouldn’t know what to do with herself in case it came true, so she chose to bury the thought of it deep down where she prayed it would never show itself again.

she dreams of winning these games with you, using the money to pay off all your debts, helping her mother escape north korea, to go towards her brother’s future, to helping the both of you start new lives where you both were accepted— all things she thinks of to push back all of the dark thoughts and help her sleep in your arms, forever by your side.

request was [ Please could you do something about saebyeok x gf!reader? where they both went to the games 😪😪]

[yanderedrabbles]

Yandere Survivor - Zombie Apocalypse Au

Yandere! Survivor who's at ground zero when the infected start attacking. Who watches the world turn to chaos in the blink of an eye.

Yandere! Survivor who's willing to face off against hordes of infected because he wants to live. Even if the grisly horror of it turns his stomach.

Yandere! Survivor who knows there isn't hope for anything. The army is scattered and helpless. The cities are overrun. The people don't have a chance in hell.

Yandere! Survivor who knows but fights anyway.

Yandere! Survivor who saves you from a whole pack of infected. Who can't belive his eyes when he sees you. The city is overrun with freaks and you're still wearing a pretty little sundress, not a single weapon in sight.

Yandere! Survivor who stands frozen when you hug him. Who can feel the way you're trembling, your fingers knotted into his shirt. Who finds his voice and promises to keep you safe. Somehow.

Yandere! Survivor who fights tooth and nail to get you out of the city. Who scavenges guns and ammo off dead soldiers and tries not to look into their milky, rotting eyes.

Yandere! Survivor who finally has someone to look out for and it makes the loneliness much more bearable.

Yandere! Survivor who gets stronger each day. Who can feel his muscles literally straining against his shirt.

Yandere! Survivor who tries to teach you self defence and fails miserably, because every time he has you pinned under him he can't help but get turned on.

Yandere! Survivor who inspects the hem of your sundress and let's his knuckles brush against your thighs. Who scoffs and tells you its way too flimsy to keep you safe, that a zombie could bite straight through it.

"Hell, I could rip it off without even trying."

Yandere! Survivor who loves how helpless and scared you are. Who feels a rush of pride every time a zombie shrieks and you immediately grab onto him.

Yandere! Survivor who quickly learns to trade with other survivors but to never let his guard down.

Yandere! Survivor who notices the way men stare at you. Like they're dying for a taste of you even worse than the zombies are. Who notices the way people talk about you like you belong to him.

'Your girl.'

Like you're his property or something.

Yandere! Survivor who feels a rush of pride every time it happens. And soon he starts thinking that way too. You're his responsibility therefore you are his.

Yandere! Survivor who never settles down or allies himself with other people. He doesn't trust them. But more than that, he doesn't trust them around you.

Yandere! Survivor who finds it easier and easier to kill the infected. And from there, it's just a small step to start killing the living.

Yandere! Survivor who slits the throats of an entire trading party because he heard them talking about you. In the morning, he tells you they just left early and that it's nothing to worry about.

Yandere! Survivor who doesn't let your disappointment linger when you have to leave camp and move on. Who constantly reminds you he's doing what's best for you.

Yandere! Survivor who insists on being with you when you bath in the rivers and lakes that dot the countryside. He'll keep his back turned for most of it, but inevitably he'll find an excuse to turn around and watch you. Your clothes always cling to you afterwards and he's throat always goes dry when they do.

Yandere! Survivor who takes any chance he can to share a bunk or sleeping bag with you. Who tosses his arm around your waist and tells you it's just to conserve heat.

Yandere! Survivor who knows there isn't a future for the world, but he'll be damned if he can't see one with you.

[justsomestuffreally]

I think the Batkids reaction to a Bruce who isn't de-aged to 8 but rather 29 (pre-Jason death, post his adoption) would be fascinating. 

Their reaction would vary wildly:

Dick: Oh. Bruce is soft again. Bruce calls them ‘chum’ and ‘buddy’ and gives head pats for no reason. He still isn’t perfect, his communication skills are still a work in progress, but compared to his future self? Without actively dying Dick is hugged plenty. Bruce asks him to go to the zoo, unrelated to any case, just to spend time together. Dick is hit with more nostalgia and longing for the past than he knows what to do with.

