#arale icons

[mrfonica]

⊹ ۪ ࣪ ꒰ 🐱 . . (⁠≧⁠▽⁠≦⁠)

[lonelypuppet404]

Bandori VTuber Group Icons!

I really like this group, and even if they don't end up a thing, I will love them for eternity! They're so cute!

[bakarrot]

seeing so many people talk about how toriyama inspired them creatively, or how his art was the beginning of their own art or story-telling journeys really just struck me with this profound sense of loss, and also gratitude for the creative minds his work birthed. dragon quest set itself apart from other jrpgs at the time (and even now honestly) by never forgetting the whimsical aspect of fantasy stories with his silly and adorable character designs.

never forget that the slime went from a mostly formless blob to the iconic little waterdrop-shaped friend that dominates the isekai genre today. that time I got reincarnated into a slime, campfire cooking in another world, the amount of stories that all revolve around the core concept of the slime being this weak and adorable starting enemy is endless at this point, and it all came from toriyama decided to add a little silliness to what was essentially a monster players would encounter upon starting up dragon quest with no experience or strength.

even dr slump, as niche as it is outside of japan, inspired a generation of mangaka and brought us the powerhouses we love today. oda started out drawing arale. the creator of one piece started out with fan art of a gag series, and drew the main character so much that even all these years later he can draw her from memory. dr. stone, a manga about humanity rebuilding after thousands of years, featured dragon ball as one of the series that persisted through humanity’s collapse and a symbol of hope.

outside of japan, one of the most important concepts in steven universe, the fusion of two or more characters through a silly dance, is directly inspired by fusion in dbz. even shows not directly inspired by dbz, when the subject of anime was involved, always used it and goku’s super saiyan transformation as a template for what anime was. toriyama’s influence really changed the creative landscape forever, and me waxing poetic or listing examples really can’t cover even a sliver of what he did.

i became a fan around the time super broly released, utterly wowed by the movie’s animation and the lovable character design of the titular character broly. and as i watched and played more of his works from dragon ball to chrono trigger, i found myself falling in love over and over again with the fun and wild character designs. he clearly loved what he did and the work he put out, and you can really feel it in how alive his covers feel. characters on overcomplicated mechas or vehicles, characters riding dinosaurs, even characters in lush and overgrown landscapes. he just loved drawing, and that love really touched me and pushed me to try drawing again after years of disinterest. I don’t know what else to say other than thank you, for the making the world you wanted to make, and giving the push everyone around you needed to make their own worlds and stories. i truly hope you rest in peace.

[cooledtured]

Beyond Dragon Ball - Exploring Akira Toriyama's Legacy

Akira Toriyama was a widely famous and talented creator known for his dynamic artwork, inventive storytelling, and iconic character designs within anime. His contributions have left a lasting mark on the industry, shaping the landscape for generations of artists and fans alike.

Dragon Ball, created by Toriyama, is a well recognizable and adored manga and anime series. It follows Goku and the others as they travel through numerous worlds, fighting great challengers and collecting their Dragon Balls. Dragon Ball Z’s combination of action, humor, and unique characters has captured fans worldwide, leaving an enduring influence on popular culture, no matter your age.

While Dragon Ball remains Toriyama’s most well-known work, his contributions extend beyond just this legendary series. Exploring his lesser-known works, such as Dr. Slump, provides an insight into Toriyama’s diverse talents and his broader contributions to design and art overall.

On April 5, 1955, Akira Toriyama was born in Nagoya, Japan’s Aichi Prefecture. He developed a strong interest in manga and drawing from an early age and studied advertising and design at a technical school after high school, topics that would later inspire his artistic approach.

When Toriyama started sending manga to several magazines in the early 1970s, his professional career truly began. His breakthrough was the Shueisha Tezuka Award he received in 1978 for his one-shot manga, “Wonder Island.” This resulted in his first series, “Dr. Slump,” which started appearing in Weekly Shonen Jump in 1980 and became very well-known very fast. His captivating narratives and endearing character designs have set standards for upcoming artists. Dragon Ball transformed the shonen genre by making themes like character development, power increases, and fierce battles more widely accepted.

