#artist: enjo-g
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Tracklist:
Chimera • Worn hearts • BUZZSTEPS GET RAVE • Need U More • RAVER SLAVER • A Love Supreme • P.K.G. • Mosaic fluid • STROBE DANCER • PERFEKT MATCH • nuclear song • N.R.G. • DS -DOUBLE SHOUSEI-
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#hyltta-polls#polls#artist: various artists#language: japanese#language: english#decade: 2010s#Nu Rave#Nu Oldskool#Oldskool Hardcore#Breakbeat Hardcore#UK Hardcore#Hardcore Techno#Hyper Techno#Euro Rave#Dubstep#artist: m2dy#artist: sampling masters aya#artist: dj sharpnel#artist: jakazid#artist: missile chewbacca#artist: 吉田哲人#artist: dj technorch#artist: sampling masters mega#artist: chocoxina#artist: ピアノ男#artist: 限界loverz#artist: bubble-b#artist: enjo-g#artist: 232comit
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Exhibition 2
The gallery has a number of exhibitions, but I mainly focused on the Amie Siegel exhibition and the exhibition from Christopher Mahon.
By Christopher Mahon.
VISUAL is pleased to present Sincere, or what you will, a solo exhibition by Irish artist Christopher Mahon.
Mahon works across a range of media including sculpture, painting, photography, installation and performance, and his practice is notable for the variety of disciplines and materials used. He has worked with actors and dancers to create site-responsive environments that combine the mundane and theatrical, and often incorporates found objects in the finished piece.
For several years Mahon has maintained a studio in Cairo, Egypt, basing much of his sculptural production on the techniques and capabilities of the small industrial workshops – the foundries, metal-, stone- and wood-working studios – that dot the city’s backstreets.
Mahon’s sculptures occupy the unstable space between lyricism and materiality, the concrete and ineffable. His materials reference the form and patina of everyday objects and their archaeological forebears. Figurative and decorative elements – carved stone arms, cast brass urns, found textiles – speak to both the historical context and daily domesticity. His material language embraces the mechanical detritus of the modern metropolis. Once functional objects now beyond repair, furniture so broken that no one will give it houseroom. The twisted fragments, nuts, bolts, cogs, pipes, of an obsolete infrastructure are repurposed or recreated so they can play their part as elements in a newly finished work.
Take BAI GAMAYKA, a key work in Sincere, or what you will. The seemingly meaningless set of brass sans-serif letters mounted on the wall reproduces the sign that hangs above one of Cairo’s few remaining downtown bars. The cursive flourish of the r fell off long ago and there is no soft g in colloquial Egyptian pronunciation. Bar Jamaica/BAI GAMAYKA hangs opposite The Sky so Blue, a scrawled handwritten phrase that has been recreated in outsized aluminium letters that hang floating in space; half-baked poetry facing off against a hard-bitten bar.
The exhibition’s title Sincere, or what you will foregrounds the artist’s interest in the ambiguous, the porous, the making things whole anew, if only temporarily. While it is now widely accepted that sincere derives from the Latin sincerus meaning clean, pure, sound, a common folk etymology has it that sincere is derived from the Latin sine, without, and cera, wax. The phrase was used to describe a perfect marble sculpture with no cracks needing to be filled with wax to trick unwary buyers. “or what you will” is drawn from the full title of Shakespeare’s Twelfth Night, a romantic comedy replete with love triangles and protagonists in disguise. The play was written to be performed on the twelfth night of Christmas or the feast of the Ephiphany, a holiday that shifts around the calendar depending on the Eastern or Western Christan tradition, and which now marks the boundary between an extended holiday period and the imminent return to work.
This exhibition, too, exists on the boundary between places and times both real and reimagined, where memories and materials can appear and dissolve and reappear anew.
Sincere, or what you will is co-curated by Benjamin Stafford (VISUAL) and Rachael Gilbourne (IMMA, RGKSKSRG). A text by Gilbourne, An Ode to Spring, from the End of Winter, to the Start of Summer, accompanies the exhibition and is available here and at the gallery.
