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Digital Media Agency in India
ARD Digital Media has a creative, engaging & experienced team that expertise's in Video Production, Photography, Graphic Design, Digital Marketing, & SEO.
#digital media#social media#graphic design#photography#videography#video production#social media management#business#consultant#ard digital media#marketing agency#seo agency#india#usa#australia#singapore
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🕹️ ¡Arranca la temporada de anuncios gamer que tanto esperábamos! 🎮 Junio es sinónimo de novedades en el mundo de los videojuegos, y la escena está que arde con las últimas noticias del sector. - 🔥 PlayStation dio el banderazo de salida con su State of Play. Pero, ¡eso fue sólo un aperitivo! - 💥 Prepárate para que 🌞 Geoff Keighley's Summer Game Fest te haga vibrar este jueves. - 🗓️ El gran broche de oro: Ubisoft Forward el próximo lunes. ¡Marquen sus calendarios! Entre medias, estamos pendientes de: - Los últimos bombazos de Xbox. - Las perlas que nos tenga IGN Live. - Lo más fresco de Devolver Digital y Wholesome Games. Mi predicción es que veremos una ola de juegos indie que nos dejarán con la boca abierta, y alguno que otro título AAA nos arrancará un ¡lo necesito ya! . Además, prevé una atrevida incursión de tecnologías de realidad virtual que redefinirá el gaming como lo conocemos. 🎉 👾 ¡Este junio será intergaláctico para los amantes de los videojuegos! 🚀 Comparte lo que más te emociona o pregunta sin miedo, ¡este es el espacio de todos los enfermos de los joysticks! Y si conoces a algún gamer entregado, etiquétalo para que salte a este campo de juegos digitales. 🕹️ #SummerGameFest #UbisoftForward #Xbox #IGNLive #PlayStation #Videojuegos #GamersUnidos #RealidadVirtual #IndieGames #AAA
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🌟💍👸🕺💃🎥 'Who knows something like that?' at ARD:...online Where and when you can watch the repeat of the quiz show “Who knows something like that?” from Monday (February 26, 2024), whether only on TV or digitally in the media library, read here. You wer...... 🎶🏆💔📸🎉
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My Top 10 Favorite British Shows
#10 Mr. Bean (1990)
#9 Mr. Bean The Animated Series
#8 The Worst Witch
#7 Wallace & Gromit
#6 Shaun The Sheep
#5 Thomas And Friends
#4 Danger Mouse
#3 The Rubbish World Of Dave Spud
#2 The Amazing World Of Gumball
And #1 Doctor Who
Honorable Mentions: Hilda, Danger Mouse (Classic)
Original Template By @DemitriaMiriam
Mr. Bean Belongs To Rowan Atkinson, Richard Curtis, Tiger Aspect Productions, International Management Group, Endeavor Group Holdings, Inc. GMG Endemol Entertainment PLC, Endemol Entertainment UK PLC, Endemol UK PLC, Endemol UK Limited, Endemol Shine UK Limited, Banijay UK Productions Limited, Endemol B.V. Endemol Shine Group B.V. Banijay S.A. Thames Television, Central Independent Television, ITV 1, ITV Studios Global Entertainment, ITV Studios Limited, And ITV plc
Mr. Bean: The Animated Series Belongs To Rowan Atkinson, Richard Curtis, Varga Studio, Ltd. Richard Purdum Productions, Fremantle Limited, Tiger Aspect Productions, International Management Group, Endeavor Group Holdings, Inc. Banijay UK Productions Limited, Endemol Shine Worldwide Distribution, Endemol B.V. Endemol Shine Group B.V. Banijay S.A. CITV, ITV Digital Channels Limited, ITV Studios Global Entertainment, ITV Studios Limited, And ITV plc
The Worst Witch (2017 TV series) Belongs To Jill Murphy, Emma Reeves, CBBC Productions, ZDF Enterprises GmbH, ZDF Studios GmbH, ZDF, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
Wallace and Gromit Belongs To Nick Park, Aardman Animations Limited, BBC One, BBC Two, BBC Bristol, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
Shaun The Sheep Belongs To Nick Park, Bob Baker, Aardman Animations Limited, WDR Media Group GmbH, Westdeutscher Rundfunk Köln, ARD, Netflix, Inc. ABC Kids (Australia), Australian Broadcasting Corporation (ABC) Disney Channel, Disney Branded Television Disney General Entertainment Content, Disney Entertainment, The Walt Disney Company, CBBC, CBeebies, BBC One, BBC Two, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
Thomas And Friends Belongs To Britt Allcroft, Clapham Junction, Clearwater Studios Battersea, Shepperton Studios, Cinesite Vancouver, Arc Productions, Jam Filled Entertainment, Boat Rocker Media Inc. Clearwater Features, Britt Allcroft Ltd. Britt Allcroft (Thomas) Ltd. The Britt Allcroft Company PLC, Fuji Television Network, Inc. Gullane Entertainment PLC, HIT Entertainment Limited, Mattel Television, Mattel, Inc. ITV network, ITV Studios Global Entertainment, ITV Studios Limited, ITV plc, Nick Jr. (British and Irish TV channel), Nickelodeon UK Ltd. Milkshake! Channel 5 (British TV channel), Channel 5 Broadcasting Limited, Paramount Networks UK & Australia, Paramount International Networks. Paramount Global, PBS Kids, PBS Distribution, And Public Broadcasting Service (PBS)
Danger Mouse (2015 TV series) Belongs To Brian Cosgrove, Mark Hall, Cosgrove Hall Fitzpatrick Entertainment, CHF Entertainment, FremantleMedia Kids & Family Entertainment, Fremantle Limited, Boulder Media Limited, Boat Rocker Media Inc. CBBC Production, Windmill Lane Studios, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
The Rubbish World of Dave Spud Belongs to Edward Foster, The Illuminated Film Company, Cloth Cat Animation, Beta Film GmbH, Beta Film GmbH, RTÉ2, TRTÉ, Raidió Teilifís Éireann (RTÉ), CITV, ITVX Kids, ITV Digital Channels, ITV Consumer Limited, ITV Studios Global Entertainment, ITV Studios Limited, And ITV plc
The Amazing World of Gumball Belongs To Ben Bocquelet, Boulder Media Limited Ireland, Dandelion Studios, Studio SOI, Great Marlborough Productions Inc. Cartoon Network Development Studio Europe, Cartoon Network Studios Europe, Hanna-Barbera Studios Europe Ltd. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Television Studios UK, Warner Bros. International Television Production, WarnerMedia International, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.
