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#anyways there's several ways you could take this
yuujispinkhair · 3 days
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Cowboy Sukuna (Part 1)
Sukuna became a cowboy so he wouldn't have to let anyone tell him what to do. And because he wanted to put some distance between himself and his little brother so Sukuna wouldn't drag him into his mess. Sukuna is made for the lonesome cowboy life. He doesn't need anyone by his side. He isn't looking for love. At least that's what he thinks until he meets you, a pretty girl in a flowery dress and cowboy boots who somehow knows how to tear Sukuna's walls down.
Cowboy!Sukuna x Reader (female) Genre: Cowboy AU, fluff + smut Word Count: 7.5k Playlist: Cowboy Sukuna Warnings: 18+, smut, cigarettes, alcohol, fistfights, blood. Minors don't interact. This story is inspired by @sweetlandspos fanart of Cowboy Sukuna (also this is the selfie he sends Reader). I saw him and fell in love, and I just HAD to write a story about this sexy cowboy. Divider @/benkeibear. The art in the header was used with permission from @/sweetlandspos
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Sukuna grew up thinking he belonged nowhere. He can't even remember his dad and his mama didn't want him either. He was raised by his grandpa, but Sukuna was a wild one, a rebel and troublemaker, famous in his small town but for all the wrong reasons. He got all those tattoos when he was far too young, got into all those fistfights, broke all those hearts, and even got into trouble with the cops once. His gramps told Sukuna he was a bad influence on his little brother, so when Sukuna was old enough, he left it all behind and bought this old ranch in the middle of nowhere.
He renovated the old farmhouse all by himself and built his own life out here. A life he could be proud of. It's a lonely life. No wife, no kids, not even a girlfriend. Just Sukuna and his dog and horse and the cows. And lots of hard work. But it's what Sukuna tells himself he wants. The bad boy cowboy never even considered getting married. He doesn't think he is made for love. He isn't even sure he deserves it or is capable of it. Sukuna enjoys life out here in the middle of nowhere and tells himself he doesn't need anyone by his side, anyway.
If he wants to fuck, he can drive to town and flirt his way into some pretty girl's bed. It's never anything serious. Just a few hours of fun and then Sukuna is gone again. No goodbye kiss, no exchange of phone numbers. The only thing he leaves behind are some muddy bootprints on her front porch, and some cigarette ash flicked out of his car window.
Sukuna doesn't expect to ever find love or even want to find it. And he certainly doesn't think that he will meet his future wife on a random Tuesday morning in the shabby old hardware store he has been frequenting for years.
He got into his pickup truck at sunrise, driving several hours to the small town to buy some things in the hardware store, and that's where he runs into you, a sweet little thing in a flowery dress and pretty cowboy boots, wringing your hands nervously when Sukuna has some questions regarding the pond supplies he wants to buy.
He grins at you, taking his cowboy hat off and nodding at you respectfully, all polite because contrary to what he looks like with all his tattoos and the intimidating height and muscular build, he can be a gentleman if he wants to, and you seem like such a sweetheart, Sukuna thinks you deserve his best charming self.
You tell him it's your first day working here and you have to check with your boss. You apologize profusely to Sukuna, and he can't stop the smirk from spreading over his tattooed face because you are so damn cute.
He tells you, "It's okay, ma'am, I have time.", and watches you get all flustered before you hurry to the back of the store.
You return a few minutes later with a warm smile on your face and answer Sukuna's questions, showing him around and also helping him pick some other things he says he needs (which he doesn't, but he likes the way you smile at him and the way your sweet flowery perfume fills his nose anytime you move).
You even insist on helping him load the items into his pickup truck,
"See it as compensation for my earlier lack of fishing pond knowledge."
And Sukuna laughs and thanks you,
"There is nothing you have to compensate for. I am very pleased with your service."
He eyes the nameplate attached to your dress and addresses you by your name, letting it roll off his tongue in his low, velvety voice that he knows girls find sexy. Sukuna can see that you are affected by his charm, and he grins broadly at you when he tips his cowboy hat in a farewell. And you smile so sweetly at him, and Sukuna is pretty sure you really mean it when you tell him to come back again soon.
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Sukuna is back in town only a week later, picking up a new saddle he ordered at the local saddler, but he drives past the hardware store on his way back, and something makes him slow down, makes him take one last deep drag from his cigarette and then flick the cigarette butt out the open window before Sukuna pulls into the small parking lot.
Sukuna tells himself it's a good idea to have a little look around when he already made the long drive into town anyway. He could use a new toolbox. The old one is still functioning, but this new one comes with a sweet girl in a cute little skirt and those shiny cowboy boots. Sukuna spends thirty minutes in the little shop until he finally sees you coming out from the back.
Your gaze meets his, and he sees the way your eyes widen just as Sukuna grins at you, tipping his cowboy hat in greeting and casually strolling over to you.
You smile brightly at him, remembering him (Of course you do. Sukuna knows he always leaves an impression), greeting him by his name, and asking him how you can be of help.
Sukuna cocks his head, a lazy smirk spreading over his handsome, tattooed face, letting his gaze travel over your pretty face and cute curves, thinking that he definitely knows some things you could help him with. He is pretty sure he could have you in his truck in no time at all, his calloused hands slipping under your cute little skirt while your pretty mouth moans his name. But something makes him hold back.
It's untypical for Sukuna. He drove all the way to town and will only be here for a few hours. Usually, he makes good use of that time to get his fill of some sweet pussy wrapped around his cock to keep him satisfied for the long lonely nights to come once he is back home again, riding over the plains, herding his cows.
But Sukuna looks at your sweet smile and your genuine kindness, and it doesn't feel right to only fuck you and then leave again to never see you again.
And so Sukuna doesn't try to get under your skirt but instead leans down to grin at you and ask you to help him pick a nice new toolbox.
He walks out of the store an hour later, not just with a new toolbox but also a new BBQ grill, some lawn chairs, and a saddle bag he could have gotten in much better quality at the saddler he just came from. But it's okay because it meant that he could spend a whole hour with you in the shitty little hardware store, letting you show him around, talking to him in your sweet voice with the thick accent, while Sukuna watched your little skirt sway around your knees.
You accompany him to his truck again, and Sukuna smirks at you like the devil that he is, asking in a teasing voice,
"Is this some new service your store offers? Helping every customer load their stuff into their cars? Or is this a special service just for me?"
His smirk grows bigger when he sees how flustered you get once again, and he adds,
"No need to get all shy on me, sweetheart. I like being your favorite customer."
You giggle nervously but smile that bright smile at him again and quickly ask him where he lives and what he's doing for a living. And Sukuna laughs and points at his cowboy hat,
"This is what I'm doing. The hat isn't just a sexy accessory."
"Oh? So you're really a cowboy?"
"Yeah, as real as you can meet one. I have my own ranch a few hours from here. Just me and my animals."
You smile at him, getting a slightly dreamy look in your eyes, telling him,
"That sounds nice."
Sukuna doesn't know why his chest feels so fluttery and warm the whole drive home. He even catches himself humming along softly to one of those stupid, catchy lovesongs playing on the country station on his shitty old car radio.
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Cowboy Sukuna doesn't know what it is, but lately, he keeps coming to town more often than usual. It's Friday night, and he's sitting in the small bar with the roses on the wooden sign above the old-fashioned saloon doors.
Sukuna is drinking whiskey with some rancher who wants to buy several cows from him, when Sukuna suddenly sees you. All pretty and sexy without knowing it, in your blue jeans and the cropped blouse, laughing unrestrainedly with your girls after a long work day.
Sukuna can't take his eyes off you. He watches you over the rim of his whiskey glass, feeling that strange warmth in his chest again. He's about to put his glass down and walk over to you when he sees a guy bump into you.
The asshole is acting as if it was by accident, but he is far too handsy for Sukuna's taste. Standing much too close to you, his shoulders brushing against yours, his mouth at your ear, saying something to you.
Sukuna grits his teeth.
You smile politely at the guy, laughing awkwardly, not at all like when you laugh with Sukuna. You are uncomfortable. That much is clear to see, but Sukuna can tell you are a good girl who was taught to always be nice and polite, even to that guy with the grabby hands. That pathetic worm puts a hand on your hip, and Sukuna sees red.
He slams his whiskey glass down on the table and crosses the small bar in a few large steps, grabbing that handsy guy and pulling him off you with an angry growl. Sukuna slams him into the wall, glaring at him, his voice low and dangerous,
"Get your dirty hands off her, or I'll fucking kill you!"
Your wide, surprised eyes stare at Sukuna, and that nameless guy screams and tries to punch him, but Sukuna just laughs about the pathetic attempt and drags him further away from you, grabbing him by the collar as Sukuna's right fist connects with the asshole's face.
Sukuna has always been good at fistfights. He is a rough guy, a dirty fighter, sadistic when someone pisses him off. He tried to stay out of trouble those last few years, but tonight, he is not restraining his anger, not when it comes to protecting you.
He smirks devilishly at the guy when that asshole manages to land a hit on Sukuna's face. It just manages to rile Sukuna up even more. He laughs and taunts that loser for hitting like a little boy before Sukuna attacks again and sends the guy tumbling to the floor with the next hard punch.
It's then that your small, soft hands wrap around Sukuna's tattooed biceps, and your sweet voice says his name with so much worry that it makes Sukuna stop going after that guy on the floor. He just jerks his head at the guy, telling him to get lost,
"If you know what's good for you, you better stay a mile away from that sweet lady in the future. Now apologize to her."
And the guy scrambles to his feet, mumbling a sorry before he flees from the bar and from Sukuna.
Sukuna slowly turns around, running a tattooed hand through his pink hair. He wipes his split lip on his sleeve, gives you a lopsided grin, and asks if you are okay.
And you stare at him with big, worried eyes, taking in the blood on his tattooed face, but a small smile plays around your lips as you tell Sukuna,
"Thank you for getting him away from me. I am fine... but what about you? Your lip... let me fix that, please."
You take Sukuna's large hand in your smaller one, tugging gently on it, and Sukuna follows you out of the bar.
You lead him down the road to your small house, inviting him in, not to have sex with him, but to patch him up, and somehow it feels a lot more intimate than all the times combined that Sukuna went home with another girl.
You are so sweet to him, scolding him for getting into a fight and getting himself hurt, but your fingers are so gentle when you wipe the blood off Sukuna's face and put a band-aid on his split lip. You smile softly as you trace the tattoos on Sukuna's jaw with your fingers and whisper a thank you to him.
"Thank you for protecting me from that guy and teaching him a lesson. You're a good guy."
And Sukuna laughs roughly, grinning at you and shaking his head,
"That's a first. Usually, I get called the opposite."
And you laugh with him, your soft fingers still cupping his chin and touching his tattoos oh so gently, insisting that even though he looks like a bad boy, Sukuna seems really nice.
Sukuna is so close to just pulling you on his lap and kissing you, but he refrains from doing it. Because he knows where it would lead, and for once in his life, Sukuna doesn't want a one-night stand. He doesn't want to fuck you and then drive back to his life out on the ranch to never see you again.
He doesn't want that with you. He wants to see you again, and he wants to take things slow. He wants to court you in an old-fashioned way.
Sukuna eats the homemade pie you bring him and drinks the coffee you insist he should drink before he drives back home. He thanks you politely for playing nurse for him and for feeding him, looking at you with the most charming smile he can give you with his split lip. And you tell him he is welcome and that he knows now where to find you if he ever needs someone to patch him up again.
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Sukuna returns a week later to the hardware store, not because he needs to buy anything, but for you. He sees you smile when you spot him leaning casually against a wooden fence display, twirling his cowboy hat in his fingers and smirking that lazy grin at you.
You only have eyes for him, forgetting what you want to say to the customers you are serving. Looking at them in confusion and stuttering an excuse before your gaze wanders back to Sukuna. And Sukuna's smirk grows bigger.
He didn't even dress nice. He is just wearing his typical black jeans and cowboy boots, and one of the flannel shirts he always wears on the ranch. But he knows he looks good anyway. Sukuna knows the ladies love his handsome face and his tall and strong body with all those well-defined muscles from all the hard work. And his pink hair and tattoos are very popular with the country girls, too. They all get weak in the knees for a bad boy like Sukuna.
But somehow, he doesn't want to be a bad boy when it comes to you. A strange warmth spreads through Sukuna's chest when you leave the other customers standing and come over to him with that big smile on your pretty face, greeting him and telling him that it's nice to see him again.
No, Sukuna doesn't want to be an asshole or a bad boy when it comes to you. He wants to be a good man for you. He is polite to you, sweet, and respectful. A true cowboy and gentleman.
He grins his boyish grin at you, cocking his head and drawls,
"I thought I should stop by to check on you. Make sure there aren't any weird guys I have to fistfight for you."
Sukuna flirts with you and makes you laugh and giggle until your boss gives you side eyes and informs you that you shouldn't pester customers. But Sukuna turns to the man, towering over him,
"She is just helping me decide which products to buy. You shouldn't berate her but rather give her a raise. This sweet lady is the best thing about this shitty store. The only reason I keep coming back."
You burst out laughing the moment your boss has left and Sukuna thinks his stomach has never felt so fluttery. He asks you when your shift is over and if he can take you out for dinner. He is delighted when you say yes.
Sukuna waits until your shift is over and then leads you to his old pickup truck, holding open the door for you, giving you a hand, and helping you climb into it. His hand rests a bit longer than necessary on the small of your back, but you don't seem to mind.
