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#arguable but i don't really want to argue about it
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The Mountain Goats' "Bleed Out" is arguably about the Disco Elysium tribunal.
Every time they knock me down I rise to my feet Every time I take a bullet They find a medic To patch me up real neat
You only have to run the numbers to know Sooner or later everybody's gotta go Bleed out I'm gonna bleed out
I'm gonna bleed out I'm gonna bleed out There won't be anyone waiting to rush me to safety I'm gonna let the long night take me Bleed out I'm gonna bleed out
Every bender needs a black out Every gauge deserves a top line Every story needs a child Who believes the brave hero's gonna be just fine
You just have to check the papers to see Some of these children end up just like me Bleed out I'm gonna bleed out
I'm gonna bleed out I'm gonna bleed out I'm gonna make a gigantic mess But it meant something important I guess Bleed out I'm gonna bleed out
Somewhere beyond imagination Somewhere beneath the final delta Washed up on the banks of a river at the high of the storm Everybody's seeking shelter
Gonna dive right in I can't swim Bleed out I'm gonna bleed out
I'm gonna bleed out I'm gonna bleed out There's gonna be a big spot where I once lay And there won't even be a spot one day Bleed out I'm gonna bleed out
There was a chance we'd make it through this It's safe to say now that we've missed it And I won't ever lose hope and I haven't lost hope I'm just realistic
I will go down punching, but I will go down And my corner men will bring me back around Bleed out I'm gonna bleed out
The blood is pooling underneath me Flowing freely from my mouth You wanna call a medic now Knock yourself out You can tell' em when they get here you tried But the smallest hole was several inches wide Bleed out I'm gonna bleed out
I'm gonna head into the darkness I'm gonna head into the light I will surrender to the slow lurching tide Drift off into the night There won't be any words of wisdom from me Just a lake of blood for the whole world to see Bleed out I'm gonna bleed out
I'm gonna bleed out I'm gonna bleed out I'm gonna tell my friends they'll all go to hell And wish my enemies well Bleed out I'm gonna bleed out I'm gonna bleed out I'm gonna bleed out If its blood you want I've got plenty of it You're gonna love it Bleed out I'm gonna bleed out
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caparrucia · 2 years
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Full offense and pun fully intended, but I genuinely think the very existence of "dead dove, do not eat" was a fucking canary in the mines, and no one really paid attention.
Because the tag itself was created as a response to a fandom-wide tendency to disregard warnings and assume tagging was exaggerated. And then the same fucking idiots reading those tags describing things they found upsetting or disturbing or just not to their taste would STILL click into the stories and give the writer's grief about it.
And as a response writers began using the tag to signal "no, really, I MEAN the tags!"
But like.
If you really think about it, that's a solution to a different problem. The solution to "I know you tagged your story appropriately but I chose to disregard the tags and warnings by reading it anyway, even though I knew it would upset me, so now I'm upset and making it your problem" is frankly a block, a ban and wide-spread blacklisting. But fandom as a whole is fucking awful at handling bad faith, insidious arguments that appeal to community inclusion and weaponize the fact most people participating in fandom want to share the space with others, as opposed to hurting people.
So instead of upfront ridiculing this kind of maladaptive attempt to foster one's own emotional self-regulation onto random strangers on the internet, fandom compromised and came up with a redundant tag in a good faith attempt to address an imaginary nuance.
There is no nuance to this.
A writer's job is to tag their work correctly. It's not to tag it exhaustively. It's not even to tag it extensively. A writer's sole obligation, as far as AO3 and arguably fandom spaces are concerned, is to make damn sure that the tags they put on their story actually match whatever is going on in that story.
That's it.
That's all.
"But what if I don't want to read X?" Well, you don't read fic that's tagged X.
"But what if I read something that wasn't tagged X?" Well, that's very unfortunate for you, but if it is genuinely that upsetting, you have a responsibility to yourself to only browse things explicitly tagged to not include X.
"But that's not a lot of fic!" Hi, you must be new here, yes, welcome to fandom. Most of our spaces are built explicitly as a reaction to There's Not Enough Of The Thing I Want, both in canon and fandom.
"But there are things on the internet that I don't like!" Yeah, and they are also out there, offline. And, here's the thing, things existing even though we personally dislike or even hate or even flat out find offensive/gross/immoral/unspeakable existing is the price we pay to secure our right to exist as individuals and creators, regardless of who finds US personally unpleasant, hateful or flat out offensive/gross/immoral/unspeakable.
"But what about [illegal thing]?!" So the thing itself is illegal, because the thing itself has been deemed harmful. But your goddamn cop-poisoned authoritarian little heart needs to learn that sometimes things are illegal that aren't harmful, and defaulting to "but illegal!" is a surefire way to end up on the wrong side of the fascism pop quiz. You're not a figure of authority and the more you demand to control and exercise authority by command, rather than leadership, the less impressive you seem. You know how you make actual, genuine change in a community? You center harm and argue in good faith to find accommodations and spread awareness of real, actual problems.
But let's play your game. Let's pretend we're all brainwashed cop-abiding little cogs that do not own a single working brain cell to exercise critical thinking with. 99% of the time, when you cry about any given thing "being illegal!!!" you're correct only so far as the THING itself being illegal. The act or object is illegal. Depiction of it is not. You know why, dipshit? Because if depiction of the thing were illegal, you wouldn't be able to talk about it. You wouldn't be able to educate about it. You wouldn't be able to reexamine and discuss and understand the thing, how and why and where it happens and how to prevent it. And yeah, depiction being legal opens the door for people to make depictions that are in bad taste or probably not appropriate. Sure. But that's the price we pay, creating tools to demystify some of the most horrific things in the world and support the people who've survived them. The net good of those tools existing outweighs the harm of people misusing them.
"You're defending the indefensible!" No, you're clumsily stumbling into a conversation that's been going on for centuries, with your elementary school understanding of morality and your bone-deep police state rot filtering your perception of reality, and insisting you figured it out and everyone else at the table is an idiot for not agreeing with you. Shut the fuck up, sit the fuck down and read a goddamn book.
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year2000electronics · 2 months
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Bill & Ford & A Book, Oh My!
DISCLAIMER: The Book of Bill has Bill Cipher serving as an unreliable narrator. If we go out trying to say something is "definitively a truth" or "definitively a lie", we're going to keep arguing about it until the heat death of the universe. This is just my own personal interpretation of the source material. If you don't agree, that's fine! Also TBOB spoilers abound.
So it's no secret that interest in the dynamic Bill & Ford have (enemies, platonic, romantic, formerly romantic, whichever way) has really skyrocketed since TBOB's release. Of course, there are the 'easy' culprits to point towards, with Mabel referring to Bill as 'being like a needy ex', and the whole O'Sadley's fiasco (Him literally crying over losing Ford and going "one Sixer, please"? Messy. Messy behavior. Still, I think it goes so much deeper than that.
Bill, being the unpredictable chaos entity that he is, also serves as the main antagonist for a show about family and having close bonds with each other. We don't really need to look into his inner psyche that much, because that's just not what he needed to be doing at that point in the cartoon. He's meant to be a way to divide the Pines, really. And a silly little guy. A silly little obstacle. So, naturally, when it came to Bill's arguably "closest" relationship to someone in the show (Ford), it was very easy to interpret it as Ford being tricked by a completely apathetic Bill, who was just using him as a rung on the ladder. And I do want to stress that Ford and Bill's physical actions remain fairly consistent throughout interpretations, and focusing on the fact that Bill badly hurt Ford is important, so if that's how you still see it, then fine by me! No harm no foul!
But I think the relationship, their story, their tragedy just becomes so much more interesting with the lens The Book of Bill has presented. We’re finally able to see Bill’s perspective as a “protagonist” of sorts in a medium where he’s not just something to defeat- and that’s something we’ve never gotten before, so it’s shedding light on an area we didn’t know about for sure! Again, Bill is lying to the character of "the reader", so we can't trust it as a completely unbiased source. But we can speculate on where the "truth" is between these lies.
First of all, Bill's backstory was that he destroyed his home dimension- we knew that already. But now, with the extra content we have about it, we see something interesting- that Bill's backstory mirrors Ford's to an uncanny degree.
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Both of them champion their intelligence, although they highlight how it set them apart from others, as well as highlighting their own 'rare mutation/birth defect'.
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Again, with this self-isolation already spurred on from their "weirdness", but also as a little aside, I would also like to highlight that Bill being 'ready to be one', looking up at the stars, striving to 'reach' them, is a shared motif he has with Ford, who is also associated with space, the stars, and reaching them.
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Bill's 'trying-really-quick-to-convince-Ford' fantasy sequence even has him in a field of stars as a sort of "ultimate wish fulfilment". Remember, this is Bill showing Ford something he thinks would win Ford over, at least a little.
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(And I'll take a quick time out for this train of thought to point out- hey! Bill admits he sought out most of his other victims, but Ford summoned him, and it took him by surprise! That adds a fun little layer of complexity to everything, don't you think? Another little layer of humanity for this whole mess- Bill didn't expertly seek out the 'perfect victim' or anything, it was just... luck. Some twist of fate.)
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Anyways.
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Obviously, the intro page to the 'Sixer' section has a ton of red flags galore (I mean, poor guy's literally depicted as a hapless puppet. C'mon, Bill. Not to mention the "OH BOY HE'S ALREADY SO ISOLATED, IT'S PERFECT" thing.). This guy is kind of a terrible companion no matter how you slice it. He's terrible to everyone close to him, because he's a deeply traumatized character who refuses to heal. BUT, the wording here is kinda deliciously intriguing to me. All of humanity is Bill's puppets, his future victims, but to me, it's clear that he holds a fondness for Ford. From "This is what a partner looks like", to "Me and Sixer could be the perfect team", to "He had what I always wanted- fingers" (drawn to his strangeness, maybe?), "He was destined for so much more", "I looked at his futures and giggled", and most stand-out to me, "Society calls these people freaks, I call them Henchmaniacs!"
Going back to the pre-Book of Bill era I was talking about, Bill's offers for Ford to join him were always in a sort of murky territory for interpretation. The first offer could definitely be read as mocking, with the line "WITH THAT SIX-FINGERED HAND, YOU'D FIT RIGHT IN WITH MY FREAKS!" in particular making it seem like Bill was only saying that to rub Ford's strangeness in his face, and the second offer to join Bill being under a new circumstance- that now Bill is desperate and believes Ford is the only one who can help him. But the Book of Bill mentions the idea of Ford becoming a Henchmaniac more than once, and also has Bill upset at losing Ford and claiming "he'll be back", as well as Bill seeming to use "freak" more like a badge of honour, and having previously complimented Ford's six fingers (In the Sixer intro page, he highlights Ford's fingers as a quality he likes, and in the pages about bodies, he states that "humans should have more fingers". To me, that first offer reads more now like Bill being genuine about finding Ford a place among his misfits. ...Although, the moment Ford says no, he does zap him into a statue. So. Y'know. He's still got issues.
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(Yeah, again, red flag city. "Just hazing"? Bill, none of what you were doing over there was okay! You might have suppressed everything traumatic that happened to you, but that doesn't mean you can go around traumatizing everyone! Good lord.)
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Bill has already been imply to like other characters because they remind him of himself. Pointing towards a connection with a character Bill DOESN'T have a weird undefinable ex-partner thing with... Mabel! Alex has says in multiple official media and interviews that Bill sees a lot of himself in Mabel, and essentially, that he thought Mabeland was the perfect prison because if HE liked all that awesome, uncontrolled chaos over any family or friends, why wouldn't SHE? And we see that again in TBOB. So basically, what I'm saying is that we have two characters to back up the fact that Bill seems gravitated towards humans or other living beings that he views as being 'like him'- beings he can relate to! So, y'know, what does that say about Bill and Ford?
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There's also Bill's plans for the reader and "Weirdmageddon 2.0", where he portrays the reader as getting to, like, perch on his arm like a little bird and get their own little crown? And specifically calls out Ford for not going through with things?? Okay, Bill??
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AND Ford not only being the only human mentioned on the list of people he "definitely doesn't miss so stop asking", but also having his own category? Alright, man.
