#artcritiques

[arthistoriansdiary]

The Entombment of Christ

Michelangelo Merisi da Caravaggio, The Entombment of Christ (1603-04). Oil on canvas, 300 × 203 cm. Pinacoteca Vaticana, Vatican City.

Michelangelo Merisi da Caravaggio's The Entombment of Christ, painted between 1603-04, stands as a testament to the artist's mastery of chiaroscuro and his ability to infuse religious subjects with raw emotion and intense realism. In this analysis, we delve into the compelling narrative and artistic techniques that make The Entombment of Christ a cornerstone of Baroque art.

The Drama of Grief and Devotion:

The Entombment of Christ captures the poignant moment of Christ's body being lowered into the tomb after the crucifixion. Caravaggio's composition draws the viewer into the scene, where figures mourn and console one another amidst the harsh realities of death. The central figure of Christ, with his lifeless body, becomes the focal point of the painting, surrounded by grieving disciples and mourners. Caravaggio's portrayal eschews idealized depictions, opting instead for a visceral and emotionally charged scene that resonates with viewers on a deeply human level.

Chiaroscuro and its Emotional Impact:

Caravaggio's masterful use of chiaroscuro, the contrast between light and dark, heightens the emotional intensity of The Entombment of Christ. Deep shadows and stark highlights create a sense of depth and drama, emphasizing the weight of grief and the solemnity of the moment. The interplay of light and shadow draws attention to the figures' expressions, casting them in a dynamic play of emotions that range from despair to quiet resignation.

Realism and Relatability:

One of Caravaggio's hallmarks is his commitment to realism, evident in the meticulous attention to detail and the lifelike portrayal of the human form in The Entombment of Christ. The figures' faces bear the marks of sorrow and exhaustion, their gestures and postures conveying a profound sense of loss and compassion. Caravaggio's ability to capture the human experience in all its complexity invites viewers to empathize with the scene and reflect on the universal themes of suffering, redemption, and hope.

A Testament to Caravaggio's Genius:

The Entombment of Christ exemplifies Caravaggio's revolutionary approach to art, characterized by his rejection of idealized conventions in favour of raw emotion and stark realism. The painting's impact lies not only in its technical brilliance but also in its ability to transcend the boundaries of time and culture, speaking to audiences across centuries with its timeless portrayal of human emotion and spirituality.

Engagement Question:

How does Caravaggio's portrayal of grief and devotion in The Entombment of Christ resonate with you personally, and what aspects of the painting do you find most compelling or thought-provoking?

[the-oddysay]

FIRST impression of bayonetta | Concept and character design | Deep dive

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[wscranmore]

“Scorched” (2017), was the final painting in a three painting series on climate change. 14x17” acrylic on heavy paper, ready for frame. Fans of rusts and texture may find this one appealing. 🔷 #rustlord #textures #scorched #paintingonpaper #artgallery #modernartgallery #gallerist #artcollecting #fineartpainting #portlandart #abstractartists #modernabstract #artcritique #artcritic #artblog #originalartworks #wscranmore (at Milwaukie, Oregon) https://www.instagram.com/p/CpxurcVJPCu/?igshid=NGJjMDIxMWI=

[isalavendel]

Watercolor Landscape Art De essentie van de natuur vastgelegd in dit aquarelschilderij. Ik hoor graag uw mening en feedback! #ArtCritique #Watercolor #LandscapeArt

[acrylicartsacademy]

What is Constructive Critique? #art #painting #critique #artcritique

[phurrafang]