Dr. Slump

Akira Toriyama produced the absurd sci-fi comic “Dr. Slump,” which follows Dr. Senbei Norimaki, a quirky inventor, and his robot creation, Arale, through an imaginary Penguin Village. The themes of “Dr. Slump” center on friendship and the absurdities of ordinary life. The characters are colorful and unusual, ranging from the super-strong Arale to the strange Penguin Village residents. The manga’s settings and charming characters address themes of acceptance and the quest for happiness, making it one to be enjoyed by all.

“Dr. Slump” laid the groundwork for many elements that would also later appear in Toriyama’s Dragon Ball. It introduced his blend of humor and action, as well as his knack for creating memorable characters. Additionally, certain characters from “Dr. Slump,” such as Arale, have made cameo appearances in Dragon Ball, furthering the connection between the series.

Jaco the Galactic Patrolman

Jaco the Galactic Patrolman” was a manga series written and illustrated by Toriyama. It was serialized in Weekly Shonen Jump in 2013 and serves as a prequel to Dragon Ball, both located in the same universe. The story follows Jaco, an alien member of the Galactic Patrol, as he arrives on Earth to avoid a tragedy. Although “Jaco” is an independent series, it has many connections with the Dragon Ball universe. Particularly, the character of Jaco appears in Dragon Ball Super and interacts with characters from the main series. Additionally, the events of “Jaco” serve as the foundation for certain plot points in Dragon Ball, offering backstory and context for fans of the franchise. While not as well-known as Toriyama’s other works, it is nonetheless a popular addition to his bibliography, providing fans with extra insight into the DBZ universe’s lore.

Sand Land

Akira Toriyama produced “Sand Land” as a one-shot manga, published in 2000. Set in a post-apocalyptic future where water is scarce, the story follows Sheriff Rao and his young sidekick, Beelzebub, as they set out to find a new supply of water and preserve their drought-stricken location.

Themes of environmentalism and cooperation are heavy in “Sand Land.” Toriyama investigates the consequences of environmental degradation and the significance of conserving natural resources. The manga additionally explores themes of redemption as the protagonists face ethical dilemmas and personal struggles along the way. Toriyama’s “Sand Land” is similar to his earlier works because of its emphasis on adventure and companionship, but it stands out for its distinct setting and tone. Unlike the cheerful humor of Dragon Ball or Dr. Slump, “Sand Land” has a more serious and philosophical tone, demonstrating Toriyama’s versatility as a writer.

Video Games

Toriyama has worked frequently with game developers, bringing his creative talents to a wide range of projects. His work on the Dragon Quest series is especially valuable, providing character designs and artwork for multiple episodes. His impact on game design and storytelling is noteworthy, with his bright character designs and creative world-building influencing the visual identity of many games. Toriyama’s involvement frequently increases the appeal of games, drawing fans with his distinct art style and intriguing storytelling.

Notable video game endeavors include the Dragon Quest series, where Toriyama’s character designs have become associated with the franchise. He has also contributed to titles like Chrono Trigger, Blue Dragon, and Tobal №1, creating a lasting impression on the gaming industry.

Exploring beyond Dragon Ball is essential to fully appreciate Toriyama’s contributions to manga and anime. His lesser-known works offer insights into his range as an artist and enrich our understanding of his profound influence on the medium.

His innovative storytelling and iconic character designs continue to influence aspiring manga artists, shaping the next generation of creators.

The legacy of Dragon Ball and his lesser-known works persists, continuing to captivate audiences and leaving an enduring impact on the entertainment industry. His work remains relevant and continues to be adapted into various forms, including anime, video games, and merchandise, showcasing its enduring appeal.

Even though Akira Toriyama has recently passed, his creative genius and iconic contributions to manga and anime will continue to resonate deeply with those who grew up with his works. His legacy will be fondly remembered by his fans, evoking cherished memories of childhood and inspiring future generations of storytellers.

[mickeyisprocrastinating]

Celebrating Akira Toriyama: Mastermind Behind Generations of Joy

In the realm of manga and anime, few names shine as brightly as Akira Toriyama. His passing at the age of 68 has left fans worldwide reflecting on the indelible mark he has left on the industry and on their lives. Toriyama was not just a creator; he was a visionary who brought to life some of the most iconic and enduring works in the world of anime and gaming. His creations transcended cultural and generational boundaries, embedding themselves in the hearts of millions across the globe. Let's take a moment to celebrate the legacy of Akira Toriyama, focusing on his most influential works that continue to inspire and entertain.

