#aotake

[avakkins-alter]

💥CONGRATULATIONS for 3YEARS and 3MONTHS💥 | 青竹色🎋

[syncopatedid]

It's the end of the 99th Hakone Ekiden in 2023 and the reigning champion school from last year has been trounced by 駒澤大学 Komazawa University!! Section 10's runner a SUPER ROOKIE :*) Their win seems inevitable from Day 1 though, their lead has been comfortable for most of the section runs! Also, this year definitely feels like a year where all the mid-tier schools put their best foot (feet?) forward to make seed. With good reason too. A seed guarantees a spot in the 100th ekiden and the qualifiers have been opened to schools out of the Kanto region, meaning qualifiers to get in next year will be INSANE.

New things added to this year's TV : Demographics had HEAD SHOTS lmao. Also, I don't think this is new but I only noticed it this year since I have more screens: their website actually has a LIVE TRACKER GPS going on so you can see which runner is ahead in real time! Anyway there was a snag in my connections and all my new gadgets weren't connecting to the channel this year so a mad scramble ensued to troubleshoot and get one working on my old machine (I love you my tablet!!) But I'm happy to report I got to catch both days' start and end and VPN was good to me this year! :3 There's also a new member to my running shrine in the form of a Tako-Haiji, hahaha.

Next year's the year! p.s: Anyway please watch Kazetsuyo! It's aged pretty well, I must say. Still looking good and full of feels!

[tikklil]

Spring at Aotake

[bleachbleachbleach]

🗻🏃🏻‍♂️箱根の山は？ 天下の険！🗻🏃🏻‍♂️

We finished our annual Run with the Wind rewatch last night, which is a series I love so intensely that if I had to recommend one anime to someone it would be this one. It clocks in at a cool 23 episodes, which makes it approachable, and it's so character-driven it doesn't matter if the premise sounds inherently interesting or not.

Do you love running? asks fourth-year university student Kiyose Haiji in the opening scene. If you don't, YOU WILL, as all of his roommates are about to find out, whether they want to or not (they do not).

It's based on a light novel by Miura Shion, who also wrote The Great Passage, which is a book (and anime series!) about writing a dictionary, which if you're like me will sell you on her instantly and if you are not might sell you on the premise that it's not the premise you need to be drawn to. The premise of Run with the Wind is the Hakone Ekiden: An annual, university marathon relay held up and down the mountains of Hakone just after New Years. Specifically, a 10-person college dorm that gets tricked/dragged/lovingly blackmailed into becoming an elite, 10-person marathon relay team.

Except most of the house aren't runners, and none of them wanted to be (except Haiji. Haiji's the one in the green. Can you tell?). They're law students and game show-loving job hunters; sun-starved otaku; coders who smoke; they're at the club; they're after girls; they have a girlfriend, actually; they are unassuming exchange students who like bathing in the dark and tuning into their friends' shoujo-style love lives; they are stealing 100 yen buns because they lost all their rent money in a single night of gambling.

Run With the Wind comes with all the tropes (extreme underdog story! DESTINATION TRAINING CAMP! fireworks! bathhouses! shared meals! hurt/comfort! very questionable driving (is this a real trope? it is to me)! cute dog! extremely homosexual soliloquies! extremely polyamorous nakama! It's goofy and charming and incredibly grounded in all of the small details of its characters lives and passions and insecurities. It's philosophical without being pedantic, existential without being nihilistic, and it's pure in the sense of being genuine, pure in the sense of being about some weird dudes who are willing to be deeply weird and to witness each other's weirdness.

There's so much to love about this series: The little notes on the walls of their dorm; the personalizations of everyone's shoes and phones and clothes; the amount of mayo someone is willing to put on curry; the eyes of the taxi driver as people have an insane conversation in the backseat; the amount of shit that exists in piles in the halls of the dorm; the slopes of Hakone; the team cheer; the sound of a metal windmill, creaking in strong wind.

It makes us cry every single time. The world for the Aotake boys. <333 Plus, this year (2024) was the ONE HUNDREDTH RUNNING of the real Hakone Ekiden!