Also notable: his dad is younger than him. That is something. Second, holy existential crisis Batman, his dad is younger than him and already one adult and one teenage kid??? Dick is not ready to feel this old yet. Third, Dick has absolutely no idea how Bruce managed to stay patient through his no-pants years. He is going to thank reason every day from now on that Damian wears full protection.

Jason: After his death and League he clung to an image of Bruce. One many tried to beat out of him, but he still kept it somewhere close to his heart, buried deep enough even he couldn’t see it. When he came back Bruce wasn’t like this idea of him. How stupid of him to believe the mind of a traumatized kid. Trying to create one good thing before the kid drew his last breath. Making up memories that never even existed.

But they did. Every smile and hug and even his words reflect the image tugged safely against his still-beating heart. His dad very clearly, very deeply loves him. Which is so much worse. Because he can understand why a Bruce, who never cared, didn’t kill the Joker. But he cares. So why the fuck did he not kill the Joker?

Tim: The reason he joined the family, the reason why he became Robin in the first place was because he saw a problem when Bruce started self-destructing and thought ‘Someone needs to fix that!’. Therefore he went and collected Dick, who didn’t seem keen on fixing it. So, the job fell to him to fix it.

He thought he did a good job, he thought he fixed the problem. Except now he sees who Bruce was, and he knows he failed. Their Bruce is less soft, less affectionate, less like he was before. Batman needs a Robin and Tim didn’t manage to be good enough of one to save him. 

[Or: Tim has a guilt complex a hundred miles wide and blames himself for things that aren’t his fault part 52]

Steph: Jason and she are very similar. Both come from the Narrows, both have a mother addicted to drugs and a shitty father. The differences start when Steph keeps waiting on the roof of their apartment for Batman to whisk her away, while Jason tries to steal the tires of the Batmobile and is taken in.

When Steph started out as Spoiler Bruce tried to keep her off the field, and obviously this one would too (even if he would probably be less paranoid about it), but she knows this Bruce would have also taken her in. This Bruce would be the father she always wished for when she sat on their roof and couldn’t see any stars. 

And she didn’t get to have this because Jason went ahead and died. (Of course, she knows she isn’t fair to the guy. Dying isn’t fun… And she knows the only reason she lived is because he died. When Batman rescued her from Black Mask she was in such terrible shape that Leslie managed to convince the World’s Greatest Detective that she died. If Jason hadn’t died Bruce wouldn’t have been as paranoid, wouldn’t have noticed her missing so soon, wouldn’t have been as urgent in his response. Would have been just a minute slower, a minute which would have killed her. Just as it had Jason.)

For her, this Bruce is a distorted mirror into a past which never was. 

Cass: This Bruce and B are not the same person. They don’t move the same. In a fight, this Bruce is younger, faster, stronger. Doesn’t compensate for a previously broken spine. Less experienced. Still one of the most experienced she knows, but less. 

He still moves differently, outside a fight, less pain. More likely to engage in physical affection, more likely to hug and pat and talk. He talks more than B. B knows what she means without words. This Bruce doesn’t.

She likes this Bruce, warmth, and softness. But not as much as B. He knows what she means, when she wants a hug, when she tells him ‘I love you’ without words. B doesn’t need words. This Bruce doesn’t know her, doesn’t communicate like her. She wants B back.

Damian: At first, when this version of his father seemed uncanny and oddly familiar, he assumed it to be due to the stories of his mother. After all, she always told him tales about his father. He simply did not have the frame of reference to understand the kindness she spoke of. Clearly, the clash between the ideals of the League and the ones of his father causes these feelings, just as they did when he first entered the manor.

He presumed this to be the case until one day on patrol Batman laid a hand on his shoulder and told him he did a good job after no particularly impressive fight and he nearly called him ‘Grayson’. Because the stories of his mother may have painted the picture of this version of his father, however, it wasn’t what made it familiar; no, he knew this kindness. These hugs and compliments one would bestow upon a child. Compliments which, despite the indignity, still warm him. Because Grayson learned how to be a… caregiver from his father.

His father used to be like Grayson, used to be until his grief hardened him. Damian could have had this. Damian could have a brother and father who would- But he doesn’t because of Todd. He loathes Todd. Loathes him for ruining the life he could have had.

Why did he die anyway? Damian certainly wouldn’t have a problem escaping bonds created by the Joker, Damian would have disarmed the bomb in time, Damian would have never thrown this life away like he did.