Dragon Ball: More Than Just a Series

"Dragon Ball" is undeniably Toriyama's magnum opus. What started as a manga in 1984 quickly evolved into a global phenomenon, encompassing various anime series, movies, games, and merchandise. Following the adventures of Goku and his friends, "Dragon Ball" is a blend of action, comedy, and drama that captured the imagination of audiences everywhere. Its themes of friendship, perseverance, and the thrill of adventure resonate with fans, making it a foundational series that introduced many to the world of anime.

Dr. Slump: The Beginning of a Legacy

Before the worldwide success of "Dragon Ball," there was "Dr. Slump." This series, set in the whimsical Penguin Village, follows the comedic adventures of Arale Norimaki, a naïve android girl with superhuman strength, and her creator, Senbei Norimaki. "Dr. Slump" showcases Toriyama's unique humor and creativity, laying the groundwork for his future storytelling style. The series was a hit in Japan, earning Toriyama the Shogakukan Manga Award in 1982 and setting the stage for his later successes.

Venturing into the Gaming World: Dragon Quest and Chrono Trigger

Toriyama's influence extended beyond manga and anime into the realm of video games. His collaboration with Square Enix on the "Dragon Quest" series resulted in some of the most memorable character designs in gaming history. His artistic vision contributed to "Dragon Quest" becoming one of the most beloved RPG franchises worldwide.

"Chrono Trigger," another collaboration with Square Enix, further cemented Toriyama's legacy in the gaming industry. His character designs for this critically acclaimed RPG added depth and charm to an already compelling story, making it a timeless classic that continues to captivate new generations of gamers.

A Legacy That Lives On

Akira Toriyama's impact on anime, manga, and gaming is immeasurable. His works have not only entertained but also inspired countless individuals to pursue their own creative endeavors. As fans around the world mourn his passing, they also celebrate the joy and inspiration he brought into their lives. Toriyama's creations will continue to be cherished, studied, and enjoyed, ensuring his legacy will live on for generations to come.

In remembering Akira Toriyama, we are reminded of the power of storytelling and the boundless imagination of one man who dared to dream. His contributions to the worlds of anime and gaming will never be forgotten, serving as a beacon for aspiring creators everywhere. Thank you, Akira Toriyama, for sharing your vision with us and for the countless adventures that will continue to inspire awe and wonder in the hearts of fans old and new.

[basedkikuenjoyer]

Heard it through the grapevine a special someone was in a Hibari art mood. There’s no better place to look than the covers! As good as Hisashi Eiiguchi’s Stop!! Hibari-Kun looked for an early 80s manga, the times the titular character graced the cover of Weekly Shonen Jump were always a treat pushing into high art. Honestly, I’d dig a poster print of these if I could get the quality. Figured I’d pull a few favs since I always love hyping this golden oldie.

First up we have this pair. Love the proto-Culture Club look on the left. Boy George and Japanese street fashion in the 80s had a lot of back-and-forth, with the latter being influenced by Hibari. Love the colors. And then we have this adorable magic act on the right. The “rabbit” is how Eiiguchi drew himself by the way. Thing is, Hibari would rock a fair few masculine looks too. Always just made her stand out as even cuter. Let’s do more!

The big 700th issue and our girl’s popping the champagne with Arale! The two series were pretty much trading the top ranked spot off week-to-week when their runs overlapped. Graced about the same number of covers in that time, not the only one together up here. Cool thing is these two were both used as a sort of “hostess” for the magazine if that makes sense? Crazy seeing a kid with alcohol in manga too. They’re pretty firm about that now, really Hibari was the last gasp for a lot of things that’d come to be deemed unacceptable. She knocks back a few drinks in the series at a couple of points. I like this one sweet moment with her Dad where she plays the son just a little bit for his sake. It’s a cute end to a cute chapter. One more!

This is one of those shots of Hibari I can’t help but picture a young Eiichiro Oda looking at and taking notes. Such an iconic look. Like the cute shot of her and Kosaku bottom right. This one is just so electric and cute! I think this is the one I’d want. That or the headband one from an older post.

[nekodatta]

Just woke up to the news of Akira Toriyama's death.