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Of course, another point to the 'Hey, maybe Bill can actually feel emotions towards humans besides complete and total apathy' club is this page here, which has ALSO been hotly debated! Certainly, we know he's telling the truth about his home dimension being destroyed, and we know that he's lying about the 'monster', but some interpret this scene as Bill not being remorseful at all and playing his reaction up to earn Ford's sympathy. And me, personally, I dunno if I agree. I feel like the specific inclusion of Bill "looking distant, more distant than I'd ever seen him" (Mirroring the fact that he keeps blacking out when thinking about all his large-scale massacres) and him "laughing joylessly", I think this sequence is meant to tell us that Bill actually is being vulnerable with Ford here, it's just hidden under layers and layers of deceit, whether towards himself or Ford or both.
And finally for my Book of Bill collection stuff, there's the stuff that could be read as more romantic in nature. In the 'love' section, Bill claims he doesn't love anyone, but, like-
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Come on. You can disagree with me that it's Ford, but he does have exes. And he's clearly not over them. Shrimpy little liar. And then there's the fact that a lot of his hokey 'advice' is stuff he ends up directly doing to Ford.
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These rats.
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The Love Cage.
The Book of Bill really outlined all that in bold, but in my opinion, it was never an entirely new revelation! Bill seems to hold a preference for Ford over other humans in the show. He shows up in Ford's dreams just to say hi, tease him, and gloat (Mabelcorn) unlike the other two dream appearances he's made (Dreamscaperers, Sock Opera) which were exclusively for business purposes. Unlike every other character that gets exclusively one nickname for their zodiac sign, Ford gets multiple (Fordsy, IQ, Sixer, smart guy, brainiac, the list goes on). Bill asks Ford to join him TWICE, whereas anyone else who tries gets their face rearranged, put in a cage and made to dance, frozen in stone, etc etc. And finally, I think, the most emblematic of Bill's weird, specific relationship with Ford, is that whereas everybody else gets turned into stone, Ford got turned into gold.
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Which kinda sums up their whole thing up pretty well? Bill gave him special treatment by turning him into a golden statue (similar to yellow ha ha), always holding him close, but, like... Dude. You still kidnapped a man and turned him into a statue and then threatened to kill his niece and nephew. I don't think it will change his opinion on you if he's the Most Pampered Hostage, Actually. I just don't think that we need to explore the relationships between characters as simply "Well, this character hurt the other one, so we shouldn't really think about why or what they feel personally, because what they did was bad, so there".
Bill & Ford interest me because they're a tragedy in motion. We can see that Bill and Ford mirror each other in a multitude of ways, and we can see that they both do have positive feelings towards each other at the time they meet, and we see that Bill very desperately wants Ford to be just like him in the unhealthy ways; the ways that make Bill destroy entire universes and compartmentalize it all, because maybe then, he can finally have the companionship he so deeply aches for. Bill and Ford both had tough, lonely upbringings, but Ford moved on from that "I don't need you" mentality. That's what saved him. Bill didn't, and that's what got him where he was in the end. I feel like that's just so much more interesting than Bill just being a flat entity that makes abuse Happen to Ford, just as another Event in his life. I mean, isn't it just SO much more interesting that Ford humanizes Bill, in a way? That Ford makes him- in Bill's own words- "sentimental"? That a chaotic dream demon has regrets and loves and favourites and connections? It's the same thing with Fiddleford & Ford, although, obviously, to a MUCH lesser extent than Bill & Ford. But you get what I mean, right? You know that Fiddleford and Ford are going to undo each other in the end, and the path to that downfall is... it's telling a story! I like the story of it all! I think that's what I've been invested in and intrigued by all these years- the story, the tragedy of Bill and Ford. No matter what form it takes.
(Plus, as tumblr user fordtato pointed out in their own essay (not tagging because this post is messy enough as is oh god), hey, Ford now has two incredibly queer-coded narratives, with one of them being about how he recovered and was able to heal from an abusive relationship. And, well, I think that's just neat.)
Anyways, that's the end of the post. Thanks for reading this long!
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multifandomslxt · 6 months
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Quiet Rage
MDNI
MINORS GO AWAY
Pairing: bsf!Johnny x reader
Synopsis: You wanted to test a theory and ended up making Johnny "Quiet Rage" Suh pissed all the way off. Surely he wouldn't take it out on you though right? after all, you were his best friend.
WARNING: THIS IS SMUT...arguably one of my dirtiest yet. reader is a little shit and Johnny is the quiet guy in the friend group. Johnny in glasses. Dirty and I mean DIRTY talk. spit, sweat, mentions of bruising skin, drooling, overstimulation, exhibitionism via video call, just dirty stuff alright
A/N: This took forever to get out and I apologize for that. it's exam season and I really wanted this out so I pulled some all-nighters. so I apologize for the grammatical errors and so on. I'm very very nervous about this because I did not expect the teaser to get that much attention. but anyway, enjoyyy. @neoculturecollectives @calibabii21
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"I swear, Johnny's into you," your girlfriend claims, and you almost spit out your latte. You shoot her a look, throat burning, and coffee dribbling down your chin. "What the hell makes you say that?"
She rolls her eyes, handing you a napkin. "Come on, babe. The guy gives you that intense stare all the time."
You stare at her in disbelief. "He gives everyone that stare. It's just Johnny."
She grunts in frustration. "Y/n, he calls you 'baby' for crying out loud."
You shrug, trying to play it cool. "So? It's not like it's some romantic declaration."
This scenario is all too familiar, and it annoys you. People always misread Johnny and you, trying to turn your perfectly platonic relationship into something more.
"Alright, if you're so confident, come with me to Jay's party tonight," she challenges.
Your heart sinks.
Jay, aka Jaehyun, is her boyfriend, and you've crossed paths quite a bit. But you already know you can't go.
"He doesn't like you like that, right? So let's settle it, Y/n. Let's end the speculation."
"That's dumb. I don't need to prove anything," you argue. But truth be told, your heart is still doing somersaults. You both know why you won't go, or rather, can't.
Johnny has this strict no-party rule for you. Sounds stupid, but it's his way of keeping you safe. One bad experience with some idiot led to this.
"Come on, just this once, and I'll drop it, promise," she pleads.
"Fine" you reply, already feeling your energy drain.
~
You find yourselves in what's supposed to be Jay's living room turned dance floor.
"Where's that man?" your friend complains beside you.
You hadn't been paying much attention to her anyway. Tonight, you're on a mission to prove a point. Yep, you're scanning for Johnny.
"Yo, ladies!" A familiar voice greets you from behind.
It's Mark. Awkward, cute, and definitely on some kind of high.
weed probably
"Markieee." you smiled and hugged him.
"Have you seen Jay?" your friend asks, not even bothering to greet Mark.
"In the upstairs bathroom," Mark replies, the thumping bass of the music echoing through the house.
"Thanks, y/n, call me if you need me," she says, her voice almost drowned out by the distant laughter and chatter.
"Okay," you agree, even though you know she's most likely going to be too busy to pick up. With that, she confidently stalks off into the lively chaos to find her man.
You're still hugging Mark throughout that, the music's pulsating rhythm vibrating through your bodies, and neither of you makes a move to release the other.
"Markie, how high are you right now?" you ask, half amused and half concerned, the scent of various substances hanging in the air.
"I'm not high," he insists, his words slightly slurred.
Yep, he's as high as a damn kite. "Alright, let's get you seated," you decide, guiding him through the animated crowd.
You hug him a little tighter to your side as you maneuver through the sea of people, completely unaware that the man you had been scanning for was silently observing you from across the dimly lit room.
Johnny tilts his head ever so slightly, the ambient lights flickering, casting enigmatic shadows on his intense expression as he observes you cradling the nearly unconscious Mark in your arms.
"Yo, Johnny! Where you goin'?" Heachan's voice echoes from the kitchen, where the clinking of glasses and laughter weave through the air.
"You can't bail on me now, man. You promised to try this strain with me," Hexhan pleads, his tone a mix of whining and cajoling.
"Another time," Johnny responds tersely, striding away without a backward glance.
Johnny can't fathom any sober reason for Mark to be draped over you like that.
"And you shouldn't even be here," Johnny muses to himself.
"Y/n," his gruff voice calls out, a single word that carries volumes.
You pivot, finding yourself face to face with your long-time best friend, a man whose relationship with you blurs between suspected boyfriend, occasional fling, or perhaps something more permanent.
His towering figure looms over you like an impending storm, his mouth contorted in a sneer, eyebrows knitted in displeasure. A quick appraisal reveals he's opted for a relaxed ensemble tonight—black hoodie and grey joggers, his signature black rimmed glasses resting on his nose.
"Johnny, I've been looking for you. Where the hell were y--"
"Y/n, have I ever told you that your tits make the best pillows ever? Oh my god," Mark interjects, completely oblivious to Johnny's presence.
In one swift motion, Johnny shoves Mark away, causing him to collide with people behind you.
"Johnny, what the fuck!" you gasp, caught off guard.
"What are you doing here, Y/n? I'm only asking once," Johnny demands, his hand firmly gripping the back of your neck, forcefully pulling you into the shelter of his chest.
"Answer the question."
"I'm here for you," you assert, making no attempt to deceive.
"You could've called me if you missed me so much, baby," he responds, his voice softening, and his eyebrows gradually easing.
"Yeah, I know, but I wanted to have fun too," you argue.
It becomes apparent that you've made the wrong choice as his hand tightens slightly around your neck.
"Have fun at home. No parties. I'm sure I told you that," his voice remains calm, but the increasing pressure on the back of your neck contradicts his demeanor.
"Go home. Now," he states, leaving no room for argument.
For a moment, your body twitches as if to comply, but it seems you're on a defiant streak tonight.
"No. I'll stay and have fun. I've seen you now, so I'll just go look for the others and enjoy myself," you declare.
He stares at you, a blank facial expression revealing nothing.
"Y/n, baby, go home," he says softly.
Successfully prying yourself from his grip, you retort, "No."
You stalk off, leaving him standing in the middle of the living room, hands straight by his sides, and his gaze unwaveringly black yet watchful.
As you navigate through the crowd, encounter familiar faces here and there.
~
You find yourself on your umpteenth shot of tequila when, unexpectedly, you're invited to a game of truth or dare, courtesy of Haechan.
Johnny is nowhere to be found, and the absence begins to stir a sense of worry and nervousness within you.
The game had unfolded over an extended period, leaving your mind increasingly hazy with each passing moment. Holding your liquor was never your forte.
You observed as the bottle spun and twirled before ultimately settling on the guy positioned beside you.
"dare" the guy simply said.
"I dare you to kiss y/n," Haechan's slurred yet mischievous voice announced.
As Haechan proclaimed his dare, Johnny ambled into the room, seemingly oblivious to your presence, it left you feeling bothered and angry.
Fine, you mused, if he's going to act that way.
Perhaps it was the influence of the alcohol coursing through your system or some other inscrutable force, but you found yourself impulsively lunging towards the guy next to you. Teeth clashed in a messy, audacious kiss, and, fueled by the audacity of the dare, you dared to explore further by delving your tongue into his mouth.
A cheer erupted from the onlookers, making your heart swell.
Basking in the attention, you pushed the boundaries, only to be abruptly seized by the neck for the second time that night, this time by none other than Johnny himself.
Without hesitation, he mused, "Go to the car and sit. I'll be there soon."
"But, Joh—"
"Go. To. The. Car, Y/n, and shut your fucking mouth. I said I'll be there soon," he asserted, his words punctuated through gritted teeth.
~
The last ten minutes had passed in utter silence as both of you sat in the car.
When Johnny finally slid into the driver's seat, his gaze never once met yours. Without a word, he started the car and left the party, only sparing you attention when he needed to secure your seatbelt.
The oppressive silence weighed on you.
"That was a fun game, wasn't it?" you ventured, attempting to break the tension.
Silence persisted.
"I bet Haechan has a video of it. Probably gonna send it to the group later," you added, attempting to inject a touch of levity into the atmosphere, though your laughter carried an undercurrent of awkwardness.
"Quit playing with me." He bites back, completely unamused by your attempt at a joke.
