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dhampiravidi · 6 months ago

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my review of Bring Me The Horizon's POST HUMAN: NeX GEn...

k so, I didn't know it was released til 15 min ago. also just got the Angry Oli Maid Pics. I have a feeling that I know how this first listen is gonna go, but who knows.

[ost] dreamseeker - no rating

If any of this is Eve from the concerts, I'll have to skip the OSTs, because AI scares me (been giving me nightmares for months now). Anyway, this just seems to be a clip of filler/ambient noise. I'll only give ratings to actual songs (longer than 2 min & w/singing).

2. YOUtopia - 5/10

I keep hoping it'll get better as I listen...it just sounds kinda whiny & maybe it was a Jordan Fish thing, but there's no build really. Of course, the name of the song is a pun...IDK. Song sounds a lot more hopeful than I thought it would, since I thought POST HUMAN was all apocalyptic/post-. Giving this a 5.

3. Kool-Aid - 8/10

Pretty sure they already released all the good stuff. I remember hating how "heavy" this sounded initially, but I love this song now. It's an anthem for...something. I guess it's a warning tale for cults, hence why I thought this was an "end-of-the-world" type thing. Solid 8.

4. Top 10 staTues tHat CriEd bloOd - 6/10

IDK why I just thought of FOB's Under the Cork Tree. Probably because I'm getting a pop-punk sound (apart from the fairy techno) that's either UtCT or maybe a lighter That's The Spirit (specifically, "Avalanche"). The sound definitely matches that of "LoST". I keep asking myself if BMTH's songs usually repeat the same parts musically & lyrically...I don't remember. If they do, I didn't notice.

5. liMOusine (ft. AURORA) - 6/10

Optimistic about this one! As long as it picks up...I like the guest singer's voice! It's beautiful on it's own & it complements Oli's pretty well. I'm thinking there should be (based on what BMTH usually does in its collaborations & what I think would go well) a section where he screams while she sings...ah, here we go. I guess I was thinking about what happens in AmEN. Hmm...I suppose they wanted a slower song.

6. DArkSide - 10/10

RAHHHH! I love this song sm. Again, I think all that we heard before today is probably the best parts of PH: NG. This is my favorite BMTH song (the last one Jordan worked on, I think). Pretty sure we've all heard the comparisons to Linkin Park for this one 😊. I love how it ebbs & flows but ultimately is a complete song, one that sounds great onstage, makes me dance, has a message & uses all of Oli's range.

7. a bulleT w/ my namE On (ft. Underoath) - 7.5/10

Immediate mixed feelings here. I love the part where the guitar & drums kick in. It always takes me a second listen to get used to the parts where Oli screams because I don't always expect them. I don't like when they edit his vocals to sound super-techno because then it's almost like implying he can't sing without autotune. OMG I can hear Jordan in the background...then I hear "guess this is goodbye" RIP, man. Have we ever had a song where he clearly sings backing (w/o muffling)? Oh, well. ANYWAY. This song fits the BMTH style, I think. IDK what it's saying at the end--I'm never a fan of editing in stuff that can't be understood unless it's a rhythmic thing.

8. [ost] (spi)ritual - 7.5/10

Best of the OSTs so far. It's a chill lil bop. *looks up the lyrics* oh sHIT. I had to pause it because apparently it's an occult ritual used to clear the room of negative energy prior to doing another ritual & um...I'm no expert in this stuff, so I'm just gonna skip to the next song!

9. n/A - 8/10

OK initially I thought this was a bad joke of a song, given Oli's past addictions & time in a mental hospital. It's actually a good song musically & lyrically. I just feel really awkward listening to it. I think it's referring to how he relapsed during COVID...the music video part of Spotify shows a demented kid's picture...

10. LosT - 9/10

Again, we got the good part. I think we all know the message behind this, which I respect considering how many meds I've gone through trying to improve my own mental health. I have thoughts (positive) about the music video, but this isn't a music video post-! "LoST" has the ebb & flow that I love. "Too much to take, I can't fucking stand it" & "I think I'm gonna break down" are my favorite parts. I can only love screaming when it's done to emphasize clean singing &/or the melody.

11. sTraNgeRs - 8/10

All I'll say is...I prefer this version to the acoustic & my favorite part is "take us back to yesterday" (that whole thing before the last chorus).

12. R.i.p. (duskCOre Remix) - 9/10

This is the first new song that I actually like. I love the "club" songs that BMTH makes, where they sound happy but the lyrics are metal as hell. The "make me the villain if you want" *side-eyes The Darkling* I feel like that man has heard a BMTH song.

13. AmEN (ft. Lil Uzi Vert & Daryl Palumbo) - 10/10

I'm not familiar w/Daryl Palumbo, so I'm not sure what part he sings/screams, but I love this song. It's almost like a dramatic monologue, in the way that I can imagine someone doing all these over-the-top gestures as they sing each part of the song (maybe using puppets). I know I'm mouthing the words every time the song comes on (even though I still don't know the screamed part at the beginning, lol).

14. [ost] p.u.s.s.-e

Very interested to see what the acronym stands for (if it stands for anything)...welp, the Genius annotation says it's about a drug created by the fictional Church of Genxsis to "suppress people who will not obey their will" o-o don't fuck w/cults, kids.

15. DiE4u - 10/10

o-o just releasing how long it's been since this was released. This is bringing up angsty memories...anyway, I love the music video for this (Oli's a Real Vampire Agenda) & I love the pacing of the song. IDK why the "lemme see my halo" part sounds so good.

16. DIg It - 7/10

Fuck, I think this might be Eve talking...*scans some of the lyrics* OK the song's actually alright. Just don't look up the song on Genius unless you want some meta-AI-related stuff. I can tell this isn't supposed to be a banger as much as it is a sad song. It reminds me of Oli's monologue (done while high) on Music to Listen to...("Underground Big", I think?) & it could definitely be used on a soundtrack IMHO. I'd love to hear Oli just sing something chill w/o editing.

Alright, the average of all the ratings is...

5 + 8 + 6 +6 + 10 + 7.5 + 7.5 + 8 + 9 + 8 + 9 + 10 + 10 + 7 = 111

111/14 = 7.9 out of 10

So to me, about half the songs were good. I've felt that way about albums before. I wonder how they finished the album considering that Jordan left in December & yet he's credited on the songs. I don't think this album will be given high ratings, but if it wins an award...I wonder how that'll go down. Anyway, yay for angry maid pics!

#bmth #bring me the horizon #don't like don't read #oli sykes #music #rock music #modern rock #minimal techno #music review #album review #admin

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firespirited · 4 years ago

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So sis just told me we have a new postman as our postlady has been moved to a different sector. Drops that he’s friendly and called Christophe and uh one of my high school bullies by that name became a postman so I ask if he’s a redhead and yeah. My brain is cycling through the possibilities of how small this region is, how many redhead postmen with a very common name.

My main memories of him are that he reminded me so much of my dad and would sometimes say the exact same cruel stuff dad was spouting at home and at the time I thought that was really uncanny but it’s just that people follow patterns and those were my obvious weakspots to anyone with a brain; feeling pity because he was clearly trying to fit in as a working class nerdy dude with a rough homelife among upper middle class tennis, travel and video games types but also slight betrayal because fellow nerd in unbranded clothes with a tough home right?