He takes you to a cozy little restaurant that he has been to several times before. Always alone because Sukuna never went on dates in the past. But the elderly lady who owns the restaurant always tells Sukuna that she knows the type of cowboy Sukuna is from the time when she was still a young girl.
"Oh, I have had several boys like you in my life. Y'all are such handsome devils, but always breaking hearts everywhere you go because you are always running from something, and you don't even know from what. I wish for you to find the right girl one day. And if you do, bring her here."
And now Sukuna is here with you, walking into the restaurant with his arm wrapped lightly around you, catching the knowing gaze of the old lady behind the counter. She leads the two of you to a table on the patio, all romantic with wildflowers in a mason jar and fairy lights overhead.
Sukuna has never been on a real date, but he likes this. He likes to be here with you, chat with you, laugh with you, and hold your hand on the table, watching his long tattooed fingers interlace with your smaller ones, which feel so soft.
The hours slip by without either of you noticing how late it is.
When it is time to bring you home, Sukuna drives you to your house, parks the truck in front of it, and turns to you to say the typical flirty stuff that he usually says to girls, but he stops when he sees your smile, and somehow anything he usually says seems so hollow and fake, and it wouldn't be right to say it to you.
Sukuna closes his mouth again, gulping hard, the bad boy cowboy at a loss for words for the first time in his life.
This feeling is new to Sukuna. All of this is new to him. This warmth in his chest and the fluttery feeling in his stomach. And how he is so damn scared to fuck things up and lose you before you even are his.
How can Sukuna even say anything at all to you when everything he wants to tell you is so fucking raw and loaded with feelings he has never felt before? When it all makes him feel so fucking vulnerable?
Like the fact that Sukuna really enjoys spending time with you and that he wants to see you again. Or that he is pretty sure he gets butterflies when hearing your laugh. Or that he never believed in love, but he thinks he is starting to do it now.
He can't say those things, can he?
In the end, it doesn't need any words from him. You smile at him and thank him for the lovely evening, adding a bit shyly that you aren't used to going on dates, and then stutter because you realize what you said and you are worried that it wasn't really a date and you made a fool of yourself by assuming it was one.
And Sukuna can't help but grin and then do the one thing that will shut you up and hopefully ease your worries:
He kisses you right there in his truck. Cups your chin with his calloused hand and brushes his lips softly over yours. Careful, gentle. Something Sukuna usually isn't, but you bring out some part of him that was dormant until now.
Sukuna wants this kiss to be special. He wants to be gentle with you because you are gentle with him, too. You are sweet and kind. You treat him as if he is deserving of tenderness.
You make a cute, surprised sound, but don't pull away. Instead, your hand lands on Sukuna's neck, caressing the short stubble of his undercut, pulling him closer as your lips begin to move against his, too, and Sukuna can't help but smile into the sweetest kiss he ever had.
When the two of you pull apart again, Sukuna smiles at you, a genuine, soft smile, and tells you,
"It was absolutely a date. And I had a lovely evening, too, princess. Let me take you out to dinner again soon."
Sukuna watches you get out of his truck and walk to your front door. He lifts a hand to give you a little wave when you turn around in the open doorway to smile at him once again, whisper-shouting to him that you wish him a safe drive home.
Sukuna stays in his truck outside your house until the light in your living room goes on, and he knows you are safe and sound before he finally pulls out of your driveway and makes his long way home, his thoughts filled with your smile and the taste of your sweet lips and tongue in his mouth.
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Sukuna stays true to the promise he made to himself and really takes things slow with you. He has to work anyway, look after his ranch, fix some fences, and ride across the plains, where he meets no other human being for several days. But you are on his mind the whole time.
He sends you pictures from his rides when he is lucky and gets a signal. Selfies of him on horseback, grinning at you with a cigarette dangling from the corner of his lips. And some pics of some of his cows, smiling when you ask for their names.
"They don't have names. I just numbered them. But you can give them names if you like, sweetheart."
And you do. You send Sukuna the stupidest names you can think of, and he can't stop grinning,
"I sure hope you won't be in charge of naming any kids."
"Well, I will let their daddy help choose the names if he has such a problem with my name-giving skills."
And Sukuna's head spins at the implication. You're a tease in such a sweet way, and it drives him completely insane.
But Sukuna knows he drives you crazy for him, too. He knows that as much as you like the normal pictures he sends you, you also love the thirst traps he blesses you with.
The pictures where he is shirtless, all his tattoos and defined muscles on display for you, sweat glistening on his strong body, his faded, ripped jeans sitting low on his hips and doing nothing to hide the massive bulge throbbing in them.
You send him pictures, too, not as shameless as the thirst traps Sukuna sends you, but enough to drive him crazy. He has never held himself back so long, but damn, he thinks you are worth all the hard-ons he has and only his own hand to take care of them. Sure, Sukuna could drive to the next bar and find a random girl to ease that pressure, but he doesn't want it. There is only one girl he wants.
Sukuna can wait. He knows you are worth it.
And as much as he wants to have you under him, leaving scratches on his back and squealing his name in pleasure, he also wants to just talk to you or maybe take you on a little ride on his horse.
He calls you every night just to hear your voice and ask about your day, laughing about all the rude customers at the hardware store. Sukuna asks you what you had for dinner and listens to all the latest gossip your mama told you. Sometimes, he falls asleep while listening to your sweet voice and sees a text from you in the morning telling him that he sounds cute when he snores.
Maybe that's ruining the bad-boy reputation that Sukuna has all over your small town, but he doesn't give a fuck. You can see this other side of him. You are the exception, and he finds that he likes that.
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Sukuna visits the town as often as his ranch duties allow so he can take you on dates. Sometimes, he drives his old pickup truck, but sometimes, he takes his motorcycle, grinning at you when he parks it in front of your house and takes off his helmet, running a hand through his ruffled hair to smooth it down again, and telling you to come hop on so he can take you on a ride. And you raise an eyebrow jokingly,
"When you said you are a cowboy, I pictured a guy on a real horse..."
And there is this happy sparkle in your eyes, and that sweet laugh falling from your lips. And fuck, Sukuna knows he is a lost man.
He grins back at you, leaning down to greet you with a slow, deep kiss before he holds out his helmet to you,
"This cowboy will let you ride his horse soon, too, but for now, let me show you a bit more horsepower."
Sukuna loves the feeling of your body snuggling against his back, your hands wrapped tightly around his waist, your hands caressing his chest and his abs through his shirt, and your loud, excited laugh when Sukuna accelerates his bike and speeds down the dirt road leading to nowhere, leaving a cloud of dust and dirt behind.
Sukuna parks his motorcycle at a pretty pond and spreads out a picnic blanket in the grass. The two of you sit down to eat something, but it only takes a few minutes before the snacks are forgotten, and Sukuna rolls on top of you and kisses you until he feels dizzy, and you sigh into his mouth.
When you look up at him and touch his face, trace his tattoos with your fingertips, and smile at him, Sukuna knows that he has never been this genuinely happy in his life. But at the same time, it scares him. It terrifies him to feel so much.
He strolls down to the pond, smoking a cigarette while looking over the smooth surface of the water, trying to calm down and stop his fears from swallowing him. Trying to stop that voice in his head that whispers to him that this cowboy should do what he is best at and just run and isolate himself and live his life in solitude.
But your sweet laugh carries to Sukuna's ears as you run towards him, pulling him out of his dark thoughts. Your small hand wraps around his tattooed biceps, and you lean against his side,
"Hey cowboy, come back. I have some homemade lemonade and cake in my bag."
Sukuna turns his head to look at you, at the way you tilt your head to smile up at him, eyes full of affection. How could he walk away from this? Yeah, he is scared out of his mind of all those feelings, but he would regret it even more if he ran.
He blows out his cigarette smoke slowly as a lazy grin spreads over his face, and he leans down to press a kiss on your forehead.
"Homemade lemonade? You sure know the way to my heart, huh, princess?"
He lets you take his hand and pull him back to the picnic blanket, sipping your lemonade and letting you climb in his lap and feed him the cake you baked for him, and Sukuna wraps his arms around your waist, capturing your lips in a sweet, sexy kiss, hoping you can understand the silent promises his tongue writes against yours.
All the words he doesn't dare say out loud because they scare him. But Sukuna knows it's you for him. He knows that he wants by his side. He knows you are his girl and hopes he is your boy, too. He hopes he is a man who is deserving of you and your sweetness. Sukuna promises you silently that he will work damn hard to be that man.
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It takes weeks before the two of you have sex.
Sukuna takes you on another date with his old truck this time, driving far out to watch the stars with you and lying in the bed of his truck with you in his arms.
He brought you flowers. The wild ones which grow on his ranch because he feels like you enjoy them more than the ones from the flower shops, and it makes him happy to see you with something from his life.
You thanked him with a sweet kiss and put some of the flowers in your hair, laughing when they fell out again, and Sukuna picked them up again and tucked them behind your ear.
And now those flowers are already out of your hair again, strewn all over the truck bed because the two of you are so lost in your deep tongue kisses and the feeling of your bodies grinding against each other.
The flowers are forgotten, just like the stars above. The only thing you know is each other's mouths and hands that tug on each other's clothes, craving more, needing skin-on-skin contact.
Sukuna's shirt has been long gone, and yours too, leaving you only in your lacey bra and the little skirt, driving Sukuna crazy. Your hands explore the naked skin of his broad back and his biceps, and your lips trail sweet kisses down Sukuna's neck, leaving your lipstick marks on him.
And Sukuna licks and kisses the swell of your breasts above your bra, finally pulling the pretty lacey thing down to reveal your even prettier tits. He sucks one nipple into his warm mouth as he looks up at your face, grinning when he sees your eyelashes flutter and hears the cute little noises you make for him.
You straddle Sukuna's lap, smiling at him with desire burning in your eyes while your small hands wander a bit shyly over his tattooed chest, and Sukuna thinks he will lose his mind if he doesn't finally take you.
He flips you over on your back, pushes his head under your skirt, and eats you out until your legs are shaking and your hands tug on his pink hair, and you cry out his name into the night.
You look up at Sukuna with parted lips and heavy-lidded eyes as you unbutton his jeans and get his achingly hard cock out, stroking him lovingly while you tell him to please make you his girl.
Sukuna has held back for so long but cannot do it anymore. Not when you look at him like that and stroke his cock like that and ask him to claim you. He pushes you down on the truck bed, his arms on each side of your head, his heavy body on top of yours, his lips claiming yours in a possessive, hungry kiss at the same time as his cock claims your sweet, warm pussy.
He takes you with hard, rough thrusts, fucking you almost feverishly once he feels your warm pussy around his cock. And for the first time in his life, Sukuna apologizes for the way he fucks. For his roughness, for his strength. But you cling to him and moan his name and tell him it's okay and that you want him exactly like this.
You leave scratches on Sukuna's back, and he fucks his seed into you over and over again. The two of you can't get enough of each other that night, making out and fucking in various positions until the sky becomes pink with the approaching sunrise, and both of you are sated and exhausted, and you slump against Sukuna's body, hugging him, pressing your tits firmly against his tattooed chest as his spent cock softens gradually inside you.
Sukuna lets his head fall back on the truck bed, his large hands lazily caressing your back, and he looks up at the sky that brings a new morning, thinking that it feels like it's a whole new life that is beginning today.
He drives you back to town an hour later, stealing glances at you the whole drive long, one tattooed hand resting on your naked thigh under your skirt, and your small hand lands on top of Sukuna's, caressing the back of his hand while you sing along to the country songs on the radio. Sukuna can't stop grinning the whole time.
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But even after you start to have sex with each other, you still take time to get to know each other even better. It's fun and sexy but also deep and meaningful, and Sukuna catches himself being more open with you than he ever was with anyone before.
He tells you the truth when you ask about his family, tells you that it's messy, that he can't even remember his dad, and that his mama didn't want him either. He tells you about his little brother, who he hasn't seen in many years because Sukuna ran from home the moment he was 18. He confesses all the shit he did. All the stupid things a rebellious teenage Sukuna got involved in. All the trouble and pain he caused his family. All the regrets he has, when he looks back at his former life now.
And you take his large hand into both of yours and hold it so gently, and smile that sweet smile at him, telling him that sometimes families simply are like that. A mess.
You tell him that you like him the way he is, with all his rough edges, and that you wish Sukuna had more love in his life when he needed it the most as a child.
"But you have me now, Kuna. And I will make sure you don't feel alone."
You tear down his walls so easily, break him in the most beautiful way, and build him up again, even stronger than before, because now Sukuna knows what it feels like to be loved.
And Sukuna says those famous three words for the first time in his life.
He pulls you to him, holds you in his arms, and rests his chin on your head, swaying you softly from side to side as he murmurs those words into your hair, words he never thought he would say,
"I love you. And I want to be with you. I know it's hard to love a man like me, but I want this to work. I want you. I want us. And I will work hard for it."
He thinks he will melt when you tell him you love him too and that there is nothing hard about loving him at all.
For the first time in his life, Sukuna stays in someone's bed the whole night.
The two of you kiss at your front door, and you gently pull him inside. You kiss and laugh and playfully tease each other all the way to your bedroom, undressing each other on the way, leaving behind a trail of clothes on your floor.
You call him baby, and Sukuna thinks he will go crazy. He picks you up and carries you the rest of the way until he lays you down on your bed, his lips never leaving yours.
