#archaic north
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beastsovrevelation · 8 months ago
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I kept wondering why would Natalie be the Antler Queen's favorite, if Lottie's the most connected... Then, I remembered.
Lottie's the oracle of a God.
Natalie's the champion of a God.
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transistoradio · 2 years ago
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Four paintings, oil on canvas, by Bertil Gadö (1916-2014): 1) “The North Expansion” (1975), 2) “Nova”  (1975), 3) “Where Time Begins” (1976), and 4) “Archaic Sun” (1981)
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lizclipse · 1 year ago
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This feels like a disconnect between the USA and the UK, but I don’t think you guys realise just how dense and old this country is. When millions of people have lived stably on the same island for a thousand years (the last successful invasion was literally that long ago from memory), it tends to have a mild impact on the environment
It doesn’t even have to be intentional - when the choice is between getting killed or kill, people choose the latter, and when you have so many packed into such a small space those situations will happen a lot more. It’s really just a numbers game - there was no way any predator was surviving on this small island very long if it was at least a mild threat to people, and being an island means that there’s no way for new predators to replace them
Size is also why so much of our land, especially in England (which is where I’m from, so my understanding is likely biased that way), is used, we also happen to have quite a good environment for farming, so it’s almost a given that we’d expand over it
Maybe it is weird to outsiders, but growing up here it’s just a given that you don’t think about threats when in forests and such. It’s been like that for so long no one questions it, and you just accept that all the land here is used for something. Is that a good thing? Probably not. But we didn’t really choose to do this, this is just how it’s been for a few hundred years now
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Actually your society is the freaks for shooting everything that moves and burning half your "nature reserves" every year so that upperclass dandies can eat leaded pheasant. North Americans are the well adjusted ones here, your country has become a desolate suburban lawn in island form
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precious-silly-thing · 1 month ago
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Split-twig figurines from the Archaic Period of southwest North America
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anghraine · 8 months ago
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I know I've ranted about it a million times, but every time someone brings up Roman, Byzantine, and Egyptian inspirations/influences on Gondor in more mainstream Tolkien fandom spaces (not me, because I don't even talk about it off Tumblr/DW), it seems like there's always someone who gets super weird and defensive about it. I've seen so many "well actually there's no need to consider any influences outside of England, mythology for England blah blah" responses.
And it's like! Oh, you want to play the decontextualized Tolkien quotes game? How about this one:
“But this [the setting of LOTR] is not a purely 'Nordic' area in any sense. If Hobbiton and Rivendell are taken (as intended) to be at about the latitude of Oxford, then Minas Tirith, 600 miles south, is at about the latitude of Florence [in Italy]. The Mouths of Anduin and the ancient [Gondorian] city of Pelargir are at about the latitude of ancient Troy [in Turkey]. Auden has asserted that for me 'the North is a sacred direction.' That is not true. The North-west part of Europe, where I (and most of my ancestors) have lived, has my affection, as a man’s home should. I love its atmosphere, and know more of its histories and languages than I do of other parts; but it is not ‘sacred’, nor does it exhaust my affections. I have, for instance, a particular love for the Latin language, and among its descendants for Spanish ... The progress of the tale ends in what is far more like the re-establishment of an effective Holy Roman Empire with its seat in Rome than anything that would be devised by a 'Nordic.'”
Or this one:
we come [in ROTK] to the half-ruinous Byzantine City of Minas Tirith
Or:
In the south Gondor rises to a peak of power, almost reflecting Númenor, and then fades slowly to decayed Middle Age, a kind of proud, venerable, but increasingly impotent Byzantium.
Or:
The Númenóreans of Gondor were proud, peculiar, and archaic, and I think are best pictured in (say) Egyptian terms. In many ways they resembled ‘Egyptians’ - the love of, and power to construct, the gigantic and massive. And in their great interest in ancestry and in tombs. […] I think the crown of Gondor (the S. Kingdom) was very tall, like that of Egypt, but with wings attached, not set straight back but at an angle. The N. Kingdom had only a diadem (III 323). Cf. the difference between the N. and S. kingdoms of Egypt.
Or:
Thank you very much for your letter. … It came while I was away, in Gondor (sc. Venice), as a change from the North Kingdom
Middle-earth is not equivalent to England, or northern Europe in general, and Gondor especially is not northern at all!
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astrobiscuits · 8 months ago
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Solar return obs 2
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🦦 Jupiter in 3rd house indicates learning a new language that year. It's also possible that you might go on several short-distance trips for educational purposes
🦦 Jupiter in 6th house indicates adopting a pet, especially an exotic one like a parrot, a squirrel, a fox, a snake or a lizard
🦦 Uranus in 10th house is a strong indicator for getting married that year. This is because marriage often implies a change of status (from being in a relationship -> being married), changing your name (taking your spouse name -> changing legal documents, a theme which is specific to the traditional ruler of 10th house, Capricorn). Aqua MC at 4 degrees can also point to getting married
🦦 Another indicator for starting a family would be Jupiter in 4th house (even though this one points out more to having a baby with a spouse)
🦦 You might start learning how to play a musical instrument when Mercury is sitting in your 3rd house in Leo or when Mercury is conjuncting asteroid Euterpe (27), Polyhymnia (33) or Stereoskopia (566)
🦦 With Sun conjuncting Part of Fortune, you might end up having one of your most blessed years. You'll be the right person at the right time (lucky girl syndrome frr). Meanwhile, North Node conjuncting PoF indicates having a bright future. Your upcoming year might prove to be better than the SR year where NN is conjuncting PoF. The period approaching the end of the SR might also be better than the whole year
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🦦 Saturn in 11th house indicates feeling like a social outcast during that year. Your friend group might decide to kick you to the curb and you'll have a harder time making new friends due to the trauma that you carry with you. It can also indicate a sense of not being able to fulfill one's wishes, despite the work & effort you put into materializing them.
🦦 Another meaning for Saturn in 11th house in SR is rejecting current trends in the hopes of pursuing a simpler, yet more "archaic lifestyle" (for ex: that might be the year when you decide to delete all your social media accounts, go on a digital detox or downgrade your phone)
🦦 Your SR can also show you when you'll quit one of your addictions. Look at your chart ruler and if it sits in your 12th house:
Venus as chart ruler in 12th house -> no more compulsive shopping/indulging in too many sweets
Mars as chart ruler in 12th house -> no more excessive caffeine consumption
Saturn as chart ruler in 12th house -> no more smoking
Uranus as chart ruler in 12th house -> no more internet addiction
Neptune as chart ruler in 12th house -> no more excessive drinking/weed consumption
🦦 Pluto conjunct Ascendant is often found in the years when celebrities have plastic surgery. If Pluto is in 1st house, people will know about the surgery. If Pluto is in 12th house, the celebrities will deny getting any plastic surgery or nobody will know. This can be valid if Pluto is in 1st house too (without conjuncting the asc)
🦦 Lilith conjunct Venus can be found in the years when you might date "problematic" people (drug dealers, prisoners, older men/women, etc). Even if you don't date any of them, you might attract them more than usual. This could also happen if SR Lilith conjuncts Venus or vice versa
🦦 Saturn at 29 degrees can be found in the years when you might break generational family trauma. The process might feel like heavy purging, like finally leaving a insurmountable weight behind. You might also deal with generational family trauma if Saturn is aspecting Chiron, but it depends on other aspects if you'll be able to heal yourself or not
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🦦 Ruler of your 11th house in 7th house -> one of your friends might become your best friend and/or your partner. You can also end up working on a humanitarian project together (like, legally)
🦦 Ruler of your 2nd house in 8th house -> you might give someone a large sum of money or a personal asset
🦦 Ruler of your 8th house in 2nd house -> you might get a large sum of money or material possesion from someone (imo, this can also point out to getting an engagement ring from your partner if there are other relationships/wedding indicators in SR)
🦦 Ruler of your 2nd house in 6th house -> you might pay extra money on improving your routine & health (replacing fast food with quality food, affording high quality workout clothes and equipment, splurging on ethical skincare, taking preventive health measures, etc.)
🦦 Ruler of your 9th house in 4th house -> if you live abroad, you might move back to your home country. You might also teach your family about the customs of the country you lived in, the language or implement some foreign daily habits into your household (regardless if you have lived in said country or not)
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intuitive-revelations · 1 month ago
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Headcanon: one of the reasons why Gallifreyan is a) so complex, and b) so inconsistent, is because it's less one language and more a complex mishmash of thousands of languages and dialects.
Think about how one of the reasons English can be complex to learn is because of the mix of Germanic and romance language roots, and now take it up to 11.
While one might expect Gallifrey to be monolingual, given its age and class structure, this probably isn't technically the case. After all, why limit your culture to one language when the average citizen is effectively panlingual (to the point that TARDIS translation circuits are actually dependent on their pilots' knowledge, rather than the other way round)?
Thus, if there once were distinct languages on Gallifrey, they probably have all been merged at this point into modern Gallifrey's super-Esperanto. Add in loan words from notable civilisations across all of spacetime (but likely primarily from Gallifreyan colonies and allies like Dronid, Minyos, Cartego etc.), and it quickly becomes quite unwieldy.
It's also likely that there's a lot of overlap between these sub-languages, which can make distinguishing meaning hard to an outsider. Gallifreyans likely get around this courtesy of their telepathic connections.
TBH, given Time Lord sensibilities, it's likely that every single word variation has its own delicate meanings, derived not just from their societal uses but also from the etymology and history of each one. Canonically (though I don't have a source) we know that there are 30 different words meaning "culture shock", for example, which likely have very minor distinctions in meaning. We also know, unsurprisingly, that there's at least 208 tenses to help in describing time travel.
As an example - imagine being a Sunari ambassador at an embassy gathering and accidentally offending every Time Lord in the room because you accidentally used a definite article derived from the memeovored Old High Tersuran colony dialect, now considered low-brow by association with modern Tersuran, when you intended to use a nearly identical form of the word originating from the Founding Conflict, a triumphant post-Rassilonian intervention, distinguished by a near-imperceptible glottal stop.
It's likely that some of these Gallifreyan sub-languages/dialects may still be spoken with increased frequency under certain conditions, such as in one's own House or when visiting other city complexes. We know, for example, that Arcadia seems to be associated with a "Northern English" accent (which Nine picked up subconsciously post-regeneration, with the Fall of Arcadia being one of the last things the War Doctor remembered before DOTD's multi-Doctor event - hence "lots of planets have a north") when translated, which may indicate some dialect differences in the original language. I suspect there is a societal expectation for Gallifreyans to code-switch depending on the situation, with Citadel business generally expecting the Gallifreyan equivalent of RP, though it's relatively common for Time Lords less concerned with respectability and politicking to not comply.
One nice benefit of all this complexity, and the reason I made this post, is that there's a good argument to be made that every fan attempt to construct a Gallifreyan language can be 'canon', contradictions and all.
Greencook Gallifreyan? A formal evolution of Pythian prophecy scripture into the post-Intuitive Revelation era (based on its similarities with the Visionary's scrawling in The End of Time).
Sherman Gallifreyan? A modern katakana-like phonetic alphabet for the rapid-onslaught of new loan words following President Romana's open academy policies. Recently adopted by the Fifteenth Doctor for writing human proverbs.
Teegarden Gallifreyan? An archaic but recognisable near-Capitolian dialect from the Prydonian mountains, once spoken by Oldblood houses like Lungbarrow and Blyledge.
Or, in a nutshell, the state of Gallifreyan conlangs (and maybe in-universe Gallifreyan dialects):
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I guess the dream project would be to accept the complexity and create some sort of grand modular "meta-Gallifreyan" conlang, merging as many fan interpretations as possible with their own distinctions and overlaps, that can continue to be updated as new ideas come up and new stories are released...
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literaryvein-reblogs · 4 months ago
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Word List: Flower
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beautiful words with "flower" to plant in your next poem/story
Blanketflower - gaillardia—i.e., any of a genus (Gaillardia) of American composite herbs with showy flower heads
Cuckooflower - a bitter cress (Cardamine pratensis) of Eurasia and North America; ragged robin (i.e., a perennial herb, Lychnis flos-cuculi, of the pink family cultivated for its pink flowers with narrow-lobed petals)
Dayflower - any of a genus (Commelina) of herbs of the spiderwort family having one petal smaller than the other two
Flowerage - a flowering process, state, or condition
Floweriness - of, relating to, or resembling flowers; marked by or given to rhetorical elegance
Foamflower - a spring-flowering herb (Tiarella cordifolia) of eastern North America that has white flowers with long stamens and no stem leaves; also called: false miterwort
Gillyflower - carnation (i.e., a plant of any of numerous often cultivated and usually double-flowered varieties or subspecies of an Old World pink, Dianthus caryophyllus, found in many color variations; also: a moderate red; archaic: the variable color of human flesh)
Globeflower - any of a genus (Trollius) of plants of the buttercup family usually with globose yellow or orange flowers
Nonflowering - producing no flowers; specifically: lacking a flowering stage in the life cycle
Pasqueflower - any of several anemones with palmately compound leaves and large usually white or purple early spring flowers
Passionflower - any of a genus (Passiflora) of chiefly tropical woody tendriled climbing vines or erect herbs with usually showy flowers and pulpy often edible berries
Satinflower - honesty; blue-eyed grass; common chickweed; flannelflower; a plant or flower of the genus Godetia
Strawflower - any of several plants having everlasting flowers
Twinflower - a prostrate subshrub (Linnaea borealis) of the honeysuckle family that is found in cool regions of the northern hemisphere and has fragrant usually pink flowers
Waxflower - a climbing plant (Stephanotis floribunda) of Madagascar often cultivated in the greenhouse for its fragrant white flowers; an epiphytic tree (Clusia insignis) of British Guiana; indian pipe; spotted wintergreen
If any of these words make their way into your next poem/story, please tag me, or leave a link in the replies. I would love to read them!