[Or: Damian is a child who was raised by assassins and has unreasonable standards for fighting abilities and also is a child who needs to focus his rage on someone.]

Duke: He was neither there before Jason died nor in the aftermath [according to my math he was around 4 when Jason died] he joined the family when Jason was already back for 4 years or so. He mostly skipped all the drama. For him, Bruce is the way Bruce is because he is Bruce. It’s weird to see him so different, to see how grief shaped parts of Bruce which Duke assumed were just Bruce things.

He’s glad this Bruce is brighter, or not because it just highlights how much that light will dim? Who knows, certainly not him. 

What he does know is that, with their Bruce, he has a distance which, with his parents still alive, he appreciates. With this Bruce, he can understand why Dick struggled so much whether he wants to be his ward or son, how he doesn’t want to replace his parents but still have this Bruce as a dad. It definitely explained the ted talk Dick tried to give him after Bruce officially took him in as a ward.

He likes this Bruce well enough, but he doesn’t necessarily want him to stay this way. Yes, their Bruce is less happy, less open but he did heal, he did grow. Duke met a Bruce who tried to learn from his mistakes, learned to communicate better, and learned when to pull and when to push. For Tim, Damian, Dick, and certainly Jason there is too much baggage, too much history in their relationships, it’s difficult for them to ever move past- anything really.

Sure, when Dick and Bruce are on the same page they are essentially invincible but then the past catches up again and they don’t talk to each other for months. And honestly? Apart from Cass, Duke’s pretty sure he has one of the best relationships with Bruce simply because he got to know him at a better time.

Duke doesn’t mind this Bruce. But their Bruce loved Jason, cared for him so deeply the scars still show to this day. And he still chooses to open up again even if just a bit by bit. Even if just Duke can see it. He is used to being the only one that can see.

And maybe knowing this care extends to him, this love even grief can’t shake? Maybe it makes him feel just a little bit safer, a little bit warmer, a little bit brighter.

[callsigns-haze]

Little life

Summary: Jake "Hangman" Seresin has always been the centre of attention, but behind the cocky aviator façade, he cherishes quiet nights at home with his pregnant wife, Y/N, as they navigate love, routine, and a life the squad knows nothing about.

Warning: This fic contains fluff, pregnancy themes, and light teasing romance.

Word count: 1068 words

Pairing: Jake "Hangman" Seresin x reader

English is not my first language so I apologies for mistakes

Part 2 Part 3

Jake Seresin was a man who always seemed to attract attention. With his easy charm and cocky grin, women flocked to him the moment they laid eyes on him. It happened every time—at the bar, after missions, during social events. The second a woman saw him, they’d saunter over, usually with a flirtatious smile, batting their lashes, asking him to buy them a drink.

And every time, without fail, Jake turned them down.

It confused the entire Dagger squad. They’d tease him relentlessly about it, nudging him with raised brows and playful smirks, wondering why someone like him—someone who had the looks, the swagger, the perfect call sign—never took the bait. They couldn’t figure him out. To them, Jake seemed like the type to indulge in a little fun, to soak up the attention and enjoy the benefits of being the golden boy.

But Jake wasn’t interested.

Not anymore.

Because the truth was, when Jake wasn’t flying missions or teasing his teammates, he was at home in Texas, living a life no one suspected. He had a routine, a life outside of the cocky, brash aviator persona he wore like a second skin.

That life began with you.

You sat at your desk, soft lighting casting a warm glow over your latest manuscript. The smell of ink and freshly brewed tea hung in the air, and the quiet hum of a summer night filtered through the open window. You were three months pregnant now, the couple married for a month now, and the bump had just started to show beneath your oversized sweater, a fact Jake never missed when he was home.

He sat nearby, like always, in his favourite armchair. His legs stretched out casually, one arm slung over the back, while the other held a half-empty glass of whiskey. His eyes weren’t on the drink, though—they were on you, as they always were.

You highlighted another line in your manuscript, frowning a little as you moved the neon marker across the page. The ruler in your hand—one you used to make sure your lines were perfectly straight—had gotten a little too stained with colour, and without thinking, you reached out and wiped the edge of the ruler off on Jake’s hand.

He chuckled, low and warm, shaking his head in amusement. “You know, sweetheart, there are other ways to clean that thing. Ever heard of tissues?”

