#artist: towa tei

[haveyoulistenedtothisalbum-poll]

Tracklist:

I WANT TO RELAX, PLEASE! • TECHNOVA (LA EM COPACABANA) • BATUCADA • LUV CONNECTION • MEDITATION! • RAGA MUSO • SON OF BAMBI (WALK TUFF) • LA DOUCE VIE (AMAI SEIKATSU) • OBRIGADO • DUBNOVA PT.1 • DUBNOVA PT.2

Spotify ♪ YouTube

[juliternity]

Uploaded the full version of God Of Funk

This was remixed by TECHNOuchi!

[radiation]

27 smiles

27: KOJI 1200 - "Blow Ya Mind - I LOVE AMERICA"

This album was in fact produced by TOWA TEI who was my most listened artist this year. Love this songs lyrics. OMG I LOVE AMERICA IF I WAS IN AMERICA I WOULD EAT HAMBURGERS AND GET A BLONDE COWBOY GIRLFRIEND AND THEN I WOULD GO TO CALIFORNIA AND MEET MICKEY MOUSE. I feel like totally misguided stereotypes about America being badass from a non American perspective are the only thing that can make me feel a little patriotic

[seekers-who-are-lovers]

Finally. “Metallic Rouge” can be streamed in different platforms. Four days ago when it was announced, the rights were forfeited outside of Japan and other territories.

First off, it is a collaboration among Yuma Yamaguchi, Taisei Iwasaki and Towa Tei. The soundtrack contains 42 songs, less than two hours of music spanning different genres with one specific theme and a curious choice of classical rendition of Claude Debussy’s famous “Claire de Lune” (Moonlight), which we have seen Rouge’s “brother” Gene (Jean) Junghardt was playing on the piano on episode 3. Debussy was inspired by Paul Verlaine’s poem with the same title and set forth to create this piece to accompany it.

All sing in a minor key / Of victorious love and the opportune life, / They do not seem to believe in their happiness / And their song mingles with the moonlight…

I wonder if Iwasaki thought about it.

The soundtrack opens with the lounge/jazzy “Falling Starlight and Moonlight I.” This piece has different interpretations that you just have to choose which one you like.

I prefer Viola’s (Celeina Ann, artist) when she sang this piece in a club that opened the first episode. It was so elegant and seductive at the same time.

Then it followed with one of the best fight songs imho, “Crimson Lightning,” which is the overall theme of the series.

One of my favourites is “Escobilla,” a flamenco-esque track that encourages you to do some dancing. The guitar opener is somewhat reminiscent of “Trigun 1998’s” “Never could have been worse.” Must’ve been the guitar pickings.

As the soundtrack is manned by three people it is interesting to note that one can differentiate the style of each sound. Somehow I can identify Yuma Yamaguchi’s. Not because I love “Undead Girl Murder Farce” and I listened to it almost every day last year making it my most streamed album, but it is the familiarity that he imbues on his composition and that is not bad at all. They give off a certain mood, very atmospheric. “Red Madness I” is a techno/industrial music that already landed on my jogging list.

Taisei Iwasaki often delves towards the aesthetic of orchestra, the jazzy, the piano pieces, which he also utilized on “Belle” for example.

While the pieces Towa Tei (of Deee-lite fame) contributed, who has established himself as one of the pioneers in electronica/house music, will leave you out of this world.

Towa posted that this has been the fastest track he’s ever composed.

I love listening to soundtracks when they don’t feel like soundtrack at all, like another entity away from the main material. “Metallic Rouge” is that.

[lizardontheweb]

everything I know about hideki naganuma and related topics

uses James brown samples

uses old movie samples

uses slap bass

uses record scratches, but sparingly

Artists that sound similar

Sev Does Music

2 Mello

Sashko Naganuma

PurpleSigh192

Yeletez

Artists that the wiki page recommends:

2 Mello

AAron EVO

Akakage

Amin Payne

Azteka

B.B. Rights

B. Bravo

Bad Religion

BananaLizard

Basement Jaxx

Beastie Boys (Including The Latch Brothers and BS2000 side projects)

bignic

Bis

Bran Van 3000

BX'TREME

CAPSULE

Castle Logical

Cédric Menendez

Charodey Jeddy

Cibo Matto

Cody Vondell

Cody Wright

Cold

Color Plus

Copter4016882

Cornelius

CubeNatural

Cxldr3

Cyber Milk Chan

Cymbals

Daniel Crawford

Darling's Domain (formerly BonafideBloom)