You don't fuck that night but make love, nice and slow. You look so beautiful lying under Sukuna, your face so close to his, your small hands caressing his biceps and his muscular back while Sukuna takes you with slow, deep thrusts, unable to tear his gaze away from you and the love in your eyes when you whisper his name.
Sukuna tells you he loves you again when he is about to cum, and it feels more intense than anything else he has ever experienced. Especially when he feels you cum on his cock, too, sobbing his name and returning the "I love you" several times while you shudder in pleasure beneath him.
Sukuna doesn't let go of you the whole night. He lets you use his chest as your pillow, wraps you in his strong arms, and holds you. The wild, freedom-loving cowboy who usually runs, suddenly all tame.
Sukuna thinks he is right where he should be. He wants to stay forever in your bed and in your arms, holding the girl he loves.
Of course, a cowboy like Sukuna has to leave again in the morning. His ranch needs him. There are miles and miles of fences to fix, horses to train, and cattle to herd. But Sukuna promises to call you every night.
"And if I don't have a signal, I want you to know that I will still think of you, okay princess? Let's make a deal. Every night at ten pm, I want you to look at the sky. And I'll do the same, wherever I am, and imagine you are by my side."
And he laughs softly and hugs you to his strong body, adding,
"I will think about you every second of the day anyway. And I am damn sure you can't get me out of your mind either, huh?"
He winks at you and grins his boyish grin, and you chuckle and get on your tiptoes to kiss his grin off him.
Before Sukuna drives off, you give him a leather cord with a small charm in the form of a horseshoe, telling him you saw it on the farmers market last weekend and thought of him.
"I want to give it to you because I hope it will bring you luck and keep you safe out there on all those lonely nights and long rides."
And Sukuna leaves his bandana at your place,
"So you have something to remind you of me while I am away, princess. Wear it around your pretty throat to keep the chilly winds away and to think of your favorite cowboy."
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Sukuna calls you every day just like he promised.
But out here on the plains, where Sukuna is on horseback, with only his dog running along beside him, his life still feels lonely. This solitude used to be something Sukuna chose willingly for himself. Something he thought was the only life that was right for a man like him.
But now Sukuna feels this longing inside his chest, and the questions keep filling his mind. Does a cowboy really have to be alone? Does Sukuna really have to be alone?
His ranch and his life out here are the last parts of him, which Sukuna hasn't opened to you yet. It seemed too risky to bring you here, too intimate. This is the place, after all, where Sukuna fled to so he wouldn't hurt his little brother anymore. A place he used to see as some kind of fortress that kept other people safe from Sukuna and also kept him safe from feeling too much. A place where he was free from all the complications of human interactions.
But things have changed, haven't they?
Sukuna visits you as often as he can, and he catches himself telling you more about his everyday life as a cowboy while watching you closely for your reactions. He tells you what he loves about his life on the ranch, tells you that it is a lot of hard work and that it can be tough at times, but that it is also peaceful, and that he likes that he is free out there.
"I like that I am my own boss because I really don't do well with people trying to tell me what to do."
And you laugh and roll your eyes, and Sukuna grins at you with a wink and adds,
"Well, you are the exception, baby."
And as teasing and light-hearted as it sounds, Sukuna knows that he is telling the truth. He doesn't mind if you tell him what to do. He doesn't mind if he has to take responsibility for his actions. Not when it comes to you.
You beam at him and kiss his tattooed cheek and ask in that sweet voice,
"Will you finally show me your ranch, Sukuna?"
And he knows what you are really asking is for Sukuna to finally let you in. To let this last wall tumble to the ground and allow you into his life in every way.
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Sukuna feels strangely nervous when driving you to his ranch. But not because he is scared of losing his last refuge. He is nervous because he is worried you won't like the life out here in the middle of nowhere, with nothing but endless miles of uninhabited land around you and only Sukuna and his animals to keep you company.
Sukuna hopes you will like it. Because there is this small voice in his mind that whispers to him, "I want her to stay."
Sukuna watches you carefully while he shows you around his small ranch, showing you the old farmhouse he renovated, the barn he built with his own hands, and the stables he gave a new paint and a modern interior.
Relief floods Sukuna's chest when he sees the genuine smile on your pretty face and the joy when you pet his favorite horse. You turn to him, telling him that you love his ranch and praising him for turning an old abandoned farm into this pretty place.
"You are so passionate about the things you want, Sukuna, and you work hard for them. That's an admirable trait. This place is beautiful."
Sukuna smirks proudly at you, feeling this warmth in his chest again. He wraps a strong, tattooed arm around your waist and pulls you against him. And he knows exactly what he wants.
"This place is even more beautiful with you here. You remember what I said about enjoying my freedom out here? I feel free with you by my side, too. It doesn't feel like I am giving anything up when I am with you. It feels like I am gaining something."
There are happy tears shining in your eyes when you look up at him, and you smile and put a small hand on Sukuna's defined chest, right where his heart is beating strong and fast,
"I would love to live here with you, cowboy. I could help you with the crops and make sure you always have something warm to eat when you come home in the evening. I could even help with the horses and the cows, I think. And I can keep you company out here and keep you warm at night."
Sukuna doesn't believe in a God, but he thinks some kind of higher power or fate or whatever must have finally blessed him. Must have finally allowed a fallen angel like him some sort of heaven, too.
Sukuna smiles at you, a gentle, genuine smile that he never gives to anyone else, and he takes his cowboy hat off and puts it carefully onto your head,
"Then welcome to your new home, cowgirl."
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SIGHHHHH, this cowboy makes me swoon 😭😭💗💗 I didn't expect this story to become so long, but I just couldn't stop writing. It was one of those moments where Sukuna took things into his hands and made me tell the whole story, and of course I do what my man wants ;)
I hope you enjoyed falling in love with Cowboy!Sukuna, too 💗
Thank you so much for reading! Comments and reblogs would be very sweet.
There will be a Part 2 in which we see our life on Sukuna's ranch.
And once again: Thank you Émilie @sweetlandspos for drawing your beautiful and sexy Cowboy!Sukuna, who inspired me to write this AU!! I hope you find joy in this story!!
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hgfictionwriter · 1 day
Text
Self Control: Part Ten - Setback
Jessie Fleming x Reader
Summary: Jessie suffers an injury during a game and has to navigate balancing her recovery and caring for you. She feels helpless as she tries to step up for you, but can't the way she wants to.
Warnings: Language. Slight angst.
A/N: Inspired by poor Jessie's injury during the Olympics. And everyone please knock on wood I'm not putting some bad mojo out there with this. Oh, and in this world Janine is still a Thorn 🙏 Rest of the series is here.
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"-and Fleming is down. Oh, that looked like a hard hit. She's moving, but she's not getting up."
Football was a physical sport. She'd seen far too many friends ushered off the pitch to never fully, or sometimes even ever, return. She'd been extraordinarily lucky that she'd been more or less injury-free her career. However, sometimes she did take a few knocks.
Normally, she was most worried about the team anytime she was injured; that she was letting them down. But as you held her hand while she sat on the examination table in the medical assessment room, your eyes filled with concern and worry - at least for the short amounts of time she could manage to look at you; even with dimmed lights it was too damn bright - she felt most guilty about you.
"I'm confident we're looking at a Grade 2 concussion here," the team doctor said. "I'm not worried that we're into severe or Grade 3 territory. Y/N, I'm going to ask that you help monitor Jessie's symptoms and recovery over the next couple of weeks. If repeat vomiting occurs, extensive dizziness, or she's having prolonged confusion or headaches aren't improving, please contact me immediately."
Jessie had her eyes screwed shut. She tried to focus on her breathing and keeping herself steady as she attempted to will away the incessant pounding in her head. She opened them as the doctor finished speaking to see you nodding eagerly. Your eyes were trained on the woman before glancing back at Jessie and lifting her hand to give it a quick kiss.
"For the next couple of days - lots of rest. That means physical and mental. Very limited reading and screen time. And you're going to be really sensitive to lights and sounds, so a dark and quiet environment is best.
"Days three and four, you can start some light physical or mental activities again. Short, non-strenuous walks, for example. But listen to your body. Days five to seven, you can increase things a bit more, but-"
"We're moving in less than two weeks," Jessie interjected, wincing as she opened her eyes once more to look at the doctor. The doctor, who she knew well, gave her a look of warning, knowing where this was going.
"You should not be packing or moving furniture in two weeks," the doctor said firmly. "You can take on some light packing maybe 7-10 days from now, but carrying heavy boxes is out of the question."
Jessie shook her head and regretted it immediately, wincing sharply this time, a hand flying up to her temple as she grimaced in pain. Your hand came to her shoulder and she sat very still as she rode out a wave of pain.
"We'll hire packers," you told her sternly. "We already have movers anyway."
"No," Jessie returned stubbornly, still unable to open her eyes.
"Well, she's still coherent enough to argue with me, so I guess that's a good sign, right?" You relayed flatly to the doctor who chuckled.
"It is, actually," she said. "Y/N, you know my number. Feel free to contact me directly if you have any questions. Jessie," Jessie felt the doctor's hand on her shoulder and she slowly blinked her eyes open to face her, "behave yourself. I know you like to be busy and I know you want to take care of your fiancée, but you'll be able to get back to that much sooner if you listen to your body and to me."
"Mm," Jessie voiced noncommittally.
The doctor chuckled and spoke to you again.
"Okay, you can take her home now. And with all of this urgency I didn't even have a chance to ask how you're doing. How much longer?"
"About two months left," you answered.
"Oh my gosh. Final stretch, hey? How are you feeling?"
"I'm okay," you said. Jessie peeked an eye open to see your hand subconsciously rubbing your enlarged stomach while you continued to hold her hand in your other. "She's so active." You shot Jessie a sidelong, mildly teasing glance. "And at night in particular. I blame myself for that one - I'm the night owl of the two of us, so she must be getting that from me. But yeah, some of the third trimester symptoms are certainly popping up, but truly, I can't complain too much. Or shouldn't yet anyway," you finished with a smirk.
"Well, it'll be nice to get settled in your new place before the baby comes. I'm positive you'll sort out the logistics just fine," the doctor added pointedly and Jessie knew it was for her.
"That's the plan," you said. "It shouldn't be bad. We don't have too much stuff. Most of the furniture will be new and we're just getting all of it delivered after our move-in date."
"That's great. Well, Jessie, I will be seeing you in a week for a follow-up, but Y/N, if I don't see you anytime soon, I have my fingers crossed that the rest of your pregnancy goes smoothly. Can't wait to see pictures of your little one once she's born."
The walk out to the car was slow and tedious. Jessie tried to walk casually and easily, dismissing your supportive arm and wanting to walk on her own, but ended up bracing herself against a random car only ten feet in as she became disoriented. Your arms were around her in a second.
"Baby, come on. Don't be so stubborn. Put your arm around me," you told her both tenderly and firmly. Despite the medication the doctor gave her, her head was still pounding and she had to relent.
She was filled with self-contempt as you eased her into the passenger seat and gently closed the door, wary of both the jostling and sound.
"My baby," you cooed after you climbed in and were settled. You rubbed her thigh and placed the cold compress the doctor had given you into her hand. "Here, hold this against you. It'll help."
"I hate this," Jessie said, voice shuddering against her will.
"I know, love," you said gently. "Let's be grateful it's nothing more severe. I know that doesn't help you in this moment though. Let's get you home, alright?"
She opened her eyes to look at you. Your bump was nearly pressed against the wheel at this stage in your pregnancy.
Jessie sniffled and rubbed her face in aggravation. You shouldn't be taking care of her. You shouldn't be worrying about her. It should be the other way around.
Though you drove as steadily as you could the whole way home, even the slightest jostling or bumps sent pain through her. She gripped the seat tightly and breathed heavily as she fought off a persistent wave of nausea.
She leaned heavily on you despite herself as you both walked up to the apartment. You'd found a hat of hers in the trunk and put it on her to block out some of the lights she'd encounter on the journey up. She apologized repeatedly throughout the walk and you tutted in disapproval and shushed her.
You put her to bed and Jessie began sniffling again as emotions began to bubble up once more as she watched you going all around the apartment to get her set up and cared for.
At one point you were in digging through one of the bottom drawers in the bathroom for something. You held onto the counter with one hand to balance yourself and you huffed in exertion, your stomach very much in the way.
Jessie sat up, wanting to come over to help you. She grimaced as her head began to pound anew and her vision narrowed to a point. She swayed in bed for a second before she felt safe enough to move again. She'd only flung the covers off of herself and lowered her feet to the floor when you voice boomed from the other room.
"Jessie," your voice sharp and making her flinch. "Get back into bed," you said insistently, but much softer this time as you walked back over and gently pushed her back down. She whined and sniffled as you did so. You began to laugh and her eyes grew wide as she looked to you in disbelief.
"Why are you laughing?" Jessie asked, her voice so much weaker than she intended.
"You're being silly," you said through a residual laugh. "You're so stubborn. You were levelled onto the pitch, nearly unconscious, less than two hours ago. Please, just relax tonight. Can you do me that favour?"
"I should be helping you," she went on, her voice up an octave as she fought through emotion.
"You can help me by resting," you told her patiently. "Oh, I have to text your parents back. They're worried about you."
She really wasn't in the right state of mind, because suddenly she felt her face screw up and she began sobbing, made worse by the physical pain the action triggered inside of her.