You glanced at him, giving a half-smile as you continued working. “Maybe. But I prefer you.”

That made him grin wider. “Lucky me, then.”

It had become a sort of routine for the two of you, especially now that you were pregnant and he was often gone on missions. When he was home, though, there was no place Jake would rather be than right here, with you, basking in the quiet moments. To anyone else, he was “Hangman”—the sharp-tongued aviator with an ego the size of Texas itself. But with you, he was just Jake, the man who found peace in the most mundane of moments.

He loved watching you work. The way your brow would furrow in concentration, how you’d absentmindedly tuck your hair behind your ear, or bite your lip when you were thinking through a tricky plot point. Jake would tease you for your little quirks, leaning over to plant a quick kiss on the top of your head when he couldn’t resist anymore.

“Need any help there, author of mine?” he’d ask, his voice teasing but soft.

You’d roll your eyes in response, but your smile always gave you away. “I think I’ve got it covered, flyboy.”

Jake would laugh and go back to his drink, but you knew he liked being part of your world like this. When you’d first met, you had been a rising star in the literary world, already on your way to becoming a bestselling author. You were about to turn 20 in a couple weeks just before you wandered into 27 year old Jakes life. Jake never made a big deal about it, though he’d brag quietly to himself every time he saw one of your books displayed in airport bookstores. No one in the squad had any idea who you were, much less that you and Jake were married. And he liked it that way. He liked keeping this part of his life private, away from the chaos of the outside world.

With you, everything was simpler. Real.

Jake loved you in ways no one ever saw. He loved you in the stolen kisses between your sentences, in the lazy mornings in bed when you pressed your nose against his chest, in the quiet I love you’s whispered as he pulled you close late at night. You were his world—everything else was just noise.

As you finished another page, you sighed softly, stretching your arms above your head. Jake’s gaze was on you in an instant, taking in the slight curve of your stomach, his eyes filled with warmth and pride. He got up from his chair and moved behind you, his large hands coming to rest on your shoulders, gently kneading away the tension that had built up from hours of working.

“Time to take a break, darlin’,” he murmured, his lips brushing against your temple.

You leaned into his touch, closing your eyes for a moment. “Just a little longer. I’m almost done.”

Jake let out a soft laugh, low and teasing. “That’s what you said an hour ago.”

You smiled, but your body relaxed under his hands. You couldn’t deny that the warmth of his touch and the quiet affection in his voice had a way of making you forget the world for a while.

“Alright, alright,” you relented, setting your highlighter down. “But only because you’re so persuasive.”

Jake grinned, pressing a kiss to your neck before straightening up. He turned your chair around so you were facing him, his hands on either side of the armrests, caging you in. His eyes sparkled with that mischievous glint he always had when he was about to say something that would make your heart race.

“Darlin’, I don’t need to be persuasive,” he drawled, his Southern accent thick and smooth. “I’m your favourite distraction, remember?”

You laughed, shaking your head as he leaned in closer. “You’re impossible, Jake.”

“And you love me for it,” he said, his lips brushing against yours before kissing you softly, his hand resting on your belly, feeling the life growing inside you.

And he was right, even though he was nearly seven years older—you did love him for it.

I may or may not have made this into a mini series so let me know if you'd like to be tagged

Part 2 Part 3

[prythianpages]

'Cause It Was Always You | Azriel x Reader

summary: After eavesdropping on multiple conversations, Azriel finally gathers the courage to confess his feelings to you, thinking he's on the verge of losing you.

word count: 1,741

warnings: I guess angst at the beginning? But I promise it ends with fluff!

a/n: Billie Eilish's Birds of a Feather has been on repeat in my head and it prompted this cute little idea. Also shoutout to @nocasdatsgay for helping me with a codename for Az.

“I fear I’ll love Lapis until the day that I die…until the light leaves my eyes…until I’m in the grave, rotting awa–”

“y/n, you’re drunk,” Feyre had giggled.

“Drunk in love,” you sang in response with a giggle of your own.

And when one of Azriel’s shadows reported the silly little smile on your face, the silly little sparkle in your eyes, he shrunk back into the ones that had remained. His heart sank to his stomach, a cold, heavy weight settling there. 

Because you were in love. 

With someone that wasn’t him.