Doctor Who Belongs To Sydney Newman, C. E. Webber, Donald Wilson, Bad Wolf Ltd. BBC Cymru Wales, BBC One, Universal Television LLC, Universal Pictures, Universal City Studios LLC NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, NBCUniversal Media, LLC, CBC Television, Canadian Broadcasting Corporation (CBC), BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
City used in the background: London
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ARDE 496. Assignment #3 - Self- Initiated Applied Project
March 20 2023
Creative Brief - GRAFFITI
Project Name/ Description: Assignment #3: Self Initiated Applied Project:
Graffiti, a location based app that allows users to post and view digital artforms around their town. In collaboration with the notes/camera/audio recording apps, users can draw, write, take photos, videos, record sounds or use a combination of these mediums to express themselves. Once users have posted their artwork, a symbol will appear on the map letting other users know where they have to go to view that artist’s work. The posting user can set the radius of distance other users have to be in order to activate the work. The app would provide basic art education/tutorial - art elements and principles, colour theory, art history, prompts, camera settings. In order to give users a refresher, or knowledge to inspire them to create their art.
The Problem: Current digital landscape is social media that is full of ads and filled with content that is often not even close to where you’re actually located (losing the connection to people and places you actually know and are from).
Project Idea, how are you going to solve the problem? Encourage participants to get outside, explore their cities, promote a safe space for users to express themselves with the option to reveal or use a tag for their identities. Limits the amount of physical graffiti. People waiting for transit, participants looking to take a break and leisure,
How might we…statements
How might we encourage locals to get outside and explore their cities?
How might we encourage people to express themselves and participate in the arts?
How might we give people a productive way to spend their leisure or off time?
Potential Users: Youth, artists, art-viewers, people who have no experience in art but are interested in joining in. A group of art interested people who are interested in discovering and sharing their artwork locally.
Current Assumptions: Medicine Hat is a town full of artists and art-loving people that would enjoy having an additional platform to express themselves. Will locals be okay with an art platform that is not in our physical world? Users are more likely to post if their name is not attached to their work (people who don’t consider themselves “artistic” won’t be self conscious to post), users who are comfortable will enjoy sharing their tag and connecting viewers to their social media accounts or websites (self-promotion). The majority of people have smartphones.
Outcomes for users: Express themselves, give them a productive way to spend time, encourage them to explore their town, find local artwork and artists who they are able to relate to, lessens their self-consciousness with anonymous tags. Newcomers/ new artists to the city can automatically feel welcomed and in the loop. All people need is their device, no additional equipment or tools to create art (cheap way to create art).
Schedule Deadlines:
Creative Brief and Moodboard (March 20, 2023)
Work In Progress (April 3, 2023)
Sketches
Wireframes
Styleguide
Clickable Prototype
Process Blog (asking and answering why instead of why)
Pecha Kucha Presentation (April 12, 2023)
Final Deliverables (April 14, 2023)
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Mesoblast signs ARDS therapy development deal with Novartis
Remestemcel-L is an investigational therapy utilizing culture-expanded MSCs derived from the bone marrow of an unrelated donor. Mesoblast and Novartis have signed an exclusive agreement for the development, manufacture, and commercialization of the former's mesenchymal stromal cell (MSC) product. Mesoblast and Novartis have signed an exclusive agreement for the development, manufacture, and commercialization of the former's mesenchymal stromal cell (
The development of a treatment for acute respiratory distress syndrome (ARDS), including that associated with Covid-19, will be the primary focus of the worldwide license and collaboration agreement.
Dr. Silviu Itescu, the chief executive of Mesoblast, stated: Remestemcel-L, which is the most common cause of death in Covid-19 infection, will be available to many patients thanks to our partnership with Novartis.
Novartis will make Mesoblast an upfront payment of $50 million, which includes $25 million in equity. Mesoblast is also eligible for $505 million if it reaches pre-commercialization milestones for ARDS indications.
In addition to tiered double-digit royalties on product sales, Mesoblast may receive up to $750 million as post-commercialization payments for achieving certain sales milestones.
As part of the agreement, Novartis will fully fund worldwide clinical development for ARDS of all causes and other respiratory indications. This includes starting a Phase III trial for ARDS of all causes.