Christopher Mahon is an Irish artist and the work for VISUAL was produced in his studio in Cairo. He attended the ��cole Jacques Lecoq Movement Research Laboratory, Paris, holds an MA in Art and Research Collaboration from IADT and was a resident at the Rijksakademie, Amsterdam 2018–2019. Mahon has exhibited in Ireland and internationally. Projects include Paris Art Book Fair, Palais de Tokyo, Paris (2024), Aswan International Sculpture Symposium (2021), Rijksakademie Open Studios, Amsterdam (2019), Le Menagerie de Verre, Paris (2019), Townhouse Gallery, Cairo (2019), RGKSKSRG Cribs, Dublin (2019), Double Negative, ARKO Art Centre, Seoul (2018) and Active Archive, Project Arts Centre, Dublin (2018). Mahon’s work is held in private and public collections in Ireland, Europe and North America.
By Amie Siegel
VISUAL is pleased to present Asterisms, a solo exhibition by Amie Siegel. Siegel is an American artist who lives in Brooklyn, New York, and works across film, video, photography, sculpture, painting and installation.
Asterisms is both a moving-image work and a sculptural installation, its uniquely star-shaped wall of overlapping images built to a scale the artist proposed in response to the architecture of VISUAL’s Main Gallery. An asterism is a loose collection of stars that form a pattern, similar to but smaller than a constellation. This notion of disparate elements combining to form a complete image is key to both Asterisms itself, and to Siegel’s practice in general, in which deep research produces artworks that address cultural, political and social questions.
The setting and context of Asterisms is the United Arab Emirates, a place that has modernized at a rapid pace, built on wealth originally derived from ownership of natural resources. Throughout Siegel’s cinematic work the viewer encounters images of factories, labour, commerce, leisure, technology, humans, and animals. These elements are interwoven in the artist’s careful montage and in the various cinematically-scaled geometries that build and layer over time, both in their accumulation of meaning but also as the images dynamically overlap and connect on the star-shaped wall. Horses play a role in the work, and are seen stabled in luxurious accommodation, in sharp contrast with the conditions in which migrant labourers live and work. Horse’s flanks echo the shape of sand dunes and seem to merge with the landscape. The material of that same desert landscape – sand – is everywhere; kicked up into dust by hooves, encroaching on buildings, filling the doorways and windows and almost totally burying houses. Sand is dumped onto artificial islands, to arrest their rapid erosion back into the sea.
These artificial islands comprise a development designed to mimic a map of the world when viewed from above. Despite having once been a flagship project of the Emirate of Dubai, they are no longer promoted by the government. They hide in plain sight, simultaneously visible and invisible. In one of the later shots in Asterisms, the camera zooms out from a party on one of the islands, where a crowd drinks and dances by a swimming pool. As the partygoers recede into the distance, the lights of the sole inhabited island in a sea of dark ones makes them appear as distant and alone as a star hanging in a night sky.
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On show in VISUAL’s Digital Gallery is Siegel’s RM, a series of photographs of radioactive minerals. This group of works allude to Asterisms both in their constellation-like display, individually illuminated in a darkened space, and their own almost astral representations, glowing gently in dark matter. Many of the minerals Siegel photographed are pseudomorphs, or “false forms”, an occurrence where one mineral’s substance is entirely replaced by another while retaining its outward physical appearance. In each of these differently scaled works, the inherent danger of the radioactive material contrasts with their jewel-like colours and forms, their true nature disguised.
Alongside these works Siegel presents Listening to the Universe (2014), a work-on-paper and act of montage derived from the artist's collection of science and space museum postcards, presenting the vacuum of sound that is outer space, and our continual efforts to listen, or know, our sphere and beyond.
Asterisms is a commission of the Fundação Bienal de São Paulo, Brazil and VIA Art Fund. Additional support by KTLO, Los Angeles.
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Amie Siegel (b. 1974, Chicago, IL) is a visual artist working variously with film, video, photography, sound, performance and installation. She is known for her layered, meticulously constructed works that trace and perform the undercurrents of systems of value, cultural ownership and image-making.
