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I just read an article on The three musketeers and it has left me teary eyed
#I didn't even read the book while being nine I only watch the dog show why has it hit me so xD#It is by Arturo Pérez Reverte which is usually 🗡🗡🗡 but this article was very sweet#I am contemplating sharing some fragments and perhaps translating them (the article is in Spanish)#I love that feeling of... of getting old alongside the characters‚ of feeling life weighting you down‚#of losing so much spirit and yet retaining so much love.Of looking back and remembering with the same fondness the friends and the enemies#And ultimately that feeling of having some part of yourself die alongside the characters when they start dying‚every time‚with every reread#Closing the book slowly as if closing a tomb. Feeling some part of your young self irrevocably gone#Because these characters‚ these books‚ have accompanied you through life‚ and every time someone dies‚ every time the book is finished‚#there is really a part of you dying‚ or a part of yourself you notice has died or grown old and couldn't see before#And yet a few years later you can pick up the book again‚ open it‚ and it will be again the first Monday of April‚#and D'Artagnan will again be eighteen‚ and again you'll be for a bit the young self you left behind thirty years ago‚#riding alongside him to meet the best friends you ever had#It was such a loving ode to beloved books that accompany us through life and make us part of who we are#Like that poem by Neruda I quote all the time#'muchas cosas / me lo dijeron todo. / No sólo me tocaron / o las tocó mi mano‚ / sino que acompañaron / de tal modo / mi existencia /#que conmigo existieron / y fueron para mí tan existentes / que vivieron conmigo media vida / y morirán conmigo media muerte'#I talk too much#I should probably delete this later#watched#*#Whatever
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Photo 1 by Henry Diltz, photos 2 & 3 by Micky Dolenz (in screenshots from footage of his tour, Micky Dolenz Celebrates The Monkees).
Bringing back an article transcribed in 2023, since it ties in with the theme of these photos.
“Dolenz chewed a jaw-breaker and snapped pictures of Peter. Jones sat nearby and munched his lunch. Tork said he believes in doing anything ‘as long as you’re totally committed to what you’re doing.’ Is Peter committed to starring in a television series, making hit rock ‘n’ roll records and living in Hollywood? ‘Sometimes,’ he said, ‘but I’ve got my best men working on it.’ Peter gets up and goes to the diving board. He clowns a while, starting to dive, then stopping suddenly at the end of the board. Teen-age girls at the side of the pool cry out, ‘Oh, Peter.’ Finally, Peter dives. The girls applaud and sigh. He comes back to the side of the pool and digs his hand into a box with the words ‘Peace’ and ‘Love’ painted on the side. The box, called a ‘Super Survival Kit,’ is filled with things Monkees are fond of, like Plasticman and Tarzan comics, a bushy-headed figure with a sign that says ‘Stamp Out Haircuts’ and a feathered hat. Tork, resting up beside the pool, commented, ‘It’s not hard work.’ He added that he spends what little free time he has ‘balancing my checkbook.’ ‘
We’ve been accused of copying the Beatles,’ said Peter, ‘but we’re picking up on the same things.’ Referring to the Beatles’ new hit ‘Baby You’re A Rich Man,’ he said that it means anyone can make it big. Did he think two years ago when he was a folk-singer in New York City’s Greenwich Village that he would make the big-time in the pop music field or television? ‘Sure, although I didn’t believe it as firmly as I do now. Now I’m a believer,’ Peter said with a grin. One of the Monkees biggest hits was ‘I’m a Believer.’ Other hits have been ‘Last Train to Clarksville,’ ‘Stepping Stone’ and the currently popular ‘Words.’ A cha-cha came blaring over the loudspeaker at poolside. Peter glanced up. ‘That’s obscene,’ he remarked. A young girl in a blue bathing suit nervously stepped forward requesting an autograph. Peter signed: ‘Love, Peter Tork’ and drew a flower. ‘I dig flowers,’ he said. ‘I always put a flower after my autograph, because it’s more gentle that way. But that doesn’t make me a flower child or a hippie. No one can call himself a flower child. ‘I also wear beads all the time now, any beads, colorful beads,’ said Peter, who attended Carleton College in Northfield, Minn., from 1959 to 1963. Then he settled back in the deck chair to read a ‘Peanuts’ book — out loud.” - article by James Beaumont, The Des Moines Register, August 7, 1967 (x)
#Peter Tork#Micky Dolenz#<3#Tork quotes#The Monkees#Monkees#Peter and Micky#screenshots#can you queue it
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Annemarie Schwarzenbach
(i am so glad i learned about her!)
Born in 1908 and died in 1942, she is a Swiss writer, poet, explorer, philosopher, photographer, journalist and traveler (yeah that's impressive!).
Her family was a family of Swiss industrialists from the upper bourgeoisie and close to the far-right ; openly lesbian, she lives with difficulty with them and can't wait to leave.
From 1927, she studied history and literature in Zurich and Paris and then began writing articles for the Swiss press.
In 1930, she became friends with Klaus Mann (writer) and Erika Mann (writer, actress, singer) children of Thomas Mann (writer) and had a long affair with the latter. She supported them in their fight against Nazism. The three friends joined the anti-fascist magazine Die Sammlung.
In 1931, she obtained a doctorate. At the age of 23, she published her first novel, Les Amis de Bernhard. She became friends with Claude Bourdet, Catherine Pozzi's (poet and writer) son and a future member of the French Resistance.
In 1933, Annemarie Schwarzenbach made her first trip as a journalist, travelling to Spain with the photographer Marianne Breslauer.
That same year, she travelled to Persia and decided to marry, in Tehran, Achille Clarac, the secretary of the French legation, who was openly homosexual. She did this so that she was no longer dependent on her parents. Thanks to her marriage, she was able to obtain a diplomatic passport, which facilitated her travels. Obviously, it wasn't a love marriage; the two of them did it to help each other and to be able to live free.
She later returned to Switzerland, then left for the Soviet Union and the United States. In 1938, she underwent several detox treatments for her morphine addiction. She fell in love with one of the women in charge of her treatment. During these stays at the clinic, she wrote "La Vallée Heureuse","Das glückliche Tal" (The Happy Valley).
In 1939-1940, when Europe was once again embroiled in war, she travelled by Ford from Geneva to Kabul, via Iran, with the Swiss traveller, writer and photographer Ella Maillart, a journey marked by her addiction problems. The two women's epic journey is recounted by Ella Maillart in her book "La Voie cruelle". It was during this journey that Annemarie Schwarzenbach wrote "Un hiver au Proche-Orient". She also wrote various reports for Swiss newspapers.
On her return, she went back to the United States, where her addiction to morphine, her depressive tendencies and her suicide attempts forced her to undergo several psychiatric treatments. She then became interested in the trade union movement. In New York, she befriended Carson McCullers, who fell madly in love with her and dedicated "Reflections in a Golden Eye" to her.
During a stay in the Belgian Congo, Annemarie Schwarzenbach joined the Free French forces in Brazzaville; she was mistaken for a Nazi spy. Disturbed by this comparison, she began writing a series of poems, including Les Rives du Congo-Tétouan. In 1942, having regained her serenity, she decided to return to Switzerland.
On 7 September 1942, a fall from her bicycle seriously injured her head. She was treated in a psychiatric hospital in Prangins, with electric shocks. Her mother then had her taken back to the Engadine, where she died on 15 November, aged 34.
After her death, her mother chose to destroy a large part of her correspondence. However, the Annemarie Schwarzenbach fonds is preserved at the Swiss Literary Archives in Bern and was made freely accessible on Wikimedia Commons in 2017. She was nicknamed the "inconsolable angel" by the French writer Roger Martin du Gard.
She has created a number of novels, poems, photos and reports during her many travels, and I invite you to take a look at her work!!! She was such an interesting person!!!
I love women with a thirst for life and the world like that; she wanted to discover everything, and created such interesting things!!!
Do check her books, her poems and her photos!
#lesbian#lesbian pride#pride#pride month#history#pride history#lesbian history#lesbian culture#annemarie schwarzenbach#photography#poetry#travel#writing#writer#lesbian writer#lesbian photographer
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some shit i have to say about this particular thing from the frankly insane ass article sorry:
GH: Why Miami? JC: I love it. Just for me to get away sometimes. That's where I was working out when I came out of college. I don't see myself living there, but it's a nice spot to stay sometimes. GH: You seem to be New Orleans through and though. That's where you would live, I imagine. JC: I don't know. I haven't really decided on what I want to do when it comes to living in places, yet. GH: Do you see yourself being with him the rest of your career or a good part of your career? JC: I see it for a long time right now. We've been together for a long time. We enjoy each other's company. I don't see anybody leaving.
not to be an insane joemarr girlie YET AGAIN but -> ja'marr adores the shit out of nola that much is obvious: choosing to stay in nola for lsu, the way he speaks of it and how he never lets go of his accent even if people struggle to understand him, the shout outs, the fleur-de-lis pads tattoo big ass new chain etc etc so loud in his love AND YET he doesn't say that there's where he would end up in the end. he hauled his ass to cincy, stayed there and made it clear he doesn't plan on leaving (cincy and joe), has a condo in miami with all the beaches and waters he loves but he doesn't see himself living there, etc et-fucking-c AND JUST!!! not to be insane its like he knows that joe is for ohio. joe always comes back to his roots–wanting to go to nebraska like his fam, choosing osu, leaving osu to lsu and choosing to go back to ohio in cincinnati and just not leaving he has shit to prove there he loves it there it's where his family is it's where he grew up it's where he's loyal to and ja'marr just. follows him. 'i don't know' on whether he'd stay in nola where he spent his childhood and college years. 'haven't decided' like there's a place in his mind but he's unsure if he should or if his welcome is for forever or what the boundaries and lines of that forever is and if it's just a wolf-howling-at-moon-never-to-meet shooting-himself-in-the-foot kind of situation. like do you feel me??? i feel crazy like do you get what I'm trying to word out 😭
and like ugh if i can just mention about joe's fondness and love for all the things he's been a part of is so 😔❤️ still wearing all those silicone bracelets to this day the lsu one, covid days bengals one, etc. his ohio state, geuax tigers, athens etc sweatshirts and hoodies that he wears to this day that are in near pristine condition but also looking worn in a way that shows he wears them often and cares for them deeply so they last to this day. showing his love and appreciation in such in your face ways like the burreaux senior day name change, ja’marr’s jersey, etc other examples i can't think of bc my brain is fried :(((((( and so it's like.......maybe that is something that ja'marr notices and wants him to keep you know?? so if he stays in ohio for joe it isn't even remotely a hardship because the city has embraced him so readily and lovingly and he's repeatedly said that he loves the city even if the chili is shit so :(((( just incredibly loyal to a fault these two aaaaa
#its kind of hilarious if you link joe in cincy with#lebron coming to the cavs and winning a chip#lol#but anyway#ja'marr chase#joe burrow#joemarr#joemarr meta#i feel this article will forever be known as The Article for me#also i kind of don't see joe ever leaving cincy tbh. he wants a ring im sure but does it outweigh his love for the city is the question#like is he playing for a ring or is he playing for /cincy/ to get a ring#in osu he /had/ to move to get /somewhere/ in his career yk. but hes here now. and he has the city and the city loves him and well. well.#also they're literally the kind of rich i curl my lip at so they can easily own multiple houses in multiple states and just hop to.#'condo in miami' i will bite you.#also maybe not that readily considering the rookie preseason drops but that just fueled his need to prove himself to the city and joe so
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What about Grandma then? In recent days, that Barbour issue has been discussed in several corners of this fandon, as you said. Well, the day before yesterday Garance was posting stories showing off his Barbour coats...Obviously those two also follow the topics discussed on Tumblr. 🤷♀️
Dear Garance Anon,
You will have to forgive me for the very, very late answer. I wanted to give it my full, undivided attention, because I believe we never spoke seriously about Mrs. Mariline Fiori, aka Garance Doré.
The short answer to your comment is 'oh, but we know they do, as we know they are not the only ones'. Unlike S&C, though, the McGrandmas might see us as a free, useful toolbox of sorts, where readily available ideas congregate. Remember they have deliberately calibrated their public couple personas on exactly what SC are unable and/or unwilling to give/show this fandom. To some extent, it works and, as any good Frenchwoman, Garance understood she was savvy to play the atout charme joker card. Which is exactly what she does - also, being French, she knows exactly what type of European public is instantly attracted to the Barbour reference: a public whose wallets she needs.
But as I just said, your post made me think about Mrs. Doré. Who is she, really? So, sorry, Anon, if I use you as a springboard for my musings.
She was, as I said, born Mariline Fiori, on May 1st (same day as JAMMF, LOL) 1977, in Ajaccio, Corsica's main town and birthplace of Napoleon Bonaparte. Not a Corsican, though (same as Napoleon, LOL): Italian father, French/Algerian mom. People who left Algeria when it became independent, after the Evian Peace Accords, and whom the metropolitan French still call, to these day, 'pieds-noirs' (literally and quite derogatorily, 'black feet'). Her family's social status is, however, a bit unclear, as Mrs. Fiori successively played with her personal story in interviews, in what the French also sarcastically call 'des petits arrangements avec la vérité'/ a bit of tinkering with the truth.
In this 2019 interview to Elle UK, for example, her parents are described as owning a restaurant in Corsica (https://www.elle.com/uk/life-and-culture/a29758314/garance-dore-original-influencer/):
But in another 2013 interview to The Talks, her mother was a shrink (https://the-talks.com/interview/garance-dore/):
Also, for the sake of clarity:
Oh, well: different country, different crowd/market, different agenda and perhaps older and wiser when talking to Elle UK, you would think?
Not necessarily and still a divisive figure for the international press/blogosphere. People did not appreciate her frequent flying and luxury travels during COVID, for example, along with her 'white, bourgeois woman entitlement'. Both in New Zealand...
(Source: https://www.ensemblemagazine.co.nz/articles/garance-dore-new-zealand - I think you should read the entire article, as it is absolutely enlightening, also something I wouldn't go polemic about, you make up your own mind, really).
...and in France, where they apparently are not very fond of her 'cult of personality' approach to social media, to say the least:
(Source: https://www.madmoizelle.com/a-t-on-vraiment-besoin-de-preter-attention-aux-conseils-antivax-des-influenceuses-1145916 Non Francophones could use Google Translate, but considerably lose in doing so the ferocity of the writing - but then, again, the French press is particularly sarcastic & ferocious, when set against someone or something. I love them to bits.)
The translation is clear, and I deliberately did not insist on the political stance of the article, whose title gives a straightforward idea: 'Do we really have to pay attention to the influencers' antivax advice?':
'This influencer cannot singlehandedly convert a part of her fans to antivaxing, via Instagram, but this comforts those who already thought so and keeps them even more hooked. This is because Instagram is a social media whose model heavily relies on shared affinities, meaning that it congregates likeminded people and creates bubble phenomena, of which GD is a good example.
GD, who built an empire around her handle which she turned into a brand and transformed her own lifestyle into her best product might very well turn her cult of personality into an economic model. Many celebrities already do so and are perfectly entitled to. But in her case, we are not talking about sending a birthday personalized cameo, we are talking about dispensing health advice during a pandemic.'
Truly, Ha-wa-wee 2.0 sounds like kindergarten compared to the above and never made it so far and wide in the international press. But hey, don't we know, double standard is the law of this land.
But to cut the story short, because it's 5 AM in here and we'd be talking about Mrs. McGrandma until tomorrow evening, do we really imagine someone so well versed in the ways and means of social media not following Tumblr?
Yeah, thought so, too.
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📍Cazales, Haiti via Swiatoslaw Wojtkowiak
Polish Haitians are Haitian people of Polish descent, dating to the early 19th century. Polish Haitians are mixed race and often identified by such European features such as blonde or lighter and straighter hair, light eyes, and facial features. Prominent Polish communities such as Les Cayes and Cazale have descendants of surviving members of Napoleon's Polish Legionnaires which were forced into combat by Napoleon but later joined the Haitian slaves during the Haitian Revolution. Initially most Poles settled in Cazale, La Vallée-de-Jacmel, Fond-des-Blancs, La Baleine, Port-Salut and Saint-Jean-du-Sud, where they lived as peasants, along with their Haitian wives and families.