In the event of graft versus host disease (GVHD), remestemcel-L will be available to Mesoblast in full rights and economics.
Novartis has the option to be the commercial distributor in countries other than Japan.
On a profit-share basis, the businesses can co-fund the development and commercialization of non-respiratory indications.
Mesoblast will manage commercial and clinical manufacturing under the terms of this agreement, and Novartis will acquire the commercial product in accordance with the agreed-upon pricing terms.
In addition, Novartis will reimburse Mesoblast up to $50 million if certain milestones related to the successful implementation of its next-generation manufacturing processes are met, and the company will cover any necessary capital expenditures for increasing the manufacturing capacity requirements for remestemcel-L.
The process's media and three-dimensional bioreactors will help it achieve significant manufacturing efficiencies.
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By Max Fisher
July 25, 2021
In May, several French and German social media influencers received a strange proposal.A London-based public relations agency wanted to pay them to promote messages on behalf of a client. A polished three-page document detailed what to say and on which platforms to say it.
But it asked the influencers to push not beauty products or vacation packages, as is typical, but falsehoods tarring Pfizer-BioNTech’s Covid-19 vaccine. Stranger still, the agency, Fazze, claimed a London address where there is no evidence any such company exists.
Some recipients posted screenshots of the offer. Exposed, Fazze scrubbed its social media accounts. That same week, Brazilian and Indian influencers posted videos echoing Fazze’s script to hundreds of thousands of viewers.
The scheme appears to be part of a secretive industry that security analysts and American officials say is exploding in scale: disinformation for hire.
Private firms, straddling traditional marketing and the shadow world of geopolitical influence operations, are selling services once conducted principally by intelligence agencies. They sow discord, meddle in elections, seed false narratives and push viral conspiracies, mostly on social media. And they offer clients something precious: deniability.
“Disinfo-for-hire actors being employed by government or government-adjacent actors is growing and serious,” said Graham Brookie, director of the Atlantic Council’s Digital Forensic Research Lab, calling it “a boom industry.”
Similar campaigns have been recently found promoting India’s ruling party, Egyptian foreign policy aims and political figures in Bolivia and Venezuela.
Mr. Brookie’s organization tracked one operating amid a mayoral race in Serra, a small city in Brazil. An ideologically promiscuous Ukrainian firm boosted several competing political parties.
In the Central African Republic, two separate operations flooded social media with dueling pro-French and pro-Russian disinformation. Both powers are vying for influence in the country.
A wave of anti-American posts in Iraq, seemingly organic, were tracked to a public relations company that was separately accused of faking anti-government sentiment in Israel.
Most trace to back-alley firms whose legitimate services resemble those of a bottom-rate marketer or email spammer.
Job postings and employee LinkedIn profiles associated with Fazze describe it as a subsidiary of a Moscow-based company called Adnow. Some Fazze web domains are registered as owned by Adnow, as first reported by the German outlets Netzpolitik and ARD Kontraste. Third-party reviews portray Adnow as a struggling ad service provider.
European officials say they are investigating who hired Adnow. Sections of Fazze’s anti-Pfizer talking points resemble promotional materials for Russia’s Sputnik-V vaccine.
For-hire disinformation, though only sometimes effective, is growing more sophisticated as practitioners iterate and learn. Experts say it is becoming more common in every part of the world, outpacing operations conducted directly by governments.
The result is an accelerating rise in polarizing conspiracies, phony citizen groups and fabricated public sentiment, deteriorating our shared reality beyond even the depths of recent years.
An Open Frontier
The trend emerged after the Cambridge Analytica scandal in 2018, experts say. Cambridge, a political consulting firm linked to members of Donald J. Trump’s 2016 presidential campaign, was found to have harvested data on millions of Facebook users.The controversy drew attention to methods common among social media marketers. Cambridge used its data to target hyper-specific audiences with tailored messages. It tested what resonated by tracking likes and shares.The episode taught a generation of consultants and opportunists that there was big money in social media marketing for political causes, all disguised as organic activity.Some newcomers eventually reached the same conclusion as Russian operatives had in 2016: Disinformation performs especially well on social platforms.At the same time, backlash to Russia’s influence-peddling appeared to have left governments wary of being caught — while also demonstrating the power of such operations.“There is, unfortunately, a huge market demand for disinformation,” Mr. Brookie said, “and a lot of places across the ecosystem that are more than willing to fill that demand.”
Commercial firms conducted for-hire disinformation in at least 48 countries last year — nearly double from the year before, according to an Oxford University study. The researchers identified 65 companies offering such services.Last summer, Facebook removed a network of Bolivian citizen groups and journalistic fact-checking organizations. It said the pages, which had promoted falsehoods supporting the country’s right-wing government, were fake.Stanford University researchers traced the content to CLS Strategies, a Washington-based communications firm that had registered as a consultant with the Bolivian government. The firm had done similar work in Venezuela and Mexico.A spokesman referred to the company’s statement last year saying its regional chief had been placed on leave but disputed Facebook’s accusation that the work qualified as foreign interference.
Eroding Reality
New technology enables nearly anyone to get involved. Programs batch generate fake accounts with hard-to-trace profile photos. Instant metrics help to hone effective messaging. So does access to users’ personal data, which is easily purchased in bulk.The campaigns are rarely as sophisticated as those by government hackers or specialized firms like the Kremlin-backed Internet Research Agency.
