#armchair imagineering

[nonsensology]

Sometimes I like to daydream about my ideal Disneyland, which would feature a Mysteryland that includes a Gravity Falls area, an attraction based on Great Mouse Detective, and a 1920s murder mystery version of Haunted Mansion. More details about Mysteryland (and links to the rest of my ideal Disneyland) can be found here.

Mood Music: "Grim Grinning Ghosts" (Dance Party version) and "Are You Brave Enough (for Halloween)?"

[alex-the-nonsensologist]

Disney Dreamland - Part 1: World Galleria

I posted about my idea of a Mysteryland a while back and decided to finally post the rest of my ideas for my personal Disney Park (nicknamed Disney Dreamland; may change the name later, who knows). This outline is a mix of ideas and random commentary related to each idea (I tend to blab a lot in my writing. Sorry in advance). Some ideas are half-baked as I only have an idea how I want them to look and feel rather than function, other ideas are intentionally left vague because they are dependent on experts on the subjects (which I am not). Also, I had trouble coming up with nice-sounding names, so that's why you’ll see a lot of names that are just basic descriptions in quotation marks. Would love some feedback wherever possible!

A bit of background, I originally envisioned this park as a Disneyland in New York (it's one of my favorite self-indulgent daydreams), and that led to my park being a sort of homage to the 1964/1965 New York World's Fair by featuring some iteration of all four of the attractions that debuted there, as well as my version of Main Street being a sort of mini World’s Fair. 

Shout-out to @disneylanddilettante , I was inspired to write this after reading her ideal version of Disneyland.

World Galleria

My version of Main Street would be under a lovely glass roof to shield from the weather, and resemble a Victorian arcade. Inspired by Tokyo’s World Bazaar (their equivalent of Main Street), and in homage to similar places throughout Europe’s history, such as The Great Exhibition of 1851, Passage des Panoramas in Paris, Galleria Vittorio Emanuele II in Italy, etc. 

The architecture would be mostly Victorian with a bit of Turn of the 20th Century. To help carry the theme of “World’s Fair”, international restaurants would be featured here; their building exteriors would follow the Victorian look, but their signage, window displays, and interiors would fully reflect their respective cultures (for example, see Restaurant Hokusai in Tokyo’s World Bazaar).

The entire place would have plenty of ventilation, especially in the summer, to prevent it from feeling like a greenhouse. To help traffic flow, the street would have crossroad branches in the middle like Tokyo does, leading out into Adventureland on the left, and Discoveryland on the right. The parade does not run down this route (more on that later). This allows the center crossroads space to have special decorations for seasonal events, again just like Tokyo does. 

The entire avenue would have accessible second stories to make space for everything. I would also love to have at least one little alcove or mini-courtyard somewhere to relax, containing a small garden with a decorative fountain. 

Disney Dreamland Railroad main station: Victorian style with partial glass ceilings. Other stations will be in each of the five lands, all appropriately themed, and with dioramas in the tunnels teasing each land’s theme / attractions. I also think it would be really neat if the park’s entrance ticket booths were underneath this station.

Great Moments in Storytelling: Successor to Great Moments with Mr. Lincoln, one of the four New York World’s Fair attractions. Due to personal reasons, I’m not entirely comfortable making any President, past or present, shown as a celebrity or a friendly buddy. So I decided, how about famous authors instead? Perhaps Shakespeare, Charles Dickens, Mark Twain, or all three and more? There would also be a narrative or discussion of some kind, so it’s not just them spouting random popular quotes from their works.

“Mini Disneyland model” : The models of the Storybook Land Canal Boats are a very neat idea, but I personally prefer taking my time to see models up close, not in the blink of an eye from afar. I think it would be really cool to have a scale model of the original Disneyland as an homage, and a learning exhibit.

“Galleria Cinema”: Showcases old Disney shorts, including Steamboat Willie, Oswald the Lucky Rabbit, and the Alice Comedies. Maybe on special occasions it could even showcase foreign films, like The Red Balloon.