Recent solo exhibitions include Panorama, Carnegie Museum of Art, Pittsburgh (2023); Bloodlines, Scottish National Museum Gallery of Modern Art (2022); The Silence, ArkDes, Stockholm (2022); Medium Cool, Blaffer Art Museum, Houston (2019); In Focus: Amie Siegel – Provenance, Tate St. Ives (2018); Winter, Guggenheim Museum Bilbao (2017); Strata, South London Gallery (2017); Double Negative, Museum Villa Stuck, Munich (2016); Ricochet, Kunstmuseum Stuttgart (2016) and Imitation of Life, Temple Bar Gallery, Dublin (2016). She has participated in the 34th São Paulo Bienal; 12th Gwangju Biennial; Dhaka Art Summit, Bangladesh; Glasgow International, Scotland; 5th Auckland Triennial, New Zealand; and the Whitney Biennial, among numerous other group exhibitions.
Siegel’s work is in the permanent collections of The Museum of Modern Art, New York; Tate, London; Carnegie Museum of Art, Pittsburgh; The Art Institute of Chicago; Kunstmuseum Stuttgart; Auckland Art Gallery, New Zealand; MAK-Museum für Angewandte Kunst, Vienna; The Metropolitan Museum of Art, New York; Whitney Museum, New York and the Solomon R. Guggenheim Museum, New York. Her films have screened at the Cannes, Berlin, Toronto, Rotterdam and New York film festivals. She has been a fellow of the DAAD Berliner-Künstlerprogramm and Guggenheim Foundation, a Fulton Fellow at The Film Study Center at Harvard University and a Smithsonian Artist Fellow. Siegel has received numerous grants and awards including from the Sundance Institute, Princess Grace Foundation, ICA Boston (Foster Prize), Creative Capital, Anonymous Was a Woman and the Foundation for Contemporary Arts, New York. In 2023 she was an Artist-in-Residence at the Yale Center for British Art, New Haven, CT.
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Waking up to a ton of DMs and Anon Asks about Sam and a new woman
Here's the pic. It's not Santa Monica Pier like some people are saying, that's Malibu Farms Cafe on Malibu Pier. 👇
I know who the blonde is. But I'm not going to post her name. It starts with a "G" in case I get accused of bluffing. I'm just not going to post her full name because of the inevitable hate she'll get. It will come out eventually anyway. But she is a former playmate model. I don't see anything bad about that. If you do, I'm not the blog for you. She still models and is a makeup artist. Sam has a residence in L. A., he's an ACTOR, it's normal for actors to date actors, models, Playboy models, etc. I doubt they're dating exclusively, he's dating around, as we've seen, and since he signed up for Raya, that dating app. Sam is enjoing his life. Everyone loves him and confirms what a great guy he is. Let him live!
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villain spam
there was going to be accompanying drawings but i got impatient. they are now replaced with semi related images i found on pinterest
Richard Calvin and Nasir Sayyid
Richard Calvin and Nasir Sayyid were business partners and close friends. Calvin was an established United States armsdealer who founded the CobraCorp ammunitions company. He frequently collaborated with tycoon Nasir Sayyid, CEO of the Saudi Arabian arms company [REDACTED]. Following the death of Nasir Sayyid and his wife Amancia came a relentless litigation in which Cobra took over as a parent company of [REDACTED]. There is no more formal distinction between the two companies. Little is known about the death of Nasir and Amancia. They were survived by their two children.
Shortly before their deaths, Richard Calvin found himself the target of powerful and unnatural forces. This is what we would now recognize as the beginning stages of possession - the compelling. It’s believed that the compulsion may have drove forward Calvin’s aggressive business practices to their fatal ends. (Though at this stage in his life, it was no major deviation of character.)
Only a month after the funeral of his best friend, Calvin found himself in the Neurology ward of the childrens’ hospital. It was here he learned that his only son, a 10 year old boy named Drew, had suffered a severe head trauma. He entered a coma and - fully braindead - was not expected to ever wake up.
Richard Calvin was alone in the world, but for the small voices in his head that had been urging him for months. The stage was finally set for the voice to take on a human shape.
Drew Calvin was taken from the hospital; Richard Calvin wanted him home in his final moments. He died that same night.
The next morning, Valentine woke up.
VALENTINE
The term “vessel” is thrown around quite loosely when talking about possession, the case of Valentine and Drew Calvin is the only one where it actually applies. As opposed to a human sharing their mind and body with the god, Valentine IS both body and mind. Drew Calvin is fully dead. Like its competitors, Valentine wants to own the Earth. Its odds are very favorable, especially with the combined talents of Tara Sayyid’s ward.
Valentine is the most outwardly warlike of all observed gods. Though nobody knows his true intentions with the Earth, it isn’t difficult to speculate what he wants with it.