Date of Birth

daypeecone

Deavid Soul

Def Cut

Deltron 3030

D Fast

DJ Chidow

DJ Kychu

DJ Lean Rock

Doctor Lazer

Dom McLennon

duuzu

E. Live

elektricPunk

Ethan Goldhammer/Flamclap

Erik Rico

F-Fields

Fantastic Plastic Machine

Featurecast

Fishmans

Flytones

Frank Klepacki

Fuzita Blender

Gorillaz

Grillo

GRRL

Guitar Vader

Henning

Hideki Naganuma

Hi-Posi

Idol Taxi

Ishanna

Ivan Makvel

JAEL

Jamphibious

JCPORTALS (ClascyJitto)

Jonny Tobin

Jurassic 5

Kahimi Karie

Kenichi Tokoi

Khadija

kidkanevil

KiloWatts

Klaus Veen

Knxwledge

Koolade

LaB Life

Lamp

Lee Funksta

Lefty

LEGOVE

Leopard DaVinci & Louis 707

Les 5-4-3-2-1

luce

Lunatic Calm

Manfield

Marian Tone

Mariko Nanba

MF DOOM

Mix Master Mike

Mofak

Momus

MrMediamanx

MXXWLL

Naofumi Hataya

Nerreave

O.B. One

Olli

Otis McDonald

Pitch Controller Mitch

Pixelord

Pizzicato Five

Plus-Tech Squeeze Box

Pomrad

Porter Robinson

POST ELVIS

Professional Murder Music

PROUX

Qypthone

Rebiere

Reps

Reso

Richard Jacques

Rob Zombie

Ronan de Castel ("Mr. Sauceman")

Rotten Apple

Russell Simins

Sashko Naganuma

Saturn!

Scapegoat Wax

Sebastian Knight

Semi Detached

Serani Poji

SEV DOES MUSIC

she (Electronic musician)

Shuvel

SiIvaGunner Sound Team

Sivey

SKALP

SkyBlew

soia

Soul Supreme

Sven Atterton

Swami Sound

Takako Minekawa

Takeharu Ishimoto

Temu (Electronic musician)

The Offspring

The Prunes

The Sleepers RecordZ

The Wiseguys

Tomoya Ohtani

Tony Grayson

Toronto

Towa Tei

Trian Kayhatu

Tryezz

VeraFX

ViRiX Dreamcore

wev

Yukari Fresh

zeroSCAR

ripped from the shibuya punk wiki page

[merry-go-round-jailhouse]

Yoshinori Sunahara - Pan Am - The Sound of ‘70s (full album)

Super groovy electronic album from Yoshinori Sunahara who was part of Denki Groove and collaborated in Metafive with artists like Cornelius and Towa Tei

[tweehearted]

Intro post

I realise that I haven’t made one of these before but

Hello I’m aini! I’m not too active on tumblr but if you ever want to talk my inbox is always open, plus I upload to other socials too!

My interests rn are Splatoon, the PaRappa series, music (a lot of it!), fashion (sometimes) and art in general.

My music tastes are mainly funk, j-pop & j-rock, Trip Hop, City Pop and Jazztronica! Current artist favs are Akina Nakamori, Prince, Yasuyuki Okamura, Cibo Matto, Sheena Ringo, Deee Lite, Towa Tei, Chara, Björk, etc etc. Apparently my top decade is the 90s!

Socials:

@mitsuwaltz — art blog

Insta — @artificialssweetener (personal) @mitsuwaltz (art) @ainimitsu (media spam)

TikTok — @mitsuwaltz

Pinterest (I’m on here a lot) — @mitsuwaltz

(If in doubt, find mitsuwaltz)

[frankbedbroken]

frankcore 2k25 february update!

second update of the playlist for the year! aside from a couple of outliers, the big two constants for this month were different developments of the glitchier side of pop on one hand, and a lot of hip hop, specifically coming from the uk. most of it fairly recent, some from this year, some from last year, but also with a fair few tracks from before 2024.

