#are you really shipping them to begin with?

[tinydefector]

Do you think cybertronains get a bit uncomfortable at senses humans have? Like uncanny valley or being able to sense when something is staring you to long. Maybe just primal senses showing in general that no longer should show in modern society. I've always had the mild idea that cybertronains "evolve" in the sense of what's necessary and once it's obsolete it starts to fade away until needed again. But humans don't work like that. Which raises the question as to why we have such strong sense that warn us of dangers like mimics or sensing a stare of something that isn't there. I just would find a funny of bots and cons wondering wtf traumatized humanity so bad we never got over it. As well as them losing their mind over the disgusting random wonder that is evolution.

Ohhhh, i love this. I might have to do something with it in the future in a fic. But I can totally see the bots just watching a human for a little, and next thing their head snaps in the direction of the bot, and they both just stare. And the bots are just there thinking. "Primus they are so cute when they get focused like that," and the humans out here staring down the bot while having goosebumps and the scene of dread going. "Why are they looking at me? Do they want to eat me or something?" And it slowly gets to the point many of the bots begin to realise it. Watching what seems almost like a prey drive in humans. Something that cybertronians don't have, but they know of. And it begins to get to the point that they are really on guard around their human. But the human scene is very handy with the cons, rogues, or DJD. The human just goes. "Wait, something doesn't feel right," and the bots listen.

But also imagine humans explaining some of the crypitds monsters and lore of their planet, and Cybertronians are just horrorified. Ans the first time a Cybertronian feels that kinda feeling is when there is a sparkeater on ship, and it really makes them wonder if their programming is upgrading to have the same hidden scene the human's have.

[lovelookspretty]

lover of mine

drew starkey x actress!reader au

— in which drew and y/n, secretly exes, must fake date in order to keep the peace at a mutual friend’s wedding, but the forced proximity makes them question whether they ever truly moved on.

warnings: a really long chapter part thing i fear . kisses .. maybe .. IM NOT SPOILING THIS

one | two | three | four | five | six | seven | eight

authors note: erm guys .. if im rushing this then do NOT pay attention !! I WANT THEM TO BE OKAY AGAIN JUST LIKE U GUYS I FEAR. I CANT HELP MYSELF. but do NOT think this is the end because this is NOT!! we still have to get through the rest of the second week + the wedding. and if u think about it, DAMN a lot happened in week 1 omg goodnight

anyway, if u still arent part of the tag list, feel free to let me know thru replies, anons, or dms !! notifications are always on <3333

you keep your distance from him the next two days. you know you have to face him, and sometimes you do, but you’re stiffer than before. he knows better than anyone to maintain that gap until you’re okay again.

it just feels like your breakup with him all over again, but this time, for a different reason other than having too much time apart. this time, you’re all he spends time with but there just happens to be something getting in the way of that. another girl. it isn’t fair.

drew’s been trying to show in little ways that he’s sorry, but it doesn’t cut it for you. not yet. and you don’t want to lead him by a string and take advantage of him caring about you. but him bringing you breakfast, then trying to avoid you throughout the day until you’re back in libby’s bed again—it’s just frustrating.

you don’t even want to be there anymore. you don’t want to have to deal with this. but it’s for leila and theo, their day is coming up soon. you just want them to have a good time and then you can all separate ways and live your own lives again. how it’s always been and how it should be.

the guys are getting ready to visit town while the girls stay back. this isn’t for you though, and you’re grateful. gia proposed a self-care day after a package was shipped to the home, a large box of cookies, and safe to say you all agreed to the plan.

“i’ve been trying to get back into reading but i feel like i have no time sometimes,” leila’s telling you and the girls as you set up shop at the kitchen island.

there’s an array of face masks, moisturizers, rollers, oils, creams, other things they’ve wanted to try. gia even brings her diffuser and places it nearby as the tv in the living room plays.

“i recommend ‘doomsday’!” libby perks up from across the table. “i read it last summer and let me tell you, i bawled crying for a month straight.”

“y/n, you read,” leila says as she files her nails, crossing a leg over another. “what are your recommendations?”

“hey,” theo greets leila as he and the boys join you four at the table, each with their respective girlfriend besides libby and oscar, and technically you and drew. he hovers behind you but just merely nods his head to say hello. “we’re gonna head out.”

“oh, okay,” leila says with a small frown, but kisses him goodbye. “drive safe, alright?” you’re winking at roman who points at you to say to behave, but he kisses gia’s cheek before he’s following theo out.

you answer leila from earlier with a shrug, “i’ve been wanting to find ‘the last love letter’ but i haven’t really been reading lately. been too busy.”

gia mouth gapes open as she slams her hand on the table, nearly knocking something over. “shut up, i’ve been wanting to read that too!” she shrieks as libby tells her to be more careful.

you can only giggle at her while she gets off her seat and comes up behind you to pull your hair and tie it back.

“that book is literally nowhere, i swear the author only made like five copies of it.”

“have you guys read ‘self sabotage’?” leila asks as she and libby, already prepared, begin to place their face masks on.

you’re on the couch with the girls as libby records you on her phone. the box of cookies are opened and after careful review, you’ve all decided what to try first and what comes after that, and so on.

“now?” you ask libby if she’s ready, and she nods. you, leila, and gia take a cautious bite out of the pieces you’ve broken off of the first cookie. it only takes you a few chews in to realize how heavenly it is. gia even pretends to faint beside you.

“holy shit,” leila says as she covers her mouth, taking a look at the cookie with wide eyes. “are you serious?”

libby lunges at you with her phone to take it from her, “well now i wanna try it!”

you’re in a fit of laughter as you try to turn the camera around before she can sink her teeth in, but she’s too fast. your eyes widen at the girl, “libby, slow down!”

and eventually, you’re full of cookies and half of them are still yet to be tried. you agree with the girls to continue this matter tomorrow if the boys don’t eat it all themselves, and you know they will. you’re just glad you’ve already tried all the ones you really wanted to before then.

when the guys get home, it’s exactly what you anticipated. they bee line directly to the cookies on the coffee table, but not without greeting you all first.

theo groans as he takes a bite, roman right beside him to stuff a whole chunk in his mouth. “this is better than sex,” he murmurs while roman snaps his fingers several times. leila can’t help but nod in agreement.