For additional recs, here's my favorite:

film "about" running - Atanarjuat (2001)

fanfic "about" running - Run, glasshoe (2009)

essay "about" running - Repetitive Stress, Devin Kelly (2021)

[honmakurara]

Ten kisses, a confession and a showdown

Ever wondered how the Aotake members found out about the resident couple?

Kakeru x Haiji, Kazetsuyo, fluff, crack, comedy, Aotake squad

There's that one time when they're languidly snogging in the quiet darkness of the bathtub at Aotake, lukewarm water lapping their shoulders as Kakeru and Haiji both reach out for each other's; suddenly, the sliding door opens and the couple is caught staring at a naked figure before them.

Musa's big eyes widen to no end, and his cheeks redden at once as he tries to suppress a cry. The next moment, a merry and bright-smile Haiji is eagerly inviting him to join them in the water; they’re done, he claims, feigning indifference and pretending there’s no possible embarrassment within Musa’s gentle soul.

Musa gently refuses, bowing profusely and excusing himself; once safe behind the sliding door he tells them he'll patiently wait until they'll be done for real, and he will keep the secret about them, of course.

“Which secret?” Haiji asks furrowing, and Kakeru merely sighs.

(keep reading @ao3 )

[hideyseek]

ao3 first lines

tagged by @mister-eames, mwah thank you!! love to do games like this :3

Rules: Post the first lines of your last 10 fics posted to AO3 (Sort by date posted.) If you have less than 10 fics posted, post what you have!

1. keep me here (kazetsuyo, haiji/fujioka)

It’s not the first time they’ve met like this, and it won’t be the last, not if Haiji has anything to do about it.

2. bet on losing dogs (kazetsuyo, haiji/kakeru)

The days that Kakeru goes straight from mahjong to Hanaji’s are never good days, and the days Kakeru doesn’t make it to mahjong beforehand are worse.

3. the still of your hand (kazetsuyo, haiji/fujioka)

It’s the first day of the new year.

4. wire synchronous (kazetsuyo, haiji/kakeru)

They make temporary port on an icy planet, white rock core and a wild surface swirling with blizzards.

5. i wish you the wind (kazetsuyo, haiji/kakeru)

Kakeru learns that his running idol is leaving Aotake Publishing Co. in the middle of a bath, the day after he runs the New Year’s ekiden for the first time.

6. bursting into life (kazetsuyo, haiji/kakeru)

The winter wind, which had howled around his train and yanked menacingly at Kakeru’s scarf as he made his way through town, disappears abruptly when he steps over the threshold of the old dormitory building.

7. Professional (Mis)Conduct (inception, arthur/eames)

Arthur lies about it, on the phone with Cobb.

8. Anything Worth Keeping (inception, eames/robert)

Eames had just been jealous.

9. The True Meaning of Poinsettias (inception, arthur/eames)

A poinsettia is tasteful and holidayish and undeniably platonic, Arthur consoles himself.

10. but i grew weary of the threshold (tsurune, seiya/minato)

Seiya has been sitting in the half-dark for thirty-six minutes, when the door opens.

tagging (no pressure!!): @frogiwi @swimmingseafish @queuebird @zrllosyn @rebournetime @therealscarymarlowe @yin1se4 @rogueyami

[himebushou]

I found some Run with the Wind fics from 2019 sitting around on my phone so... here we are!

Solitude

The fastest forgets how it feels to be left behind.

The sky is overcast.  There is no wind but the March chill still seeps through Kakeru's clothes.  He is unmoved by the cold; his eyes are fixed on the vanishing outline of Kiyose Haiji, jogging down the street with a boisterous Nira at his side.

Even after they disappear, Kakeru hears Nira's cheerful yaps.  And he hears the steady drumming of Haiji's feet, if only in his head.

Kakeru wants to avert his gaze.  He can't.  That strange, demanding man is difficult to ignore.  He's seized Kakeru's attention.  And he's –

Gone.