But they appear to be cheap. In countries that mandate campaign finance transparency, firms report billing tens of thousands of dollars for campaigns that also include traditional consulting services.
The layer of deniability frees governments to sow disinformation more aggressively, at home and abroad, than might otherwise be worth the risk. Some contractors, when caught, have claimed they acted without their client’s knowledge or only to win future business.
Platforms have stepped up efforts to root out coordinated disinformation. Analysts especially credit Facebook, which publishes detailed reports on campaigns it disrupts.
Still, some argue that social media companies also play a role in worsening the threat. Engagement-boosting algorithms and design elements, research finds, often privilege divisive and conspiratorial content.
Political norms have also shifted. A generation of populist leaders, like Rodrigo Duterte of the Philippines, has risen in part through social media manipulation. Once in office, many institutionalize those methods as tools of governance and foreign relations.
In India, dozens of government-run Twitter accounts have shared posts from India Vs Disinformation, a website and set of social media feeds that purport to fact-check news stories on India.
India Vs Disinformation is, in reality, the product of a Canadian communications firm called Press Monitor.
Nearly all the posts seek to discredit or muddy reports unfavorable to Prime Minister Narendra Modi’s government, including on the country’s severe Covid-19 toll. An associated site promotes pro-Modi narratives under the guise of news articles.
A Digital Forensic Research Lab report investigating the network called it “an important case study” in the rise of “disinformation campaigns in democracies.”
A representative of Press Monitor, who would identify himself only as Abhay, called the report completely false.
He specified only that it incorrectly identified his firm as Canada-based. Asked why the company lists a Toronto address, a Canadian tax registration and identifies as “part of Toronto’s thriving tech ecosystem,” or why he had been reached on a Toronto phone number, he said that he had business in many countries. He did not respond to an email asking for clarification.
A LinkedIn profile for Abhay Aggarwal identifies him as the Toronto-based chief executive of Press Monitor and says that the company’s services are used by the Indian government.
‘Spamouflage'
A set of pro-Beijing operations hint at the field’s capacity for rapid evolution.
Since 2019, Graphika, a digital research firm, has tracked a network it nicknamed “Spamouflage” for its early reliance on spamming social platforms with content echoing Beijing’s line on geopolitical issues. Most posts received little or no engagement.
In recent months, however, the network has developed hundreds of accounts with elaborate personas. Each has its own profile and posting history that can seem authentic. They appeared to come from many different countries and walks of life.
Graphika traced the accounts back to a Bangladeshi content farm that created them in bulk and probably sold them to a third party.
The network pushes strident criticism of Hong Kong democracy activists and American foreign policy. By coordinating without seeming to, it created an appearance of organic shifts in public opinion — and often won attention.
The accounts were amplified by a major media network in Panama, prominent politicians in Pakistan and Chile, Chinese-language YouTube pages, the left-wing British commentator George Galloway and a number of Chinese diplomatic accounts.
A separate pro-Beijing network, uncovered by a Taiwanese investigative outlet called The Reporter, operated hundreds of Chinese-language websites and social media accounts.
Disguised as news sites and citizen groups, they promoted Taiwanese reunification with mainland China and denigrated Hong Kong’s protesters. The report found links between the pages and a Malaysia-based start-up that offered web users Singapore dollars to promote the content.
But governments may find that outsourcing such shadowy work also carries risks, Mr. Brookie said. For one, the firms are harder to control and might veer into undesired messages or tactics.
For another, firms organized around deceit may be just as likely to turn those energies toward their clients, bloating budgets and billing for work that never gets done.
“The bottom line is that grifters are going to grift online,” he said.
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AGENCIAS DE NOTICIAS
DyN - (Diarios y Noticias) Nacional, Buenos Aires
INFOSIC Nacional, Buenos Aires
Noticias Argentinas (NA) Nacional, Buenos Aires
Telam Nacional, Buenos Aires
Reuters Argentina Buenos Aires
SCS- SUCESOS
APF Digital (Paraná, Entre Ríos)
Agencia Los Diarios Nacional, Buenos Aires
Brief Nacional, Buenos Aires
Diarios Bonaerenses Provincia de Buenos Aires
Misiones On Line Posadas, Misiones
MEDIOS EN INTERNET
Villa Crespo mi barrio
Momarandu (Corrientes) (periódico digital)
Diario Marplatense (periódico digital)
Mercedes Turístico (Mercedes)
Aquienvotar.com (comunidad política virtual)
Tierra Libre Digital - Sierra Chica - Córdoba
Business Net (comercio electrónico)