“i feel cookie-drunk,” you say with your hand on your stomach, and gia curls up into your side as she holds onto hers. “what’d you guys get?”

roman is quick to reach into his bag and pull out a couple of keychains, as if he just got reminded about something. he tosses one at gia’s head, and you look over to see what it is.

“the world’s okayest girlfriend,” she reads aloud, and she chucks it back at him, no longer accepting the gift that roman laughs about. she gets up to see what else is in his bag, leaving drew to plop down next to you and libby, who’s on the other side of you this whole time.

she’s cleaning the ice cream off her spoon when she speaks up for you and her, “what’d you get?”

“few things,” he says as he lets you look inside for yourself.

you pull out a long box and open it. it’s a chain bracelet, sterling silver. it’s nice, and you nod with raised brows. there’s other things inside that you only glance at, but when you look up at him you notice the new pair of sunglasses that’s resting on his head.

you pull it off of him silently and place it on yourself, unspokenly thanking him for the temporary gift you’ll give back later but you like them so now they’re yours for a few hours.

drew purses his lips and closes his bag, assuming you’re done, so he gets up and starts heading upstairs. you look over at libby. without hesitation, she asks, “you okay?”

you hesitate, and you know she’s only asking this because this is one of drew’s brief interactions with you since a few days ago. but you shrug it off, “yeah, i’m okay,” you say.

libby doesn’t miss a beat, she’s not convinced at all. she knows you well enough to understand what ‘im okay’ really means is ‘i’ll be okay’. that it’s not okay, but it will be eventually.

she’s seen this look on you before, during the hardest parts of your relationship with drew. she can feel the unspoken words between them, the ones you don’t even need to say out loud.

“right,” libby says with a soft sigh. she wraps her arms around you, pulling you into a comforting hug. “you’ll be alright,” she whispers. you know she won’t pry further, but knowing that whatever drew did, it was enough to hurt you again.

after a few moments, she pulls back and, with a small smile, asks, “wanna help me with dinner soon? leila thought it’d be nice to eat out in the backyard tonight, by the pool.”

you hum softly, nodding your head, “yeah, that sounds good.”

libby grins, “awesome. ‘cause it’s pizza night and i cannot do it alone.”

the next few hours blur together. you’ve successfully prepared the pizzas with libby and slid them into the oven. now you’re cutting into them and displaying them outside on the table.

it used to be bare, but someone since morning has gone out there to help decorate the backyard to make it just a little flashier. there’s a cloth on the table, which is scattered with candles, flowers, dishes, platters of cookies, fruits, a charcuterie board, and there’s a helpful variety of drinks.

fairy lights blink across the backyard, even over the pool, and it illuminates the whole place. you place the different pizzas in between each candle piece, which libby lights as you do. when you call everyone outside, you join together at the table.

and once theo leads you once again with the ‘i’m grateful for my future wife’ shit, you get to dig in. you’re pretty sure it was longer this time around and even roman started to just eat until he was kicked under the table by drew.

“fucking finally,” libby murmurs under her breath after theo concludes his speech, to which causes him to pick up an olive off the plate and toss it at her. “yeah, you’re so lucky i like olives,” she whispers to herself as she rearranges her napkin, “fucking loser.”

“libby,” you scold, though you can’t hide your laugh. she’s grinning when she looks up, silently laughing with you.

when you turn to drew on the other side of you, he’s taking large bites from his slice. he tilts his head back with a groan, then takes a longer look at the pizza as he chews.

“s’it good?” you ask, and he nods rapidly, and soon his body moves with it. you bring yourself to smile, grateful that people you care about like what you’ve cooked.

you reach over to take your own slice from each pizza and just stack it on your plate, planning on going through them one by one from the one on too being the one you least want to eat, and the last at the bottom being the one you’re most excited for—a ‘save the best for last’ type of thing. it’s silly but you do it anyway.

drew’s finishing up his bite when he leans into you gently. “i have to talk to you later, by the way,” he says, and it sort of startles you because at this point you’re just talking to libby.

you look at him with furrowed brows, but again, you’re not mad. you’re not upset with him. at least not in this moment, you can’t be.

and it looks like he’s grateful because he can see it too. “if that’s alright with you,” he says, then takes another bite. you just nod at him in silence, and watch as he turns back to oscar who’s on his other side before talking to him.

you look straight ahead where roman’s sitting, and he sends you a look. he heard drew talking to you, he knows it must be about something important, but it’s not what’s on your mind right now.

you shrug it off. “—tell you later,” you mouth to him, then turn to libby when you realize she’s talking to you again.

after dinner, gia and leila clean dishes while literally all of the guys clean up outside as a thank you to you and libby, who lay across the living room with bellies filled with food.

there’s a movie playing on tv that you can barely pay attention to, but you’ve been laying there for about an hour so if you really want to, you could. you just play into the laziness that you’re allowed.

you hold your phone above you as libby rolls around the carpet, or at least that’s what you last saw her doing before you looked away. you’re scrolling through texts with your manager as if a new message will come in.

“did elyse get back to you?” libby asks, a face-full of carpet and it sounds like she’s just a few feet away. “about the thing.”

“no,” you mumble, then turn your phone off and set it face-down on the carpet, just like libby. the side of your head is laying on your arm as you look at her. “i could go for another cookie.”

“you ate three!” libby’s muffled voice raises.

“and i’ll make it four,” you tell her, raising your volume back. you consider getting up but don’t feel like it. you can actually lay here forever—maybe.

