#arun khan

[nonbinary-morro]

@uncaught-coolfish srry it took forever BUT I FINALLY FINISHED IT :D

(click for better quality)

[theinfinitedivides]

loving the energy in the room with us rn

[whileiamdying]

A Raga Renaissance Flowers in Brooklyn

From left, Shiva Ghoshal, Arun Ramamurthy, Jay Gandhi and David Ellenbogen of Brooklyn Raga Massive jamming at Pioneer Works in Brooklyn.Credit...Loren Wohl for The New York Times

By Vivien Schweitzer March 24, 2016

The jeweled raiment and serene kohl-rimmed eyes of Saraswati, the Hindu goddess of knowledge, music and the arts, were projected on a screen behind the stage one recent evening at Pioneer Works, the exhibition and performance space in Red Hook, Brooklyn.

With an ensemble that blended Western instruments and traditional Indian ones, the tabla and sarod, two vocalists — Roopa Mahadevan, wearing a glittery silver sari, and Haleh Kilmer, in dark jeans and boots — sang selections including a tribute to the goddess rendered by Ms. Mahadevan in the haunting melismatic style of southern India. The evening celebrated Indian female cultural figures as well as the female members of the Brooklyn Raga Massive, a dynamic nonprofit collaborative formed in 2012 with a mission to expose new audiences to Indian classical music.

Such weekly events, held in spaces around the city, highlight different elements of the raga, the backbone of Indian music, and conclude with lively late-night jam sessions in which any musician who observes the house rules is welcome to participate. The Massive’s free-floating operations are a vital part of a flowering of Indian music in New York.

On April 6, the collective will offer a birthday tribute to Ravi Shankar, the influential sitar player who collaborated with Western musicians including the violinist Yehudi Menuhin and the flutist Jean-Pierre Rampal. Mr. Shankar’s impact led The New York Times in 1966 to declare that the raga was “becoming a rage in America,” although it deemed it a “curious fad.” The Massive refers to its current contemporary movement as a raga renaissance.

Yet according to Par Neiburger, the artistic director of the World Music Institute, the Massive is unusual in that, in contrast to the top-down traditionalist approach of most Indian musical organizations, with fierce loyalty to individual teachers and a strict guru-disciple hierarchy, its structure is free-form and democratic.

“There is a lot of improvisation in Indian classical music,” Mr. Neiburger said. “But the basic forms lend themselves to a tradition that is kept intact and hasn’t really been modernized in any extreme way.”

Anoushka Shankar, the sitar-playing daughter of the renowned sitarist Ravi Shankar, who plans an American tour in April to promote her new album.Credit...Simon Scheuller

Recent events presented by the Massive at Pioneer Works, where the collaborative is in residence until April 27, have included explorations of the Hindustani music of northern India; Indian film and dance; a collaboration with African musicians like the Malian singer Awa Sangho; and a tribute to George Harrison and the Beatles. Coming events include an exploration of Carnatic music, the idiom of southern India, on Tuesday, March 29, and, on April 13, a lineup mixing Cuban rhythms with raga melodies.

The Massive has also explored the influence of Indian music on prominent Western classical composers like Terry Riley, performing his “In C,” a Minimalist work from 1964, last year at the Rubin Museum; a recording on the Northern Spy Records label is due out later this year. In a concert in September at Le Poisson Rouge in Greenwich Village, it will celebrate the birthday of John Coltrane, who was fascinated by Indian music.

As the central element of Indian music, the raga originated with the ancient Vedic hymns sung in Hindu temples and is intended to create a trancelike spiritual mood. (The word, derived from Sanskrit, translates as “passion” or “color.”) It is composed from scales with ascending and descending patterns that form a melodic framework for improvisation and is associated with seasons, moods and events. Ragas open with an introspective prelude called the alap (performed without percussion) that evolves into a rhythmically invigorating section with percussion that often features virtuoso solo segments.

Ragas are largely monophonic, incorporating drones created by instruments like the tanpura, a long-necked plucked string instrument.

A spellbinding concert presented in February at the 92nd Street Y by the World Music Institute illuminated the Carnatic genre at its most sublime. The violinist L. Subramaniam (whose father, V. Lakshminarayana, expanded the role of the violin in the Carnatic tradition from background to solo instrument) joined his son, Ambi Subramaniam, also a violinist, for a mesmerizing performance.