CyberMag (deportes y entretenimientos)
Colg@do (noticias, nuevas tecnologías)
Colón Digital (regional)
Data 54 (interés general)
Deportes y recreación Buenos Aires, (Centro de Formación Deportiva de la Universidad de Buenos Aires)
Diario Virtual.com
Digivoz
EcoDias.com (ecología)
El Corresponsal (noticias de Africa y Medio Oriente, revista digital)
El Equipo de Internet (deportes)
ElGol (deportes)
Fútbol Argentino (deportes)
Gacenet Tucumán
GraTAROLAndia.com (humor y juegos)
Hurlinet Hurlingham, Prov. de Buenos Aires
Informe Vip (política)
Interlink Headline News Ciudad de Buenos Aires (interés general)
Ituzaingo en Internet Ituzaingo, Prov, de Buenos Aires
La Cosa (humor)
Loschismes.com
Motor Digital (deportes)
Mundoautomotor.com.ar (automovilismo)
Noticias Net Viedma, Rio Negro
Noticias Online San Martín de L. Andes
Ojodepez.com (arte y cultura)
Página Net
Poesia.com
Protagonista On Line
Rock.com.ar - (rock argentino)
SportSur (semanario deportivo)
Sportsya (deportes)
Supergol (deportes)
Todo Show (espectáculos, juegos)
Recortes.com
Reporte Informativo (economía, negocios, finanzas)
RosarioNet Rosario, Santa Fe
Webo Magazine (cibermagazine)
REVISTAS
Acheronta (psicología y cultura)
AD HOC (publicidad y marketing)
Adrenalin (deportes alternativos)
AeroModelismo
Agenda del Arte Visual (arte)
Ahora Mamá
Al Margen
Alas! (aviación)
Alphalibros (literatura)
alt 164 (arte y literatura)
El Amante Cine (cine)
Alzas y Bajas (negocios)
Ambiente Ecológico
AméricaEconomía (economía y negocios)
Análisis (noticias)
Anna (mujer)
Apertura (negocios y economía)
Apertura
Aprendizaje Hoy (psicopedagogía)
Arde Filo Se Quema Sociales (universitaria, estudiantes independientes de las facultades de Filosofía y Letras y Ciencias Sociales de la UBA)
Argentina Traveler (viajes y turismo)
Argentinisches Tagesblatt en alemán
Argiropolis (universitario)
Artea (Arte)
Artes y Letras (arte)
Artística Magazine (arte)
ASSA News (empresas)
Audio Car (audio automotor)
AutoSports (automovilismo)
A ver TV (programación televisiva)
Aviación Sport (aviación deportiva)
Axxón (ciencia ficción, en español e inglés)
Banqueros y Empresarios (tecnología para bancos, empresas, negocios)
Backstage (rock argentino)
Biciclub (ciclismo)
Billiken (infantil, niños, educación)
Billiken
Bitácora (cultura, tecnologías, educación)
Bloody Sunday (humor)
Boda Magazine
BuenaFuente.com
Bull Newsletter (empresas)
Business Net (comercio electrónico)
La Bujia (automobilismo)
Buenos Aires Cultural (cultura)
Buenos Aires Menu (musica)
Business Cuyo Mendoza, (economía y negocios)
Cable & Convergencia
Cad X Press (diseñor, comunicación visual)
Campo Grupal (psicología)
Cano Prensa (automovilismo)
Caras
Carburando (automovilismo)
Casas Internacional (arquitectura)
La Chancleta ("El Magazine para la Mujer de Hoy y de Hombre de Ayer a la Noche")
Churrasco (entretenimientos)
Ciberjob (interés general)
Circuito Uno (publicidad y marketing)
Claro (sociedad)
Clubs & Countries
Colg@do (noticias, nuevas tecnologías)
Compudatos (informática)
CompuNOA (computación)
Consultor de Salud (medicina)
Conspiración
Correo Ninja (música, artistas de la Ciudad Autónoma de Buenos Aires)
El Corte (rock)
La Cosa (humor y entretenimientos)
Convergencia Documentos (informática, internet)
Convergencia Telemática (informática, internet)
Convergencia Redes (informática, internet)
Cosmo Visión (astrología, en español e inglés)
Cuisine & Vins (cocina)
CyberMag (deportes y entretenimientos)
Deimos.com (arte y cultura)
Desalmados Monteros (cultura)
Diario Ti. (tecnologías de la información)
Diseño y Decoración (D&D)
D´Mode (entretenimiento urbano, mujer, moda)
El Diario Semanal
El Dorado (arte y cultura)
EcoDias.com (ecología)
Ecopuerto
El Corresponsal (noticias de Africa y Medio Oriente, revista digital)
El Corte (rock)
El Vocero Rafael Calzada, Prov. de Buenos Aires
Elle (femenina, decoración, moda, interés general)
El Equipo (fútbol)
El Grafico (deportes)
Empresas News (empresas)
El Observador (información general, actualidad)
El Planeta Urbano
El Publicitario (publicidad, comunicación, empresas)
Estrategia Internacional (política, trotskistmo)
Express Magazine (interés general)
Exo Training Center (empresas)
EZC (Patagonia Argentina)
Fashion 21
Ferias y Congresos (exposiciones y congresos)
Film Online (cine)
Foco (noticias)
Football Americano
Fotograma (cine)
Fotomundo (fotografía)
Franchising Advisors (economía y negocios)
Frecuencia (comunicaciones inalambricas)
Frecuencia Web (rock argentino)
Fsgol (deportes)
La Fuga (estilos de vida)
Gente (interés general)
GeoInformación (información geográfica)
Gemplus Ventaja (empresas)
Golf News de Argentina (golf)
Gol X Gol (deportes)
GraTAROLAndia.com (humor y juegos)
Hacemos Comentarios Buenos Aires, (información regional)
Haciafuera (tiempo libre, entretenimientos, deportes)
Haciendo Cine (cine)
Herramienta (política, socialismo, marxismo)
Hoja Aparte (universitaria, cultura, reflexión, actualidad)
Huellas de Aventura (deportes)
Hoy Deportes (deportes)
Hoyo en Uno (golf)
Idea Viva (cultura)
Imaginaria (literatura para niños)
Informoto (motociclismo)
Inter Ciencia (universitaria, divulgación científica en agronomía, ingeniería, biología)
Los Inrockuptibles (rock)
I-biz (negocios en la red)