“y/n,” you hear his voice. it’s drew.

and you get up immediately. he was so softspoken, so cautious with you. he’s entering the house with the other boys who must’ve finished outside, meaning it’s time to have his talk. you almost ask if you guys can just have it there if it’s not that important, but if that’s possible then he wouldn’t be trying to get you alone.

you look over to libby, who—at the sound of drew’s voice—peeked her eyes out to see what he wanted. she looks to you, and she understands why you have to go. she convinces herself to get up and find the remote so she can turn the volume up.

you know it’s for you and drew, and a part of you wants to nudge her or be offended, and you do. is this going to be normal behavior in the house? turning up the volume just for you and drew when you guys need to have these ‘talks’ that are just screaming practice in disguise?

you’re almost embarrassed but you know that you’d rather have this than let them hear you two upstairs.

you follow him to your room, or technically his room as of three nights ago, and he lets you inside first. there’s a chilling feeling when you realize what’s about to happen and you feel like he’s literally about to murder you.

the room is clean, for the most part. you didn’t doubt for a second that he wouldn’t take care of this room regardless if you’re in it or not. his bed isn’t made and his backpack’s on the edge of it, opened and rifled through.

you look to him when you’ve entered, and he nods toward the bed, as if to say he would rather you sit there while you listen to what he has to say, so slowly, you make your way over and settle down on the edge.

drew pulls out a chair from the desk across the bed and turns it around, pushing it closer to you. you’re surprised that he’s doing a whole setup just to talk to you. maybe he really is going to kill you.

“i haven’t been honest at all . . . since we started talking again,” he begins as he sits down in front of you. you stay there and close your mouth. you want to hear what he has to say, even if it ends terribly. you need to hear what he’s been thinking. “so i’d like to tell you everything about this past year if you’re okay with that.”

you shrug and gesture to let him have the floor. “please,” you insist with a nod.

he sighs as he fiddles with his fingers in his lap. “there’s . . . mila," he starts, and even though you knew this conversation was coming, it still stings when you hear her name.

“i guess you could call it a situationship or whatever,” he says before he catches himself, realizing how that sounds. “i mean, to me, it felt like that. but i think—” he pauses, chewing on his words. “no, she definitely saw it as more. she always viewed it as a relationship.” he glances at you, watching for your reaction, but you just sit there, waiting.

he rubs a hand over his face, frustrated with himself. “we just weren’t on the same page. i was . . . i was using it to distract myself, if i’m being honest. and i know that’s not fair. i knew it even then. but it felt easier than than facing what i was actually feeling at the time.”

he continues, “i told myself it was nothing, but i knew, deep down, it wasn’t fair to her. she didn’t deserve to be strung along like that.”

you feel your chest tighten, but not from jealousy. it’s you knowing that someone else had been hurt in this too, someone who had clearly thought there was more between them. “does she know? about this?” you ask him.

he flinches slightly, as if the concern you’re showing for mila makes this even harder to explain for him. he hesitates, “i officially ended things with her three nights ago. the night you confronted me about her. i told her it was over, that i couldn’t keep pretending things were fine when they weren’t. she didn’t take it well. and honestly, i don’t blame her.”

you’re quiet for a moment—so he’s decided to keep you and him a secret from mila? to spare both his and her feelings? you aren’t sure if you should bring light to it or just push it aside. you did say before that it was ultimately his decision.

“i’m glad you told her,” you say carefully, but there's a pause before you add, "but i can’t imagine how confusing this must be for her.” you shift in your seat, rubbing your palms on your knees. “i mean, from her perspective, this whole thing must feel like it came out of nowhere.”

he swallows hard, nodding. “yeah, it wasn’t fair to her. not at all.”

there’s a beat. he looks at you, his expression more vulnerable than you’ve seen in a long time. “i told her about you,” he says. he’s quiet, as if he’s afraid of the confession. “i told her that i’m . . . that i’m still not over you. that i don’t think i ever really was.”

what?

you blink, startled by his words, though in a way, you’re not entirely surprised. you’ve felt the tension between you two from the moment you started talking again, but hearing him admit it, finally saying it out loud . . .

his voice is rough, like he’s forcing himself to continue. “but that’s why things with mila were never real. not for me, at least. i kept telling myself i could move on, that i could just forget, but every day i’d realize i wasn’t. i couldn’t let go of you.”

“but you broke up with me, drew,” you remind him. “that doesn’t necessarily sound like you’re in love with me.”

“i didn’t break up with you because i didn’t love you,” he says, his brows furrowed. “i do, more than i’ve ever loved anyone else.” his eyes meet yours briefly before dropping to his hands, which he’s fiddling with in his lap. “like, it was the opposite. i felt like i wasn’t enough for you. like i was failing you.”

you feel your breath hitch in your throat, but you don’t interrupt. you sit up on the bed.

he leans forward, his elbows resting on his knees as he speaks. “our jobs, the schedules, the distance . . . it was tearing us apart, you know? and every day, i’d think about how i wasn’t giving you what you deserved. we were supposed to click, supposed to last, but i felt like i was just holding you back.” his voice is quiet, and he rubs his forehead slowly. “and i couldn’t stand the thought of you waiting for me when i could never give you the time you needed. it was eating me alive.”

you stay quiet, but tears prick at the corners of your eyes. his words hit hard, and you feel like everything that was left unsaid was finally coming to light now—there were arguments that could’ve been avoided, the misunderstandings that built up. he was overthinking, spiraling, and instead of talking to you, he made the decision for both of you.

“and i just kept thinking, like . . . ‘she deserves someone who can be there for her, really be there. someone who can come home to her every night’. i wasn’t that guy. i’d go days without seeing you, weeks even, and it broke me.” he swallows hard again, shaking his head. “i convinced myself that you’d be happier with someone else. someone who wasn’t always on some stupid set, always busy.”

your heart aches as you watch him, his guilt written all over his face. you lean forward and whisper, “but you don’t get to decide that for me, drew. we make decisions together. or at least, that’s how it’s supposed to work.”