I don't know what to say.

Dragon Ball was huge for my generation. It was more often than not, the first anime you had watched on tv before even knowing what anime was.

His was the very first manga I ever technically read, borrowing a volume from a classmate in elementary school, again, before I even really knew what manga was. I remember being so intrigued and a bit confused by the fact it was read from right to left!

Growing up I kept seeing traces of him everywhere. Dr. Slump, the goofy anime about Arale? Toriyama's work.

"Hey, look at this video game, it's called Dragon Quest, the characters were all drawn by Akira Toriyama, it looks so cool! And wow, the Dragon Quest series was the first true JRPG game!!"

And would you know, the fact that they had to make something iconic enough to surpass a game with character art made by THE Akira Toriyama, among other things,drew a little company called Square led by Hironobu Sakaguchi to make a little game called Final Fantasy.

Two of the biggest founding pillars of the JRPG genre as a whole where influenced by him in some way.

Then we have Chrono Trigger, another game that influenced me enormously, again with character art by him.

Directly and indirectly, he shaped and inspired millions, be it through his art or his stories.

Entire generations of children had their first experience of the "enemy becomes an ally and friend to the hero" trope first with Piccolo and then with Vegeta.

It sure was with me. If there were others before that I saw, it wasn't as impactful.

Seeing things first in Dragon Ball made me curious about them in real life, like all the references to Journey to the west and little details of his weird, charming worldbuilding that combined a world with sci-fi and cutting edge technology with dinosaurs, dragons and other typically fantasy monsters running around.

I was rereading the saga a couple of years ago and realised that so many things he put in during Dragon Ball's first publication during the 80's would be things that didn't even exist at the time.

Every scene of Bulma having a video call with her father would have been pure sci-fi at the time.

(I still wish that capsule technology was real...)

Creators and storytellers everywhere were inspired by him, in all kinds of genres even outside of manga and anime.

Rest in peace Toriyama.

[fantasticwolfpenguin]

Icon really Arale is a good manga filled with poop

[mrfonica]

yumemita girls :3

[idlaesy]

November 11, 2023

Saturday, 11:11 PM

Klyde,

Gusto lang kita ulit sulatan.

Magulo na naman ‘yung isip ko. Hindi ko alam anong magiging reaksyon ko sa mga susunod na buwan kung sakaling basahin kong muli itong mga liham na ginawa ko.

November 11 ngayon, saktong 11:11 ko rin ‘to ginawa.

Nahihirapan pa rin ako sa thesis ko. Ni hindi ko alam anong kalalabasan nito. Ayaw ko pa namang maging “puwede na” ‘yung gawa namin. Naiinis ako kay Jyle, hindi naman dapat kami ngarag ngayon kung nung una pa lang nag-edit na siya. Ang dami niya rin kasing tinenggang oras. ‘Yung iba kong kagrupo, hindi ko alam anong ginagawa. Si Bonna yata sa graphics. Si Jude, ayun nagta-tally, pero tiyak may aayusin na naman ako ro’n. Hindi naman gumawa ‘yun nang pulido na talaga e. Si Joyce, hindi ko rin maintindihan. Lagi na lang idinadahilan na nag-aalaga siya ng pamangkin. Hindi ba puwedeng huwag muna? Paano kung magdahilan na lang din ako? Ano mangyayari sa amin?

Ako nga lang nagre-revise ng papel namin e. Wala naman silang ginagawa bukod sa mag-edit. Mahirap naman talaga itong post production. Pero kailangan ko rin naman ng tulong. Hindi naman puwedeng ako lang nang ako rito.

Napapagod na ako. Lagi na akong pagod.

Ito pang sa simbahan. Nakuwento ko bang bumalik ako? Sumusubok ako ulit bumalik. Kailangan ko ulit ng makakapitan. Sabi naman nila, lagi lang Siyang nandiyan, tatanggapin Niya naman ako. Nagagalit kaya ang Diyos kapag nilalapitan lang Siya kapag may kailangan sa Kaniya? Hindi naman siguro siya nagtatanim ng sama ng loob. Kasi kung oo, edi hindi siya Diyos.