Azriel told himself that was the last time he’d eavesdrop. And perhaps, that wouldn’t have been a lie, if it wasn’t for the pesky little shadow that followed you around. It enjoyed dancing and flitting around you. Sometimes, it’d make its presence known by weaving through your hair or slithering up your arm. Most times, it’d trail behind you, like a little duckling.

Azriel tried to call the shadow back home but it was unwavering, choosing to linger in your presence instead. The same way he wished to linger by your side. And recently, the inky traitor had gotten into the habit of summoning more of his shadows to your side, weaving an invisible bond between you and him.

Every time a shadow returned to him, it brought whispers of your laughter, the sparkle in your eyes, and the softness in your voice when you spoke of Lapis. Each word you uttered about that male tore him apart, every confession cutting deeper than any blade ever could.

“If you don’t ask Lapis out, Jasper will do it for you and believe me when I say you do not want that to happen.”

“Okay, okay! I’ll ask him out. Tomorrow.”

That was a snippet of a conversation his shadows had reported to him earlier, cutting his morning training short. It lingered with him, haunting him throughout the day. And now, he found himself unable to sleep, constantly turning in his bed.

Azriel’s stomach twists into a tight knot, the storm raging outside echoing his inner turmoil. Tomorrow. He was running out of time.  Fear and perhaps, even pride, kept him from telling you how he truly felt about you. But now, he found himself fearing something even worse. Losing you before he even had a chance to say it…

He didn’t want to wake up one day and regret his silence, regret not telling you how he felt because of pride or fear. He needed to do this for himself, to break free from the shadows of his past. He had failed to confess his love twice before, and the thought of a third failure was unbearable. This time, he couldn’t let fear hold him back. The risk of losing you to someone else was a pain he couldn't endure.

With a deep breath, Azriel steeled himself. He needed to find you, to tell you the truth about his feelings. Before anything between you and Lapis could blossom. He couldn’t let another moment pass without you knowing how deeply he loved you.

Which is how he found himself at your doorstep, in the middle of the night, clothes sticking to him like a second skin as the rain pours relentlessly down on him. His shadows stir in excitement, whispering anxiously as they hear your approaching footsteps. His heart is pounding, so fast and hard that he fears it’s going to explode.

“Azriel?” 

Your voice is still marred by sleep as you blink up at him. That traitorous shadow hovers behind you, peering at him over your shoulder. He glares at it, and it quickly hides behind your hair. You don’t seem to notice it, either unfazed or truly oblivious to the shadow that had been following you around for so long.

“Did something happen?” You speak again, brows furrowing in concern. You step back into your apartment, a silent gesture for him to follow after you and come inside. 

“I–” Azriel begins but he can’t bring himself to finish his sentence. He can’t even bring himself to move as his eyes catch the movement of your arms wrapping around yourself to ward off the chill of the downpour. The nightgown you’re wearing is thin and short. A  glimpse of your exposed skin has a warmth rushing to his face and he’s blushing.

"I—" He tries again but when his eyes meet yours, his heart leaps into his throat, choking off his words. Oh gods, he can’t do this. He’s grateful for the rain as it masks the tears beginning to sting at his eyes. He thinks he’s going to be sick and–

“Are you okay?”

His shadows push him forward, wings shuddering in response. It’s now or never. He can do this. He takes a deep breath, swallowing the lump in his throat.

“I love you.” 

The words spill out in a rush, raw and unguarded. He watches you with bated breath, his shadows whispering every nuance in your expression—from the way your eyebrows raise and your mouth parts as a gasp escapes, to the way your eyes glisten with something he’s too scared to discern.

You’re rendered speechless, the silence that follows feeling like an eternity. Azriel’s wings slump, growing heavy. He clears his throat, averting his gaze. The need to retreat is overpowering what little courage he had gathered moments ago. 

“That’s all I had to say. I should, um–I’ll be leaving now,” he stammers, so unsure and so unlike himself.

“Az–” you start, reaching out to him, but he’s already stepping back into the rain. He doesn’t think he can face your rejection, much less witness the look on your face if you don’t feel the same.

“Goodnight.”

His shadows are like a wall of resistance, fighting against him as he turns to make his leave. He asks them—begs them, even– to swallow him whole. To winnow him away and save him from further mortification. But they refuse. Stay, they insist, tugging and weighing his wings down. 