Kakeru realises that he's seldom left staring at someone's back.  He's always been the one ahead.  He does not lead and he does not follow: he stands apart, carving a path, a lone feather gliding through the air.

He wonders if it would have been so terrible if the senior had stayed... just for a minute.

Alone, again, Kakeru returns to Aotake.

[gmqazi19739]

Farah Khanum - Top 15 Best Sindhi Folk Music

The name Farah Khanum resonated deeply in the hearts of those who were fond of Sindhi classical Music and folk songs. Her journey as a singer includes a deep connection to her roots and a passion for preserving and celebrating Sindhi culture. A beautiful blend of tradition and innovation, Farah’s voice has become one of the most loved and sought-after artists in Sindh.

Best Farah Khanum Sindhi Folk Music Download

Biography and Early Life Farah Khanum’s journey began in the province of Sindh, where she quickly became a household name. She was not only known for her singing skills but also for capturing the essence of Sindhi culture in her shows. Her writing was vast, detailing songs in Sindhi, Urdu, and Saraiki, each with a deep understanding of the language and emotions behind the song. The voice captured my heart Farah Khanum was more than just a singer. She was a storyteller who shared the joys, sorrows, and love stories of Sindh with her voice. Her ability to sing songs of love and sadness in a rich, soulful voice allowed anyone who listened to her music to relate to her music. Farah was primarily known for singing popular Sindhi songs, Sindhi kalam, and vibrant Sindhi social music songs, which left a lasting impact on her listeners. Master of Sindhi classical and folk music Farah Khanum’s knowledge of Sindhi classical and folk songs was unparalleled. She had a special talent for bringing alive the poetry of prominent Sindhi poets like Hazrat Shah Abdul Latif Bhitay R.A and Hazrat Sachal Saramast R.A through her songs. Her ability to blend traditional and contemporary music gave Sindhi music a new perspective, empowering a new generation, while staying true to the original Traditional innovation Farah Khanum was a pioneer in bringing new Sindhi traditional music. She skillfully incorporated elements of contemporary music into her music, with a blend that is innovative and respectful of tradition. Her music became the medium between old and new, making Sindhi music relevant in an ever-changing world. Farah Khanum’s career and legacy Farah Khanum’s performance is nothing short of magical. She was known for performing live in a variety of venues, from intimate gatherings in "aotak" (traditional Sindhi community spaces) to large public events such as fairs and weddings. Her folk music crossed borders and brought people together in a shared cultural and artistic experience. Favorite artist of Radio Pakistan and Pakistan Doordarshan Farah Khanum’s popularity went beyond live music. She was a regular performer on Radio Pakistan and Pakistan Television, where her songs were frequently played and enjoyed by listeners. Her presence on these stages cemented her status as one of the leading artists of her time. A collection of the most famous Sindhi songs by Farah Khanum Throughout her career, Farah Khanum created an impressive repertoire of Sindhi songs that is celebrated to this day. Her Sindhi music songs are a testament to her incredible talent and deep connection with Sindhi culture. The song selection above is the most impressive: The lasting impact of Farah Khanum on Sindhi music Farah Khanum’s contribution to Sindhi songs is immeasurable. She not only preserved the rich musical tradition of Sindh but also pushed the boundaries of what was possible in the genre. A musical legacy that will last forever Farah Khanum’s legacy lives on through her music, which remains a cornerstone of Sindhi culture. Farah’s ability to connect with audiences in such a profound way is a testament to her talent and dedication to her art. Conclusion Farah Khanum was more than just a singer. She was a cultural icon who celebrated and preserved the rich traditions of Sindh with her voice. Blending classical and folk songs with modern innovations, her music continues to inspire and resonate with listeners today. Farah Khanum’s legacy is a reminder of the power of Sindhi Folk music to bring people together and keep cultural heritage alive. FAQs What has made Farah Khanum’s music stand out? Farah Khanum’s music was unique in that she blended traditional Sindhi music with contemporary styles. In which language did Farah Khanum sing? Farah Khanum sang in Sindhi, Urdu, and Saraiki, showcasing her versatility as a singer. Who were some of the poets whose works Farah Khanum sang? Farah Khanum Hazrat Shah Abdul Latif Bhitai R.A., Hazrat Sachal Sarmast R.A. Where did Farah Khanum perform? Farah Khanum performed at various venues including Radio Pakistan, Pakistan Doordarshan, Melas, weddings, and events like "Aotak" events. What is Farah Khanum’s legacy in Sindhi music? Farah Khanum’s legacy in Sindhi music is one of innovation and contribution. She kept up with traditional Sindhi music and introduced new music, ensuring that it was suitable for future generations. Read the full article