Penny Arcade: Mutoscopes and other coin-operated games. 

World Emporium shop.

"Snack tin shop": In Asia the parks sell snacks in these absolutely GORGEOUS decorative tins. This shop could sell a variety of international snacks with unique Disney art themed to each region / culture on the tin. 

Wishing You Were Here: Stationary shop and post office. Send postcards to your loved ones. Yearly calendar with exclusive artwork available here (Tokyo’s calendar artwork is ASTOUNDING). 

For restaurants, I would include restaurants with the following cuisines: 

Japanese, as a nod to Tokyo Disney Resort (French and Chinese cuisine will be elsewhere in the park).

Norwegian, Moroccan, and Canadian, as a nod to the remaining countries of EPCOT that won’t have restaurants elsewhere in the park.

Thai, as a nod to Amphibia without specifically being IP themed, though there could be a few hidden references to the show in the decor and menu.

Greek. Interior could be themed to mythology and have a few hidden references in the decor to the animated Hercules.

There won’t be any American cuisine in this area as they can already be found elsewhere in the park.

‘‘ it’s a small world ’’

One of the four New York World’s Fair attractions. In place of the classic Disney castle, here I put "it’s a small world" as my park’s icon. If you think about it, Small World is in its own way a kind of castle, it certainly looks like one, but also a small city. I think it neatly adds on to the theming of World Galleria.  Shout-out to @pureimagineering , who also imagined Small World as a park icon, but for different reasons.

This version’s facade would be castle-sized. Color scheme could be either pastels, or white with various shades of blue, and touches of gold. Entrance and queue would be on the back of the building to leave the front free for live entertainment, and nighttime fireworks and projection shows. The main central garden plaza hub would at least be the size of Tokyo’s, but nowhere near as big as Shanghai's, who only gets away with it because their castle is so dang huge. The hub would be surrounded by a river making it an island, much like Orlando’s hub. Features include a structure inspired by Tower of the Four Winds, and fun topiaries. For my park, the parade would follow a similar route to Tokyo and Shanghai, originating from the west and wrapping around the central hub before exiting eastward. 

There would also be a back garden plaza behind the ride building, with plenty of topiaries, flower gardens, and a little river running through the garden with lovely bridges crossing over it. This area transitions into Fantasyland. There would be an international buffet restaurant and a gift shop placed on the second floor of Small World, above the ride, with the entrance also on the back of the building. The classic clock tower would of course be in front, but there’d also be a smaller version in the back for the people in the queue and the restaurant.

A World of Tastes: International buffet. Interior architecture would resemble the finale room of the ride. Buffet would feature a little bit of something from every single country featured in the ride, with emphasis on cuisine not already featured anywhere else in the park.

‘‘it’s a small world’’ Toy Shop: Does anyone remember the singing Small World Animators’ Dolls that Disney Store released back in 2013 / 2014? I would love to have this store re-release them, as well as mini playset versions (non-singing). The store can of course also sell other Disney character plush, and plush keychains in unique outfits like the ones sold in Tokyo.

The Ride Itself:

I definitely want to have a queue designed by Joey Chou like the one he did for Tokyo’s version’s 2018 renovation. He is pretty much this generation’s Mary Blair. I just love all the kinetic sculptures, the delightful murals, and star-shaped lights dangling from the ceiling. It’s all so adorable and colorful!

For the ride itself, there would be more countries added. For example, Europe could have a few more Eastern European / Slavic countries at the end to transition into Asia. Similar to Hong Kong’s version, the Asia room would also have more dolls and scenes, but rearranged so that the Middle East is in the back to better flow into the Africa room. I would also definitely add the Mandarin and Cantonese versions of the song to Asia’s audio. It would be great if there were more countries represented in Africa, or at least a portion added for the savanna, a marketplace scene, and Mount Kilimanjaro. Maybe also include audio of the song in Swahili and Zulu. I’m not opposed to a North America room, so long as there is decent representation of various Native American tribes, and Canada.