Also of note is that, though dead, the body is still growing along semi-typical milestones. However, there are some noticeable quirks in its development. A much older god’s attempts to reconstruct a human body to its needs have been shocking and unexpected.
Tara Sayyid and Xavier Sayyid
Tara Sayyid and Xavier Sayyid - god-children to Richard Calvin. gained custody after their parents died. both are legally considered both employees and assests of Cobra.
Tara Sayyid is host to Ra. Due to her age and her silent nature, her intelligence is frequently underestimated. It’s also a common misconception that her circumstances are like Valentines - that she is nothing more than a literal vessel for Ra. In truth, the two are very compartmentalized. Having said that, they both seem to fall firmly within Valentine’s control.
Xavier Sayyid is a leading figure in the entertainment branch of Cobra, though not willingly. Better known by his stagename, G/LEAD. Originally meant as a propagandist, PR has learned that his artistic direction cannot be stifled. His own brand is decidedly insurgent, but his contract binds him from ever seeking financial independence from Cobra.
TASK FORCE 9
These are the agents of Cobra who deal with Our Heros directly. By seniority:
Henry “Lotus” Lastra
(i love ben affleck)
The oldest of the group. Worked under Richard Calvin back when they just sold arms. He has no inclination towards matter of the occult. In spite of this, he is perhaps the most critical agent of Valentine’s will. A man of great patience. (45)
David “Coyote” Dasel
Contract killer. Was enjoying semi-retirement until Lotus coaxed him back into employment. Struggling with his “No women, no children” rule in light of recent events. Traditionally, he can’t be drawn out until there’s blood in the water. Big fan of statesmanship. (40)
Renee “Avalon” Chaput
Former Olympic Sharpshooter. Now enjoys a career of historicism and risk analysis. Specializes in the study of empires and revolution. Her loyalty is to the winning side, without exception. (37)
Akio “Pascal” Yamana
Hired fresh out of college, hasn’t crawled his way out yet. Widely considered a genius, but not smart enough to realize he’s on punishment detail. He handles security and intelligence. Highly cooperative. he should’ve been born a party girl. (27)
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GS Artists Rec List
I told @the-nysh I would do this so I did. I’m just here to shamelessly promote my favs. If you want to binge on art, trawl Pixiv and bookmarks. If you want daily art, follow the artists’ Twitter, or @GSnightfight.
Sidenote: It is strange to know that some of the raunchiest stuff come from mums.
(Artists under the cut!)
Kinako [Pixiv] [Twitter]- Protec. Their comic strips are so cute and good. Like this one here and an ongoing one on Twitter. I don’t really understand it but it seems like Genos drank a memory loss chemical to forget about how he couldn’t really love Saitama but then ended up in a relationship with him anyway? He calls just calls Saitama “Saitama”, it’s very bittersweet because he regrets drinking it. (Full thread here)
Yutani [Pixiv] - They do doujins, including one where Genos turns into a white wolf and one where Saitama gets double-teamed by devil!Genos and bunny!Genos.
Lisa [Pixiv] [Twitter] - Have I mentioned lately how much I love Lisa? I’ve been following her ever since she did “The person who makes you happy/Happy people” (Part 1/Part 2). She just did an omegaverse doujin too. Her style is a bit anatomically questionable but they look soft and blushy and muscley and romantic so I’m into it. She’s also done a couple of fake movie posters that’s also very tender. ^3^ (Also, nice try Lisa, I know you draw gratuitous bottom!Genos porn on a separate Twitter account.)
Nano [Pixiv] [Twitter] [Tumblr] - Soft, round egg. They did a doujin where Saitama gets fucked while wearing a dress as well as this really nice sfw doujin about Genos realising he likes Saitama. And who could forget this iconic fake twitter video. (Also they’re on tumblr! Please show them more love)
Polon [Pixiv] [Twitter] - Soft watercolour style, lithe muscley egg illustrations in sexy (and funny) poses and outfits. Loads of lovely short R18 comics. One of my favs is in here where Saitama’s cum is turned into Cookies and Cream flavour by a monster and this one where Saitama gets a bad fan letter and needs some TLC. They also have cat!sensei and dog!Genos versions which are super cute. Cat!Sensei is very chubby (it’s in their icon!).