Full Huff Post Article: https://www.huffpost.com/entry/haitian-of-polish-descent-how-the-polish-came-to-be_b_580f7275e4b0b1bd89fdb7fc/amp
#haiti#ayiti#haitian#caribbean#ayisyen#west indian#west indies#tropical#les antilles#polish#polish culture#polish Haitian#haitian history
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hi there!! i was wondering you knew anything about the relationship between robespierre and marat? ive been seeing some information that robespierre wasnt fond (or at least less fond??) of marat than marat was of robespierre, but havent found any other information about it unfortunately. thanks :)!
In total, Marat mentions Robespierre around 90 times in his journals from his debut in September 1789 up until his death in July four years later. The first time he does so (which also happens to be the first connection I’ve been able to find between the two) is already in the second number of l’Ami du Peuple(released September 13 1789) where he writes about a certain ”Robertpierre.” Then one day later, in number 4, he instead mentions a ”Robers-Pierre.” In both these instances, Marat does however appear to just give the exact same summary as three other journals, and there’s value put into it whatsoever.
It would appear Marat never got a hold on how to spell Robespierre’s name properly, as he throughout the rest of his career as a journalist inconsistently shifts between calling him ”Robespierre,” ”Roberspierre” and, in some rare instances, ”Robertspierre.” The next time he mentions him is in number 81 (December 29 1789). The following three times Robespierre is brought up in l’Ami du Peuple are the very first instances of Marat showing his own thoughts on him instead of just giving a neutral summary of things he’s said at the National Assembly:
M. de Robespierre and especially Mr. Charles de Lameth energetically fought against the inconsiderate proposal to give praise to officers, whose conduct has harmed the liberty and security of citizens. l’Ami du Peuple, number 101 (January 18 1790)
M. de Robespierre supports the motion of Mr. de la Salcette, with more or less solid arguments. l’Ami du Peuple, number 104 (January 21 1790)
…to remove from the fatherland its most zealous defenders, [the Municipal Research Committee] pushed its audacity to the point of directing its pursuits against Barnavre, Péthion [sic] de Villeneuve, the Lameths, d'Aiguillon, Roberspierre [sic]..., cherished names of the free France, to which it had added those of La Fayette and Mirabeau. l’Ami du Peuple, number 108 (May 20 1790)
This praising of Robespierre is something Marat would consistently keep up throughout the rest of his journalistic career. Only throughout the rest of 1790, we find him calling him ”the wise Robespierre” (number 156 (July 7), ”the loyal Robespierre” (number 210 (September 3), an orator with ”great principles” and ”excellent views […] [that] we have no doubt he will develop in a way that will cause a sensation.” (number 265 (October 29) and ”[a man] who’s heart always appears to be animated with the purest of civism” (number 320 (December 24), listing him among deputies he considers ”patriotic” (number 156 (July 7), number 188 (August 11), number 210 (September 3), number 277 (November 11), number 288 (November 22), number 292 (November 28) and at one point even playing him on a higher level than so, calling him ”the only deputy who is educated in great principles, and perhaps the only true patriot who sits in the Assembly” (number 263, October 27).
February 2 1791 is the first instance where Robespierre in his turn is recorded to have mentioned Marat’s name. He does so defending the journalist at the Jacobins after an arrest warrant has been issued against him for an article recently published in his paper. Desmoulins’ Révolutions de France et de Brabant, the journal giving the most detailed description of the defence, summarizes it in the following way:
At the same session at the Jacobins, Robespierre, the only member of the National Assembly to whom the severe Marat would not have given the black ball, also took up his defense. He made us aware of the absurdity of the crime that the president of research attributed to the Friend of the People, of getting along with the English. Marat had never ceased to deplore the trade treaty of 1786 with the English, and to vociferate against Pitt, and against the intelligence of the cabinet of S. James, with the Austrian committee of the Tuileries. In favor of Marat was also this thing which militates so strongly for all patriotic writers: if the Friend of the People is extreme and angry, at least it is in the direction of the revolution. On what front did the research committee sign this order against him, under the ridiculous pretext of intelligence with the English, while it at the same time leaves Durosoi, as extreme, as bloodthirsty as Marat, in peace, and so many other friends of the king, the nobility and the clergy, who did not even hide their understanding with the Austrians, with all our enemies, and every day invite them with loud cries to come and slaughter the patriots. There is no reply to this reasoning; so Voidel, who saw his condemnation in everyone's eyes, recognized his sin, and promised to withdraw the order and remove the sentence.
In a speech regarding liberty on the press held on May 11 1791, Robespierre also says that ”if it is true that the courage of writers devoted to the cause of justice and humanity is the terror of the intrigue and ambition of men in authority; the laws against the press must become in the hands of the latter a terrible weapon against liberty,” which according to the by publisher inserted footnote is an allusion to the situation of the journalists Desmoulins and, especially, Marat.
Marat in his turn continued his praising of Robespierre throughout the same year. Besides grouping him together with other men considered patriotic (number 342 (January 16), number 371 (February 14), number 382 (February 25), number 392 (March 7), number 455 (May 11), number 519 (July 15), number 526 (August 1), number 562 (September 30) and calling him things such as ”the loyal Robespierre ”(number 367 (February 8), number 478, number 443 (April 29), number 458 (May 14), (June 3), number 488 (June 13), number 520 (July 16), number 521 (July 17) ”the just Robespierre” (number 409 (March 24) and ”the virtuous Robespierre” number 438 (April 21) he also goes further in placing Robespierre on a higher level than his fellow representatives, frequently going so far as to call him ”the only pure member of the Assembly” (number 414 (March 29), number 462 (May 18), number 472 (28 maj), number 475, May 31, number 504 (June 28), number 510 (July 4), number 511 (July 5). He also starts to frequently refer to Robespierre as ”the Incorruptible”number 458 (May 14), (number 462 (May 18), number 504 (June 28), number 514 (July 8), number 513 (July 13), number 545(September 4), number 551 (September 10) In his Robespierre biography (2014), Hervé Leuwers writesthat, if it was Fréron who coined the nickname, Marat nevertheless did a lot to popularize it. Finally, his number 515 (July 9) Marat dedicates entirely to the ”superb speech” held by Robespierre regarding the flight to Varennes two weeks earlier. His admiration did not go unnoticed by other journalists besides Desmoulins, such as those behind Les Sabbats jacobites, who on April 10 1791 called Robespierre ”the hero of Marat” and those behind Journal générale de France who called him ”the god of Marat, Garat, Carra, Corsas and Marte” on June 13 the same year.
Once Robespierre on September 30 ceases to be a member of the National Assembly, the apperences of his name in l’Ami du peuple do however rapidly decrease, only appearing two more times (number 603 (November 19), number 618, December 6) until Marat temporarily puts it down on December 15.
The first actual meeting between Marat and Robespierre didn’t take place until January 1792, as revealed by the latter ten months later. By then, the two almost lived neighbors since about a month back, Marat having gone to live with the Evrard sisters on 243 rue Saint-Honoré in Decenber, not far from the Duplay house on number 366 on the same street.
One of the most terrible reproaches that people have aimed against me, I do not hide it, is the name of Marat. I will therefore begin by telling you frankly what my contacts with him have looked like. I could even make my profession of faith on his behalf, but without saying more good or more bad than I think, because I do not know how to translate my thoughts to appeal to general opinion. In January 1792, Marat came to see me. Until then, I had not had any kind of either direct or indirect relationship with him. The conversation turned to public affairs, about which he spoke to me with despair. I told him everything that the patriots, even the most ardent ones, thought of him; namely that he himself had put up an obstacle to the good that could be produced by the useful truths developed in his writings, by persisting in eternally returning to extraordinary and violent proposals (such as that of making five to six hundred guilty heads fall), which revolted the friends of liberty as much as the supporters of the aristocracy. He defended his opinion; I persisted in mine, and I must admit that he found my political views so narrow that some time later, when he had resumed his journal, which had been abandoned by him for some time, reporting on the conversation of which I have just described speaking, he wrote in full that he had left me, perfectly convinced that I had neither the views nor the audacity of a statesman; and if Marat's criticisms could be titles of favor, I could still place before your eyes some of his sheets, published six weeks before the last revolution, in which he accused me of feuillantism, because I, in a periodical work, did not say out loud that the constitution had to be overthrown. After this first and only visit from Marat, I found him again at the National Assembly.
In number 648 (May 18) of l’Ami du Peuple, Marat gives his own version of this meeting:
I therefore declare that not only does Roberspierre [sic] not have my pen at his disposal, although it has often served to do him justice; but I protest that I have never had any note from him, that I have never had any direct or indirect relationship with him, that I have never even met him but once; also in this instance, our interview served to give rise to ideas and to manifest feelings diametrically opposed to those that Guadet and his clique attribute to me. The first word that Robespierre addressed to me was the reproach of having myself partly destroyed the prodigious influence that my paper had on the revolution by dipping my pen in the blood of the enemies of liberty, by speaking of rope, of daggers, no doubt against my heart, because he liked to convince himself that these were just empty words dictated by circumstances. Learn, I replied to him immediately, that the influence that my paper had on the revolution was not due, as you believe, to these close discussions in which the vices of the fatal decrees prepared by the Constituent Assembly are methodically developed, but to the terrible scandal that it spread among the public, when I unceremoniously tore the veil which covered the eternal plots hatched against public liberty by the enemies of the fatherland, people conspiring with the monarch, the legislators and the main custodians of authority; but to the audacity with which I trampled underfoot every detracting prejudice; but to the outpouring of my soul, to the impulses of my heart; to my violent protests against oppression, to my impetuous outings against the oppressors; to my painful accents; to my cries of indignation, fury and despair against the scoundrels who abused the trust and power of the people to deceive them, rob them, load them with chains and precipitate them into the abyss. Learn that there has never been a decree attacking liberty and that never an official has allowed himself an attack against the weak and the oppressed, without me having hastened to raise the people against these unworthy prevaricators. The cries of alarm and fury that you take for empty words were the naive expression with which my heart was agitated; learn that if I had been able to count on the people of the capital after the horrible decree against the garrison of Nancy, I would have decimated the barbaric deputies who had issued it. Learn that after the investigation of the Châtelet on the events of October 5 and 6, I would have had the unfair judges of this infamous tribunal perished at the stake. Learn that after the massacre on the Champ-de-Mars, had I found two thousand men animated by the feelings which tore me apart, I would have gone at their head to stab the general in the middle of his battalions of brigands, to burn the despot in his palace and impale our atrocious representatives on their seats as I declared to them at the time. Robespierre listened to me with fear, he turned pale, and remained silent for some time. This interview confirmed for me the opinion that I had always had [sic] of him: that he combined with the knowledge of a wise senator the integrity of a truly good man and the zeal of a true patriot, but that he also lacked the views and audacity of a true statesman.
In 1793, Jacques Roux also claimed to have gone home to Marat the year before and there have received ”a letter for Robespierre and for Chabot, the goal of which was to interest the Jacobin club to propagate an edition of your works.” I can however find no letter from Marat to Robespierre in the latter’s correspondence, nor even a letter to or from Robespierre that so much as mentions Marat (and the same thing goes for Marat’s correspondence). So did Robespierre actually receive this letter, we might assume he didn’t think all that much about it.
Despite Robespierre’s frosty attitude, Marat continued to hold admiration for him when he started up his journal again on April 12 1792, dedicating almost all of number 648 (May 3) and number 660 (May 29) with defending him against girondin attacks, a struggle which he describes as existing ”between the traitor Brissot and the Incorruptible Robespierre” (number 643 April 28 1792).
On September 9, Robespierre held a speech which he ended by recommending voting for Marat and Legendre for the National Convention (he did however deny that be had singled out Marat ”any more particularly than the courageous writers who had fought or suffered for the cause of the revolution” two months later). On September 21 1792, the day after the opening of said Convention, the last number of l’Ami du peuple appears, and a few days later Marat starts a new journal — Journal de la République française (it changed name to Le Publiciste de la République française in March 1793) that would run up until his death in July the following year. In total, Robespierre’s name gets mentioned around 35 times in this journal. As far as I can see, Marat does however appear to have cooled down a bit with his praising, mostly mentioning Robespierre in the context of reciting something he’s said or at tops mentioning him alongside other ”patriotic” deputies. In number 239, released the day before his death, Marat inserts a letter to Robespierre from a certain Labenette, ”orator of the people.”
The fact that Robespierre and Marat didn’t have any contacts with one another was not something that was believed by all contemporaries. Already in 1791, the journal Le Défenseur du Peuple had describedthe former as ”the friend of Marat, who he pretends to doesn’t know.” These allegations got a lot more serious in the fall of 1792, with the two plus Danton being accused of wanting to form a triumvirate, or having arranged the September Massacres together. On September 25 Marat openly denied that any of these allegations aligned with reality, that he had discussed the idea if a dictatorship or triumvirate with Danton and Robespierre, but that both had rejected it:
Certain members of the Paris deputation are accused of aspiring to dictatorship, to triumvirate, to tribunate; This absurd indictment can only find supporters because I am part of this deputation: well! monsieurs, I owe it to justice to declare that my colleagues, notably Danton and Robespierre, constantly rejected any idea of dictatorship, triumvirate and tribunate, when I put it forward; I even had to break several lances with them on this subject.
The very same day, Robespierre made allusions to Marat when regretfully declaring ”it was then that the thoughtless phrases of an exaggerated patriot or the signs of confidence he gave to men whose incorruptibility he had experienced for three years were attributed to us as crimes.”
On October 19 appeared the first number of Lettres de Maximilien Robespierre, membre de la Convention nationale de France, à ses commettants. In number 6, when discussing Marat getting interupted when laying out some own theories on the battalions of Mauconseil to the point that the Jacobins have to move with the agenda due to the tumult, Robespierre writes: ”Whatever the deviations of Marat's imagination, good citizens nonetheless groaned to see personal sentiments make the interests of immocence and oppressed patriotism forgotten, and hateful passions banished from the sanctuary of the laws. dignity, calm and love of humanity.” In number 9 he also writes that ”in his wanderings, Marat often encountered the truth.”
Robespierre also mentioned Marat when the Lettres in January 1793 got renewed for a second edition, starting already in number 1, where he for long defended himself against the girondin Gensonné linking him and Marat together:
What obstinacy to want me to be someone other than myself? It doesn't even matter to you that everyone believes that I named Marat: having been unable to succeed, you have decided to repeat my name so often with his, that I was at least taken for an accessory of this great character, so celebrated in your pages; as if I had not had an existence of my own, several years before you had decided to strip me of it; as if my constituents and my fellow citizens had not been able to judge me by my own actions; while Marat wrote underground, and Brissot still obscurely intrigued, with the henchmen of the old police, his colleagues, and crawled in the antechambers of the men in power. In the past, I still remember, Brissot and a few others had entered into I don't know what conspiracy to make my name almost synonymous with that of Jérôme Pétion; they took so much trouble to put them together. I don't know if it was for love of me or of Pétion: but they seemed to have plotted to send me to immortality, in company with the great Jérôme. I have been ungrateful; and, to punish me, they said: since you don't want to be Pétion, you will be Marat. Well, I declare to you, monsieurs, that I want to be neither. I have the right, I think, to be consulted on this, and you will perhaps not dispose of my being in spite of myself.