Gentle wisps of melody shared by the two men slowly unfolded over a drone before morphing into a flurry of imaginatively ornamented, virtuosic riffs. When they were joined by two percussionists (Mahesh Krishnamurthy on the mridangam and Ravi Balasubramanian on the ghatam), the music reached ecstatic heights.

Anoushka Shankar, the daughter of Mr. Shankar and a sitar player who both performs classical Indian music and a fusion incorporating other influences, said in an interview that the traditional music in its pure form is struggling in India, where Bollywood and fusion music promoted by the Indian television series “Coke Studio @ MTV,” are popular. “It’s hard to compete in a short-sound-bite-driven market when a form of music is by nature about a slowly unfolding genre,” said Ms. Shankar, who plans an American tour in April timed to the release of her new album, “Land of Gold.”

The violinist L. Subramaniam, who performed recently at the 92nd Street Y.

In the United States, Mr. Neiburger of the World Music Institute said, Indian classical music tends not to have “the broad appeal that some other world music genres might have, such as Brazilian music, fado and flamenco.” So the Massive teams up with others eager to attract new American listeners, like the Biryani Boys, a duo consisting of the tabla player David Freeman and the sitar player Mustafa Bhagat who also produce YouTube videos infused with hipster humor and featuring prominent Indian musicians.

On Saturday, April 2, at the Metropolitan Museum of Art, New Yorkers will have the chance to hear some of India’s most prominent musicians. Amjad Ali Khan will perform with his sons, Amaan and Ayaan Ali Khan, the seventh generation of a family of musicians who play the sarod, a long-necked lute prominent in classical northern Indian music.

Many of the Massive members perform Indian classical music in its pure form as well as experimenting with various fusions. An afternoon performance at the Met this month by the sitar player Neel Murgai and the tabla musician Sameer Gupta proved riveting, the soulful alap building in intensity to the colorful fast section called the jhalla.

In a contemporary music scene characterized above all by crossing and blurring genres, it’s possible to find all kinds of collaborations. Mr. Gupta and Mr. Murgai also perform with the violinists Arun Ramamurthy and Trina Basu, both trained in the Carnatic tradition, and the Western-trained cellist Marika Hughes as the Neel Murgai Ensemble. It performs what it describes as “raga chamber jazz,” a blend of Indian forms with everything from Tuvan throat singing to Roma tunes.

Ms. Basu also plays with the cellist Amali Premawardhana, the bassist Perry Wortman and the tabla player Roshni Samlal in the ensemble Karavika, which specializes in a soulful blend of classical and folk traditions from the United States and India.

The Massive members are proud of their open-minded outlook. “New forms are being created that are indigenous to Brooklyn,” Mr. Murgai said. As for the collective’s future goals, Mr. Gupta points out in a lighthearted Massive video that Pioneer Works is not far from the Statue of Liberty in New York Harbor.

“I have a dream,” he said, “that one day the statue won’t have a book and a torch but will have a sitar and a tabla.”

A version of this article appears in print on March 27, 2016, Section AR, Page 12 of the New York edition with the headline: A Raga Renaissance Flowers in Brooklyn.

[vishnumaheshsharma]

Review of ‘Haddi’: Nawazuddin Siddiqui and Anurag Kashyap Starrer Tries Marrying Masala-Myths and Artistry-Mastery and Results are Mixed

It is no less than remarkable that within this ‘good-went-evil-to avenge’ formulae, bone smuggling, highway crimes, double crosses and political maneuvering marry to the plot with ease. All these could have led to a chaos but, with immense help from actors and some good staged moments, all these lead to final duel which is a fitting conclusion. That pre-climax to climax stretch justifies…

[richdadpoor]

Aamir Khan Is Working With THIS Director For Ujjwal Nikam's Biopic; More Details Inside

Aamir Khan is gearing up to present the biopic of famous prosecutor Ujjwal Nikam. Aamir Khan has reportedly been in talks with a leading director for Ujjwal Nikam’s biopic. Aamir Khan may have taken a break from acting, but he is making sure to stay involved in the world of filmmaking as much as possible. The actor is now on board to be part of as many as 5 films as a producer – The Champions…

[akultalkies]

Vijay Saxena, Arun Bakshi, Ramesh Goyal, Ali Khan, Manoj Bakshi, Surender Sharma, Priya Gupta, Altaf Hussain, Omkar Natha, Gulshan Pandey, Nishti Sharma

[69yard]

Where is the first Indian Tarzan : Hemant Birje

[enigma-the-mysterious]

Darth Raavan in Palpatine's palace. Idk, that doesn't look like Ancient Sri Lanka behind him

How are we feeling about this one fam?