More: Word Lists
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ma1dita · 8 months ago
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when the curtains close
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a 'partners in crime' installment - luke castellan x dionysus!reader
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summary: (post-tlt) The one where you lose two people in the Labyrinth that day. All strings are cut. (Pollux, Annabeth, Percy, and Mr. D find out the biggest difference between you and Luke.) (Luke Castellan x fem!Dionysus!reader)
a/n: yeah to me this fic sounds and feels like that tiktok of the girl humming to her microwave. split povs: pollux, annabeth, your depictions of the titular battle of the labyrinth at CHB, some blood/gore, death & grief. the usual. you forced me to by lizzy mcalpine. references to cat on a hot tin roof by tennessee williams if you squint
(posted 5/14/24)
The first time Pollux has a panic attack, time seems to stop and the world keeps moving on without him.
He’s reminded of a time when you rambled on about how anxiety takes possession of the senses like a moment frozen in a snapshot meant for you to identify. In the memory, you had your feet kicked up on the dash flipping through a DSM-5 while he and Castor took turns speeding up and down Farm Road (totally normal older sister behavior from you, and when a cop pulled you over, the three of you narrowly escaped a ticket by talking in riddles and godly smoke that smelled like grapes). Pollux still remembers the sound of laughter in the car blending like three different chords to an archaic melody (or squawking crows in the strawberry fields)— the bond between you three laid out before time knew limits and was always meant to be.
It’s still his favorite song. You’re their favorite (and only) sister, they love to joke. These are facts that will never change.
“You two have each other, and well, I’ve got this,” you had said, the Zippo flicking open and closed against your thumb in the blossoming darkness of the car. Pink and purple rays of waning light blanketed the old hatchback as it steadily made its way back towards Half-Blood Hill, comfortable silence shared in the way only siblings can stand to be quiet—when there are no words needed to get a point across. But you’ve always set yourself apart from the pack, not needing anyone like how they need each other.
Not since Luke left, at least. The growing distance between you three since your untimely resignation from camp was proof enough. Pollux’s eyes met Castor’s in the rearview mirror as they both noticed your sad smile. His brother’s voice broke through the silence then, having always been the one blunt enough to say what was on his mind, “You’ve got us too if you let us see you more often.” Your fidgeting stops.
“It’s not you two, it’s just hard to be back here sometimes. I see things for what they used to be instead of how they really are now. Now it’s just… it has to be all business.”
Pollux cracked a smile, “S’what you get for growing up. Soon we’ll just be annoying voices in your head like you are to us.” Shutting your textbook, you turned to look at them from the passenger seat, eyes that match theirs darting between their blond heads, “All of us have to grow up eventually. Except maybe you two— I prefer you in my nightmares like the kids from The Shining. Whenever you get sick of Dad, come see me. Gods know that camp deserves a break from the two of you too.” Your knuckles knocked against both of their heads affectionately as he put the car in park, “My built-in bodyguards, huh? Always looking out for me.”
All words and meaning escape Pollux now as he stands in the greenery of the North Woods with battle gear ill-fitted to his large frame. It’s the first siege he’s ever taken part in, the first time he’s had to use battle strategies outside of Capture the Flag and the first time he’s slashed his way through monsters and demigods with the intent to try and kill or be killed. Sword and Shield could have never prepared any of them for this—as his eyes meet Castor’s and then yours with all of you thinking the same thing, the three of you join the sea of iridescent orange through mind-numbing black moving like a sharp three-pronged sword.
This type of stuff isn’t typical for him, he thinks. He and Castor are used to being comedic relief— being the source of laughs and juice boxes for pesky little campers instead of facing the real world outside the boundaries of the Mist. Perhaps your father babied them to make up for the time he lost with you, but there’s a moment where he wonders how being kept soft will keep him alive in a world as harsh as this one.
Childlike innocence is ripped away from them in the bubble they’ve inhabited until this moment. Home is now a warzone and like lambs set up for slaughter, the twins both turn to look at you as a shuddering gasp leaves your mouth at the carnage in your surroundings, monster blood and fallen friends and enemies at your feet. Breaking away from formation to take a deep breath, he looks at the sky and wonders where your father is, but smoke and soot fill his lungs and he coughs desperately for a breath of fresh air.
Pollux thinks he must have stopped breathing before Castor took his last breath. It wasn’t supposed to be a competition, but sometimes life was just funny like that.
5, 4, 3, 2, 1.
Just like you told him.
Castor was always the more manic one while Pollux knew how to endure. Children of Dionysus are forced to befriend insanity before it makes an enemy out of them—twisting the ugly into what’s real and creating something beautiful out of the deranged. You’ve shown the boys how you detach from emotion by recognizing the details—separating fact and fiction, a methodical process only describable by the blood that runs through your veins. Pollux doesn’t know where to start—everything happens so fast but it plays out in front of him like someone put the pieces together to a stop-motion animation.
He sees Castor’s sword fall to the ground when he gets slashed on the forearm and sees him get clubbed over the head with a metal weapon he’s only seen bad renditions forged for theater practices and hanging on the walls of the armory. Castor falls first to his knees, and then into the dirt with a thud. He never knew there could be that much blood coming out of a person, much less a mirror image of himself. Pollux sees your face come into his line of vision, deep maroon splatters on your face glittering with hints of ichor and then you’re moving because he can’t. The enemy is coming back for him now, and for a moment he wonders if Castor will be mad if he lets him. He sees you turn in an instant, swinging your sword down on the neck of the aggressor, a teenager not much older than he and his brother are—were. It’s funny how his brain immediately makes the switch to past tense, and how he can’t stop thinking about how he’ll now and forever be older than his twin. Pollux then sees you catch the body of the boy you just killed as life seeps out of him slower than it did for Castor.
It doesn’t make him feel any better, though.
His knees hit the ground next to his twin, touching the sludge of dirt soft like quicksand and moist with what he hopes is not blood, but Pollux is not quite sure of what else there is to hope for. His fist is wrapped around Castor’s shirtsleeve, touching faded orange and sweat as he holds on for dear life. Maybe if he tries hard enough his soul will still be intertwined with his. Your hand touches his shoulder, five fingers reaching out to brush the back of his neck and the feeling of your skin helps him refocus a bit, even if you’re saying something he can’t make out. Then the metal of your Zippo lighter feels cool to the touch within his palm and he knows what he needs to do.
The battle isn’t over, but for the three of you, everything stops here. There is no going forward without your brother. You were never meant to be children of war.
Pollux hears the sound of his heartbeat thundering through his ears, blood rushing through his veins and can’t help but notice the silence amid the chaos. There are no words fit for this—and even if there were, Castor and you were always the more talkative ones. He hears the spark of the purple flame between his fingers, blowing the smoke over him and his brother’s body, and their father’s powers blanket them like how you used to tuck them into bed, warm and safe. This is what your family is—unconventional and unending even in different realms of existence. And then Grover’s scream of panic echoes through the air and everyone hears that. Hysteria ensues as monsters and demigods alike run amok, and Pollux realizes he’s stopped shaking.
In his father’s domain, he will always find comfort.
You stand above him now directing campers calmly with a free hand—a brewing storm crackling underneath your skin that he now understands. Hidden by the illusion of smoke, Pollux’s tired bones rest alongside his brother’s dead ones— together as they always were meant to be.
The three of you together, his little family—that is a fact he hoped would never change.
The smell of grapes envelops him as he leans his forehead against your muddy leg… when did the battle end? It almost masks the scent of death that rips through the air as your hand brushes through his sandy hair. Pollux stinks of sweat and you stifle a laugh as you see him smell his armpit. You three were always the same type of fucked up. He doesn’t look down at Castor laid across his lap but knows he would’ve found it funny too. Ignorance of reality even for a moment serves as a comfort. Purple meets purple as he looks up at you with a smile that doesn’t fit his face anymore and he croaks, “Wonder what dad would say about our first battle…”
Glory was never meant to be this bittersweet—it tastes like blood in his mouth until he wipes it away from his cheek and realizes it’s Castor’s. In a way, it’s his too, everything about him and within him is exactly the same down to the star stuff the fates wove them from.
“I’ll be the one to tell him. You take care of Castor,” you answer, as if there’s anything else he would want to do and then he realizes you’re crying— and he’s seeing all of the pieces put together in front of him in this photograph in his mind.
Pollux blinks slowly.
Suddenly the image he has of you is more defined— there is new meaning to the sadness you could never shake off all these years, and he is too young to lose his greatest love, which makes him realize then that so were you.
How long does this have to go on? he wonders, grabbing onto your hand with an eagerness only comparable to the feeling he got when you and Luke whisked him and Castor away from Florida all those years ago. This punishment of living while half of his soul does not—what is he supposed to do next? This was supposed to be the safe place. There is nowhere left to run. His thumb rubs circles into the back of your shaking blood-soaked hand, a secret within the smoke.
Pollux thinks there will always be a part of him frozen in time now, a memory of this day hung up in his mind like a portrait as he holds Castor’s cold hand in his warm one.
Annabeth finds you in the middle of the strawberry fields before the sun sets. She knows you won’t be sleeping tonight, not if you can fight it— not when there’s so much to do. You’ve long grown out of your ripped-up and tie-dyed camp shirts, and the one slung on your frame is newly pressed and starchy from the storage room of the Big House, still stiff against your freshly washed skin. When she’s close enough to touch you, you’ve been scrubbed clean of today.
She doesn’t have to be a daughter of Athena to know that you know that she’s there even if you can’t see her, but for once she feels like she has to hide. For once, Annabeth Chase doesn’t know what to say. How can she explain the feeling of guilt that coils around her brain like barbed wire—how can she even begin to apologize for the thing wearing her brother’s skin, knowing that it killed yours? For once, her hubris is crushed by the sinking feeling of humiliation.
“Was your first quest all you thought it would be, Annie?”
As she takes her navy cap off, silver braided strands around her face wave in the wind as a reminder of what Luke put her through. Though as she looks at you now with your berry-stained fingers plucking at stems one by one instead of using your powers, she thinks that your mind is elsewhere—anywhere but here, where everything is a painful reminder of your five years as a camper.
Five years with Luke.
Mourning him isn’t a new feeling for either of you, even though he comes in and out of your lives like a poltergeist you want to bash across the head, just always out of reach. But he’s a constant, even when he’s not here and he’s what binds you two together as you huddle hidden away from the rest of camp.
“He did this for you.”
It’s not a question, more so a fact out of Annie’s mouth when you finally meet her eyes and sigh, “Luke’s always had a way going about things. The most stubborn man to ever live.” You toss another strawberry into the crate at your feet. No one’s working right now, trying to tend to the injured and the dead. Everyone’s doing their best to chase away the nightmares that are bound to come, and she knows you’ll be making rounds with her on the night shift to ease everyone’s anxieties. But there’s a thought so strong it makes her head hurt, bursting at the seams until she can’t stop with her last-ditch effort to fix her found family.
“Maybe if we find him, we can save—”
“He’s been out of time for a while now, Annabeth. We both knew that,” you say, voice firm and unwavering. You’ve never sounded so monotone before, and it hits her as her mouth falls agape, “You’re giving up on him? Why… why would you give up on him?” Anger courses through her veins like fire and she’s mad that she’s at the center of this prophecy, of Hermes’s anger for his doomed son who will love you until the ends of the earth.
And what of her?
What of the hope she has in happy endings, how is it that you’re so damn calm? Annabeth kicks at the crate, strawberries rolling out in different directions and your jaw tightens as you let her be petulant, let her scream and yell until her inner child can catch up with the reality of the world around you.
“How could you?”
Your name echoes as she repeats it, grabbing at your shoulders and she’s as desperate as the truth that shakes her when you cup her face in your hands and wipe her tears.
“You’ve carried the weight of the world Annabeth– you know what it feels like to let it go. It’s time to let him go. There’s nothing I can do or say to fix this.”
Then it hits her that you knew of his fate and yet this was still the outcome. There was nothing else to do but watch him be puppeteered by a Titan and have to fight evil while it wears his face.
“He came to you after he saw me, didn’t he? Why didn’t you tell me? Why don’t you love him anymore?”
Because it wouldn’t have changed a thing, your eyes say. Instead, you grimace as you say, “Wouldn’t that be funny if it were true?” You lean down and pick up the fallen berries, some bruised and covered in dirt, and then you look at her again with teary eyes.
“Some prophecy huh? To lose a love to worse than death. What could we have done besides love him until the end?”
“He’s still in there. I know you know that too. Don’t talk about him like he’s not,” Annabeth insists, and a sad smile settles upon your face. It’s as gentle as the kiss of the breeze on your cheeks.
“I lost a brother today, Annie.”