It's not that I want to deny Marat the justice that is due to him. In his papers, which are not always models of style or wisdom, he nevertheless stated useful truths, and waged open war against all powerful conspirators, although he may have been wrong about a few individuals. I know that he did not spare you yourselves: but this merit has not erased in my eyes, these extravagant sentences which he sometimes mixed with the healthiest ideas, as if to give to you and to your likes, the pretext of slandering liberty. It was said a long time ago that, in this respect, Marat was the father of the moderates and the feuillans; we could say for the same reason that he is also your boss; and we would be tempted to believe that he only punishes you because he loves you. I bet you love him too, although you pretend to shout very loudly at the slightest correction he gives you. Indeed, what would you be without him? What would become of all your newspapers and all your harangues if he had not written these two or three absurd and bloodthirsty sentences, which you constantly strive to repeat and comment on? You would have perhaps been reduced to becoming patriots, if he had not provided you with the pretext of disguising patriotism as maratism, in order to give to incivism, feuillantism, royalism and rascality, I don't know what air of wisdom and moderation.
It is so convenient for the enemies of liberty to simply appear to be the adversaries of Marat, and to confuse the cause of liberty with the person of an individual, in order to be excused from respecting it. Such was the policy of the first aristocrats, and of the heroes of the intrigue, whose disgraces you will share, after having imitated their exploits. Like them, you want to persuade all of Europe that the Republicans of France, that the partisans of the principles of equality, are only one faction, and that this faction is Marat himself. Thus, thanks to the gift of metamorphoses with which you are eminently endowed, Paris, the Jacobins, the members of the Convention, who do not bend to the views of the intriguers, and Marat are precisely the same thing. All the energetic friends of liberty are, at most, only satellites drawn into the whirlwind of this new star. With this magical name, you claim to overthrow the entire work of our revolution. It is to carry out this great work that you write, that you print, that you speak, that you plot tirelessly: but the revolution will triumph over the name of Marat, as well as over your intrigues; we will do justice to you and to him, by disproving his deviations and by disconcerting your plots. A journalist's sentences have never made a guilty head roll; but the plots of ambition that you seem to forget have caused torrents of human blood to flow. The crimes of tyranny cost humanity more disasters than the most heroic periods of the most atrocious writer. Only you, gentlemen, can give importance to an exaggerated man, much less through your declamations than through your conduct. It would not even be noticed under a wise government. It is only oppression that forces the people to pay less attention to faults that they themselves do not believe, than to the courage of those who unmask their enemies.
He defends himself against the charge of him and Marat being the leaders of a coalition, ”when these deputies, too independent to form a coalition, even with a view to the public good, see every day the coalition of factions.” again in number 3. In number 9, the second to last number, he rhetorically asks whether ”giving ridiculous importance to some inconsistent and bizarre journalist, to charge him with all the iniquities of Israel, and to identify with him all the defenders of freedom?” really is such a good way to ensure tranquility.
Between December 1792 up until the death of Marat, we find him and Robespierre taking part in the same debates at both the Convention and the Jacobin club, sometimes agreeing (December 26, February 21) and sometimes disagreeing (December 16, March 3, June 18) with each another.
On January 4 Robespierre complains that a speech made by Barère regarding the fate of Louis XVI ”contains the most violent diatribes against the patriots” for having stated ”If anything could have made me change my mind [on an appeal to the people], it would be to see the same opinion shared by a man whom I cannot bring myself to name (Marat), but who is known for his bloodthirsty opinions...” A month later, February 11, Marat and Robespierre together calmed down a group of petitioners, disgruntled over not having received a hearing at the Convention. When a representative on February 26 asked ”that Marat be temporarily expelled from the Assembly and be locked up so that it could be examined whether he was crazy” and another one ordered the referral of the denunciation to the ordinary courts, ”Robespierre approaches the president, and there he announces that if the decree passes, Paris will be burning today.”
On 12 April Robespierre spoke against the arrest order issued against Marat the very same day — ”One has requested a decree of accusation be drawn up against the warmest patriots […] Marat spoke with force, precision, and at the same time with moderation. He painted the crimes of our enemies with colors capable of making any man who has any sense of modesty blush.…”
When the indictment against Marat was presented on April 13, Robespierre took to the floor a total of three times to speak against it:
To the question that agitates us, we will not disagree that the man in question excites very strong passions; you are asked if you will decree a representative of the people immediately, or if you will postpone until Wednesday; there is no respect there for the principles, and for what we owe to the character of representative of the people: what, you would send a slanderous report, when nothing is proven, and is it not barbaric to put a representative under accusation without examination; this report is the fruit of passions and liberticidal conspiracies. […]
Yes, it will be proven that this man, whom I have always seen as patriotic, was only attacked to prove that all the Republicans in this Assembly are exaggerated and must suffer the same fate.
…As I see in this whole affair only the developed spirit of the Feuillants, the moderates and all the cowardly assassins of liberty, only a vile intrigue hatched to dishonor patriotism, the departments infested for a long time with the liberticidal writings of royalists, I reject with contempt the proposed decree of accusation.
Marat was acquitted on April 24, and four days later, a motion proposed by him with an amendment from Robespierre was passed at the Jacobin Club.
One day after the murder of Marat, July 14 1793, Robespierre spoke against the idea of granting him a state funeral, arguing that there were much more urgent things that needed to be taken care of before that could happen:
Robespierre: I have little to say to the Society. I would not even have asked to speak had the right to do so not somehow devolved to me at this moment; if I did not foresee that the honors of the dagger are also reserved for me, that priority has only been determined by chance, and that my fall is fast approaching. When a man, deeply sensitive and imbued with a love of the public good, sees his enemies raise their heads with impunity, and already share the spoils of the State, and his friends, on the contrary, frightened by oppression, flee a murderous soil and abandon it to fate, he becomes insensitive to everything, and no longer sees in the tomb anything other than a safe and precious asylum reserved by Providence for virtue. I believed that a session which followed the murder of one of the most zealous defenders of the fatherland, would be entirely occupied with the means of avenging him by serving said fatherland better than before. We haven't talked about it, and what are you occupying yourselves with in this precious time, for the use of which we are accountable? We are dealing with outrageous hyperboles, ridiculous and meaningless figures, which do not provide a remedy to the thing at hand and prevent it from being found. For example, you are seriously asked to discuss the fortune of Marat. Well! What does the fortune of one of its founders matter to the Republic? Is it a memoir that we are going to occupy ourselves with, when it is still a question of fighting for it? One is speaking of the honors of the Pantheon. And what are these honors? Who are those who lie there? With the exception of Le Peletier, I can’t see a single virtuous man there. Is it next to Mirabeau we will place Marat? Next to this intriguing man whose means were always criminal; this man who only earned his reputation through profound villainy? Here we have are the honors requested for the Friend of the People.
Bentabole: Yes, and he will obtain them in spite of those who are jealous of him.
Robespierre: Let us occupy ourselves with the measures which can still save our fatherland; let's make the effect of Pitt's guineas null. Let's bring the Cobourg and the Brunswick back to their territories. It is not today that we must show the people the spectacle of a funeral ceremony, but when finally victorious, the strengthened Republic will allow us to take care of its defenders; all of France will then ask for it and you will undoubtedly grant Marat the honors that his virtue deserves, that his memory demands. Do you know what impression the spectacle of funeral ceremonies attaches to the human heart! They make the people believe that the friends of liberty are thereby compensating themselves for the loss they have caused, and that from then on they are no longer required to avenge it; satisfied with having honored the virtuous man, this desire to avenge him dies in their hearts, and indifference succeeds enthusiasm and his memory runs the risk of oblivion. Let us not stop seeing what can still save us. The assassins of Marat and Peletier must come and atone on the Place de la Révolution for the atrocious crime of which they are guilty. It is necessary that the perpetrators of tyranny, the unfaithful representatives of the people, those who display the banner of revolt, who are convinced that they are sharpening the daggers on their heads every day, of having murdered the fatherland and a few of its members; it is necessary, I say, that the blood of these monsters responds to us and avenges us for that of our brothers which flowed for liberty, and which they shed with such barbarity. We must share the most painful burdens of the State; one must instruct all the people and gently lead them back to their duties; the other must render them exact justice: one must make food flow everywhere; the other deals exclusively with agriculture and the means of multiplying its relations; another must make wise laws; someone else must raise a revolutionary army, exercise and harden it, and know how to guide it in battle. Each of us must, forgetting ourselves at least for a while, embrace the Republic and devote ourselves unreservedly to its interests. The municipality must rule out, for the moment, a funeral celebration, which at first seemed dear to our hearts, but whose effects, as I have demonstrated, can become disastrous.
The following day, July 15, Robespierre asked that Marat’s printing presses be obtained by the Jacobins, a request a different member had already made the day before. A week later, July 22, the club tasked Robespierre, Desmoulins, Dufourny and Le Peletier’s brother with writing an adress to the French people about the murder. Said adress was printed and read aloud at the club four days later, obviously deploring of the event and praising Marat.
On August 5, Robespierre denounced Jacques Roux and Jean Théophile Victor Leclerc as ”two men paid by the enemies of the people, two men that Marat denounced [that] have succedeed, or think they have succeeded this patriot writer.” Three days later, August 8, Simonne Evrard, ”the widow Marat” presented herself before the Convention and held a long speech defending her dead fiancé’s memory, that in her view had gotten hijacked by ”scroundel writers” and in particular the two men already denounced by Robespierre. After her speech was finished, Robespierre again took to the floor to demand that the speech be printed and ”that the Committee of General Security be required to examine the conduct of the two mercenary writers denounced to it; the memory of Marat must be defended by the Convention and by all patriots.” Indeed, Roux and Leclerc would soon thereafter find themselves imprisoned, the former in September 1793, the latter in April 1794. How much of this was Robespierre being genueinly concerned for Marat’s memory and how much it was him using said memory to rid himself of a political rival I will leave unsaid…
On November 23, when Robespierre gives clarifications regarding the CPS changing the general in charge of the taking of Toulon, he says that it was on the recommendation of Marat that the new general had been promoted to rank of brigade leader. ”Marat could have been wrong, but his recommendation was a very favorable presumption in favor of an individual; he has always justified it since.” On 10 January 1794 he exclaims that ”my dictatorship is that of Le Peletier, of Marat. Or I don’t mean that, I don't want to say that I resemble them: I'm neither Marat nor Pelletier; I am not yet a martyr of the Revolution; I have the same dictatorship as them, that is to say the daggers of tyrants.” In an undelivered speech written shortly thereafter he again describes Marat and Le Pelerier as martyrs and Leclerc and Roux as”mercenary writers, daring to usurp the name of Marat, to desecrate it.”
Finally, on 9 thermidor, we find the following two claims made against Robespierre that involves Marat. (1, 2) I will leave them as they are as it’s very hard to know if they’re legit or not:
Dubois-Crancé: I must pay tribute to the sagacity of Marat: at the time of the judgment of the tyrant Capet, he said to me, speaking of Robespierre: ”You see that rascal? That man is more dangerous for liberty than all the allied despots.”
Collot d’Herbois: I am going to cite a fact which will prove that Robespierre, who for some time spoke only of Marat, always hated this constant friend of the people. At Marat's funeral, Robespierre spoke for a long time on the platform that had been set up in front of the Luxembourg, and the name of Marat did not come out of his mouth once; Can the people believe that a person loves Marat when he angrily declares that he doesn’t want to be assimilated to him? No, although these hypocrites talked incessantly about Marat and Challier, they loved neither of the two.
Alphonse Esquiros, who tracked down Marat’s younger sister Albertine for an interview in the 1830s or 1840s, reported that it was ”with bitterness” she spoke of Robespierre. ”There was nothing in common, she added, between him and Marat. Had my brother lived, the heads of Danton and Camille Desmoulins would not have fallen.”
Robespierre’s little sister Charlotte (who Albertine despised) did in her turn write the following regarding the relationship in her memoirs (1834). This anecdote is however suspeciously similar to the meeting Marat and Robespierre describe as having happened in January 1792, in which Charlotte impossibly could have taken part, still not having gone to Paris by then:
I have often heard my brother’s name attached to that of Marat, as if the way of thinking, the sympathies, the acts of those two men were the same, as if they had acted in concert. It is thus that the portraits and busts of Voltaire and Rousseau are placed side by side, as if those two great writers had been the best friends in the world when they were alive, while in truth they found each other insufferable. I do not claim to discount Marat’s merit, nor make an attempt on the purity of his devotion and of his intentions. Some have dared to say that he was in the pay of foreigners; but have they not said that of my brother? The field of the absurd is immense and limitless. Have they not said of Maximilien Robespierre that he had asked the young daughter of Louis XVI in marriage? After such an accusation nothing should be surprising anymore; more burlesque and impossible assertions must be expected; it is the nec plus ultra of inanity. To return to Marat, I will dare to affirm that he was not an agent of foreigners, as it has pleased some to say; Marat had felt the infamies of the Ancien Régime and the poverty of the people strongly; his fiery imagination and his irascible temperament had made him an ardent, and too often even imprudent, revolutionary; but his intentions, I repeat, were good. My brother disapproved of his exaggerations and his rages, and believed, as he said many times to me, that the course adopted by Marat was more detrimental than useful to the revolution. One day Marat came to see my brother. This visit surprised us, for, usually, Marat and Robespierre had no rapport. They spoke first of affairs in general, then of the turn the revolution was taking; finally, Marat opened the chapter on revolutionary rigors, and complained of the mildness and the excessive indulgence of the government. “You are the man whom I esteem perhaps the most in the world,” Marat said to my brother, “but I would esteem you more if you were less moderate in regard to the aristocrats.” “I will reproach you with the contrary,” my brother replied; “you are compromising the revolution, you make it hated in ceaselessly calling for heads. The scaffold is a terrible means, and always a grievous one; it must be used soberly and only in the grave cases where the fatherland is leaning toward its ruin.” “I pity you,” said Marat then, “you are not at my level.” “I would be quite grieved to be at your level,” replied Robespierre. “You misunderstand me,” returned Marat, “we will never be able to work together.” “That’s possible,” said Robespierre, “and things will only go the better for it.” ”I regret that we could not come to an understanding,” added Marat, “for you are the purest man in the Convention.”
#robespierre#marat#jean paul marat#maximilen robespierre#frev#frev friendships#ask#unrelated but the relationship between marat’s little sister and fiancée really was the polar opposite to robespierre’s counter parts…
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I'm playing Dawntrail at last. I unapologetically love Wuk Lamat and I've heard that she gets hate for being, as one article put it, our "new mandatory best bud." I thought that was a super unfair thing to say, because every RPG forces you into an adventure with your new mandatory best buds. That's kinda how it works. If I weren't so fond of G'raha I would certainly be sick of him. What's the real issue?
Why would anyone not love Wuk Lamat? She's a big goofy one-orange-braincelled cat. What's there not to like?
A few hours into Dawntrail proper, I suspect the resentment isn't actually coming from people having a problem with Wuk Lamat herself, but with having not been given character motivation to support her ambitions, at a moment when everyone is waiting to see if emotional investment in the story can continue after a mandatory de-escalation of stakes. The story is far too self-conscious about its lack; it isn't the time to call attention to our needing a motive right when we haven't got one. Although my WoL truthfully answered she does not like getting involved in politics, G'raha somehow managed to insist that we secretly wanted to do it deep down. It could've gone over better with, for instance, "I know you love adventure and you'll get bored here at home," instead of copypasta about how you will definitely do what you want, which turns out to be the thing they haven't given us a reason to want.
I wonder if people are feeling that motive-shaped hole that the story keeps weirdly calling attention to, and sort of subconsciously blaming Wuk Lamat for taking us on this cheap vacation adventure and not giving us enough reason to care. It's not her fault that she came along right after Endwalker; there is nothing wrong with her as a character; the problem is the way the narrative is not delivering us a motive. And worse yet, the story is actively dwelling on how we don't have much motive to help, like the writers are kinda stuck and want to delegate their most important job to the player to solve. Again, this isn't something to blame Wuk Lamat for, but it just doesn't help that she's so far from being the only, or necessarily the best, person to solve this relatively non-urgent problem, and yet we're stuck with her plan. No wonder people are taking it out on her-- she's supposed to be the motivating figure at the center of this story, but the narrative is failing her by navel-gazing about whether we really should bother. That may change, I know. Maybe we'll suddenly find a reason. But by now some people might already resent her. I don't because I feel like it's not about her, it's about the void at the center of G'raha's question. About why her problems should be ours.