Your body stills as you stare wide-eyed at the man beside you. You didn't expect that from him. He wasn't the type to be so aggressive, especially with you.
"I didn't mean for that to happen, John." You said weakly. He had to understand, you were just trying to get his attention.
"But it did y/n and now I'm gonna have to show you what happens when you don't fucking listen" He rages quietly, eyes still on the road ahead.
It was always quiet with him.
little did you know.
To the untrained eye, he seemed cool and collected. But, you could tell he wasn't quite there. Maybe it was the way he squeezed the life out of the steering wheel or how he kept clenching and unclenching his jaw. Or, you know, the massive tent in his pants…
either way, you knew
somehow, you managed to piss off Johnny Suh.
"I suggest you start thinking of a way to apologize because you have no fucking idea what I have planned for you." He momentarily looks at you just long enough for you to see the dangerous glint in his eyes
~
Arriving at Johnny's apartment, you found yourself comfortably settled on his couch while he busied himself in the kitchen, fetching a glass of water for you. Since his remark on the way here, a palpable silence hung in the air.
As he approached you with the glass of water, he broke the silence, "Thought of a way to apologize yet?"
You glanced up at him from your spot on the couch. "I'm sorry. I should've listened to you," you managed to utter, your gaze dropping to the floor, a strange sense of shame washing over you.
He snorted in response, "That's all you came up with, Y/n?"
Meeting his disappointed gaze, you took a deep breath. "I should've known better," you added quietly.
He sighed, handing you the glass of water. "Drink."
Taking the glass from his hands, you started sipping as he watched you in silence. Then, without breaking eye contact, he nonchalantly remarked, "I'm going to fuck some sense into you and then fuck it out of you."
You choked on your water, hastily wiping at your mouth as you stared at him in disbelief.
"Your apology wasn't going to satisfy me anyway. I made up my mind when you said no the first time," he asserted, his tone casual yet loaded with an underlying intensity that left you flustered and strangely intrigued.
"And what if I don't want it." You daringly ask.
you knew you did.
The way he was watching you made that clear as day.
"Then say no." He shrugs
"Now finish the drink and head upstairs when you're done."he adds
and you did exactly that.
~
Johnny was a man. You knew that, he knew that, and the whole world knew that. But sometimes, it felt like you didn't always keep that obvious characteristic at the forefront of your mind, as you should have.
Entering the room, nothing struck you as special. It was the same as always: his bed in the middle of the space, surrounded by walls adorned with retro posters and pictures he had taken over the years with friends, family, and you. Despite the numerous times you had visited his home, particularly his room, it didn't feel as intimate as it did now, and for some reason, that excited you.
As you let your gaze wander, movement from the door pulled you out of your thoughts, and you turned your focus to a strangely quiet Johnny.
You both stood in silence, staring at each other for what felt like long, drawn-out minutes.
"I didn't think I'd have to tell you to strip, y/n," he said seriosusly.
You hiccup, startled. "E-excuse me?"
He stepped closer to you. "Fucking strip."
Your heart hammered in your chest at the complete unfamiliarity of the situation.
"John, you can't be seri—"
His hands fisted in your hair, causing you to tilt your head up, meeting his hard gaze. "Strip. I won't ask again. You're always free to leave, y/n, but you and I both know you don't want to."
~
"move your hand"
you twist and turn writhing your body all over his bed, hand trying to stop his fingers from fucking into you.
"Johnny, please! I said i was sorry " you scream as tears line your eyes
"I said move your fucking hand" he grabs your writs and pins the above your head
his fingers pummeling into you repeatedly. long and thick. you felt like you could feel all the ridges and callouses on them. all the fucking veins. it was torture.
SQUELCH SQUELCH
you try to squeeze your thighs together only for him to pry them back open almost immediately.
it was almost embarrassing just how wet you were really
"God. Fuck you're all over my sheets baby hmm" he moans his eyes never leaving your pussy.
almost.
that did it for you though
"Johnny, Johnny m'cumming"
“not yet baby”
you couldn't hold it
“Y/n, I said not yet” his actions contradicted his words as his fingers curled rubbing against your g spot
your body involuntarily shoots up off the bed as your lower abdomen contracts
"I can't hold it."
You cum with a high-pitched scream. Squirting all over Johnny's hand before lifelessly falling back on the bed.
you’re trying to get your breathing under control when you hear Johnny’s displeased voice
"you don't fucking listen do you"
fingers still in you, he manages to add even more pleasure relentlessly pumping into you
your legs start trembling from the intense pressure building in your abdomen once again.
Your scream is ear piercing as you cum for the fourth time
fifth...
you don't even know.
gosh, He hadn't even fucked you yet
you didn't even realize the drool running down your chin. eyes rolled back and lashes fluttering, your skin gleaming with sweat and thighs trembling. Your chest heaved as you breathed hard still coming down from your high.
In Johnny's eyes, you looked so fucked out and so fucking pretty.
He knew his version of foreplay was intense but he also knew he took it a bit further just for you.
his stubborn girl. He loved it but you needed to be taught a lesson.
with your mouth wide agape, he takes the opportunity of your oblivious state and shoves his middle and index finger down your throat causing you to gag.
"taste yourself...that's right baby suck my fingers clean" He coos as your mouth clings to his fingers.
when satisfied he pulls his away
"knees" is all he says.
you mumble uncoherent words trying to tell him you can't get up but it seems he is already way ahead of you helping you get comfortable in your position on the floor.
He begins to pull his sweatpants down revealing his erection fighting against the fabric of his black underwear. he wastes no time in pulling his cock out and you almost drool.
so harsh but so fucking pretty.
big and veiny with the prettiest pink tip. No wonder the foreplay was so intense. there was no way he was gonna fit without stretching you that much.
You look up at him with hopeful eyes. you wanted him in your mouth so fucking bad your pussy actually ached.
"So cute," he spits in the palm of his hand before bringing it down to stroke his cock.
"open and suck" He states.
Wasting no time your hands replace his and you begin to pump his pretty cock. you lick from the base of his pretty cock to the even prettier pink tip teasing him just a little with small kitten licks
"no teasing" he warns.
But of course, you don't listen continuing to push him over the edge with those kitten licks. even having the audacity to maintain eye contact while doing it.
You see the way his jaw clenches as he loses his patience and grabs the back of your head thrusting and forcing his cock to hit the back of your throat.
Your eyes widen and begin to water as you start to harshly breathe through your nose.
Gagging multiple times as he continues to relentlessly fuck your mouth
"no teasing and you continue to fucking tease huh? who's fucking in charge here y/n? Who's fucking cock's fucking your pretty mouth?"
not being able to speak you hum around his cock watching as his gaze becomes more sadistic by the second.
"Ah fuck, you're gonna make me cum like this baby?" you hum in response causing him to groan from the vibrations
"Ah, shit"
You watch his expression contort into a pained one before he somehow manages to make his cock hit even further than the back of your throat and cums in your mouth.
"Dont waste it, baby, swallow for me" he says airly
you swallowed his mouth full of cum. loving the pleasantly salty taste.
you wheezed and choked so overwhelmed with just how rough Johnny really was.
Where was this side of him hiding?
holy fuck
"your mouth, keep it open," he grumbles still heaving firm his previous orgasm.
you open your mouth a gain forming an 'O' shape and surprise takes you as he spits in your mouth before lightly slapping you across the face.
your hair was all over the place and your entire face was decorated with a mixture of precum, smudged makeup, tears, snot, and sweat
"Atta Girl." he praises you.
He helps you to your feet before giving you a quick peck on your lips
"turn around and bend over. Yeah just like that... spread your legs for me"
you used the bed as support as you got into the desired position.
he wastes no time thrusting his cock into you rough and hard.
the sound of skin slapping and the squelching of your pussy around him cause your knees to buckle as you threaten to lose your stance.
You were gonna cum soon.
feeling your swaying form, he grabs your neck pulling you into him as your back meets his chest
"don't you fucking dare" he threatens.
"Ah... please please, please! m'sorry... m'so sorry I won't do it again just please make me cum john, I'll be good I swear" you cry gasping for air between words. soon your sentences jumble into a whole lot of nothing.
he keeps his hand wrapped around your neck as he uses the other to hold your hand behind your back
"no. Cum when I say so. you need to learn to fucking listen."
snapping his hips at a quick pace.
the area around your hips already beginning to bruise from how hard he was holding you.
"t'much please johnny!" You scream as your legs begin to shake for the umpteenth time
"you can fucking take it. This is what you wanted right? To piss me off? Having mark all on you like that?" he says begrudgingly
he grabs your left breast and squeezes your nipple hard enough for your pussy to clench around him
"so damn sensitive" he whispers in awe.
he pulls out and pushes you on the bed. you look back and he's
standing over you with messy hair, dark eyes, and a cock so erect it slapped against his stomach with the slightest movement.
"get on your back and spread your legs" he says pulling your legs to the edge of the bed .
You flip over and he immediately fucks into you even harder than before.
once again your hands flay erratically as you scream trying to get away from the aching pleasure that was starting to make you see double.
"look at that baby, " he coos eyes staring at your stomach.
you look down and see his cock bulging in your lower abdomen.
You gasp at the sight
'Johnny please" you whimper not even sure what you are asking for.
"I might just fuck a baby into you. keep you home like a good little wife hmm." he says seriously, eyes still set on the bulging in your lower abdomen.
you clenched around him liking the sound of carrying his children
"you like that huh? " He groans
you nod as tears start to stream down your face.
suddenly he stops thrusting causing you to cry out
"Just gimmie a second baby gotta fix your mistake," he says as he reaches over to his nightstand picking up his phone.
"I'm calling Mark " he says nonchalantly causing your heart to race.
"you're off-limits and they fucking know that but it seems all of you need to be reminded of how things are tonight hm?"
the dial tone blares out before a muffled "hello?" comes through the speaker. Mark.
"watch " Johnny says before he thrusts into you so fucking deep you could taste him
you moan loudly
barley registering the "fucking hell, man" that comes from the phone. That was Haechan
'watch' Johnny had said earlier and you begin to understand that it was a video call.
Mark and Haechan were witnessing Johnny fuck you into oblivion.
"see this? this is my fucking pussy and nobody else can fucking have it." he fucks your relentlessly a familiar feeling building in your stomach.
"j-johnny its t'much"
"nah, you can fucking take it."
"oh, fuck! " you scream into the pillow
"my fucking pussy and she can't give it away ain't that right y/n"
"mhmm" you say not having the strength actually speak.
you cum with a shiver and a whine and even then he didn't stop
still drilling his cock into you
overstimulating you more and more
you try to get away and he never once let his cock leave you.
"tell them how many times you cum tonight." He challenges, knowing full well that you couldn't form a word much less a sentence at the moment.
you mutter random words too fucked out to think
a sharp slap to your face brings you back
"how many fucking times?" he says through clenched teeth
"Alot" you scream.
"good girl" he says before hanging up the phone and throwing it across the room.
"just give me one more" he continues.
you moan as your toes curl from the overwhelming sensations building in your stomach
with a sharp thrust, you squirt all over Johnny's cock just as he cums inside you.
"next time you do that shit I’ll fuck you right in front of them instead of over the phone."
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dat-physics-gal · 10 months
Text
I gotta talk about Tensura
Before i explode, because it's hyperfixation time again apparently.
Brain has decided, i am powerless.
You know, this guy:
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I absolutely adore this show, but if you only research it instead of watching, you might get the idea that it's your run of the mill gimmick isekai. And in terms of setting, i would completely agree with you. Even most of the characters are pure stereotypes to be honest, with one singular exception: The MC, Rimuru himself.
-First off. Adult. Not a teen, the dude was in his late 30s when he died. And that shit shows in the maturity of his decisions.
-Secondly, while he's op as fuck, a standard for an isekai really, that isn't the focus. No, that part is treated as the set dressing that it is. The actual story points? They're about diplomacy. About connecting with people. About grief, and how to move through it. About conflict, and how it can be resolved. And about how sometimes it has to be resolved by violence, but that that's never a good first response, only a fallback if all else fails. And about how to enjoy life despite it all, about never being too old to have fun with your friends.