Anyway we ended up at the same party where a nice guy who was a close friend of his drank 3/4l of vodka and went into a coma and I spent the night making sure he was breathing and pleading for them to call an ambo and eventually convinced one of the popular girls around dawn that someone being this cold and grey wasn’t ok... and apparently that cemented my status as a killjoy prudish snitch or whatever, I was beyond caring and had way too much going on in my life outside of school but that was his friend, so having him make jokes about it managed to get under my skin more than any comments about being ugly, friendless and fragile. Funny what actually grinds you down in the end.

Anyway if it’s him, it’s a past life and who knows maybe I pissed him off with some blunt or awkward comment - I wasn’t exactly putting my energy into being socially careful and attuned at school by then what with everything else spiralling out of control (church became a cult and my parents got badly hurt standing up to the new leader, dad’s bipolar kicked up a notch and he had to quit his job for attacking a pupil, I had all the signs of primary progressive *MS and was going to school with high fevers, tremors and cramps just to avoid being home). I have no interest in rehashing anything, I don’t want to know what he thinks, hope he’s having a decent life and that’s that.

*Thankfully not PPMS,

#saf

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anhed-nia · 4 years ago

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BLOGTOBER 10/17/2020: SPOOKIES

What do we watch, when we watch movies? This question was sparked by my SOV experience with the very different, and differently interesting BLOODY MUSCLE BODYBUILDER FROM HELL and HORROR HOUSE ON HIGHWAY 5. Within the Shot On Video category, one can find inventive homemade features that are driven entirely by blood, sweat, and the creators' feeling of personal satisfaction. The results are sometimes fascinating, in their total alienation from the conventions and techniques of mainstream filmmaking, and after all, one rarely sees anything whose primary motivation is passion, here in the late stages of capitalism. But, all this talk about what goes on behind the camera points to a discrepancy in how we consume different kinds of production. The typical mode of consumption is internal to the movie: What happens in it? Do you relate to the characters? Are you able to suspend your disbelief, to experience the story on a vicarious level? One hardly needs to come up with examples of films that invite this style of viewing. Alternatively, we can experience the movie as a record of a time and place in which real people defied conventions and sometimes broke laws in order to produce a work of art. SOV production is usually viewed through this lens, where the primary interest is not the illusory content, but the filmmakers' sheer determination to create. We find some overlap in movies like EVIL DEAD, which simultaneously presents a terrifying narrative, and evidence of what a truly driven team can create without the aid of a studio, or any real money to speak of. See also, Larry Cohen's New York City-based horror films, in which a compelling drama with great acting can exist side by side with phony but beautiful effects, and exciting stories of stolen footage that would be dangerous or impossible to attempt today. I'm thinking about these different modes of consumption now because I just watched SPOOKIES, a legitimately cursed-seeming film whose harrowing production history has superseded whatever people think about what it shows on the screen. The lovingly composed blu-ray from Vinegar Syndrome includes a feature-length documentary that attempts to explain the making of the film--which is accompanied by its own feature length commentary track by documentarists Michael Gingold and Glen Baisley. The very existence of this artifact suggests a lot about the nature of this movie, in and of itself. The truth behind its existence is as funny as it is tragic.

I'm not going to do a whole breakdown of the tortured origins of SPOOKIES, which is much better told by the aforementioned documentary. To summarize: Once upon a time in the mid 1980s, filmmakers Brendan Faulkner, Thomas Doran and Frank Farel conspired to make a fun, flamboyant rubber monsterpiece called TWISTED SOULS. It was wild, ridiculous, and transparently fake-looking, but it was loved by its hard-working creators; as a viewer, that soulful sense of joy can rescue many a "bad" movie from its various foibles. Then, inevitably, sleazoid producer Michael Lee stepped in--a man who thought you could cut random frames out of the middle of scenes to improve a movie's pace--and ruined it with extreme prejudice. Carefully crafted special effects sequences were cut, relatively functional scenes were re-edited into oblivion, and the seeds of hatred were sown between the filmmakers and the producer. Ultimately, everyone who once cared for TWISTED SOULS was forced to abandon ship, and first time director Eugenie Joseph stepped in to help mutilate the picture beyond all recognition. Thus SPOOKIES was born, a mangled, unloved mutation that would curse many of its original parents to unemployability. For the audience, it is intriguingly insane, often insulting, and hard to tear your eyes off of--but in spite of whatever actually wound up on the screen, it's impossible to forget its horrifying origin story as it unspools.

As far as what's on the screen goes: A group of "friends", including a middle-aged businessman and his wife, a vinyl-clad punk rock bully and his moll, two new wave-y in-betweeners, and...a guy with a hand puppet are somehow all leaving the same party, and all ready to break into a vacant funeral home for their afterparty. Well, this happens after a 13 year old runaway inexplicably wanders in to a "birthday party" in there, that looks like it was thrown for him by Pennywise, and he has the nerve to act surprised when he is attacked by a severed head and a piratey-looking cat-man who straight up purrs and meows throughout the picture. Anyway, separately of that, which is unrelated to anything, the island of misfit friends finds a nearly unrecognizable "ouija board" in the old dark house. Actually this thing is kind of fun-looking, having been made by one of the fun-havers on the production before the day that fun died, and I wonder if anyone has considered trying to make a real board game out of it...but I digress. Naturally, the board unleashes evil forces, including a zombie uprising in the cemetery outside, a plague of Ghoulie-like ankle-biters, an evil asian spider-lady (accompanied by kyoto flutes), muck-men that fart prodigiously until they melt in a puddle of wine (?), and uh...I know I'm forgetting stuff. One of the reasons I'm forgetting is because of this whole side story about a tuxedo-wearing vampire in the basement (or somewhere?) who has entrapped a beautiful young bride by cursing her with immortality. That part is a little confusing, not only because it doesn't intersect with the rest of the movie, but because sometimes it seems contemporary--as the bride struggles to survive the zombie plague--and sometimes it seems like a flashback, as our heroes find what looks like the mummified corpse of the dracula guy, complete with his signet ring. So, I don't know what to tell you really. Those are just some of the things that happen in the movie.

Some people like this a lot, and have supported its ascendance to cult status, which is a huge relief when you know what everyone went through to make this movie, only to have it ripped away from them and used against them. I found SPOOKIES a little hard to take, for all the reasons that the cast and crew express in the documentary. It holds a certain amount of visual fascination, whatever you think of it; something of its original creativity remains evident in the movie's colorful, exaggerated look, and its steady parade of unconvincing but inventive creature effects. But then, you have to deal with the farting muck-men. What was once a scene of terror starring REGULAR muck-men, that sounded incredibly laborious to pull off, became a scene of confusing "comedy" when producer Michael Lee insisted that the creatures be accompanied by a barrage of scatalogical noises. Apparently this was Lee's dream come true, as a guy who insisted everyone pull his finger all the time, and who once tried to call the movie "BOWEL ERUPTOR". But, of all the deformations SPOOKIES endured, the fart sounds dealt a mortal injury to the filmmakers' feelings, and even without knowing that, it's hard to enjoy yourself while that's happening.

