#architect’s apprentice

[raayynn]

“It's odd how faces, solid and visible as they are, evaporate, while words, made of breath, stay.”

from Elif Shafak’s, The Architect’s Apprentice

[bookcoversonly]

Title: The Architect's Apprentice | Author: Elif Shafak | Publisher: Viking (2015)

[ijustkindalikebooks]

From The Architect's Apprentice by Elif Shafak.

[normavasquez]

the worth of one’s faith depended not on how solid and strong it was, but on how many times one would lose it and still be able to get it back. ― Elif Shafak The Architect's Apprentice

[scribeofmorpheus]

Why Dragon Age Veilguard isn't a "Cathedral"

Concept art by Matt Rhodes

"To disinherit the storylines of past games goes directly against the notion of building cathedrals."

What is inherent with Veilguard that keeps bothering me is the fact that the world's choices truly didn't matter--and it doesn't simply bother me from a player perspective, it's not simply a grievance borne of frustration to what I (as a longtime fan) have lost. It's about the very culture of the arts under capitalism's new media habituation cycle [x][x].

Yes, I spent hours of my life playing and replaying each instalment of Dragon Age. Yes, I painstakingly curated a 'canon' world state by replaying what came before in preparation for Veilguard. Yes, I am even more unsatisfied with the end product--time hasn't helped, it's just widened the divide. But, and I can't stress this enough, these very personal gripes aren't what hit home the most. It's the inherent disregard of legacy. A legacy that the previous writers and game developers were building towards.

In the DAV artbook, "cathedral" is the word used to describe the process of making a game. Matt Rhodes' exact words are: "One artist can make a painting, but it takes a team to build a cathedral." Cathedrals took centuries to build. The architect who drafted the first blueprints would likely never see his work realised, he had to rely on those who came after him, like-minded and passionate, to see it through--for the culture, for the future, for legacy. Painters took on several apprentices for this reason too--giant frescoes were not completed by one man's hand, even if it is one man's name that immortalises them. Similarly, if you weave a narrative around choice, what good does it do to take it away at the final act if not to fall to caricature?

To disinherit the storylines of past games goes directly against the notion of building cathedrals.

Late-stage capitalism and profit-margin-obsessed game producers forcing developers to churn out meager content, to make a known brand into something it's not, to chase a fad or a popular trend... o, how reductive and cliche you've been forced to become Bioware. We have lost the cultural thought patterns relative to Cathedrals. We know only of barn-raised churches--done in a day but unlikely to last the turn of the seasons.

And don't even get me started on the music of Veilguard either. From Origins to World of Warcraft to Everquest to Baldur's Gate to Dungeon Siege, you can hear the intricate interconnected weave of sounds inspired by the Dungeons and Dragons-esque fantasy genre. You hear it in the repeated use of certain instruments, in the harmonic weeping notes of a bard-like singer or the foreboding echoes of drums as if of war. In tavern songs. But then, rather than hire someone who loves these worlds and this genre, who is a hungry artist looking to make a name, a legacy if you will, for themselves with a spectacular score, you hire any already sated composer, one well-into the encroaching years of career fatigue, whose notes repeat in countless projects, who feels less concise and more uninterested with each new project. One who has long since cemented his legacy. Someone in it for a paycheck and nothing else! And, to top it off, you let him compose something so minimalist? I am offended actually.

Cathedrals! We should have witnessed the final tile being placed on the Dragon Age cathedral. Instead, some architects walked up, tore down the interior and installed IKEA furniture and called it authentic before having to call the previous architects to come and fix the "load-bearing issues", forcing them to rush and add a coat of varnish and a few 'aged' details for authenticity.

[sagewraith]

It was after this incident that Jahan understood his master’s secret resided not in his toughness, for he was not tough, nor in his indestructibility, for he was not indestructible, but in his ability to adapt to change and calamity, and to rebuild himself, again and again, out of the ruins. While Jahan was made of wood, and Davud of metal, and Nikola of stone, and Yusuf of glass, Sinan was made of flowing water. When anything blocked his course, he would flow under, around, above it, however he could; he found his way through the cracks, and kept flowing forward.

— The Architect's Apprentice, Elif Shafak

[lifeaholiclady27]

“It seemed to Jahan that, in truth, this world, too, was a spectacle. One way or another, everyone was parading. They performed their tricks, each of them, some staying longer, others shorter, but in the end they all left through the back door, similarly unfulfilled, similarly in need of applause.”