We've passed the point of backing out and we're about to set off on the part of the expac where we split up and have two smaller parties for character development. And still, something extremely critical has not been established yet: Why shouldn't we back Koana? The story hasn't established a sufficient sense of why Wuk Lamat has to, or even should, win. Like yeah, Tural needs childless cat ladies. But it could also have a catboy? Who sounds like he at least tried to learn how to run a country, when it sounds like his sister has mainly gone around biting things and getting disciplined. Since the two of them get along well together, why shouldn't we convince Wuk Lamat to throw her support behind Koana, and prove that two heads are as good as... two heads?
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The Bachelor Beaumaris, 0.0
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." Jane Austen, "Pride and Prejudice."
Mr. Gregory Beaumaris, having recently inherited Ferncombe Hall and its income of §750 per year from a distant relation, and in need of companionship other than his unmarried sisters, his neighbors, and his friends in London, has determined that he ought to seek a bride spouse. The attached portrait shows his appearance; he is a proper gentleman, fond of horses and taking exercise, and enjoys playing the piano. (And, in his heart of hearts, a hopeless romantic.)
Ladies Sims of all types may apply, provided that they are Young Adult or Adult, unmarried, of good reputation (or clever enough to disguise such a flaw), and of suitable means and upbringing. The ladies' virtue and reputations will be guarded by his sisters, the eminently respectable widow, Lady Venetia Beaumaris Gracefield, and the equally respectable spinster, Miss Ursula Beaumaris. Gentlemen candidates, should they apply, shall be chaperoned by Mr. Beaumaris' valet. (Nonbinary candidates will have shared custody between the ladies and the valet.)
Interested would-be matchmakers are invited to reply to this post. Mr. Beaumaris regrets that he can only invite seven ladies Sims, who must arrive at Ferncombe Hall by January 31st. He hopes to find a suitable companion--if not true love--and is counting the days most ardently.
Please note that while the hostess has almost every slider in existence, she cannot be expected to put every article of CC ever designed in her computer; the ladies guests are encouraged to bring only the essentials, with links, when they are sent to her.
If they do not have appropriate (read: rococo) clothing for the climate of Ferncombe Hall, it will be provided to them upon arrival. If desired or needed, hairdressing will be done free of charge by Lady Venetia and Miss Ursula's tiring-women and Mr. Beaumaris' valet. Sims with textured hair shall have visits from specialized stylists OR the hostess shall retexture hairs for them as desired.
APPLICANTS LISTED BELOW THE CUT.
Applicant 1: @danjaley's Mathilde Bellgard
Applicant 2: @simsmono's Gabrielle de Fay
Applicant 3: @nornities' Marie-Claude Delveaux
Applicant 4: @vagensims' Isadora Fontaine
Applicant 5: @flotheory's Demelza Septon
Applicant 6: @schokokokatze
Applicant 7: @holocene-sims
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If anyone wants to watch the mini series Les Misérables from 1972, just know that the website INA has a 7 days free trial ‼️
#les amis de l'abc#les mis 2012#les mis#les amis#victor hugo#enjolras#les misérables#les miserables 1972
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" Wicked Obsession "
𝗠𝗲𝘁 𝗲𝗻 𝘀𝗰𝗲̀𝗻𝗲 : Jason Todd / Red Hood
𝗥𝗲́𝘀𝘂𝗺𝗲́ : Son visage me hantait nuit et jour, et en vue de la force avec laquelle il occupait mes pensées, j'étais persuadée que ça allait causer ma perte.
𝗔𝘃𝗲𝗿𝘁𝗶𝘀𝘀𝗲𝗺𝗲𝗻𝘁 : tentative d'enlèvement.
ENG : PLEASE DO NOT STEAL MY WORKS. If you want to translate it, ask me first then we can talk about it. If you want to find me on Wattpad, my account is in my bio, this is the ONLY ONE i have. FR : MERCI DE NE PAS VOLER MES OS. Si vous avez envie de les traduire, merci de me demander la permission avant. Si vous voulez me retrouver sur Wattpad, j'ai un lien dans ma bio, c'est mon SEUL compte.
𝙽𝚘𝚖𝚋𝚛𝚎 𝚍𝚎 𝚖𝚘𝚝𝚜 : 𝟕,𝟓𝟓𝟒.
Commentaires, likes et reblogues super appréciés. Tout type de soutien l'est, merci beaucoup !! <33
Victor Zsasz.. Ça n'était pas rare que l'on entende parler de lui. Il était plutôt connu, non pas parce que c'était un criminel incarcéré à Arkham, mais plutôt parce qu'il était si particulier, si tordu, que parfois la simple énonciation de son prénom suffisait à nous faire oublier l'existence de bien pire criminels. Il avait récemment fait parler de lui après une énième évasion ⸺d'autres détenus tels que Poison Ivy et Double Face aussi, mais c'était la sienne qui avait retenu mon attention. Je n'avais pas pu résister. Quelques jours plus tard, je m'étais penchée sur son cas. Les psychopathes n'étaient habituellement pas ma came, mais après avoir vu une photo de lui sur les chaînes de télévision de Gotham, son visage m'avait hanté jusque dans mes songes. J'avais fini par céder, rongée par la curiosité; j'avais commencé à faire des recherches sur lui.
Victor Zsasz n'était ni créature ni monstre, c'était un humain comme moi ou l'étudiant assis à l'opposé de la pièce. Il était différent du Joker ou de Solomon Grundy. Il n'avait même rien à envier à Mister Pig. Ni clown, ni mutant, ni défiguré par de l'acide, il avait une couleur de peau claire et hormis un manque de pilosité sur l'entièreté de son corps, il paraissait banal. C'était ce que j'avais pensé au début.
Plus j'avais recherché des articles à son propos et puis je m'étais enfoncée dans ce puits sans fond.
Il apparaissait toujours de manière similaire : le corps à moitié nu, ou vêtu de son uniforme d'Arkham. Ses paupières ne se fermaient jamais. Il avait toujours les yeux grand ouverts, lui conférant l'apparence d'un véritable malade mental. C'était dérangeant. Il fixait les caméras d'une intensité saisissante, comme si il voyait au travers, comme si il regardait directement son public dans les yeux. La première fois que nos regards s'étaient 'croisés' j'avais finie bouche bée. Cependant, la chose qui ressortait le plus à mes yeux, était le nombre de cicatrices qui parsemaient son corps.
Je ne savais pas jusqu'où elles s'en allaient, mais selon Victor Zsasz lui-même, il comptait à l'aide de ses marques le nombre de victimes dont il avait ôté la vie. Ses cicatrices se composaient de quatre traits puis d'un cinquième les barrant à la verticale.
Sa peau en était recouverte.
Du torse, des bras, jusqu'au crâne.
Partout, il en avait partout.
Depuis son énième incarcération, j'avais ressenti le besoin ardent de me renseigner. Comment un tel monstre pouvait-il vivre à Gotham ? Comment procédait-il ? Et pourquoi diable Batman le laissait-il vivre ici au lieu de l'envoyer croupir six pieds sous terre ? C'était de la pure folie !
Je ne ressentais aucune once d'admiration, cette obsession était plutôt le résultat de ma peur et curiosité combinée. Il n'était pas impossible que nos chemins se croisent à l'avenir ⸺les vilains et civils c'était une grande histoire d'amour dans notre ville⸺ et.. je n'en savais rien. Je voulais juste savoir à quoi j'avais à faire.
Je savais que si je croisais la route du Joker, il me suffirait de me faire petite ⸺trop pris par l'idée d'attirer l'attention de Batman il s'en irait⸺ ainsi je pourrais me mettre à courir aussi vite que possible. Si je croisais Poison Ivy il me suffirait de lui confesser que j'avais des orchidées à la maison et que j'en prenais très grand soin ⸺mensonge de moitié : elles étaient en plastique, pour Double Face ne surtout pas lui adresser la parole, ainsi de suite. Mais Victor Zsasz, alors..? Me traquerait-il ? Où m'emmènerait-il ? C'était terrifiant !
Ce fut ce qui me retint ici.
Il avait été quatorze heure et demie lorsque je m'étais installée à ma bibliothèque universitaire. J'avais ouvert mon ordinateur, branché mon casque pour écouter un peu de musique puis fatalement, je m'étais mise à faire mes devoirs. J'avais rattrapé quelques cours, corrigé des feuilles volantes dont j'avais oublié le rôle, stabiloté des éléments essentiels comportant dates et définitions, ainsi de suite. Puis, lorsque l'ennui avait frappé à ma porte, mes pensées s'étaient faites curieuses. À ce moment là, j'avais été presque avachie contre la paume de ma main, des morceaux de papiers et des crayons éparpillés partout sur la grande table rectangulaire.
J'avais recommencé mes recherches sur Victor Zsasz.
Une vingtaine de fenêtres ouvertes sur mon site de recherche et plus d'une dizaine d'interviews visionnées plus tard, je n'avais toujours pas remarqué que le ciel était à présent d'un noir opaque.
Mes cours étaient recouverts de notes; des questions, des réflexions et surtout informations à son propos. Tout ce qui aurait pu m'en apprendre plus sur ce psychopathe. J'en avais un peu partout, mais principalement dans mon esprit. Ce qui y restait imprimé en grand était surtout son regard. Il continuait de me poursuivre. Je ne pouvais pas lui échapper même en restant éveillée et, à vrai dire, ça n'était pas en regardant des reportages sur lui ou en le voyant se faire arrêter sur vidéo que cela allait m'aider... J'avais besoin de le fuir.
Cette réflexion m'ouvrit les yeux.
Immédiatement, je fermai mon ordinateur, je laissai l'écran s'éteindre, soudain frappée par l'envie de bailler. Je me laissai aller, rangeant au même moment mes affaires. Je me dépêchais.
Je ne le remarquais qu'en cet instant ; il était terriblement tard. Presque vingt et une heure... Dans d'autres ville ce détail serait paru futile mais pas ici, pas à Gotham. Mes yeux s'étaient écarquillés dès l'instant où je m'en étais rendue compte. Juste après, j'avais senti mon portable vibrer sur la table.
Je m'arrêtai dans ma tâche pour m'en saisir.
« Tu rentres ? » m'avait-on écrit.
C'était Jason. La sécheresse présente dans son message ne me choqua pas. Je lui répondis de manière similaire.
« Oui. »
« T'es à la maison ? » insistai-je.
« Ouais. »
« D'accord. »
Trois petits points se mirent à tressaillir de son côté, il tapait sa réponse. Je restais assise sur le bord de la chaise, mes coudes posés sur la table avec mon portable en mains. Je dévisageai l'écran avec attention. Ravie n'aurait pas été le mot adapté pour qualifier ce que je ressentais, je n'étais pas ravie de parler avec lui, je n'étais pas ravie de lui rendre des comptes, pour autant, je n'étais pas ravie d'être fâchée contre lui.
Pas un seul instant l'idée d'éteindre mon portable ne me passa par la tête. J'attendis qu'il me parle. Même si ça avait pris plus longtemps que prévu, j'avais patienté calmement en m'étant occupée avec nos précédents messages.
« Je viens te chercher ? »
Me mordant l'intérieur de la joue, j'hésitai un moment. Je tapai, finalement :
« Je me débrouille. »
Habituellement j'aurais accepté. Ça n'était pas rare qu'il se charge de me raccompagner, surtout en vue d'où nous habitions. Jason venait souvent me chercher en moto, il nous faisait faire le tour de la ville, acheter de quoi manger dans un petit restaurant familial, puis manger dans un parc ou à la maison. Sauf que là, j'étais dans un tel esprit de contradiction que la simple idée d'accepter me semblait folle. À mes yeux, ça signifiait que je m'excusais, je le refusais, c'était purement inconcevable.
J'étais consciente que je jouais à un jeu dangereux, aveuglée par ma rancœur, je n'en fis rien.
Abandonnant mon portable et commençant à ranger mes affaires, j'ignorai le vacarme que cela provoquait. Mes feuilles se froissèrent, mon casque se tordit dans mon sac et mon ordinateur se cogna contre le fessier de ma chaise dans sa chute ⸺puisque je m'étais levée entre temps. Il ne restait pas grand chose à faire après ça. Peut-être vérifier que je n'avais rien oublié et enfiler ma veste en cuir. L'ambiance de la bibliothèque était agréable, rester ici quelques minutes de plus ne m'aurait pas déplu. Je n'étais pas particulièrement charmée par ce qui allait suivre. Presser le pas dans la rue en pleine nuit et vérifier chaque coin de rue n'était pas mon passe-temps favoris.. Je me réconfortais avec la promesse de faire plus attention la prochaine fois, et aussi avec la pensée que dans quelques heures j'aurais enfin rejoint mon lit.
Ma carte d'étudiante m'accompagnait dans ma sortie, comme d'habitude; je l'avais utilisé sur la petite porte électronique. Celle-ci s'ouvrit sans mal, j'en profitai pour saluer les employés ⸺une jeune femme et un vieux monsieur⸺ avant de quitter les lieux. Je la rangeai dans ma poche et commençai à marcher en direction de chez moi.
Il y avait un centre commercial pas très loin, il devait être fermé depuis quelques minutes en vue de l'heure. De même pour les boutiques qui se trouvaient aux alentours de la bibliothèque universitaire. L'endroit était vachement désert. Hormis les lampadaires qui éclairaient mon chemin, je ne vis rien d'intéressant.
Il n'y avait pas un chat.
Malgré tout, je ne lui fis pas confiance. Ce calme plat pouvait bien me tourner autour et me susurrer des mots doux au creux de l'oreille, je m'en fichais éperdument. D'une vitesse alarmante, je marchais. Mon sac au plus près de moi, mon portable dans ma main et dans l'autre un taser, je restais sur mes gardes. Je ne l'écoutais pas, je ne m'attardais pas ici, au beau milieu de la nuit, quitte à le laisser détourner mon attention.
Mon objectif restait le même : retourner à la maison.
Sur ma route, mes pensées se mirent à divaguer, rapidement, je me mis à songer à Jason. Enfermé à la maison, il devait être fou d'inquiétude. Sachant que ce que je faisais était le sujet de notre dispute, je ne pouvais pas m'empêcher de culpabiliser. On ne se disputait pas souvent, presque jamais à vrai dire. Nous étions constamment sur la même longueur d'ondes. Mais lorsqu'il s'agissait de choses qui lui déplaisaient, Jason avait tendance à rapidement perdre son calme.
Notre confrontation remontait à une semaine, néanmoins sa fraîcheur restait indemne. C'était presque comme si nous nous étions disputés hier, voire ce matin même.
À cette pensée, je soufflai.
C'était ridicule. Non. Il était ridicule.
N'étant pas d'humeur à revivre notre altercation, je pris la décision de me concentrer sur mon trajet. J'avais retrouvé un trottoir avec sur sa droite une route. Ici j'étais plus dans un quartier résidentiel, mon université n'était plus qu'un lointain souvenir. Je jetai un coup d'œil au ciel recouvert d'étoiles, puis les buildings sur les côtés de la route. J'admirais leur structure, couleurs et les silhouettes de leur habitants lorsque j'apercevais des fenêtres illuminées de silhouettes animées. Le temps de quelques minutes, j'étais distraite, je ne pensais plus à rien.
Puis, je sentis quelqu'un m'approcher par derrière. Ça avait été soudain.
J'avais senti un frisson remonter mon échine et des bruits de pas s'intensifier. J'avais immédiatement tourné la tête, pas par panique mais plus par réflexe. J'avais resserré ma prise sur mon taser. Rien ne m'apparut, seule une ombre à quelques mètres de moi, se faufilant à l'intérieur d'une ruelle m'alarma. Ma respiration s'accélérait.
Je n'avais pas rêvé, quelqu'un me suivait.