For the ride music, I’d love a version that closely resembled the soundtrack that Paris used to have. I think the instrumentation and vocals from that version is simply top tier joy-inducing. For the finale room I’d use the EPIC orchestral rendition from the Small World finale unit in Tokyo’s Electrical Parade Dreamlights.

While I myself have no problems with the dolls, I am willing for the dolls’ faces to be redesigned to be slightly more cartoony to reduce any uncanny valley.

Controversial opinion, I personally have little issue with most of the Disney character cameos that are in the Hong Kong, California, and Tokyo versions of the ride. Since most of the human characters are portrayed in doll form, and the non-humans match the stylized look of the animals throughout the ride, they tend to blend in rather well and make for a fun Easter Egg game. I will admit, some characters stand out too much, like the Toy Story gang, or had unnecessarily extravagant sets added just for their sake, like Rapunzel who had her whole tower added in Tokyo. As a middle ground, for my version of Small World, I narrowed down the Disney cameos to only 4 specific groups in homage to the movies that Mary Blair had a heavy influence on. 

Alice in Wonderland: I’m a little biased as Lewis Carroll’s Alice is my favorite book. Alice and the White Rabbit fit in well at their current location next to the UK chessboard, and are fine to leave as is. 

Peter Pan: Peter and TinkerBell flying above the audience works just fine as they are decently hidden out of view most of the time. While I think Wendy sitting on the moon is a very cute image, I’ll leave her out to keep the cameos to a minimum.

Cinderella: The current versions stand out a little too much, especially Hong Kong’s where she and Prince Charming have the castle added behind them. For my version, I would only have Gus and Jaq tucked away on the Eiffel Tower (where Mary’s cameo is hanging out), but I would also have the Eiffel Tower rendered in white, blue, and silver in the style of Cinderella Castle.

The Three Caballeros: While Donald, José, and Panchito stand out the most of the four cameos I’ve picked, they were part of a genuine cultural movement as a result of the Good Neighbor policy, not to mention warmly received by Latin America, so they’re perfectly in the spirit of Small World, and I think they’re fine to leave as is.

Starting in the hub, the five themed genre lands of the park, going clockwise, are:

Adventureland

Mysteryland

Fantasyland

Create-It-Land

Discoveryland

[veryfancyrat]

So, if you follow theme park news, you may have heard that Disney is going to be ripping out the classic ride Dinosaur from their Animal Kingdom park, and replacing it with an Indiana Jones ride, likely similar to those in Anaheim and Tokyo.

Sorry, Aladar, you're getting evicted.

It seems that most theme park fans would like to see a new Indy ride, but some are upset about losing the dinosaurs.

The thing is... I think you can have both! There are plenty of pulpy adventure stories about a lost world of dinosaurs. In fact, I figured out one way they could do it efficiently... it's what I would do if I were in charge of Imagineering, anyway. You'll recognize most of these effects from other rides (and even some which are just left in place from Dinosaur.) I give you...

Indiana Jones and the Hollow Earth!

The experience begins just like Indiana Jones and the Temple of the Forbidden Eye (the ride out in California): We wind our way through the elaborately-themed queue as it passes through a jungle and into the shade of ancient ruins.

On the cool stone walls, we see Peruvian carvings depicting an enormous cave, where giant humanoid figures offer gifts to much smaller supplicants. But as we go deeper into the ruins, the carvings also begin to depict fearsome reptilian monsters. We come across artifacts which seem to be much too large to be made by regular humans: five-foot-long sandals, for instance, or a cracked soup bowl big enough to sit in. (These could make for good photo ops!)