-Third, while this is a headcanon, it's pretty easy to conclude from a couple lines in the first episodes: He's aromantic, though probably also bisexual? You don't tend to see that in media, ever. Or, at least, only if you want to make a character seem evil and heartless, which Rimuru is the polar opposite of.
-Fourth... Look again at this creature and try to tell me he isn't adorable and huggable.
Or look at him with his newly acquired sentient pet friend and humanoid form:
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He was such an awakening for me in terms of being aromantic, and arguably also agender. Like, all i had seen before were aros who lamented not being able to feel romantic attraction, or who were called heartless and internalized it.
Or aromantics who argued that they could still have a partner, even if they didn't feel romantic attraction. Which, while true, isn't what I want from life.
Or agender people with really strong dysphoria, who needed to change their body asap. Which, again, while totally understandable, isn't the situation i find myself in.
On the agender part, Rimuru doesn't really mind all too much that his human form is sexless. Sure he makes a comment about it once, but he does have the option of shapeshifting into a different form if he wanted to. And he doesn't take it. I found that incredibly relatable.
Sorry, i know i'm rambling, but i just... needed to express that.
This show, this character, they've arguably changed my life.
This animation gave me a look at realistic optimism with the story it told, and in the same stroke a character i could relate to incredibly well.
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simpjaes · 9 months
Note
can we have a maybe part 2 of policeman!jake who takes you out on a few dates and you end up fucking in his car everytime, and later on maybe if you feel like it become something official???
police officer jake! x afab reader part 2 drabble // part one here
this is fluffy as all hell.
The thing about fucking a cop is like, it was fun while it lasted but he reminded you at the end of it, cum all in your shirt simply because he pulled out and didn't want to get any on the patrol car, that he really does have to start ticketing you.
When you looked sad, of course he was quick to follow up with a
"You don't need to commit crimes to get my attention, you know?"
And like, you liked speeding. You liked the way the adrenaline would rush solely for the hot officer that would always pull over and give you warnings with a flirty smile.
You guess it's only natural that he'd actually have to start doing his job at some point, especially after you already gave yourself up to him and ended the game of cop vs slutty crime girl.
You did get his personal number out of it though, which led to several dates where the handsome officer became a regular citizen in some regard. You saw his personal style, with his less combed hair, and his loose t-shirts and jeans.
Arguably, he looked just as good in uniform as he looked out of it. Everything about him turns you on, and he knows it.
With chuckles and smiles throughout dates when you turn every genuine conversation to get to know you into something sexual.
Like when he asked what you do for fun, you off handedly stated "try to get you to pull me over."
Of course, after each date he would also live up to all of your remarks, driving you around in his very normal car and parking in that same spot he had you the first time before dropping you at home.
Always the same thing. His cock pulled out of the zipper of his unbuttoned pants, and you as spread out as you can be in his back seat. Sometimes bent over, sometimes riding it. It really depended on the date.
It was nice though, seeing the difference between his polite and kind self try and talk through a date like he wasn't leaking all in his pants at the outfits you wear or the words you say to him.
After several dates, you invite him into your home. Which he rejects, solely because he believes he should be inviting you to his place. Which, he does do.
"Your place?" He laughed, scanning the way you rub your legs together in the passenger seat. "What kind of guy do you think I am?"
"The kind who will finally fuck me in a house rather than his car?"
He laughed at you again, fondly smirking at the girl he's grown so fond of.
"Well, yes." He admitted before turning the car around. "Would rather see your clothes on my floor though."
You weren't one to argue then, and you certainly aren't one to argue now. Especially with the way he has you in his bed, bouncing and moaning, feeling and seeing him in full for the first time.
With his pretty flushed cheeks and that same bitten smile as he watches you bounce freely, without the confines of car doors or ceilings holding you from moving too much.
It felt like it went on for hours, probably because it did. Over and over again. In his bed, on his bathroom floor, kitchen counter, living room couch. It just kept going, and going.
Every hour or so the two of you would be ready to go again, without fail.
And by the next morning, when you woke up in his messy and dirty sheets next to him, you realized it's the first time you ever slept over with a man you wanted to hook up with.
It was also the first time a man has ever woken up, smiled at you, and ate you out as his breakfast before making you your breakfast.
Oh, right, also the first time you've ever considered a simple fantasy of fucking a cop as not just a fantasy and perhaps more than that.
Especially with the way he drives you home, kisses you on the forehead, and stood awkwardly, not quite letting you go.
He wanted to say something and time was running out, simply because he genuinely did have to go to work and patrol the streets of people who aren't you.
You encourage him with another kiss, squishing your chest in your arms and bouncing slightly.
He laughs at your antics, wondering how someone like you could be interested in someone like him. His eyes staring directly at the bounce of your tits when he finally just says it.
"We should like, date, or be together, or something...i don't know."
Your answer wasn't a mystery to either of you, but still, he knew he had to ask. Mostly because he doesn't want any of his other cop friends spreading out into his territory and eyeing you down much like he did upon that first speeding ticket you received.
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tyrantisterror · 8 months
Text
Who's THE Devil?
You know, from, like, The Bible?
One of the things the various takes on Hell more or less agree on is that there is one demon among the legions of Hell who more or less reigns supreme - The Devil with a capital The. What they rarely agree on, however, is which devil that is. So, for funsies, let's look at all the candidates for The Devil, shall we?
Belial
The concept of demons arguably predates Abrahamic religions, at least if we take it at its most nebulous definition of "supernatural people from an Other world who are somewhat antagonistic toward humanity." But the more specific and probably more familiar version of them began with The Book of Enoch, one of many texts that were deemed non-canonical by Christians yet still holds a great deal of influence on Christianity as a whole. It's an extended account of the Noah story, positing that a group of angels rebelled against heaven because they wanted to sleep with mortal women, and created a race of giant half-human half-angel offspring called the Nephilim (Goliath, of David and Goliath fame, was one of the nephilim). God wasn't happy with this, and sent the rebel angels to a fiery pit before killing most of the nephilim with the big ol' flood (though Goliath's lineage survived somehow I guess).
It's not quite how most people picture the War in Heaven and rebellion of the angels, but it's nonetheless where that story started, and that makes it important. This is the first take on what would become the classic origin story for demons and Hell itself. And who is the leader of the rebel angels in this story? Why our good friend Belial, of course. Belial would remain a prominent demon from hereafter, but despite having the earliest claim for the crown of The Devil, Belial has not remained the frontrunner in the race, and is generally demoted to just being a high ranking demon, rather than the Highest ranking one.
2. Beelzebub
I've talked about Beelzebub before and I don't want to spend too much time rehashing that post, so brief recap: Beelzebub began as a mean nickname for a god from a rival religion to Judaism who was named Baal Zebul, which means Lord of the Heavenly Place. Baal Zebub, by contrast, means "Lord of the Flies." Eventually Baalzebub becomes Beelzebub and, divorced from the original context of its creation, becomes a character in his own right, being a prominent demon. And because Beelzebub appeared in a lot of texts, many of them very old as demonology go, he became a major competitor for the title of The Devil, and remains so to this day. I think it's partly because the name "Beelzebub" is really fun to say, but the sheer history and volume of demonology texts portraying him as a big, powerful devil also help. In the rare stories where Beelzebub appears but does not get to be The Devil, he's still portrayed as fairly high ranking, with both Milton's Paradise Lost and Marlowe's Faust making him The Devil's right hand demon, second in command of Hell. So even when he loses the crown, Beelzebub takes home a good silver medal
3. Asmodeus
Asmodeus is another of our "predates Christianity" demons, right up there with Beelzebub and Belial, and as far as I can tell from what I've read he was originally intended to be The Devil rather than just a devil. It's kind of right there in the name - "deus" means god, so Asmodeus having that name marks him as a demon who thinks himself equal to God.
(well, ok, there's some debate about the full origin of his name, with some arguing the "deus" part was originally a play on "deva," which in turn is loosely translated as... demon. The fact that Asmodeus's name is pronounced/spelled differently to a preposterous degree is part of why the water is so muddy - Asmoday, Asmodai, Asmodee, Osmodeus, it goes on and on)
One of his better claims to the crown comes from the story of Solomon - you know, the wise king who told people to cut babies in half. Solomon's less canonical feats include enslaving a shitload of demons to build a temple for him by way of the rite of exorcism, using a magic ring and the power of Christ to compel the damned to do manual labor for him. Asmodeus is specifically stated to be the strongest demon he summons in part because he is the King of all Demons, i.e. The Devil - and the other demons weep at the sight of their king being reduced to a slave by mortal hands.
Why is this a strong claim? Because the story of Solomon in turn inspired The Lesser Key of Solomon, a text about using the rite of exorcism to summon and use demons to do your bidding. The Lesser Key of Solomon includes the Ars Goetia, which is basically a big ol' bestiary of demons, and where many of your favorite pop culture demons - like, say, Stolas the owl guy - come from. Being the King of all demons in the story that inspired one of the more thorough and exhaustive lists of demons and their hierarchies should count for a lot.
There's one other great claim to fame Asmodeus has in his favor. While not directly named in Dante's The Divine Comedy, the description Dante gives of Satan's physical appearance matches with the most popular descriptions of Asmodeus - in particular, his three heads, one of which is yellow, one red, and one black. Granted, it'd be more of a smoking gun if one of those heads was a bull and the other a goat, but they're all very ogre-like, so I still think it stands. Dante's Devil is, more likely than not, Asmodeus, and that's a BIG point in Asmodeus's favor.
4. Hades/Pluto
Ok, so, a great deal of the Old Testament was originally written in Greek, and the New Testament was written in Latin, both of which happened when belief in the Olympian Gods was pretty strong. As such, the word "Hades" appears in the Bible a lot when talking about the place where dead people go, though it probably wasn't meant to literally be the same underworld as that in Greco-Roman mythology. Probably.
But because Christianity was spread primarily by the Roman empire once they converted to Christianity, and because Europe ended up getting a centuries-long case of stockholm syndrome for the Roman Empire that involved many people in power declaring that Greco-Roman mythology was super important literature and Latin was the language of God Himself, there is a good chunk of Biblical apocrypha that treats the use of Hades as, well, a literal crossover of sorts. Which is to say that Hades the god is sometimes treated as, like, a figure in Christianity, generally a demon specifically. And because he's, you know, Hades, from, like, The Odyssey, people feel he needs to be prominent. I mean, Hades RULED the underworld in Greek mythology, so if we're stealing him for Christian folklore, he should at least be in upper management, right?
The strongest case for Hades being The Devil comes from The Book of Revelation, one of the few books in the Bible that actually contributes to demonology (despite what people tell you, demons really don't show up in the Bible that much - most of what we think of as iconic demon lore come from non-canonical works). You know the four horsemen of the apocalypse? War, Famine, Plague, and Death, right? HA, WRONG! It's Conquest, War, Famine, and Pestilence & Death, you fake horseman fan. Well, anyway the line that introduces Death/Pestilence & Death ends with "And Hell followed with him." Except, no, not really, because the specific word used is... Hades. "And Hades followed with him." Which, depending on how you want to interpret the line, could very well mean a literal, King of the Underworld Hades.
Of course, the problem with using Revelation as proof is that Revelation itself is pretty unclear on who's leading the forces of evil. Is it the Seven-Headed dragon who's cast out of Heaven at the beginning of the end of the world? Is it the seven headed leopard monster that the dragon gives his crown to? Is it the monster who crawls out of the ground to speak for the seven-headed leopard with the voice of a dragon? Is it Hades? Is it God, the one who's allowing all this violent shit to happen and frequently sending his angels to make it way fucking worse? Who can say.
So, while it's not super common, there are more than a few works where The Devil is none other than Hades himself. Disney... might not have been completely off the mark, I guess?
While I think Hades's claim is pretty weak, I should note that one of the works that puts a LOT of Greek mythology into Hell is none other than Dante's The Divine Comedy. 70% of the demons in Dante's Hell are just Greek monsters, with the remaining few being Asmodeus and some OC demons he made up with portmanteu names a la Pokemon. Notably, Hades is one of those demonized Greek figures - presented as the Judge who decides where in Hell sinners end up based on their crimes. He's not The Devil, though, so while Dante kind of helps Hades's case, he also kind of ends up making a counter argument to it.