Sumali ako sa SocCom, org ‘yan sa simbahan, Social Communication. Sabi ko, sayang ‘yung kurso ko, baka puwedeng dito ako. Pero ang nakakainis, hindi naman ako sanay mag-edit. Naalala mo ba ‘yung sa Anakbayan mo na hindi kita matulungan kahit gusto ko? Hindi naman kasi talaga ako sanay magkikilos sa Canva. Kainis. Pinapagawa sa akin ‘yung kalendaryo para sa 2024. E ngarag na nga ako sa thesis. Hindi ko kaya. Naiinis ako. Sa akin na iniasa ‘yung gano’n. Chat pa nang chat na when daw matatapos. Kaya ito na naman ako, tinatakasan na naman sila. Gusto ko na naman mawala sa social media.

Kaka-deact ko lang ng mga account ko. IG at Facebook. Ayoko nang i-deact ‘yung Twitter ko dahil nung huling beses na ginawa ko ‘yun, na-delete lang ‘yung account ko.

Baka pumunta pala talaga ako ng Baguio, pero hindi ko alam kung sino ‘yung totoong makaksama ko. Kung si Ghee Kaye ba o si Emielle. Gusto naman nila pareho. Hindi ko rin alam kung aabot pa ba pera ko e sobrang dami ng gastos namin sa thesis. Ang gastos talaga.

Hindi ko na alam anong mangyayari sa akin. Dati rin naman mukha akong bahala na. Tsaka na isipin kapag nandiyan na, pero ngayon kasi, gusto ko talagang maging Laude. Alam ko sasabihin mo hindi naman importante itong mga parangal. Ako rin naman, gusto ko na lang maging pangkaraniwan. Pero hindi naman kasi para sa akin ‘to, para na sa pride ng magulang ko. Ang tamad-tamad ko na rin sa bahay, nakakahiya kung puro aral na nga lang ako tapos wala pa akong award.

Pagod na talaga ako. Hindi pa tapos mag-edit si Jyle. Hindi ako puwedeng magsulat ng Chapter 4 and 5 nang wala ‘yung video at post-evaluation nung video. Ang nagiging pampalipas oras ko, itong pagbabasa ng AU sa TikTok.

Hindi ko alam kung may TikTok ka na, pero parang dati yata, may lumabas sa contacs ko na mukha mo. May hawak na gitara pa nga yata icon mo ro’n tapos ‘yung username nakakatawa. Ewan ko kung aktib ka ro’n at kung nahahagip ng FYP mo ‘yan. Nakakainis lang din na dahil sa mga AU na ‘yan, minsan gusto ko ng kausap. Minsan iniisip ko ikaw. May mga character sa AU na parang tayo. Ganoon din yata ako kakulit sa iba. ‘Yung mga funny na banat, nagawa natin ‘yun e.

Ano pa kayang puwedeng gawin? Wala na akong Netflix account. Hindi ko alam kung mapapanood ko ‘yang kay Carlo sa 16. Ayain mo kaya ako? Sige na oh. Sana ihipan ka ng hangin. Or kung makapal mukha ko sa oras na ‘yan, baka ako pa ‘yung mag-aya sa sarili ko.

Hahahaha, bahala na.

Sabi sa’yo e, mahilig ako sa bahala na talaga. Mag-ingat ka palagi at galingan mo sa thesis mo!

Palagi,

Alpha

[snowiemischief]

Arale icons~

So I started reading Dr. Slump and found this really cute Arale image in the first chapter

And so I decided to crop it and color it like icons, here it is and some variants (◍•ᴗ•◍)✧*。

Feel free to use them however you want, as long as it's legal (?), credits are appreciated~

[bonaesperanza]

Ehh, but I think that Cordelia winning by force has nothing to do with the argument, because Mariotta in the second passage is talking about politics, not violence, and Cordelia's winning by force was kind of stealth-based (and very Drou and Bothari-dependent tbh) and didn't net her any actual political power. It's more about affordances within a society and coordination within a marriage in a society with unequal rights and implications about child development.

The context of the second passage is that Richard, a young Scottish lord during the Rough Wooing period, and Mariotta his wife, are newly married, and Richard is basically not consulting her at all on anything and keeping her out of the loop entirely. This is due to multiple reasons, one being that Richard is kind of shy and taciturn and uncommunicative by nature and needs to learn how to communicate, and the other being that he's absolutely fucking obsessed with hunting down his outlaw younger brother who he's always been jealous of (and who is the protagonist of the series - let's say that Richard is kind of a Mark to the protag's Miles), and he knows that the rest of his family doesn't approve of this so he's hiding it from them.