Eventually, we end up in the safety briefing room, where Sallah informs us (via pre-recorded video) that while Indiana Jones was exploring this temple, he found an entrance to a vast system of subterranean caverns, full of larger-than-life plants and animals, seemingly forgotten by time itself! They go so deep that the researchers have begun joking that the planet must actually be hollow inside. Last week, Indy went in deeper than anyone has gone before, seeking evidence of the Staff of Giants: An artifact that, according to local legend, was forged by the mythically large people who once lived in the caverns, and holds the power to tame the mightiest beast. Unfortunately, Indy never returned from his expedition. Sallah is sure he's fine... wherever he is! But if we should happen to see Indy on our *very safe* private jeep tour of the pre-explored parts of the "Hollow Earth," we'll help him out, won't we?

We board the jeeps, which pass into a carved stone hallway, the walls lit by unnaturally large fluorescent fungi. Freshly-painted signs point out the tour route.

Suddenly, the vehicle shakes violently, and and the floor seems to crumble under us! The lights blink out as we lurch downward--and then out into a large natural cavern, where Indy stands spotlighted on a rock. He tells us that the floor caved in, and now we're all trapped in the Hollow Earth. We need to find a way out, and fast... the wildlife is BIG down here!

We roll from cavern to cavern, menaced by various threats. Enormous glowing bugs jump on rocks, and drop down on us from the branches of ancient trees. A carnotaurus lunges from behind a bush, defending its kill. A huge snake--perhaps a Titanoboa--threatens to strike at the jeep. A giant human skeleton lies sprawled in a clearing, its boney fingers still clutching an ornate silver staff. Its tip seems to crackle with electricity. "It's the Staff of Giants!" we hear Indy yell.

But beasts are not the only threat. Through the trees, in a quiet moment, we see the glimmering of a vast ocean, overshadowed by roiling clouds. Before we can wonder at the impossibility of a storm underground, the clouds begin to flash with lightning. Suddenly, a lightning bolt strikes the cliff next to the jeep, and boulders above us teeter menacingly.

We careen deeper and deeper into the caverns, until finally we come face to face with the carnotaurus again. Indy is there too, waving the staff we saw earlier, trying desperately to scare the carnotaurus away from the jeep. Suddenly, just as all seems lost, a bolt of electricity arcs from the staff and strikes the carnotaurus right on the nose. It rears back and roars in pain as we barrel past it to freedom.

Triumphant music plays as we enter the final cavern, only to see... a whole tribe of giants, accompanied by their pet dinosaurs! Indy is handing the staff to one of them, who gratefully receives the lost weapon. Happy giant children offer up crates of silver jewelry and dinosaur eggs in reward. One last giant strikes the cavern wall with his own staff, and mystical energy swirls, causing a door to open and release you back into the loading area, safe at last. Over the jeep radio, Indy says, "The folks back home will NEVER believe this one!"

Then you exit into the gift shop, where you can buy plushies of the "baby dinosaurs" you received from the giants.

No stealing the merch!

So... what do YOU think is going to be the plot of the new Indiana Jones adventure? I want to see who can come the closest to what we actually get!

[laffiteslanding]

The Pixar Park Pitch

In response to the question about a Pixar park going around, I agree that as a brand its fairly disparate now in its catalogue and themes, but I also think that if you play around with its concepts a bit you could come up with some fun ideas.

If I were creating a Pixar park, I’d actually start by dropping the Pixar name and overall theme to instead focus the park around the theme of family. There’s plenty of Pixar properties that use this motif so there would be plenty of IPs to draw from.

Next, I’d create a hub land with a similar layout to the one Universal is creating for Epic Universe. Supposedly Uni has a large space-themed hub with different “portals” leading to each land. For Pixar, I’d theme this hub area to Monsters Inc. This hub area would be largely if not entirely indoors/under cover, and take inspiration from the film’s scream and laugh factory. There would be several attractions, shops, dining options, and character spots spaced throughout the area. As we explore the hub land, we learn about the park’s backstory, indicating that the monsters’ door tech is glitching and opening up portals to places no one has ever seen before, and they’re not sure why. We are invited to investigate these newly opened realms to discover the answer for ourselves.