“Me too.”
The funny thing about planning funerals is that with all the fuss it takes to organize one, you still find extra time on your hands. Barely getting any sleep and dragging yourself out of your dad’s bed, Pollux snores loudly next to you after hours of working on Castor’s shroud. Sleep wasn’t expected for either of you, but being unconscious was the only way of giving your brains a reprieve. The both of you have been busy doubling down on the preparations, even if it means Mr. D won’t be back in time while he’s out rallying gods for war.
The faster Castor’s earthly body is reconnected with his soul, the easier his trip will be into the Underworld, Nico says, and it’s funny how comforting the little emo pipsqueak can be when it comes to matters of death.
Perhaps this is the solace you bring to others with things you’re able to control—keeping camp afloat is something you were always good at, and helping every traumatized child that comes up to you for a juice box or a lullaby eases the guilt that follows you. Walking around Camp Half-Blood for more than a weekend made you feel like a judge, jury, and executioner. Though most of the campers from almost five years ago have either aged out, defected, or died—the ones that remain still look at you like you’re trouble.
Perhaps you always will be.
You even found yourself with the time to pray to Hermes last night for your brother’s safe passage into the afterlife, though if he’s angry at Annabeth, he must hate you for letting Luke go. Dinner didn’t seem appetizing enough anyway, so your whole plate was tossed into the hearth. You hope he likes chicken and rice.
But if a god can’t fight fate, what did he expect you to do?
The Iris Message to your dad last night was difficult, to say the least. Pollux’s hands shook as he continued to paint grape vines onto the silk cloth and the both of you didn’t say anything when your father started to cry. He out of all of the gods knows what it’s like to be tested to the limits—to endure pain and it’s a gift you and your brother are grateful for in times like these. Watching the god display the human emotion that either of you couldn’t as freely made it more real though.
There was also the interesting predicament of Chris Rodriguez being locked up in the basement of the Big House. Replacing screaming fits with serenity was almost second nature, and your gentle hands were what got Clarisse to truly respect you again for the first time in years. You could hear her sneak downstairs and talk to him while he slept (and the look in her eyes when you’d greet her with a cup of coffee made it known to you that she finally understands what it means to love someone who’s lost—two demigod daughters filled with a lot of rage and hurt were more alike than they think).
So the morning of your little brother’s funeral, you found yourself on the shoreline of Canoe Lake, setting your Redbull against the post of the dock and looking out onto the water.
You needed to do something with your hands. In the past few days, if your fingers were not occupied by pen and paper, a guitar, supply crates, or anything else that was helpful to others and all the more distracting for you, it’s been so easy to pick at any little thing. Perhaps it was your subconscious trying to reflect the damage on the inside, but today, your nail polish was chipped beyond belief. A small price to pay to not lose it without a signature boyish smile to ease your worries and amber eyes that could help you escape from the routine.
Running camp was always easier back then with your runaway boy and his scarred cheek.
How pathetic.
Crouched over in the sand, you plucked stones and filled your pockets with them. They knocked against each other — weighing your pockets down as you walked closer to the dock. Swinging your feet off the side and chucking them into the water, you could barely achieve a ripple.
It’s so quiet that you end up wondering if the rocks in your pockets would weigh you down to the bottom of the lake. It must be nice down there, to exist away from everything.
Bubbles surface slowly in front of you, then Percy’s head bobs in the water as he squints at you through sunlight.
“You chucked a rock at my head!”
A smile tugs at your lips, almost indiscernible but definitely there, “I was trying to skip them. Didn’t know you were doing water tricks in there, kid.” His grin gleams like freshwater pearls, pulling himself up onto the dock as his hand clasps yours. Shaking his sopping hair, Percy’s gangly frame sits next to yours like a wet bag of sand—all wrinkly and misshapen and sprinkling you with lakewater.
“Maybe next time don’t pick rocks the size of your fist. How many have you got in there? Your aim is scarily accurate,” he laughs and you huff and shake your head when his hand sticks into your pocket and takes out a few smooth ones to roll around in his hand. You mirror him, watching him skip a few stones into the water that reach a good distance before sinking into the depths of the lake.
There’s something sad about feeling comfortable to trauma dump on the teenage son of Poseidon, but with the way he grabs your arm at your third unsuccessful toss of a rock, you can’t do anything else but sigh.
“Why didn’t any of you call me, Percy?”
He was waiting for this question—it’s been banging around in his head since the beginning of Annabeth’s quest, and perhaps her talk with you yesterday didn’t go as expected so once again he’s left with the difficult part.
Things happen to turn out pretty difficult for him a lot, he's noticed.
Many things could have been made easier in the past few weeks: Ariadne being your stepmother and her blessing to you would’ve made the Labyrinth easier to navigate, and having another demigod to fight alongside him instead of a mortal girl would’ve been a plus too. But he looks at you with ocean eyes and a smaller smile that reminds you of how he looked at you when you dropped him off in Montauk the summer you met him and quit your head counselor job.
“You’ve already made a lot of difficult decisions. We weren’t sure if…”
The rotten wood beneath you creaks under your shifting weight as you turn to him, tucking your legs underneath your bottom.
“Didn’t think I could handle it?”
He shakes his head, “The opposite, actually. Annabeth has this notion that you’re the only one that can save him. You know, back on my first quest I met Luke’s dad and he told me something…”
You swallow instead of answering. There’s no way Percy is giving you Hermes’s advice right now. Somehow this feels like karmic retribution after years of spiting that asshole, and what he tells you next is more of a sign that it must be true.
“He said, ‘Do you know what that feels like? To be so close to someone you love knowing neither of you has any choice but to keep hurting each other?’ I didn’t get it then, but I do now.”
“With Luke and his mom?” you ask, picking at the remaining slivers of varnish on your thumbnail.
“With you and Luke. I didn’t call you, because… why would I want to see you hurt after everything?” Percy says this like it’s something he would do for everyone.
Perhaps it is, but the knot that forms in your throat feels as heavy as the boulder you almost sunk into his skull. He’s tall enough to lean your head against now, and you don’t mind the water spots that will form along the side of your funeral outfit. The shape of him it leaves will remind you of the little brother you gained through so much loss.
“Plus he has a new girlfriend. Absolute horse of a girl,” he jokes. It slips over your head but you still giggle, “I could’ve taken her.”
“I know, that was Grover’s worry. You’re prettier anyway…” Percy pauses, and then clears his throat, “You’ve always taken care of this place, y’know? Even after….I just think someone ought to take care of you.”
Your shoulder bumps against his as you finally skip a rock. It only bounces across the water twice and you think Percy might have had something to do with it, but you’re not bothered by the help this time around.
You wake up in the dark of night to see your dad looming in the doorway to his office. With drool and a post-it stuck to your cheek, he comes over to ruffle your hair in amicable silence.
“Hard at work or hardly working?” he chuckles, leaning over your shoulder to scan over the paperwork sorted into piles for him to sign from his absence.
“Hm. You wish,” you scoff, leaning against your arm as you look at him. He’s not in his usual eyesore of attire, wearing a clean-pressed suit with his hair slightly slicked back.
“You look good. The meeting went okay?”
“Grover will be fine. The Council of Cloven Elders? Not so much. Neither are the gods ready to take sides. Putting out little fires everywhere as we speak.”
The wheels of the office chair roll as you swing your feet, and if you both listen closely enough you can hear Pollux snoring upstairs. Chiron loved the earplugs you gave him.
Your father’s face smooths out a bit at the sight of you and the sound of his son’s breathing upstairs and he asks, “Are you? Good?”
A shrug slides off your shoulders, “How does one be good in a world like this one?”
A startling scream echoes off the walls of the Big House, rattling the floorboards from below as your father grimaces.
The work is never done for you two.
“Don’t look at me like that. It was worse when he first came here.”
“Don’t doubt it,” he mumbles, brushing lint off your shirt before he notices you’re donning neon orange. “Didn’t do laundry, princess?”
“Pollux and I haven’t gone back to our cabin since... I can wake him up if you—”
Mr. D shakes his head and goes to toss his body onto the couch against the window, shutting his eyes and taking a deep breath.
“Dad? Do you think Chris is a bad person?”
A beat passes and you think he may have fallen asleep, but then his voice sounds like gravel scraping up his throat.
“I don’t think anyone can be bad, kid. I think it is more often that people get lost. What Rodriguez needs is someone to take hold of him gently, and hand his life back to him—you…Clarisse… that’s what we’re giving him.”
Now you’re silent, staring at the dust on his name placard at the edge of the desk.
“Do you think otherwise?”
He calls your name again, and you look up like you’re about to lie to him but don’t have the energy to.
“Princess, do you think you’re a bad person?”
He stands up and walks around to your side of the desk, sitting on the edge so you have to look at him.
“I killed someone. During the battle. Didn’t even think twice about it, slashed his neck as soon as Castor went down and…” you sniff. “I kill monsters, Dad, not children. How does that make me any different?”
The last time blood was on your hands like this it was Luke’s in the Garden of Hesperides. All these years later you ended up being right— the only person you vowed to get bloody for is Luke Castellan, and now in a twisted turn of fate, you’ve bloodied your hands because of him.
“Because you did it for your brother. There are no other explanations needed.”
He sees the exhaustion in your eyes, the drop in your shoulders, but your dad also sees the strength in your bones that spans generations and he knows you and Pollux are strong because you are both his.
“Humans believe in life everlasting—glory, as some call it, but they’re too focused on achieving it on earth instead of enjoying what life has to offer,” he scoffs, “Everyone has the guts to die, but no one has the guts to truly live. How sad.”
“His name was Rowan. Son of Hecate. I taught him how to whistle the summer I left. This is all my fault, Dad,” you say shakily as he comes near and pulls you into his side. He shushes you but you relent.
“Luke’s killing all these people to fulfill a promise he made for me. I’m just fucking disgusted with myself for being the cause of it all. What good life can I deserve when wherever I go I leave a trail of blood?”
Love and addiction must be so alike; to know that to be sober you can’t indulge in the vice ever again—not only does it hurt you, but others around you. But through the years you’ve always kept the taste of his name in your mouth, the feeling of his skin under your fingertips, and the knowledge of why he’s destroying the world so he can make you a better one. Insanity stems from fighting for so long that you embrace the pain; feeling something so intensely that when it consumes you you’re able to walk out the other side and wear it as armor.
Not everyone is hardwired to persevere.
There are moments like a night like these where it would be easy to give up. Instead, you pour two glasses of whiskey you’ve conjured and hand one to your dad. You both sip on your drinks slowly, embracing the crawling feeling of the burn.
“Liquor is one way out and death is another,” your dad sighs blissfully. He almost looks rejuvenated by the alcohol he knows he’ll hear about from Zeus later, but perhaps the death of his son is a good enough pardon.
“For some of us, we don’t have to think about the answer.”
Mr. D grabs a pen off the desk and starts signing papers to do something with his hands, and then you speak again, “I think I’d rather die for people I love,” and your dad’s attention whips to your blank face staring at the moon outside the window. “Instead of killing for them. I’ve never been a good soldier, Dad.”
Mr. D looks at you thoughtfully and wonders where all the time has gone that you sit there in front of him with more knowledge than him at your mortal age before saying, “You’re my daughter. You’re a fighter. Death is for chumps anyway.”
He lifts you by the arm to try to usher you up the stairs but you stay in his office chair swatting his hands away.
“Got work to do, you and I. Not getting rid of me until it’s done.”
“When are you going home?” he asks, pulling up a chair next to yours.
“I am home.”
You don’t look up from the papers you were filing, stubbornness leaking through your voice.
“If there is a war coming, I want to be home as much as I can. I’m finishing my last semester and I’ll be here before and after classes. You can’t stop me, dad.”
And he knows that too.
There is no such thing as leaving Camp Half-Blood for you.
Never for too long. Your love for it is scattered everywhere campers can see.
In all these years, you never believed I loved you. And I did. I did so much. I did love you. I even loved your hate and your hardness. - Tennessee Williams
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kata4a · 3 months ago
Text
so since attested akkadian texts span a period of almost three millenia (!), there's naturally quite a bit of dialectical variation both geographically ("assyrian" in the north, "babylonian" in the south), and diachronically (e.g., "old," "middle," and "late" babylonian)
but my favorite detail so far, per huehnergard:
Already during the Kassite period [when Middle Babylonian was spoken] Old Babylonian had come to be regarded as the classical period of Akkadian language and literature, and scribes in both Babylonia and Assyria attempted to duplicate it in a purely literary (i.e., unspoken) dialect that Assyriologists call Standard Babylonian (SB). The scribes' efforts to reproduce the classical language usually had mixed results, as their own language patterns frequently intruded. Standard Babylonian is the dialect in which such important works as Enūma eliš and the later, longer version of Gilgamesh are written, indeed, all of the literary texts of the late second and the first millenia, as well as many royal inscriptions.
badly aping archaic language to tell your myths is apparently about as old as mythology itself
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anjelicawrites · 3 months ago
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Could you PLEASEEEEEEE write Osferth X professor!reader with religious kink and corruption if not that’s okay ily
Hi nonnie! Your lovely ask evolved into a full fledged fanfic! I hope you'll enjoy it!!!