Oikkodeth [Pixiv] [Twitter] - Yall better recognise. Mainly R18 doujins and puts out one every event (that’s like 5 times a year or more). They’ve covered the whole range: hanahaki, Little Red Riding Hood, human torso!Genos and more. Anatomy is a bit stiff but they’re so proficient.
Mido [Pixiv] [Twitter] - Korean but translates her comics to Japanese. Expressive, cute, clean comic style.
Akiyama [Pixiv] [Twitter] - Yall better fucking R E C O G N I S E. They, along with asamizu and a few others, have been posting since 2013. They churn out doujins like a machine and even has their own category in the doujin store, their books took up half a shelf. Consistently cute, punchy dialogue and doesn’t deal with drama. But you don’t need me to tell you. (Look at this though!!)
Hoyu [Pixiv] [Twitter] - You guys remember the sausage pillow comic? Do you like spit, licking, kinks and softcore yandere Genos? You’re gonna love Hoyu. Also, she knows loads of people? I always see her in the comments on twitter. Very skinny boys and twisted love, a new and interesting sketchy style.
Akiko [Pixiv] [Twitter] - A very girly and attentive waifu top!Genos and a tired Saitama. Puts out a comic strip almost every day? #blessed. (Sensei, please be sweet to me!) Doesn’t do R18 very often.
Oishigeru [Pixiv] - Does only doujins, maybe twice a year? Most, if not all are R18 and Saitama always looks vaguely worried. i like Even If mostly because it’s the only one I read all the way through and it’s about insecurities of a relationship. There was another doujin about Genos/Two Saitamas. Does introspective egg very well so I’m immediately biased. Doesn’t post art on twitter so I’m not including it.
Emochikaoya [Pixiv] [Twitter] - Yall already know I’m a massive fan of Kaoya’s work. Kinkwise, if you think of it, she’s probably drawn it. Super efficient, churns out minicomics once a week in between drawing her original comic (can’t stop the thirst, guys). I’m trying to get her to do more coloured illustrations so if you guys want to stroke her ego, I’ll pass it on. My favourite doujin of hers is ‘Who’ and it has hands-down The Best Egg Lecture. Probably one of the few artists who bother to translate to English (you’re welcome). I have a million things to say about her but it would turn into an essay so I’ll stop.
Minerux [Pixiv] [Twitter] - A member of the @GSNightFight challenge on Twitter. Uncertain and worried egg and supportive and very attentive borg. Check out “Curiousity” and “Red String” and a personal fav “Hold on”.
Dokimaru [Pixiv] [Twitter] - Her neko sensei is probably the most iconic. He has a sweatshirt with like 6 nipples? Iconic. they drew a hot springs doujin where Genos turned basically his whole body into a vibe and Saitama caused him to short circuit and blow out every fuse in the ryokan. They set off the fire sprinklers. This one ficart where Saitama gets double-teamed by two Genoses knocked me flat.
Mat [Pixiv] [Twitter] - Mat?? Is so?? Good?? Ever think about how a look can break your heart? Egg is always tired and Genos is worried. Contact is very sweet and makes your heart twinge, and there’s another one they just released about Saitama being cursed with handcuffed hands
Hebitoriasu [Pixiv] [Twitter] - I’m not a big fan of the shading but I can see improvement. Mostly R18 doujins but they’re cute.
Tori/Saboten [Pixiv] [Twitter] - They have two major AUs - fem!Saitama (Nyotama) and Sabo-sensei - and they’re both amazing. Very good readability, very funny comics. If you’re not a fan of fem!Saitama, they have dedicated groups of art for nyotama. Of course my fav of their works is the one with all of Saitama and Genos’ dating problems and the one where Saitama is “Weak to ikemen (handsome guys)”.
Asamizu [Pixiv] - What kind of useless list would this be without Asamizu? Yeah they had their own category too on the doujin shelf. Very nice graphics, and they discuss relationship topics in a candid manner. Been drawing these boys for over 4 years! Mostly doujins. I also have to plug their game (visual novel) about Saitama endlessly repeating a week to try to get Genos to stop asking him out, it will probably last 10 hours. God they do love to ramble.
Toufumaru [Pixiv] - I’ll admit, I’m not a big fan of their recent work (sailor uniform sensei and sensei who wants to be held) but I really like Blue in Blue and Mellow Yellow which talk about Saitama’s non-existent emotions.