These glitchy doors that we can enter lead to the realms of Coco, The Incredibles, Onward, Turning Red, Soul, Brave, Inside Out, and Wall-E. Note that each of these films are quite underutilized in current Disney parks, and IP such as Toy Story, Cars, Ratatouille, and Finding Nemo aren’t present as they already have dedicated areas in existing parks.

Each land would then focus on their respective film’s world building to create really engaging and unique environments to explore. Additionally, each land would have a variety of attractions to appeal to family members of all ages. The Soul land, for example, would feature a sensory garden based on The Great Before for young children, as well as a jazz club for older audiences. Each area would have its own pace and thrill level to make each one feel unique and worth visiting for guests. The Incredibles area could be very thrilling and action packed, while Brave might be more exploratory with the Will o’ Wisps. I haven’t sorted attractions at the moment but rest assured there would be a healthy mix of dark rides, thrill rides, shows, play areas, and more.

Importantly, each of these lands would play into the larger theme of family in various ways, and explore beyond the scope of the films where suitable to enhance this theme. Inside Out might look at family through a more personal lens, while Turning Red might look at found family and Wall-E at how humanity and even nature is our family, too.

In the evening, a large nighttime spectacular would take place at the end of the hub area in an external stadium similar to Hollywood Studios’ Fantasmic! setup. The World of Color like-show would be hosted by Mike, Sully, and Boo and feature projected scenes from Pixar’s stories interspersed with on-ride pictures of families having fun on attractions throughout the park that day. Guests and monsters alike would realize that the doors have been glitching to help teach us the importance of family, no matter what it looks like or where we come from.

And that’s it! Let me know if you have any thoughts on the idea. I’d love to hear them!

[a-land-of-shadow-and-substance]

Just for fun...

Do you think there's any chance whatsoever to get an Omnicoaster attraction at West Coast Disneyland? And if so, what theme could it possibly be?

I understand that space is SUPER limited and Omnicoasters are big, but I feel like there's a lot of empty space around the Hollywood Backlot area Disney could sacrifice to expand Avengers Campus if it were still Marvel themed. Maybe THAT could be the Avengers E-ticket that keeps getting promised but will likely never happen?

I'd love it if they put Mission Breakout out of its misery (it's not just that I hate the ride, it's that it was in REALLY bad shape when I last saw it, to the point I was actually concerned about the base functioning safety of it) to convert that area to be part of a Cosmic Rewind clone instead, but I think the Hyperion ruins that possibility--to say nothing about the city of Anaheim whining about how the skyline would look with a giant square show building on one of the most visible park corners.

My other idea would be to commit to an entire Tomorrowland overhaul, taking over the Innoventions, Autopia, and Submarines area. Not sure what IP they'd slap onto it there, but since this is the realm of imagination I can dream they'd actually come up with an original concept for it.

I really think the Omnicoaster is Disney's best ride vehicle achievement in decades, and want to see it Anaheim. Anyone have further ideas on where it could go/what it would be?

[flowersandfashion]

the fact that Jeremy Brett played both Dorian Gray and Basil Hallward AND both John Watson and Sherlock Holmes throughout his career. he has the range.

[prismatic-ink]

when the humor so good people think you have a mood disorder

[tmntkiseki]

Lazy Don doodle

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[beatles4ever65]

They are Nancy Mulligan-coded, your honor. :’)

Well I met him at Gil’s in Eriador while I was working on a soldier’s ward/Never had I seen such beauty before the moment that I saw ya/He said I was his yellow rose

From the snow-white streak in his jet-black hair, over 60 years I’ve been loving ya/Now we’re sat by the fire in our old armchairs/You know, Káno, I adore ya

From a minstrel born near Túna town, I never worried about the king and crown/’Cause I found my heart upon Bruinen ground/There’s no difference, I assure ya

They’re such a rare pairing but I love them so much for so many reasons.