Actually, all the farts forced me to ask myself: Is this...a comedy? Like for real, as its main thing? As the movie slogged on, I had to decide that it wasn't, but I was distracted by the notion for around 40 minutes. I was only released from this nagging suspicion when the bride makes her long marathon run through throngs of slavering zombies who swarm her, grope her, and tear off her clothes, before she narrowly escapes to an even worse fate. The lengthy scene is strangely gripping, and sleazy for a movie that sometimes feels like low rent children's entertainment. Part of the sequence’s success lies in its simplicity; it is unburdened by the convoluted complications of the rest of the movie, whose esoteric parts never fall together, so it seems to take on a sustained, intensifying focus. The action itself is unnerving, as the delicate and frankly gorgeous Maria Pechuka is molested and stripped nearly-bare by her undead bachelors, running from one drooling mob to another as the horde nearly engulfs her time and again. Actually, it feels a lot like a certain genre of SOV production in which, for the right price, any old creepy nerd can pay a small crew-for-hire to tape a version of his private fantasy, whether it's women being consumed by slime, or women being consumed by quicksand, or...generally, women being consumed by something. I wish I could describe this form of production in more specific or official terms, because I genuinely think it's wonderful that people do this. Anyway, Pechuka's interminable zombie run feels a little like that, and a little like a grim italian gutmuncher, and a little like an actual nightmare. Perhaps it only stands out against its dubious surroundings, but I kind of love it--and I'm happy to love it, because apparently the late Ms. Pechuka truly loved making SPOOKIES, and wanted other people to love it, too.

Which brings me to the uncomfortable place where I land with this movie. On the one hand...I think it's bad. It's so incoherent, and so insists on its impoverished form of comedy, that it's hard to be as charmed by it as I am by plenty of FX-heavy, no-budget oddities. Perhaps the lingering odor of misery drowns out the sweet joy that the crew once felt in the early days of creation--which is still evident, somehow, in its zany special effects, created by the likes of Gabe Bartalos and other folks whose work you definitely already know and love. But I feel ambivalent, about all of this. On the one hand, I can be a snob, and shit on people for failing to make a movie that meets conventional standards of success. On the other hand, I can be a DIFFERENT kind of snob--a more voyeuristic or even sadistic one--and celebrate the painful failures that produced a movie that is most interesting for its tormented history and its amusing ineptitude. I'm not really sure where I would prefer to settle with SPOOKIES, and movies like it. (As if anything is really "like" SPOOKIES) With all that said, I was left with one soothing thought by castmember Anthony Valbiro in the documentary. At some point, he tells us how ROSEMARY'S BABY is his personal cinematic comfort food; he can put it on at night, after an exhausting day, and drift to sleep, enveloped in its warm, glowing aura. He then says that he hopes there are people out there for whom his movie serves that same purpose, that some of us can have our "milk and cookies moment" with SPOOKIES. Honestly, I choke up just thinking about that.

#blogtober #2020 #spookies #horror #supernatural #vampire #zombie #creature feature #old dark house #cursed film #thomas doran #frank farel #eugenie joseph #michael lee #vipco #twisted souls #brendan faulkner #maria pechuka

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britesparc · 4 years ago

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Weekend Top Ten #470

Top Ten Films to Watch on Star on Disney+

We’ve been watching a lot of Disney+ lately. This is partly due to the fact that our family movie nights have become, almost accidentally, a quest to watch every bit of Star Wars content on the service; so far, we’ve watched the entire Skywalker Saga and are now moving onto the spin-off movies. The younglings have become addicted: Daughter #1 is getting stuck into The Clone Wars, whilst Daughter #2 is demanding we jump straight into The Mandalorian. As for the Princess to my Scoundrel, well, she and I have been thoroughly enjoying WandaVision, which by the time you read this, will have finished. Sob! Nothing to do but gird our loins until the arrival of The Falcon and the Winter Soldier in a couple of weeks! At least this excellent TV programme appears to have whetted my wife’s appetite for watching more of the MCU movies. Maybe soon I can make oblique references to Mary Poppins, y’all, and someone else in the house will actually know what the hell I’m on about.

Well it looks as if there’s going to be even more use out of our Disney+ sub as the months roll inexorably on, what with their new Star channel. This is where they’ve shoehorned all the mucky films they bought from the naughty boys and girls at Fox; sweary adult dramas, sexy bits, and scenes of explicit wrist-slapping abound. So now we have this toybox of grown-up content to savour! What to watch? What not to watch? I’ve already started at the most obvious place by diving into some vintage Arnie with Commando, one of the funniest action movies ever made. It did not disappoint.

So where to next? Re-watching semi-forgotten classics, films I’ve not seen in literally decades? Or checking out things that slipped me by (there’s an entire list to be made of “films I read about in Empire in the ‘90s, got really excited about, but never saw”). Do I watch the crappier Die Hard films, or cheesy action movies (er, like Commando, I guess)? Or dive deep into prestige fair? Or just watch Spy Hard for the Weird Al theme tune, practically the only bit of the film I remember? The options are virtually endless.

So that’s what this week’s list is: ten films I intend to watch on Disney+ very flipping soon. Or, y’know, just play Zelda until Falcon starts.

9 to 5 (1980): there was a lot of talk of Dolly around the New Year, and my wife and I even watched a documentary about her. As a result, I had a scoot around to see if it was possible to buy 9 to 5 as a birthday or Valentine’s gift for my better half; it’s a film neither of us have seen in years if not decades, and we’re both big Grace and Frankie fans too. Alas, it’s a difficult film to get a hold of; there doesn’t appear to be a Blu-ray readily available. Praise be, then, that it’s now on Disney+; a terrific comedy film, with a nice bit of feminist bite. I’m not sure if it’ll feel dated or – post-#MeToo – oddly prescient. But I’m really, really looking forward to watching it again.

Crimson Tide (1995): I do love a good tense thriller, and I seem to remember this as being a particularly great tense thriller. This feels like one of those “they don’t make ‘em like this anymore” candidates; a claustrophobic two-hander with no real action, almost a theatrical chamber piece, but made with huge stars and a big-time director (the late, great Tony Scott). I saw it once, on video, when it came out, so it’ll be great to revisit.

The Color of Money (1986): another minor classic that I’ve not seen for decades, and a film I remember even less well than Crimson Tide. It’s cool to revisit (or discover for the first time!) films by great directors, and this is Scorsese we’re talking about. Cruise as a freshly-minted movie star, still taking risks; Newman as a great elder statesman. I’ve genuinely no idea what it’s like, it’s been so long, but I’d love to see it again. Just wish The Hustler was on D+ too!

Quiz Show (1994): I’d mentioned before that there are loads of films from the ‘90s that I read about as an eager young film fan but never saw; this is one of them. An apparently-great drama about corruption at a hugely popular TV show in ‘50s America, with Ralph Fiennes in a very early Hollywood role. I think I’d enjoy it.

Looking for Richard (1996): another of those ‘90s films…! This fascinated me as a teen, and I’d love to see it: a documentary about Richard III, made by Al Pacino, featuring people talking about Shakespeare (got a lot of time for that) and also scenes of the play performed and filmed. It’s a real curio; also weirdly came out around the same time as McKellen’s Richard III. Maybe something was in the water? We’re due another big Rich in my opinion.

Jennifer’s Body (2009): a follow-up from Juno writer Diablo Cody, a horror centred around high school and female sexuality, this has always seemed like it might be a dark, delicious delight; it wasn’t very well received at the time, but has grown in cult status; as has its star, Megan Fox, who I’d argue has not had the easiest time within Hollywood. Anyway, I really like the look of it, and it’ll be cool to check it out.