for the pop side: quite the interesting and wonky approach to r&b on this track from korean solo artist suzin (shoutout to rym oomf ~sssageee for finding this one); propulsive and anthemic almost-hyperpop with some indie sensibilities from the hellp, to which we can also attach the semi-shoegazey playground by tapeworms, the euphoric yet very melancholic chaos by baths (a cut off what's probably my favourite record of the year overall thus far), and the punkier and more angular blase by gabby start; for contrast, one of the more subdued moments in this month's list, a deep cut off oklou's latest project which also is a strong contender for my favourite album of the year at the moment; later on, we pick the energy back up with a housey number from japanese project i-dep with an impossibly catchy hook (those lalalas are not gonna leave your head any time soon after you hear them) and just generally inviting vibes and grooves all around, and a few songs after, a classic 2-step r&b sound courtesy of japanese superproducer towa tei under his sweet robots against the machine moniker, reworking a 70s soul number into a very late-nineties/early-two-thousands dance number, adding a signature-of-the-era garage mcing for good measure; up next, an ever-disorienting yet extremely club-ready rework of a yelle track with the signature wonkiness and attention to detail in sound design that only sophie and a. g. cook could've brought to the table, still being a blueprint for many artists to this day ten years later; and to wrap up, probably the most high-octane number on the list, a ukrainian producer and vocalist meetup with a very alluring, crooning vocal performance very in line with trip hop and art pop that intermingles with frenzied and unstoppable drum patterns to great effect.

for the hip hop side: kicking off with the non-uk rap stuff, very solid short and sweet number that passed me by last year from 454 with a very singular vocal performance and strong sense of melody, and afterwards, one of the signature tracks from vince staples that i admittedly never paid much mind to until very recently with incredibly impactful vocal delivery and an incredibly dark and brooding beat from clams casino. as for the uk side of things: a very woozy and cloudy number from feng that barely clocks in to a minute; the newest single from the eagerly awaited upcoming project from jim legxacy, honing in on influences of milwaukee lowend in its bouncy groove; an incredibly effective blend of hip hop delivery with the sound of the electroclash revival of these past years from fakemink; aj tracey's most recent output featuring a strong skittering grime groove that lays the foundation for a chopped-up chipmunked soul sample and of course the wonderful vocal performance of the beloved jorja smith, at first tackling on a hip hop delivery that works surprisingly well and later on delivering the smooth and soulful vocal performance you'd expect from her; and finally, a great showing of effective and satisfying vocal delivery from esdeekid and rico ace atop an ondulating not-quite-grime-nor-drill beat.

what we've got left: nocturnal, despondant, soul-influenced trip hop from uk duo a/t/o/s; a cut of the upcoming rainy miller project honing in to the ambient pop aspects of his previous record with space afrika but mixing it with some influences of post-rock and trip hop for good measure; speaking of post-rock influences, a number from slowcore / dream pop project lorna with some idm excursions and a generally enveloping and comfortable vibe overall; for a more evidently rock-centric number, a cut from jadu heart's upcoming project kicking off in a more subdued indietronica-esque sound, to later bring on heavier guitar riffs and potent drum grooves reminiscent of the baggy / madchester sound; a couple of strictly electronic numbers: hypnotic and icy yet very driving and impactful techno from actress, dingy warehouse uk garage from phuturistix and a heavy ghettotech number with an excellent sample (i'll admit, my first introduction to it was the dj rashad track) from mr. de; and finally, the newest single from model/actriz, much more effective for me than a lot of their previous album, we'll see if i end up liking this one more this time around.

that's it for this month, tube it!

[manic-maniac-man]

HUgE July 2011

EFFECTOR BY NIGO ADVERTISEMENT

And

Inforcus

Truth is in the details

ITEM: EYEWEAR

BRAND: EFFECTOR

MATERIAL: 8mm-THICK ACETATE

SIZE: Phil/W155×H60x054xL145 (TEMPLE)mm

MAESTRO/W140×H40x854xL145 (TEMPLE mm

COLOR: Phil/BLACK, WHITE

MAESTRO/BLACK, CLEAR, BEAR BROWN

MADE in JAPAN

An inspiring collaboration with two of Tokyo's most representative creators

Effector has built a unique style with its rugged cell frame eyewear made from 8mm thick fabric. Creators and fashion brands are attracted to the brand's reliable quality and avant-garde design work.

Although it is a new brand that started in 2005, it has already established itself as the new standard in eyewear.

EFFECTOR has just announced two new collaboration products. The first is the third model, “Phil” (pictured above), from EFFECTOR by NI GO®, a collaboration label launched last fall with NIGO®. It features a big face and fat frame with a 60s feel, making a big impact. The other is the first model, “Maestro” (pictured below), from TOWA TEI with EFFECTOR, a collaboration with DJ, artist, and music producer Towa Tei, who is active worldwide. This model has a gentle fox shape with a narrow top and wide width. Both models are unique in their own way, but the fact that they are surprisingly easy to coordinate with other items speaks to the high level of design at EFFECTOR. Of course, they are handmade by artisans in Sabae, Fukui, a world-renowned producer of glasses in Japan. Backed by outstanding skills, EFFECTOR’s creativity will continue to accelerate.