“i know,” he mutters, his tone regretful. “i know that now. but back then, i thought i was doing the right thing. i thought i was . . . protecting you, i guess. from me.”

you shake your head, wiping at the tears that are now falling freely. “protecting me from you? drew, i never, ever wanted anyone else. i wanted you. i didn’t care about the schedules, or the distance. i would’ve waited, and we could’ve figured it out. together.”

his eyes finally meet yours again, and for the first time, you can see the depth of his regret. “when we broke up, i tried. god, i tried to move on. i tried to find something, you know? but i was always looking for you.” he takes a shaky breath. “every girl i met, i’d compare them to you. i’d look for pieces of you in them, trying to find something familiar, something that felt right. but it never worked.”

you knew he had tried to move on, but hearing that he was always searching for you in others, that no one ever compared. it leaves you speechless for a moment. if that’s what happened, then why invest so much time into mila?

you finally gather the courage to ask, “mila. did she . . . was she like me?” your voice is soft, almost hesitant, but you need to know.

“no,” he admits, shaking his head. “not really. mila was cool, and she’s . . . she’s great in her own way. but no. she wasn’t like you.” he pauses, as if trying to find the right words. "but i remember i wanted her to be."

he didn’t try to replace you with mila, but it was clear that he had been searching for something, anything, to fill the void you left behind. and it never worked.

“no one’s ever going to compare to you, y/n,” he continues, “i realize that now. it took me a while, but i’ll always search for you in everyone, and it’s never going to be the same. it’ll never feel the way it felt with you."

for the first time in a long time, you feel like you’re finally getting the truth. the real, unfiltered truth about why things ended the way they did. he wasn’t running because he didn’t care. he was running because he thought he wasn’t enough for you. and now, he’s sitting here, telling you everything he couldn’t say before.

“i’m sorry,” he says, his voice barely above a whisper now, on the verge of crying. “i’m sorry for walking away. for not talking to you about it when i should’ve. i was scared. scared that i wasn’t enough for you, and scared that i never would be.”

you can feel the tears still lingering in your eyes, but there’s also a strange sense of closure. you’ve needed to hear this for so long, to understand why things fell apart the way they did. and now, you finally do.

“i messed up,” he says, “i messed up everything, and i know it. but i never stopped loving you and i’m . . . i’m still in love with you.”

you stay silent, blinking away the burn in your eyes, trying to absorb what he’s saying. part of you feels relief, but another part of you is cautious. you’ve been hurt before like this. by another and by him.

he watches you closely, and it feels like the longer the silence is, the more anxious he gets. “i know this doesn’t fix anything, and i’m not asking you to forgive me or take me back. i just needed to tell you the truth. i needed you to know that mila . . . ? mila was never you. no one is.”

the room feels too small suddenly, too full of emotions that you don’t know what to do with. you take a deep breath, trying to collect your thoughts, but all you can manage to say is, “why now, drew? why are you telling me this now?”

his gaze softens, “because i didn’t want to lose you again. not without you knowing the truth.”

you can only look down at your lap. your vision blurs as you try to focus on your fingers, interlocked and tense in your lap, the pressure in your chest is tightening by the second.

you don’t trust yourself to speak just yet, so you hold everything in, to find the right words, but nothing comes out.

when you finally lift your head to look at him, the tears are already pooling in your eyes. you blink rapidly, trying to keep them from spilling over, but it’s useless. without saying anything, he stands up and pulls you into him, wrapping his arms tightly around your frame.

you let out a breath you didn’t even realize you were holding as your face presses into his chest, and it’s like the dam inside you finally breaks. the tears fall freely now, your body shaking as you cling to him, feeling the warmth of his arms around you—something you’ve missed so desperately.

and it’s not just about the last few days. it’s about the past year of missing him, of pretending you were okay when you weren’t. and you can tell drew needed this too. you can feel it in the way his grip tightens, like he’s afraid to let go, like he’s trying to hold together everything that’s broken between you both.

you stay like that for a long time, the sound of your quiet sobs muffled by his chest, his hand slowly rubbing up and down your back as if to soothe the ache inside you. it’s a comfort you haven’t felt in so long, and it is exactly what you’ve needed.

toward the end of it, your face still pressed against his chest, you mumble something, your words half muffled by the fabric of his shirt. he loosens his hold just a little, enough for you to pull back slightly, just enough to breathe. “i . . .” you take a shaky breath, your hands still gripping his arms, and when you finally meet his eyes again, you whisper, “i never stopped loving you either.”

the words hang between you, raw and honest, and as soon as you say them, you see the way his expression softens, like it’s the only thing he’s been waiting to hear.

his lips crash into yours, urgent and insistent. his fingers tighten against the back of your neck, pulling you closer, as if he can’t get enough. his lips coax yours open, deepening the kiss, and he swallows the whimper that escapes you.

his other arm wraps around your waist, pulling you into his lap as he sits back on the bed. he kisses you like he's been starved of you, his tongue swirling against yours, his hands exploring every inch of your face, your neck, your hair. this is what he’s been waiting to do.

his hands trail down to your hips, pulling you flush against him, and he breaks the kiss, only to trail his lips along your jaw, down your neck, his breath hot against your skin. “stay with me tonight?”

you can’t get enough of him, and although you know that everything can’t be completely fixed over just one conversation, sleeping and waking up in the same bed as him isn’t hurting anyone.

you nod, a soft smile on your face that causes him to grin. but he pulls away slowly hesitating for a moment, his smile growing a little wider as he reaches past you into his backpack, his fingers rummaging around as if he’s searching for something precious.

you watch him, curiosity bubbling inside you. what could he possibly have?