"Jess," your tone gentle and inquiring, but clearly in shock at the sudden outburst. You sat down next to her immediately and began caressing her head. "What's going on?"
Jessie winced in pain as her shoulders shook while she cried.
"Oh my gosh," you said, underlying concern in your voice as you began to rub her back and you took her hand. "Is it your head? What can I do, baby?"
"I'm letting you down," Jessie forced out, breath hitching at the end of her sentence. "I should be taking care of you."
"Oh my God. Babe, stop that," you said gently, but urgently. "You're not letting me down at all. You take care of me all the time. You're injured. It's okay."
"I'm not a good partner," she sobbed. She heard the sound of surprise from you, but she couldn't stop herself. "I'm not around enough. And that's bad enough. And now we're having a baby? I'm never going to be around. I'm going to be an absent parent. And even if I'm here, I might be injured and you'll have to take care of us both."
"Jess. Oh my God," you said in bewilderment as you rubbed her back further. "Baby, please. None of those things are true. Take a breath."
You placed a hand on her chest, pressing firmly and somehow it immediately caused her to slow her breathing. She brought her hand to yours and clutched it tightly.
"Breathe," you said patiently. "It's going to be okay."
Within those few moments, Jessie's breathing began to normalize and she felt her pulse slow once more. She exhaled and the tightness she'd held in her brow relaxed with it.
"It's okay, baby. Just breathe," you coaxed softly as you continued to rub her back and hold your hand and hers to her chest.
Her eyes remained closed as she let you calm her. Her shoulders hitched periodically with a residual cry, but eventually, she sniffled and opened her eyes to look up at you. The room was dark, but she could still make out your features.
"I don't want to let you down," she whispered, voice still trembling as her throat tightened once more, emotions threatening to spill over once more.
"You never let me down," you told her resolutely. "Ever. And I mean that." You let those words sink in before carrying on. "You are the absolute best partner I could ever hope for."
Jessie watched quietly as you smiled, but it faltered. Looking closer she saw tears starting to form in your eyes.
"I'm serious. You know my family. My parents marriage was absolute shit. I didn't know - for a long time - that relationships could be good. That they should be. The way you love me, the way you care for me, is something I didn't even want to hope for because it seemed so impossible. And then even if it was possible, there was no way I'd find someone like that for me. That I would deserve to be loved like that."
"Babe-" Jessie went to interject, but you stopped her.
"When I tell you you're incredible, I really mean it. You're far more than I could've ever hoped or dreamed for. You show me more love and affection in a day than I felt for years at a time. I swear. So please don't ever worry about letting me down."
Jessie was sniffling now, blinking tears onto her pillow and she lifted your hand to kiss it, holding it there against her lips and clutching you tightly. She hated that you felt that way for so many years. And though she was happy that she could make you feel loved like that, it broke her heart, too. She just couldn't fathom someone not loving you wholly and completely.
You leaned down and kissed her forehead, removing your hand from her back to caress the side of her face. You chuckled lightly, speaking against her forehead.
"Short of cheating on me or having some secret family on the side, you could never let me down."
"Babe," Jessie complained, shifting her head to try to look at you. "I would never do that."
"Just saying," you said lightly as you sat back up. "That's the line. For clarity purposes - even if you fell out of love with me and chose to end things, you still wouldn't be letting me down. I'd be devastated, of course, but I would respect that and still love you."
"Babe," Jessie started whimpering again and you consoled her.
"Okay, okay," you placated. "Last thing. Yes, you travel. Yes, you'll be away sometimes. And yes, it is possible that you could get injured again. But that's okay. Of course, I don't want you to get injured, but because I love you. You need to understand that we're partners. We take care of each other.
"And lots of parents travel for work. I know you sometimes forget, but I'm pretty independent and I'm capable," you smirked. "Plus, we have lots of support in case I or our daughter need anything while you're away. What stands out most to me is our daughter will grow up seeing her mom pursue what she loves, working hard to be the best as what she does, and inspiring a new generation of players. That means so much and I wouldn't change it."
You laid another kiss on her forehead. "Get some rest, baby. I love you so much. I'm going to take care of a few things, but I'll be back soon and we can lay together, okay?"
She gave a faint noise of acceptance and you rose from the bed, pushing off slowly, now having to lean back and get your balance to counter the weight of the baby. Jessie's hand shot out to brace your back, and though you delivered a stare her way after you were steady, it dissolved into a smirk.
"See? You're still helping me."
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The week dragged on so horribly slowly for Jessie. She was so frustrated and upset with herself. She would've always wanted to be able to get up and go, do things, but especially now. You’d taken over essentially all of the household chores and errands and she felt exponentially guilty.
One day you came home, shuffling through the door with bags of groceries hanging off your arms. Jessie shot up off the couch to help you, but her vision began to peter out. She paused a few steps in to brace herself against a nearby chair.
"Jessie," you chided.
She could hear you putting down the various bags. And she pre-emptively put up her hands in defense. "I'm fine." When she opened her eyes again, she was met with a disapproving look from you. She dropped your gaze immediately.
"Sit down, please," you instructed.
"I can help you put everything away," she insisted as she tried to push past you, only to have you hold her back.
"Jess," your voice was curt and she knew you meant business. She could feel your gaze burning into the back of her head and she forced herself to look at you. You went on softer this time. "I'm sure you could help me with groceries. But I'm fine. Honestly. You can help me most by doing as your doctor said, and taking it easy."
She was contemplating a rebuttal, which you saw it coming from a mile away and you continued.
"Don't make me resort to tactics of emotional warfare," you said sarcastically and Jessie huffed, recalling how you told her the other day that the more you had to wrangle her, the more your daughter kicked and squirmed and tired her out.
Jessie sighed begrudgingly and collapsed into the couch, an instant pang shooting through her head at the jarring motion. Served her right for being petulant, she thought ruefully. Despite her antics, she felt your hand caress the side of her head.
"It's like a preview into parenting," you joked before kissing her head and returning to the groceries. Jessie opened her eyes and glared at your retreating form.
"Yeah? Are you going to threaten our kid with guilt trips, too?" She'd meant it as a bit of a snide joke, but immediately regretted her words as soon as she'd said them. Your movements stilled and you slowly turned back to face her, your expression one that made Jessie sink further into her seat.
"Do not start with me, Jessica."
"I'm sorry," she muttered. "That was uncalled for."
"You're still injured. A brain injury at that," you replied as you went back to the bags before giving her a pointed look. "I'll chalk it up to that. You get one freebie."
Jessie was silent as she watched you work. Your movements were laboured at times and she see how much effort it took to do certain tasks. Still, it was true, you managed just fine.
When you were finished, you returned to the living room and sat heavily next to her, a sigh of relief on your lips as you leaned back. You were short of breath, and Jessie looked away quickly when you felt her watchful gaze and peeked open at eye at her. You held out a hand, gesturing for her to relax.
"She's pushing against my diaphragm; it's making it harder to breath, it's not a big deal," you reassured her pre-emptively. You placed your hands on the cushions and pushed yourself up to sit straighter before you met her eyes again. You took her hand.
"I know you want to help. But you have to pace yourself. You can't spring up and sprint over, or you can't be up and down trying to pack and lift things. Not right now. You know better than that," you said gently.
"I already texted Janine and Kelli about packing. They agreed to come over tomorrow," she pouted, spurred on by another failed attempt of hers yesterday. You sighed and kissed her cheek.
"Thank you for doing that. I feel much better about that approach," you told her.
"I'm sorry," Jessie said, fingers fidgeting as she remained slumped on the couch. She sat up and gave you a hopeful look. "I'm feeling better every day, though. I'll be able to help out a lot more around the house soon."
You gave her a patient look and cupped her face in your hands.
"I'm pregnant - not infirm. Did you know...there are thousands of women, for one reason or another, who do this alone? I am very, very lucky that I have you and you’ve been so attentive and wonderful. But there are many women who manage all by themselves. I can do the same - not even, actually, since you’re still here and supportive - for a couple of weeks."
Despite your words of reassurance, Jessie's face fell and she snuggled into you, resting her head on your shoulder. She frowned as she felt your body jostle with a soft chuckle as you wrapped your arms around her. You kissed the crown of her head.
"My sweet baby," you chuckled further against her though she groaned. "Don't worry. A few weeks from now when I'm complaining 24/7 and can barely get out of bed, you'll be relishing these moments."
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True to their word, the next day Kelli and Janine were over and were making serious progress on packing up the apartment under Jessie's and your watchful eye.
Despite their help, it was a struggle for Jessie. She was very particular about things like this and she wanted things packed up and organized in specific order and way. With some coaching from you, she'd had to let some of that go, but it wasn't easy.
She and you packed up the lighter things, but anything heavy, and particular full boxes, were left to the girls. And what upset her even more was that she was having trouble focusing. Between all of the lights - clearly, none of you could pack in the dark - and physical exertion, she found herself having to take more breaks than she liked and you'd had to take over quite a bit in directing the girls.
Still, when she was able to, she tried.
"Oh, that needs to go over here," Jessie interrupted as Kelli was setting down a box in the obviously wrong pile. Kelli rolled her eyes good-naturedly and picked up the box once more with a heaving motion, balancing it against her thigh as she adjusted her grip before moving it to the appropriate area.
"Better, princess?" She asked, eliciting a scowl out of Jessie. She knew Kelli was just joking, but it was grating on her. Kelli called her that a few times now, along with a couple of other cracks in that vein.
Her friends, throughout her entire life, had always loved teasing her. Maybe it was the way she blushed when she got flustered or worked up, but people just seemed to love poking at her. Normally, she took it in stride, but it was hard to laugh them off today.
She had all of this mapped out and was fully ready to tackle it alone. Did Kelli think she wanted to ask them for help? No. She hated it.
You were supposed to have your feet up without a worry while she took care of it all. Instead, you were on your feet, packing alongside them and doing more than your fair share of directing and corralling. She saw how you stood there, a hand on your back as you caught your breath, a veiled wince now and then. She could see how sore and tired you were getting.
Her stare followed Kelli as she bounded back over to Janine to gather up some more items. Jessie could feel the heavy tension between her shoulder blades and she felt her face and ears growing hot. She took a steadying breath, she knew this feeling; if she wasn't careful she'd be blinking back tears soon.
She released a slow, deep breath as she returned her attention to the box in front of her and labelled it accordingly. She was setting down the marker when out of the corner of her eye she caught you waving Kelli over. She watched as you spoke in a hushed tone to her and nodded to the other room.
Jessie frowned as she watched you two retreat. Something seemed off, confirmed when you partially closed the door behind you. Jessie quietly padded over and held her ear close to the opening. She whipped her head around, gritting her teeth momentarily at the way the sudden motion aggravated her symptoms, when she felt Janine sneak up, placing a hand on her shoulder.
"What's going on?" Janine mouthed, ever curious. Jessie shrugged the girl's hand off her shoulder tempermentally.
"I don't know," she mouthed back with a mild glare. Janine rolled her eyes and they both leaned in.
"-I appreciate your help. I know you don't have to be doing this. But you need to stop making jokes. She already feels bad enough. She doesn't need you making cracks at her expense. She wouldn't do that to you if situations were reversed. So stop. Please."
Jessie's stomach sank. Now you were defending her as well. She went to push the door open, but Janine pulled her back and away, well out of earshot.
"Let it go," Janine told her.
The emotions Jessie had been working to keep at bay just minutes ago were now raging forward. Her ears were burning and she sniffled.
"Jess," Janine warned her with underlying care in her voice. She knew the last thing Jessie would want right now is to have an emotional meltdown. Janine placed her hands on Jessie's shoulders and spoke calmly, but firmly. "It's fine. Nothing to get worked up about. Y/N loves you a ton. She's being a mama bear to you right now. And fair enough. You're not feeling well, so she's looking out for you. Kelli's a big girl. She'll get it. She'll be fine."
Jessie sniffled and folded her arms against herself.
"It just sucks," she said as she worked to regain her composure.
"I know," Janine said as she patted her on the shoulder. "You'll be all better soon though. Take it easy on yourself." She smirked. "Y/N said you were planning to paint a few rooms in the new place a couple weeks from now. You're on your own for that."
Although she fought it, Jessie had to laugh. She was about to comment when she noticed the door open behind Janine and you and Kelli stepped out. She studied you both and to her surprise nothing seemed odd.
Janine followed her gaze and looked back at her with a wink before going back to help Kelli, who, at least as far as Jessie could see, was in fine spirits.
You must've noticed Jessie's behaviour because you soon approached.
"Everything okay, babe?" You asked.
She looked to you, her gaze eventually falling to your rounded stomach. She placed her hands on your pronounced bump and ran a thumb lovingly along it before lifting her gaze back up to you and all of the boxes around; a physical manifestation of the new chapter you both were starting together. She smiled at you.
"Yeah. Everything's good."
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not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.