Warning: religious kink, corruption, self-harm, whipping, description of self-inflicted wounds, a dash of obsession, p in v sex, sex in a church, overstimulation.
You can't sleep.
The pouring rain should lull you into slumber, yet you have been tossing and turning in bed ever since you closed your eyes; you know why you're so restless, and have been for months, desperate to ignore the root of your issues, until even your dreams aren't a safe refuge anymore.
NSFW and 18+ only please!
With a huff you leave the warmth of your bed and throw your dressing gown over your night gown. You ignore the Loeb volume on your desk, deciding to head out, your mind is nowhere near translating archaic Greek.
When you were hired by the Catholic University you still work at, you were a bit anxious at having to live on campus, in the small apartment your employer rent you at a ridiculously low price, compared to the city. You were afraid that you wouldn't be able to have friends over and to have to live like the monks and priest working and studying here, and not like a layperson. You heart had soared when you saw that the building was dedicated to the laypeople personnel of the University, although still connected to the maze of ancient corridors and tunnels that formed the veining of the University town.
It comes handy now that you want to go to the small Chapel built at furthest corner of the north border of the grounds.
You're not a religious person. You don't consider yourself to be an atheist, simply someone open to a spirituality that encompasses all organized religions. When you go to the Chapel, your goal is to help your mind slow down and focus, not because you want to pray.
Tonight, more than any other time in your life, you need to reach that part of your inner self that's calm, collected. And not in the throes of a passion that's forbidden, not only one sided.
You walk as close as possible to the ancient walls, the storm is so violent that the rain is pouring through the columns of the portico, wetting the part of the flooring that's the closest to the inner garden.
Trembling, the cold being so biting not even your flannel nightgown, nor the thick dressing gown protect you fully from it, you reach the side entrance of the Chapel, the one that opens to the right side of the altar.
You stand, rooted under the old lintel, like a salt statue, like Lot's wife during the fall of Sodom, your eyes drawn to the kneeling figure of the man that's haunting your dreams.
The lights are off, only the votive candles on both sides of the nave barely illuminate the, otherwise, pitch black Chapel.
In the darkness you can't see what he's doing, only when lightning explodes outside, you realize he's not praying, no, he's whipping himself, blood pouring down his long back and splattering on the stone floor when he lifts the scourge to hurt himself again.
Over the squelching sound of leather against flesh, over the rain pattering the stained-glass windows, you now hear his voice, broken by moans of pain, reciting prayers after prayers, begging his God to forgive him.
You don't know for how long you stood there, watching him hurting himself, the horror and the surprise rooting your feet to the ground, choking your voice.
"Osferth!"
He looks like he's a the end of his tether, his torso falling forward inch by inch with each lashing he's giving himself.
Your eyes, having adjusted to the dim lights of the candles, now see the rivulets of sweat traveling down the naked skin of his front, mixing with the blood pouring from his open wounds, ending where he's bunched the upper part of his cassock around his slim waist.
He can't focus his sight on the blurry image emerging from the shadows, sweat and tears blind him, so is the hunger clenching his stomach painfully: he's been starving himself to punish both his traitorous mind and body, now he feels so weak he can barely keep himself upright, the pain of his torn flesh stabbing him with every breath he takes.
His strength abandons him, he almost faints with his head against your shoulder. When he feels the soft material of your dressing gown, he starts crying, inconsolable, like a lost child.
For the longest moment he doesn't recognize you, the white of your nightgown and azure of the dressing gown deceive his tired mind: all he sees his the statue of the Virgin Mary advancing towards him, her arms open for a sinner like himself, her smile serene as she looks at him with a Mother's love.
He only realizes his mistake when your soft palm caresses his cheek.
It's not the Heavenly Mother who's come to his rescue, you were simply standing in front of the statue.
You don't know what to do, you're afraid of hugging him, only to hurt his mangled back. You didn't expect the object of your dreams and sinful desires to be in the Chapel with the sole goal of obtaining forgiveness, for what sins? You're the one who has been having those all too real dreams, where he would come to your office, and not to clarify any doubts one of your lessons might have left him with.
What sins has this pure soul committed, that warranted such harsh punishment?
Your hands shake violently when you put one on his side, and the other in the sweaty mess of his hair. You're unsure of what you've walked upon and want to calm his desperate wailing, scared he might truly faint, or worse.
Gently you caress his hair while you call his name, slowly helping him back into himself, ordering him to breathe slowly, following the even movements of your chest. Whatever this is, it is your duty as his professor to help him solve his issues: you can't abandon him.
Against yours, his body still shakes with torment and affliction, yet he manages to lift his head to look at you with the saddest eyes you've ever seen.
"I can't live like this anymore." He says with a broken voice. "I can't."
His hands, the very hands you fantasized about in the wee hours of the night, grab your shoulders with desperation, forcing a wail out of your lips.
This is the moment when you understand that you haven't been alone in your impure thoughts.
You never wanted to, consciously, tempt him, yet you would always open as many buttons of your blouse as you could, when you knew you'd be teaching his class. You would wear the tightest slack the dress regulations of the University allowed you to and you would get in Osferth's personal space more than you would any other student, whenever he stayed after class to ask you questions.
You wanted him, though.
From the moment the monk had walked in your advanced Classic literature course, you had felt the know of desire tighten in your belly. You had wailed his name with your hand between your legs, only to force yourself to ignore your actions as soon as you reached your orgasm. You had tried to gauge the shape of his lean body, under the bulky cassock he would always wear, only to chastise yourself afterwards.
As bad as you knew your desires were, you never truly tried to stop them, you simply hid them under the rug, in the vain hope they would die there. And never stopped tempting him.
Even with the bleeding man in your arms, a part of yourself hopes he would reciprocate. Even with the proof of the pain you've cause him, you can't help yourself but needing him like you need air.
"Shh, Osferth. Shh." You murmur, your forehead against his. "Shh. All is well. Shh."
His lets his head slide down the curve of your shoulder, where he can smell you, until his heart stops beating madly in his chest.
With your head still stroking his hair and tonsure, you tell him you need to get the first aid kit in the small room behind the altar.
In your arms, Osferth wails in distress again, until you promise him you'll come back in five minutes, you simply need the time to grab the box standing under the defibrillator.
You help Osferth lay on his front on the soft fleece of your dressing gown, then you rush to the office, almost falling in your haste.
When you come back you can't see him breathing. Scared you kneel by his side and pull his unresponsive body on your folded legs, your haste movements jostle his body painfully, causing Osferth to wail in your embrace.
Even though the Chapel is rarely used, the University had to install a first aid response point, due to the fact that the University grounds are enormous: if someone were to need first aid help, the closest, used, building, would still be too far away.
As you grab the heavy box, you thank the regulations of the University: you're not sure Osferth is any shape to walk anywhere. On top of that, the storm is still raging outside; with those open wounds on his back, he wouldn't be able to wear anything to shield himself from the biting cold.
"I'm sorry! I'm sorry!" You tell him, your voice high pitched. "I'm so sorry, Osferth!"
What are you sorry for? Your desires? Having elicit his own fantasies? The raw wounds marring his skin? For causing even more torment just now?
With a groan Osferth turns his head, open eye focused on the shadows hiding your beautiful face.
"Don't leave me, please!" He begs, feeling fresh tears welling in his eyes. "Don't abandon me!"
The way you two are positioned puts the statue of the Virgin Mary in his line of sight, since you're partially covering it with your torso. You wonder if he's talking to you, or to Her.
"You need to lay on the gown again. Your wounds need to be disinfected." You murmur. "I'm not going anywhere."
With what little strength he has left, Osferth moves his body off your legs and on the soft fleece. On purpose he turns his head, knowing fully that he can't face you, and the Holy Mother behind you.
Even on Sacred ground, even after praying desperately, starving himself and flogging his traitorous body, all his thoughts towards you are sinful: he doesn't see the fear and affliction in your eyes, your worry for his health, all he can focus are your breasts and the nipples poking against the material of your nightgown. Your touch, albeit gentle, inflames his loins anew, as if the pain each breath brings him doesn't exist. He doesn't truly hear your words, he only knows he wants to kiss you until your taste is all he can feel.
His wounds look horrific: there isn't an inch of his back that's not torn, raw skin; he has managed to strip the outer layer, and kept going until he had bled.
He winches when you start cleaning his back, begging him for forgiveness with every pass of the sterile gauze, until you can start applying layers and layers of antiseptic cream and plaster, covering the wide expanse of his ruined back.
Once you're done, you can't make yourself lift your hands from the dressing; even under those circumstances, you want to feel him.
"Why did you do this to yourself?"
You know the answer: the same malady plaguing your mind has invaded his yet, in the dazed state you're in, you want to hear the confession spilling from his lips.
Heartbeats as long as centuries pass, before Osferth finds the strength, and the courage, to lift his abused body to kneel in front of you. Only then he looks at you with haunted eyes.
"Because I am a sinner. Every breathe I take, every thought coursing through my brain makes me one. I think about you during every waking hour. You come in my dreams, taking my willpower away from me. I no longer want to live for my vocation, I want to live for you."
"When I pray, it's you I see behind my closed eyes." He barks, forcing your body closer to his. "I can't study, I can't focus on anything but the lust I feel. I keep wondering about your taste, the texture of your skin. How you'd sound under me. Even when I was punishing my flesh, all I could think about was you."
His voice raises with every words he says, until he's feverishly screaming in the silent Chapel.
Before you can answer, his hands grab your shoulders again in a painfully tight grip that surprises you.
On instinct you put your hands on his naked chest, unsure if you want to push him away or drag him closer to you.
"Osferth..."
His warmth liquefies your strength and stuns any good purpose you might have.
"I can't live like this anymore." His voice has taken a begging note, his hands shake your body. "I can't free myself if you don't tell me you don't want me. Please, I can't..."
Osferth bends his head again, overwhelmed with tears and shame.
You weren't acting as yourself, you will repeat in front of the mirror in the morning, you didn't know what you were doing, you'll lie to yourself, waiting for night, and him, to come.
All his life he had desired the safe haven of the monastery. To leave the world behind and follow his Calling.
Or so he thought.
With you so close, supple skin and enticing smell, he doesn't know what it's right and what is wrong anymore, what he truly wants for his life.
Possessed his hands strip the flannel off your body, until he frees your breasts, his hands cupping the warm skin as he sighs in the kiss.
You are absolutely aware of your actions. Of cupping Osferth's tear streaked cheek with your hand, until you could stare in his eyes.
When you slant your lips on his, you know you have opened the gates for a flood neither of you will ever be able to control.
You link your hands behind his nape, pulling him over you, the dressing gown your only protection against the unforgiving stones of the nave.
His kiss is hurried and inexperienced, so are his hands on your body, pinching, touching, caressing every inch of skin he can find.
When his fingers meet the wetness between your legs, he stares at you, surprised.
"Osferth, please!" You beg, lifting your hips to bunch the flannel around your waist. "I need you."
He's on you again, kissing and biting, scratching as if possessed.
Hungry you help him remove the cassock and boxer briefs, until he's naked, and hard.
You don't know if this is his first time, it doesn't matter when he breaches you with a shout, and keeps pushing and pushing, deaf to the sounds of pain and pleasure that spill from your lips: all he can focus now is your warmth, and the way your muscles pull him in, mercilessly, until his hips are flush against yours.
"I... I... Oh God!" He screams when your hand curls around his massive erection to stroke the fluids weeping from his head, all over his hardness.
"Now, Osferth! Now!"
Only then he stops moving and pulls his torso up to look at you.
In the half - light he can see the blessed out expression on your face and the way your breasts heave with every breathe you take. You're so beautiful this can't be sin.
Hastily you plant your feet on the ground and grab his buttocks, pushing upwards against his body, fucking yourself on his cock until he lets his weight be carried by his forearams.
You scream when he pounds recklessly inside of you.
He fucks you like an animal, no finesse, no technique, his cock rams against your walls, opens you up with squelching sounds when your wetness starts dripping from your hole.
You can't match his hunger and let him sweep you away, your legs curling around his trim waist, nails puncturing the meat of his ass.
Blindly he fucks against your G spot until you arch and come under him.
He doesn't stop.
The tighter you curl around him, the faster he goes. He brutalizes your insides, he bites the soft skin of your neck to snuff his own moans of pleasure, the pain of his back forgotten.
On instinct he pulls out and turns you around, only to enter you again, marveling at how deeper he can reach now.
He's possessed by lust you, under him, can only grab the fleece and scream your orgasm, unable to even beg for mercy.
You're a trembling mess under him, your combined honeys drip from your hole and have formed a white ring around his base; inside of you, he's still hard.
Relentless he fucks your hole, your muscles pull and curl around him, his balls, impossibly full, slap against your naked skin. He grinds against your cervix when you whine in pain and tightens his hold on your hips when you come around him.
He can't stop.
His erection is pure torture. His brain is screaming that he needs to come, he stubbornly tries to push his own end away: he doesn't want the coupling to stop, he doesn't want to leave the sanctity of your wet cunt, even now that you're begging and crying, he can't stop, not when you come again and curl impossibly tight around him.
Desperate for a sliver of control, he pulls out and turns you on your back.
You're so beautiful with your teary eyes and weeping pussy, the skin of your breasts marked by the stones under your entwined bodies: you are the image of lust and desire, with your lips bitten raw and your splayed legs.