“hold on,” he murmurs against your lips, his voice low and filled with warmth, and you smile as you press another kiss to his.

finally, he pulls out a book, holding it out toward you with a look of pure joy on his face. you take a look at it but almost don’t even catch it the first time until a second later. your heart skips a beat as you recognize it—the last love letter.

“shut up,” you say, taking it into your own hands to see if it’s real. and of course it is.

he nods, a soft smile spreading across his lips. “i heard you talking about it with the girls before we left earlier,” he explains, but he knows you can tell already that much. there’s a goofy look on his face as he wipes underneath one of his eyes. “i knew how much you wanted it and i saw a copy in town, so . . .”

“no, shut up. i can’t take this,” you exclaim, feeling tears welling in your eyes. “star.” the words spill out, a mix of disbelief and overwhelming gratitude. it’s not just the gift; it’s the thought behind it that strikes a chord deep within you. you trace the cover with your fingertips as if it’s a treasured artifact.

he watches you intently. “i wanted to,” he assures you. “i heard it, i thought it would mean something to you.”

your gaze shifts from the book to him. “thank you, it does,” you whisper, your voice shaking as you blink out a few more tears.

you set the book aside momentarily, throwing your arms around him once again. the embrace feels like a lifeline. you hold him tightly, your heart racing as you bury your face against his shoulder, inhaling his familiar scent.

he wraps his arms around you, holding you just as tightly, as if he’s afraid to let go. the world outside fades away, and in this moment, it’s just the two of you, wrapped in each other’s arms, a bubble of intimacy where everything feels right again.

after a long pause, as you pull back slightly to meet his gaze, you can see the softness in his eyes. “you really didn’t have to do this,” you say again, looking down at the brand new book. “but it means the world to me that you did.”

he grins, “i know it’s just a book, but i wanted to show you that i’m here—like, really here this time.” and you are so glad he is.

“i missed this,” you say softly, your voice barely above a whisper.

he closes his eyes for a moment, and you continue to explore the pages of the book, though your thoughts keep drifting back to him. aw you run your fingers through his hair, it dawns on you how much you've missed this—this connection, this easy banter, the comfort of being together.

“i missed us,” you finally admit, looking into his eyes, and in that moment, everything feels right again. it all floods back to you.

he shifts slightly, leaning in closer, and his arms slide to wrap around your waist as he lays his head on your shoulder to take a look at your book with you, his voice in relief as he mumbles, “me too.”

and you’re happy, it all just feels like your dream again.

@rubixgsworld @itgirlbrina @thepopcultureaddict @icaqttt @samsmelodrama @kissfinalgirl @itsamegazaddysworld @willowpains @toterry @wearemadeofstardust0 @cl4uus @maybankslover @itneverendshere @httpsdrewstarkey @ilyrafe @sunny1616 @pillowprincess4him @yootvi @matthewswifeeee @uwuemlwlrld @l4venderia @chenslucy @darkreymbow @congratsloserr @skyslowalking @behindviolettwrites @allthoughtsmindfull @lovelylupin04 @ecstqzy @dasguccier

[follows-the-bees]

Stede's journey wasn't centered on finding (romantic) love at the beginning. He set out to find himself, to find a community. (And it's beautiful that he gets that.)

But along the way he finds not only a best friend, but the love of his life: in that same person. Stede's journey is a blatant queer allegory: a man who has never fit into society, who is treated poorly for not fitting into *pick your societal norm*, who finds himself through community, fixing some of his past relations, but also discovering his sexuality: gay and demisexual.

Ed's journey is also about finding himself. About leaving a life that doesn't make him happy anymore and he too along the ways finds the love of his life.

Their journey together is about finding that person who gets them down to their neurons, first as a friends, then as a lover. Their journey is of being in love for the first time and all that that entails.

I mentioned above that Stede's sexuality can be read as demisexual; there are many beats along the way in canon that I think make this a strong read.

But I want to talk about the read of Ed as demiromantic. And this is just an interpretation, not canon fact.

We see that sex on the ship is casual. "Non-stop knocking ship." And we see that Ed is no stranger to sex. The marks on his skin during the stabbing skin alluding to past "stabbings."

But there's also an underlying touch-starved intimacy; he wants to be held by Stede so badly, that he gets him to stab him.

We see in the next season, stabbing as sexual again between Mary and Anne. But we also see that underlying loving affection between them later. The stabbing is also tied to emotion with these two couples.

We see more of the emotional intimacy between Ed and Stede, their friendship leading to a more emotional connection with the bathtub scene. Ed opens up to someone for the first time and then gets intimate physical touch, even getting more of it by placing his forehead on Stede's hand.

In the gravy basket Ed asks for the most basic of things to survive. And it's honestly sad when you remember that he is fighting to live, he wants to live, but he only gives himself the basics of it. Warmth, good food, and intercourse — with orgasms. This qualifier makes it clear that Ed has had unsatisfying sex. Him looking for emotional connections fits into the reason, especially since his entire journey is about emotional intimacy.

This episode with Anne and Mary is what really started to cement the Ed is demiromantic reading for me (again not canon, just an interpretation.) Ed and Stede are very private about their romantic/sexual lives. (Can I also take a sidenote to talk about how it's a breath of fresh air that their relationship is based on friendship!)

I know it's prevalent to say that Ed fell at the on-start but I don't think that's quite true. He was fascinated by Stede. Someone new and interesting and they connected emotionally right away, two sides of the same coin. Their friendship is what truly ties them together before their romantic relationships and certainly before sexual.

They both push back when anyone tries to bring up the sexual side of their relationship. Ed states "our private lives are our private lives" to his old friends Anne and Mary, which yes is funny, but is also very telling that Ed doesn't want to talk about those things. Stede is special, Ed is older, this thing between them is more than just idle gossip about sex lives between friends. When Spanish Jackie brings up the Swede as a "jackhammer," Ed also has an opportunity to bring up Stede if he wanted to chat, but he doesn't cause "our private lives our private lives."