@polutrope

[hajimedics]

welcome back, asuka langley soryu

[alex-the-nonsensologist]

Disney Dreamland - Part 5: Create-It-Land

Quite possibly the most visually eclectic of all the lands. This land embodies creativity and the arts, and quite frankly there is no one way to be creative or artistic, so I think the motley visuals are perfectly on theme. That said, I decided to tie the land together by having giant objects themed to each area. For this reason, I specifically wanted Wonderland and 100 Acre Wood next to the border of Fantasyland/Create-It-Land, so that the giant plants and cards of Wonderland and the giant book facade of Pooh would help transition to the giant toys of Toy Box Land and/or the giant art supplies of Toontown. The parade route exits down here.

Showtime Boulevard

The entrance street of the land from the hub. Dedicated to the performing arts. Would resemble a city street, like a small town version of Broadway, but then transition to include giant objects. Giant instruments of the music playground. Giant sheet music. The ballet house could look like a giant music box. Even the normal buildings could have giant props on them, like giant comedy and tragedy masks, or giant film reels and clapperboards. There would also be a decent amount of performers to bring energy to the area, so that it doesn’t feel like a regular city street. Living statues and street musicians. 

Journey Into Imagination: If EPCOT isn’t going to put back Dreamfinder, I’ll gladly take him. Heck, I’ll even settle for a pseudo-sequel with an older Figment now taking on the role of Dreamfinder in honor of his friend. Sets and scenery from the original incarnation are mandatory. There could be a path leading off the boulevard to an area between Create-It-Land and Discoveryland where this ride could be placed, since it does reflect the spirit of both lands. 

Fantasia Music Hall: In the spirit of Walt’s original idea for Fantasia, certain classic segments would be permanent fixtures of the show (such as Sorcerer’s Apprentice) and performed by Animatronics on instruments and as dancers in the same vein as the former Mickey Mouse Revue show, while other segments could be animations shown on screen and switched out throughout the year (such as the segments originally planned for Fantasia 2006 that were later released individually). I would love it if the Animation Studio could create new unique animated segments exclusive to the attraction. Permanent animatronic segments would include characters from Pastoral Symphony, Rhapsody in Blue, Dance of the Hours, Night on Bald Mountain (though I could also work with it being a seasonal segment during Halloween), and The Firebird. Playing the full versions of every song would take too long, so the show would feature abridged versions in a medley. 

“Music Playground”: Interactive playground of giant musical instruments. Think of the piano scene from Big, but on a grader scale. Piano slides, trampoline drums, xylophone bridges, brass instruments the size of trees. I’ll admit, I don’t know if the audio results of this attraction would be wacky fun or pure tortuous chaos. I was originally imaging this as an outdoor attraction, but it might be better if this were indoors with each type of instrument given its own room with soundproofing.

“Russian Animal Ballet House”: I just wanted an excuse to see animals in fancy costumes performing ballet. Could be costumed actors or animatronics. Nutcracker performances during Christmas are mandatory. Building would resemble a giant music box. Alternatively, the stage could also be used for any original cultural performances from countries not already featured elsewhere in the park (Greek dramas, Bollywood dances, etc.). 

Muppet Comedy Theatre: Would have the same mixed media techniques as Muppet*Vision 3D (a screen movie, actual puppeteering, and costume characters), but features a new original story. Could also feature a small meet-and-greet area with Kermit and friends.

Hollywood restaurant: American cuisine. Themed to the Golden Age of Hollywood cinema.