Mariotta's pregnant by this point, and she hates how isolated she is from everything that's going on and how utterly uninvolved he is in the family life, which is why she makes the point that she makes - since she is raised within this society, she doesn't think it's her place to go to Council meetings or to fight in battles, but she thinks that there needs to be coordination between the two of them, which is something that Cordelia actually has already. Aral does come to her for advice on his political issues (we see it happen repeatedly in Barrayar), and he listens to her ideas, and he IS very involved in his son's upbringing. Aral admittedly also has a lot more... raw power than Richard, because he's the Regent, whereas Richard is just a random aristocrat - he's near the top of the food chain, yeah, but not THAT high. Like, if Mariotta had Aral as a husband she wouldn't be complaining at all.

But, though I used to find that Vorkosigan passage iconic too when I first read it (after a long period of consuming media that thought that a woman can only be badass if she constantly fights people with swords I found it very refreshing), the more I think about it the more impatient I become with it because it kind of implies that teehee, we've pulled the wool over the dumb menfolk's eyes, they don't understand that we have the power to shape the next generation through Motherhood!

(And this argument is something very near and dear to my heart because I'm a researcher in social developmental psychology lol)

I just think it comes off very smug more than anything because, well, in my view Mariotta is right that whatever she teaches their children, they will eventually have to adapt to the incentives and values of the world outside their household if they want to survive, and this is something that Mariotta can only influence through Richard and with Richard's permission (and the same goes for Cordelia). If women were as powerful as the quote implies we'd have solved sexism centuries ago, because they'd have just taught their sons not to be sexist. And I feel that historically, my profession in particular has really overly emphasized the role of the mother, even though she was pretty powerless within the wider power structure during that exact same period, and I find that really sexist and reductive even though at face value it comes off as empowering, because it puts most of the responsibility on her but gives her very little actual power in the situation. Which is why both of these passages are living rent-free in my head lol.

If Cordelia were honest about what's going on here, she'd acknowledge that this is the... I hope I'm describing this clearly enough, but the Austenian ideal of a marriage based on respect and coordination (of the heroine by the hero) as the only way the heroine can achieve both agency and relational intimacy within the constraints of her society. Because if Cordelia kept on decapitating people as a way of asserting herself she'd probably get a lot of pushback tbh. It's not a viable long-term strategy.

And this is exactly what Mariotta considers normative as well, and it does seem to be within her society - we actually do see a bunch of women exercising soft power in the Lymond Chronicles: Richard's mother is a very Alys Vorpatril-like lady who, once the twisty younger son is apprehended, goes on a social campaign to gather votes against his execution and accomplishes quite a bit with it. She's also one of the, if not the, cleverest character in the series. Their family friends, the Buccleughs, feature a very... eh, meat and potatoes kind of husband, who is only interested in things as far as he can solve the situation by fucking them or stabbing them with a sword, and his wife who is lowkey directing him to go where the stabbing is useful and not detrimential, and their marriage actually works and seems filled with affection and banter. (We also see plenty of adventurous woman too - the protagonist's future wife is more badass as a teenager than most of the other characters are as adults, and has the same soft spot for protecting children that Cordelia does)

So yeah I find it interesting how basically the same situation is perceived very differently across the two series, and it may be because of the tone difference (The Lymond Chronicles can be a lot more... vicious than Vorkosigan, even though honestly they contain like 80% of the same themes and character types... I always describe Vorkosigan as 50% Bujold reads Dunnett and 50% Bujold reads Heyer), but more than anything it's just cool to see how these two women, who are a generation (Dunnett was born in 1923, Bujold in 1949) and an ocean and a social class apart, and both way way older than myself, interpret the exact same setup. Especially because Vorkosigan leans more conservative despite being written 30 years later.