[tsaltyshims]

Seize the Chance

Rating: T 💛

Summary:

Kakeru knows he’s awkward, poor at social cues (getting better, though), tragically unfunny, has trouble keeping his emotions in check. His teammates all know that about him, too. They accept all those things about him, which is great, and he’s forever thankful.

But who could actually manage to develop a crush on that combination of dysfunction?

He looks at Haiji. Haiji beams back at him, and Kakeru swallows, looking away.

--

Haiji thinks someone in Aotake might have a crush on Kakeru. Kakeru has absolutely no idea who it could be

My thoughts:

Refreshing when someone is able to capture how insane Haiji is. This is really cute and feels like it fits right into canon and Haiji is so so Haiji, love it.

[animestuff-iguess]

Why all the familiars hot-

Is it just a trait of the familiars-

[bakugoukatsuki-rising]

Well? Did you get to see the top?

[nai-re-sideblog]

Haiji Kiyose -

I fell in love with this anime, it gave me so much force. And Haiji is the person everyone need in their life, so caring, so awesome..he is really such an inspiring person.

I hope I'll be able to draw the other Aotake boys

[esselley]

Here’s a little fic I wrote for Meteor Road, a team-focused KazeTsuyo zine! I had so much fun working with @egg-noodle on this - her artwork is embedded in the fic and posted here on Twitter! <3

Kakeru is glad he's always been an early riser, because he likes the way nobody bothers him at dawn. He still doesn't feel at ease in the dorm, not when he can't tell what Haiji wants from him. But it's not as bad as his parents' house, he thinks… not the way it had been after he screwed everything up and let everybody down.

He doesn't think he's let anybody in Aotake down, yet.

--

As the days and weeks and months pass, Kakeru learns what it feels like to belong.

Rating: General Audiences Relationships: Kiyose Haiji & Kurahara Kakeru, Kurahara Kakeru & Everyone Additional Tags: Team as Family, Team Dynamics, Friendship, Belonging

[hideyseek]

i wish you the wind

G, 3.4k, pro runner!kakeru & coach!haiji

Kakeru learns that his running idol is leaving Aotake Publishing Co. in the middle of a bath, the day after he runs the New Year’s ekiden for the first time. From the main room of their shared athletes’ dorm he hears Joji shout, The ogre is leaving—? and Kakeru startles so badly he dunks himself and sends lukewarm bathwater splashing all over the floor.

here we go again, hoho. is this fic just a collection of "what if they turned left" au ideas? yes.

ao3 link

[motoyas]

I'm not sure if these people are my friends or not. But at the very least, they recognize me, my ideas, and my worth. Among them there is no high or low level. The only thing that matters is who we are!

4 / 23 Rewatch

[gmqazi19739]

Khan Muhammad Shaikh - Top 40 Best Sindhi Dastan Music

Khan Muhammad Shaikh is the most popular Sindhi Dastan Music artist of Sindh. His contribution to Sindhi finger music has left an indelible mark on the music of Sindh. With his powerful voice and eloquence, Khan Muhammad Sheikh has become a beloved figure, earning the respect and admiration of audiences across Sindh and beyond.