~ Elif Shafak (The Architect's Apprentice)

My very first blog!

Read my thoughts on 'The Architect's Apprentice', a dazzling historical fiction by the acclaimed writer Elif Shafak.

[shapelytimber]

Updated my au's recap to add Tarkin and Krennic :)

And of course I updated The Science

[COMMISSIONS]

(also fixed Sabé's sexuality ! Thank you to the Sabé connoisseurs for letting me know she has a canonical boyfriend at one point ! xoxo)

Yapping below vvv

Welcome to me and my struggle with imperial military uniforms fjdkdkk they just so boring and often khaki-

For Tarkin I took inspiration from a Star Trek concept that I'm so mad isn't a thing in Star Wars... The dress uniform ! The classy, just for show, uncomfortable version of classic uniforms ! (Couldn't believe that wasn't already a thing in sw, but when I searched for it I stumbled upon a sub reddit called "the empire did nothing wrong" and sometimes self care is to not clic on the clearly far right corner of your fandom to look upon a shitty fan made alterations of imperial uniforms 🌸)

Also, I had to make a choice here... Do I make the empire more strict when it comes to gender norms and expectations i.e do I put Tarkin in a skirt gkkgkffn like, I already kinda did that with both Tarkin and Krennic keeping their hair long. But in canon imperial uniforms are unisex and the same for everyone, which is great to like know the imperial military (in universe at least) doesn't do sexism a lot.... But once again, the canon uniforms are a bit boring to draw, they don't have the more classy ones you would wear for special occasions and frankly if you want a side to show more gender inequality would you pick the mismatched rebels fighting for their rights and to overthrow the government, or the established force in power that is also incidentally an empire that took inspirations from a real far right party hmmmmm

Let's look at what I made different about the empire in my au, a) Palpatine is a woman, they have an empress but b) said empress force masced her apprentice and made *him* the figure head of her empire. When you think of the empire you don't picture an old woman in a bathrobe, you picture Vader, a tall muscular cyborg with no face a glowy sword and evil telekinesis.... That is gendered in the masculine (still a dyke tho, but random civilians wouldn't know that- they don't even know if he's human). Having a woman lead a fascist empire doesn't make it better- (in my country, France, the far right party has been lead by a woman for the last 20 years and that doesn't make it fucking better)

All this to say I put her in pants fjkdkd tested with a skirt but it felt too uncanny.

And I also made her stand in the worst position to draw (for me at least) : perfectly facing the camera with a stick up her ass and at parade rest so with her hands behind her back fjkddk I struggled so hard to make it look somewhat good, and I'm still not really satisfied- also Peter Cushing's face with a hat that covers his forehead looks very wrong to me fjfkk

But enough about Tarkin ! For Krennic I also modified the uniform :D (for a second time jfofk link to the first post with another version of her uniform), but hers isn't the fancy version, it's very much her work clothes ! Still trying to distinguish her from the classic military, since she is more of an engineer/architect, so she get heels, slutty white gloves and a dramatic cape coat. Also I loved putting her in a very strict outfit but making it a bit messy in small ways kgfkgj one side of it isn't zipped all the way down, and her hair is coming down from her hasty made bun :)))

PS : one must always picture the death star as the third member of this relationship <3

[noirtek]

i love that the motivations of the apprentices were all really just a product of being in the wrong career path. hoffman was a cop who should’ve been an architect. amanda was a drug addict who should’ve been an engineer. lawrence was a surgeon who should’ve been a cult leader. this is what capitalism does to people

[filurig]

laerkki (alt. lärkki) and ranun (bäckahäst för buttercup, the flower). laerkki is a trainee of the Kaskin Sickeclaws, basically an organisation which encompasses the nattramn settlement Kaskin's defenses. ranun is an apprentice with the Ehrumneh Stonestackers - a group of architects from the bäckahäst group Ehrumneh who take on jobs ranging from their own settlement, to other bäckahäst groups as well as from Kaskin as they're close in proximity.

the two become unlikely friends as an event involving human aggression brings them to one another.

laerkki and ranun don't live during the events of pareidolia - in fact, they lived around 100 years earlier, during the late 1700s/ early 1800s.

[nights-at-crystarium]

While I'm ancient-trio-posting, wanna hear a bit about their dynamic?

Hythlodaeus and Hades are old friends, roommates, even. A genuinely mature, established couple. I haven't really thought too far back in time yet, so maybe childhood friends to lovers because no one else in my story has this trope yet. I leave it open-ended for now. What matters is that they're very chill and stable together.