It leaves him with no choice but to walk away. Every step feels heavier than the last, the rain soaking him to the bone. Listen, his shadows urge as they continue to tug relentlessly at his wings for him to turn back around and face you. 

But he can’t. Not when the Mother has seemed to have cursed him with loving those who could never love him back.

“Azriel!”

His mind screams at him to keep going, to keep walking away. However, the plea echoed in your voice has his chest tightening. His heart overrides his mind, shadows only encouraging him further. He turns around just in time to catch you as you leap into his arms.

Your legs wrap around his waist, arms encircling his neck in a desperate effort to keep him from leaving. His own arms respond immediately, securing you to him. 

“Don’t go.”

Your breath is warm against his neck as you tighten your embrace, and his wings curl around your smaller form in response, wanting to shield you from the relentless rain. He feels you shift in his arms, pulling away just enough to look into his eyes. One hand reaches out, tenderly brushing the dark fringe from his forehead. His breath catches, and you must sense his inner turmoil because you gently smooth away the furrow of his brow with your thumb.

“I love you,” you say, your hand caressing his cheek. Despite the cold, harsh downpour, your touch is warm and soft. A balm to his frayed nerves.

His heart swells with a mixture of disbelief and overwhelming joy. He had prepared himself for rejection, for the familiar sting of unrequited love. But here you were, confessing your love to him with the same vulnerability he had shown you.

“Really?” he whispers, voice thick with emotion, eyes searching yours for any sign of hesitation.

“Really.”

“I thought I was going to lose you,” he murmurs, his voice trembling with relief. “I thought I’d never have the chance to tell you.”

“Lose me? Azriel, you’ve always had me.”

“But you said you loved Lapis? You were going to ask him out–”

“So you were spying on me!”

Azriel’s eyes widen, cheeks flushing all over again and he’s glad it’s dark enough to conceal it. “No–I–not intentionally…my shadows, they…,” he trails off, realizing how ridiculous he must sound.

Yes, his shadow refused to come back to him. But he didn’t stop the others from reporting back to him so with a defeated sigh, he says, “I’m sorry.”

“Azriel,” you giggle and he’s frowning at you, not finding the humor in the situation. “You are Lapis.”

“What?”

“You’re Lapis. Cas is Jasper and Rhys is Amethyst.” You explain, lips curling into an amused smile at the sigh of relief that comes from Azriel. How had he not realized that all those names shared one thing in common? And more importantly, that they were color coded to his and Cassian’s siphons?

“I needed a codename for you so I can gush about my feelings for you without, you know,” you tilt your head toward that nosey, barely visible shadow that had been following you around. Sensing the attention, the shadow dips and hides again, curling around the back of your neck. 

“I fear it’s yours now,” Azriel replies, almost sheepishly.

“Good,” you smile at him. “I’ve grown rather fond of it. Just as I have over its master.”

His shadows take your words as a welcome invitation, swirling and dancing around you both. Azriel’s arms hook underneath your thighs, pulling you even closer to him. Your arms find their place around his neck again.

Then, you're closing the small distance between you and kissing him. Warmth spreads throughout him, reveling in the sweet sensation of your lips against his. The rain continues to pour, but neither of you care. 

When you finally pull away, he leans his forehead against yours, his eyes remaining closed as if in fear that this is all just a dream. You gently kiss his nose, your soft voice reminding him that this moment is real.

“I love you.”

Azriel’s eyes open, looking right into yours. “Until the day that I die,” he tells you, echoing your devotion.

There’s a knowing spark in your eyes as they search his own for answers. It has his lips lifting into a smile that mirrors yours, confirming that he had been eavesdropping on your drunken confession weeks ago.  Your smile widens. 

 “Until the light leaves my eyes.”

This was a better idea in my head but hey, at least I finished it. I also don't know the logistics of having a conversation in the rain but that's the beauty of fanfic, I guess?lol Anyway, I could not get these lyrics out of my head. They were so Azriel coded for me:

I'll love you 'til the day that I die 'Til the day that I die 'Til the light leaves my eyes 'Til the day that I die I want you to see, hm How you look to me, hm You wouldn't believe if I told ya You would keep the compliments I throw ya

the way I keep fixing these lyrics but I think tumblr is glitching or something uggghh, pls ignore the random mismatched sizing

Also just wanted to point out that if Az hasn’t confessed, reader would’ve done it the next day anyway 💀

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