This happens a third time when Izzy unceremoniously opens the curtains the morning after. Stede responds as he normally does to Izzy: offended, Ed looks annoyed but not surprised, since this has been established — Izzy getting into personally spaces — from the beginning.

After Ed and Stede are reunited, under the moonlight, the biggest time in season one we really see Ed looking at Stede with pure emotional vulnerability on his face, they kiss again. And Ed stops it, wanting to take it slow. I think this moment also adds to demiromantic Ed! He gets to hold hands, cuddle, talk about his day, both their days with each other. Cuddles and talks, romance and intimacy over sexual at this stage in their relationship.

Overall, Ed and Stede's relationship is built on their friendship. They like each other. They love each other. And I think both can be read as ace: Stede as demisexual and Ed as demiromantic.

Ed wanting emotional connection, romance his entire life, but just like the fine things, not thinking it's for him, that he gets that, only to find out he does! He gets to have romance! He gets to hold hands just to hold hands. He gets to take it slow without judgement! He gets to have sex with romance! And that man is going to be romanced! Good for him!

Their connection and journeys about being emotionally vulnerable with each other, being able to grow close with one another is beautiful.

If you disagree with this reading, cool. The amazing thing about this show is that sexuality is left open. Is Ed gay or bi? You decide! Is Frenchie ace? That's my reading! It's all up to interpretation.

[quinloki]

Omg the sneaking onto the red force bit... being terrified. You know you're weak, know what you're risking by doing this, but you have to try... the tension of expecting someone around every corner. How have you made it this far? You're good at stealth, but are you really this good? It feels wrong. But any trap would have been sprung sooner, right? You don't have any knowledge of what's going on, just that your lover is captive. You have no reason to believe you wouldn't be killed or kicked off as soon as someone knew you were there. So... maybe you begin to humor the thought that you really are that good. And then you find the state your partner is in, and an arm wraps around your middle, the scratchy feeling of stubble in the crook of your neck...

Original ask

>.>

<.< psst @nocturnalrorobin

just something quick before bed. CW: non-con/dub-con, yandere

You just barely had time to process the state that Marco's in. The dim light had made it difficult to make out his state with the small sheet over his waist. But once you realize he's seastone chained to the bed, large gag forcing his mouth so wide he's almost struggling to breathe.

The hand against your stomach, the scratchy stubble at your neck, and the warm breath hit you all at once. You were trapped before you could even be surprised by it. Marco's stilled, his eyes on you, yours on his. You don't dare move, even to look at who you already know has you.

"Marco," Shanks admonishes softly, his pouting words hot against your ear. "You failed to mention how beautiful your lover is." His hand shifts, pressing against your chest and holding you still as he breathes in deep.

You're well aware of Shanks' strength. Even as you slipped through the ship, knowing something was wrong. Even as you had crept into this room. You'd known. But experiencing it so directly was different from what you'd known.

"What do you say, love? Marco told me you found me attractive, why not stay and have some fun with us." Fingers move to your neck, his thumb on the other side. He's not stopping you from keeping your eyes on Marco as he nuzzles into your hair.

Prey animals will often simply lay down and accept the inevitable when they're outclassed. They understand instinctively when neither fight or flight will save them.

You never really understood that until now.

"Behave sweetly, and so will I." He promises, tilting your head to the side and pressing a kiss against your neck.

The pleasure and fear twist your stomach in nearly equal measure, but even the fear makes you moan so sweetly when he kisses grow deeper and hungrier. Your body trembles, but you lean into him, letting him press heavy against you in return.

"There's a good pet." He hums, nipping your ear lobe with his teeth. "Go kiss your sweetheart. You must have missed him terribly."

He gives you a gentle push, smiling as you look back at him before you move toward the bed.

"Take that gag out too. It's a bit too big, he should be glad for it."

You scramble up onto the bed, taking the cruel looking gag off and tossing it aside before hugging Marco. The chains shift, but he doesn't have the slack to embrace you in return.

"It's okay," he says softly. "It's gonna be okay, yoi." He says, nuzzling his head against yours, returning the hurried kisses from you.

"Sorry, I'm sorry." You almost cry, but Marco shushes you gently as you let the one you meant to rescue soothe your fears.

"You did your best, pretty bird. It's okay. You're here, it's okay."

He sinks into the bed in relief, and you stay with him until Shanks comes back into things. The first night lasts hours, and you almost sleep two days afterward. Your so addled and drowned in pleasure between the two of them, that it takes two months for you to notice the lack of sea stone on Marco.

[sweeterelease]

i keep getting marauders edits on my fyp... where do i start? how do i get into this fandom?? what do i need to know??? 😭😭😭

helloo anon, ty for the ask!!

i'm also pretty new to the fandom but honestly it's pretty easy, if you've read or watched harry potter you may have some kind of understanding of the main characters: the marauders (james, sirius, remus and peter) but it honestly doesn't help a lot bc most of the content we work with is fanon LMFAO, this whole thing was built by the people for the people as far as i've gathered. so maybe you'd want to star by reading fics, just a lot of fics, to grasp a bit more about certain characters that are not greatly mentioned in canon but highly popular around here (ex. regulus). don't get intimidated! if you've been in any fandoms before you know it's pretty damn easy falling into madness when you get into a new and fresh content pool, so you can start small and then build yourself up to read longer and more complex fics, at least that's what i did.

i remember i watched two video essays on youtube titled something like "a deep dive into the marauders fandom" and they really helped to at least pinpoint who the characters i was reading about were, so yeah if you want to i'd recommend. find what ships you like, your favorite characters, dynamics, and then read more about them. there's canon complaint popular fics (ao3) like All The Young Dudes or Choices, but there's also dystopian or modern aus that can be real fun!! (it hurts, all of it hurts). i think most people start off with All The Young Dudes bc it's kind of the ground everything else was built upon but i wouldn't say is mandatory (secret: i haven't read it yet), i do credit MsKingBean89 for the bases of this empire tho.

some really talented writers you may want to check out: MsKingBean89, bizzarestars, damagecontrol, rweoutofthewoods, Solmussa, moonymoment, MesserMoon.

personal rec: love love loveee anything by bizzarestars, i think i've read every single fic under their profile. also, i'm a jegulus, wolfstar and rosekiller enthusiast so this might be super biased towards that, sorry!

note: if you are into wolfstar but prefer jily i think you'd enjoy The Cadence of Part-Time Poets more hehe.

for now, you are very welcome into the fandom, you can begin here in social media (twitter, tumblr, tiktok), just browse to find out more about the characters, go crazy and have fun!!