The third model Phil (right) from EFFECTOR BY NIGO, directed by NIGO®, is available in two colors: black and white. The Maestro (left) from the new label TOWA TEI with EFFECTOR, a collaboration with Towa Tei, is available in three colors: black, clear, and beer brown. They will go on sale from early June. Both are not limited collections, but will continue to be available as standard models. Each is 29,400 yen (all at Optical Tailor Cradle Aoyama store)

Japan-Made Eyeglass are

Now on Engaged to Two Star Artists

Who Represents Tokyo Creative Scenes.

[musicarenagh]

Diving into Innovation: Sage Suede's "Dirty Blonde" Reviewed Guys wait, wait, have you heard Sage Suede's latest album, "Dirty Blonde"? If not, you're in for a treat. This album isn't your average playlist filler – it's a whole vibe, a sonic journey that'll have you hooked from the get-go. Sage Suede's music is like a blend of several genres right from electronic psychedelic to hip-hop, all in one place. Yet, round it up, it's not just the beats but the feels. It's more than just music that you hear in "Dirty Blonde", it is a feeling. Along each track, a different story is told for instance, the groovy beats of "High" and the fine tunes of "Palm Trees and Scotch" with Dazmin D'leon. Also, there's "Itty Bitty," an oldie that will literally force you to tap your feet and move your head in no time. However, "Dirty Blonde" manages to ooze out a feeling all its own. It brings you just straight into a completely different world where music is better than just the soundtrack – it’s like an adventure. Hence, if you're up for an unexpected turn of events, a new trip, then "Dirty Blonde" shall be the album you're looking for. SAGE SUADE isn't merely rapping; he's creating moments, and 'DIRTY BLONDE' is one you'd not wish to miss. Listen to Dirty Blonde on https://soundcloud.com/sagesuede/sets/dirty-blonde-clean?utm_source=clipboard&utm_campaign=wtshare&utm_medium=widget&utm_content=https%253A%252F%252Fsoundcloud.com%252Fsagesuede%252Fsets%252Fdirty-blonde-clean Follow Sage Suede on Facebook Twitter Spotify Soundcloud Youtube Instagram What is your stage name SAGE SUEDE Is there a story behind your stage name? I’m a musician & model that is into magic. The name is meant to describe my vocal delivery in an abstracted manner through the tactile / textures. I see a sage green aura a lot while meditating and I have smoked sage for the thujone, but usually absinthe is easier. Where do you find inspiration? I write from the heart, so my writing is usually based on real experiences. Recently, I have had a lot of stalkers, so I wrote the single Saiko Choto, which is in Japanese and English about the crazy chick that follows me around shopping. She’s not Japanese, but I like the psycho fashion in harajuku. I’m a polyglot, so I write the way that I think and sometimes make stuff like that or in Spanglish. What was the role of music in the early years of your life? I was in musicals growing up and often got cast as the prince. Even in shows that I wasn’t part of like at Esther’s Follies they would just pull me on stage and do an entire number. When I got older, I started to party more and wear leather, so people saw me more as the bad boy and I was also in a musical as Flynn Rider so that’s where I got a lot of free vocal training, even though it wasn’t totally my vibe. Are you from a musical or artistic family? Music was always a part of my life and I used to play often for memorial services and Alzheimer's centers with my family. When I got older, I started to book my own shows since I was the most into music. Who inspired you to be a part of the music industry? I always wanted to travel and experience the world, so I chose to be a musician and also a polyglot. My first albums were Music by Madonna and Deee-Lite’s Greatest Hits. I think the electropop of producer Mirwais and dance house like Towa Tei impacted the style of music that I produce today. How did you learn to sing/write/to play? Most of the electropop that I create is in Ableton with sampling. I’m also a multi-instrumentalist but usually I sing & dance on stage. I do my vocal arrangements and most of my beats before post-mastering, which are layered to sound otherworldly lately. What was the first concert that you ever went to and who did you see perform? I saw Crystal Castles live at Stubbs in high school and almost passed out. Alice Glass has a great stage presence and it felt spiritual for me. How could you describe your music? I’d say electropop with some punk, hip hop and reggaeton vibes.