If you like this, maybe you'd enjoy my collection of 50 curated art prompt books, available on Amazon! http://amazon.com/author/honeyrockza Other Links: Home: www.honeyrocksa.com Insta: https://www.instagram.com/honeyrocksa/ FB: https://www.facebook.com/honeyrocksa Pin: https://pinterest.com/honeyrockza/ DA: https://www.deviantart.com/phurrafang Tumblr: https://www.tumblr.com/phurrafang Etsy: http://etsy.com/shop/honeyrockza Redbubble: https://www.redbubble.com/people/honeyrockza/shop #sketchbookchallenge #artchallenge #artinspiration #drawinginspiration #drawingmotivation #artcritique #sketchbookinspiration #drawing #art #ArtPrompts #DrawingChallenge #SketchbookInspiration #ArtInspiration #ArtSkills #CreativePrompts #ChallengeYourDrawing #InspireYourArt #ArtisticJourney #SketchingAdventure #ImaginationUnleashed #DrawDaily #DailyDrawing #ArtisticChallenge #DailySketching #ArtisticMinds #ExploreYourCraft #ExpressiveArt #DrawingFaces #FaceDrawingPractice #LoveToDraw #Like4Like #Follow #FollowMe #art #Follow4Follow #Artist #Artwork

[lifeswoop]

A Canine Critic: The Advent of AI in Art Critique 🐶🎨

Explore the fascinating world where artificial intelligence meets art critique. Discover how AI algorithms are being used to analyze and evaluate artworks, providing unique insights and perspectives in our latest article.

Link: https://lifeswoop.com/a-canine-critic-the-advent-of-ai-in-art-critique/

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[p0ps]

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oceansidemuseum

We congratulate Steve Harlow ( @steveharlowart ) for his artwork's selection as the Quarterly Pick during our Artist Alliance Quarterly Critique on February 28. 👏 "This work is of our moment, celebrating our interconnection with each other and with the built and natural environment. It is a dance, a prayer." -Steve Harlow Our quarterly critique showcases the work of artists who are a part of OMA's Artist Alliance. Every quarter, one member's artwork is selected based on the art's quality, uniqueness, and presentation. Artist Alliance provides opportunities for interaction, visibility, and growth for artists in the region. Join us at our next Artist Alliance Quarterly Critique on Tuesday, May 16, and be a part of many other Artist Alliance programs in the new year by adding this level to your membership today. Pictured: Steve Harlow, Demographics 03, 2023. #oceansidemuseum #artistalliance#omaartistalliance #socalartist#sandiegoart #sandiegomuseums#osideca #museumlife#artworkshops #artcritiques#artevents #artistevents#artistsnetworking#southerncalifornia

[needlefac]

I’m unusually strongly affected by Christian Boltanski’s death. I remember seeing his art on Melvyn Bragg’s South Bank Show. I didn’t fully understand it at the time but I remember taping that off the TV onto VHS and I wore that tape out from watching it over and over. I met Boltanski in London in 2018. It was the opening night of what would be his final show in the UK. I got slightly drunk on the free fizz. I saw him sat looking from a distance at the wall onto which one of his looped films was being projected. I nervously approached him and asked for a photo which Kathryn took. I said “I love this show the lights are beautiful”, like a divvy. And he gestured with fully outstretched arms and in his deep Parisian accent said “éphémère éphémère” !!! Which I realised later meant May Fly, after the insects that only live a few hours. That’s what the lights where. Tiny dots of flies. Boltanski’s world is about big themes. War, The Holocaust, death and chaos but he uses very delicate, precarious and temporary installations. You are sometimes scared to breath around his work, a critic once said. RIP Art Father.

[playthingsstudio]

Here are just some of the wonderful comments I received in my guestbook this weekend at the @hagleymuseum Craft Fair! #testimonials #reviews #feedback #customersatisfaction #artcritiques #playwithyourjewelry #kineticjewelry #artevents #craftsshow #craftfair #fidgetjewelry (at Hagley Museum and Library) https://www.instagram.com/p/Cj5tXiWObf7/?igshid=NGJjMDIxMWI=

[arthistoriansdiary]

Plan

Jenny Saville, Plan (1993). Oil on canvas, 274 x 213cm.

Jenny Saville's Plan, created in 1993, is a striking embodiment of her approach to redefining the portrayal of the female form in contemporary art. This analysis aims to delve into the various elements that make Plan a significant work in the realm of modern art and feminist discourse.

The Visual Narrative:

Plan presents a large-scale depiction of a female nude, a subject traditionally associated with beauty and idealization. However, Saville subverts these conventions by presenting a figure that is unapologetically raw and real. The body is marked with lines and contours, reminiscent of surgical markings, which demarcate areas of the flesh. These lines speak to the societal pressures on women to conform to certain physical standards, echoing the invasive nature of cosmetic surgery.