[chameli]

SRK Birthday Celebration Tag Game

Tagged by the amazing @justshahrukhkhan 💜

1) SRK movie you've lost track of how many times you've watched it? Oh god, I can’t say. I have so many I’ve seen a million times but some of them are Duplicate, Baadshah, Josh, Yes Boss, Mohabbatein, Asoka, Om Shanti Om, and Main Hoon Na.

2) Favorite entry scene? It has to be Veer Zaara. He looked absolutely dreamy and I love how the movie started off with a lovely song.

3) Is there a particular scene or character that lives rent free in your head? I’ll have to say this & this one from Josh. Those rewired my brain chemistry as a child lol. Characters? Arun Verma, that sexy asshole. Vikram Rathore, the sluttiest old man. And Pathaan, my gorgeous scrungly thot <3

4) Got a favorite musical number? Too many! The iconic & legendary Chaiyya Chaiyya, Kaal Dhamaal, Chammak Challo, Marjaani, Osaka Muraiya, Badshaah O Baadshah, Banke Tera Jogi, Not Ramaiya Vastavaiya, Zinda Banda, Ishq Kamina…the list goes on and on.

5) If you could ask SRK one question, what would it be? I’d love to have a long discussion with him about his movies and just films in general.

BONUS ROUND: Attach a favorite pic (I chose two…for reasons)

Tagging @shahrukh-khan @amarakaran @nowordsareneeded @bollyspired @bloop-monster @loumandivorce @fayn3ko @hereforb99 @misha-69innit @i-got-the-feels @kickittothekerbe and anyone else would like to do it! 💜

[uncaught-coolfish]

arun khan. i taught you pianooo

[bollywoodirect]

37 Years of Mr. India (25/05/1987). Mr. India is a superhero film directed by Shekhar Kapur and produced by Boney Kapoor and Surinder Kapoor under the Narsimha Enterprises banner. The film's story and screenplay were written by the duo Salim-Javed, marking their last collaboration before their split. Starring Ashok Kumar, Anil Kapoor, Sridevi, Amrish Puri, Annu Kapoor, Satish Kaushik, Bob Christo, Ahmed Khan, Aftab Shivdasani, Yunus Parvez, Sharat Saxena, Ajit Vachani, Gurbachan Singh and Ramesh Deo. The film tells the story of Arun Verma (Kapoor), a humble violinist and philanthropist who receives a device that grants him invisibility. While renting out his house to pay his debts, he meets journalist Seema Sahni (Sridevi) and falls in love with her. Meanwhile, the villain Mogambo (Puri) plans to conquer India. The film was shot by Baba Azmi in Srinagar, Mumbai, and other locations in India, starting in July 1985 and concluding after 350 days. The music was composed by Laxmikant-Pyarelal, with lyrics by Javed Akhtar. The film was edited by Waman Bhonsle and Gurudutt Shirali, with special effects by Peter Pereira. Mr. India was a breakthrough for its director and cast and became a milestone in Hindi cinema for its unique superhero genre. It inspired several Indian films in later years. The film was remade in Tamil as En Rathathin Rathame (1989) and in Kannada as Jai Karnataka (1989).

[neengareadynaaready]

I don’t think I’ve ever mentioned how much I love the movie Goodbye starring Amitabha Bachchan, Rashmika, Neena Gupta, Pavail Gulati, Sunil Grover, Abhishek Khan, and Sabil Mehta among others.

It’s a Hindi movie, and it is really touching. The premise isn’t new: adult children come home to attend their mother’s funeral. They content with traditions and customs and their father’s attitude.