Les mots de Jason me revinrent en tête, le nombre de fois où il m'avait promettre de faire attention, de ne jamais partir de quelque part sans le prévenir lorsqu'il faisait nuit.. Ça n'était pas la première fois que je risquais ma vie dans le noir mais ça restait toujours aussi terrifiant. J'en venais à me demander si ça avait un rapport avec mes recherches sur Victor Zsasz ⸺un agresseur habituellement ne cherchait pas à se cacher : il avait plutôt tendance à marcher derrière sa victime histoire de jouer au chasseur et à la proie⸺ Est-ce que.. Est-ce que j'étais visée..?
Non, c'était inconcevable. C'était idiot.
Je n'étais qu'une étudiante banale. Certes, je sortais avec le fils de Bruce Wayne, mais ça n'était pas l'information la plus partagée auprès des médias de Gotham. Ça n'était qu'un pur hasard, voilà tout. Il me suffirait de marcher plus vite que lui, voire de l'attaquer si il venait à trop s'approcher.
Une fois retournée, je commençai à foncer direction chez moi. J'ignorai le bruit de pas qui persistait à me suivre, pareil pour l'impression d'être épiée de haut en bas. Je me dépêchais autant que possible, mon sac encré dans ma peau et mon portable broyé contre ma paume de main. J'étais tant paniquée, l'idée d'appeler Jason à l'aide ne me traversa pas l'esprit. J'étais plus concentrée sur l'objectif de m'en sortir, je n'étais pas persuadée qu'en passant un coup de fil j'allais mourir, c'était juste que je n'y pensais pas. Mon portable n'avait aucune fonction sur le moment, outre celle de support émotionnel. Je tapai des pieds en marchant. Il avait dû comprendre que je l'avais repéré car désormais il ne se cachait plus, je le sentais non seulement plus proche mais je l'entendais aussi. Je n'osais pas considérer depuis combien de temps il m'avait suivie. La librairie universitaire ? Le quartier résidentiel ?
Je clignai des yeux d'un geste alarmé, au même moment, il se saisit de mon bras.
Mon corps fut emporté contre mon gré, ça avait été aussi violent que je l'avais imaginé. Aucune once de délicatesse, j'avais été tirée sur le côté contre une surface horriblement dure et la prise exercée sur mon bras forçait un grognement hors de mes lèvres.
Ce à quoi je ne m'étais pas attendue, en revanche, fut de sentir mes pieds se décoller du sol, enfin, je m'étais attendue à être plaquée contre un mur, mais pas à sentir le vent me frapper en plein visage et à avoir soudain froid. Mes paupières restèrent gluées sur elles-mêmes; ça ne pouvait être qu'un mauvais rêve. J'allais sûrement me réveiller dans les bras de Jason et tout irait mieux. Je l'imaginais déjà me réconforter et accompagner mon matin d'un délicieux petit-déjeuner.
C'était⸺
« Eh, eh, ça va ? »
Je rouvris les yeux.
« Tu m'entends ? Comment tu te sens ? »
La voix était tendre, robotique certes, mais d'une délicatesse perturbante. Sachant que j'étais sur le point de me faire attaquer, ça n'était pas vraiment le genre de ton auquel je m'étais attendue.. Toutefois, je comprenais rapidement la situation en ouvrant les yeux. Tout fit immédiatement sens.
« R⸺Red Hood ? »
Abasourdie, je m'accrochai à ses épaules, mon portable et taser en tombèrent par terre. Je regardai autour de nous. Il.. Je⸺ C'était plus fou que prévu.
J'avais été sauvé par un vigilante ? Moi ?
« On dirait que je suis arrivé à temps. » dit-il.
Nous étions sur le balcon d'un immeuble, pas très haut. Je n'avais aucune idée de comment il avait fait ça, la seule chose dont j'étais certaine était que le danger avait été écarté, je ne voyais plus l'homme. Il venait de me sauver. Cela suffit à faire s'emballer mon cœur.
« Merci, oh mon Dieu, merci infiniment ! »
Je le pris dans mes bras avant de me séparer de lui.
« J'avais vraiment pas envie de courir pour ma vie, vous m'avez sauvée. Vous êtes un héros ! » m'exclamai-je.
« C'était trois fois rien, t'en fais pas. »
S'abaissant, il récupéra mes affaires et me les tendit. L'écran de mon portable s'allumait au même moment. Je récupérai le tout et en profitai pour encore le remercier. Ce genre de sauvetage était une routine pour un héros comme lui, il le faisait matin et soir c'était certain, donc le remercier ne signifiait sûrement rien à ses yeux, ça devait même lui paraître un peu bête, mais j'étais incapable de me retenir. Je lui étais terriblement reconnaissance. Qui sait ce qui aurait pu m'arriver...
« C'est dangereux de traîner ici la nuit, tu le sais, non ? »
« Mhh, désolée. »
Il arqua un sourcil.
« Qu'est-ce que tu faisais ? »
« Je travaillais à la bibliothèque, j'avais des cours à rattraper et.. »
Je zieutai nerveusement mon portable. Cliquant sur un des boutons de sa droite, il se ralluma et me dévoila la photo de Jason que j'avais mise en fond d'écran ainsi que l'heure tardive. La simple vue de son sourire me réchauffa le cœur. Je relevai ensuite la tête, embarrassée. Red Hood avait dû le voir. Il ne fit aucun commentaire dessus, tant mieux.
« Pardon, je voulais vraiment pas vous importuner. C'est idiot. »
« Si j'étais pas arrivé Dieu sait ce qui aurait pu se passer. » il acquiesça. « Tu devrais pas sortir à une telle heure, ton copain te l'a jamais dit ? »
J'esquissai un rictus.
« Vous parlez comme lui.. »
Red Hood me tapota l'épaule. Toutefois, à m'y méprendre, cela ressembla plus à une caresse.
« Alors il serait peut-être temps de l'écouter. Gotham c'est pas vraiment l'endroit rêver pour se balader tard, surtout quand on est une si jolie fille. »
« Mhh, mhh, je m'en souviendrai. »
Je rangeai rapidement mes affaires dans les poches avant de mon sac et jetai un coup d'œil sur la vue que nous avions d'ici. Cela ne tarda pas à me mettre mal à l'aise. Après tout, ce balcon appartenait à quelqu'un.. C'était illégal, non ? Je ne me sentais pas très confortable à l'idée de m'attarder ici, surtout que, après un tel évènement, j'avais dix fois plus envie de rentrer chez moi. La présence d'un héros était toujours rassurante, toutefois rien n'égalait le confort de mon lit.
« Dites, euhm.. ça vous dérange de m'aider à descendre ? Il faut vraiment que je rentre. »
Je me grattai nerveusement la joue.
« Bien sûr. » répliqua Red Hood. « Tu permets que je te raccompagne ? J'aimerais pas qu'il t'arrive quelque chose en cours de route. » il renchérit.
« Si ça vous dérange pas, c'est gentil. » souris-je.
Notre proximité ne me fut pas aussi désagréable que prévue. À le sentir passer ses bras derrière mon corps afin de me mettre en position de jeune mariée, me forçant au passage à enrouler mes bras autour de sa nuque, tout cela me sembla étrangement familier. Ça me rappelait Jason, tout simplement. Mais.. ce n'était pas que la position. C'était la manière avec laquelle Red Hood s'assurait que mon sac tienne contre moi, la manière dont il me regardait avant de se jeter dans le vide, un peu comme si.. comme si il m'avait déjà serrée dans ses bras. Était-ce parce qu'il avait l'habitude de sauver des demoiselles en détresse ? Sûrement. Toutefois, le fait que nos corps réagissent aussi bien l'un auprès de l'autre me laissait perplexe.
Je n'avais pas l'habitude de sauter dans les bras du premier garçon venu, alors pourquoi ça m'était si naturel maintenant ? Même la forme de son corps, l'épaisseur de ses biceps.. Tout ça m'était étrangement familier. Je ne le connaissais ni d'Adam ni d'Ève, c'était la première fois que je rencontrais Red Hood. L'aisance avec laquelle nous avions discuté et nous étions rapprochés laissa un goût âcre dans ma bouche. Je ne comprenais pas.
Mes yeux ne quittèrent pas son masque, pas jusqu'à ce qu'il atterrisse sur le trottoir. Red Hood m'aida à me redresser, je posai mes pieds chaussés de mocassins au sol et rapportai immédiatement mon sac à mon épaule. Quant à lui, il scannait les alentours ⸺j'imaginais qu'il était à la recherche du mystérieux inconnu.
« Vous savez.. Vous me rappelez mon copain. » avouai-je.
« Mhh ? »
Red Hood baissa la tête dans ma direction, même avec son masque recouvrant ses yeux je le sentis me dévisager.
« Il s'appelle Jason. »
« Jason ? Chic prénom. » il répéta.
Sa simple évocation suffit à me rendre embarrassée. J'apportai mes mains derrière mon dos.
« N'est-ce pas ? »
« Il sait que t'es toute seule dehors à une telle heure ton Jason ? Ça me paraît pas responsable. »
Je secouai la tête.
« C'est ma faute. »
Sans m'interrompre, Red Hood posa sa main dans le bas de mon dos. L'aisance avec laquelle il avait agi ne m'avait pas surprise au départ, encore une fois, ça m'avait semblé naturel. La manière dont il s'était approché, m'avait frôlée puis guidée dans une ruelle parut presque habituelle, pour nous, ou son métier en tant que héros ? Toutefois, j'avais rapidement repris mes esprits ⸺comment pouvait-il me toucher aussi intimement alors qu'il me savait prise ?⸺ et lui avais jeté un petit coup d'œil sévère. Le vigilante se retira sans attendre. C'était bien mieux comme ça, il était évident que quelque chose d'étrange s'était produit entre nous, mais j'avais quelqu'un. J'aimais Jason. Ça n'était pas parce que ce Red Hood m'avait sauvée que je me devais de le remercier de cette manière.
Peut-être que je m'emballais, je tirais une conclusion très rapide, je préférais tout de même mettre les choses au clair. Pas de main sur mon corps.
« Vous vous êtes disputés ? C'est pour ça que tu es sortie travailler ce soir ? »
« Ah ! Vous faites dans la thérapie maintenant les héros ? » le questionnai-je dans un rire.
« Pas spécialement. » il sourit. « C'est juste que tu dois avoir une bonne raison pour t'être mise en danger ce soir. »
La ruelle était assez étroite, nous la traversâmes sans encombre avant de voir d'autres trottoirs et une route les coupant. Sur ma gauche, j'aperçus une moto. Red Hood me guida vers elle.
« C'est débile.. »
Extirpant un casque sous le siège il me le tendit. Je l'enfilai tout en déblatérant mes problèmes à ce parfait inconnu.
« Dites, vous vous êtes déjà battus contre Victor Zsasz ? »
« Jamais. »
« Batman l'a fait une tonne de fois, non ? »
« Batman... Batman fait ce qu'il peut pour garder ces cinglés sous verrous ouais. En revanche, je vois pas le rapport entre un psychopathe et une petite étudiante comme toi. »
« Moi ? Oh rien ! » je m'exclamai. « C'est juste que je l'ai vu pour la première fois y'a quelques semaines, bien sûr j'avais entendu parler de lui, mais c'est comme Double Face, le Chapelier Fou, à un moment donné on arrête d'y penser et on laisse Nightwing ou Batman s'en charger. Ou vous, bien sûr. »
Red Hood acquiesça. De ce simple geste, il m'incitait à poursuivre, ce que je fis sans hésitation.
« Il m'a fait peur. »
« Peur ? »
« Je le regardais à travers un écran.. pourtant j'ai eu cette impression que c'était lui qui me voyait. »
Nerveusement, je me mis à triturer mes doigts, c'était un peu humiliant à confesser. Tous les vilains à Gotham faisaient peur, il n'y avait aucune honte à l'avouer, qu'ils soient gros, fins, petits, grands, ils avaient tous une sale allure qui faisaient faire des cauchemars même aux plus grands. Surtout le Joker. Mais l'avouer à quelqu'un qui combattait ces choses du matin au soir c'était une sacrée expérience.. À l'instar d'avoir dit que j'avais fait pipi au lit. J'avouais que moi, une jeune adulte, j'étais terrifiée par des malades mentaux. C'était bizarre, non ? Je n'en savais rien... C'était juste ce que je ressentais.
Face au silence de Red Hood, je conclus donc.
« Je n'en ai parlé à personne. Ni à Jason, ni à mes amis, c'est juste trop étrange. » dis-je. « Mais cette impression qu'il me connaissait et qu'il me suivait ne me lâchait pas. Je sais que le Joker est plus fou que lui mais jusqu'à maintenant je n'avais jamais croisé un tel regard. »
« Tu ne te sens pas en sécurité ? »
« Mhh ? »
« Chez toi. »
« Si je me sens menacée ? »
Il fit oui.
« Non ! Absolument pas. Vous connaissez pas mon copain, il fait au moins dix fois votre taille, c'est un vrai colosse ! » plaisantai-je.
« Un colosse, hein ? »
« Je sais que je risque rien tant qu'il est là, même si on est fâchés. » j'affirmai. « Ça n'était qu'une sensation, un truc que j'arrive toujours pas à contrôler. Je me suis dis que si je me renseignais sur lui, que je m'habituais à son visage ça m'aiderait. »
« Et ça a fonctionné ? »
J'haussai les épaules de manière évasive.
« Pas vraiment.. »
« Je parie que tu lui en as pas parlé. »
« De ? »
« De tout ça, à ton copain. »
Je lui jetai un sourire anxieux.
« Pour dire quoi ? Je vous l'ai expliqué, c'est trop étrange.. Je vais pas lui dire que le regard d'un psychopathe m'obsède, il est trop mignon pour que je l'embête avec un truc aussi idiot ! »
Red Hood se gratta la nuque. Je l'entendais peu après se racler la gorge. Il me fit rapidement signe de m'asseoir sur sa moto, je lui obéis.
« Te bile pas, je suis certain que ça va s'arranger. Ton Jason a l'air d'être un chic type vu comment tu parles de lui. »
Il me rejoignit, je passai par pur automatisme mes bras autour de sa taille, je m'accrochai à lui, le laissant faire démarrer sa moto et retirer la cale. Ma joue se colla à son dos, mes yeux se fermèrent.
Puis, dans un murmur je lui répondis :
« C'est le meilleur. »
Le guider jusqu'à chez moi fut plus facile que prévu, il n'y avait personne sur la route et Red Hood roulait relativement vite. Je me permettais de commenter, le guidant à travers les rues de Gotham, je bravais vents et tempêtes pour les pointer du doigt. Red Hood m'écouta attentivement tout le long, il n'allait pas trop vite de manière à ne pas me mettre mal à l'aise, mais je le sentais quand même se dépêcher un peu. À une telle vitesse, je pouvais non seulement me décoller de lui, mais aussi relever la tête. Le ciel ne fut pas la seule chose que je contemplais; il y avait les bâtiments autour de nous, les lampadaires tamisés, les coins d'ombres provenant de nombreuses ruelles et certains passants qui pressaient le pas.
Le trajet ne fut pas très long, je n'habitais pas loin de mon université ⸺habituellement je prenais le bus⸺, nous fûmes donc arrivés sous peu. Je signalai à Red Hood mon immeuble ⸺d'un style new-yorkais⸺ et il se garait juste devant, entre deux grosses voitures noires. Il éteignit le moteur et fit tanguer sa moto.
Il enclencha la cale, je descendis juste après. Tranquillement, je montai sur le trottoir de mon immeuble.
« Encore merci, Red Hood. »
Je m'étais retournée afin de lui parler. Deux doigts contre sa tempe, il me salua.
« Va retrouver ton copain, miss, je suis sûr qu'il se fait un sang d'encre pour toi. » il dit simplement.
« Mhh, vous avez raison. »
Cet au revoir était assez déprimant, mais la nuit ne faisait que débuter, Red Hood devait avoir tant d'autres personnes à sauver.. L'idée de le monopoliser en dépit de la détresse d'autrui me déplus. Je me contentais donc de cette maigre interaction. Son casque entre mes mains, je le lui tendis finalement. Red Hood le récupéra accompagné d'un hochement de tête.