Tombstone (1993): I love a good Western, and I seem to remember that this is a very good Western. A story of Wyatt Earp that goes beyond the famous gunfight, my memories of this are very vague; I know that there’s a very good Val Kilmer performance as Doc Holliday, and of course Kurt Russell as Earp himself. I might try out that “watch along” feature and watch this, remotely, with my dad.

Romancing the Stone (1984): I probably haven’t seen this since the eighties so I’ve got no idea if it’s really any good, but I do remember enjoying its Indy-inspired adventurism and – in particular – Danny DeVito’s bad guy. Douglas is always great value as a leading man, although from what I’ve since read this is really Kathleen Turner’s show. It’ll be interesting to see if it holds up, but hopefully it’ll be a good stop-gap until they finally get the Indy films up on the service.

Good Morning, Vietnam (1988): another film that I want to revisit, even if I remember it a little better than others on this list. My memory is that it’s utterly fantastic, a really stark look at the realities of Vietnam during the time of the war, and also a phenomenal, very human performance from Williams. Also I remember it being very funny when he does let off some steam (sorry, bit of Commando creeping in there). And really, it’s Williams I want to see again; that earnest, real, pained but beautiful Williams we get in his very best performances. It’s very likely I’ll cry just watching him on screen. God, I miss him.

Independence Day: Resurgence (2016): I needed some crappy sequel to talk about, and here it is. I can’t overstate how much I loved the first Independence Day in ’96, so the (apparent; I’ve not seen it) terribleness of this sequel hit me like a sledgehammer. It can’t be that bad, can it? Is it not at least so-bad-it’s-good? I mean, the trailer made it look atrocious, and it’s killed off Will Smith – the best character! – off-screen, so odds are not good that it’s a hidden gem. But I’ve got to know.

This was actually a pretty tough list, and I had to knock off some films that I’d love to rewatch (Conan the Barbarian, The War of the Roses), as well as stuff like Idiocracy and Office Space that I’ve never seen. Also Kingsman: The Secret Service, which is a fairly recent release that slipped me by, and I’m not sure why I’ve never gotten round to seeing; I blame the kids! Also, there was going to be some xenomorph or xeno-monkey action on here, but frustratingly all the Alien (and Predator!) movies are missing, and the recent Planet of the Apes trilogy – which I’ve also never seen! – is only served by its middle instalment. Yeah, I can watch the seminal ‘60s original again (and I may!) or the indecipherable and strange Tim Burton version, but what about, y’know, the trilogy that everyone raves about? I assume this is due to pre-existing deals keeping the films elsewhere (elusive…), but the sagas of Alien, Predator, and the complete Die Hard package are – I believe – being kept until most profitable (mark my works: Die Hard at Christmas). Anyway, it’s a bit frustrating, that, as I’ve never seen Covenant or The Predator, and I’d love to watch the whole lot from the start anyway.

I guess I can console myself by also watching the one Die Hard film I’ve never seen, namely the critically-acclaimed A Good Day to Die Hard. I mean, I’m assuming it’s critically acclaimed. I guess I’ll find out.

#top ten #movies #disney+#star #films #fox #dolly

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cruddyborderlandstheories · 5 years ago

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Maya?? Maya!!

also Athenas lmao

finally i am free to work on this

boy i sure hope we don’t get more info soon *squints at Amara’s character trailer just around the corner*

tl;dr: athenas. wow. uhhh temple areas with the weird vault-shaped statue things might be a teleportation hub or something like a Stargate cuz, uh… they’re probably not Vaults. i mean. given what we know maybe they are Vaults but not like vaults with important stuff inside, just teleportation vaults. you know what im trying to say? i mean it’s not like the eridians had any spaceships we’ve seen. but they had to get around somehow.

also it’s possible the big temple area we see is on Athenas, is in that giant fucking pyramid in the background that i completely and totally did not notice for the longest time.

i also discuss Maya and her thoughtlock skill (if she gets her powers taken away from her) and if she’s gonna die or not. because she’s got the Cloud Kill legendary (’oh noo she ded’), an apprentice (let’s be real, the cliches aren’t looking great), and she seems to working beside rampagers in that giant temple area (also another reason i think it’s on athenas) and tbh i didn’t see her tattoos in either of those shots (but that could be cuz she’s so smoll). so that’s cool.

oh also the order of the impending storm was probably pretty respectable back in the day, since they can track sirens (maya’s assassin in son of crawmerax), and maybe that’s how maya figured out ava was gonna be a siren even tho she hasn’t manifested her powers yet. and Maya’s probably unearthing all this buried Siren/Vault knowledge and bringing the Academic District back into power while also protecting the Order from Maliwan. who’s still v sus.

wow we have a lot to go over

so to start, im taking a wild guess and saying the temple is on Athenas. why? because we really haven’t gotten a lot of looks at either of those areas too much (compared to promethea and eden-6) and the architecture lines up to me.

also i, an idiot, was all like ‘mannnn Athenas is super mountainy, that’s wild. love it’ and neglected to realize there’s literally a giant fucking pyramid in the background of a lot of shots

on the right

behind the tower

to the right of ava

on the left

so i feel really dumb right now for not noticing this sooner and writing it off as a mountain. It's literally the fuckin Vault symbol like. ~triangles~. i played skyrim i should know what mountains look like when they’re not 1 polygon

either way, if that’s not at least part of the temple, it’s definitely important. somehow.

but let’s talk about the temple. the parts we know.

let’s try to look out the windows of this wild place

see cause this looks like inside a mountain

so my first instinct was eden-6 because we see a volcano on there

i mean im under the assumption this is eden-6???

bc all the plants match up

… maybe there’s more than one temple?

oh god i don’t wanna separate these by temple that’s going to be IMPOSSIBLE

but yeah i guess it’s possible there’s one on Eden-6 and one on Athenas… dear god…

but yeah my first instinct for that was ‘inside a volcano’

possible mountain on the left there

very rocky all around. im assuming this is underground or smth?

it feels like we’re underground

so maybe it’s a thing where it just keeps going further down. iunno.

it’s hard to place exactly where this is going to be because of the whole ‘underground’ thing

the part that’s throwing me off the most is this

because this looks like Pandora bc of Elpis and the rocks

and it looks like we’re walking outside a temple with the same friggen tiles on the floor, which means it is possible that this is The Temple, but you think we’d know about a giant-ass temple just on pandora. especially with the big dig site

but then we see a super similar dig site (supposedly on promethea). so what the HELL

im almost inclined to believe this is some sort of Eridian teleportation system. i know, i know, we have Sanctuary-III so it’s pointless. but… will we always have Sanc-III throughout the story? yada yada orange/gray -> blue/yellow/red markings. you get the dealio by now.

when taken by the cult or smth.

idk it’s possible we won’t have sanc-III for the entire game (just like normal sanctuary in bl2, in that we’ll get it back eventually (or ill kill someone for taking my room decorations)) and then we’ll have to use this wicked eridian tech to move between planets with these gateways. sort of like a stargate…

this thing is a stargate. I’ll call back to this in a hot second.

what kinda shit am i tripping on? i don’t really know. but given how it seems like these temples could be on ANY of the planets we see, im trying to figure out wtf the connection could be.

and give me this: we have never actually seen an eridian spacecraft, but we know they’ve traveled across the galaxy, putting vaults on different places. how in the fuck could they have done that if, you know, they didn’t have spaceships to travel through… space?

well we know they have the power of teleportation down pat. i mean down so hard they were able to create a ‘teleportation gland’ that allowed a giant vault monster to teleport at will. (now im wondering if lilith has one… hm.)

this blue thing (which… is the same color as siren stuff. okay. im sorry. i won’t get off topic this time. but it’s stewing in my gray matter)

and given that we know all the (okay, we only know for certain some) vaults open up into this other dimension (space place), would it be so hard to believe that they’re created links between planets using this dimension? i just… something isn’t right here and this seems like the most logical solution.

take a look at Eleseer. look at all those holograms of labeled planets. of galaxies and stars in the distance. it’s possible eleseer is like the Hub for this teleportation system (explaining why it’s always open) and explaining why it’s got all those weird planet holograms sitting around. could also explain why Moon = Key.