Nevertheless, it’s a great film that will make you laugh and cry in equal measure. It is a sweet, genuine, sad, and also hilariously real movie about customs and beliefs surrounding death, how the people who are left behind deal with the loss, and how they move on.

Also, I just learned that this was the last performance of Arun Bali, who passed away on the film’s release day.

[theinfinitedivides]

corporate is asking you to describe this picture. what is going on in this picture

i uh. well.

[hungamaofficial]

Virat Kohli mentors young fan with advice on becoming an Indian cricketer

Listen to article Virat Kohli has interacted with a young fan, Kabir, at New Delhi’s Arun Jaitley Stadium ahead of his return to the Ranji Trophy. The conversation between Kohli and the young fan, Kabir, the son of Kohli’s former teammate Shavez Khan, has gained attention on social media after being shared widely by fans. In the interaction, Kabir asked Kohli, “Indian cricketer banne ke liye kya…

[odnewsin]

From Kabir Khan, Remo D' Souza to Arun Govil: Celebs attending Maha Kumbh Mela confirm unity in diversity in Indian culture

Maha Kumbh Mela is at its peak in Prayagraj. Despite the stampede that killed many people a few days ago, the excitement and enthusiasm behind attending this spiritual confluence of Hindus, where Ganga, Jamuna, and Saraswati meet to form Triveni Sangam, have not diminished a bit. Conversely, this Kumbh Mela is significant for the attendance of Naga Sadhus and other major saints from all over the…

[educationalguide101]

Your Comprehensive Guide to the SET Exam for Symbiosis BBA Admissions

The SET is an entrance examination designed to assess the aptitude of candidates. You will have to appear for the exam if you are applying for BBA at Symbiosis International University. It is a standardised measure of a student’s readiness for higher education. It is the path to Symbiosis College’s BBA admission. Here is everything you need to know about the SET exam.

Eligibility Criteria

Symbiosis BBA admission criteria are as follows: 

12th standard from any recognised board with at least 50% marks. 

There is no compulsion to choose the age of the candidates.

Exam Pattern and Syllabus

Test Pattern

The SET exam is divided into various sections. These generally include four sections. The total time for the test is two hours.

Syllabus

The syllabus of Symbiosis entrance test for BBA includes:

General Awareness: It contains current affairs and general knowledge.

Analytical and Logical Reasoning: It has puzzles and logical questions.

General English: It has a comprehension of passages and grammar.

Quantitative Techniques: aasic mathematics and data interpretation will be discussed.

Preparation Strategies

Study Materials and Resources

The best books for SET preparation are by Arun Sharma. Khan Academy or several YouTube channels will also help provide the required material for preparation.

Time Management Techniques

Develop a study schedule to dedicate time to each subject. Preparation for the exam format through mock tests will help you become familiar with the same. You should focus on your weak areas while continuing with your strengths.

Common Blunders

Most students underestimate time management during preparation. Avoid cramming and plan well before the exams to ensure you cover the topics adequately.

Application Procedure

How to Apply for SET

Applying for the SET is an easy process. You just have to log on to SET's website of Symbiosis and fill out the application form. You must pay the fee online. Ensure that you have all documents ready.

Documents Required

Usually, you will require mark sheets of previous examinations, identification proof, and passport-sized photographs.

Selection Process Post-SET

Post-exam Procedures

The students will be shortlisted for a Personal Interview after clearing the SET exam. These tests help assess your eligibility for the BBA course.

Understanding Cut-offs

Each participating institute has cut-off scores, which vary depending on factors such as overall performance and available seats. Knowing the cut-offs can help you better plan your applications.

Day-of-Exam Checklist: Tips for Success on Exam Day

Carry your admit card, valid ID proof, and any other required materials on exam day. Plan to arrive at the test centre well before time to avoid stress at the last moment.

Dealing with Exam Stress

Engage in deep breathing exercises or mindfulness on exam day to ward off the feeling of nervousness.

Conclusion

SET is one step toward realising your academic aspirations with admission to Symbiosis College's BBA program. The exam requires hard work and planning to get through with higher success probabilities. Never lose your focus and positive attitude!

By following this guide and making the most of what is at your disposal, you are more than halfway there in taking the SET exam and starting down a thrilling academic road in business administration. Good luck!