Unconsciously his cock strains for your hole, for its warmth and hunger; he chokes on his own saliva when he sees the way your cunt clenches, still needy for him.
You're so sore, oh God so sore! No one had ever given you such a pounding, you're sure you'll not be able to walk tomorrow.
You don't deny him when he enters you again, moaning, his head whipping back to expose the cords of his neck, your hole so wet he bottoms out easily.
Mesmerized he stares at the junction of your bodies: how will he be able to live without this? Without your warmth?
He lays on you, his weight partially carried by his forearms, his pubic bone delicious against your pearl.
Your words unleash his lust again. Like a man possessed he fucks you, barely leaving your hole, grinding against your body, reveling in the way you moan and whine, your hole clenching tighter and tighter, the pressure mounting at the base of his spine until he comes, copious in your pussy and you follow him, blinded by the strength of your orgasm.
"Osferth, I can't..."
"Please!"
"Come with me, Osferth! Please!"
He's still laying on you as his cock softens in your hole. He almost purrs when he feels your hand caress the solid muscles of his arse; no, this isn't sinning, not when it's you.
Dazed you two help one another with your clothes, his hands and yours tremble, your eyes don't meet. That's why you notice the cilice sitting on the first pew.
With shaking fingers you take it in your hands, finally staring at him.
His hands are so big, yet careful to remove the vile instrument from your grasp.
"Were you going to wear this?" Your voice shakes with pity and fear.
"Not anymore."
"Do you regret..." Your hands gesture to the floor. "This? The Dean can have my resignation letter first thing in the morning."
Before you can start to fear his response, he grabs your arms again, shaking you.
"No! Never!" He shows the cilice right in front of your face. "Wearing this for the rest of my life would hurt less than not being with you again! Flogging myself until no skin remains would hurt less! I don't want this to be a once only!"
The vehemence of his words, the desperation you can see in his eyes, they both surprise you, so is the fact that he is confessing all of this on Sacred Ground: you thought his calling was the only thing that mattered to him, that he would deem your coupling a mistake.
Despite the weariness he feels in his body and the pain now biting his back, he stands to his full height, grabbing your hands with his own to help you on your feet.
"I can't fathom not having you inside of me again and again, Osferth."
"I'll never leave you."
Outside the storms still rages, as if the Heavens are screaming at the sins you two are committing by promising absolute faith to one another in front of the Altar, a blasphemous matrimony.
"I am yours, and you are mine." He says with a firm voice. "That is the only important thing."
"Yes." You cup his cheek. "I'm yours and yours only."
It doesn't matter. Nothing matters but you two and the bond now binding your souls.
No one will ever separate you two.
No one.
Osferth taglist: @fan-goddess
Ewanverse taglist: @vhagar-balerion-meraxes @zaldritzosrose @thought--bubble
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whencyclopedia · 5 months ago
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The Native Peoples of North America (also known as American Indians, Native Americans, Indigenous Americans, and First Americans) are the original inhabitants of North America believed to have migrated into the region between 40,000-14,000 years ago, developing into separate nations with distinct and sophisticated cultures. These autonomous nations spread from Alaska, through Canada, and the lower United States. The earliest periods of migration, settlement, and development are defined by archaeological evidence (spearheads, tools, monumental structures) from sites throughout North America and are most often referred to by the following terms: Paleoindian-Clovis Culture – c. 40,000 to c. 14,000 BCE Dalton-Folsom Culture – c. 8500-7900 BCE Archaic Period – c. 8000-1000 BCE Woodland Period – c. 500 BCE to c. 1100 CE Mississippian Culture – c. 1100-1540 CE During the Archaic Period, some Native populations moved from a hunter-gatherer paradigm to a more sedentary social model as evidenced by sites such as Watson Brake (c. 3500 BCE), Poverty Point (c. 1700-1100 BCE), and others of varying size, developed throughout the region during the Woodland and Mississippian Culture eras. The cultures that developed in and around these sites were distinct from one another but shared a worldview that included belief in a higher power and disembodied spirits, the value of community over individual needs, reciprocity in interaction with the environment and each other, the importance of ritual and tradition, the practice of warfare and slavery, and conservation of resources. Women were highly respected in the communities and frequently served as leaders or advisers in government. These separate communities developed into what are sometimes called 'tribes' (but more often referred to now as 'nations') at some point prior to c. 980 to c. 1030 CE when the first European settlement was established in North America by Leif Erikson at L'Anse aux Meadows, Newfoundland. By the time of the beginning of European colonization of the Americas in the 15th century CE, they were highly developed political and social entities associated with a specific region and a certain territory within that region. Although European expansion across Canada and the United States eventually deprived the indigenous peoples of their ancient lands, the nations still exist today and the image of the 'vanished Indian' is as much of a myth as the 'noble savage' or similar tropes developed by European and American scholars during the 19th and early 20th centuries.
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ariadne-mouse · 1 year ago
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Blue Perennem
Common names: taintflower, gooch poppy, grundlebundle, taint-patiens, pussy willow, butt-ercup, nether-lily, panty-petunia, chrysanthebum, down-low daisy (1)
Appearance: Leaves and stems are greyish or black, and similar in shape to those of a rose bush. Flowers are a vivid blue, each with six petals, and each petal bearing distinct variegation that resembles a screaming face.
Etymology: Most scholars agree Blue Perennem takes its name from Archaic Common word perennis, meaning "everlasting", possibly in reference to its survival in harsh environments or its use in healing medicines. However, folklore points to its origin in the Modern Common word perineum, which informs many all of its common names. The association of perineum with the flower itself is unclear. It may be that in some phenotypes, the center of the flower markedly resembles an anus, and thus the petals would be analogous to the aforementioned perineum.
Distribution: Blue Perennem is an uncommon flower native to the Grey Valley, a region of the Cliffkeep Mountains north of the Umbra Hills in Tal'Dorei. It can be found growing in areas rich with demonic energy, cursed magic, death, loss, or other sites where significant conflict has occurred.
Uses and cultivation: Blue Perennem is used in powerful restorative medicines, in particular those reversing damage caused by poisons. Cultivation is largely unsuccessful. Despite Blue Perennem's hardiness against the hazards of its native environment, it poorly tolerates transplanting. Advocates of the perineum-origin etymology point to this as an example countering the flower's association with "everlasting".
(1) the author received many unsolicited contributions for this entry from amateur arcano-botanists, especially for common names of the Blue Perennem. Most have been reluctantly included for the fulfillment of linguistic descriptivism, though this author doubts the validity of several of them, especially those from parties who made many submissions and were giggling as they handed over their papers.
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yeyinde · 1 year ago
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WILLOW TREE MARCH
John Price x Reader | Fae!AU
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"They'll give you gifts," your gran says, shaking her head. "Things from their realm. Little trinkets and gems—" geodes, sapphires and diamonds, raw gold and coral; "—and you must never accept them," a whittled deer made of sequoia under your pillow; crow bones buried in the garden."Because if you do, if you do, they'll never let you go."  "Why?" You asked, blinking at her.  "Because it's a courting ritual, and to accept means… well," her mouth twists in wry disdain. "Just don't." 
—WARNINGS: 18+ | SMUT fae shenanigans, mythological nonsense; unsafe sex, smut in random places, slight exhibition kink if you squint; Dom-ish Price, soft Price, pining Price; fae trickery (dubious consent on account of the trickery but not really); unreliable narrator; ahhhhhh, body horror (??????????) —TAGS: Fluff, AU, mythology —WORD COUNT: 8,5k —Based on this ask
There's a thick forest at the edge of your town. It curves along the coastline, breaching the yawning maw of the inlet—the last safe haven before the open ocean—and can be found almost nowhere else in the entire world. A unique ecosystem comprising vaguely familiar flora and fauna. Brown and Black bears. Wolves. Sitka-black-tailed deer. Ravens. The waters that crest through the forest are full of salmon, steelhead, and river otters. On the coast of the inlet, you can find whales, sea lions, seals, orcas, and porpoises swimming offshore. 
It's protected, in large part, by its sheer vastitude. Spanning a massive chunk of your home, it stretches far north with curling fingers cutting through the granite of the crumbling coast, and as deep south as its knobby knees can reach. 
From above, it looks like a child curled on its side, knees tucked to its chest. It's this pose alone that makes others revere it as some sacred being, slumbering mindlessly until the day it cracks open its eyes, and awakens to the new world. A child god made of conifers, red cedar, spruce, fir, pine, birch, and hemlock. Mossy caves of granite and limestone. Thick colonies of moss, liverworts, plume moss, and common haircap. 
The forest is linked to your town only by a small strip of land that juts out from a raging ravine with currents too dangerous, too deadly, to try and traverse. An archipelago all on its own, untouched by greedy, human, hands because of its placement. 
It's insulated by the vast ocean on its front, and a series of insidious looking mountains ready to swallow wandering mountaineers whole if they get too close to the sleeping child. Protected and safe by anyone who might try to harm it. 
You used to dream about the forest. A nightmare dredged up about whispers and calls. Lured close to the edge of the river where a man would hand you his heart—sap-stained, and charred; a brittle piece of Bristlecone pine that felt fragile and worn—and told you to come back for him. To wait for him. 
You'd wake in a cold sweat each time, heart pounding so fast that it almost felt like you were dying.
(Maybe you were. Maybe you did.)
You don't know if you believe the stories told about people wandering into the gaping chasm of the forest and never coming out. It's not uncommon for people to get lost, after all. But it feels distinct and archaic. Old. Something about the way the wind howls sounds different from the other woodlands scattered around your home. 
It sounds like a beckoning call. A mother calling their child home for dinner. Come to me, the Chinook bellows. Come home now, dear. 
You never venture too close. You know all too well what happens to children who do.
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His name is—was now, you suppose—Kyle, but no one called him that. To everyone in town, he was simply known as Gaz. 
Newcomers to the isolated archipelago are a rarity—so much so that news of the new family's arrival sent waves through the community, making Gaz an instant star overnight, all without him even setting foot on the shores. 
None of that mattered, though. He fit in with an ease that seems almost preternatural when you think about it, as if he was meant to be there. And maybe he was. Maybe the soft rolling valleys were destined to be his home where flowers bloomed in the spring, and Arctic tern trilled from the branches. 
Gaz was unique, different. 
He picked dandelions with the same intensity that picked fights with the bullies in the neighbouring town, the ones who tried to pick on the smaller kids in the community. 
With his fists always covered in dandelion oil and bruises, face caught between a grimace and a grin, like he was never sure if he wanted to spit at their feet or tell a joke, he stood against the onslaught with an anger that seemed to crackle in the air like fireworks. Ready for battle. Thirsty for blood. 
His anger never waned even when he turned back to the group, eyes cresting in satisfaction, and body trembling with adrenaline, and you could scent the rage in his smile, hear it in the soft words he muttered to the kids, telling them everything would be alright. 
Gaz was everyone's friend. The person you told your deepest secrets to, the one you planned adventures with. He was a rock—always armed with snappy jokes to make you smile, and advice when you needed it. 
He was everyone's friend—yours especially—but you can't remember if anyone was his best friend. He was polite. Distant. 
It started in the summer. His hands were always cold, and he kept them shoved deep in his pockets, clenched tight around the latchkey his parents gave him. 
He started to seem almost liquid then. Temporal. You'd reach for him, brushing your hands against his arms or shoulders just to assure yourself that he was really there.
You noticed that his eyes would list sideways, head tilted, slanting toward the forest. It looked to you as if he was listening to something. To some unheard noise or call that only he could hear. 
When you asked about it, he'd always blink, surprised, as if you'd woken him up from a dream quite suddenly. Then, he'd smile, and shake his head. 
"Don't worry about it," he'd say, shrugging. "Just the wind."
He'd bend down and pick a dandelion for you, holding it out between pudgy fingers with a grin that seemed to mimic the cresting moon. 
"For you."
He picked them for three springs before he, too, became another victim of the endless forest. Another empty tomb in the overcrowded graveyard.
Missing, they said, but not forgotten. 
You think about him often. 
(Even more so when you, too, begin to hear your name echoing through the forest.)
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Beware the woods, your grandma says. Especially when it calls your name. 
(You never understood why something that sounds so comforting, so sweet, could ever be dangerous. It sounds like an old friend calling you over to play. 
"Never go," she snaps, her hands lashing out to grip your arms tight. You feel her knobby fingers digging into your bones. "Never listen, and stay away—"
"You're hurting me, gran—"
Her rheumy eyes burn into yours. "Stay away—!"
(You wisely never speak about the whispers in your head, keeping them to yourself. A secret just for you.)
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You leave town when you're old enough, when the hisses in your head grow too loud to ignore, and it feels as though they're scratching at your skull. 
(Clawing at the walls.)
"Crazy weather, eh?" The first mate mutters nervously, eyes tilted upward as the sky darkens into an angry grey. "Came outta nowhere." 
You leave, and you don't look back. 
(But oh, how the forest screams.)
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She calls you back several years later with a phone call. Your gran has passed. 
You think you should mourn, but it's been so long since you thought of home, that you don't remember what she looks like anymore. The sound of her voice is a whisper in your head—the cadence gone, the tone flat. 