Toontown

I want this area to have the same energy as Seuss Landing from Universal’s Islands of Adventure, which I personally feel makes for a better Toontown than Disney’s actual Toontown. The buildings would be slightly more distorted and more stylized. I’m wondering if it would also be possible to put some buildings on a moving platform so that they could tilt back and forth for a squash and stretch illusion. Maybe even have a few with giant faces that can emote. This area prominently features giant art supplies that are implied to have brought the land into existence, including giant paintbrushes that are poised in the middle of putting “finishing touches” to the buildings. The entire area would have lots of kinetic sculptures (think of the new Super Nintendo World at Universal) to make the land feel alive. Interactive gags like the Post Office and the Fireworks Factory would of course be included. I would remove the residential area and have the area only themed around Maroon Cartoons Studio, and the downtown area. Characters that don’t fit in any other area of the park could walk around here. 

“Mickey Mouse presents…”: Guests would take on the role of camera crew with Mickey as director. The star of the movie is late and we follow Mickey as he accidentally crashes various movie sets looking for the missing actor, who turns out to be none other than Oswald the Lucky Rabbit. The various movie sets would portray different genres of cinema. Based on the Mickey short cartoon Roll ‘Em (which, by the way, would have been a more appropriate replacement for the Great Movie Ride than Runaway Railway). While I intended for this to be part of Toontown, I am also okay with this being the last building on Showtime Boulevard to help transition into Toontown.  

Backstage Meet-and-Greet: Again, I personally do not care much for meet and greets (With the exception of Goofy. Goofy is the best.), but for the people that do, here you can meet Mickey and Friends including Oswald, Roger and Jessica. 

Maroon Cartoons Studio Tour: Based on Roger Rabbit Cartoon Spin but using the art style of Mickey and Minnie’s Runaway Railway (but with actual sets, not screen projections), as well as an interactive element (partially inspired by Monsters Inc Ride & Go Seek in Tokyo). Guests would interact with the sets by “spraying” paint or thinner from the paintbrushes attached to their vehicles. Based on the video game mechanic from Epic Mickey, where paint brings objects into existence, and thinner erases them. For example, a guest could “paint” an anvil that would drop onto Roger’s head. Even spraying the animatronic characters would elicit funny dialogue, “Hey! Watch where you’re spraying! I just got a new paint job yesterday!” While the sets would be physical, the paint and thinner effects could be projections. The trickiest part is projecting a physical object to look like it’s been erased, and since it would set off chain reactions, the projections would have to hide certain objects’ movements. It would be very difficult, but I insist that this ride does not follow the Toy Story Mania route (I’m looking at you, Web Slingers). Please consult actual engineers.

Art of Animation Academy: History of animation exhibit, with animation from all over the world. Japanese anime, Soviet animation, stop-motion, etc. With acknowledgements that Quirino Cristiani and Lotte Reiniger’s films actually pre-date Snow White as the world’s first animated features. Drawing workshops included.

Happy-Go-Lucky Merry-Go-Round: In the same wacky spirit as the Caro-Seuss-el in Seuss Landing. Like the Caro-Seuss-el, the music could speed up and slow down when it operates. Rather than just having wacky versions of real animals, this carousel would have hybrid animals, like the Wuzzles! Also, what if the carousel could run backwards? 

Jolly Trolley: The vehicles would run on an elevated track to solve the problem of crowds blocking the way. The track could wind around Toontown, the same way as The High in the Sky Seuss Trolley Train Ride! does in Seuss Landing. Originally I was only going to have it stay in Toontown, but then I realized the wind-up key on the roof could make it pass for a toy, so why not have it travel through Toy Box Land too, for an even more scenic route. 

Goofy’s Bakery Studio: Decorate your own cupcakes and cookies with edible paint. 

The Art of Disney: Disney prints, paintings, figurines, and other art. Get your caricature drawn here.

Minnie Mouse Fashions: Disney apparel and headgear. Design and customize your own ears.

Handwich cart: I dunno about you, but I think the Handwich is pretty neat.