The style varies a lot with the way I’m thinking and feeling, as well as the styles that I’m enjoying in my free time. I create culture based on what I’m experiencing. [caption id="attachment_54342" align="alignnone" width="2000"] Diving into Innovation: Sage Suede's "Dirty Blonde" Reviewed[/caption] Describe your creative process. I usually write the lyrics before I make the track. Sometimes I structure the track around the poem. Other times, I’ll arrange the beat before I write the lyrics and tailor the lyrics for the beat, like I do on some collabs. What is your main inspiration? I’m inspired by everything that I’m going through in life, as well as by other art that I experience. For example, my psychothrillers on Amazon… a lot of the inspiration comes from being stalked for the past 3 years and my next door neighbor’s divorce. What musician do you admire most and why? Probably someone like Shygirl or on her label because I dig the London sound. I guess I’m spearheading that electro scene in Austin, which is the London of the southwestern US. Another artist would be Uffie and I’d like to have a fashion bender too. Did your style evolve since the beginning of your career? Yeah, I’ve made a ton of different styles and languages. After playing The Viper Room, I feel this rockstar energy that I want to share more of. I’m not sure how I would like it to manifest most in my music yet, but I wrote Psychotic Bulgogi on the way to the venue and published a few other psychothriller novelettes later, so I might just be a little more goth. Who do you see as your main competitor? My only competitor is myself, because I’m only benchmarked on my own success. What are your interests outside of music? I like fashion and the new Robert Wu show is a favorite. I also like Versace. If it wasn't a music career, what would you be doing? I like to model too and that’s a big part of my online presence. I have a photoshoot on Friday and thousands of pictures. I like to work with brands and share the influencer deals with fans on instagram. What is the biggest problem you have encountered in the journey of music? Stalkers. They are very annoying and they deliberately lie about everything in my life, including my name to random people offline. Online, they’ll go down my follower list and lie to people. It is bogus and they don’t make anything, but if they spent the time on themselves then maybe they could. The stalkers in my apartment complex attacked me with a weapon and they caught a case with the municipal court, but they are still yelling lies out the window. If you could change one thing in the music industry, what would it be? I don’t think there is any equality at all with the corporate monopoly and federal funding is a disproportionately serving corporate slush fund for award show circle jerks, so it has never served indie artists at all that do our songwriting and arrangement. There doesn’t seem to be a pipeline from artistry to corporate wasteland anymore and most of them are buying the entire track, so it’s often a disappointment to listen to. Why did you choose this as the title of this project? Dirty Blonde is partially about the experience of being a carefree blonde, which also includes being stalked like on the song “Itty Bitty” which alludes to the risk of being stalked at home or a relationship gone wrong because of a possessive ex. Crime stats show the prevalence of blondes being stalked is higher and I didn’t realize this growing up but I learned later from crime shows. I wrote Itty Bitty before moving to a new apartment complex, where I was stalked again and it was much worse with people trying to sneak inside my place at 3am on multiple occasions, so I must have foreseen this while writing the lyrics. Being blonde is fun but it can also come with additional risk of violence so you have to be careful and lock the doors. https://open.spotify.com/album/2QeXXxuhIH7KGjsLQ5v8jv?si=nH8qwlllQRKI93Z1-eqlxQ What are your plans for the coming months?

After being stalked again, I am planning to move. I have a performance at Package Menswear on March 14th which is an underwear store so it will be sexy. Do you have any artistic collaboration plans Yeah, I’m still working out details and making demos. Dazmin D’leon is working with me on a few tracks. I’ve also gotten in touch with Tying Tiffany and C+C Music Factory through instagram so we will likely collab too. I listened to both of them growing up and am stoked about the possibility of us making collabs together now that they have expressed interest. What message would you like to give to your fans? You can make a lot of content on the cheap and do it on your own. The corporate scene has little integrity and that’s why I don’t feel like any of them are real competition in songwriting, because most can’t write. I’m dropping new books on Amazon and you can check out the channel for my latest show in Hollywood at The Viper Room and dope music vids: YouTube.com/c/SageSuede

[radiation]

referring to artists getting mad at ai as "mediocre internet entertainment" is rich when youre a funnyman on a niche social media platform and you made an unremarkable rpgmaker game. but otherwise i agree ai critical people need to have more nuance to their opinions

Its rich that you sent this without listening to Towa Tei’s 2011 album SUNNY and prefacing this message by stating your favorite track and 3 sentences about why you like it so much

[taller-de-colaje]

View this post on Instagram

A post shared by TOWA TEI (@towatei)