Informes (del Consejo Publicitario Argentino)
ITD Latinoamerica
InterMujer (mujer)
Internet Surf (internet)
Internet World (internet)
Intergrafica (grafica industrial)
Invicto (deportes)
iworld.com.ar (internet, tecnologías, negocios)
Juegos y Negocios (industria)
La Fuga (entretenimientos)
La Furia (universitaria)
La Maga (cultura)
Latinarte
Latin Spots
Latin Trade
Leedor (arte y cultura)
Leer Norte Vicente López. Pcia. de Buenos Aires (información local)
Lote (cultura)
Los '70s (politica, cultura y sociedad de los `70)
La Mancha (interés general)
Luna (mujer, interés general)
Mañana Profesional (negocios)
Marketing Magazine
Maxnet Magazine (tecnología)
MDQ Surf (deportes)
Media Racing (automovilismo)
Mediápolis (cultura)
Megautos (automovilismo)
Mercado (economía y negocios)
Mercados Finanzas y Economía (economía y negocios)
Mia (mujer)
Mia Extra (mujer)
Microsemanario (Universidad de Buenos Aires -UBA-)
Modalité (modas)
Model Show (hobbies y deportes)
La Mujer (mujer)
Mundo Clásico (música clásica)
Mundo Gay
Mundo Ki (artes marciales)
Mundoautomotor.com.ar (automovilismo)
Mundo Marcial (artes marciales)
La Minigueta (diseño, comunicación visual)
La Nave (pop, cultura, deportes)
Noticias & Protagonistas Mar del Plata, Prov. de Buenos Aires
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“EU Audiovisual reforms: towards a European media industry?”XXXIII Eurovisioni International Festival of Cinema and Tv, 2019
images credit: Eurovisioni Cultural Association
Eurovisioni 2019. The XXXIII Eurovisioni International Festival of Cinema and Tv is now on its XVIII Festival «Cinema of public service» edition. Every year since 1987, it has focused its attention on European culture and audiovisual industry, developments in its legislation, production, and technological transformations. President is French Michel Boyon.
Seminars and conferences are scheduled over the International days. They cover topics related to:
“EU Audiovisual reforms: towards a European media industry?” Rome — Villa Medici, and Palazzo Farnese — Thursday 10th, Friday 11th, and Saturday 12th October 2019.
Also, be sure not to miss the previews of films during the three-day festival. Free admission upon prior reservation, subject to availability.
Learn more in the attached Programme and registration form.
Palazzo Farnese 7.00 p.m. Première of France Télévisions «Une belle histoire», produced by Tetra Media Fiction et Monogo — Diffusion France 2.
Villa Medici 6 p.m. — Cinema room. Avant-prèmiere TV movie: “Freedom’s Calling ”; produced by ZDF.
Villa Medici 8 p.m. — Cinema room. Avant-prèmiere TV movie: “El Enigma Verdaguer”; produced by RTVE, TV3, and Diagonal Televisiò, a co-production by ICEC
Association Overview
Eurovision & The EU Presidency Semester
Eurovisioni has been recognized also in 2014 as an event of the Italian Semester of Presidency of the European Union, as already happened for the last two Italian Presidencies (1990 and 2003) that took place in the second semester of the year. Reads on ..
The Objective
The issues addressed each year are chosen among those of greatest interest (the launch of digital TV in Europe, , the advent of DBS satellites in the year of their launch, the reform of copyright laws at European level, in the year where an European Union directive on the subject was issued) enabling Eurovisioni to promote the interaction and mutual understanding of the three leading groups in the audiovisual sector: operators (those…
How Eurovisioni is financed
A basic contribution is given to Eurovisioni by institutions such as the General Directorate for Cinema of the Italian Ministry of Culture and the Cultural Department of Latium region. On the base of the themes addressed, different institutions and private companies cooperate in the festival organization, year by year. The success of the past…
Who Organizes Eurovisioni
New members joint, every year, the Eurovisioni Board of Directors, on the base of the themes highlighted in the current edition. These new members suggest the most topical issues and the best experts address them. A high number of institutions take part into the Board of Directors (European Union and national institution representatives) along with public and private television channels (ARD, EBU; France Télévision, ZDF, Rai),… Reads on
Who Supports Eurovisioni
The Association was born on the initiative of a group of European audiovisual professionals. It is currently supported by the cultural association of the same name, whose president is Michel Boyon, French CSA’s former president. The Presidency Committee includes,…
Info and Contact: Associazione Eurovisioni — Roma — www.eurovisioni.eu
Click through at the previous edition Eurovisioni Festival 2018
Cultura europea e industria audiovisiva. Eurovisioni XXXII- Festival Internazionale di Cinema e Televisione — [ Italian — French — English Text provided ]
Published with permission of Eurovisioni Cultural Association. I kindly thank you for your attention. Giancarlo Antonini
#tvandcinema#culture#TVpubllicservice#Giancarlo Antonini#EuropeanInternationalFestival#audiovisualindustry#EUdevelopmentslegislation#cinema#technologicaltransformation#tvproduction
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How To Extract Sound From Video?