Toy Box Land

Yes, Toy Story Land has been both overused as a land and under-utilized as a proper theme, but I simply love the giant toy aesthetic. It feels like being inside an I Spy book (does anyone remember those books?). I probably could have just made this land fully original with no ties to IP (like I did with choosing not to theme Winter VIllage to Frozen), which I am still open to, but also found it too irresistible to include everyone’s favorite lovable rascals. The movies’ existential themes of jealousy and self-worth, moving on and letting go would be difficult to adapt into attractions, so Toy Story’s inclusion here is to embody reconnecting with your inner child and creativity through play. The name change is just my attempt to make the IP sound less in-your-face. The giant art supplies from Toontown could transition into giant crayons in this area. Also, like Toontown, the entire area would have kinetic sculptures to bring energy to the area, like giant windup keys and pinwheels. To keep with the playful and friendly energy of the land there should be plenty of characters walking around interacting with guests. Woody, Buzz, Jessie, and Bo Peep should preferably be characters that can talk, not just silent costumes, and there would not be any giant static statues of them in the land. Bullseye and the Green Army Men are okay to keep as silent costume characters. Potato Head, Hamm, Rex, Slinky, and Wheezy are talking animatronics, preferably mobile animatronics that can roam the land alongside costume characters. I think the Little Green Aliens and Bo Peep’s sheep are the only characters that are okay to portray as static statues. Sid’s toys could be available characters during the Halloween season.

“Rube Goldberg Machine roller coaster”: Dual track wild mouse roller-coaster, based on a classic, over-convoluted Rube Goldberg design. One track has guests ride in giant toy karts, the other has guests inside giant marbles for a giant marble run track. Vehicles would set off chain reactions, possibly help other vehicles move forward, or create “obstacles” for others. Pulleys and wheels and dominoes galore.  This is another one of those ideas where I only know how I want it to function without knowing how to accomplish it. Please consult actual engineers. 

“Andy’s Playtime Theater”: Basically Mad Libs / Choose Your Own Adventure. This could either be a show or a ride, but I personally prefer the ride idea. If it were a show it would be part improv, involve guest participation, and have lots of giant props and gags. The Toy Story gang would mingle with the audience and be on stage at the same time. If it were a ride, guests can choose the path their vehicle takes. Andy narrates and has his toys act out a story. At several points, Andy offers two options on how the story can proceed. Stories would have wacky scenarios, like that of the opening scene in Toy Story 3. Multiple endings. Would have plenty of animatronics, and NOT just be screen-based. 

“Giant Toy Playground”: Build with LEGO bricks the size of your head, climb actual towers made of alphabet blocks, play on a chessboard with human-sized chess pieces. 

“I Spy Scavenger Hunt”: I absolutely loved looking at Walter Wick’s I Spy and Can You See What I See? illustrations for hours, and this activity is basically that come to life. I really want this land to be super detailed (and I mean absolutely LOADED) with lots of toy props hidden everywhere. The search criteria can change everyday for different routes. Winners can earn exclusive pins.

Pizza Planet restaurant: Customize your own pizza. Mix your own slushie. Gluten-free and vegan options. Also serves the Alien Mochi from Tokyo. Would follow the retro space building design of the movie .

“Build-A-Toy” shop: Inspired by the former Toys R Us Times Square location. Would include things like a Build-A-Bear Workshop, “Build Your Own Potato Head”, a LEGO play area, a nuiMOs plush modeling studio, and a mini indoor Ferris wheel.

Disney Dreamland Railroad Create-It-Land station: “Built” out of blocks and tinkertoys.

World Galleria

Adventureland

Mysteryland

Fantasyland

Discoveryland

[rethcore]

So is the community in agreement that the makeshift set is just Reth's terrible attempts at carpentry or has this headcannon spiraled out of control for me?

[rotzaprachim]

fundamentally at odds with any us based franchise that fandomizes war as a money maker

[maze-of-tones]

LIKE, COMMENT, SUBSCRIBE!

[leslieseveride]

tim's nephews arguing over who gets to hold their new baby cousion first.