Collage by Towa Tei

[joshuahowls]

Towa Tei

[myhughniverse]

On September the 10th, 1997, Kylie Minogue* invented the typeface : "German Bold Italic" with the artist Dong-Hwa Jung aka Towa Tei and it would be almost a year later when Bill Gates would release Windows 98 with any kind of comparable typeface available on Microsoft Word. Makes you think 💾🖥️⌨️ * Text from "Thisisdisco" on Twitter (previously) / X (now)

Snapshot of Kylie 📸Stéphane Sednaoui

[princesaimposible]

rules: shuffle your ‘on repeat’ playlist and post the first 10  tracks, then list 10 songs you really like, each by a different artist.  then tag 10 people to do the same thing

tagged by @shunjiwais, thank you dear 🤎

10 songs from my ‘on repeat’ playlist:

binz - solange

save a kiss - jessie ware

come to me - bjork

constant repeat - charli xcx

how to forgive - tennis

in my dreams - kali uchis

america has a problem - beyoncé

i believe in you - kylie minogue

cirrus - bonobo

by your side - sade

10 songs i really like:

do you miss me? - pinkpantheress

unison - bjork

to cure a weakling child - aphex twin

amoureux solitaires - lio

german bold italic - towa tei ft. kylie minogue

age of consent - new order

algtr - lexie liu

i want more - can

giorgio by moroder - daft punk

appletree - erykah badu

tagging @usermavka, @videoclubs, @may-1994, @jeannemoreau, @gregg-araki, @tkaneshiro, @mia-goths, @kristensteward, @myso-calledlibrary and @bbibbico 💋

[enterfurore]

*          𝐀𝐂𝐂𝐄𝐏𝐓𝐄𝐃          :        welcome     to     l'academiae     furorum     ,    HARLAN     CONSTANTIN     &      JUDITH     “JUDY”     KWON     .     please     submit     your     account     within     twenty     -     four     hours     .      sebastian     stan     &      park       min-young     are     now     taken       !

◜          *          :          sebastian     stan     .     cis     male     &    he     /     him     .     love     by     mica     levi     .          ━━           the     legend     surrounding     london’s     l’academiae     furorum    would     not     be     complete     without     HARLAN     SIDNEY     CONSTANTIN     .     the     academy's     THIRTY    -    SEVEN     year     old     ARTISTIC    DIRECTOR     has     been     with     furore     for     TWENTY     YEARS     ,     oft     described     as     WITTY     ,     DEDICATED     ,     WITHDRAWN     ,     CYNICAL        &          has     proved     utterly     indispensable     to     the     company.     in     passing     ,     they’ve     come    to     be     associated     with     CINNAMON          &          red     ferns     burnt     by     the     sun     ;     a     forgotten     grove     ;     dark     corners     and     sharp     objects     ;     a     lifetime     free     of     sleep    .     whether     this     will     be     their     final     curtain     call     is     anyone's     guess          &           the     company’s     worst     nightmare     .          (          as    portrayed     by     anna     ,     25     ,     she     /     they     ,         &          pst     .     none     .          )

toni’s     co     director     wc     is     now     taken     !

◜          *          :          park       min-young     .     demi-woman     &     she/her     .     kasey     by     towa     tei     .          ━━          the     legend     surrounding     london’s     l’academiae     furorum     would     not     be     complete     without     JUDITH     “JUDY”     KWON     .     the     academy's     THIRTY-SIX     year     old     COSTUME     DESIGNER     /     TECHNICAN     has     been     with     furore     for     THREE       MONTHS     ,     oft     described     as     JOVIAL       ,       CAPTIVATING       ,     MEEK       ,          &     CLUMSY          &          has     proved     utterly     indispensable     to     the     company.     in     passing     ,     they’ve     come     to     be     associated     with     FEMININE     ,     LIKE     GLASS.     NOTES     OF     RIPE     PEAR     BLENDING     INTO     A     FLORAL     HEART     OF     DAHLIA     PETALS.          &     perfect     symmetry    ;     not    satisfying    but    eerie    ,     the     seamless     transition     from          the     bustling     streets     to     your     quiet     home       ,     the     memory       of     someone     you     know     and     not     how     they     are     perceived     ,     a     familiar     embrace     .    whether     this     will     be     their     final     curtain     call     is     anyone's     guess          &          the     company’s     worst     nightmare     .          (          as     portrayed     by     red     ,     twenty     four     ,     she/they/them     ,          &          pst     .     close     up     eyes      &      eye     horror     .          )