[lover-of-mine]

On the question of the new viewers. Let me preface with after getting burned bad I made a promise I would never ship Canon straight characters as queer ships ever again. It just comes into play to understand the readers digest version of this. Yes I was always aware of the Buddie ship and the actors but that was it

I accidentally started season 6. It just came on, and I just didnt look away. Here's how it went.

I actually saw the lasagna dinner scene and thought wait they went Canon? That's them right? Then quickly realized. Nope 2 straight besties. Bucks a cool uncle (didn't know about will scene forgive me). And proceeded to not get attached.

Actually easy because they separated them a bit. But then there was the lightening strike and poker date and I was like oh somethings happening. I was wrong they had the dopey ass ending and I was like bless me for not getting invested.

Then.... It was a year wait!!!!!! So it was a boredom tune back in. I was pleased to see Bucks bi story. I thought the first kiss was charming. Then he was just there. I left the season thinking Eddie was tragically in love with his dead wife and Buck was experimenting.

If I didn't go back to binge I would have gone into 8 with these expectations. Eddie either excepting he was a tragic single father forever. Buck, yes probably seeing Tommy, but no I was not a shipper. Firstly because of appearance. I have no problem with age difference but with them I just don't like it. Tommy seems older and rougher. On the flip side personality. That Tommy wasn't what I pictured Bucks end game as like at all. I wanted someone like Spencer Reid if it wasn't Eddie.

But... . I did go back and binge. S1 was a trip. Got to S2. Saw the opening. Went duh I get why they ship them, but you ain't getting me. Until the elf scene. I really was good. But right after the elf scene I remembered hearing how Tim wrote it as a nod and double checked.. Remember, it would be weird to see the scene and know Tim knows after knowing full well yes Buck would come out queer. So it really was a no brainer after that. No way Tim created this in S2 if they weren't end game if there was ever a chance.

Then came the well, tsunami, shooting, will reveal, break ups, co dependant idiots and finally caught back to the lasagna and lightening. Also seeing how much Eddie isn't a reliable narrator about his relationship with Shannon. The version I got at the end of 7 is not what was happening on my screen in 2. I would almost label it a red herring depending on how this plays out in 8. Also after watching the begin episodes I understood anyone's frustration that Tommy was just white washed.

Final conclusion. Not even trying to sound condescending but I don't know why the other side even thinks this is a "ship war". I was late and I never hated Tommy but I would have never shipped them as end game. I couldn't even tell if Tommy actually liked Buck. I was left with the ick of Buck was a consolation prize or second choice and Buck was trying way to hard. Taking scraps and being grateful. Maybe because I binged it was more fresh but it was more of how little self respect Buck had for himself in trying to be in a relationship.

And if anyone finished reading that you deserve an award.

This is an interesting view of things, I think if you only have the s7 context, you will see them differently because the whole Kim thing really messes with the perception of Eddie and love, thank you for coming and telling me this, really.

But this kinda made me talk about my experience with buddie, so I'm gonna do that, because I think it's funny. I didn't know much about the show, but I knew of buddie, I started watching during the hiatus between 5a and 5b and during that time there was some big talk about queerbaiting going around and I know of them next to ships like destiel and stucky and destiel, I had just read an article on queerbaiting that had a section talking about them, so I kinda assumed buddie would be the same as they had enough context to create a ship but not enough for it to have a real chance of going canon, so I was set on not shipping them. Like, I was legit ready to roll my eyes and see that Buck and Eddie with their respective female love interests and be like "okay they are never going anywhere" but then an elf pretty much calls them gay as Eddie justifies sleeping with his wife 10 episodes in and I was like "oh oh" because they have a compelling friendship and I'm a sucker for best friends to lovers, but I was fighting it, until the tsunami, because seriously, I watched Eddie go "there's nobody in this world I trust with my son more than you" after a situation where no one would blame Eddie if he needed time and I was done for. Then they just kept getting more insane about each other. I remember watching the will reveal and being like "wait, fuck me, are they gonna go there?" because they follow all the basic procedural slowburn tropes, and I started s5 being like 👀 about everything that was happening to them. Now that Buck is bi, I'm seriously 95% sure buddie is happening because all the elements are there. There is something very compelling about Buck and Eddie together when you look at the whole show and s7 really added to that. Settling for Buck in a relationship with someone who's clearly not that into him just because it's a queer relationship doesn't feel right when Eddie is right there.

[galacticnova3]

Why must I be allergic to hornets when there is a hornet’s nest I could so easily swing a bat at because I hate seeing it(the hornet’s nest is a really popular ship I despise)(technically there’s two of them but this post is about the one that’s Really Not Good if you think about it for more than 2 seconds)(I would love for the people who ship it to swing a real bat at a real hornet’s nest, if it weren’t for the fact that I like hornets a hell of a lot more and they don’t deserve the suffering)

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[canisalbus]

I say this in the best way, but your characters feel like they're from an obscure but really good piece of media, and you feel like the artist who always draws the two main characters as ghay lovers

.