Azem, not-yet-Azem but a mere apprentice of Venat, has a certain secret, harmless to the world, but potentially ranging from laughable, cringy, personally embarrassing to legally punishable, should it be brought in front of the Convocation, like all lies it's doomed to be revealed in time, he already hangs out with one of the Big People and there are talks about Venat's retirement, our little not-yet-Azem feels like he might get recommended, and must find help with his silly secret before that.

Hythlodaeus, Chief of the Bureau of the Architect, has ever been kind and patient with not-yet-Azem's concept submissions, and generally seems like a reliable and open-minded person, so our guy asks for his advice on the matter. Of course he isn't let down, the nitty gritty of it I'll leave for later. The important part: he and Hyth grow closer, and Hades, already being joined at the hip with Hyth, is in on the secret as well. It's just a vulnerability that I use as a means to win over Hades's heart. Be genuine, beg for his help, rely on him, and he's yours.

Venat retires, the new Azem takes the seat, his secret's safe/resolved (forget about it, it's played its role of the glue for our trio), things are chill for a while, the trio grows into a proper throuple, Hades is recommended for the seat of Emet-Selch by both his lovers, but by Azem most ardently (and selfishly: he feels like a white crow among the Convocation and wants another freak on the team. Hades finds it sweet though).

The status quo moves to the known canon where Azem travels a lot, sometimes summons his buddies to his side, he tends to disappear from Amaurot for weeks and months on end, Hyth and Hades are left to themselves, seemingly things are the same as they've always been, but the joy of reuniting with their wayward lover, and the pining when he's gone, is bigger in Hades than Hyth. Of course they, the two mature people holding hands from the beginning of times, don't discuss this.

Azem may not even realize what he's doing- well, ain't that most azems in a nutshell. He just exists, loves his partners, shines for them with equal warmth like sun. It's not that Hyth doesn't like being sunkissed, no, it's Hades who gets a bit too excited, tries to mask that however he can, perhaps HythHades pretend that nothing's changed, but, yknow, subtle cracks. Hades's heart grows more fond due to the time and distance that separate them so often. Of course he's terrified and he sees what this does to the balance of their poly, it's not welcome, but it won't go away.

Enter Hyth's self-esteem issues, and how neatly that weaves into his following sacrifice to bring forth Zodiark. Even though Azem's nowhere to be seen, it's fine, he'll return, it's just a tantrum, the Convocation will forgive him, Hades will be left in good hands, he and Azem seem to be happier without Hyth anyway. (no, no, no, no-) Of course, the latter's left unsaid, only a smile on display and vague words of affirmation for the shellshocked Hades.

Through the sacrifice Hyth drives up his value. He's forever important to Hades now, forever on his mind, his guiding star. I view Hyth's selfless act as selfish too (just as Raha's but he isn't relevant here), a desperate act of a soul not only loving, but desperate for love. Hyth gets what he wanted. In a fucked up way, he's happier as a part of the moon. He never has to contend with the sun again.

[mrs-stans]

@latimes_entertainment: Once an actor finds his name popping up in Oscar conversations, he’s pretty much arrived in the industry, right? Actually, no, not necessarily, says Jeremy Strong, who plays unscrupulous lawyer and Donald Trump mentor Roy Cohn to much acclaim in “The Apprentice.” “There’s a thing called ‘arrival fallacy,’ which is that the horizon is just always receding. You don’t arrive. I mean, I’ve never felt like I’ve arrived. It’s just a search, and you’re on the frontier of uncertainty and doubt, and taking risks.” “And then the bottom falls out, and you keep looking,” adds @adrienbrody , who plays the Holocaust survivor and visionary architect at the heart of Brady Corbet’s #TheBrutalist. “That frontier just keeps moving,” Strong agrees. Even now, with this season’s breakout performances and glowing reviews, a conversation among several actors shows they share the same fears and doubts as the rest of us. “I don’t think I ever looked at the next job and went, ‘All right, it’s coming and here we go.’ I think it’s always just the terror of, ‘OK, I got the job. Am I going to ruin it?’ The fear of, ‘I’m wrong for it,’” says Kieran Culkin, who stars in the affecting #arealpain with the film’s writer-director, Jesse Eisenberg. These three actors — along with @gaardsars , who stars in #September5, about the terrorist attack at the 1972 Munich Olympics; @kingofbingo , who plays an incarcerated man who discovers the transformative power of art in #SingSing, and @imsebastianstan , who not only plays the future president in #TheApprentice with Strong but also stars in #ADifferentMan, a cautionary story of inner discovery — got together last month for The Envelope Actors Roundtable moderated by @kdubblive . They shared their thoughts on auditioning, responding to fear and the hard truths of the world around us. Read the full roundtable at the link in @latimes_entertainment’s bio. On Friday at 8pm pst, watch the Actors Roundtable on Spectrum and YouTube. 🖊️ @latimes_envelope 📸 @therealchristinahouse