- Cordelia, Lady Vorkosigan (from Barrayar by Lois McMaster Bujold)

- Mariotta, Lady Culter (from The Game of Kings by Dorothy Dunnett)

🤷🏻‍♀️

[latinsturkish]

like/reblog if you save

© @bilgiczlusoy

[cooledtured]

Crossing Worlds- Exploring Anime/Cartoon Crossovers and Collaborations

In recent years, entertainment has witnessed a surge in anime/cartoon crossovers and collaborations, sparking interest from different mediums and majorly delighting fans online with unexpected pairings. From special episodes to movies and merchandise, these collaborations offer a unique opportunity to explore beloved characters and worlds in new and exciting ways. Let's dive into some recent and upcoming crossovers that have captured the imagination of audiences worldwide.

Dream 9 Toriko x One Piece x Dragon Ball Z Super Special Collaboration

The Dream 9 Toriko x One Piece x Dragon Ball Z Super Special Collaboration is a groundbreaking crossover event that brings together some of the most iconic characters from the world of shonen anime. The collaboration consists of two special episodes, which can be found in a special DVD collection or as episodes 99 of Toriko and 590 of One Piece, respectively.

In these episodes, viewers are treated to an epic tournament unlike any other, with Toriko, Luffy, and Goku, three of the most renowned shonen protagonists, joining forces to compete for a coveted prize- a large piece of meat. This mouthwatering reward serves as the ultimate incentive for our heroes, each known for their appetites and love for delicious food. What makes this crossover particularly exciting is the opportunity to see these beloved characters interact and collaborate in unexpected ways. From Toriko's gourmet expertise to Luffy's antics, fans are treated to a spectacle of humor, and camaraderie as they navigate the challenges of the tournament together. Additionally, the crossover introduces fans to a host of other familiar faces, including Vegeta and Sanji, who play pivotal roles in the unfolding events. The clash of personalities and fighting styles between these characters adds an extra layer of excitement to the proceedings, ensuring that viewers are kept on the edge of their seats from start to finish.

Overwatch 2 x Cowboy Bebop Collab event

The Overwatch 2 x Cowboy Bebop Collab event was a unique crossover that merged the futuristic world of Overwatch with the stylish universe of the legendary anime series Cowboy Bebop. In this collaboration, players were invited to participate in special in-game events and challenges that celebrate the iconic characters and themes of both franchises.

One of the highlights of the collaboration is the opportunity for players to unlock exclusive skins, emotes, and other in-game items inspired by the characters and aesthetics of the Cowboy Bebop anime. From sleek space suits to jazz-inspired accessories, these items allow players to customize their favorite Overwatch heroes with a touch of anime flair. Moreover, the collaboration offers players the chance to immerse themselves in the lore and atmosphere of Cowboy Bebop through missions and storylines. Whether it's exploring the streets of Mars or engaging in intense firefights aboard the Bebop spaceship, players are treated to a truly immersive experience that pays homage to the beloved anime series.

Beyond the gameplay elements, the Overwatch 2 x Cowboy Bebop Collab event serves as a celebration of the cultural impact and legacy of both franchises. By bringing together fans of Overwatch and Cowboy Bebop, the collaboration created a sense of community and camaraderie among players, united by their shared love for these iconic names.

Dragon Ball x Dr. Slump Collab

The crossover between Dragon Ball and Dr. Slump is a delightful meeting of two beloved anime series, both created by the legendary Akira Toriyama. While Dragon Ball is known for its epic battles and larger-than-life characters, Dr. Slump offers a whimsical and comedic take on the world of science fiction.

In the General Blue Saga Arc of Dragon Ball, young Goku finds himself chasing a villain through an interdimensional rift, leading him to encounter Arale, the super-strong android girl who stars in Dr. Slump. The unlikely duo teams up to take down the villain, resulting in a series of hilarious and action-packed misadventures that showcase the best of both series.

What makes this crossover special is the contrast between the two worlds - the high-energy battles of Dragon Ball against the wacky hijinks of Dr. Slump. Despite their differences, Goku and Arale form a strong team, demonstrating the power of collaboration and friendship to overcome obstacles.

In conclusion, anime/cartoon crossovers and collaborations offer a fascinating glimpse into the connected nature of modern pop culture. Whether it 's through special episodes, merchandise, or artwork, these collaborations bring together beloved characters and worlds in unexpected yet delightful ways. As fans eagerly anticipate future crossovers and collaborations, the possibilities for creative storytelling and imaginative expression are limitless.

[dizisturkish]

like/reblog if you save♡

(c) @sadmrtina