Technique and Style:

Saville's use of oil on canvas is notable for its thick, tactile application, giving the painting a visceral quality that emphasizes the physicality of the body. The exaggerated scale of the work, measuring 274 x 213 cm, confronts the viewer with its imposing presence, making it impossible to ignore or diminish the subject's physicality.

Influences and Inspirations:

Saville's work is heavily influenced by a range of artists, from the voluptuous figures of Peter Paul Rubens to the raw, emotional intensity of Lucian Freud. Yet, she transcends these influences by challenging the traditional male gaze in art, offering a perspective that is deeply rooted in the realities of the female experience.

Feminist Undertones:

Plan resonates with feminist ideas, particularly those related to body politics and the societal scrutiny of female bodies. Saville's work is informed by feminist theories and writers, exploring themes of identity, autonomy, and the complexity of the female experience. The painting becomes a powerful statement against the idealized, often unrealistic standards imposed on women's bodies.

A Canvas for Thought:

How does Jenny Saville's Plan challenge your perceptions of beauty and the representation of the female form in art? What does this painting evoke in you regarding the societal expectations placed on women's bodies?

[differentnerdgooproad]

Atom Hovhanesyan, "Woman 1", Oil on Canvas", 36x24x1 in 2015. This is one of Atom's first artworks in new post-divisionism style, depicting a dancing woman. https://www.artbyatom.com. #artbasel #bali #artcollector #artpal #abstractart #artcritiques #cute #retro #drawing #digitalart #typography #sport #motivation #memes #interiordesign #instagram (at Queens, New York) https://www.instagram.com/p/Ce7sVjNNIXG/?igshid=NGJjMDIxMWI=

[nateckhartwork]

Form/clothing study. #artcritiques #artcritique #art #artistsoninstagram #artist #drawing #drawings #drawingoftheday #artstudent #graphicdesigner #illustrator #illustratorsoninstagram #drawings #drawthisinyourstyle #drawingsketch #illustration #friendlycriticism #friendlycritiquewelcome #artist #alaskanartist #pencilartist #learningartist #funart #artoftheday #artwork #illustrationartists #formstudy #clothingstudy #fabercastell #fabercastellpens #shadingpractice #learningartist #portraitdrawing (at Fairbanks, Alaska) https://www.instagram.com/p/CFODnY3jBjG/?igshid=18afx8p6v8sun

[wscranmore]

“A Dole, A Flight, Or A Piteousness” (2022). Acrylic and charcoal 30 x 40 x 2 in (76.2 x 101.6 x 5.08 cm) “Beauty is in the eyes of the beholder, and when it comes to abstract painting, so is everything else. W.S. Cranmore’s A Dole, A Flight, Or A Piteousness is a testament to the intensely subjective malleability of abstraction. How one interprets the present work is entirely a function of circumstance and personal experience. To my concrete-jungle-born-eyes, A Dole, A Flight, Or A Piteousness is an urban landscape. The flatness of the composition initially recalls an aerial view, but upon further inspection, it feels closer to folk art. With this interpretation in mind, the title takes on new meaning (I have no idea if this is what the artist intended, but the variation between the viewer’s understanding and that of the artist often spurs the most exciting conversations): a dole is usually an altruistic (often they fall woefully short) act of support by the government. So, I look at the work and think of the public housing I grew up in, full of life, excitement, and working spirit but also awash in pitiful conditions. I really love this work.” -John Crowther, art critic. 🔷 #portlandgallery #artgallery #modernartgallery #gallerist #artcollecting #artsale #fineartpainting #statementpiece #portlandart #abstractartists #modernabstract #Fineartpainting #geometricabstraction #artcritique #artcritic #artblog #originalartworks #firstfridaypdx #artpdx #wscranmore (at Milwaukie, Oregon) https://www.instagram.com/p/CpsvKuevwT4/?igshid=NGJjMDIxMWI=

[wi-fu]

got nostalgic and doodled artcritique’s lil mascots

[evenstevenh]

Art class critique but ONLY perfectionists will understand  |  My Webtoons!