Best Khan Muhammad Shaikh Sindhi Folk Music Download

Khan Muhammad Shaikh Biography and Early Life Born in central Sindh, Khan Muhammad Shaikh was destined for greatness from an early age. His early life was steeped in the rich traditions of Sindhi culture, and it was natural for him to gravitate towards music. His entry into the world of Sindhi music is marked by his innate musical talent and deep understanding of the cultural nuances that shape the music of the region. Khan Muhammad Sheikh's unique style of music What distinguished Khan Muhammad Shaikh from his contemporaries was his unique voice and unmatched style. He had a gift for blending classical music with folk elements to create a sound that was unique and deeply rooted in tradition. His ability to express emotions through his songs endeared him to the fans of Sindhi music. Sindhi Dastan Songs: An Overview Sindhi finger music is music as old as the land. These songs combine the art of storytelling with composition, creating a powerful and immersive experience for the listener. Dastangoi, the art of storytelling, has been an integral part of Sindhi culture for centuries. It involved telling stories of wonder and love through song, a tradition that Khan Muhammad Sheikh was able to master and make famous. Contribution to Sindhi Dastan music These intimate contacts enabled him to engage with audiences on a personal level, producing shared experiences that were both compelling and memorable. When performing in remote villages or cities, he had the rare ability to connect with his audience and lure them into his musical universe. The famous Dastan revealed by Khan Muhammad Shaikh His plays included "Sohni Mahiwal," "Sassi Pano," "Hazrat Yusuf Zulekhan," "Dastan Hazrat Yunus A. These plays showcased his ability to connect with his audience on a deep emotional level, and gave the words came alive in his voice ." Interviews with Sindhi poets Collaborating with some of the leading poets of his time, he added depth to his music, blending poetic verses into his compositions This fusion of poetry and music became one of the hallmarks of his music. Influence of  Khan Muhammad Shaikh in Sindhi Classical Music Khan Muhammad Shaikh played an important role in Sindhi classical music. His innovative approach combining traditional elements with contemporary techniques had a lasting impact on the genre. Performing spaces and audience participation Khan Muhammad Sheikh was known for his live performances, which were usually held outdoors like "Mehfil" or "Aotak". These intimate contacts enabled him to engage with audiences on a personal level, resulting in strong and unforgettable shared experiences. The role of audiocassettes in his work Audio cassettes played an important role in the life of Khan Muhammad Sheikh in the pre-digital music era. These recordings brought his folk music to a wider audience and preserved his music for future generations. Personal style and stage presence His signature look, which often accompanied "patka" or "pagri," became synonymous with his identity as a musician. His impressive stage presence and ability to express emotion through music combined to make his performances unforgettable. Challenges and triumphs in his career Like many artists, Khan Muhammad Sheikh faced his share of challenges. As a Sindhi folk artist, he had to navigate a music industry that was often dominated by several major genres. His personal and professional successes are a testament to his talent and determination. Dastangoi's fall and revival Khan Muhammad Sheikh’s legacy plays a key role in this revival, as his music continues to inspire a new generation of artists. Khan Muhammad Shaikh's Legacy in Sindhi Music His contribution to Sindhi finger music had a lasting impact on the culture of Sindh. Today he is remembered not only as a musician but as a cultural icon who brought stories of Sindh alive through his music. Conclusion Khan Muhammad Shaikh’s contribution to Sindhi folk songs has left an indelible mark on the cultural heritage of Sindh. His unique blend of storytelling and music and his distinctive voice made him a beloved figure in the world of Sindhi music. His legacy continues to inspire new generations of musicians, ensuring the survival of the art of Sindhi finger music. FAQs 1. What is Dastangoi? Dastangoi is a traditional art form that combines storytelling and music. It’s about telling incredible stories, often about love and tragedy, through composition. 2. How did Khan Muhammad Shaikh influence Sindhi music? Khan Muhammad Sheikh played an important role in popularizing Sindhi finger music. His unique blend of classical and folk elements, combined with his touch with history, brought this traditional art form to a wider audience, ensuring its preservation for future generations 3. What are some of his most famous roles? Khan Muhammad Sheikh's most famous plays include "Sohni Mahiwal", "Sassi Pano", "Hazrat Yusuf Zulekhan", and "Dastan Hazrat Yunus A.S. 4. How does Sindhi glove music differ from other types of music? Sindhi finger music is unique in its combination of storytelling and melody. Read the full article