These aren’t Vaults, they wouldn’t show up on the Vault Map- explaining why we never saw this one on Pandora- these are like… gateways or something, iunno. name pending until sept. 13th i guess.

so why tf am i going off about this on a post about maya and athenas?

because i think athenas has a gateway in it too

yeah you should recognize that thing in the background!

that’s this place!!! from the behind closed doors demo!!

and it still

doesn’t look like a vault to me

it’s intact (also it looks like stairs…). all the Vaults we’ve seen are 100% not intact. they’re all chunky and in pieces (we’re gonna ignore eleseer and uhhhh all that business right now, but even thinking about how the sentinel tried to emulate a vault by spawning it in chunks and THEN assembling it)

chunky

im just saying there has to be a reason these vault-like shapes are intact. they’re either just statues/monuments or they have a purpose.

so why tf am i convinced they have a purpose?

bc we’ve seen one light up

taken straight from the void itself (seriously it’s like a gradient back there. which is weird.)

so there’s gotta be a reason it does this right? and if it’s not a Vault, because it’s on Pandora and the Crimson Raiders would have seen it on the Vault Map, then what the fuck is it?

welllllllll i just don’t know. but my best guess right now is some sort of teleportation system to travel between planets. if there are ‘temples’ on every planet then it would make sense that there is some way for eridians to travel btwn them.

personally i think there’s one on eden-6 (maybe in that volcano area??) and one on Athenas (cause we really haven’t seen a lot of athenas yet and… i dunno i just have a feeling). and there’s apparently one on Pandora (given we see it with elpis in the background) and possibly one on Promethea. i don’t know what that instagram video was trying to imply. i don’t wanna think too hard about it right now my brain hurts enough already as it is.

but uhhh i was gonna talk more about athenas than this

i promise this is gonna lead into maya

the academic district, with a Vault symbol on the door, to boot.

so this place is really interesting to me for a lot of reasons.

1. that vault symbol on the door

2. they’re flying flags with the vault symbol on it

3. giant pyramid in the back

it’s staggeringly huge

4. they have siren tattoos on the building in the back there. specifically, amara’s tattoos

yeah. maybe this is Partali? a smaller area on Athenas, like Meridian is a city on Promethea, and this is Amara’s way of tagging her presence/an area under her protection as the Tiger

more shots of Athenas from the amd horizons e3 stream

it’s a very pretty planet

so if anything, this is the place we’re going to go to learn about Sirens.

and i don’t know how much the Order of the Impending Storm actually KNOWS about Sirens, because all we know about them from maya’s backstory is that they were assholes and using maya to keep the people scared and giving them money

also that they knew how to track sirens

that’s probably important…

“Maya, you’ll like this next dude. He’s a Siren tracker named Mordo Sophis, Father of Brother Stephen Sophis, that dude you ganked back on Athenas. And boy, oh boy, is he just itching for vengeance.”

who isn’t, mr. mordo, sir? get in line

anyway apparently the Order knows how to track Sirens. Which could explain how Maya has a Siren apprentice when Ava uhhh apparently hasn’t manifested her powers (or tattoos) yet. might also explain how they got their hands on Maya when she was a baby. cuz yeah… i got the feeling they stole her and killed her parents… just a feeling.

y’know if tannis didn’t kill that siren tracker dude maybe she could’ve learned something from him first. that could’ve been interesting.

anyway, idk. maybe at one point the Order was respectable and, like, didn’t force people into giving them money by using sirens as a scare tactic.

it looks like they have/had an academic district (which im sure maya is helping cultivate) focused on Sirens/Vaults.

and there’s a lot of importance on books this game

seriously

apparently

there’s

lot.

but let’s get back to this in a minute, because i do wanna talk about the name of the Order.

it’s full name is the Order of the Impending Storm.

I know while writing bl2 they probably didn’t know that they were gonna be building towards a war in tps, but it’s still interesting that they decided to bring them back into play now. because they 100% could have just left them as a background monastery that Maya came from and have maya refuse to return/start her own organization. but they made her specifically return there.

so does their name have significance now? i’d be willing to bet a yes. I mean, war is coming. Impending Storm sounds like it’d be a pretty fitting name for an organization that knew this. Especially because according to Maya’s cosplay guide, they worshipped her like a God (seriously lol are all Sirens worshipped as minor deities? most people know Sirens are Sirens right? like just people with magic powers..? hmmm)

And if Maya returned to learn more about Sirens, then isn’t it implied that the Order did, in fact, know more about Sirens than Maya did? hell, maybe even Tannis…

especially if the temple or eridian ruins are nearby. Say… In this giant pyramid…

so this doesn’t fit in with the aesthetic of Athenas at all. it’s almost like those are caution colors on the bottom strip there. warning you to not go inside. i don’t know if this was built by the eridians or by whoever is on Athenas to keep whatever’s inside… inside (cough Rampagers cough)

either way that pyramid is FUCKING HUGE

seriously, just compared to the academic district, it’s insanely big (that is the BASE in the background)

also guess who just realized this would be a hilarious joke by gearbox

to have pyramids built by ancient aliens. oh, you.

also, side note, there’s a crew challenge for moxxi in the academic district

i just have no idea how we’re getting up there…

oh but the Order. yeah i get the feeling they know A LOT about Sirens/Eridians. maybe even what’s about to go down. but maybe a majority of that was lost in the archives when some corrupts assholes came into power. and now Maya returned and is slowly but surely unarchiving everything we need to know about Sirens.

perhapith this book has some Siren-y knowledge within it? from someone who went into the temple on Athenas and… never came back out.

and I would bet Maya is waging war against Maliwan at the same time as she’s uncovering all this buried info (protecting the Order) because Maliwan is trying to get this info as well.

Seriously, anyone else notice Maliwan is SPREADING?? They’re not just on Promethea. they’re on Eden-6. They’re on Athenas. They’re even fuckin on Pandora in some trailers (although I would not trust any trailer with roses at this point. something’s really fucky. I will make a seperate post about that i think, once we get Amara’s and Fl4k’s trailers). I’m really suspicious that Maliwan has either joined the cult, or they’re going to become the main villains. which, y’know, given corporations are the big bad in borderlands always… that seems about right.