#for klavier because it's not as direct it's about how we never see him actually wearing lipstick? even though apollo literally attends#a concert of his which is where you'd most expect him to wear makeup. but apparently he just doesnt. or at least not in public#klavier gavin#kristoph gavin#i feel like there are several ways you can read into it. the misogyny/toxic masculinity one is really obvious clearly with kristoph's#singling out of men specifically and klavier's (probably accidental?) condescending manner of calling women 'fraulein' plus his general#mildly patronising attitude towards many of the women in the game (also probably unintentional)#(i think he's trying to be charming and it's coming off wrong to some of them. like ema. and me.)#but i feel like there's also maybe an element of... inherent perfecfionism to it? like both of these products are conventionally beautifyin#products and kristoph while he is open to showing people he uses nail polish specifically chooses one that's clear and missable unless you#see him apply it. he also feels the need to justify his use of it and specifically spell it out as something he chooses to do rather than#needs to do even though duh. that should be obvious.#idk there's just something about his seeming need to take control of that narrative that i find interesting. his need to spin it into a#'there's nothing wrong with my nails but I had the foresight to see that even the smallest parts of my appearance should be kept immaculate#and it's a choice i'm making to refine an already adequate part of my personage /not/ to cover some unsightly defect.' the need to emphasis#that specifically is so. hm. and with klavier i could see it being a case of him liking makeup liking the pops of colour yet being unwillin#to admit to it because he's afraid that other people might see it as him being dissatisfied with his own appearance regardless of if he is#or isn't. or even just perceiving colourful makeup as being unseemly because it's so overt and unnatural.#like i can see this as them both viewing 'real' beauty to be that which is inherent to a person and seemingly effortless#thus somehow negating the beauty which one achieves through cosmetics or other external means.#and if you want to use external means to achieve beauty or neatness or whatever then your only valid options are those which blend into you#natural state. like clear nail polish. or really awful spray tan.#i feel like klavier's less confined by these ideas (if they hold merit at all) considering he actually owns coloured lipstick and he wears#jewellery (admittedly quite 'masculine' jewellery no gems or pearls or anything like that but jewellery nonetheless) but i think it just#makes it more interesting that he doesnt seem quite able to cross the line anyway. like it's that ingrained into his system.#anyway that's all i've got. you guys should tell me what you think too#annotations
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rottenpumpkin13 · 20 hours
Note
I was going to ask for baby Seph changing places with CC Seph because omg baby Seph and Dadgeal and Momesis but then I realised that means CC Seph will go back to the Nibelheim Mansion in the past and uh uh.
Anyway Dadgeal and Momesis for the win.
*Genesis and Angeal are caring for baby Sephiroth, Zack walks up to them and taps Angeal on the shoulder*
Genesis, bouncing Sephiroth on his hip: Can you believe three people have asked me if we've become parents already?
Angeal, shaking a baby bottle: We're just taking care of our friend until he turns back to normal.
*Zack taps Angeal's shoulder again*
Genesis, feeding Sephiroth: So now two men can't care for a child without being accused of being parents?
Angeal: You're feeding him too fast!
Genesis: I told you to make the formula thicker!
Angeal: Nothing I do is good enough for you!
Genesis: Don't spin this around on me!
*Sephiroth is crying*
Angeal, pulling out a toy: Oh no!
Genesis, hugging him close: He's upset!
*Genesis and Angeal start cooing and soothing him*
Zack: I have never been more jealous in my life.
(Meanwhile)
The first few minutes after Sephiroth wakes up in the past are visceral, as there’s only so much confusion and pondering before realization and fight or flight kick in. Several scientists, lab technicians and security guards were caught in the bloodshed, each blurred face no more guilty than the last in Sephiroth’s eyes.
The alarm was triggered, but by then, what could they do? He had already broken free from the caged crib he had woken up in, and one of the men they answered to had already been dealt with. Hojo’s scrutinizing face had been the first one peering back at Sephiroth through the bars, and the first to paint Masamune’s blade red.
He hadn’t seen Gast anywhere, but Sephiroth wasn’t looking for kind people or soothing words. Nothing could mollify or mend the nerves that spiraled out of control the moment he noticed the lab equipment and the assessment photos of his baby faced self staring back at him through the computer monitors around the room.
He had gone back in time, that much he knew. But the logistics of how such a thing could happen or where he would proceed from there would have to wait. Right now he was focused on escaping just as he had wished to do so many times before.
Except this time he was older, stronger, and had Masamune’s hilt in a tight grip in his left hand, a security measure as he kicked open door after door and looked for a way out. He held no memory of this mansion no matter how deeply he searched his addled mind for one. Nevertheless, he opened doors, flew down flights of stairs and ran down hallways all while the alarm blared behind him.
Sephiroth’s vision blurred in and out of focus, his heartbeat reverberating in his ear as a rush of blood prickled his hot skin. He needed to find an exit, a window or even a—
“Sephiroth?”
The slicing clink of Masamune being drawn followed by a woman’s gasp. Sephiroth kept the sword pressed at her neck, his vision sharp as he narrowed it at his target.
And then white noise all around him. Widened, slitted green meeting frightened soft brown. The yellow ribbon in her brown hair, the violet blouse, it was her. It was his mother—looking him up with the same alarm reserved for seeing one’s deepest horrors.
Sephiroth froze, the air caught in his throat, his grip on Masamune slackening. He couldn’t breathe, couldn’t think, his mind fixated on the face staring back at him—a face he had always known, always feared, always yearned for.
"It really is you!" Lucrecia breathed, her voice filled with wonder, though her body remained stiff with disbelief. Her eyes moved over his form like she couldn’t reconcile the image in front of her with the baby she had seen only hours before. "But how—?"
Lucrecia’s expression shifted, her mouth clamping shut as her wonder dissipated into palpable urgency. Her hands came up slowly, one reaching for his sword arm while the other touched his chest—her touch set his skin on fire.
“We have to go. Now.” Her voice was urgent, cutting through the haze, but she didn’t wait for his answer, and didn't allow him to question her. Her fingers wrapped around his wrist as she tugged him forward.
Sephiroth stumbled after her, barely registering the doors they passed, the alarms still blaring behind them.
The elevator doors came into view, and she punched the button with urgency. Sephiroth still couldn’t speak, still couldn’t form the words that clawed at his throat, the tears in his eyes—why were there tears? Hadn’t he always wanted this?
The doubt was immediately shattered as the doors closed behind them. Lucrecia turned, grabbing his hand and pulling him into a protective hug, her fingers tracing his back as she held him close, gently, nurturing. “My son,” she whispered, “what have they done to you?”
And that was what did it for him. His choked cry came as a precedent to the soft sobs. He dropped Masamune, the hilt clattering to the ground and falling into the wall of the small elevator.
The contact was overwhelming, the senses in overdrive.
“It’s okay,” she whispered into his ear, as if one would speak to a child. “We’re going to be okay now. Trust me.”
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002yb · 3 days
Text
Suspension with no pay is a generous punishment, given how severely Dick knocks another officer's lights out. He's lucky no charges will be pressed. His 'colleague' probably isn't keen to air the dirty details of his provocations to the police commissioner; to have them put on paper.
Dick isn't too eager to discuss it, either. Just thinking of it tests his temper and his resolve not to tear through the precinct to the infirmary the bastard hides away in; to grab him by the collar of his uniform again and wail on him for being a sick fuck.
Gordon wants an explanation. Because he knows Dick. Because he knows Dick doesn't do shit like this without reason.
Dick keeps his mouth shut. He sets his jaw, clenches his teeth. He wants to scream, but he swallows it down. Looks just over Gordon's head instead, and waits to be dismissed.
He takes his punishment. He slams the door on his way out.
The only thing he wants is to go home, but he doesn't want to bring his bad mood past the threshold. So Dick sits outside, back to the wall, and makes himself breathe.
His knuckles are still red and swollen, but they'll bruise in the coming hours. He picks at split skin, smudging away blood that beads up.
There’s no cleaning up the mess he is, so Dick settles in. Dropping his head back against the wall beside the door. Breathing. Meditating. Glaring off at nothing as he sits, stews, and broods. Hands clenching periodically because he still wants to hit something.
Someone, specifically. Because Dick wasn’t done fucking them up before other officers stormed in to intervene. Alerted by shouts and familiar sounds of a scuffle. Baffled, probably, that good boy Dick Grayson can lose it worse than any of them ever could.
So Dick sits there. For a long time, until he feels numb. Until he can compartmentalize and put all his anger and irritation and hurt behind him. Because he’s not bringing it home.
Not this.
Not with Jason there.
Jason who, after some hours, comes up the stairs and startles at the sight of Dick sitting just outside their flat, quiet and unnaturally still.
Jason who sees the damage to Dick’s hands and the storminess to his expression with just a quick glance, and who takes that ugliness in stride and sits beside it anyway. Because it’s Dick.
Somehow it’s both easier and harder to breathe with Jason there beside him.
Mercifully, Jason doesn't pry. Not yet. He just sits there with Dick, quietly shuffling through the mail he must have grabbed on his way up. Ads, bills, notices.
It's so normal, so mundane that Dick feels winded by it. The easy slope of Jason's shoulders, the quiet contentment in his expression. They're outside their flat, sorting through mail; when they go inside, they'll debate on eating in, going out. They'll talk casework, get distracted by their own banter. They'll go on patrol, come home and tend each other's hurts. And they'll go to sleep together, same as any other day. One of many.
Fuck. Dick looks skyward. Blinks. Breathes.
Then he turns to look down at that pile of mail. Distracts himself with the cluttered ad that shows deals at a nearby grocery that Jason scans and scoffs at or stops to consider.
'Are you happy?'
'Depends who won the fight.' Is the cheeky reply.
Dick snorts, but doesn't comment. Doesn't trust his voice, or what words might pour out of him. Despite the lack of bruises anywhere but along his knuckles, Dick doesn't doubt it looks like he's the one that got fucked up.
Apt. Because to Jason, Dick doesn't look upset - he seems hurt.
And Jason isn't going to badger Dick. Or chide him. He trusts Dick's judgment, his reasoning, even if Jason likes to be contrary and challenge Dick at every turn.
But he's a Robin at heart, always curious. And he's also a street kid in soul, nosy because intel is an invaluable resource. He's also Jason, who worries even if he's prickly about it.
'Must've been fucked to get under your skin so bad.'
The words are there, but they're ugly. Dick swallows them down and deflects:
'Got suspended.'
'With pay?'
'Without.'
'How long?'
'A week.'
Jason clicking his tongue and scoffing about it, but he doesn't care about the lost income. It's a line of questioning to gauge the severity of the fight.
When Jason asks about on a scale of Damian to Jason, how mad will B be about it, Dick can't help the quiet laugh that bubbles up in him. He considers, then shrugs, 'Tim levels, maybe?'
Jason sitting with that, puzzling it over until something seems to click and he grimaces. Because, 'what the fuck would you be fighting over me for?'
Dick can't talk about it: about how an officer implicated themselves in the solicitation of a 'back alley whore,' a child, at the time. Provoked by the picture Dick keeps of Jason as his lock screen. Unable to resist the temptation of mocking, ridiculing Dick 'perfect golden boy' Grayson by going after his boyfriend, 'How much is that running you? Used to be dirt cheap, back in the day.' , 'Gotham's sloppiest seconds, or mine at least. Does he still cry pretty when you--?' Etc. Etc.
So maybe Jason figures it out for himself and makes an accurate guess. Because since Jason came back, he hasn't dealt with the police in any notable way. Not as a civilian, at least.
Jason would know that if someone saw Dick's lock screen and talked shit about Jason's appearance or other superficial bullshit, Dick wouldn't be so quiet about it. He'd be ranting and raving, incensed because he insists Jason is handsome, gorgeous (and it's sweet, because Jason isn't anything to write home about; a fun fight to provoke, some days, if only because Dick gets so up in arms over it).
And if it's not anything to do with present!Jason, that only leaves all the shit of his past, which is...
They haven't talked about it. Jason doesn't doubt that Dick knows, it's just - Jason doesn't want to talk about it.
Just Jason recognizing Dick's kindnesses for what they are. How Dick defended him. How he hurt enough for him that Dick risks it all. And then he comes home and waits outside because he won't bring that anger home like Jason's dad would. And he goes so far as to bite his tongue because he won't corner Jason into talking about shit he doesn't want to.
Just Jason, breathing steady and changing the topic entirely: 'I'm happy.' So happy. Happier than he's ever been. It's jarring, sometimes, how happy he is. Because there was a time when he didn't think he'd be allowed it. But here he is. With Dick. At their flat; a shoddy home, but theirs. Where they'll make dinner together and complain about romance not existing in the kitchen, get outta my way )< ; and where they'll talk circles around case work before they start bantering, gossiping, laughing. And where they'll leave for patrol but still flirt over comms and come back and hide their hurts only for the other to poke at them because they know. And they'll sleep. And it's warm. And of course Jason is happy.
It's a simple life, but it's theirs.
Oh, Jason looking at Dick's bruised hands and feeling overwhelmed at just how happy he is - to be loved and cared for so much. ;////////;
Getting all bashful as he tells Dick again, 'I'm really...really happy.'
And because it feels a little too heavy, a little too raw, Jason would cough and deflect in his own way. Grumbling because, 'Would've been happier with an expulsion, but...' Shrug.
Dick laughing under his breath. Taking the out. 'On my way. It was a 'formal reprimand'.'
Then Jason snickers because, 'Could I give you more names? Speed up the process.'
Which oops. Too dark, too soon. But after the initial grimace is a brittle laugh because wow.