5. Abaddon/Apollyon
Ok, so, the word "abaddon" is used in some texts to refer to Hell, and sometimes it's personified as well. It literally means "ruin." Well, in time, Abaddon is personified and become a demon, which should feel like a familiar story to you by this point. And because Abaddon can also literally be Hell itself, it's only natural that some stories posit Abaddon the demon as the rule of Hell, much as Hades is the ruler of Hades in Greek mythology. This is Abaddon's big claim, and it's not bad, but it's not super strong. Nonetheless, it was enough for at least one prominent Christian text, Pilgrim's Progress, to make Abaddon (under one of his synonym names, Apollyon) to be The Devil, so we can give him that too.
6. Sheol
The sections of the Bible that are written in Hebrew use the word "Sheol" to refer to the underworld/afterlife rather than Hades. Now, Judaism doesn't have the same Hell as Christianity, or the same concept of Heaven either for that matter, and Sheol is less a place of torment for the damned and more of a waiting room for the dead to hang out in until the Messiah comes.
Nonetheless, Sheol did get personified like Abaddon and Hades, and that personification (which, in some versions, is a batty old lady, which is fun) later became a demon in its own right, and thus, for the same reasons as Abaddon and Hades, has a claim to being The Devil by dint of also being, you know, Hell itself. Not the strongest, most popular claim, no, but a claim nonetheless.
7. Satan
Feels rather obvious, doesn't it? Ok, so, in The Bible, one of the characters who was retconned into being The Devil is the angel in the Book of Job who takes on the title of Satan. In the original context of the story, "Satan" is not a name, but, again, a title - a job title, really, roughly akin to "prosecuting attorney." The Satan in the Book of Job isn't a rebel angel, but an angel whose job is to argue for the opposing view point to make sure everyone is doing the right thing. Less "The Devil" and more "the devil's advocate."
But! Christians fucking LOVE the devil, and they want more devil in their Bible, so many translations treat (the) Satan not as the hard-working servant of God he was originally written as, but as, you know, The Devil, arch-enemy of God and justice. And so Satan becomes synonymous with The Devil, and over time more and more appearances of The Devil give him the name Satan.
I can see an argument for this being the strongest claim, because the sheer amount of works where "Satan" is treated as The name of The Devil is enormous. But I think it's important to note that many of those works actually treat it as a name for the devil, which is to say, not the only name. I guess a lot of modern works think the name is so commonly used that it lacks its punch, and so they have The Devil pull the "I have many names" schtick to sound more imposing.
8. Lucifer
So there's a part of the Bible that talks about a star falling out of Heaven as a sort of metaphor for how people can fall from grace. Well, good ol' King James translated this as not just a falling star, but specifically The Devil himself, giving him the name Lucifer, which means "light-bringer." The King James translation of the Bible is bad in that it's immensely inaccurate, but good in that it's a beautiful piece of poetry in its own right, and since it had the authority of a goddamn king behind it, it quickly became a prominent Christian text and is still the preferred translation of many Christian sects to this day.
So, you know, that's pretty fucking big as claims go. There is one incredibly prominent (if woefully inaccurate) translation of the Bible where Lucifer is The Devil. Kind of hard to fight that one.
But it doesn't end there! I would argue that the most influential origin story for Christian devils, the one that has become ingrained in the cultural consciousness as THE story of the War in Heaven, is Milton's poem Paradise Lost. That's where most of the tropes we associate with The Devil and demons and Hell really come together to form the great devil mythology - well, it and Dante's The Divine Comedy, anyway. You know which name Milton chose for The Devil?
Lucifer.
Well, ok, he also calls Lucifer "Satan" with about equal frequency, but still - Lucifer is The Devil of Paradise Lost. And because of the sheer weight that both Paradise Lost and the King James Bible have in culture, Lucifer has ended up being used as The Devil in countless works since! Not bad for a translation error, right?
While the sheer number and notability of literature that uses Lucifer as The Devil is kind of argument enough for him having the best claim, I'd like to add one more argument in his favor: dramatic irony. I think what draws people to Lucifer is the meaning of his name - "the light-bringer" - and how it contrasts with his role as the king of a pit of darkness and misery. "Light-bringer" is a heroic name, the name of a character who brings hope and joy, which makes it so delicious when it turns out our "light-bringer" is an utter bastard. It's just irresistible, isn't it?
9. Mephistopheles
A good number of demon stories - arguably the majority of them - focus on mortals who make deals with demons and end up damned to Hell for doing it. We call these stories "faustian pacts," and we do that because the most famous story of this kind is the story of Faust, a scientist/alchemist who makes a deal with a devil named Mephistopheles to learn the secrets of the universe and ends up doing a lot of sinning in the process. Since Faust is such a famous and influential story, it only follows that its main devil is frequently viewed as The Devil.
...except
In most versions of Faust, Mephistopheles is not presented as The Devil within the narrative. He's a henchman, a flunkie, with one of the bigger names like Lucifer or Beelzebub pulling the strings. So while there are a number of stories (including a few versions of Faust itself) where Mephistopheles gets to be The Devil, it's far more common for him to be a devil - perhaps a prominent devil, maybe even one of the strongest and a close member of The Devil's inner circle, but rarely the one in charge.
10. Baphomet
Baphomet is a god whose name and appearance was repurposed as a demon by The Church of Satan, and so while I have to admit that is a claim to the crown, I don't think it's a great one. First, nothing about the Church of Satan's belief system is meant to be taken genuinely, with them admitting that they view Satan/Baphomet as a symbol rather than a literal supernatural being they believe in. Second, by rights Baphomet should be allowed to be Baphomet instead of being literally demonized. I honestly think it's better for Baphomet to lose this race than to win it.
11. Iblis
Demons in Islam work differently from demons in Christianity. Rather than being fallen angels, demons are wicked Djinn - a race of people made from fire and smoke rather than ash and dirt like humans. Djinn aren't quite as powerful as angels in Islam, but do have significant supernatural powers that humans lack. Like humans, Djinn have free will and can choose whether to be good or evil - and those that choose to be evil reside in Islam's version of Hell, where they are ruled by Iblis, the first Djinn to choose the wicked path and the ruler of Islam's Hell.
Unlike Christianity, there isn't really any debate on this. Iblis is, for all intents and purposes, the CANONICAL ruler of Hell, The Devil of Islam, and thus has the strongest and really ONLY claim to be The Devil of that religion.
...but, at the same time, Iblis can't really be the Christian devil, because Christianity doesn't have Djinn, and all the iconic parts of Christian demonology kind of hinge on the idea of demons as rebel angels, which demonic djinn very much aren't. So while Iblis's claim in Islam is irefutable, he doesn't have one in Christianity. Ain't that wacky?
I think it should be noted that there are more-or-less canonical texts where Iblis isn't treated as purely evil, either, including one where he actively asks for help in repenting and is turned down because, well, evil has to exist, and someone has to rule over it, and like it or not, that's Iblis's job now. It ends with Iblis wailing that he has become the greatest martyr of Islam. Which is so fucking hardcore, I love it. In Christianity, the texts where we humanized demons are non-canonical at best and deemed heresy at worst, but Islam allowed it to be more-or-less canon. They saw the coolest takes on the Devil and said "yeah we can allow that" - so much more rad than what Christianity did with them.
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So, who do YOU think is The Devil? You know, from, like, The Bible?
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maharellasa · 1 month
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I've given it a lot of thought about making a post like this, because I didn't want to just add to the already extended discourse on the subject, but I keep reading opinions and I just can't stay out of it.
Before I continue I want to make clear that I've done high approval solas playthroughs and I do believe that a befriended solas cares deeply for the inquisitor. He respects and values them, and you could even argue that they forge a kind of sibling bond or a mentor/apprentice one. So for him to betray that, it's really a tragedy in the end—the inquisitor hurts deeply for their lost friend/mentor.
That said, and I am truly, honestly, not saying this as a solasmancer, but from a storytelling point of view, the story of a romanced solas is still far more impactful.
Please let me make my case before you draw conclusions.
I am not saying it's more valid, or that you should do it, or that it should be the canon. Just, simply, that it is a more powerful story narratively, and that acting like the high approval run somehow has an equal narrative value is completely unbased. It's a meaningful story, yes, but it does not have the same impact. (To be clear, I'm not speaking in comparison to other romances here since that's based on taste and preferences, just the case of befriended vs romanced solas specifically.)
From a creative writing point of view, the romance employs:
backstory relevance: fen'harel is an important part of lavellan's culture and upbringing. and yes, arguably, that's true for any lavellan, but in the case of a romanced one, there's the beautiful narrative device of—
tragic irony: she grew up specifically being cautioned about the dread wolf's treachery, hearing blessings like "may the dreadwolf never catch your scent" etc. and what does she do? she goes and falls in love with him.The dread wolf literally takes her. A befriended lavellan might love him, but will give him nothing so vital as her heart for it to be considered "a taking". And as for other inquisitors, well, they don't even know who Fen'harel is.
unique perspective: (edit because of comments on this post) solas reveals much more of himself to a romanced inquisitor than a high approval one. "it's not right", "it's been so long since I trusted someone", "it will be kinder in the long run", "you saw more than most", and to top that, the ultimate reveal of solas telling her he can remove her vallaslin, which is his way of showing her who he truly is.
denied catharsis: one of the most essential rules of storytelling is that after you've reached the climax of the hero's journey and you've dragged them through all their struggles, you should provide a form of catharsis. that doesn't happen in the case of the romanced lavellan. she ends up alone. I'm not even saying heartbroken, because losing a friend can cause equal pain, but a solas romanced lavellan ends. up. alone. After all that she went through, after having her personhood erased and being forced into a religion that is not hers, after losing her arm and potentially her clan, she ends the journey of the inquisition standing completely alone overlooking an empire that will never thank her. and added to that, we have—
continued torment: her lover still visits her in dreams and she can't even tell if he's real or her imagination.
Yes, high approval playthroughs are enjoyable and meaningful and as much a valid canon as any. And yes, it's really unfortunate that they limited such a beautiful romance to a specific race and gender in the game. But please, please, stop trying to argue that the friendship narrative is as powerful a storytelling as the romance. And stop treating solavellans like silly fangirls who can't see past their faves. I admit that there are those who are trying to force the romance as the only valid option, but I'm not talking about those, every fandom has its radicals.
This is not an argument of whether romantic is better than platonic or vice versa. And it's not an argument of whether solas cares more for a romanced inquisitor versus a befriended one. He cares deeply in both cases. It's about the fact that, narratively speaking, the romance delivers a far greater impact to the character and the story than the high approval run.
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theminecraftbee · 10 months
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do you think dl pearl and sl lizzie would've gotten along?
OKAY SO I HAVE BEEN THINKING ABOUT THIS. and i think the answer depends on a lot of factors actually because like... okay lizzie and pearl have SIMILAR arcs but, crucially, they have different responses and attitudes about those arcs and also two hurt people who are lashing out at others. are not. in a headspace to easily make friends necessarily.
so we're gonna have to... i think it depends on whether you say "these are those guys in the MIDDLE of their arc" or "these are those guys AFTER their arc". most of the time i think people mean "if they're in the same series" so it would be during, and the answer is "i think dl pearl would be a LOT more willing to make friends than sl lizzie would be".
so like okay. let's unpack that. so let's start with dl pearl. while she's somewhat defined by being alone, lashing out at people, it's 5 am pearl she's doing questionable things and isolating herself in response to the fact everyone has shunned her, it's not that she doesn't want friends. she opens MOST of her interactions with being willing to open a hand of friendship, it's just that everyone rejects her as 'crazy' or 'dangerous', or she's just like, not really wanted as a friend for some reason or another. and then she lashes out, and tells herself she's fine alone anyway, but the key is she does want the friends.
also of note is that, while pearl is associated with being a red name because her COLOR scheme was red and she had her red name skin on basically the whole time, she... wasn't. she wasn't a red name. she was one of the last yellow names actually she only went red in basically the last episode. she was PLAYING UP being red. she was PLAYING IN to the narrative she was dangerous. but she... wasn't actually on red, and while she's often ATTRIBUTED revenge as a motive, it was less revenge and more a defensive "if you're going to treat me as evil i'll show you evil", if that makes sense.
so like, i could see pearl, in a similar scenario to when she allied with ren and martyn, trying to befriend lizzie. because she would see herself in lizzie! hell, arguably secret life pearl DOES do that! but even mid-arc, worst of herself double life pearl would go "oh you ALSO have a broken heart maybe we can be demons together?" to lizzie i think.
the problem is that i don't know if lizzie would buy it.