But you don't cry, and you don't grieve—she's been dead for a long time now, after all. Ever since your mum went missing all those years ago, she's always seemed more of a ghost than a person. Living as if her body hadn't realised her heart was long dead. 
You go back only because you think your mum would have wanted you to. 
(And pretend it isn't because the silence in your head is suffocating. Without the whispers, it feels as if you're missing something. A part of yourself forever lost in the forest.
You wonder if anyone has found it by now.)
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Nothing has changed since you turned your back on the town that raised you, the forest that stole from you. 
It's the same buildings. The same market. The same roads. The same houses. 
The people, too, seem largely unchanged by the years that have passed. 
The friends from your childhood who stayed meet you at the graveyard, eyes filled with sympathy as they ask how you're doing. 
She'll be missed, they lie sweetly to you. Everyone loved her. 
She was a hermit, you want to scream. A woman driven mad by ghosts and fairytales and terror. 
You nod, instead, and let them lead you around the town on a grand tour as if anything about this beautiful, haunting place had changed since you ran away. 
It gets easier to force a smile when they ask if you're okay. 
"Fine," you murmur and wonder if your voice even carries over the whispers. "Just—yeah. Fine."
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North of the town is where the river separating the lonely forest carves a path, not at all dissimilar to an idyllic trough, through bedrock and sand, and flows into the sea. 
The estuary is dangerous in high tide when the rapid ascent of water on the sandy shores hides the rip current that is known to form when the two bodies of water meet. 
It's a dangerous place to get caught in. 
This beach was impressed upon you as deadly from a young age, almost in equal—if not greater—measure than the rapacious forest across the river. You know the dangers of standing on the slippery bedrock. 
But as the sun glows a burnt orange in the distance, and the endless ocean before you darkens into an almost unfathomable black, you can't help but find the view from the cliff's edge to be the most mesmerising thing you've ever seen. 
It looks like a painting. A brush stroke of tigers eye in the centre of the cresting sun that gradually fades out into xanthous, and rings of hazy peach; the light of diminishing star smears coruscating rings of persimmons into the indigo water. The gradual fade into gradients as the waves lap closer to the shore is reminiscent of liquid sapphire and smelting amethyst. 
The picturesque view is more befitting of a pastel postcard, an ethereal pastiche of the Ninth Wave—a moment of life imitating art, or—perhaps—the same view Ivan Aivazovsky stumbled upon when he set out to render the haunting beauty of the ocean in oil. 
The cresting waves arch into curled petals of white before setting upon the sloping beach with frenzy. It's the roar of those hungry waves that seem to, if only for a moment, drown out everything in your head. 
There are no whispers. No songs. No screams. Vengeful hissing can't climb to a higher decibel than the frothing waters slamming against jagged bedrock. 
All is quiet—except the sea. 
You lean into it. The closer you get to that precipice, the quieter everything in your head goes. Sounded sucked into the vacuum of the ocean. The endless song of the sea. 
Another step. Another. 
For a moment, you're free. 
The forest doesn't scream for you. Your grandmother doesn't dig her teeth into your gyri, hands clawing at the space behind your eyes. You don't think of her, or your mother, or Gaz, or anyone else unfortunate enough to get consumed by this damnable place where fairy tales split the seams apart, and merge with reality. 
It's peaceful. 
You take another step—
A hand curls over your shoulder, tugging you back. 
Anger pools, thick and acidic, on your tongue, but the flash of your ire, your vexation, is dashed by the sound the waves make when it slams into the spot you were just standing. 
It slashes across the concrete as the stranger pulls you into his broad chest, heat nearly liquifying your spine. 
He sucks in a breath. You feel his chest expand with it. When he breathes out, you taste gunpowder on your tongue. 
"Gotta be more careful n'that, love." 
You've had near-misses before. Flirted with the reaper. Ripped yourself from the jowls of death himself. 
This isn't anything new.
And yet—
Your eyes drag up, meeting flat black boring down at you. His hood is pulled over his forehead, casting shadows down to his jaw. 
"You—"
Your teeth sink into your tongue. Emotions lash through you like the flick of a bullwhip, shredding your skin until it's raw and oozing. The tail pulls away whenever you try to wrap your fingers around one of them—relief: you're not dead; embarrassment: how could you be so stupid; shame: saved by a stranger; and—
Visceral terror. Panic. 
It bludgeons its fist down your throat, barbed knuckles clawing at the soft tissue of your esophagus until you taste blood on your tongue. 
Panic tastes of ozone and leaks, thick and warm like molasse, down your throat. 
"Hey," he murmurs, and the sound of his voice, his low timbre, is porous, calcined. The rough scratch scours through the haze of fear threading through your sternum. "C'mon on, now. Gotta breathe, yeah?" 
It's his hands on your shoulder—hotter than grenade fire—and the thick scent of musk, of stale smoke and kerosene sweat, that break through the gossamer of your acrid panic. He spins you around to face him, eyes fixed on your face. 
"That's it," he says, soft, soothing. "Keep breathin'. You ain't dead yet." 
You come to yourself in pieces. The world bleeds with startling clarity around the blurred edges. Home, you think. Maybe.
Once upon a time. 
You blink. Blink again. 
The hand still on you—heavier, you find, than an anvil—lifts, his thumb brushing over the curve of your jaw, swiping over the sweat-stained skin.
You can't see his eyes through the shadows cast over his face. A stranger. You've never seen him before. 
They didn't say anyone new moved to town. 
"Who are you—?"
"You don't know?" 
And then his hand is gone, taking all the heat in your body with him. 
It lifts to his vest, thick fingers, gloved in yellow, curling over the butt of his cigar. 
You must make a face. A grimace. A whisper of bemusement. Whatever it is, it makes his lips twitch under the shorn burnt umber of his beard. 
"I'd share," he mutters, teething sinking into the hilt as he pats himself down for a lighter. "But I ain't got the time."
"Shouldn't be smoking in a provincial park, anyway." 
The words are dragged out of you. Numbed, gritty. 
It makes him snort. "Maybe—;" he cups his hand around the end, thumb striking the ignition of the lighter. He inhales, and the red circle at the tip illuminates the cerulean blue tucked away into the folds of his hood. The plume of smoke curls over him like a shroud. "But I doubt a cigar is gonna bring the whole forest down, mm? 'sides, we all have our vices, don't we?"
With that, he leaves you standing in the tendrils of smoke that billow out from his caustic mouth. No goodbye. No name. Nothing except the hum of his touch buzzing through your veins. 
Your head is numb. Thoughts congealing into hardened clay. 
Yeah, you think sluggishly, eyes dropping to the drenched pavement where the ocean narrowly missed you. Swallowed you whole. We do. 
(Yours is bad decisions that reek of napalm. 
Men who scour your hands raw when you touch their coarse surface.)
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You find him again in some desolate pub on the fringes of town a few days later. It looks like it's one strong gust of wind away from blowing down. Dilapidated. Rusted from the harsh salt of the ocean to the north. 
He lifts his head when you slide into the empty chair on the left, but says nothing about your unexpected company. 
Instead, his lips curl over the cigar sawed between his teeth. A grin, you think. 
You wonder if he was expecting you. 
(Wonder, then, with a touch of something warm gnarling in your belly, if you surprised him.)
The barkeep wanders past, brows lifting at you in question. 
"Um, a vodka soda—"
The man, Price you learned from the locals with a great of digging, snorts. 
"Ain't got none of that here, love. Two scotches. Neat." He leans over, thick fingers grasping the middle of the cigar, an inch away from the bristles on his upper lip, and pulls it away, ashing it in the tray in front of him. "And a bottle of spring water." 
"Scotch?" You echo, leaning your elbow on the sticky counter. He reeks of smoke. Sweat. Blood. Gunpowder. You veer closer, soaking in the astringent tang of him. Everyone on this island smells of daffodils and cotton; clean and neat and innocent. He reeks of danger. Everything inside of you screams to stay away. "I don't drink scotch."
The cigar burns in the tray. He pulls back, shifting in the chair. His elbow rests on the counter, the other arm is slung over the back of his seat. The picture of appeasement, of a satiated tiger eying a little mouse sniffing past it. There's no immediate danger, and his posture is relaxed. Open. But his eyes—
Price turns to you, then. His legs are spread, knees notched apart, taking up more space than you offer him. A looming presence. Dominating. Confident. He's not doing it on purpose, you don't think, he's just—
Big. 
His legs are too long. Thighs are too thick. 
Something gnarls behind your ribs when you take in his bare face. It's different, smaller, without the bulky black hood thrown low on his brow. His hands bare, leaving him in only casual clothes that stretch taut around his broad body. 
The beanie on his head, pulled low on his forehead, makes him look roguish, rough. The picturesque presentation of a bad boy down to the pelt-brown leather Levi jacket stretched taut around his broad shoulders. 
He looks older, somehow, without the tenebrous of night shading him in dark indigo. Aged like a fine whisky. All burnt umber and ivory. 
The charcoal colouring brightens the heavy blue of his eyes—crushed bluebonnets and powdered graphite; a black hole centre—and the frame of his brown lashes dusting over his clean cheeks makes something pool in your lower belly. 
(You wonder if he'd taste of whisky sour.)
"Well," he murmurs, brow lifting. It makes the skin on his forehead crinkle. He has laugh lines cresting around the corners of his eyes. They stand out to you, now. Void of the shadows you're used to. "You do when I'm paying."
The scotch, the cigar, the dingy pub that reeks of stale cigarettes and is perfumed in a dusting of nicotine that films every surface coalesces into incipient vice. 
His hand moves from where it's loosely curled around his glass, and rests, heavy and warm, on your thigh. 
When he leans in, you taste calcine on his breath. 
The acrid tang is a balm to the blisters in your raw esophagus. You meet him in the middle, smaller hands curling over the wool lapels of his jacket, tugging him into you. 
"Never thanked you for saving me," you murmur, his beard grazing your lips. A tickle. A brush. 
Price sucks in a deep breath, eyes liquifying into an intense azure. "No need to thank me, love. As much as I love the ocean, you don't belong there, do you? No," he adds, decisively. Sure. "You belong on land. The earth. You're wild, like the forest, aren't you?"
It's an out. An escape. An option to flee from the cosm that folds around you like a nebulous cloud. 
You could take it. Back up, away. Walk out of this dingy pub on the wrong side of town, and forget the man who reeks of nicotine, smoke; who leaves ashes behind on your skin when he touches you. 
The only one who stares at you from the unfathomable black of his eyes, lashes shrouded in tenebrous, and makes you falter. Makes your heart lurch, jumping to sit at the bottom of your throat.
You should pull away. Stay away from the man who leaks ethanol and nitroglycerine. From the man who smells of acrid smoke. Gunfire. 
You should. 
But your fingers tighten in the lapels of his jacket, pulling him closer. Closer. 
The bridge of his nose is warm when it presses against your own. 
His eyes spark, wildfires. A blazing forest. 
"You said something about vices." His chest rumbles in response to your hushed words. 
"So I did." 
Smoke singes your nose when you brush your lips over his. Warm. Chapped. Dry. You taste ash. Humus. The bitter tang of dandelion oil. 
"Got some time tonight?" 
"Thought you said I shouldn't be smoking."
"We're not in a park, near flammable trees," your hand falls to his chest. His heart thuds beneath your palm. Thick, full. Your eyes lift to his, lidded and heavy. You gaze at him from under your lashes, coy. Demure. You wonder if he can see how eager you are beneath the sly cut of your lids. "Are we, Price?"
The use of his name makes his lips quirk. A small, secretive thing that you can't read. 
"No, we're not." His hand slides down, curling over your knee. "Don't know what you're gettin' into, love." 
"Oh, no?" You taunt, breathless. Even through all your layers, you still feel his searing heat on your skin. His eyes drop when your tongue lashes out, wetting your lower lip. "And what's that?" 
A frisson shudders over his face. Lashes fluttering. He leans forward, resting the rim of his beanie on your forehead. 
When his eyes slide open, all you see is arsenic white pooled around Prussian blue. "More than you could ever dream of." 
Your trembling fingers curl into the lapels of his jacket. For leverage, maybe; or to hide the quiver in your joints from his widening eyes. 
And so, you kiss him. 
A messy punch to the mouth with your sun-blistered lips. 
His mouth parts, wry curls flutter when he inhales sharply. And then—
He devours you. 
It's messy. More sealed lips glueing together than it ever could be considered a proper kiss, but it feels more like a homecoming than stepping off the boat, and you tuck that inside your pounding chest. 
(The whispers in your head seem to sing when his lips touch yours.)
You taste bark on your tongue when it slips over his. Loam. Moss. Something earthy and rich. His beard scratches your chin, your lips, but you pull him closer, hungry for more—for the taste of wilderness on his tongue, for the respite from the whispers, the screams. Like the ocean, he, too, is a vacuum, swallowing everything whole until just you remain, stripped down to nothing but sensation and want. Bare, raw. 
Your teeth ache when you pull away, fingers curling into the coarse hair along his chin. The whips of his wry curls scratch your palm. 
You never want to let go. 
Price's eyes are noctilucent clouds; a storm over a rainforest. He'll ruin you. Devour. Destroy. Take, and take, and take until there is nothing left. 
Your lips tremble when you speak, words tremulous with your desire, your eagerness, when they slip past your bruised mouth. 
"I can think of a few that are better than smoking." 