Then something something Jason standing up and offering Dick a hand to pull him up, too. And they go about their routine. When Dick settles down, Jason starts prompting for details on the fight. How fucked was the officer's face? How many men did it take to tear Dick away from him? (♡ˊ͈ ꒳ ˋ͈)
Dick teasing him about it sounding like Jason likes that Dick lost his shit. And Jason owns up to it fully. Of course he likes it; it was for him. (ᴗ͈ˬᴗ͈)ꕤ.゚
Jason makes it easier for Dick by teasing him about it. Taking some of the weight away from it. Because this is how they look after each other. ♡
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vamphorica · 3 days
Text
MellodraMattic and Queerness: An Essay
Before I begin, I need to make it clear that my thoughts on this subject are directly inspired by this post by overkeehl. I not only recommend but insist that you read it before continuing, as I am going to be exploring a small component of the greater idea that they have already established. Essentially, I am taking the idea of Mello's character being queer-coded and developing it in regards to how MellodraMattic becomes a very validating ship in the context of marginalised sexual and gender identities.
I am also going to touch on internalised queerphobia, so consider this as a warning if that's not something you fancy reading about.
Anyway.
Mello is a distinctly queer character. I don't say this from an entirely projective approach because I think there are plenty of examples throughout Death Note where Mello's visual presentation and characterisation signifies it. His androgyny is the most explicit indicator of nonconformity in relation to traditional gender expression. I fondly remember when I first read Death Note, aged ten, and was convinced that Mello was a girl for several pages. Suffice to say, Mello's appearance is rather ambiguous, making him an adaptable character for one to project queerness onto. We will go into more depth on this later on.
It is also worth mentioning that Mello's style is quite camp. I love the way he dresses and only wish I had the confidence to pull off his outfits, but they are also very ridiculous and inconvenient. One of my Top 10 Mello Moments Ever is when he tails Mogi and Misa, wearing this:
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Those sunglasses are doing absolutely nothing to keep him out of sight, but I appreciate the fact that he obviously thinks otherwise. He simply must serve cunt to the detriment of the task at hand.
If I have not convinced you that his style alone is a good hint that he is a queer character, even in the most general sense of the term, there's plenty within Mello's character context that isn't exactly subtle in how he is portrayed as evidently nonconformist. I do think you have to be careful not to equate certain traits with queerness when it may not be appropriate to do so (after all, there's many characteristics relating to neurodiversity that can be identified in those who originated from Wammy's House, and while I won't get into the whole discussion about the overlap there because it's not my place to do so, I also think it would be an interesting subject to explore).
However, it is completely understandable why a lot of queer people see themselves in Mello. As a child, around the age that I think many begin to explore their sense of self, Mello's identity is ultimately threatened by L's death. He is confronted by the prospect of working with (accepting) Near in order to catch Kira. Instead, he runs away, and the narrative that follows is of a man tied up in complex feelings relating to his identity as a 'runner-up'. To put it simply, it conveys queer grief very well — Mello struggles with the fact that who he is as an individual does not align with the expectation that Wammy's House instilled in him from a young age. Similarly, some queer people may find that they must contend with accepting an identity they had been discouraged from exploring as children.
I think for many queer people seeing themselves in Mello, this sense of shame that can be identified as internalised homophobia or transphobia is unfortunately a common experience. It can take a long time to recognise, let alone challenge the societal standards that have been deemed 'normal' or 'correct'. Mello encapsulates this disconnect well in the sense that his goal to defeat Near as a means to prove himself as a worthy successor to L is doomed from the beginning. He was never meant to be the one to become L, and yet he runs straight to his demise in his desperation to receive recognition from an institution that he could never succeed within. I am not suggesting that all queer people go through this level of intense self denial when exploring their identities, but I think it ought to be appreciated that through Mello, there are a plenty of parallels that reflect the complexities of discovering your sexuality and gender identity.
Additionally, if you'll excuse me posting two rather grim examples of objectification in the manga, it is worth noting that Mello, in close proximity to two naked women, does not seem remotely interested in their bodies, which might suggest a queer identity on a very shallow level. I do think, given how misogynistic almost all the male (and some of the female) characters in Death Note can be, Mello is notable in the sense that he doesn't actively discriminate against the female characters. He treats both genders like shit. Feminist icon.
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Mello is very easy to project an assortment of queer identities onto. For what it's worth, I headcanon him as bisexual and FtM, but I know you are not reading this essay for my personal projections. You can consider Mello as MtF, asexual, gay, nonbinary — all of these identities can easily be validated within the canon context because Mello is so versatile while still being a developed and nuanced character. His story mirrors so much of the struggle that queer people contend with, and while I think it is a massive shame that it isn't resolved, I think that in itself only exemplifies the complicated nature of identity.
So, where does Matt come into all of this?
It is important to remember that Matt as a character was created for Mello. In the main series, it isn't even mentioned that Matt is a Wammy's kid, this information only being revealed in 'Death Note 13: How to Read'. However, this is crucial knowledge because it conveys the very essence of what makes MellodraMattic so great.
I love Mello, I really do, but he is cruel and selfish, in addition to being arguably one of the most dangerous characters in the series. For those who might relate to him for any of the reasons I have given thus far, it is still important to understand that Mello is not a decent person. He is deeply flawed, and as much as I like to joke that his crimes are perfectly fine actually, I can still appreciate that he is not meant to be regarded as an 'good' character, even if he is on the right side as far as Kira is concerned. His behaviour is very much correlated with his sense of inferiority, so in this case, his identity struggles do not excuse his behaviour, but they can explain it.
Yet, despite all of this, Matt remains by his side, regardless. While there's a general consensus that the two were separated for some time after Mello ran away, they eventually reunite and work together. In these brief moments, we can still gain a good insight into their relationship dynamic from the way they speak to one another. For instance, Matt is cheeky in a manner that the reader would not expect Mello to tolerate. Yet the patience in how he responds to Matt's insolence almost appears uncharacteristic. I am of the belief that Mello is not a highly reactionary character, despite how the series tries to portray him as such, and this calm composure he is capable of can best be seen through his interactions with Matt.
There is a real familiarity between the two men that I don't think is comparable to any other relationship in Death Note. For example, in the image below, Matt is complaining about a task Mello has assigned him, one that isn't exactly difficult, and yet he's already distracted. Rather than get frustrated, a response we would expect from Mello, he answers Matt gently.
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I appreciate these moments are few and far between (for fuck's sake, there's only two panels that feature the both of them) but I don't think I'm reading into it too much. I think they're genuinely suited for each other, which is, of course, because Matt was written for Mello. Their chemistry is dependent on the latter canonically.
Matt brings out the more approachable side of Mello because Mello does not see Matt as a threat that he must remain guarded around. If we as readers have become acquainted with Mello through his act of cruelty, albeit as a means of survival, we must assume Matt is familiar with this side of Mello, too. However, it doesn't deter Matt, nor does it scare him. Matt is completely loyal to the very end, and while such writing is perhaps a little superficial, I think it does emphasise the point that Mello has someone who will put his life on the line for him and God, I don't know. I think you have to read that as love to at least some extent.
Mello is a complicated character, with plenty of attributes suggesting that he is queer. This only further contributed to his plot line that centres an identity struggle, which speaks to those who fall outside of cishetnormativity. Unable to reconcile his sense of self with the expectations placed upon him, Mello becomes ruthless. Yet, in spite of these flaws, he has Matt. He represents a kind of hope, I think, that those who connect to Mello through his queerness and subsequent struggles can gravitate towards. A hope that there's someone who will accept every aspect of your identity regardless, that there will be someone you can be yourself around.
To me, MellodraMattic is my favourite ship because I love Mello and Matt, and the way in which they interact with one another. It is also that initial identification with Mello, that makes Matt's character and their relationship more meaningful, an example of the fact that there'll always be someone who not only accepts, but loves you, regardless of the mess.
I think that's beautiful. 🍫🎮
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violettwrites · 8 hours
Text
trailer park trash 🏹 young!daryl dixon
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a/n: had this sitting in my drafts for a while 🫠 but i finally got around to finishing it ! i’m lowkey obsessed w the idea of young!daryl atm as well he’s just so fine 😭 but i hope y’all enjoy this ! please give me a like, reblog, and/or comment if you did 🫶🏻
this is my masterlist !
and my ask box is currently open for requests !
( also shout out to @madelyncilne for being my beta reader i love u gf 🫶🏻😙 )
summary: 1988. reader has been best friends with daryl since they were little. as they celebrate his 19th birthday, drunken conversations happen where feelings that had been pushed down are told. ( pre apoc )
pairing: young!daryl dixon x reader
warnings: mentions of alcohol, smoking, mentions of weed— just a grunge-y trailer park party scene, making out 🫶🏻
word count: 1,856
— — —
it was july, 1988, a sweltering summer evening in the small, beat up trailer park you and daryl had called home for as long as you could remember. the worn out trailers sat in uneven rows, nestled between overgrown patches of grass and dusty gravel.
your fathers were friends— and though they were both horrible people, you were definitely blessed to have found daryl dixon amidst the chaos of your personal life. he had turned into your best friend— your confidant. he was the one you told everything to. no detail was ever too small. and even though daryl wasn’t much of a talker himself, he always listened.
it was daryl’s 19th birthday. merle, daryl’s older brother, had thrown together a party without much care. however, you both knew it was just an excuse for him to get drunk. not that he needed one anyway. he had mostly invited friends of his own. the kind you weren’t really a fan of; loud, aggressive, always looking for a fight— and way too drunk to care about the aftermath. you didn’t mind though, because you were there for daryl.
the air was thick with the smell of cheap beer and smoke, whether it was from weed or nicotine. merle’s sound system drowns out the hum of cicadas with its scream of pantera lyrics. but it was familiar to you, because this was how majority of your weekends were. you and daryl laying in his bed, ignoring merle and his friends as you smoked cigarettes. sometimes one, others five.
“hey! c’mon, you’re fallin’ behind!” merle shouted, staggering over to you with a half empty bottle of whiskey in his hand. he was already wasted, his wild laughter echoing through the park. you rolled your eyes at him but took a sip of the beer you had in your hand. sure, you were definitely tipsy, and even though you had no desire to keep up with merle and his crowd, it was just easier to go with it.
daryl, leaning against the side of the trailer, had been watching you most of the night. between getting dragged into games of beer pong and the several shots that he had done, he had kept his eyes on you. ready to intervene incase any of merle’s drunken friends put their hands on you.
despite the alcohol in his system, you had noticed he had been quieter than usual. no echoing cheers as he won a tournament, or no whooping after he downed three shots in a row. his shoulders were tense, eyes dark in the moonlight. you really couldn’t tell what was going on through his head tonight, but you knew he wasn’t himself.
“hey, you good?” you asked when you had made your way over to him, the party roaring on behind you. someone had lit a fire out in the field behind the dixon’s trailer, and merle and his friends were starting to get really rowdy, howling at the flames like a pack of wolves.
daryl looked at you, eyes flickering in the dim light. he shrugged, taking a long swig from the bottle in his hand. “yeah, ‘m fine. just… it’s loud, y’know?”
you nodded, leaning against the trailer next to him. you could feel the heat of his arm just barely brushing against yours. it had always been like that with daryl. the way you were always near each other, like magnets that couldn’t quite pull apart.
merle’s laugh rang out again, and you could see him egging on some of the guys, probably looking for trouble. “looks like merle’s having a good time.” you rolled your eyes, sipping at your beer again.
“yeah, well, tha’s merle,” daryl muttered, his voice low and gravelly, like he had something caught in his throat. “he don’ know when to stop.”
the two of you stood in silence for a moment, listening to the noise of the party behind you. motörhead was now playing through the speakers, and the hollers of the group down by the fire in the field was still going.
“hey, it’s your birthday. we should do something. just you and me.” you weren’t sure if it was the alcohol making you bolder, but you decided to say what had been sitting on your chest all night.
daryl looked at you, his eyes narrowing slightly as if he was trying to read between the lines of what you said. “like what?”
“i don’t know,” you shrugged your shoulders, trying to play it off causally, “get outta here, away from this mess. go down by the creek like we used to.”
he stared at you for a moment, and you swore you saw something shift in his expression. he was already drunk, you knew that, but there was something else there too. maybe it was the same thing you had been pushing down since you were thirteen and realised what crushes were.
“yeah,” he said quietly, nodding, “let’s go.”
the two of you slipped away from the party, walking through the field and down towards the creek. although you could still hear the faint bass of the music, it was quieter down there. you could hear the water trickling over the rocks, and the occasional rustle of the wind in the trees. you sat down on the bank, the cool grass under your legs, and looked out at the stars scattered across the sky.
daryl sat down next to you, arms resting on his knees. he was closer to you than he normally was, his bicep brushing against yours. you could smell the whiskey on his breath, but you didn’t mind. you were used to the smell of cheap booze and cigarettes— it was part of life around here.
after a few minutes of comfortable silence, daryl spoke. his voice was rougher than usual, thick with whatever emotions he had been drowning all night. “y’ever think ‘bout gettin’ outta here?”
the question caught you off guard, but you answered honestly. “yeah,” you nodded, “all the time.”
he looked at you, his eyes glassy but intense. “where would ya go?”
“i don’t know,” you said with a soft laugh, “somewhere far away. maybe the mountains, or a big city. somewhere where things aren’t so messed up.”
daryl nodded his head, looking down at the bottle in his hand before taking another swig. “yeah, i think ‘bout it too.”
the silence stretched again, and you felt the weight of all the things left unsaid between the two of you. daryl shifted closer, his knee pressing against yours. his voice was barely above a whisper when he spoke again.