SO. secret life lizzie. so the thing is about secret life lizzie is that she is ALSO rejected by the people around her. the difference is, it's not for some perceived quality in her that makes her dangerous; she sort of starts isolating herself first, before she tries to reach out. this is because if i had to attribute a trait to life series lizzie it might be paranoid? ineffectually paranoid, she's not paranoid in a way that's useful, but like. she tends to perceive everyone around her as Weirdos who are Dangerous and Out to Get Her. she's the only sensible one around here in her mind. (note that this is not me assigning lizzie of all people as ACTUALLY the sensible one are you kidding me have you seen that lady. this is me saying this is how she tends to see the world.)
this, in turn, works against her. when she's first trying to get everyone to sleep and then everyone to go to the end--in other words, getting everyone to show up to her party--they don't. and it's not, typically, so much because they personally distrust her. (note the way people talked about lizzie was REALLY not the same way people talked about pearl at all!) it's because lizzie has given them no reason to trust her. she's not an ally, she's obviously trying to do a task, it's possibly a trap, the end is really dangerous, so... thanks but the last party in this series had explosives under it.
the END RESULT is still lizzie being isolated! the END RESULT is still her resentful and alone after no one but joel shows up to her slumber party! but the root causes are a little different. true, you could argue pearl is rejected in part because of her own actions, but it's not in the same way lizzie is. pearl was WILLING to trust, even afterwards, and gets rejected both because of a system that ended up stacked against her and because of one mistake she's not being allowed to make up for. she's persecuted and seen as evil. lizzie, meanwhile, is rejected indirectly, less a rejection of her as a person and more a result of the fact that lizzie doesn't play the social game well, doesn't trust anyone herself, and puts herself at risk as a result of that.
anyway this also adds up with. lizzie was turned red by a horrible careless accident by jimmy. pearl was turned red as part of the final hunt of all the red names on the server, an intentional act. lizzie died first. pearl died last. lizzie was resentful and wanted revenge as a red name, both because of her rejection and because that's who she is as a person. pearl wanted to win as a red name, and her actions as a red name more followed from her already existing actions. pearl was willing to trust and have loyalty, but no one was willing to return it. lizzie doesn't want to have to trust or be loyal in the first place.
the RESULT? i think double life pearl would offer to be friends with lizzie and lizzie would decide that pearl was a crazy person who was mocking her. and which way that ends up resolving to--a friendship, an enemyship, a mutual respect--would be a FASCINATING story to explore from there.
anyway there are people who are better lizzie and pearl experts than me who probably have more to add her and bits of my character interpretation to confirm or deny (lord knows i could have them very wrong i am not good at writing out meta that isn't in the form of a fic) but in conclusion: this too is yuri,
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badaziraphaletakes · 2 months
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I have some questions
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Hi... Aziraphale had no way of going to hell in search of Crowley??????
Oh wait that's not a question, that's a statement. Lol nvmind.
And how would Azi even get him back out? Stop blaming her for what the heaven/hell apparatus is doing to Crowley and to her. (Y'know what, I'm gonna be referring to Azi as "she/her" in this post, because we all deserve more of that. So deal with it.) Do you think she hasn't been racking her brains trying to think of a way to save Crowley ever since the Fall, and even before that?
Also - If Aziraphale went to hell and got stuck there, she'd probably be forced to torture people and that's not cool. (She probably wouldn't get a job on earth like Crowley.) Whereas there is no evidence whatsoever that Aziraphale has to actively do harm as part of her current role on earth. There are very good reasons Crowley doesn't want her to go to hell / become a demon / whatever. He doesn't want Aziraphale to suffer the same moral injury that he has.
Also also - Aziraphale mouths "Crowley" instead of screaming it because she knows it'll only get them both in more trouble if heaven/hell finds out they have an acquaintanceship, let alone that they care about each other. As an ab*se survivor, it's one of the most painful moments in the series for me, seeing Aziraphale distraught and having to hide it.
Azi mouthing "Crowley" while frantically trying to keep a straight face is the equivalent of Charles immediately trying to run after Edwin. It's arguably even more loving, I'd say. Aziraphale loves Crowley so much that she saw her worst nightmare come true (or rather, didn't see it? you know what I mean lol) and still managed to keep her "We don't know each other" mask more or less intact. Utterly devastating. This was the ultimate test of her love for Crowley, and she passed it.
*** Side note: If Aziraphale behaved the way fans want to demand she behave, hell would have killed Crowley so many times already lmao. And then of course the fans would be blaming her for that instead. << Babygirl can't win. She's damned (ha) if she does and damned if she doesn't. ***
You can see the horror and terror and devastation in her eyes.
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Here's a really good post about it:
But even if we didn't have that glimpse of her face at that moment... FUCK thinking Aziraphale wasn't worried about Crowley then. There is literally NO reason to assume she wasn't upset about seeing him dragged to hell to presumably be killed. (And yes, Azi knew hell was ab*sive and violent to Crowley, even back then. I'd argue she's known since NLT Uz. After all, she knows Crowley didn't "kill" the goats and the kids because he wanted to. She knows it was because hell made him do it.)
Also also also: She literally did go to hell to save Crowley, later on?
And wtf is wrong with what she wrote in her diary? "That was the last I was to see of Crowley for some time" is (so far as we know) a factual statement. She's writing about an upsetting experience. Journaling is a healthy coping technique. But apparently that's bad now lmao. (Not to mention there were so many things about that diary entry that were so blatantly weird that it's clear we can't take anything about Aziraphale's journals at face value anyway. But I guess we're just ignoring that.)
OH AND ONE MORE THING! That's "husband" or "wife" or "spouse" to you, not "friend"!
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flagellant · 2 months
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Re: VIKTOR & ROLF Couture Fall/Winter 2024
I know fashion, especially couture, is meant to be an expressive and exploratory art. I think the exploration of geometry in fashion, silhouettes, and textures here is really neat! But I am unfamiliar with the designer - is there more to those pieces than meets the eye?
Sometimes there is less evident meaning in a collection to those who don't spend a lot of time and study in the industry. Where would you recommend going for more information on current collections?
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If you remember these dresses from last year, Viktor & Rolf have been having a very interesting conversation about current fashion trends and the intersection of the cultural zeitgeist. Structuralism is big in fashion right now, arguably the biggest since Antoinette did her shit. A bunch of designers are fucking around with pushing the limits of what is possible to be worn on the body in a very literal sense, treating garments as almost like physics theorems to be solved. Textile sciences, 3d modeling, etc--it's all being used to make dresses that are more fiendishly complex than the last, than arguably we've ever been able to make.
And Viktor & Rolf specifically seem to be having a very purposeful dialogue of the absurdity of it in the face of what beauty standards are "supposed" to be, what high fashion is "supposed" to be. Their works have always relied heavily on pushing those boundaries and the current couture tech boom is just enabling a lot of their weirdness, which is absolutely fantastic to watch.
I would argue that their 2024 FW collection is specifically exploring what it means to be prioritizing those structuralist tendencies over the actual bodies they're being worn on. It's a conversation piece going back to the old hack question: "Who would ever want to wear this?". The harsh geometries make most of the collection entirely infeasible and impractical for actual wear. No celebrity is gonna want to sit at the Met wearing any of these. Their only value is...what, exactly? Where IS the value coming from? Why do we consider Viktor & Rolf as high fashion icons if the dresses they keep making seem to be actively infeasible for even their "intended" purpose as red carpet event shit? What happens to the fashion industry when the ability to make whatever you want no longer requires it to be intended to be worn, to be used a single time in that runway show and then shoved in an archive?
When couture maisons have to pump out hundreds of dresses every two months, when the world is burning down around us, when none of this matters--isn't it refreshing to see some absolutely buckwild shit on a runway? In a world where the spectacle is supposed to distract from the horror, it feels lately like Viktor & Rolf are specifically hamming up the absurdity of it all. They've watched the industry change from when they first started out into becoming something alien and unrecognizable. Fashion design demands Autocad and 3d printing and literally engineering in order to keep ahead of the pack--and in what is supposed to be an industry defined by the inherent humanity needed to design couture, perhaps these strange polygons are a sort of reckoning with that.
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Do you think that book!Alicent was a one dimensional evil stepmother and the show has fixed her by making her a sad victim of the men around her? I don't agree with this take but i see so many people argue in favour of stripping her of her agency in the show in that book!Alicent was nothing but a misogynistic caricature made by the sexist maesters.
Thanks for this question anon! I had actually been meaning to write something about the "evil stepmother" accusations that get thrown at book!Alicent because having recently re-read F&B, I just don't see it.
First of all, and I think most notably, Alicent's relationship with Rhaenyra doesn't really deteriorate completely until Daemon returns to court. Before that, we don't really have much information about the first few years of Viserys' marriage. The fandom likes to claim that Alicent was beefing with a 9 year old but that isn't really backed up with much evidence. After the account that nine year old Rhaenyra poured for her new stepmother at Alicent and Viserys' wedding (and on a seriously wtf note, helped undress her father for the bedding, but that's another topic), the next words we have about Alicent and Rhaenyra are when Alicent quips, about Rhaenyra's relationship with Criston Cole, "Ser Criston protects the princess from her enemies, but who protects the princess from Ser Criston?" And y'all? This is not beefing or bullying. Alicent is pointing out that Rhaenyra, now about 13-ish, is in a vulnerable position as an unmarried young woman. Is she also possibly picking up on some weird predatory vibes with Criston? Perhaps (which is also also interesting, considering Criston later defects to Alicent's camp)! Remember, book!Criston is only a year younger than Daemon, so anything between them would not only be completely off limits because Criston is a kingsguard, but also extremely inappropriate just based on their ages alone. Regardless, Rhaenyra is at this point surrounded by a lot of men ("many lords and knights sought her favor") and Alicent alone seems cognizant of the danger this poses.
After this, the relationship between Alicent and Rhaenyra evidently deteriorates, but we're not told precisely how, only that the "amity between Her Grace and her stepdaughter had proved short lived, for both Rhaenyra and Alicent aspired to be the first lady of the realm..." Keep in mind, this is Gyldayn editorializing without a source, and as for being "first lady of the realm," it's just as likely that Rhaenyra was jealous of her stepmother's position as queen as it was that Alicent had any particular animosity towards Rhaenyra. In any case, the book does not suggest that either of them are at fault for the breakdown.
This is also around the time that Otto gets sent home for bugging Viserys about the succession, so that probably had something to do with it, although this still does not amount to Alicent beefing with a child, as it's doubtful she brought up the situation to Rhaenyra herself, but rather she and Otto brought the issue to Viserys. And although I don't really want to get into the succession weeds here, I do want to make it clear that the expectation that Viserys would make his firstborn son his heir was an entirely reasonable one. Everywhere except for Dorne, sons inherit before daughters, and if Viserys had made it clear before he married Alicent that he had no intention of replacing Rhaenyra as heir, Otto might not have married Alicent to Viserys in the first place. There are multiple examples of men with daughters but no sons remarrying in order to get a male heir. It's the only reason Corlys offered Laena as a bride to Viserys (and, arguably, Corlys would have had the leverage to force the issue, which is perhaps one reason why he did not choose Laena). And it wasn't just Otto and Alicent-- people asked "what of the ruling of the Great Council in 101?" But Viserys basically told naysayers to shut up and stop asking. Okay.