[uzumaki-rebellion]

"Tethered to You" Masterlist

Book Summary:

Verosha "Osha" Aniseya becomes Qimir the Sith's first acolyte. By joining the dark side as Qimir's student and future lover, Osha will become the co-architect to help him bring down the reign of the Jedi who destroyed her family in the High Republic Era.

But Darth Plagueis may have other plans for the two of them as he enters a struggle with his own apprentice Qimir to control the fate of Osha's future. And Osha will soon learn a bitter lesson by embracing the power of two: In order to become a powerful Sith Lord herself, she may have to reach back to the secrets of her witch upbringing and use it to kill Qimir and Plagueis in the process.

Meanwhile, back on Coruscant, a memory-wiped Mae who is being used by Vernestra Rwoh to capture Osha, finds an unlikely ally in Yord's former Padawan, Tasi Lowa.

This is a grown and sexy fic. Be warned. 18 & Up.

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

[calllynx]

Another Ancient I drew a while ago, though I won’t tag her as such until I draw her with a mask. IIRC her name is Seven Flaxen Fields Beneath Black Skies, or Fields for short.

She works for Coa as a mechanic / apprentice. Not on track to be a full fledged architect, but planning to go into a complementary role.

She’s also a huge party girl also has an embarrassing crush on her boss (Coa).

[normavasquez]

Does what we do in life matter so much? Or is it what we don't do that carries weight? - Elif Shafak The Architect's Apprentice

[philcoulsonismyhero]

There's a lot of lines in Amongst Our Weapons that make me want to wave my arms around and yell incoherently about Peter and Nightingale and how far they've come and how much they mean to each other, but right now the one I want to yell about the most is this one from right at the end:

Image text: 'The wider the base, the greater the stability of the building,' said Nightingale. 'You taught me that.'

Because, like. Peter wanted to be an architect. The thing he always wanted to do was to build things. And look what he's built! He hasn't just rebuilt the Folly as it was, he's built something modern and completely new out of its constituent parts and he's done it by caring about people and being interested in how things work and by what Beverly jokingly calls 'compulsive networking'.

And everything he's done for the Folly, he's done for Nightingale on a personal level too.

Nightingale was So isolated when Peter first met him. His police colleagues didn't want much to do with him, his social circle seemed to consist of Molly and Dr Walid and not much more, he was completely out of touch with the modern world. And to his credit, he was the one who decided to take on an apprentice, but that was pretty much all he was planning to do. Train up a replacement for himself in case he got killed, pass on the Forms and Wisdoms properly, keep the status quo going.

But he chose Peter, and suddenly he's got an apprentice who wants to study the science behind magic and modernise the Folly's record keeping and work out better ways to liaise with other police and fundamentally Make Changes. Nightingale ends up with all these connections through Peter, to Beverley and the other Thames girls, to Lesley, to Abigail, eventually to the rest of Peter's family, to other police like Guleed and Stephanopoulos and unfortunately for him Seawoll... He has people he can rely on, and who choose to rely on him, and not just for magic -I especially love how Peter's mum eventually starts using him to babysit Peter's dad, and the fact that he helps Abigail's family with her brother. He's not alone anymore, and he goes from just living to genuinely thriving.

And it's all down to Peter, and what the two of them have built together. In fact, they've built something so significant that in a few years Nightingale isn't going to be necessary anymore. He's been Britain's Last Official Wizard for seventy years, all the weight of that tradition resting on his shoulders alone, and in a handful of years Peter has helped him to build something that'll be able to take the weight instead if he wants it to. There are people who can help do everything he's been doing alone and more, so finally he can think about what he actually wants for himself. (And don't even get me started on his arc re: teaching and discovering that it's what he wants to do for the rest of his life, I Will start yelling even more.)

And it's Peter who's taught him to let other people take the weight. That you can build something stable and lasting if you're willing to share the load. The wider the base, the greater the stability of the building.

Not bad for a wannabe architect who can't draw, huh?