“i ain’t ever told you this, but… you’re the only person i give a damn about in this place.”
your breath hitched, and you felt your heart pounding in your chest. you’d always felt something more for daryl, but you had never brought it up to him. you didn’t want to ruin the friendship you had, and if you could only have him as a friend, then so be it. because it was better than being alone.
“me too,” you admitted, your voice barely steady. “i care about you too.”
he turned to look at you, his face inches from yours now, and you could feel the heat radiating off him. “i ain’t no good, though. you know that.”
you shook your head, your hand reaching for his, giving him a gentle squeeze. “don’t say that. you’re better than anyone else here.”
his eyes stared at you for a long moment, his eyes flicking down to your lips and back up again. the air was thick with tension, and then, without thinking, he leaned in. his lips crashed into yours, rough and urgent, tasting like whiskey and everything you’d ever wanted.
the kiss was messy, desperate, both of you giving into all of the feelings you’d buried for years. your hands cupped his cheeks, moving to crawl onto his lap, finding a new angle as you continued to make out with the boy underneath you.
when his hands moved to your waist, pulling your body closer, you swore it felt like fire when he touched you. you let his hands roam, both your tongues swirling with each other. it felt like bliss, like you were both lost in a world where only the two of you existed, the years of unspoken tension finally erupting in this one heated moment.
every breath was shared, every touch electric. you both had been waiting for this for far too long. his grip on your waist tightened, his fingers digging in just enough to send shivers down your spine.
you felt the warmth of his skin beneath your fingertips, your nails lightly grazing the back of his neck as you deepened the kiss. the taste of whiskey still lingered on his lips, but now there was something more— something raw and unfiltered. the taste of desire.
his hands began to explore more boldly, pulling you even closer until there was no space left. your heart raced, and you weren’t sure if you were feeling your own heart thump against your chest, or his.
“daryl!” you heard a drunken voice holler from the trees, causing the two of you to break apart, breathless and cheeks red. you looked down at him for a moment, a small laugh coming from your lips as you heard the drunken voice holler once again for daryl.
merle.
“you have no idea how long i’ve wanted to do that,” he mutters softly, hands gently rubbing at where he had dug his fingertips into you. he held your gaze, eyes dark.
“me too,” you breathed out, your voice barely above a whisper. you could feel the weight of everything you both had left unsaid, all the words that had been replaced by the kiss, by the touch of his hands on your skin.
“daaaaryl!” you heard merle holler once again, and you chuckled softly, rolling your eyes as you moved to get up, holding out your hand to the boy beneath you, pulling him up off the creek bed.
“c’mon,” you huffed, shaking your head as you pulled him back towards the trailer. “merle’s either gonna have a fit, or he’s gonna end up drowning in the creek if we don’t get to him soon.”
daryl just chuckled, enjoying the feeling of your hand in his as you both walked towards the trailer, finding a stumbling merle with a now almost empty bottle of whiskey in his hand not too far from where the two of you had been hiding.
“there he is! there’s my baby brother!” merle shouted, throwing his arms open wide, bottle of whiskey smashing into the trees.
he watched as you let go of his hand to turn merle around, your palms on his older brother’s shoulders as you walked him back towards the trailer, a small smile on his lips.
daryl may have been trailer park trash, but at least he had someone that cared about him.
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Desperate Times, Desperate Measures
Whewww. Breathe, Amanda.
Ok, so, in a pre-show post, I talked about Gal's side of things in the relationship in this episode. Since several of you made posts explaining things after the fact better than I could, I'm going to discuss our favorite dark prince.
Yeah, so, our guy is in deep doo-doo. Now, I haven't watched the episode, but I gathered enough to get a sense of where this will take Haladriel for the remaining episodes.
What I really want to focus on is his mental and emotional state. So, Sauron creates an illusion to manipulate Celebrimbor into thinking that everything is hunky-dory in Eregion, and maybe to get him to relax a little. Everyone around him is affected by the darn thing. That includes Mirdania. In Sauron's concoction, she's wearing the same shade of green and hairstyle that Galadriel wore in 1x08. It gets even weirder: he is all soft and touchy-feely with her. The physical appearance, in my eyes, is very significant. It's the last time that Sauron had seen Gal in person, and had a positive interaction with her, before it all went to crap. I believe he captured that memory of her image to savor it. It was undoubtedly the last authentic happiness he ever felt.
After he is left to his own devices, Sauron hears a random elf tell his blonde girlfriend that her beauty is too indescribable for poetry. He seems to stop and dwell on this moment. This is important, too, because it is understood that Sauron is still in his own headspace. Why would he come up with something like that if he wasn't thinking of the beautiful blonde elf he himself knows? Now, we know that Sauron is enthralled with Galadriel's hair. However, this dialogue suggests to me that he finds all of her attractive. I think that should be a plus in the Haladriel Column of Pros and Cons.
Where does this lead? Well, it's more notable than ever that he is spiraling without Galadriel. His expression while listening to that couple is kind of depressed. I think he wants something like that SO BAD with her, but you know a little voice is telling him he can't. It's not possible for a being like him to have a cutesy moment like that with the she-elf he loves, and he knows it. I honestly feel sorry for him. Anyway, this all spells Bad News Bears for Mirdania. She sees all of this attention she's getting from him, and doesn't realize it's in place of the one he can't have. She'll try something, maybe kissing him (GAG), but he'll rebuff her in the worst way imaginable.
When Sauron and Gal do meet on that hill, I am almost willing to bet that he's so out of it, he will make an impassioned, broken plea for her to reconsider his offer. The Halbrand theme, which has a certain rush-against-time-to-get-to-the-one-you-love sound to it, will be heard during this moment. And we'll all drop from mega feels.
Overall, I think we can all agree that Sauron is out of his mind with desire for Galadriel, and I believe we will get immensely rewarded in the finale (or we better!)
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vangbelsing · 2 days
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Emmrich X Rook: Laugh Together Prompt for DADreams
WOW, A STORY I'M ACTUALLY RELATIVELY PLEASED WITH? AND THAT I GOT OUT EARLIER THAN BEFORE MY BEDTIME??? Wild. Anyway, this is set at a point where Alina and Emmrich aren't together yet but are very clearly already in their pro yearning stages. I had SO much fun writing this, especially the more flirty bits 🤭 ENJOY 🫶
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Her long legs draped over the arm rest of the chair in his study, swinging back and forth mindlessly, the occasional bump of her feet into the wooden surface causing a subtle thud every now and again. Once in awhile, she would peer up passed the little book in her hands that she skimmed with only a shred of interest, looking to see if perhaps the man at the other side of the room had finished with his papers.
He had not.
She groaned, staring at the way his quill swayed rhythmically in his hold, the motions very near to hypnotic, but not so much as to keep her attention. She groaned again, this time with far more force and intentionally higher in volume, her arm slumping down to her side while her fingers maintained only a meek hold on the book she had barely even read half way.
"Have I failed to rouse your enthusiasm, madame Crow?" Emmrich asked rhetorically from his spot at the desk, the question tinted with a hint of playful sarcasm. His head did not so much as twitch to look back at Alina, instead continuing to flip expertly to another page, dabbing his quill into the ink pot beside him.
Alina shifted positions, propping herself up on her elbows to shoot a pout at the mans back as she allowed the book to fall from her hands entirely, the spine contacting the stone floor with a quiet thump.
"Well, professor, when you said I could wait in your study with you while you finished some business, I had assumed it would take a few minutes... maybe even several... But an hour?"
The man flitted back and forth between two pages now, inspecting his prior work to ensure there were no inconsistencies. He settled on one sheet of paper again, flicking his writs slightly as he leaned forward to write once more, the motion producing a sweet little symphony of clinks and jingles from his bejeweled arms.
"I did say I would fetch you afterwards if you preferred not to wait, I happen to recall."
Oh, he was grinning. She couldn't see his face, but she knew it for a fact. She could just tell from the pitch of his voice and the little flicks of his free fingers how decidedly amused he was by this.
Alina rolled her eyes, pushing herself up from her seat to stand before starting a particularly lethargic saunter in Emmrichs direction.
"True, but back in Antiva, we have something of an unspoken rule:" The raven tressed elf began to purr, striding forward until she reached the spot where the older man sat, his head still set on his work.
She gripped the back his seat to spin his chair around, forcing him to face her. Surprisingly, he didn't seem the least bit perturbed, his mouth quirked up on either side into a lazed smile, his eyes attempting to feign a look of reprimand. She leaned into him slightly from where she stood above him, leaving little distance between them now.
"If a pretty girl is trying to spend time with you, you don't make her wait. Especially not an hour."
He hummed mindfully in response, taking his chin between his thumb and pointer finger, "A wise convention. Though, we have our own saying in Nevarra."
"Oh?" She cooed, setting her chin atop her hands as she rested her elbows on the arm rests on either side of Emmrich, their faces now more level, "You have a better one?"
His expression shifted, his face more overtly amused, "Better is a matter of perspective."
"Uh huh. And how does your, 'better according to ones perspective' saying go?"
He allowed himself to smirk fully now, as if emboldened. "Any time passed in the presence of a beautiful woman is always time well spent."
The grin on Alinas countenance was cheshire, her comely visage exuding satisfaction. This had been what she wanted when she suggested she and Emmrich spend time with one another. Banter, ribbing, gossip; anything bracing. So long as they were doing it together.
She released her grip on his chair, moving with a felines graceful fluidity to seat herself on the edge of his desk instead and crossing her legs in a single motion. He turned in his place so that only the side of his face was visible from her new perch.
"I see you Nevarrans have some universal practices. But don't you think there are better uses of a - oh, how did you put it?" Alina pressed a long, delicate digit to rest at her chin, pretending to search her memory, "a beautiful woman? Yes, that was it. Surely there are better uses of a beautiful womans time."
The necromancers chest swelled with self satisfaction. The way she emphasized his words, how she brought overt attention to them. He thought she might like that.
"I believe women are capable of choosing the best possible use of their time. Though I suppose they have something to say about that in Antiva as well?" His tone was clearly teasing.
She reclined on his desk, supporting her weight on both arms. "Only that the one thing more likely to spill your guts over an offense than a scorned woman is a Crow."
Emmrich smiled, but paused a moment, his face twisting thoughtfully as if weighing his next words with care. He grinned then, the look more playful than teasing, obviously having deemed that the risk would be worth the reward.
"I should have known you Antivan Crows would be so... ma-caw-bre."
Silence enveloped the room, natural, at first, and then quickly not. Emmrich maintained his composure, but the bead of sweat forming on his brow betrayed the tension he had begun to feel creeping in.
'Was that a bird pun?' she thought to herself. 'Did he just... make a bird joke?'
She gaped at him, her verdurous eyes wide like plates and her mouth parted. She looked as if he had grown a second head rather than tell a corny pun. It was so stupid. Utterly nonsensical. It wasn't even a good pun.
Yet...
As if possessed, Alina barked one sudden laugh, then another, until she fell into a continuous stream of mirthful chuckles. Emmrich frowned, the blush spreading from his neck to his ears, his composed shell thoroughly chipped.
"What?" He asked, the question defensive as his voice cracked somewhat.
Alina paused, trying to regain her breath, but failed, almost immediately returning to her laughing fit. She pointed to him, tears in her eyes and incapable of uttering a word not broken by laughter.
"You...!"
"I what?!" He mimicked her, pointing to himself now as his tone grew more affronted, clearly embarrassed.
"You said... You... That was so stupid!" She fell on her side, now balling up on the desk.
Emmrichs first instinct was to feel somewhat offended at Alinas display, her reaction far more animated than he would ever have thought her capable of over something so trivial as a poor pun about birds.
But looking at her there, her eyes pressed tightly as tears pricked the corners of her eyes, her cheeks reddened and lifted into the most jovial mien he had seen her wear in all the time he knew her. And her laugh; not the breathy chuckle of a woman with the intent to beguile or the sharp cackle of mockery, but a laugh. True, pure and filled with gaiety. To see her so happy and carefree, to know he had been the reason - it was worth feeling like a fool to see her this way.
He smiled, his face still pink as he settled in his chair again. "It wasn't that bad..." He practically pouted vocally.
They sat there for a few moments, the only noise filling the room being the laughter Alina couldn't seem to stifle. Steadily, it slowed, the once gleeful, high pitched and continuous echoes dulling to the occasional throaty giggle.
She sighed, apparently having caught her breath and regained her composure. Her bright eyes blinked open in the direction of the necromancer, who had, it seemed, watched her display without pause, the visible aura of delight that surrounded him abruptly making Alina feel flush.
"That was really bad." She asserted quietly, the scathing words contrasted by the sweetness of the tone in which she spoke them.
"Well," he started, crossing one leg over the other, "it was intended to make you laugh..." he rolled his eyes over her frame, taking special note of the wet streaks of eyeshadow that had left a teary trail down her cheeks, "And its results can't exactly be called into question."
Alina hummed at that, breaking the eye contact to stare off to the side at the numerous rows of books, which lined each wall neatly. Emmrich quickly caught the twinkle of mischief in her verdant eyes, her nose scrunching as she appeared to suppress a grin.
"Still, saying something like... It must have been embarrassing for you. I could never force myself to say anything that ridiculous." She then whipped her head to him, her gaze capturing his, demanding his utmost scrutiny.
She had it completely.
The smirk she hoped to hide now showed itself in full, despite her efforts, "I've always fancied myself as being more... caw-tious..."