[devine-fem]

Now… Due to my birdflash fixation, I have completely struck out and decided to make this post to explain why I read/headcanon them as exes. I now realize that this is going to be a long, drawn out way of saying “I think they have explored each other’s bodies,” well, it’s a little bit more than that 😭. In my head, I always felt as though Wally and Dick’s relationship sometimes read to me as two people who felt greatly for each other in their youths then over time found other people and new purpose and continued to pull away from the other.

Sometimes they treat each other kind of like how I’d treat an ex boyfriend or girlfriend, especially in Flash/Nightwing years.

Now I think it’s important to talk about their roles as Robin and Kid Flash, they are characters created to be relatable, the whole sidekick schtick was about appealing to the younger audience. It was such an early era that it should be noted that Dick and Wally did not have anyone else. Unlike now, Dick has a plethora of Robins to have seperate and distinct relationships with, same thing with Wally, any insecurities and worries can make someone feel extremely lonely. They did not have anyone, anyone but each other.

The early years for Robin and Kid Flash must had been confusing for the both of them so they had to confide in each other. Around this time I feel like it could be easier to fall more into a queerplatonic relationship with someone, Dick could feel confused and lonely, as he does then seeks and finds in Wally, with emotions hitting a peak I could totally see them accidentally falling for the other and sharing a relationship that’s a little more than friends…

It’s a big contrast. Wally has shown this big obligation for helping Dick and being there for him. This has always been strange to me. His inclination to try and be that person for him, which to me can feel like someone clinging to a relationship they know is slipping away.

It’s important to note that as Nightwing, the people there for Dick was not Wally, by this time, Wally became the Flash, found family, found love and entered the JLA. He was moving on and so was Dick but they still feel this inclination to call each other “best friends” though all the evidence says otherwise. It feels like one is clinging to a broken friendship to me.

He’s always so concerned for Dick because he knows how often he represses his emotions.

It’s why in my head, I can totally see Dick and Wally in their Robin/Kid Flash eras, losing their way, getting confused and confiding in each other in let’s say: a romantic way and now as adults they don’t know how to deal with it.

I know Dick is just thinking here but like, they do this A LOT. Like what is the need for this constant tension in the air with these two? Why is it so awkward? Why does it feel like there is something they want to say but can’t bring themselves to say it?

It makes my mind want to fill in the blanks…

Here they are saying flatly that it feels like an obligation. This is the closest they’ve gotten to really talking about how their dynamic has changed. It’s very sweet. It’d also be due to outside factors, like DC not knowing what to do with these two and refusing to let these two acknowledge that they are not best friends anymore and their lives have changed greatly. The thing about Superhero comics is that there’s so much fighting that the characters never get a chance to sit and just talk so it’s more the writers constantly trying to cling on to what they remember the Robin/Kid Flash dynamic to be and making it seem like these characters are clinging to their relationship.

Thry gush about the progress they make a lot and Wally feels like… I don’t know, his pride may fill the void the graysons left behind? Like he’s kind of a subtle replacement. It helps with my idea that Dick could be greiving his parents then quickly subconsciously seek and confide in Wally. Their relationship just is distinctly different from all their other friends in a way I can never pin down or the writers refuse to acknowledge. How Dick is much closer to Donna and Roy but they both still are mindlessly attached to one another like there’s this secret third thing keeping them together.

Wally has fully moved on and found his soulmate. Dick found Kory and fell pathetically in love but now he has nothing again and in canon still does this “Oh my best best friend to ever was, Wally~” It feels very much like someone hasn’t gotten over their little break up… 🙄 Even now they still comfort and talk about each other with a little bit more love and affection then they might do their other friends for this same weird reason.

Although, there’s one Wally West panel that Birdflash shippers had taken out of context: the one where Wally says “I got married and he didn’t.”

It’s not saying that Wally wishes he got married to Dick, 😭 but even then that goes into the little foulder of evidence that proves I think Wally and Dick’s relationship is ex-coded because it’s literally a bunch of thought bubbles about how Wally is heartbroken that he has moved on with his life and his life with Dick and they are no longer as close as they once were at all. (I can’t fit the panel in this post so I can just hope you know what I’m talking about) <- but my point is: Birdflash as a ship could be so much better if we stopped ignoring Linda and started treating them as exes instead. It’s so much more interesting. This is what I mean when I say they are my favorite exes.

[thatcatbasil]

happy valentines-day-was-actually-yesterday-and-not-today day take these dorks kissing

these next two are actually from last month but i threw them into my drafts and forgot to actually post them so i'm including them here

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[frankiebirds]

morgan and elle's friendship is so severely underrated and i wish we'd gotten more of them. they go on vacation together! there are also some lines in the first episode that, at least to me, imply that they knew eachother before. morgan is introduced talking to/quizzing trainees, so that seems like the most likely way, but. i don't know. i love them and i would have been curious to see how it would have been elaborated upon had lola glaudini stayed on.

(side note: i love morgan's pose and face in the second screencap. he's so silly)

[vaxxman]

I have so much brainrot about Medic's wife, specifically the design from the comic doodles that Makani drew, I'm so ready to draw a whole comic about her, man I love hallucinating.

[justalittlebluetiefling]

Something I've seen a couple people saying is that they want to make sure that Laudna understands that she's not the only one who has been through trauma. But like. Laudna is not the only one who needs to learn that lesson. Actually, it's not even that Laudna needs to learn that she's not the only one that's been through trauma at all, because they're all very aware of what they've all been through. This became an inevitable confrontation when Laudna decided to let Delilah back in, though, and after rewatching the scene, I actually think the only people who managed this situation correctly were Imogen* and Ashton.

Orym and Laudna are both more focused on their own pasts with the sword and not thinking about each other. Orym should have talked to the group and come to a decision with them about using the sword and Laudna should have talked to him about it instead of trying to steal it.

*my feelings about this are still up in the air don't read into this too much