« Je vais vous laisser. Prenez soin de vous. »
« Je te retourne le conseil. » il me taquina.
« C'est promis. » souris-je.
Il me fit un petit signe de la tête désignant mon immeuble, je comprenais sans mal qu'il voulait me voir rentrer avant de s'en aller.
Ne désirant pas lui faire perdre plus de temps, je m'en allai rapidement grimper les escaliers de mon chez moi. C'était déjà gentil de sa part d'attendre.. Mes doigts se tenaient contre la vieille rambarde métallique. Elle tremblait sous ma prise, sans parler de la peinture noire dessus qui s'écaillait. Je tapai ensuite le code d'entrée menant au hall et me frayai un chemin à l'intérieur. J'avais agi par pure habitude. J'en profitai pour jeter un coup d'œil aux boîtes aux lettres, et me retourner, désirant apercevoir Red Hood.
Je le vis de justesse, il avait redémarré sa moto et s'en allait sous mes yeux. Il ne me remarquait pas ⸺il devait penser que je ne m'étais pas retournée⸺. Mon regard restait rivé sur lui. J'attendis qu'il ait entièrement disparu.
Puis, finalement, je me tournai.
Rapprochant la lanière de mon sac sur mon épaule, je poussai celui-ci contre ma hanche. Avec mon ordinateur, mon casque, et le reste de mes affaires dedans, il se faisait lourd; surtout que je ne le portais que d'un côté.. Je le transportais avec moi depuis ce matin, j'étais en train d'atteindre ma limite. J'avais hâte de m'en débarrasser. N'ayant aucun ascenseur disponible, je fus contrainte d'emprunter un second escalier. Heureusement pour moi, je n'habitais qu'au deuxième étage. Guidée par une dernière goutte de volonté, je me mis en route. J'avais déjà la chance d'avoir été déposée ici, je m'estimais heureuse de ne pas avoir eu à prendre les transports ou marcher à pieds de la bibliothèque universitaire jusqu'ici.
Les lumières automatiques m'accompagnèrent dans ma montée. Avec pour seuls bruits, ceux que je faisais en marchant et en respirant. La cage d'escalier était, sans surprise, vide, je n'entendais rien provenant de chez les voisins, rien depuis l'extérieur. Le changement d'ambiance était radical.
Passée la porte d'entrée de mon chez moi, je fus immédiatement accueillie par un profond silence. Mon sac de cours restait contre mon épaule, ma main libre, elle, sur la poignée. Là, bêtement figée sur le palier, j'observai avec curiosité l'intérieur de l'appartement, silencieux au possible et aussi plongé dans l'obscurité, avec comme seule source de lumière les baies vitrées au fond du salon sur la gauche. Pas de lumière dans la cuisine, ni dans le couloir menant aux deux dernières pièces, rien, l'endroit était désert. L'appartement était plongé dans un état de mutisme angoissant, j'en eus presque l'envie de faire demi-tour.
Habituellement, Jason était scotché à son ordinateur auprès des fenêtres, ou alors il regardait la télévision, voire il parfumait toute la maison à l'aide de ses talents culinaires. Habituellement, Jason m'attendait.
Je fermai la porte d'entrée. Faisant mon entrée dans le salon, j'abandonnai mon sac au sol et me séparai de mes souliers. Je me saisis de mes mocassins et cherchai une petite place dans la commode juste à côté, nous n'avions pas une tonne de chaussures mais le meuble restait étroit. Je parvins à les ranger une fois les vieux chaussons de Jason pliés et écrasés. Je fermai ensuite le placard, me retournai et retirai ma veste. Ce fut tranquillement que j'avais commencé à enlever mon surplus de vêtements, j'évitais de faire trop de bruit. Le calme instauré me forçait à faire attention. Il était étrangement réconfortant. Ou alors j'étais peut-être juste épuisée, ça devait aller ensemble, le trajet m'avait davantage fatiguée, mon lit me manquait terriblement.
Je ne tardai pas à faire volte-face, un bruit m'avait surprise. Une porte s'était close.
Une silhouette naquit depuis la pénombre du couloir, une imposante et familière silhouette. Une voix s'éleva au même moment. La sienne.
« ⸺la chercher. Ouais. Merci Bruce. »
Jason raccrocha.
Il était habillé des pieds à la tête, chaussures, manteau ⸺qu'il venait d'enfiler⸺, pantalon, ainsi de suite. Il était prêt à sortir.
Jason et moi avions eu une réaction similaire lorsque nos regards s'étaient croisés. Il s'était figé sur place. Au même moment, ses chaussures avaient grincé contre le parquet près de la table de la salle à manger. Ses yeux étaient grand ouvert.
« Hey. » je soufflai.
Il répondit sans attendre, abandonnant son portable au passage.
« Hey. »
Je marchai jusqu'à lui.
Jason avait l'air plus que préoccupé, il me dévisageait avec inquiétude. Je n'étais honnêtement pas sûre d'être toujours fâchée contre lui, après cette soirée, je ne voulais qu'une chose et c'était rester auprès de lui. Je me fichais des jurons que nous avions pu échanger je m'en fichais de sa colère, je m'en fichais de la mienne.
Jason me questionnait du regard. Il avança d'un pas afin de me rejoindre.
« J'allais justement venir te⸺ »
Je le coupai, me saisissant de sa main.
Elle était douce, une aura de chaleur en émanait ce qui contrastait avec mes doigts glacés. Jason ne me refusait pas. Je le sentis désespéré, il entrelaçait rapidement ses doigts aux miens, m'empêchant ainsi de m'en aller. Le contact entre son épiderme et le mien fit paniquer mon cœur. Cela faisait combien de jours que nous ne nous étions pas touchés ? J'en avais oublié à quel point il était addictif... Il était tout autour de moi, dans mon regard, dans mon esprit, contre ma peau, auprès de mon cœur. Il en devenait mon oxygène. Son eau de Cologne se fraya un chemin au travers de mes narines jusqu'à repeindre l'intérieur de mes poumons.
Ce fut à l'instar d'un poison, une sorte de potion qui, une fois inhalée, me rendit totalement charmée par lui.
Mes lèvres se plissèrent. Je les forçai à former une fine ligne, le temps de chercher quoi lui dire. Cela me prit un peu de temps. Puis, finalement..
« Je suis désolée. »
Mon cœur s'emballait.
« Je t'aime, j'ai pas envie qu'on reste fâchés. J'aurais dû t'appeler. »
« Tu déconnes ? C'est ma faute à moi. »
Jason apporta sa seconde main derrière ma tête, il me rapprocha de lui pour déposer un baiser contre ma tempe.
« T'es une grande fille, j'avais pas à m'énerver. » dit-il. « Je suis rassuré que tu sois là, je commençais à m'inquiéter. T'es rentrée en bus ? »
« J'ai.. Je⸺ Oui. J'ai pris le bus. »
Loin de moi l'idée de l'inquiéter.
Jason méritait mieux que ça, mieux que d'apprendre que j'étais une immense idiote et que j'avais failli mourir à cause de ma fierté. J'avais compris ma leçon. Alors qu'il me faisait face, que ses beaux yeux bleu pétillant se perdaient dans les miens, que ma main reposait contre la sienne dans une douce enlace au parfum de romance, la simple idée de briser son illusion me broyait le cœur. Il était si doux.. Jason ne méritait pas de payer pour mes bêtises, il méritait que je m'améliore.
Il méritait une meilleure version de moi.
« Vraiment ? » s'étonna-t-il. « Tant mieux. »
« La prochaine fois viens, s'il te plaît. Je préfère rentrer avec toi. »
« Bien sûr. »
Jason retira sa main de mes cheveux, il déposa le dos de ses doigts contre ma joue, qu'il se mit ensuite à tendrement caresser. Jason accompagnait le tout d'un fin sourire.
« Tout ce que tu veux. »
Quant à moi, je passai mon bras libre autour de sa taille et collai ma joue libre à son torse. Le besoin de me rapprocher de lui m'était vital. J'écoutais attentivement les battements de son cœur, le regard perdu dans le vide et ma main toujours accrochée à la sienne. Tout s'était passé si vite, j'avais l'impression que ma rencontre avec Red Hood n'était plus qu'un distant souvenir. Une hallucination, un mirage embrumant le reste de ma mémoire. Surtout, ma proximité avec le vigilante m'avait rappelé à quel point j'aimais Jason. Ça n'était pas la première fois que je ressentais le besoin ardent de le toucher, de me recueillir auprès de lui, mais c'était une chose puissante, un désir contre lequel j'étais désarmée.
Nous restions ainsi.
Ni Jason ni moi ne bougeâmes.
Au cœur de notre appartement, plongés dans la pénombre, il n'y avait que nous deux. Pas un son, pas un geste. Ce fut intime. Nos corps avaient fusionnés le temps de cette étreinte, le temps de nous laisser récupérer. Le temps de nous remémorer les sensations que nous procuraient le simple fait d'être l'un contre l'autre.
J'aimais entendre son cœur battre. Il palpitait contre sa peau d'une vitesse folle, mais je n'étais pas en mesure de le lui reprocher, sachant que le mien battait en symbiose avec le sien. Ses battements s'étaient synchronisés et, bêtement, j'espérais que Jason s'en rende compte. J'espérais qu'au travers de nos mains, de ma joue, n'importe quoi, il saisisse la force de mes sentiments. Il n'était pas seul. Moi aussi je l'aimais à la folie. Je l'admirais tout autant. Je le désirais.
« T'es sûre que tu vas bien ? » murmura Jason. « Tu m'as l'air secouée. » insista-t-il.
Je fis oui de la tête.
Mon bras se resserra sur sa taille.
« Reste avec moi, c'est tout. »
« D'accord, d'accord, je bouge pas. Je suis là je reste là. »
Jason embrassa de nouveau ma tempe. Il chercha à me rassurer, baisant ma peau, caressant le dos de ma main de son pouce, il ne recula devant rien pour m'apaiser. Cela fonctionna à merveille.
Un soupir d'aise m'échappait.
« Est-ce qu'on peut aller se coucher ? Je tiens plus debout. »
« C'est toi qui décide, mon cœur. »
Sa main se sépara de mon visage. Jason replaçait quelques mèches de mes cheveux derrière mon oreille sans me lâcher du regard, je l'observais à mon tour. C'était innocent. La manière dont nos yeux s'adoraient, perdus dans leur contemplation, celle dont nos cœurs battaient à l'unisson, tout me rappelait ce pourquoi j'étais tombée amoureuse de lui.
Derrière sa montagne de muscles, Jason cachait une vie remplie de mystères, des secrets et regrets à n'en plus finir. Jusqu'à présent je n'avais pas été mise dans la confidence. Son père adoptif Bruce Wayne me paraissait complice mais je n'osais pas le questionner, ça n'était pas ma place. Je l'aimais malgré le poids qu'il portait sur ses épaules et même malgré les cicatrices qui tâchaient sa chair. J'avais confiance en lui. Nuit et jour il me rendait heureuse. Depuis que nous avions commencé notre relation, hauts et bas nous avaient testé, mais mon affection pour lui n'avait cessé de grandir. Je l'aimais avec un grand A. Je l'aimais comme on aimait l'univers, comme on aimait la simplicité et la fatalité dans notre mortalité. Je l'aimais comme l'on inspirait, expirait. Je l'adorais.
La main de Jason quittait la mienne, sa seconde s'écartait encore de mon visage. Il se reculait un peu de moi.
« Tu veux pas dîner avant ? »
« Non merci. » répondis-je.
Il arqua un sourcil.
« Tu vas directement au lit, alors ? »
« Je prendrai ma douche demain matin si ça te dérange pas. Je vais tomber sinon. »
« J'ai connu pire. » il me rassura dans un sourire taquin. « Je te ferai un bon petit-déjeuner quand tu te réveilleras, promis. »
« Ça me paraît bien.. »
« J'en suis certain. »
« Merci, Jason. »
Il secoua la tête.
« Me remercie pas, c'est le moins que je puisse faire. Je serais un terrible petit-ami si je prenais pas soin de toi. »
« Mhh, non. »
Ce fut à mon tour de secouer la tête.
« Tu es le meilleur. » j'affirmai. « N'en doute pas. »
Penchée dans sa direction, je me saisis de son visage en coupe. Jason étouffa un rire.
« Si tu le dis je suis forcé de te croire. »
Il me suivit tandis que je le guidai jusqu'à moi.
« Tant mieux, parce que t'as pas le choix. Maintenant embrasse moi. »
« Tout de suite, madame. »
Mes lèvres effleurèrent les siennes puis, dans un geste hâté, elles se rencontrèrent. Je l'embrassais tendrement. Le temps de le retrouver, de le goûter autant que je le pouvais même avec cette cruelle fatigue qui épuisait mes muscles, je me perdis dans la tendresse de notre échange. Je me reculai, histoire de respirer, mais revins aussitôt à la charge pour bécoter de nouveau ses lèvres. Jason fit de même. Il attrapait mes hanches, les yeux clos, il m'embrassait en retour de la même manière. Cela me suffit. Cela nous suffit.
J'embrassai la commissure de ses lèvres, je baisai sa mâchoire.
Mes bisous ne furent pas rapides, ni trop forts d'ailleurs, je bougeai et le chouchoutai avec grand calme. Ce moment que nous partagions n'était pas éternel, il était la preuve de notre affection éphémère l'un pour l'autre, il n'était pas là pour le marquer à vie ou pour nous en faire mal au cœur. Il était là pour exprimer la véracité de nos sentiments ce qui, à mes yeux, était amplement suffisant.
Pas besoin de caresses sensuelles, pas besoin de finir à bout de souffle. Ces légers baisers étaient les porteurs d'un bien plus lourd message.
Après avoir déposé une traînée de baisers sur mon visage, Jason se recula de moi. Il récupéra son portable.
« Tu veux boire un truc avant ? »
« De l'eau, oui. J'ai un peu soif. »
« Je vais te chercher une bouteille, m'attends pas, va dans la chambre. »
« Mhh, d'accord. »
Jason me pinça gentiment la joue en guise de salutation. Il ne tardait pas à entrer dans la cuisine ouverte sur le salon et à s'approcher du frigo. De mon côté, je rejoignis le couloir, direction notre chambre à coucher.
Je ne me sentais pas particulièrement propre, une douche aurait été la bienvenue mais j'étais vraiment fatiguée.. Si j'y allais maintenant, j'allais sûrement m'endormir sous l'eau. Ignorer ma routine du soir juste une fois ne me ferait pas de mal, sachant que je me faisais la promesse de ne pas recommencer. Je n'avais même pas la force d'enfiler un pyjama. Je laissai donc traîner mes vêtements d'aujourd'hui à même le sol ⸺aux pieds du lit⸺ et grimpai sur notre matelas. Je me rapprochai de la tête du lit, me frayai un chemin sous la couette. Mes jambes se mirent immédiatement à frissonner. Elle était glacée, chose étrange. J'avais pensé Jason couché depuis le temps ⸺surtout à cause du manque de lumière lors de mon arrivée⸺ pourtant les draps étaient frigorifiés, un peu comme si il avait laissé la fenêtre ouverte toute la soirée ?
J'apportai ma peluche ⸺reposant sous mon oreiller⸺ contre ma joue et relevai mon portable en direction mon coussin. Je l'y plaquai. Je m'étais allongée de profil me permettant ainsi de pouvoir traîner un peu dessus en attendant que Jason revienne.
Quelques informations concernant Gotham me parvinrent, rien sur Arkham ni Batman pour l'instant. Il y avait des histoires sur le maire, le GCPD et ses effectifs ou même Bruce Wayne et l'énième entreprise dans laquelle il avait investie. Je ne cliquais sur aucun des liens proposés, je me contentais de lire les titres ainsi que les premières lignes les précédant puis je passais au suivant. J'attendais en même temps que mes draps se réchauffent. Je frottai mes chevilles contre le matelas, parfois frappée par une flopée de frissons dont la fraîcheur me fit nombre de fois grincer des dents.