Price shudders. 
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"Where did you go?" Your friend asks, eyes swinging from the cards spread out in front of him—the Idiot, Solitaire—to you. They burn into the side of your face, the same place Price touched with bare knuckles, and said you belong to the forest, don't you? "Missed dinner."
You ate Doro Wat in a small shop after Price fucked you stupid in the dingy bathroom of the pub, face scraping against the waterlogged wallpaper that chipped with each brutal thrust of his hips. 
Like that, hmm? Can barely take me, love, but you're so fuckin' greedy for it, ain't you? 
You're sure the barkeep heard your moans as they bounced off the jaundiced walls. 
(You still hear him hissing in your ear. Still feel him splitting you apart.)
You try not to shiver. 
"Ate already," you shrug, bundling your sleep clothes tight in your trembling hands. When you stand, his eyes follow you. "So. Um—"
"You okay?" 
"Yeah," you say, shifting on the balls of your feet. "I've—" You think of his eyes, gyre white, and wonder if this is what it feels like to get swallowed by the sea. "I've never been better."
"Good," he says, smiling. "I worry about you, you know?"
You nod. "Yeah," you say. "Me, too."
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You break apart in the shower, falling into pieces as you make yourself finish, thinking about nothing but the phantom stretch of his cock seated deep inside of you, the taste of his come pooling on your tongue.
It balms the residual burn in your esophagus, and you know, then, when you throb, still wanting his touch on your skin, that you've always been terrible at telling yourself no. 
It can't happen. It can't.  
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There's a strange magnetism about him—an uncanny sense of mystery and familiarity sutured together. 
It feels a little bit like staring at the looming maw, the event horizon, of a black hole. Unfathomable black. No way out. 
There's something that feels a bit like forewarning inside your chest when he brushes against you, and presses his lips on the skin behind your ear—a secret place only he knows, where only his fingerprints have ever been. You feel his touch even when he's gone. Haunted by the memory of his rough hands and rasping tenor. 
Running would make sense, you think, watching the ferries come and go. You have enough money for a ticket, and you've yet to even unpack your bag. 
You don't know who he is, but you've given him everything. All of it. There's nothing left inside of you to hand over, but he keeps looking at you as if he's waiting for more. 
"Waiting for a ride?" 
You glance back at the operator with a divot between your brow and cotton inside your ears. 
You want to say yes, but you shake your head instead. 
"No." I can't leave. "Just enjoying the view."
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You find birch branches stripped of leaves, juniper berries, maple leaves, spindles of dogwood, bushels of fir, and bouquets of bog rosemary, northern bluebell, fireweed, and wintergreen on your doorstep each morning, laid gently against the old welcome mat. 
You should toss them out, and throw them away. How does he know where you live, anyway? It would make the most sense; be the wisest decision. 
Instead, you tuck them inside your notebook, pressing them against the pages where they'll be safe. 
(You try not to think too much about why they never die.)
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It happens again. And again. Again—
It becomes a ritual for the few months you're back in town. The leaves, twigs, petals, pines, and seeds all show up at your door each morning and come nightfall, you're drawn to him like a moth to a flame. 
He finds the nastiest looking pub in the city, and you find him there after dark. 
He sits, smokes a cigar. Orders two scotches, and a bottle of spring water. Teaches you how to drink it properly—none of that sugary cocktail shite; just pure whisky, love, as it should be—and lets you puff on the damp end of his cigar, eyes gleaming in the soft yellow light above as he takes in the way your lips curl over the wet tip.
He stares at you like he's indulging you. 
Like he knows. 
And maybe, he does. 
Maybe he sees the way your jaw works, tongue lashing over the tip just to chase his taste. The heat in your cheeks, your eyes, as you gaze at him, open and raw and wanting. The way you list toward him. Eager for it. For him. His touch, his smell. 
He must, you think, but he's a right bastard. 
He doesn't give it until the end of the evening, when everyone has gone home. When it's just you and him and the barkeep that glowers at you something ugly when you stand on shaky legs, and whisper you're going to the washroom. 
Your fingers curl over the chipped porcelain, back arched as you stare at the face in the mirror. 
You can't remember if it's you. 
Whisky has polluted your synapses. The thick scent of smoke, the tobacco from the cigar, has congealed into resin over that little bundle of axons and nerves that control your impulse, logic. 
Stupid. 
You stare at the thing in the mirror, and wonder if the basal want on your face was so apparent to him as it is to you. If he saw the dark gleam of hunger, greed, impatience, swimming in your ink-smudged depths. 
The door rattles. Clicks. 
The squeak of the hinges is the only warning you get before Price is there, liquified in the doorway and clouded in smoke. 
His hand curls over the worn, peeling frame. Eyes dance with the same hunger, same want, as the ones that flicker across the surface of the mirror. 
"Couldn't wait for me, eh, love?" He breathes, his chest expands with his exhale. Scenting you, you think. You wonder if he can smell the slick pooling in your panties. The desperation brimming in your veins. "Wanted it that bad, huh?"
He moves. A mountain of a man now filling up the entirety of your gaze until all you see is him. 
You used to want to climb mountains. In training, they always warned of summit fever. Of that little part of your head that just wanted it to be over, to reach the very top of the precipice. Impatient, it couldn't wait. It made you spring up, and climb higher and higher before you were ready, prepared. 
You think of it now when your hands lift, curling over his broad shoulders. 
("Summit fever will get you killed," they say.)
"Just shut up and fuck me, Price." 
His eyes flash. "Greedy little thing, aren't you?"
You are. Painfully so. 
It etches in your ribs like a sickness, festering in your mouldering bones. Rotting you from the inside out. 
A crutch in the searing heat of skin, sweat, and sin. The feeling of him taking you apart, breaking you down into atoms and molecules that bubble in the lining of your head becomes so commonplace, so often forget who you are when you're pushed up against a wall, being filled to the brim by him.
He leaves madness behind when he goes, and the world that divides fantasy from reality begins to crack, to splinter. 
You hear his voice in your head late at night when the wind blows through the window, carrying the scent of the forest.
"Come home," he rasps in your ear. 
The scratch of his beard seems to scrape against the little thread keeping you tied down to reality. It's frayed and worn by his hands. You wonder when he'll sink his teeth in the silk, and snap the line. Untethering you from your binds.
Come home to me. Come back to where you belong—
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Price takes you out to dinner three months after this—whatever it is—starts. After your house becomes more of a garden, writ with the wild remnants of the forest, after each passing day. Full of bushes, and branches. Twigs and precious gems. He gives you raw gold, and open geodes full of amethyst, and sapphire. Canopy leaves, and bark from the trees. 
He leaves a whittled deer made from the red wood of a giant sequoia, and the likeness of the little fawn makes you believe that one day, it'll come to life in your living room.
(You leave a dish of water near the doorway—just in case—and wonder if you're becoming just as mad as your gran.)
He shows up at your doorstep, the bleached antlers of a great pronghorn in his hands. It's decorated with vines and moss weaved over the ivory in intricate braids and knots that you can't even begin to unravel. You marvel at the gift as he tells you he's taking you out for dinner. 
There is no discussion. He doesn't ask, he just—
Does. 
"Found a spot," he says, arms crossed over his broad chest. The cable-knit sweater pulls, stretched taut over his bulk. "Think you'd like it."
You don't know what to say. The antlers feel heavier in your hands, and warm to the touch. You try not to shiver when you set it down beside the little fawn.
"Oh," you say, but know you've never turned him down yet. It's all—
So much. 
Your home is slowly becoming one with nature, with vines growing on the walls in great blooms of wisteria and lilac; the old floor boards under your feet shudder and creak as little saplings sprout through the cracks. You wake up at night and taste earth in your throat, feel the grass beneath your fingers. The breeze in your hair. The call of an arctic tern. 
You dream of running through the forest. Of being chased. You breathe and feel the little seeds inside of your lungs start to take root. Soon you'll bloom with dandelions.
"Okay," you say, and wonder if the madness rummaging around your head will turn into a beautiful sequoia in the end. "Let's go."
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The tavern is busy on a weeknight, crowded with a swell of mainlanders who'd ventured out for a camping trip over the long weekend. 
You sit with your back straight, and listen to him talk about a hike he wants to take with you in the morning. Through the woods, he says, and you don't ask which one. You know. You know. 
(It's time. It's time.)
There are alarm bells ringing in your head, but they're drowned out by the crooning whispers. 
But the line is only frayed and worn, and despite the lure in his voice, the itch in your head to say yes, you hesitate. Falter. 
The woods are dangerous. 
You don't want to go. 
He seems to sense it. His brows knot together. 
"You want to, don't you?" 
You fiddle with your napkin and try not to meet his arsenic stare. "It's… dangerous."
"I'll keep you safe."
"It's probably time for me to leave, anyway." 
The air in the room turns frigid all at once. You think you can see white plumes of condensation when you shakily breathe out, teeth chattering. 
"Price—"
"Didn't wanna do this, love," he says, voice hushed. Barely a whisper. His eyes are lavascapes. "But you ain't givin' me much of a choice, are you?"
"What—?"
The words die on your tongue when movement flashes in the corner of your eye. A man weaves, liquid, through the mindless crowd, cutting a path like the parting red sea. 
His eyes are honeycombs. In his hand, he holds a limp dandelion. 
It takes you a moment to make out the strange man who looms in the background. A splash of colour among sfumato. 
It's Gaz.
The childish swell of his cheeks has sunken into angled, sharp bone. Slender fingers twirl the flower around, around, around—
It's hypnotic. You stare, horrified and awed—a strange amalgam of emotions that slip down your spine: worry, elation, panic, comfort—as his pink lips part into an easy, familiar grin. The cresting sun breaching the horizon. Eyes slanting in playful derision. 
He looks like he's torn between telling a joke and spitting vitriol. Making you laugh, and then making you cry. 
It buzzes in the air, electrified fingers dancing down your spine, and then just as quickly as the boy who disappeared reemerges into the land of the living, into this bastardised reality, he gives one last sharp, fanged grin, a mordant wink, and then he's gone.
He slips through the door, and without hesitating, you give chase. 
Price says nothing when you go. Or maybe he does, but you can't hear anything except the rustling of leaves in your head. 
Gaz, it whispers. Gaz, Gaz, Gaz.
(It's time for the lost little boy to come home.)
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The rocks sit in a zigzag pattern through the frothing waters, a deceptive bridge that connects the valley to the coast. You feel the tremulous rattle of the water slicing against the hollow cavern beneath your feet. A ledge chiselled from the blunt erosion of the rapid currents below. One day, they say, the granite shelf will give and a massive hole filled with howling water will fill it. 
Try not to be the idiot standing on the ledge. 
You feel the power of the currents even on the peat-covered edge. 
The water in front of you is deceptive. A calm, rolling surface at the shoreline almost seems to beckon you inside. Come take a dip in the cool waters. Grow fins and gills and chase the river otters through the currents. Feast on the wily salmon, and see if your feet can touch the sandy streambed. 
But the river's fatality is nearly assured. No one has survived a dip in these waters that act as a serrated knife, carving chasms and channels through the granite below. The currents will rip into you, pulling you until your body is crushed against the wall, or into an unsearchable cave. 
One slip, you think. Just one. 
But—
The man in the bar flickers through your mind. His honeycomb eyes, fanged grin. Ethereal in his beauty like a painting of a god in oil and raw canvas. Carved likeness of a Stygian prince. 
It was Kyle. It was Gaz. You know it. Know it deep within your bones, your marrow.
Taking the first step to the jutting slate that peaks just a few precious inches from the raging waters is easier, then, when you think of the boy who plucked a dandelion from the earth, and tucked it behind your ear. It makes the risk less daunting when it's for him. 
For his parents who sunk into themselves, into the crater his absence left behind. A deep depression into the earth that swallowed them whole.
They moved last year after laying down a bouquet of flowers at the mouth of the forest. 
You toe your shoes off, leaving them at the embankment, and then you leap. The perch is slick with waterlogged moss, slimy. It wobbles under you, but you catch yourself, stabilising. Steady. You huff. One down, four more to go. 
Up close, they look so far apart. A chasm between each rock. An endless abyss that will rip you into pieces. 
Still. Still. You have to find him. Have to. 
You step, toes sliding in the algae. The rock beneath is stained green. It wobbles again when you bring your other foot down on top of it. The loud clack of rock scraping against rock is heard, unmuffled by the roaring water that tugs on the stone. You feel the push against your feet. 
Two more. Two more. 
You take another step, and then—
You fall—
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The world drips into focus, a steady trickle of cognisance that paints the world in shades of greens and browns. An eagle soars above the canopy, their shadow swooping through the thick tangle of conifers reaching to the heavens.
The bed of moss beneath you is damp—lush with dew and softer than your mattress at home. You sink into the ground when you breathe, caught in an embrace. The vines curl over your wrists, your ankles, as if refusing to let go. 
It should scare you—and maybe it does—but there's something against your head, fingers digging into your temples, and you feel nothing except a warm serenity leaking in. Thought spool into liquid gold, threads that weave together in a knotted clump. Indistinguishable from each other, and unreachable when they slip deeper into the honeyed-thick fog that curls around your mind. A temper from logic, from fear. Anything that isn't pure, artificial comfort is filtered through and cast aside. 