Top 10 free Audio Converters: Advocate free audio converter to convert music files into different audio formats. The uncompressed audio codecs comprise WAV, AIFF, AU or raw header-a lot less PCM, the lossless compressed audio codecs consists of FLAC, Monkey's Audio (filename extension APE), WavPack (filename extension WV), TTA, ATRAC Superior Lossless, Apple Lossless (filename extension m4a), MPEG-four SLS, MPEG-four ALS, MPEG-four DST, House windows Media Audio Lossless (WMA Lossless), and Shorten (SHN), and the lossy compressed audio codecs comprises MP2, MP3, OGG Vorbis, Musepack, AAC, ATRAC, AC3, DTS, Home windows Media Audio Lossy (WMA lossy), and plenty of others. FLAC stands for Free Lossless Audio Codec, which is leading compression method that preserves unique audio quality whereas decreasing file measurement. A digital audio recording compressed by FLAC might be decompressed into an equal copy of the unique audio information. Audio sources encoded to FLAC reduces the distinctive file measurement by roughly 30-60% with no lack of high quality, due to this fact FLAC is a lossless format. FLAC recordsdata are nice as a result of they're often of very high-quality, however they're annoying as a result of iTunes cannot open a FLAC file by default. The solution is to rework the FLAC to MP3 format, after which iTunes can read it as normal. It is available without spending a dime and it doesn't require any form of registration. It helps formats like, WAV, MP3, JPEG, AAC, WMA, AC3. It might probably convert files aside from YouTube, like it could possibly convert documents and e-books as nicely. You'll be able to upload remote audio recordsdata via their direct URL as well as information stored in your Google Drive account. I tried creating a new audio profile for mp3 and I get the same results above. Some customers have reported that this system stops letting you convert recordsdata after 14 days. If that happens to you, something you would possibly strive is starting the uninstall course of and seeing if Swap asks you to revert to the free, non-trial version (as a substitute of eradicating the program). Skill to add customized metadata to the output information by the person. We help import from many video portals including Vimeo, Dailymotion, SoundCloud, BlipTV, Arte, Ard, 3Sat, , Flickr, Instagram, Fb, Metacafe, MTV, Myspace, , NBA, NBC, NHL, Rottentomatoes, uhalynn5568934.wordpress.com Sina, Slideshare, Space, Spiegel, https://angiek65458632.hatenablog.com Tumblr, Vice, ustream, Vevo, Weibo, Yahoo, ZDF, and others. Some codecs, comparable to MP4 or FLV can retailer each audio and video streams. Select aWAV audio file or any other supported media file out of your system or cloud storage. Ideas: If you wish to batch load multiple information, make sure that to retailer all of your recordsdata in the same folder, then click "File" > "Add from folder" or press the "Add from Folder" button on the top tool bar to batch importing them into this system. Open the Audio tab, click the WAV preset group, and choose the preset. For WAV-to-MP4 conversion, open the Video tab, click the MP4 group, and choose the preset that is best for you. Audials Tunebite Platinum is compatible with 40 import codecs and can convert to 11 output formats. It isn't as fast as Switch, but its streaming content material recorder is essentially the most impressive. If in case you have by no means used iSkysoft iMedia Converter Deluxe , which is the excessive time you examined its suitability in changing Mp4 to wav file converter free download to WAV. It has all the good things that can make your enhancing life enjoyable and memorable. Some of its standout options are means to transform HD videos, conversion to a number of video formats, convert to several audio codecs in addition to convert on-line videos. Furthermore, you should use iSkysoft iMedia Converter Deluxe for changing videos to edit in addition to share depending in your desire. It would at all times be the best solution. To transform MP4 to WAV for free, you can strive Windows Movie Maker. It's a well-known program to many people, so let's examine the way it works. If you'd like the extracted audio in the same format as it is saved in the enter, then VLC can provide it to you with no loss of high quality, as a result of there is no re-encoding of the content. 5. After you could have chosen the type of conversion, select OKAY, and click on on the large inexperienced Begin button. Within seconds the file conversion will be complete. You'll know your recordsdata have efficiently been converted whenever you see the Conversion Complete box appear. To save your file to a location aside from the RealPlayer Library you possibly can select the vacation spot of your alternative from the Save In dropdown menu positioned directly beneath the Convert To menu.