Il faisait tout aussi sombre dans la chambre.
J'étais bien là, emmitouflée sous ma couverture et bientôt réchauffée. J'étais bien loin de mon université ou de mes préoccupations habituelles, celles-ci me semblèrent futiles sur le moment. Sans parler du calme plat qui régnait tout autant ici. J'appréciais entendre les petits bruits du quotidien ⸺télévision, éclats de voix, crépitement de la nourriture sur la poêle, vaisselle, douce, musique⸺, c'étaient des choses futiles mais qui rappelaient à quel point la vie était belle. Toutefois, ce silence aussi était agréable. Il n'était pas seul. Il était réconfortant en quelque sorte.
Il me donnait l'impression d'être seule au monde et de n'avoir rien à craindre.
Finissant de descendre sur ma page internet, je poussai un petit soupir. J'étais sur le point de me redresser. Jason n'était pas revenu depuis plusieurs minutes déjà, ça commençait à me déranger. Je me demandais ce qu'il pouvait bien faire.
Je me stoppai à la vue de Victor Zsasz.
Depuis l'écran de mon portable, un article traitant de son retour à Arkham titilla mon attention. L'article était composé de son titre, d'un début de texte mais aussi d'une photo du criminel. Et sans surprise, il avait de nouveau su m'ébranler. Jusqu'aux os. Je le dévisageai. Ses yeux globuleux me fixèrent en retour, d'un sinistre effarant.
Je cliquai sur la page.
Une seconde photographie apparut, j'ignorais la forme écrite de l'article pour me focaliser dessus : cette fois-ci Batman était dedans. Il tenait Victor Zsasz prêt de lui, menotté, il le remettait au commissaire Gordon. Les deux hommes parlaient, quant à Zsasz, il fixait la caméra. Il me fixait.
« J'ai pas trouvé d'eau fraîche. Désolé j'ai dû oublier d'en re⸺ »
Prise sur le fait, je me redressai.
« Hey. »
Jason fermait la porte derrière lui, dubitatif, il me dévisageait.
« Hey.. » répondit-il. « Qu'est-ce que tu fais ? »
« Rien. »
J'attrapai la bouteille qu'il me tendit, j'en bus une gorgée le temps qu'il se déshabille lui aussi. Ses vêtements rejoignirent les miens au sol. Jason s'était dépêché.
« Il est tard, tu devrais commencer à dormir. »
« Je sais, je t'attendais. » confessai-je.
Il s'assit, étendit son bras dans ma direction et me poussa contre son torse. Le temps de s'allonger confortablement, il m'avait volé ma bouteille et l'avait laissée à choir sur sa table de nuit. Il ne regardait pas exactement où elle atterrissait, il avait juste voulu s'en débarrasser le plus vite possible.
Jason s'assura que nous étions bien couvert, il me pressa contre lui et posa ses lèvres contre les miennes. Il me vola un baiser.
« Repose toi. »
« J'y vais.. » chuchotai-je.
Nos jambes se rejoignaient, les siennes étaient chaudes, j'en profitais pour me coller à lui. Il était chaud des pieds à la tête.
J'étais allongée contre son flanc de mon ventre, ma joue plaquée sur son torse, quant à Jason il avait un bras autour de ma taille et sa main sur ma joue. Il la caressait. Du dos de ses doigts, il me frôlait, puis s'amusait avec les mèches rebelles de mes cheveux. Notre enlace était si étroite que la seule chose que je pouvais respirer était son odeur. Tout ce que je sentais était sa peau contre la mienne. J'étais solidement accrochée à lui, et lui me maintenait fermement en place. C'était habituel pour nous. Jason et moi dormions toujours collés, même si nous venions à nous séparer durant la nuit, ça nous était indispensable de nous endormir en nous touchant. Je ne pouvais pas me reposer sans le savoir proche de moi..
« Eh, t'es sûre que ça va..? »
« Mhh.. »
Jason me frottait le dos de sa main.
« Merci, Jason. » je murmurai.
Il resta muet un instant. J'entendis sa respiration se stopper.
« Pourquoi ? »
« Je sais pas. Merci d'être là. »
Mon portable était depuis longtemps oublié, caché sous mon oreiller, ma peluche pressée contre ma poitrine, j'avais fermé mes yeux.
J'étais bien là, je ne désirais rien de plus. J'en oubliais tout, même mes pires cauchemars.
#jason todd x y/n#jason todd x you#jason todd x reader#red hood x you#red hood x reader#red hood#jason todd
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February 5th, 2024
Satan Tarantula (Psalmopoeus satanas)
Distribution: Found throughout the localities of La Magdalena, Reserva Otongachi and Los Bancos, in the provinces of Santo Domingo de los Tsáchilas and Pichincha, Ecuador.
Habitat: Lives on the northern and central-western slopes of the Cordillera Occidental of the Andes mountains, at altitudes of 866 to 937 metres. Found in low-mountain and mountainous evergreen forests. Can be assumed to be arboreal, like other species of its genus.
Diet: Probably feed on similar prey to other tarantulas, such as large insects and other arthropods.
Description: The Satan tarantula was discovered very recently, having been initially discovered in 2021 and published in December 2023. Its unofficial common name stems from the behaviour of the captured male specimen, who was particularly feisty; upon being spotted, it immediately demonstrated defensive behaviours, before fleeing. The research team became quite fond of the tarantula, despite its "bad temperament and sporadic attacks".
Along with P. chronoarachne, which was discovered in the same area by the same team of researchers, the Satan tarantula's habitat is fragmented by agricultural land and mining operations, both legal and illegal. Their habitat does not include any protected areas, unfortunately, and as of their discovery, both species are already considered critically endangered.
Images by Pedro Peñaherrera-R. and Roberto J. León-E.
Here's an interesting article about the discovery of these two species :)
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do you know much about the story わが身にたどる姫君? i've heard it's an even older text potentially discussing lesbianism than tamamizu monogatari, but i can't really find anything on it in english
I’ve heard of Wagami ni tadoru himegimi before but, truth to be told, I had no clue there’s a lesbian scene in it. A series of cursory searches on Brill, De Gruyter, Persee and JSTOR indicates it usually comes up in English in the same context I’ve seen before - the discussion of belief women could be reborn in pure lands and its reflections in literature (ex. Regenerating Narratives: The Confessions of Lady Nijō as a Story for Women's Salvation by Kimura Saeko, p. 98; Hokkeji and the Reemergence of Female Monastic Orders in Premodern Japan by Lori L. Meeks, p. 72).
The main exception I’ve managed to find is Donald Keene’s 1989 article A Neglected Chapter. Courtly Fiction of the Kamakura Period. He offers a quick introduction (the text was most likely written between 1245 and 1271, as of 1989 was poorly known even in Japan let alone overseas - i don’t think much changed in that regard - in part because it was only discovered in 1933 and wasn’t published until the 1950s, and so on). He provides a summary of the lesbian section (p. 18-20) - mea culpa, I was unaware of this when I wrote the Tamamizu article, there's undeniably sex there. In my defense, evidently so was Bernard Faure, since he doesn’t bring it up in his discussion of (lack of) references to lesbian sex in historical literature.
Keene argues that the whole section is meant to be a condemnation of the characters involved - “everything in this section of Waga Mi ni Tadoru Himegimi is not only decadent, but ugly” (p. 21). I am unable to evaluate this statement without being able to read the work itself, though the only fragment I found in english does have the narrator call what is going on "bizarre". If I understand correctly the jp wiki article seems to present a somewhat similar sentiment as Keene (and also mentions the work has sections focused on incest and sexual assault in addition to a lesbian one and a gay one; not very fond of this bundling of gimmicks if I have to be honest though I will say the gay section seems to have an interesting premise considerably better than the typical chigo routine). So, I was wrong when I called Tamamizu the oldest example (it was a common sentiment online last I've checked), but jury's out on whether this story is similarly positive as Tamamizu in its evaluation of the characters. I feel obliged to also mention Torikaebaya monogatari and Ariake no wakare here, since they are arguably even earlier (late 1100s), though in both of these cases your mileage will vary. While they are labeled as “same sex romances” in scholarship every now and then, whether they count is debatable imo. In both cases an AFAB character ends up performing a masculine courtly role and marries a woman (at least in the former case it’s an arranged marriage); in both the wives are not aware of this setup (they presume they married cis men) and the narrators make a point out of the impossibility of consummation of the relationship (which tracks with Faure’s observations on perception of sex between women, fwiw).
I haven’t read the latter story (yet), but truth to be told I’m not very fond of the former. It has a very unpleasant sexual assault scene which is presented favorably and leads to the reveal that the protagonist’s gender nonconformity (or however you choose to interpret their identity) was really just a result of a tengu curse from a previous life (in the beginning there’s no indication of that) and the happy ending involves giving up on it. Tamamizu no diffs this, I’m afraid…
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tuesday again 1/23/2024
listen i got my last job through one of youse on here so weirder things have happened: i got fired bc the nonprofit wasn’t doing so hot. let me know if you have a weird data/database or market/tech research job. i promise my worksona is so so so nice and pleasant to work with. remote only, looking more in the $75k range but can be a bit flexible if it’s a cool enough job, i am in the central time zone of the USA and will not need sponsorship anywhere but DO need the cadillac of healthcare and dental plans. portfolio, publication list, and linkedin with my government name available on request!
listening
both of these are from my sister! this is another FULL ALBUM rec (good lord). The Offline’s album La couleur de la mer is a soundtrack to a movie that doesn’t exist, inspired by his long walks in the fog on the French Atlantic coast. a little spacey, a little soul, very sixties/seventies neonoir. i am quite fond of the very first track, Thème de la couleur de la mer.
she’s also sent me a bunch of tiktoks with Perfect (Exceeder) by Mason and Princess Superstar. hell of a goddamn music video for this thing. mid-aughts clubbing music at its finest. stopped me from dissolving into a puddle of emotions on the way to and from the vet today bc it’s too goddamn bouncy to be sad around
youtube
reading
im reading a trilogy i want to discuss as a whole whenever the third one comes through as a library hold, and a book by a friend. i do not typically talk about books or fics by friends here bc none of them have ever asked for critique, and i dont want to play favorites or inadvertently miss someone’s work. so here’s a story about porn on Wikimedia, which is the kind of database drama and technical arguments that fascinate me.
given the number of articles from 404 Media i shout about here and elsewhere i really should sign up for their $5/mo subscription tier when i have a steady income again
watching
somehow missed Star Wars Visions 2, their second anthology of weird little shorts. i was not super impressed by the overall storytelling this time around, but it was fun to see them reach out to more global studios and see a wider range of styles. there’s some goddamn incredible stop motion in here.
youtube
i particularly enjoyed Journey to the Dark Head, which not only has some interesting fringe Force believers and beliefs but has one of the sickest anime bullshit lightsaber fights in this season. this one is by Studio Mir, most known for the Legend of Korra.
youtube
also really liked The Spy Dancer by Studio La Cachette, partly bc it’s incredibly beautiful and i like when Star Wars leans into art nouveau, and partly bc it felt the most like a complete short story. emotional arc and everything! strong beginning middle and end! this IS a really low bar, but a lot of the shorts this season did not have a coherent little story to tell or a strong emotional arc, or fumbled their arc partway through, and were just kind of vibes and animation showcases? nothing necessarily wrong with that, also how i felt about most of the last collection. my expectations are underground for any Star Wars media.
playing
as is tradition i dithered about this section the most. this is more of a What’s Next? planning ramble.
the laptop gets shipped back to my old job today so i will no longer have a working modern computer. i have to dig the switch out and see what’s up. maybe start a whole new run in breath of the wild or whatever the last pokemon game was. i think i also have the sword boyfriend game everyone was up in arms about two years ago? and i think i am somehow part of a switch family plan that lets me have some older games?
this section may look very different in the next ??? amount of time until i get a company laptop again. or finally replace the motherboard on my personal desktop but that sat in my car for several weeks during the heat wave this summer while i did not have an apartment and i am really REALLY afraid to open that box.
oh the free epic game this week is a platformer, a genre i have historically not cared about. godspeed to those of you who do
making
soup bc aldi had alphabet pasta and that jolted me out of myself for long enough i was briefly convinced making alphabet pasta soup would fix me. so i found this recipe while in aldi. despite this not being a very good soup or a very good recipe, i feel a little triumphant bc i now know enough to brown the tomato paste before putting it in the soup. unfortunately i overcooked the pasta. there’s kind of a lot of texture happening here, and i wish i had chopped things finer, but i will probably steal my best friend’s blender tomorrow and blitz some of it down.
it’s edible. im going to eat it all. it will not be going in the rotation
#this one has another album rec and a recipe#what am i becoming#this is also a little bit. Hm. feels weird to write bc i am a little drunk and very out of it#tuesday again#tuesday again no problem#Youtube
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[Roads are getting nearer. We cover distance, but not together.]
XII - Primus Apex
Je suis devenu fasciné par Trithème et par ces deux livres en particulier. Stéganographie semble être son œuvre la plus célèbre. Un livre en trois volumes qui semble porter sur la magie, plus précisément sur l'utilisation des esprits pour communiquer sur de longues distances.
J'ai trouvé Polygraphie tout aussi fascinante. Il s'agit avant tout d'un traité sur la cryptographie, l'art d'écrire ou de résoudre des codes et des chiffrements. Trithème discute de diverses méthodes de cryptage et de déchiffrement des messages, ainsi que de l'importance du secret et de la sécurité dans les communications. Il s’agit également de la plus ancienne source connue de l’alphabet des sorcières (l’alphabet thébain).
Apparemment, certains pensent que les deux livres sont en fait un seul ouvrage présenté en deux parties : la première est métaphysique et assez théorique (comportant un traité complet sur "l'angélologie"), la seconde est plus pratique et sert à coder des messages.
En relisant Nuit Sans Fin après la conversation avec Snow, j’ai remarqué pour la première fois les similitudes thématiques entre ces poèmes et Stéganographie en particulier. Voilà, le dernier poème dans le livre:
Cet esprit ondulant Ce voyageur capuchonné Qui existe odieusement ailleurs Vous vagabondiez et elle fantasmait Elle a cultivée, avec les philosophes une incantation évidente Pour les lucifuges Pour les moqueurs Ce fantôme fieffant Loin des fadasseries terrestres et badines Ils se perchaient Les cormorans aporétiques Une plaine vaste
Le vocabulaire utilisé dans ces poèmes était bizarre et j'ai dû chercher plusieurs mots, mais le thème était clair : une description des connexions spirituelles et célestes. En même temps, j'avais lu les poèmes je ne sais combien de fois et à eux seuls, ils ne produisaient pas une voie à suivre.
Je me demandais s’il y avait un lien entre tous ces livres de Mars Éditions. Je me suis plongé dans les nombreux chiffres cachés dans les livres de Trithème et j'ai pu heureusement en éliminer rapidement certains (l'Ave Maria, par exemple). J'ai trouvé quelques articles qui expliquaient en termes plus simplifiés comment fonctionnaient les incantations pour les esprits Padiel, Pamersiel, Camuel etc.
J'ai commencé avec le chiffre expliqué dans l'article et comme décrit, j'ai conservé chaque seconde lettre de chaque deuxième mot.
Cet esprit ondulant Ce voyageur capuchonné Qui existe odieusement ailleurs Vous vagabondiez et elle fantasmait Elle a cultivée, avec les philosophes une incantation évidente Pour les lucifuges Pour les moqueurs Ce fantôme fieffant Loin des fadasseries terrestres et badines Ils se perchaient Les cormorans aporétiques Une plaine vaste
Le résultat:
srteauhnéxseilusaaodeleleutveenvdneeorouusatmonaasretlecaetomrnnat.
D'accord...
Ensuite, j'ai essayé le chiffre de Pamersiel qui dit "garde la première lettre de chaque mot". Le résultat cette fois :
ceocvcqeoavveefeacalpuiépllplmcffldftebisplcaupv.