You don't know why you're here. 
One moment, you felt the coils of the raging currents sinking its claws into your flesh, pulling you under the deep waters, and then—
Heat on your face. The sun's desperate attempt to filter through the corded canopy and touch the forest floor. The shrill call of an eagle on the prowl. The tender caress of the moss below cushions your body. 
You should be underwater. Pressed tight against the side of the rocks until you were swept downstream and spat out in the inlet, waterlogged and dead. 
You draw humid air into your lungs until it swells against your ribcage. The steady thud of your heart tells you that somehow, somehow, you're alive. An empty brag—thud, thud; thud, thud—that seems to call out to the birds in the emergent layer, the ones nestled in their branches as they watch your feeble attempt to reconcile how you survived. 
It's strange, you think, but the soporific warmth coursing through your veins does not let you panic. 
You are—
"Foolish." 
The warmth turns molten. You try to sit up, but the vines tighten around your limbs. If you weren't so vulnerable, you think it would almost feel like a hug. 
The soft crunch of the moss tells you the voice—the man—is moving forward, toward you. You want to scream, but your tongue is thick, and your mouth is numb. 
"What you did there was stupid," he says, and the forest around you seems to come alive in his anger. Pulsing. The branches sway and the leaves rattle without any wind. The trees bend down, coming inward. You hear the scream of a fox in the distance. The chuff of an agitated brown bear. 
Primordial signs tell you to run.
But you're trapped. 
Price steps closer, falling to his knees beside you. You can see him now, and suddenly you wish you'd been swallowed by the waves. 
His face is writ with anger, brows tightening together in displeasure. 
He seems imbued with the forest. One with the lush green that swells around you. Burnt umber and icy blue. Ethereal, unnatural. Something in your hindbrain tells you to run from that man that looks as if he could swallow you whole.
"Tryin' t'die on me, hmm?" 
His hand lifts, and you feel his warm knuckles graze your temple. Soft, gentle, despite the ire in his eyes, and the irritation clenched in his jaw. 
"Gonna hav'ta try harder than that, love." 
You weren't trying very hard at all, you think, dazed, dizzy. You weren't trying at all. 
"You're mine," his eyes flash, and you feel the press of gravity against your skin, pulling you down to the soft earth. Your fingers twitch. The fog inside your head clears. 
Blinking up at him, you catch the scattering supernovae echoing in the corners of his eyes; galaxies of pine and cedar, humus and tussock. They bloom from the black hole in the centre, surrounded by sapphire blue. He's not human, you think, but it doesn't surprise you because you already knew. Have known, really—ever since you asked around for his name and watched the same strange fog seep into their eyes as they struggled to remember a man they claimed to know. 
Ever since you found bushels of figs on your doorstep. 
A crown of pine needles and crow feathers. 
Price leans over you, brows knotted together like the gnarled, weaving trunk of a Great Basin Bristlecone Pine. 
There's a forest fire in his eyes. "You're mine, aren't you?" 
You think about the trinkets left on your doorstep. The whispers, the screams. 
"Did you ever give me a choice?" 
The tension in his brow snaps taut. Agony frissons through the spaced canyons; whet from ire and slick from sorrow. He bends down, and shakes his head. 
"I've always given you a choice," his words are smouldering logs, crackling with his pain. "I've always told you to go, but you couldn't stay away, could you?"
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Price takes you on the mossy forest floor, fingers digging into the peat as you sink, down, down, down—
His hand under your head, cradling the back of your skull, keeps you from getting swallowed by the grass knoll that breathes and trill against your spine. 
Fire licks in the crevasses of his eyes, molten desperation you can't ignore. He rages above you, quivering in the fading glow of the sunset struggling to slip through the canopy. No longer a man but a myth. He hangs over you with his canines bared, and flashes of anger and sorrow scorch the path his teeth leave behind on your skin. 
You're becoming unmoored. Each touch, and brush; each sweep of his tongue soothing the indents of his razor-sharp teeth all seem to loosen the ties that thread through your soul, anchoring you to the world that stands in full bloom before you. 
The forest shudders with his frantic pace; each piston of his hips leaks his fervent anguish and makes the trees croon, and creak as they bow their foliage in sorrow. His pain lashes through their roots, and rent the air in two. A fox mourns his loss in the distance. A wolf yowls in agony. His brethren lifting their muzzle to the sleepy moon, and howling out the melody of their despair. 
It's too much, too much, and you fall into pieces in his hands, shivering beneath him as the woods around you tremble and quake. It's a mesmerising dance. 
He finishes with a grunt that makes the world shudder anew, spending himself as deep inside of you as he can, as if he could overwrite your empty spaces with himself. Fill you to the brim until you are bursting with him, with life. Tulips for your eyes. Furze for veins. Moss for hair. Peat soil for blood. 
When he speaks, the world falls silent. 
"You don't know it yet, but you will. You've always been mine. Always belonged to the forest, to the earth. To me."
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Despite his words, he lets you go. 
And you run, run, run—
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Your toes dig into the wet soil near the stream. The desperate catapult across the ravine halted at the very last moment, leaving you winded and shaking. Hands clenched into tight balls by your side. Quivering with fear, with the adrenaline rush still roaring in your veins. 
You don't know what you're doing. 
The whispers in your head go silent. 
The absence of sound makes you mourn, and you think about his agony. The pain when he took you, the resignation when he let you go. 
You think of him, and you know. 
I've always told you to go, but you couldn't stay away, could you?
You scent napalm in the air, cloying despite the acrid burn that scalds your lungs when you breathe in deep, holding it there. 
You think of the chest inside your closet. The pieces of yourself you left behind. The way he fits you like a puzzle, like he was made for you. Designed with your rough edges in mind. Softening your hard lines; scouring your gritty surface it was smooth and shiny like fire Opal and precious gems. 
Ever since you felt his hand on your shoulder, you haven't been able to let go. 
(You don't even think you ever really tried.)
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Come to me, the forest says, honey in your ears. It sounds like the rapid beat of a million birds' wings, ready to take flight. Pulsing and alive and full of wonder, childish glee. 
The earth blooms in your chest. You feel the soft, tender caress of the leaves against your skin, the moss sinking between your toes. Clinging to your flesh, desperate to get inside, and take refuge in your heart. Come home to us.
Your grandmother warned you to stay out of the forest, that it was dangerous. Deadly. Wrong. But how can it ever harm you when it touches you so sweetly? 
The branches curl around your ankles as you walk, leading you, guiding you, to the place where you belong. The forest opens around you, spreads apart and makes room for you to pass, touching you as you go, taking little pieces of you. Strands of your hair, the salt from your tears. Pieces of clothes. Parts of your soul. 
You pluck your heart out of your chest, and leave it beneath a gnarled sequoia. She will protect it forever. 
Moss grows inside of the empty space. A tern makes a nest inside of it, filling it with a bed of pine needles, and twigs from the junipers. You feel a mouse make a home in your rib cage, burrowing between your bones. You place your hand over your side, and feel her nuzzle against your palm. 
"You're safe now," you say. "We're almost home."
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It's Gaz who greets you with a crown made of sugi. When he cups your face, you feel raging rivers and streams in his palms, and now that you are home. 
"Missed you, dandelion," he breathes, and his voice turns into a Chinook that crests over the mountains. "But there's someone who wants to see you."
His hands slide down to your wrists, and you feel the sun grazing your skin when he spins you around, around, around—
"Now," he leans down, pressing his lips to the shell of your ear. You hear the Falcons nesting in his chest, and smell pine in his breath. "He's been an impatient bastard, you know? Just moping about ever since you left—"
A scoff. You lift your head and feel the swell of the earth beneath your feet. Dizzying. Wanting. 
He waits for you in the thicket, eyes made of sapphire and stone. When he breathes, the forest swells with his breath, and you taste loam when you swallow. 
"A sorry sap, thinkin' you were runnin' away, and all. But you won't, will you?" Gaz pushes you forward, and his laughter rings in your ears. "Not anymore."
Price meets you in the middle, his eyes sparkling embers. A baptism in fire. You feel the heat on your skin, and shiver. 
You used to be afraid of forest fires, but you know, now, that sometimes trees need to burn before they can truly grow. 
Lodgepole roots bud under his skin, rippling veins across a ravine. He rests his hand against your cheek, thumb brushing the dawn redwood needles that bloom under your skin. 
"Welcome home."
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"They'll give you gifts," your gran says, shaking her head. "Things from their realm. Little trinkets and gems—" geodes, sapphires and diamonds, raw gold and coral; "—and you must never accept them," a whittled deer made of sequoia under your pillow; crow bones buried in the garden."Because if you do, if you do, they'll never let you go." 
"Why?" You asked, blinking at her. 
"Because it's a courting ritual, and to accept means… well," her mouth twists in wry disdain. "Just don't." 
You don't tell her that you already have. You don't mention the sticks and precious stones that always ended up on your windowsill. The whispers of the forest calling your name. 
You nod sagely instead, fingers tightening around the sap stained heart chiselled from Bristlecone Pine. The charred ends are warm in your palm. You feel it pulse. 
Will you accept this? My heart? Will you keep it safe for me? 
"I will."
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This was meant to be light and fluffy and smutty but now it's. This. And um. Oops. I hope you enjoyed it!
JOHN PRICE MASTERLIST | NAVIGATION PART THREE OF COD X MYTHOLOGY ⁞ SOAP ● DRAGON PRICE
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typhlonectes · 7 months ago
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Skull of a new periptychid mammal from the lower Paleocene Denver Formation of Colorado (Corral Bluffs, El Paso County)
Lucas N. Weaver, Jordan W. Crowell, Stephen G. B. Chester & Tyler R. Lyson
Abstract
The Periptychidae, an extinct group of archaic ungulates (‘condylarths’), were the most speciose eutherian mammals in the earliest Paleocene of North America, epitomizing mammalian ascendency after the Cretaceous–Paleogene (K–Pg) mass extinction. Although periptychids are mostly known from fragmentary gnathic remains, the Corral Bluffs area within the Denver Basin, Colorado, has yielded numerous exceptionally well-preserved mammalian fossils, including periptychids, from the earliest Paleocene. Here we describe a partial cranium and articulated dentaries plus an additional unassociated dentary fragment of a small-bodied (~273–455 g) periptychid from ca. 610 thousand years after the K–Pg mass extinction (Puercan 2 North American Land Mammal ‘age’) at Corral Bluffs. Based on these new fossils we erect Militocodon lydae gen. et sp. nov. The dentition of M. lydae exhibits synapomorphies that diagnose the Conacodontinae, but it is plesiomorphic relative to Oxyacodon, resembling putatively basal periptychids like Mimatuta and Maiorana in several dental traits. As such, we interpret M. lydae as a basal conacodontine. Its skull anatomy does not reveal clear periptychid synapomorphies and instead resembles that of arctocyonids and other primitive eutherians. M. lydae falls along a dental morphocline from basal periptychids to derived conacodontines, which we hypothesize reflects a progressive, novel modification of the hypocone to enhance orthal shearing and crushing rather than grinding mastication. The discovery and thorough descriptions and comparisons of the partial M. lydae skull represent an important step toward unraveling the complex evolutionary history of periptychid mammals.
Read the paper here:
Skull of a new periptychid mammal from the lower Paleocene Denver Formation of Colorado (Corral Bluffs, El Paso County) | Journal of Mammalian Evolution (springer.com)
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mehilaiselokuva · 2 months ago
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knowing finnish and then reading/hearing ingrian is like the equivalent of getting a concussion with the little cartoon birds and stars flying around your head
WHY are they so similar
Hi!
I love receiving asks about this! Here's some linguistic rambling I'll put under a cut to save your eyes
The Finnic languages are like siblings (even though we shouldn't be looking at language families like literal families)! There are many factors to the similarities between these languages, such as trade between the different peoples, consequent bilingualism, and the languages having been considered separate languages for such a short time.
And, in the context of Finnish, the "archaic" nature of the languages; especially Finnish is famous for preserving old words like a fridge (Uralic studies students have heard this analogy a million times I'm so sorry)
mattālat ho̭ ̄neheᴅ - matalat huoneet (Proto-Finnic *matalat hoonëhët) miᴅä siä iᴅeᴅ noista poi.istāz - mitä sinä itket noista pojistas(i) (PF *mitä cinä itket noista poigëistasi)
(all reconstructions hypothetical)
As you can see here, both Ingrian and Finnish are VERY close to the proto-Finnic versions of the sentences.
Another thing that comes to mind when talking about this is that Finnish people often look at the Finnic languages and wonder why the languages are so similar to Finnish, while not realizing the other Uralic languages do resemble Finnish as well, you just need to look for it!
Here's one sentence in some non-Finnic Uralic languages and Finnish:
NORTH SÁMI: Geassebeaivvi beaivvádáhkan dasa šadde njeallje (rieban)čivgga. ERZYA: Kiz'en' manej čiste čačst' sonze n'il'e levksenze. FINNISH: Aurinkoisena kesäpäivänä sille syntyi neljä (ketun)poikasta.
As you can see here, many words are similar, such as the word for "four" (njeallje~n'il'e~neljä) and the word for "summer" (geasse~kiz'e~kesä)!
Language families are fun. Know one language, you unlock a secret code to learning its "siblings"!
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