Emmrich stared, unfazed for only a moment, before tearing his eyes away from her, his head turning as if he was physically incapable of staring in her direction, a long chortle escaping from him.
"Maker, you were right," he lifted a hand to his face, resting his temple and cheek on his pointer, middle and ring fingers, a half amused, half cringing smile tugging at his lips, "it is awful."
She huffed, gaping in mock offense. "I never said it was awful!"
"You should have." Emmrich laughed fully at last, staring back at Alina once again.
They both remained in his study for a time, sitting in a comfortable silence until Alina had insisted that Emmrich read to her, which he did gladly. An hour or so had gone by before Bellara had beckoned them for supper, excitedly announcing that she and Lucanis had put special, coordinated effort into a cultural fusion dish tonight. Emmrich had offered Alina his arm to take, and when she had locked her arms into his, she could just barely restrain the urge to lean her head against his shoulder; a gesture she could not have realized just how deeply he would have welcomed.
Events had been tumultuous at the least strenuous of times of late, but even so, in moments like this, when all that was felt was the presence of another soul, riding out the passage of time in blissful, carefree afternoons spent without the anxieties that pervaded their every day, it kept them grounded, made them realize how much was left to fight for.
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noxemma · 2 days
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Dean Winchester is Saved!
Today is 16 years since Cas raised Dean from Hell, since that profound bond was formed, since Cas realized that Dean didn’t think he deserved to be saved.
Lazarus Rising changed my DNA in the best way possible. It was the beginning of a love story that has rotted my brain for years. And this episode specifically prompted me to write my first fic that was more than a thousand words and wasn’t inspired by a prompt.
Almost two years ago I made this note which started me writing and posting nearly 11k solely about an alternate Lazarus Rising where we see the profound bond form and the interaction of Cas and Dean in Hell, where Dean’s been torturing souls.
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Anyway if that sounds interesting I put the link and a snippet of the fic below. Happy Lazarus Rising, Destiel Beginning, Dean is Saved Day!
Before Lazarus Rose
Summary: What if Cas and Dean met and formed this amazing bond (profound perhaps) before the iconic meeting in 4x01 but had their memory of it wiped? OR What happened in Hell when Castiel rescued Dean and why doesn't Dean remember it?
Dean
Pain. Never-ending pain is all Dean has known for the last thirty years. Even the few times he’s been allowed to fall asleep, to fall unconscious, he’s had nightmares.   His body and mind are so broken, so fractured, that his dreams are as well. He sees blue light and screams for someone, anyone, to help him. He begs and pleads for someone to save him until his voice gives out.
Doesn’t matter whether you are in Hell or topside, dreams don’t do a damn thing, Dean thinks blearily. He flinches against the chains in his flesh as Alastair draws near. “What shall we try today, hmm?” Alastair pulls out several knives, observing each one before settling on a small paring knife. “I think this will do. You know a smaller blade will take longer, take more effort; it’s … intimate.”
Alastair continues to teach as he slowly carves Dean’s skin from muscle, as he slowly cuts out organs. The commentary, Dean quickly decides, is worse than the physical pain. The pain blurs together, but the tricks of torture bury themself in his mind. He can look at Alastair’s rack of tools and remember what each one is best used for, how much pain each imparts on different areas of the body, and how long each takes to decimate a soul. While his own body is rejuvenated each day, the thirty years of knowledge continues to fester like his soul.
When he’s finally reduced to a mere consciousness tethered to a soul, Alastair whispers into the bits of blood and bone that used to be him. “Well? I’ll put down my blade if you pick one up.” It’s all too much. Too much pain, too much cruel knowledge. He’s not strong enough, he’s never been strong enough.
“Going once …”
How long can he actually hold out for anyway? Isn’t the end inevitable? After thirty years of pleading into the void, he has to accept the truth. No help is coming. “Going twice …” Even if he was rescued, his soul is already black and tarnished. He’s already in Hell with no hope of getting out. He was already broken before he arrived.
“Can’t say I’m not disappointed, Dean. You have such potential. We could have had a good thi-”
“I’ll do it.” Dean knows he should feel something. He should feel remorse or relief, but all he feels is resignation. This was always the end he was bound for. His body returns to him as Alastair grins and, for the first time in 360 months, Dean is able to step off the rack. For the first time in 10,950 days, Dean’s body and soul are his to control. There is still pain, still bits of Hell stuck in his soul, but this small bit of freedom and control is enough to ignore it. Dean grabs the paring knife and begins. Something in him fractures beyond repair at the first drop of blood. He knows that whatever goodness was in him is gone. Each soul after tears away more of him and replaces it with something dark and unfamiliar beneath his skin. He still thinks he deserved those thirty years of pain, but it gets easier as the years go on. Soul-deep exhaustion and numbness replace the pain with each piece of himself that he carves away. Eventually, he stops counting the souls, he stops counting the days too. He starts believing that the souls deserve it, they are in Hell after all. He even begins to enjoy it. After all he’s endured in life and death, it feels good to finally be the one to deal out some pain instead of constantly being on the receiving end.
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qiu-yan · 2 months
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ilovedthestars · 26 days
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in the vein of those "try jokingly hyping yourself up instead of being self-deprecating" posts, my number one Feeling Good Life Hack is to get free compliments by complimenting yourself
example: I made my friend a bunch of pairs of earrings for her birthday once. Sometimes when I see her wearing them, I'll say "whoa, I love your earrings, someone really cool must have made those!" She'll usually grin and agree that someone really cool did make them, or that she likes them too.
this is of course best deployed with people who know it was you who actually made/did the thing you're complimenting, so they're in on the "joke" part. and if they're your friend they'll pretty much always jump on board and take the chance to compliment That Mysterious Cool Person who made/did whatever you're pointing out. so you get to compliment yourself, get compliments from other people, and make people laugh all in one.
also, if you do this enough to make this an inside joke between you, then they'll sometimes just start offering you free compliments without you even having to do the Bit. sometimes i'll just be like "oh! your earrings!" when i notice my friend wearing a pair that i made, and she'll go "yeah, someone very cool made them for me :)"
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perilegs · 1 month
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my sweet little baby man is no longer with us
#he had his bloodwork done yesterday and the vet said it was fine but he doesnt have much time left#and my bestie is a vet tech who wanted to see the lab results bc she always does and she looked at them#and asked me if she can shiw them to her boss today and i was like sure and immediately knew something was up#today keekki was being himself#then i went to run some errands and when i came back he was laying in front of the front door with his tiny baby head against it#and i was like ''oh ok one of his seizures?''#and theyre like. keekki will drool and not move and they usually last for like 20 minutes (several vets have no idea whats up with those#but it was probably either a kidney or a blood pressure thing)#anyways. it did not pass in 20 minutes so i Knew#i laid on the floor next to him#then my bff sent me a message asking me if i have the time to talk about keekki and its not good news#at this point i was about to call the vet anyways#and she was like ''ok i showed these to my boss (a vet) and she got super angry that ur vet even let you leave the clinic''#bc apparently keekkis bloodwork was so bad he should have been put down then and there but my vet was like a fresh half graduate#so i dont hold it against her. anyways i got an euthanasia appointment for this evening and spent the time before it laying on the couch#crying with keekki in my arms#i had to carry him bc he couldnt really walk without stumbling and falling down#when i had to get up to get his carrier and stuff ready he was taking a nap on the couch where i left him and i took this pic#anyways worst vet visit of my life i could hardly even do anything but nod half the time bc speaking results in me sobbing#anyways. this fucking sucks#i dont know how ill be able to sleep tonight#its been years since i last slept at home without having a little guy plop into my arms#i spent a long time with him in the vet room when he was gone#it feels surreal ive given him his last ever forehead kisses#as i left the room i told him bye the exact same way ive been saying bye to him for the last very many years ive had him#its always moikka keekki before i go to work or the store or literally anything#and that was my last moikka keekki#i hope he felt how loved he was#my dad is sending me older pics of me and keekki and he looks so happy in them. hes always right next to me#idk man im going to stop rambling now
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anaalnathrakhs · 4 months
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love this part of my life where the things that are difficult but challenging and good for me are things i can stop and skip and halfass, but the things that are difficult and painful and pointless are the things i have to live with no matter what
#school and home life are too much to handle so i skip school#because i cant kick my parents out#and appartments cost money#and i dont have a car to sleep in#i could maybe try to dig up my old childhood tent but that brings a whole host of logistic questions + im scared and it's difficult#anyway. it's fine. it's cool. i just have to hold on until i graduate high shcool and then ?????#find a way to live without my parents money OR scholarships#all for some nebulous end goal of having a job (the only field i'm interested in and good at offers two options:#to become an academic#or to become a freelancer#i do not have the fortitude to be an academic and being a freelancer is convoluted and pays like shit)#i might've spent 24h without my parents occasionally if i spent the night at a friend's place once or twice recently#but besides that the last time i've gone 48h without my parents was when the mental health center organised a week camp uhhhh...#two summers ago#incredibly good for my mental health as you can see#god i remember like... years ago. around 13yo maybe or 14. a guy. i dont know if he was a mental health professional or like social cases#but anyway he told me ''you're too afraid to be away from mommy and daddy'' and it made me want to rip his eyes out#several other people have implied or suggested that too over the years and it's just#am i too dependant on my parents? yes. will it be difficult to take my independance? yes.#does it means i don't both rationally recognize and feel that this is really fucking unhealthy and hindering for me#on top of being unpleasant?#FUCK NO#i want out my guy. there's just not many opportunities for an already mentally ill teenager#now that i'm eighteen i have to grapple with the logistical problems of the money needed and how to continue my education#and im sure a billion more if i start searching a little more seriously#perhaps i should kill myself that way i don't cost anyone any more money#broadcasting my misery#vent
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seventh-district · 4 months
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not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go
(aaa quick edit: CW for mention/discussion of Boothill leaks)
#today's gone Badly and i'm upset but instead of venting abt it i'm gonna channel that energy into doing a bit of tag rambling abt Boothill#well. less abt Him and more abt uh. self-analyzing my anxiety surrounding contributing to fandoms. he's just today's catalyst#like. i know it's mostly a me thing. i'm hypersensitive to criticism and very conflict avoidant + socially anxious + perfectionistic etc.#so I'm the one that keeps myself from posting more stuff out of fear of being criticized or called-out for what i've made#bc inevitably Someone's gonna see it and think its OOC or a problematic take or they'll misread my intent. etc etc what have you#but like. that's inevitable. there's no way to communicate every single thing with all of the nuance required to avoid misunderstandings#and other times it's not a misunderstanding it's just a difference of opinions and that's Fine!! there's no accounting for personal taste#there's no accounting for several things actually. taste‚ bias‚ lore-knowledge‚ differing levels of chronic-online-ness‚ etc#so this isn't me complaining abt the state of fandom culture (although i do think. sometimes. ppl take shit a bit too seriously)#but anyways all of this is mostly just anxiety-fueled. it's not like i very often actually even receive negative feedback or anything#if anything ppl tend to tell me that i'm overthinking it and killing my own fun and worried that my stuff is more OOC than it is#which like. yeah. Yeah u right :) but that's just the way that i am! always losing the idgaf war i suppose#anyways what's Boothill got to do w this ur wondering. well. i've been thinking abt the quickly emerging concept that he's illiterate.#and it just. has me feeling a lot of ways. and watching ppl disagree over it has me feeling some Bad ways. bc it's def a loaded topic!#if you'll pardon the pun there. and i don't rlly have anything new to add other than that i'm conflicted abt it.#like yeah i saw the leaks days ago. of him mentioning 'not hitting the books' much as a child when we ask him why he sends voice messages#or voice Transcriptions ig. ykwim. and like. *braces for impact* ...i liked it? like. it doesn't feel right to call it endearing#i'm not trying to infantilize him. ok that's not the right word either but ugh. you know? what i mean?? who am i kidding even i don't know#it's not quite right to say that it feels like Representation either. but it's something close i guess#as a southern person myself who didn't receive a 'complete' education due to factors that weren't to do with my intelligence#the concept of seeing him as a capable force to be reckoned with and respected who also happens to have not received much formal education#i like that. i do. but there's so many issues w it at the same time. like. as i said‚ being southern myself has me Wary of the way Hoyo is-#writing him. as well as of the way that the fandom is taking the bits of his lore and running away w them. and i'm Very aware of how ppl-#will see a southern character and be All Too Eager to agree that they're lacking intelligence based on our Redneck™ stereotype#sigh. and before we even go too far with this. it's not even confirmed that hes completely illiterate. which is a valid criticism i've seen#there's Multiple reasons that could make him prefer voice to text. but regardless. i'm just worried that ppl will misconstrue my intentions#like. example: that edit i made the other day of him saying 'no thanks i can't read'. wasn't me playing into the stereotype of-#'haha dumb country boy can't read!' it was. in my eyes. something he'd say as a joke to make light of a potential insecurity#like. i think there's far more depth to Boothill's character if ppl could look past the surface. and i dont wanna contribute to the problem#but sometimes ppl Will have stereotypical traits and i wish the same could apply to characters as long as it's done Thoughtfully.
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loveguts · 14 days
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i love seeing those advocacy groups that say they’re fighting to protect free speech on campus and i think that they mean advocating for the (peaceful btw) pro-palestinian protestors that have been brutalized by police and arrested and expelled en masse, but then i go to their website and they’re just advocating for conservatives to be able to say hate speech with no repercussions
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