Then we have the dress incident, and at this point Rhaenyra is 14, Daemon is back in town, and there's a tourney on. Alicent wears a green dress, Rhaenyra wears a black and red one. It's interesting that in this chapter, no additional context is given to this event. Much earlier in F&B, we do learn that the High Tower is lit green to call its banners against Maegor the Cruel. The show makes this association clear, but Gyldayn does not say that Alicent did this as a declaration of war on Rhaenyra, only that "the queen wore a green gown, whilst the princess dressed dramatically in Targaryen red and black." If you've read F&B, you know that Gyldayn loves editorializing, so the fact that the association made by the show is completely omitted here suggest that Gyldayn lacked this context, or people at the time of the event simply thought it was a green dress with no additional meaning, or perhaps he expected in-world readers to draw their own conclusions (although it's kind of unlike Gyldayn to resist showing off his knowledge when he can). Regardless, after that, the people gave them the nickname the blacks and the greens, and it stuck.
Anyway, it's clear Alicent and Rhaenyra aren't getting along at this point, and they probably resent each other, but there is no mention of Alicent actually doing anything whatsoever to harm Rhaenyra, much less "bullying a child who has just lost her mother" or "beefing with a nine year old." This seems to be a complete invention. Given that book!Rhaenyra is a spoiled only child, by this point a teenager, accustomed to having her father's undivided attention, and now he has a new wife and at this point three new children in his life, it's equally likely that Rhaenyra was feeling displaced and acting out. However, instead of giving her any helpful guidance or correcting her, the trusted adults in her life reinforce her negative feelings, and as we'll see, even use those insecurities to manipulate her. As for Alicent "poisoning her children against Rhaenyra," there's simply zero evidence to back this up. In fact, what eventually happens would seem to suggest that Alicent was at least somewhat concerned about the hostility between her children and Rhaenyra. And here is when things really break down, because this is where Daemon really starts to stir the pot.
Before the tourney, Daemon had been fighting in the stepstones. He returns to King's Landing a hero, and immediately latches onto Rhaenyra. As for Alicent, "although he treated her with all the courtesy due her station, there was no warmth between them, and men said that the prince was notably cool towards her children, especially his nephews, Aegon and Aemond, whose birth had pushed him still lower in the order of succession." So who is, in fact beefing with children? Daemon Targaryen. At the same time, Daemon starts cozying up to Rhaenyra, giving her extravagant gifts, telling her stories, and doing the one thing that is absolutely sure to win over a teenager, being a hater. Daemon hones in on Rhaenyra's issues with Alicent and together they have a great deal of fun openly mocking Alicent and her children, and what Daemon called the "lickspittles" who were in Alicent's camp. This works very well on Rhaenyra because of course it does! Daemon is the cool dragonriding uncle, the handsome Rogue Prince, and Rhaenyra is eating up the attention. She and Daemon have dragonraces and he tells her she's much prettier than Alicent and strokes that teenage ego. It's also at this point that the rumors about Daemon and Rhaenyra having a sexual relationship begin, and Daemon supposedly asks for Rhaenyra's hand in marriage because "who else would take her now?" Keep in mind, she's fourteen. And whether it's true or not, Viserys exiles Daemon again. He goes back to the Stepstones, and things settle down in King's Landing.
Of course the relationship between between Rhaenyra and her stepmother is bad by this point. Her and Daemon have just spent six months mocking her and her children and their supporters. Aegon is only about four or five years old, so the beef has got to be pretty one sided, although even little kids can tell when they're being given the cold shoulder or laughed at. Rhaenyra even makes a point of always referring to them as her half-brothers, rather than simply as her brothers. Still, a few years pass, Rhaenyra is now sixteen, and it's time for her to get married. Alicent proposes she marry Aegon, and one of the reasons she gives is that they don't get along well. "All the more reason to bind them together in marriage," Alicent says, acknowledging that Rhaenyra hating her now six year old younger brother is in fact a big fucking problem. If Alicent hoped for Rhaenyra and Aegon to marry, why on earth would she poison her children against Rhaenyra? But Viserys shoots this idea down, saying "the boy is Alicent's own blood. She wants him on the throne." And yes, of course she does, but she probably also wants him to stay alive.
So, Rhaenyra marries Laenor, and after that there's really no point in trying to maintain any sort of stepmother relationship, is there? Rhaenyra is now an adult, she's married, and she's made her feelings about Alicent and her siblings very clear. At this point, Alicent has to look out for the safety of her children, who are going to be Rhaenyra's biggest rivals. And if they dislike their older half-sister, who can blame them? Again, this is a girl who spent the better half of six months laughing at them. Rhaenyra did nothing but sabotage that relationship. And if Alicent decides she's going to fight for Aegon's inheritance, she's only doing what any mother in her position would do. There's no evidence she does it for power or greed, she simply does it because she doesn't owe Rhaenyra anything and letting someone who is actively hostile to her children take the throne unchallenged, especially when that person's claim is untraditional to say the least, and seen by many as being weaker than that of her sons, would be taking a huge risk with their lives. There's nothing "evil" in Alicent's actions. Book!Alicent did not bully Rhaenyra, did not "beef with a nine year old," or "poison her children against Rhaenyra," in fact, she did what she could to bind them together, but Rhaenyra, (at least in part taking her cues from Viserys and Daemon), was simply not interested. And you know, that's fine too, Rhaenyra doesn't have to love her stepmother or care about her half-brothers. They're much younger and it's natural that she wouldn't be much interested in them. But as heir to the throne? It sure would have been a much smarter idea to cultivate those relationships.
Book!Alicent isn't an "evil stepmother" though either, after a certain point she she simply prioritizes her own children over someone who has made it abundantly clear she has no use for any of them.
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chargeeboltz · 2 years
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˖⁺‧₊˚ ♡ ˚₊‧⁺˖ shoto todoroki x reader word count: 1773
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pretty boy shoto todoroki is viewed as unattainable - not just to you, to everyone who ever sees him. his eyes pierce, his skin almost glows, and his demeanour is arguably cold. that's why your admiration of him is purely that. you wouldn't be stupid enough to develop a crush on him, surely.
wrong, actually. he's agile, lithe, and terrifying, but the current obsession of your brain. always hanging around izuku, or studying, or training. you never really had the time to have made any progress on your friendship aside from being picked for group tasks, and even then you had struggled. social situations are never easy, but they're another realm of difficult when it's todoroki you're socialising with. that's why your hands shake as you cut mushrooms, his voice in your ears as he discusses the latest assignment.
"how are you finding it?" shoto asks, voice void of any emotion as he converses with izuku. izuku laughs lightly and shrugs, admitting he's also struggling, his green hair tied back in what could almost be called a manbun, though it's more of a hopeless ponytail.
"mm, i could be doing better!" he laughs, turning to you. "how are you coping?"
you pause for a second to face him, avoiding shoto's gaze at all costs despite the way he's looking at you like you could qualify for the most interesting thing in the world. "i'm almost done, i just have a few things to finish up, and then i've gotta get it under the word count," you grimace. "i have about 2000 words but it's supposed to be 1500,"
shoto quirks an eyebrow at that. "already? have you been working on it since the second it was assigned?" he asks, leaning back in the chair to look at you. you laugh nervously, suddenly finding the meal you're preparing very interesting.
"i mean, yeah? i don't like being.. behind on things i suppose," you mumble, embarrassed at how little sense you're making. but shoto, the beautiful devil, nods like you made the most sense in the world. his face softens and he stands up, making his way over to you and gently taking the knife from your hand.
"go get it, i'll help you cut down on words," he offers, resuming your chopping of vegetables like it was his job in the first place. you shake your head, but you don't dare to take the knife back off him.
"oh it's no worries! the deadline is like, a week away!" you fret, reaching over him to grab the garlic and mincer. "i need to read over it anyway before i even try to reduce words!" you laugh, and izuku grins at you, noticing the pink of your ears.
shoto frowns and gently crowds your space, all to aware of the way you'd move if he got too close - and you do, moving out of his way and letting him have free reign of the kitchen. "i'll read it, and i'll help you cut down on the word count." he argues, looking you dead in the eyes.
any argument you had dies on your tongue, you just nod and head to your dorm to grab your laptop, baffled about the turn of events today is taking. before presenting shoto your laptop, you quickly make sure everything other than the document is closed, not wanting anything that could incriminate you there - such as the messages between you and ochako about how terrifyingly attractive the boy is. with a huff, you make your way back to the kitchen and place the laptop on the desk. "now let me cook," you say, holding out your hand for the knife.
shoto looks at you and smiles, like he's somehow humoured by your boldness, and he is. he didn't expect you, the girl who stares so intensely at him that he learned to tell your gaze from others, to be so bold with him. he hands you the knife, but also takes your hand in his and guides it to the green onion he was chopping for you.
"here, let me show you how to dice it," he hums, starting to manoeuvre you through the motions, before lifting his hand. "your go," he steps back, crossing his arms over his chest. you make the mistake of turning to look back at him, heat dusted over your cheeks and eyes wide, and your mouth goes dry at the way he's watching you
your hands shake a little as you copy his motions, but it must have been good enough for todoroki because he lets out a little pleased hum and heads over to your laptop, sitting in front of it and starting to read. izuku just grins, wandering over to help with the cooking.
you end up engrossed in a conversation about cooking with izuku, both of you working seamlessly along each other to prep your meal. somewhere along the line, you triple the portion size, intending to give both shoto and izuku a bowl in payment for helping you, and izuku notices this when you go back to chop more mushrooms.
"aw, are we having a triple date?" he teases, and you laugh at him, loud and clear, and it draws shoto's attention back to you for a second.
"no! i just thought i'd make you guys some too, since you're both helping me. it's just soba, it won't be anything too spectacular, but I just, i mean, you don't have to have it!" you laugh, gently nudging izuku, and shoto feels his chest tighten at the combination of you cooking his favourite meal, and cooking him a portion too. you look wonderful to him, hair tied back for cooking, sleeves rolled up, and a defensive look on your face as you bicker with izuku. he swallows, forcing himself to get a grip, and turns back to your paper, trying to drown out one of the prettiest sounds he's sure he'll ever hear - your laugh.
by the time you've finished cooking, shoto has finished reading through your paper and he's cutting the words down for you, so he jumps a little when you place down a bowl of soba in front of him with a soft smile. "there you are, i hope you enjoy it," you murmur, sitting down beside him with your own bowl. izuku has took off to his dorm with his, excusing himself to also work on the assignment.
shoto's mouth waters at the smell, and he smiles graciously at you. "it looks wonderful, thank you," he hums, setting your laptop down to eat. you just beam, a sight that makes shoto's stomach flutter, and tuck into your own food. at the first taste, shoto swears he's fallen in love, and his little groan at the taste makes your stomach do somersaults and your brain go fuzzy for a second.
it's at this moment, you both realise you're utterly fucked. something changes in the air, shoulders pressed against each others as you eat in silence, occasionally exchanging comments about the assignment, or the food, or izuku. before long, you're leaning into his side and he's subconsciously raising the temperature of his left side, and your eyelids are drooping as you relax further and further into his embrace. shoto's hand rests politely on your hip, and he's murmuring to you quietly about your paper, but you're honestly not listening.
he notices, because of course he does, and he just laughs. "something on your mind?" he asks, not really expecting a committed response from you, so it shocks him when you nod.
"why are you, someone so.. unattainable, helping me? you're miles smarter than me, stronger, everything. what do you get out of this?" you ask, a hint of insecurity creeping into your voice. shoto is taken aback, looking at you like you've grown a second head.
"i don't help you because i expect something in return. i helped you and you cooked for me. that was more than i ever expected." he murmurs, gently squeezing your side where his hand lies, and you squirm a little, but you laugh. that's good enough for shoto. "and the food was incredible," he admits.
your stomach flips again, and as you look up at him, you find him looking back at you with a sincere expression. it's enough to give your silly heart hope that he could just maybe like you back, if you were to admit you liked him. luckily, it doesn't come to that, because shoto huffs lightly and squeezes your side again, much lighter
"if you want me to ask for something in return, i can," he murmurs, and you nod lightly, not quite trusting your voice at this point. he just nods back, a subtle and gentle movement so as not to ruin the spell you're both under.