Super cool…
Encore plus de charabia que les poèmes, même. Ça aurait été trop facile si ça avait marché, je suppose. J'ai essayé l'autre chiffre avec le même niveau de succès. Rien n'a marché. Bon vieux Trithème, encore une impasse.
Quelque part au fond, j’avais l’impression que non, c'était pas une impasse. Il y avait un lien ici que je ne pouvais simplement pas voir, beaucoup de choses que je ne pouvais pas encore expliquer. J'ai dû approfondir. J'ai commandé à la fois Stéganographie et Polygraphie chez Mars Éditions. Une séance classique de shopping nocturnes.
J'avais hâte que les livres arrivent. Le jeu d'attente commence.
#s37e05 from authentic to inventive#guy fieri#guyfieri#diners drive-ins and dives#i tego arcana dei#terra incognita
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A Completely Biased Fan’s Opinion (and Interpretation) of 无名
I’ve tried to keep my reviews online mostly neutral when it comes to my fangirling over Wang Yibo in the movie, as I really do feel that the movie is well done, the entire cast did a remarkable job, the cinematography and set details are commendable, the music compliments the scenes really well, and there are many interesting parallels and clues along the way that make each rewatch rewarding.
@faery-snow requested a long post and after watching the movie three times, I will henceforth enter full fangirling mode with my thoughts on the film (there will be spoilers). I have also summarized the sequence of events, based on analyses from Chinese fans online (but again this is still open to interpretation) ↴
I’ve summarized a spoiler-free version of some historical background that is relevant to the film here and will note below when I start getting into plot spoiler content.
The opening scene begins with Tony Leung’s character (Director He) sitting on a bench. He appears to be deep in thought, and behind him we see the grid of a prison window. We are then introduced to an array of other characters, and the who/where/when are all still unknown to the audience.
We then meet Yibo’s character (Mr. Ye), who is having what seems to be a casual breakfast with his colleague, played by Wang Chuanjun (Captain Wang). They are speaking Shanghainese, and upon first hearing Yibo’s Shanghainese I was grinning to myself from ear to ear. His Shanghainese is really very cute, and if you speak to people who are actually Shanghainese they will be able to identify immediately that he is not from Shanghai. 😂 Still, for him to be able to speak Shanghainese to this degree is not easy, considering he only just learned it for the film. And of course from watching all the behind-the-scene footage and interviews, I was already very fond of this 阿呆 and 阿瓜 pair. We see the scene where they are sitting in the car together, on their way to collect the corpses (whom we at this point do not yet know the identities of), and the moment when they both look down at their watch at the same time, which was unscripted. The conversation about every man for themselves, although discussed in the context of breakfast, can be applied to the situation of the times as well.
We are shown the bombings in Guangzhou and there is a scene here that is difficult to watch every time (this, as well as another scene later in the film are particularly difficult to watch; all I can say is that the suffering that ordinary citizens experienced during wartimes really leaves one speechless.) Following the attack on Pearl Harbor, there is a ominous sense of heaviness that is felt as the Pacific War wages. In Shanghai, the foreign concessions, which had once been free from occupation, are also taken over by the Japanese.
Cheng Er does not shy away from showing the violence and cruelty of the time, and we see that Mr. Ye’s job is a rather bloody one. It is such a delight to watch Yibo play this type of role, and although his face was splattered with blood, all I could focus on was how much the yeekies vibrated 😂 (I’m hopeless, I know.)
We see Mr. Ye observing Ms. Fang at the dancehall, and at this point it is not yet clear what their relationship is (although from the article that Cheng Er has written before in GQ, we know that they were engaged, but have grown apart over the years due to conflicting interests - Ms. Fang works together with other progressive youth to assassinate Japanese officers, while Mr. Ye is working for Wang Jingwei’s regime. Thus, in Ms. Fang’s eyes, Mr. Ye is a traitor.)
Tony Leung’s performance is also incredible. He is lauded as having eyes that can tell stories and this is so true. I think he is one of the greatest actors of his time, from every expression to every posture - and it is really amazing that Yibo is billed as co-lead in a film with him.
Plot spoilers begin here:
After Wang Jingwei’s death in 1944 and towards the end of WWII, Minister Tang tells Director He that he will enter negotiations with the Japanese as a representative of the Kuomintang (KMT) - Minister Tang is a character who truly is a fence-sitter (in the GQ interview Da Peng reveals that he was once part of the CCP, then the KMT, before becoming Minister of the Political Security Department for the Wang Jingwei regime). This poses a potential threat to the Communists. It is at this time that Director He utilizes the list of important Japanese people living in Shanghai, which he had received from Ms. Jiang, the KMT agent whom he spared the life of back in 1941. We see Mr. Zhang deploying men to assassinate the Japanese prince. The next morning, Mr. Ye and Captain Wang go to dispose of the bodies. Officer Watanabe gets the call that the prince has died, and the peace talks between the KMT and Japan end. This series of events is part of the story that Cheng Er has written for the film, and as far as I know is not based on any actual event. Mr. Ye accompanies Officer Watanabe to the Communists’ warehouse, only for a bomb to go off. They find that the Communists have already abandoned the warehouse. At this time Officer Watanabe speaks with Mr. Ye and says that anyone who does not join you in killing immediately becomes suspicious - Captain Wang had been at home for his father’s birthday and because of his absence, Officer Watanabe begins to doubt Captain Wang’s allegiance. We see drunken shrimp being served at Captain Wang’s father’s birthday dinner, a traditional dish from Jiangsu, Zhejiang and Shanghai regions.
Interestingly Yibo is the only one who speaks multiple languages throughout the film, and perhaps it shows his presumed allegiance to the Japanese as he is able to adapt to their food and language. Hearing Yibo’s Japanese was also such a treat.
Following the prince’s death, the Communists are under further scrutiny by the Japanese, and so it is at this time that Mr. Ye goes to the dancehall to warn Ms. Fang that the situation is dangerous and that she should suspend her activities of targeting Japanese officers. There is a moment here where Yibo drops Mr. Ye’s usual cool countenance and shows a moment of vulnerability as he looks at Ms. Fang - we see that he still cares for her, but that he can not give her any further explanation nor refute her when she calls him a traitor and tells him to go die. His babyface looks extra vulnerable in that brief moment 🥺 He lets out his suppressed anger and helplessness by beating up the Japanese officers he encounters on his way out, and I can only say that after filming that continuous-shot scene for several nights in a row, the outcome is very satisfying to watch as Yibo fully immerses himself into the character. At the end he pulls down his tie again, returning to his prim and well-dressed appearance (although still slightly rumpled 🤭).
The moment when Mr. Ye finds out about Ms. Fang’s death is a devastating moment - Ms. Fang is probably the only person left whom he cared about, and his colleague whom he had considered his friend was the perpetrator. In this moment he is now truly alone.
Officer Watanabe sends Mr. Ye to the docks to investigate the assassination, and Mr. Ye goes to sit silently at a food stall on the docks. Beside him is a member of the Communist underground network, who then goes to warn Mr. Zhang (Huang Lei), the secretary for the Communist underground network, that the docks, their liaison station, have been compromised. Mr. Zhang becomes nervous and asks Ms. Chen (Zhou Xun) to runaway with him. He says he knows someone of high ranks in Nanjing who can help them, and by so doing he becomes immediately suspicious, as at this time Nanjing is still the capital of the Wang Jingwei regime. I must say that Zhou Xun’s performance here is splendid, and this exchange between them always makes me laugh.
Mr. Zhang calls Minister Tang and says that he knows something about the incident surrounding the Japanese prince, thus betraying the Communists. Minister Tang informs Officer Watanabe and Director He, and between the three of them it is decided that Director He will go to interrogate Mr. Zhang. It is here where the scene from the beginning of the movie takes place, when Director He meets with Mr. Zhang. After getting rid of the traitor Mr. Zhang, Director He knows that his identity as a Communist will be exposed, at the same time he had no choice but to do what he did in order to protect the Communists’ intelligence.
Officer Watanabe then invites Minister Tang, Director He, Mr. Ye and Captain Wang to dinner. The tension created in this scene was excellent. Mr. Ye turns to Officer Watanabe to ask for permission to leave the dinner in order to get rid of the Communist in their midst, whom Officer Watanabe suspects to include Captain Wang. Here we see Yibo’s tears again as he hears the click of the gun behind him, confirming his friend’s betrayal. Interestingly Mr. Ye and Captain Wang are wearing the same ties as the ones they wore from when they shared breakfast together. Things have certainly changed between them since then.
The reunion between Mr. He and Ms. Chen is a touching moment, and here we see how Zhou Xun and Tony Leung truly shine as the veteran actors that they are, being able to convey such deep emotions in such a brief scene. We are instantly able to feel how much the two have sacrificed in the time that they’ve been apart, separated by the situation of the times and in their hopes to fight for a better future. I really wish we were able to see more from the female actresses, as their time to shine felt really limited.
Then we have the fight scene between Mr. Ye, who is on the Japanese side, and Mr. He, who has revealed his identity as a Communist. This fight scene was filmed so well. Yibo was choked many times, he got to touch Tony Leung’s face, and the music accompanying him is quite fitting for the villain role which he has taken on during this part of the film 🤭 Cheng Er alludes to this in interviews and through camera angles that there may be eyes and ears observing their fight peripherally.
Following this fight, Officer Watanabe seems to trust Mr. Ye completely as he reveals the map of Manchuria and the Kwantung Army’s operations. The scene after this is one of my favourite scenes and gives me chills every time, when Mr. Ye walks up to the office of the Director of the Political Security Department. What a glorious moment for him!
For the classical music nerds like me, the piece that plays here is Mozart's Requiem. How very fitting.
Shortly after, Japan surrenders and Mr. He gets released. On his way out, he sees Mr. Ye being brought into prison along with Officer Watanabe. Mr. Ye gives Mr. He a taunting look, which is followed by the skirmish between them and Mr. He’s slight smile afterwards - this and the following scene were both delicious.
At the end of the movie, we see that Mr. Ye has moved to Hong Kong, where many spies fled to for safety after the war. He enters a restaurant and says thank you in Shanghainese, revealing that he is from Shanghai. The server turns to him and recognizes this, and we realize that he is at Captain Wang’s family restaurant. The family moved to Hong Kong, not knowing the fate of their son whom they believed to be still in Shanghai. Mr. Ye is served the drunken shrimp and we get a feeling of nostalgia - perhaps he wishes to pay homage to his former friend, or to the homeland from which he came from where he is no longer welcomed. The way in which he eats the shrimp while they’re still jumping, and the persistence with which he chases after the shrimp that has tried to escape - all of this is so true to character and really a memorable scene, particularly with the red from the fermented tofu brine. We get the sense that the past still haunts him, despite living in a new city. (As to the question of whether or not one should spit out the shell when eating drunken shrimp, this seems to be a question of debate. 😂) Of course the shrimp jumping out of the bowl was not scripted, and Yibo again demonstrates an excellent understanding of his character.
We then see Mr. Ye at a temple where he is burning incense. I tear up every time when I watch this scene, at the silent tears he has shed as he grieves - perhaps he’s grieving the loss of his ex-lover, or the loss of someone whom he had thought was his friend, or the loss of his own self and who he was before 1941, or the loss of the times before the war, or all of the above. He has had to make so many sacrifices along the way as he strived to pursue what he believed in. Why is Yibo so good at expressing silent repressed sadness? 😭
In one Ningbo roadshow, they were asked the following:
When Yibo has a crying scene at the end in Hong Kong, how had CE directed Yibo?
CE: I didn't make too many requests of him in that scene, I wanted to see how he would portray it, which is what you now see
Yibo: It felt very complicated, after experiencing everything that had happened prior, when I arrived alone at Hong Kong, I think it was a very complicated feeling.
So what we see is Yibo’s own emotional interpretation of Mr. Ye’s experience 😭
We end the film listening to Yibo’s voice singing as the ending credits roll. The song is truly such a striking song and so fitting. Many people left the theatre as soon as the movie ended, and those who remained until the end of the credits were likely fans 🤭
All in all this was a fantastic film, although it may not be for everyone as it is one that can be hard to follow. If you pay attention to the details and have a basic understanding of the different parties in play, I think it will be an enjoyable watch as there are many hints along the way for the viewer to piece together. The character of Mr. Ye has really challenged Yibo with a different role from what he has played before, and he really stepped up to it. He’s not a perfect character either - Cheng Er makes it clear that along the way Mr. Ye commits a lot of immoral acts and has a violent streak as well. Many of the characters are morally grey, which is a bit refreshing to see in a film that was funded as part of a trilogy for the CCP’s centenary.
I can’t gush enough about Yibo in this film, so if you have more thoughts, my messages are always open!
Addendum: In interviews for GQ and 人物, Cheng Er says that the biggest compromise he has had to make for a film was Wu Ming. It sounds like there were many bumps along the way that he encountered during the film review process. The 人物 interview suggests that this may also include the choice of the ending scene, which is not in keeping with Cheng Er’s usual style of film narrative. There’s been mentions of a director’s cut potentially being released at some point in the future (perhaps with the DVD/Bluray release) and I would be so curious to know what this film looked like prior to the film review!
Addendum #2:
Some other thoughts:
There is one line that Mr. Ye says that left an impression, a line he says in Japanese that goes along the lines of, “No matter how much we strive, what’s lost is lost.” This feels like a rare moment of truth that he says casually in a scene wrapped up in deception.
In speaking to others, many people say that a scene that really disturbed them was the scene with the injured dog. In a movie where we see the torment and death of so many people as a result of war, it is still this scene that leaves an impression on people. Is it that we as an audience have become desensitized to human suffering? It is certainly a memorable scene, and perhaps this is partly why Cheng Er chose to include this in the movie.
Many of the characters remain largely unnamed, even Mr. Ye himself. The only time we see his name is when he gets the appointment letter to become the new director.
Ms. Jiang is seen wearing a ring, and later on in the movie we see Minister Tang wearing a matching ring. Ms. Jiang is thought to be based on Zheng Pingru, a well-known KMT spy who was involved in a plot to assassinate the security chief of the Wang Jingwei regime (The movie Lust, Caution is also thought to be inspired by her).
In the scene where Mr. He speaks to Mr. Ye, there's a line that Tony Leung says, "我无法继续下去了." The English subtitles translate it as, "I can't cope anymore," but a more accurate way to translate this given the context would be, "I can no longer continue." It's a subtle difference, but implies that there may also be other external reasons for why Mr. He can no longer continue what he is doing, rather than just personal.
Another minor translation error in the subtitles is in the restaurant scene in Hong Kong, when Captain Wang's mother says that their family moved over in the 1930s. She actually says that they moved over in the 30s of the Republic of China calendar, which would be the 1940s, so likely sometime after the dad's birthday dinner scene that we see. (Note that the subs in the online version are correct here)
Addendum #3:
There is a scene that was added to the international release that is not in the mainland version or the version that was released on Chinese streaming platforms. It takes place after they get the call about Pearl Harbor, after we see the invasion of the Japanese Army into the concessions. There is a conversation between Officer Watanabe and Mr. He, where Officer Watanabe discusses the politics of what occurred. He comments that Mr. He was late to their meeting and Mr. He says it is because he went to pick up pastries. Officer Watanabe asks him where the pastries are, and Mr. He says they are in the car. There is a moment of dramatic suspense as Mr. He walks slowly towards the car, brings out the pastry box, and gives it to Officer Watanabe, who opens it to see only the Napoleon cakes.
There are also many places in the movie where Cheng Er has changed the music for the international release, which is different from the mainland and online versions. He has cleaned up the timing in some parts and changed it in others to better fit the mood. Let's hope these changes get incorporated into the DVD release when it comes out! Still, I don't think that this takes away from the viewing experience of the mainland/online versions.
#wang yibo#wu ming#I doubt anyone will read this#in case anyone is interested in the sequence of events like I was after watching#overflowing love for yibo and nowhere else to dump it
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