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7/28/22 TRENDS
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American Foreign Policy Council Russia Reform Monitor No. 2515, March 14, 2022
WESTERN NEWS OUTLETS CLOSE UP SHOP... U.S. broadcaster Radio Free Europe/Radio Liberty has announced that it is shutting down its operations inside Russia. On March 5th, the broadcaster suspended work in Russia after local tax authorities initiated bankruptcy proceedings against RFE's Russian office. The new proceedings were the culmination of a long-running campaign against the outlet by the Kremlin designed to impede and interrupt its functioning. RFE is hardly the only Western media outlet to withdraw from Russia amid the ongoing war in Ukraine and growing Kremlin pressure on independent media, however. On March 8th, the New York Times announced that it was pulling its news staff out of Russia in the wake of the Russian government's passage of a draconian new law making it punishable with up to 15 years in prison to disseminate what it considers to be "false information" about the new conflict. "Russia's new legislation seeks to criminalize independent, accurate news reporting about the war against Ukraine. For the safety and security of our editorial staff working in the region, we are moving them out of the country for now," the paper said in an official statement. Others are following suit. To date, The Moscow Times has documented, the BBC, CNN, Bloomberg, ABC News, CBS News, Canada's CBC and Radio Canada, Spain's EFE and RTVE, Italy's RAI, and Germany's ARD and ZDF have all suspended their operations inside Russia. The Washington Post, meanwhile, has announced that its stories from within Russia will run without a byline or dateline, to protect its contributors inside the country. (Radio Free Europe/Radio Liberty, March 6, 2022; New York Times, March 8, 2022; The Moscow Times, March 8, 2022) ...AS THE KREMLIN TARGETS RUSSIAN MEDIA The exodus of Western media outlets from Russia has been mirrored by the shuttering of independent Russian journalistic publications and channels. To date, the Dozhd TV channel has been blocked and closed down. So has the influential Ekho Moskvy radio station. Meanwhile, internet sites like Meduza and Mediazona have been blocked, with access to them restricted for ordinary Russian citizens. (The Moscow Times, March 8, 2022) THE BIRTH OF RUNET? For years, the Kremlin has touted the idea of a "sovereign internet," in which Russian websites and online content are disconnected from the broader World-Wide Web. Now, it appears that the war in Ukraine has accelerated those plans. Russia's deputy digital minister, Andrei Chernenko, reportedly issued a letter in early March ordering Russian websites and online portals to transfer their domains to Russian servers by March 11th. The letter "stated that all Russian state-owned web services must make sure they have switched to domain name system (DNS) servers located on Russian soil by Friday, meaning any web services which do not do so would be cut off," London's Express has reported. The development has led observers to speculate that the launch of Russia's sovereign internet, colloquially known as RuNet, could be mere weeks away. (Express, March 8, 2022) AN ATTEMPTED RUSSIAN EXODUS Worries over the possibility of the Russian government imposing martial law or the imposition of a military draft for men of fighting age are causing more and more Russians to attempt to leave the country. However, they face both economic and practical constraints to doing so. With a growing number of countries imposing sanctions on Russia, the price of airline tickets has skyrocketed. Meanwhile, an expanding list of destinations is no longer accessible to Russian-origin flights, as countries shut their borders to commerce with – and travel from – Russia. (Reuters, March 3, 2022)
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M8100n Specs
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Eurovision Sport and World Rowing extend media rights partnership
Igor Meijer / World Rowing
Eurovision Sport and World Rowing are delighted to announce that they’ve agreed a four-year renewal of their European media rights settlement, starting in 2021 and operating till 2024.
The brand new settlement, masking Europe, the Center East and North Africa, extends a partnership relationship again to the early Nineteen Eighties, and can take over from the prevailing four-year contract which expires this 12 months.
Occasions lined by the settlement embrace:
World Rowing Championships, 2021, 2022, 2023
European Rowing Championships, 2021, 2023, 2024 (the 2022 version kinds a part of the mixed European Championships and is subsequently excluded from this contract)
World Rowing Cup sequence, 2021, 2022, 2023, 2024
The brand new settlement begins with the European Rowing Championships in Varese, Italy, on 5 to 7 April, adopted by the primary regatta of the 2021 World Rowing Cup sequence in Zagreb, Croatia on 30 April to 2 Might. The primary occasion of the 2021 calendar is the World Rowing Championships, that includes the brand new Olympic champions, in Shanghai, China on 17 to 24 October.
Twenty EBU Members have already dedicated to be a part of the brand new contract.
They’re: HRT (Croatia); CT (Czech Republic); DR (Denmark); EER (Estonia); ARD and ZDF (Germany); ERT (Greece); MTVA (Hungary); RAI (Italy); LRT (Lithuania); NOS (Netherlands); NRK (Norway); TVP (Poland); RTE (Eire); RTR (Russia); RTS (Serbia); RTV (Slovenia); TVE (Spain); SRG-SSR (Switzerland); BBC (UK).
World Rowing occasions will proceed to characteristic on L’Equipe TV in France, whereas protection in different territories will probably be provided by a mixture of extra broadcasters and the digital platforms of World Rowing and the EBU.
Jean-Christophe Rolland, President of World Rowing, stated: “We’re more than happy to have been in a position to renew our European broadcasting settlement with Eurovision Sport, with whom we’ve got partnered because the mid- ‘80s. With each renewal, the variety of Europe’s public-service networks that cowl rowing has elevated, along with the quantity of protection we’ve got obtained.
“We’re all dwelling by tough occasions in the meanwhile so it’s significantly encouraging for World Rowing that we are able to proceed to depend on Eurovision Sport and its membership to broadcast our regattas for no less than the following 4 years.”
Andreas Aristodemou, Head of Summer time Sports activities Rights at Eurovision Sport, stated: “We’re proud to safe the rights for the World Rowing occasions for no less than 4 extra years. The prolongation of this settlement, in a 12 months severely disrupted by the continued pandemic, exhibits the energy of this partnership and our dedication to proceed constructing the profile of rowing throughout our Membership.”
The settlement is one in every of a sequence of media rights renewals and new agreements introduced this 12 months by Eurovision Sport, with companions that embrace: FIG, the worldwide gymnastics federation; European Gymnastics; RSBF, the Romania Ski Biathlon Federation; the Worldwide Biathlon Federation; A.S.O. (Tour de France); Unipublic (La Vuelta a Espana); and ÖSV, the Austrian Ski Affiliation.
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from Diaspora9ja https://diaspora9ja.com/eurovision-sport-and-world-rowing-extend-media-rights-partnership/?utm_source=rss&utm_medium=rss&utm_campaign=eurovision-sport-and-world-rowing-extend-media-rights-partnership
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