"let me kiss you," shoto asks, his brows pinched together a little, like he's terrified you'll say no, which he absolutely is. you inhale, holding the breath while you process what he's just asked. unattainable, untouchable shoto todoroki has just asked your permission for him to kiss you. as though you'd say no, as though this isn't exactly your dream scenario, as though your daydreams haven't been plagued with thoughts of what it would be like to be the one person who has attained shoto todoroki.
you don't quite give him an answer, but you do lean up and press your lips against his. it's tentative to begin with, but shoto kisses you back, and it doesn't take long before he's pulling you closer and kissing you deeper. the spices from the soba dance across your tongues, and you're pushing him lightly against the couch in an attempt to get impossibly closer to him. he's panting into your mouth, the kisses increasing in intensity before you both pull away for air, staring at each other and seeing him in a way you never have before.
he groans lightly, and this time he notices how your ears turn pink and your breathing quickens, and it takes less than a second for him to tug you back in, kissing you like a starved man. you're both lost in your own worlds, hands roaming slightly, his up your shirt and on the small of your back, and yours gripping his bicep. you only pull away when you need to, and shoto just laughs breathlessly.
"if this is what cooking for you gets me, i'll be your live-in chef," you whisper, huffing out a laugh, and shoto just grins, pressing a gentle kiss to your forehead.
"you could always just be my partner instead,"
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onesidedradiostatic · 4 months
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A trembling thought hit me like a freight train, what if the reason the crew went back on saying Al in aro is because he and Vox actually did date?
And then Vox wanted more and they broke up?
Like, I just have a nagging fear that that might come up in season 2 and I really don't know how to feel about it
Like on one hand it should make it easy to clarify that, yes, Alastor really is aro for he gave it a try and found it really wasn't for him
But on the other, what if the crew (or whoever is in charge) is all, "Well he dated once so he can't be aro, therefore he is only ace"
I've seen these kind of conspiracy theories before where people think there's some planned surprise romance plot for alastor and that's why they don't want to confirm him as aro and well.
I disagree.
for in-text, meta, and my own reasons. lemme go through it one by one.
in-text reasons
if we ignore ANY sort of word of god, statements from staff and whatnot, the only thing we have is the rosie dialogue. I've talked about it before, although she only says "ace in the hole", the context in which this is said is the idea of alastor dating charlie, this is a romantic context, and rosie says she's joking because she knows he wouldn't do it because he's an (aro)ace in the hole. the joke here is that alastor brought a girl with him and she's jokingly assuming they're dating (unless we're really thinking she jumped to joking about them fucking). so she KNOWS he wouldn't date and that's the thing, the only way I could see vox and alastor having previously dated and still have rosie say this is if them dating and alastor realising he's uninterested is specifically what got rosie to realise alastor wouldn't do that. otherwise no, it wouldn't make sense to me that alastor would've dated when rosie said this.
meta reasons
old faustisse streams. I'm not a pre-series fan but I've done my research. sure, there's info they've said before that's been deconfirmed but that's because some info from them are stuff they only say they "think" and not stuff that they 100% confirmed with vivzie, just opinions based on what they know about the characters. alastor's aroaceness is different though, faustisse was VERY forward that alastor is AROace and they SPECIFIED vivzie did not want to canonise it because of shipping wars and all that, so I'm fairly sure it's not because of some surprise alastor romance plot. faustisse may not be a 100% reliable source since this is from years ago now but I will say alastor being aroace is about as canon as husk being pansexual. both of this info is from faustisse. arguably alastor being aroace is even more canon than husk being pan because of the rosie dialogue. you can read the transcript of one of the old streams here. don't take this as a necessary reflection of my take on alastor shipping, no, I don't like reciprocated romantic alastor ships. at all. but I also definitely don't think harassment is okay. shippers will exist, and nothing you say will stop them so it's best not to waste your energy shouting at them.
my opinion
first let me say, I DEFINITELY don't like vivzie's choice to not confirm it. I understand yes people can be very aggressive in shipping wars, I understand harassment happens. but. IT IS HAPPENING REGARDLESS. ALL OF THIS IS HAPPENING REGARDLESS. it's just made WORSE by no solid statement on him being aromantic because then there's people who will argue it's not canon. confirming alastor as aromantic will not stop the shippers from shipping or having fun, this is like saying confirming angel dust as gay prevents angel dust x women shippers from having fun. they will exist regardless. confirming alastor as aromantic WILL NOT CHANGE THIS, all it will do is ASSURE aromantic people that they are being represented. all it will do is stop people from saying "alastor is ace not aro!" and acting like alastor being aro is an obstacle to their shipping.
that aside, I'll talk about my opinion on the idea of alastor having dated vox in canon. now, okay, I don't mind the idea if it's done in a very clearly aromantic way and it was just something alastor tried out but didn't like. I would even like it if it was done properly! but I also don't trust vivzie to write an aromantic character in a romantic relationship, so I'd rather it not happen in canon. and I do think vivzie is more likely to not take the risk of trying to write an aro character in a relationship anyways (and if she did I would definitely hope she does lots of research).
also it doesn't really make sense to me why he would try dating with vox instead of like. a woman. like rosie or mimzy. and I don't mean this cause of heteronormative reasons I mean this because alastor is clearly more comfortable with women, it just makes more sense to me that if he were to try out dating it would be with a woman. like... why vox? the only reason I could see it happening is vox is the only friend who tried to confess to alastor and so he decided to try it out cause he was a friend but then didn't like it. that isn't to say I wouldn't enjoy reading about this in fanfics or anything cause I probably would LMAO it's an interesting concept, but doesn't really make much sense to me and I'm not sure if I trust the allo writers to do it in canon.
that's all I have to say.
*mic drop*
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nartml · 9 months
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I get that THW was going for a sobering message of "sometimes you have to let people go" and "some friends can't stay forever", but it was hilariously unsuccessful.
It's still baffling to me, the amount of raving reviews calling it "the perfect ending".
Apart from the wild thematic inconsistencies, and the endless flaws with Hiccup's logic of "oh, yeah, I know that things have never before been this good for dragons, I know that Berk is living proof that even the most stubborn people can change their minds on dragons, I know that dragons thrive on companionship and love their humans, I know that good people exist, I know that I'm the instigator of a huge revolutionary period, butttttt..... because bad humans exist I'll lock away the entirety of the draconic population in a glorified underground cage, in the hopes that one day humans will stop being bad and learn to cooperate with the creatures that they question, or even forget, the existence of a measly decade after their disappearance. Magically.", this message plainly didn't fit.
Not just in a thematic context. I mean that it literally doesn't fit in this situation, and it doesn't fit the characters.
It doesn't even fit reality, because you have to let go of people for reasons. Some friends can't stay forever, for reasons.
Valid ones. Reasons like, you grew apart, you don't have shared interests anymore, they betrayed you in an unforgivable way, they're not good for you, they're not good to you, they died, etc etc.
Had any one of these happened? At any stage? The one thing you could, albeit pointlessly, argue is that they grew apart. That they outgrew each other.
Only that...they didn't? Did I miss something? Because Toothless flying away for, what, a day to spend some time with his love interest, is not outgrowing. Toothless finding romance does not mean that he and Hiccup grew apart.
And this isn't just about the Light Fury. I'm not discussing whether or not she's a good character (she isn't), and I'm not discussing whether or not she deserves Toothless (Ha, you're funny). Even if she were the absolute best, most perfect match for Toothless and a compelling character, it still wouldn't even remotely mean that he and Hiccup grew apart.
In fact, if you grow so far apart from your best friend that you can say goodbye to them forever, just because you found a new partner, then I really don't know what to tell you. (Except that you're probably not a good friend.)
Hiccup realizing that Toothless doesn't make him who he is, and doesn't define him, that he doesn't need Toothless in order to be someone, or even that he doesn't need Toothless at all, doesn't mean that he outgrew him. Not even slightly.
I mean, come on, I don't need the vast majority of people in my life. Arguably, I might not even need any of the people in my life. This doesn't mean I don't want them there.
This doesn't mean that I won't fight for them to stay right here, by my side.
Oh, look, how's that for a change? How about a movie where your friends refuse to leave you? Because that's what I want, and that's what How To Train Your Dragon deserved.
That's what Hiccup, and the rest of the Berkians, deserved. And that's what fit. That's what thematically fit, what fit reality, or at least the httyd reality, and what fit the characters themselves.
This movie treated the dragons as mindless pets, whereas in every other step of the way, they were treated as people.
Toothless isn't a just slobbery puppy.
Toothless is intelligent, curious, kind, understanding, funny, snarky and sarcastic, graceful, elusive, protective, loving, wary, and fucking loyal (plus much more).
I can't think of a character that has demonstrated as much loyalty and protectiveness as this guy.
And yet he was barely any of the aforementioned things in thw. He became unrecognizable.
All the dragons became unrecognizable, for no justifiable reason.
The final message shouldn't have been that your friends sometimes have to leave you, and that you have to let them go.
(The humans left the dragons just as much as the dragons left the humans btw)
It should've been that they'll fight tooth and nail to stay, even when the going gets tough, even when priorities shift, even when you tell them to go.
No matter how passionately you insist that caring for you is rotten work.
It's not to them.
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simpjaes · 9 months
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HIIIIOOOOO ;_^_;
I’m on my period dreaming abt Jaykeeeeeee as the number 1 Jaykeeee whore I thought I’d let you know I can’t stop picturing Jayke so obsessed with their girl they even eat her out on her period ;O
Don’t hate meeeee oymygod I love you smmmmmm ;’~D heartttuuuu<333333!!!!!
oomf all you had to do was say "saltburn jayke" but you rly went full out cotton candy slut mode with this but okay ily i guess
warnings: period munching, if you can't deal with blood don't read this bc it's a mess but they like it so............
It's a thing.
These days anyway. Then again, you probably shouldn't be surprised considering you've managed to bag two boyfriends who love you to the end of the earth and back.
It's the fact that they don't even compete. They actually contrast each other, where one may be too tired and the other is full of energy. Or one rough, the other too soft to lay a hand on you in a way that might sting.
It's kind of nice.
Especially during your period.
For months, every month, they try to encourage you. They're not grossed out. They're just your happy, pretty boyfriends, wanting nothing more than to taste another sweet flavor of you.
You could argue this flavor isn't nearly as sweet as they hope it to be, but it doesn't change the fact that they're the only one to make you feel safe and comfortable enough to allow such a thing.
It always started with Jake, rutting himself against you despite knowing what time of the month it is. Leaving little sighs of "please," and "blood doesn't scare me, it'll help your cramps." Followed shortly by Jay just behind you, hugging you away from Jake unemotionally just so you can feel how turned on he is. "He's right, baby, we can lay down a towel? Get in the shower?" You always denied it, up until this point anyway. Where Jake is already crawling between your legs where Jay is holding them open. You feel gross, but they don't entirely let you give in to that insecurity. The point is, you were okay with them fucking you like this, not tasting it.
They both seemed to be on a war path though. The second you nodded Jake was on his knees and Jay was jumping into action to give his girlfriend's boyfriend easy access. It's the fact that Jake likes it. Dips in like there's nothing seeping out of you but the sweet essence of arousal. Arguably, you'd think whatever it is he's tasting is much thicker than usual. Much more metallic.
But oh, when he pulls back with that drunken and crooked smile on his face, lips lined with red, dripping down his chin, you find it hard not to hide your face initially.
He looked so beautiful. Jay made sure you could see it, gently removing your arms with his own smile, flicking his head back to Jake as if he couldn't wait his own turn.
"Come on, he loves it. Don't be embarrassed." Jay says, voice seeped with ease and arousal. And Jake would remain silent, licking his lips, thumbing the blood against his chin up and against that same already bloodied tongue before Jay moves down and makes room for himself. Spreading your legs impossibly wide, Jay appears far more eager after seeing Jake enjoy himself with each and every scent and flavor of you. Licking up the blood like he was truly born a vampire. Like the blood fills him with life and youth. It kind of fucks you up, really, watching them take turns dip in as if you're not an absolute cramping mess before them, but they take their time.
All the way until your muscles are forced to tense, and then relax, and tense again, and relax again. The mixture of blood and cum shared between both of them to the point all they can do is moan into each other's mouth, both aiming at your clit in a mess of warmth. Feeling two tongues in the same spot has always been a lot to take in, but all of it paired with everything else, along with seeing that pretty red contrast with their moaning mouths, on the tips of their noses, smeared against their chins? What's not to love about mother nature at this point?
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