Nemunoki [Pixiv] [Twitter] - Mainly R18 doujins. They’ve explored all manner of sexual situations and kinks. Outdoor sex, electricity, double penetration, tentacles, you name it. It’s all amazing. The perspective does throw me off though.
Untara [Pixiv] - Into switch but really likes bottom!Genos anyway. What can I say? Kinky, but hot.
Satoku [Pixiv] [Twitter] - Melancholy egg! Attentive Genos! Does mostly short comics but they’re so cute. Martyr Saitama is my jam!
Kamikoawakakyouko [Pixiv] [Twitter] - Interesting concepts. Recently released a comic that I consider to be the pinnacle of the OPM fandom because it’s Saitama having to consider the environmental/global impact of his strength and how that boils down to affect his everyday life.
Matabi [Pixiv] - Pretty much only doujins. Sensei has moobs and the boys are squishy and blushy. Also does quite a bit of rimming.
Sototuka [Pixiv] [Twitter] - Mostly R18 illustrations with some nice shading but questionable garments. She drew this doujin with futa!Sensei and double-dick Genos.
Hara Hara [Pixiv] - Saitama is the manic pixie dream girl you guys never thought would exist. Fashion model ingenue. Werk it, sensei. Permanent come hither. Seeing Saitama in dresses brings me life (even if he is super skinny).
Raoki [Pixiv] - Mainly R18 illustrations. I remembered she did sounding with Pocky.
Gmeko [Pixiv] - C U T E. Round and pastels. Soft with lots of TLC. Did a “(I’ll find you) Before the stars do” comic and a hair washing comic.
NICE BOON [Pixiv] - Korean who takes no shit. Fantastic fashion. Little to no BL but the concepts are all on pointe. Existential egg. Eggistential. Locked twitter.
Silver_mssk [Pixiv] [Twitter] - locked account but if you managed to add her…really, really good eggistential portraits in a variety of scenes. Hilarious comics and a stone face Genos and flailing egg. Also lots of Mobuncle/Saitama scenarios? Which…tbh same.
Foo2333 [Twitter] - What if Saitama took part in enjo kosai (paid dating)? Bottom!Saitama, a soft and sexy egg desired by all. Listen, I don’t make the rules.
Skaky21 [Pixiv] [Twitter] - Mostly out of the fandom but dips in sometimes. Very polished shiny style. Not my cup of tea but it’s cute.
1200年丸 [Pixiv] [Twitter] - Now mostly BNHA but does OPM sometimes. Mostly SFW. This comic is cute.
ICHIKAZU [Pixiv] [Twitter] - Curly haired boyish Genos! Everyone’s crazy about her Apocaplyse!AU but I prefer her newest doujin where Saitama wins a camera and Genos uses it to take lots of pictures of his sensei.
Kaji Oyaji [Pixiv] [Twitter] - Wowowow so cute and pastel? Is everyone an angel? Am I dead? Soft and sweet. Saitama is like a fairy and Genos is in love. Imagine the embodiment of Spring.
Ginsky [Pixiv] - Chinese. They’ve moved on but boy those were some bright colours and expressive faces.
Tutu_en_f [Pixiv] [Twitter] - Soft romantic sketches. Feel very french but I’m only saying that because she is literally in France now.
COCONUT [Pixiv] - Korean. Fashionable (you see a trend?) Saigenos sketches. Young boyish Genos, manly egg.
Obachan [Pixiv] [Twitter] - Chibi comics. Still active and cute af.
Shiwasu [Pixiv] [Twitter] - Woah this egg is too cute for this world. Does short comics, draws sex but not especially ero. I like this one which is about Genos becoming able to read Saitama’s mind, first kiss (self explanatory) and Saitama losing his strength (R18).
Nyuton [Pixiv] [Twitter] - Active on Twitter. Posts a lot of speed-colouring videos. Nice sketchy feeling but with colour. Likes to borrow concepts from music videos.
Mochi [Pixiv] - Crudely-drawn gag comics with a humour on par with ONE’s. Please, they’re so good. This one opens up with both of them wearing The Dress.
Shout out to starjr_major who is currently in Golden Kamui hell but used to draw some really amazingly cute Saitama.
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