I wouldn’t even be surprised if Maya/the Order knows something about the Children of the Vault. Given that one pic of her holding a book with the CoV symbol on it.

that she seems to be passing on to Ava

I dunno. I don’t think Children of the Vault is a name that the cultists/Calypsos just HAPPENED to come up with. And I still don’t think that the broadcast easter egg is from the Calypsos. it doesn’t make sense. I know I went over this in-depth in the Promethea post but god damn it im going to do it again because i feel so strongly about this.

i feel like the cult stumbled upon this name and decided to adopt it as their own. or tried revive an old cult with the same name. and if they didn’t, why in the hell does the message say ‘Do Not Open the Vaults’? How do the twins know about Tannis by name?

i mean, okay, granted we don’t know exactly how she fixed the Vault Map and it could be that the twins know how she did it. Because I still haven’t been able to place that one shot of them walking outside the Recruitment Center

this one

and we know tannis fixes (??) the Vault Map in the recruitment center, so, maybe they saw it happen or there’s some sort of record in the vault map? that shows her fixing it and when they get to Promethea they send out that message?

i meannn she seems pretty surprised it’s functioning, herself.

so maybe they come while/after tannis fixes the key/map to get it back and Lilith like alright everyone let’s book it to Ellie’s garage with the Map. she’ll help us get to Sanc-III.

and in that they see that she’s able to fix it (possibly with weird Siren/Destroyer/Slag/pickurpoison powers) and that’s how they know Tannis is not what she seems.

and maybe the twins just don’t want their cultists opening the vaults because they want to be the ones to open it.

Sure

BUT that’s boring sauce to theorize about because it’s all just there. I’m still partial to the idea that Children of the Vault is actually referring to Sirens tho. It would explain why Maya has a book with the symbol for the CoV on it and is offering it to Ava. Because why would Ava need a book about the Calypsos? who would WRITE a book about the Calypsos?? and make it look THAT old? like… c’mon.

At the very least, it’s an old name for a cult that got revived by the Calypso twins.

At the most, it’s the name for Sirens.

Or it’s the symbol for the Order of the Impending Storm, back when they were respectable. tho you think we’d see maya wearing the symbol somewhere in bl2, so maybe not. unless she took it off her clothes because they had her try to kill unarmed civilians.

I mean, why is the cult’s symbol the Vault symbol upside down, anyway? We know that the symbol for the Vaults in Eridian is the upside-down V in a circle, because Tannis tells us so in bl1. So why would a cult of people who believe the Vaults to be their birthright go around slapping what is essentially the opposite symbol everywhere?

i personally wouldn’t be surprised if that’s the symbol for Siren or something, given how closely intertwined they both seem to be to that alternate dimension.

regardless. let’s keep going

so let’s talk about Maya’s fate in BL3. Is she gonna die? is she not gonna die? i dunno. let’s discuss.

i personally would not be surprised if she does, but i’d be a little disappointed regardless. if any Siren is gonna die… Lilith is going to finish her character arc this game. not that I want her to die, but still. I get that they gotta keep the Siren cycle going.

sooo one big point in the ‘maya dies’ category:

“Oh noo she ded” i mean. that’s just mean, gearbox.

of course we don’t know if that’s talking specifically about Maya, could be talking about Tyreen, or a miniboss, or something. but i do think it’s interesting that it’s on maya’s legendary. plus uhhh given we had a death out of Roland in BL2, and in TPS 2 of those VHs died as well, I think it’s a given at least one BL2 VH isn’t gonna live to see the end of 3. as much as that actually physically pains me to type.

And… to tip the scales further to Maya, Zer0 has crew challenges, which probably means they won’t be biting the dust anytime soon, unless you wanna completely ruin doing all the crew challenges by beating the game before doing the assassination quests. which doesn’t seem like something they’re keen on doing, if Roland giving out side quests had anything to say about it. Of course there’s always the argument that someone will take over Zer0′s crew challenges if they die, but… who would? Rhys? maybe. i get the feeling he might be too busy with Atlas though. Lorelei..? … i don’t know her well enough to make a statement on that.

taken from K6′s awesome legendary loot vid

Back to the legendary. we know it’s hers based off the name ‘Cloud Kill’, which is one of her best skills (after the buff lol). It’s a corrosive only Maliwan smg (as far as i can tell. it doesn’t look like there’s the option to swap elements. so it’s cool to know uniques might throw out their manufacturer’s alternate firing modes). i’m gonna take a guess and say it mimics cloud kill by spawning a cloud on top of enemies that are shot with it. that could clean out an entire room in seconds, especially on Amara with Phasegrasp.

anyway i got more

so Ava is Maya’s apprentice, hmmmm?

well i dunno about you guys but whenever a character gets an apprentice/kid/whatever, it’s not good news for the character. and given that borderlands definitely doesn’t need children to keep the premise fresh, I’m a bit worried for Maya.

Ava must be important to the main story, or they could’ve taken her out or put Gaige in. The devs themselves said they only wanted to bring in characters that they knew had significant importance to the plot and so that characters wouldn’t feel shoehorned in.

so there’s a few ways things can go down with Ava, using apprentice stereotypes:

1) She takes over after Maya dies/has her powers stolen/is brainwashed and helps us bring Maya back by proving herself using the stuff she learned from Maya (or, the stuff she taught herself that Maya said wasn’t important)

1b) she inherits Maya’s powers and Maya trains her in the way of Phaselock

possibly maya handing over her class mod or smth

2) she’s evil and the cult is using her to get info and secretly hates maya or whatever

Given Ava is like… 12… I wanna believe she’s not evil. of course we don’t actually know if she’s 12 cause apparently the Siren lore got messed up knowing Angel had her powers manifest at 5. but that’s not canon until mentioned in-game, so fuck it: let’s believe Ava is 12 and not evil and is just Maya’s kickass Siren apprentice.

The apprentice Maya was able to find because the Order knew how to track Sirens/determine if someone is going to exhibit Siren powers.

yes, let’s go with that.

So… what’s gonna happen to Maya, then?

I personally believe she’s going to have her powers stolen and used against her. One major part of her powers is that she’s able to ‘Thoughtlock’, which basically brainwashes an enemy to fight for her.

That sounds like it would be insanely powerful in the hands of the Calypso twins, especially since Maya has gotten more powerful since bl2, and tbh I can’t see them wanting to pass it up. Of course it could also be story-breaking, but let’s say they can only have one person ever Thoughtlock-ed at a time and suddenly it’s a lot less troublesome.

so this scene makes me do a big thonk

(also, another reason im thinking this temple area is on Athenas is bc Maya’s there! plus there are triangles everywhere. Triangles… pyramids… iunno. just spitballing)

also idk if this is just cause she’s super teeny-tiny buuuut

im worried i can’t see maya’s tattoos

she’s also entirely focused on the player instead of… oh, idk, the giant rampager right next to her

and idk it looks almost like she’s holding a gun and aiming it at us?

which hey, i wouldn’t jump to conclusions right away because she does have a skill that allows her to heal allies by shooting them

but also… if she doesn’t have her siren powers, then that’d just be like… regular shooting, wouldn’t it? and if she DOES have her Siren powers, why in the hell is she not using them on the giant monster right next to her???

we see her again in the background of this shot

again… tattoos not 100% clear.

she also seems to be taking radiation damage from the rampager! which is good. but also she doesn’t seem to care that much about it.

we can also see her gun here

sorry it was kinda being obscured by the youtube progress bar

but uhhh it’s not looking good.

boy i really hope Maya doesn’t die

we also know it was hinted that Krieg might be making a return! from his voice actor’s twitter:

tho, he also soon made a tweet after that was all like “this doesn’t confirm nor deny that krieg is returning” which, yeah i get that.

either way, if Krieg is coming back, it’d be interesting to see what goes down with him, especially if Maya dies. or even if Maya’s ‘just’ in trouble, I could see him going absolutely apeshit.

maybe krieg will sacrifice himself to save maya, somehow. maybe he’s have a moment of pure lucidity and save her. maybe she’ll die and he’ll lose his mind and become a boss battle. maybe she’ll save him and they’ll live happily ever after ;w; who knows~

maybe ava will have heard about Krieg through Maya and will go to get him to try and help save her. that’d be really interesting to see- krieg smashing through a wall with Ava riding on his shoulder lol

anyway, holy shit im exhausted. i gotta wrap this up because it’s like 1am and i’ve been working on this post for like… 3 days straight now. ech.

if maya does die, it would be interesting to see is Ava inherits her powers after we kill the Calypsos. like, would the powers try to go back to their original host? would they see she’s dead and just find another Siren to give the powers to? i wonder if maya dying/being about to die would be enough of a traumatic experience for ava to unlock her siren powers.

ohh it’d be cool if Ava unlocked her siren powers and used them to save Maya from the cult/brainwashing/whatves

alright. im tired lmao

good night.

#borderlands #bl3 #borderlands 3 #maya #ava #the order of the impending storm

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moomingitz · 6 years ago

Note

so why do you think Sonic X was the exception to being screwed over when it originally aired?

First thing I need to get out of way before I go any further. This really only just applies to when it comes to the states and other parts of the more Western world. Sonic was always more popular and more successful in the states and more western regions than the franchise ever was in it’s home country. The franchise still does have fans over in Japan, but apparently it’s more on a dedicated cult fan base kind of status. On top of the animation industry in Japan already being really cut throat and over saturated, and apparently “furry” things in general weren’t as popular with the average Japanese audiance back then(unless you were Disney), Sonic X didn’t exactly do that well in terms of ratings in Japan. After all, the show’s success overseas is the reason why a third season was ordered, despite how it was originally supposed to end at two seasons.

And I think it sucks, because I actually liked seeing a take on Sonic that wasn’t meant to appeal or even pander to a more Western audience for once- especially when the more Western side of the Sonic fandom tends to be more insufferably entitled. I still feel like Sonic X is one of the most genuine and least cynical Sonic adaptations even now.(As long as you’re watching the original Japanese dub, at least. And Chris and Cosmo are good characters, fight me!)

Now that I got that out of the way, I have three major assumptions on why, I at least, think Sonic X was lucky to not be fucked over by a TV network when it was localized outside of Japan, unlike the other Sonic TV series. Again, this is just based on my personal observation, here.

- In terms of modern Sonic, it was during the peak of not only it’s popularity, but good enough public opinion of at least the video games outside of the fandom itself. This was after Sonic Adventure 2 and before Sonic Heroes was released, and based on what I was seeing at the time, it was right before the Sonic fandom started to fully become a miserable fuckheap. There was still the whole thing between Western and Japanese Sonic continuity purists, and shippers butting heads here and there, but things were going to start getting pretty ugly soon. And yes, there were still the gaming “journalists” who had that whole, “SONIC SUCKS NOW HE’S 3D, BRING HIM BACK TO HIS ROOTS”, viewpoint, but again, it still was nowhere as bad as it would eventually become when Sonic 06 came around. Saying you unironically liked Sonic was not something you were going to be immediately shamed into hiding at that point.

Sonic X was basically made at the right time. The Sonic franchise had not only a now established fan base that was at the time sustainable enough, unlike when the former DIC cartoons originally aired, but it helped that it was loosely based off of Sonic Adventure 1 and 2, games that were still fresh in people’s minds.

- It was licensed by 4Kids Entertainment and their subsidiaries when it was localized outside of Japan.(At least in most regions it appeared so.) Say what you want about the now defunct 4Kids’ dubbing and localization practices, especially when it came to censorship, but they usually knew how to market things, or they knew when they had something lucrative on their hands. Even if I do think the English dub of Sonic X is not good and I would not recommend watching it, especially watching it now, it’s still one of the anime series that got better treatment from the company’s infamous edits and censorship- even if certain deaths(Molly and Cosmo) were flat out censored. The fact that none of the episodes from Sonic X were outright cut from airing when it was localized says a good deal about it. Keep in mind, episodes being cut from airing on TV, due to content that not even censorship could take care of, was the norm back then with airing anime on mainstream TV.(Unless a series aired on Adult Swim. But even Adult Swim wasn’t fully immune to having to edit or censor things in certain cases.)

Not only did 4Kids Entertainment usually knew what they were doing when it came to advertising or marketing their dubs or series they localized, but they had something that I think was the most important part of Sonic X’s longevity.

- 4Kids Entertainment not only aired the shows they brought over on more local channels, but they also would have their own special programming blocks to air on Saturday mornings. I think these really helped the show’s ratings in at least the states for two major reasons.

Having Sonic X, and their other shows, air on more local channels, unlike a major cable network, made it much more accessible for their target audience to watch, because even back then not everyone could afford cable or satellite. If you had the right TV, and the right self-made shit kicker metal clothes hanger antenna, you would still be able to watch Sonic X on Saturday mornings, when things were still analog back in the early 2000′s. That’s how I was able to watch re-runs of Pokemon and The Simpsons during my pre-teen and early teen years, without having to fight over using the main family TV.

The most important part I see in all of this, however: 4Kids having their own block to air their shows during Saturday mornings appeared to have given them more control over which time slots to give their shows. As someone who watched Sonic X when it first aired over here in the states, it always had a good release schedule, it didn’t have a super early god awful time slot(I remember it tended to air 9AM-10AM), and whatever hiatuses it would have were the typical spring and summer ones. It had a consistent airing schedule, it’s time slot was never fucked around with to my knowledge, and I knew when and where it was going to air.

Past Sonic TV series, and Sonic Boom, have not been lucky when it came to that. Sonic SatAm was apparently given a bad time slot during it’s initial airing, and it had the misfortune of having to compete with then brand new Power Rangers and the network itself apparently wanted the show dead- not to mention the Sonic franchise and the fandom itself was still in it’s infancy at the time. AoSTH was apparently produced to be aired in syndication, so it’s not like where and when the show would air was that consistent over the years anyway. Sonic Underground originally aired on a channel I’ve never even heard of back then. And oh, Sonic Boom. Poor, poor Sonic Boom was done real dirty by both Cartoon and Sega. If the other Sonic TV series weren’t made to air in syndication, then they had the misfortune of being at the mercy of a major television network who may have at the most viewed them as the red headed step-child who was shoved into the back of the living room and ignored.

For better or for worse, 4Kids Entertainment at least appeared to be the only ones who were smart enough to realize they had something lucrative on their hands when they got the rights to Sonic X. Sonic X even aired in constant, endless re-runs long after season 3 finished it’s initial airing out here in the states. The endless re-runs continued even after 4Kids had lost the license to the show. Hell, the re-runs went on up until right before Sonic Boom premiered in late 2014, over a decade after Sonic X first aired in the states. And that only happened because Sonic X was one of the very last hold-outs of what we consider a traditional morning cartoon airing on more local TV stations! The Sonic X re-runs only stopped because Saturday cartoon airings on more local stations had finally breathed it’s last breath.—–

Of course, all of this is based on speculation. Speculation based on what I’ve observed and remember back then, but speculation none the less. I’m also speaking from the perspective as someone who grew up in the US, and the show’s airing history at least out here, so I’m sure it was a different story in other countries or regions.

#Sonic the Hedgehog #Sonic #Sonic X #animation #anime #opinions #unpopular opinions #asks

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doktorocelot · 6 years ago

Text

Google Pixel 3 XL Review

The Beginning

The Google Pixel is a phone series with a cult following. It's beloved for its smooth, light stock Android experience. However, I've been hearing some major controversy about Pixel 3. My carrier has been AT&T my entire life, and they don't natively carry the Pixel; I'd have to buy it unlocked. So, I skipped on the Pixel 1 and went for a Samsung Galaxy S8+.

Unfortunately, I carelessly dropped the phone on its curved edge and completely shattered the screen. I was devastated, but the phone was nearing the end of the two-year cycle. I've used a few phones in my day: the iPhone 3GS, iPhone 5, Samsung Galaxy S6, Samsung Galaxy S8+ and Google Pixel 3XL. However, as a child/teenager, I didn't have to pay for my own phone, and I was very thankful to be lucky enough to receive this technology. After shattering the Galaxy S8+, I didn't have the selfishness ask my parents to buy a new phone for me; therefore, I had to make a decision on what to do next.

I considered my options. Since I wanted to purchase my own phone, I wasn't limited to what my carrier provided. This was my chance to buy a Pixel! So I went on the Google Store, full of excitement until I noticed something. A Pixel 3 started at $799! That's quite expensive for a stock Android phone; there's the Essential Phone, which starts at $499, and the OnePlus 6T, which starts at $549. I needed to figure out what the Pixel 3 had over these other phones, and some would tell you it's not worth the extra money.

I did some more research and found out that Pixel phones were indeed the first to receive Android updates; if I bought a Pixel 3, I, assumably, would experience Android 9, 10 and 11 throughout the phone's lifespan. This is huge for a software nerd like myself, and that's the deal with the Pixel phones: you're paying more for the software than the hardware. However, I don't care about how good the software is, because the prices of the Pixel phones are gross. Google had a massive chance to undercut the competition by pricing this phone lower and attract more customers, but they didn't. As a result, many people who considered the phone won't buy it because it's too expensive.

Regardless, after all of the research I did, I decided I was going to try something new, and I bought a Google Pixel 3 XL. I went with Google Store Financing, so I'll be paying for this phone for two years. I've had it for about a month and a half now, so I'm going to review the handset based on that time.

The First Impression

The packaging is premium, but I don't fucking care. I don't buy a mobile for the packaging, so I unboxed the phone and set the deluxe packaging aside, never to be seen again. The naked phone looks really good; I really like Google's two-tone style, but there's wasted opportunity with that, which I'll get into later. Anyway, I decided to put the phone into a case immediately because I can't afford to break this one, and since there isn't a curved screen, it shouldn't instantly shatter if I drop it.

The phone's setup was easy, as expected, and worked instantly with the AT&T sim card I put into it. It even came with an ejection tool, which Apple should take notes from. It also came with a headphone dongle — as there is no headphone jack — something that Apple should take notes from. Included was a charging cable with a fast-charging brick, something Apple should take notes from. At this point, some of you may be getting annoyed by my comparing the included accessories to Apple, but you've got to remember: the iPhone X🅂 starts at $999. While I still believe the Pixel 3 and 3 XL are unbelievably priced, at least they give you a damned 3.5mm audio to USB Type-C and fast charging brick.

The phone also came with a set of wired USB Type-C headphones, and these things are super weird. In short, I personally don't like them, but some people do. My favourite earbuds are still Samsung OEM buds because they're very comfortable and sound great. However, I give props to Google for including a nice set of USB Type-C headphones, even if I personally find them uncomfortable.

The Elephant in the Room

I just need to get to this as soon as possible, because I really don't even want to write about it. Everybody's been talking about it, but in case you haven't noticed, the Google Pixel 3 XL has a display cutout. The notch at the top of the screen has been the talking point of many sad people who ride on controversy for views and revenue, including someone who made a five and a half minute video about it. In this video, they whine about a design on a phone they don't have to buy and then are confused why the developer options have different settings for different possible cutouts. Maybe it's for developers to test how their app works on different phones, dude. They also said that Google never justified the notch, even though the phone has dual speakers and dual front-facing cameras.

If you're like me and happen to be an adult, you'll quickly find that the notch doesn't really matter. I'm speaking for myself, but when I use my smartphone, I tend to look at the part of the phone that is the screen, not the part that isn't. Regardless, while it isn't intended for consumer use, you can use the developer options to disable the notch get a more traditional look if you desire to buy a phone with the extra screen and then not use it. However, then I hear people complain that they're losing the screen real estate when they do that. At this point, I needed to take a second to double take because I thought they didn't want the screen there. No, apparently, they want the notch area to be black, so it looks like there isn't a notch, but it still puts the status bar there. This isn't a native option in Pixel phones, but I'm just hoping Google adds this feature so they can shut up about it. Alternatively, there’s an app that does this. If you don't want the notch, you could always buy the Pixel 3, which exists. I'm telling you, though, Pixel 3 XL owners usually don't care about it.

The Screen

Now that I've finally written about the part that isn't the screen, I'll write about the screen. This is the part where I get really annoyed because the Pixel 3 XL's screen has been undergoing two bits of misinformation; I need to address these. First, a lot of people have been saying that the Pixel 3 XL is using a P-OLED screen, instead of an AMOLED screen. This incorrect assumption has led to reviewers' arbitrarily saying the screen is worse because the letters of its name are different from AMOLED. For example, there's a video from the channel, 'Learn How To Edit Stuff', where he proceeds to use a bunch of jumpcuts to get to a point where he says that he liked the iPhone's AMOLED screen better than a P-OLED display. This is such a sad example of a placebo because the Pixel 3 XL uses a Samsung AMOLED screen. This was according to a teardown of the device:

In the name of science, we opt to dismantle our display to learn from whence it came…It's a Samsung! Rumors were all over the place, but it looks like Google is going with Samsung's trusty AMOLED panels this year.

-iFixit (Source)

The Pixel 3 — you know, the small version that exists — is the one that uses a P-OLED display. I'm not sure why Google used two different screens, but whatever.

The second 'issue' I've seen going around is the display's brightness. In fact, I've seen a lot of people say that the screen is too dim. They mention how, on other phones, they keep their brightness at around 50%, but on the Google Pixel 3, they have to set it to approximately 80%, thus killing the battery life. A dim screen would really be a dealbreaker for me… but you know, it's funny; if I were to drop a considerable amount of money a phone that I'm going to use for the next two years, and I had an issue with it, I'd be sure to research it to get more information, rather than just claiming it as an issue and move on. Here's the truth: Android 9 changed the brightness slider completely. The Android developers changed it from a linear scale to a new scale that complements the human's perception of brightness. As a result, what was at 50% is now at around 80% because the slider now appears to work smoothly. The battery won't drain faster because the number is higher than before since the brightness is the exact fucking same.

The Problems

Let me break up this Google-jizzing attitude to explain that this phone, like every other phone, is not perfect. I'm going to put the negatives that I experienced because I want to be fair with this phone. However, do understand that I still find that the upsides heavily outweigh the downsides.

I've personally been having issues with the fingerprint reader. Sometimes, it just won't recognise my fingerprint at all, no matter how much I wipe down both ends. However, other reviewers have said that the fingerprint reader works every time so your mileage may vary.

The Android 9 gesture navigation has really grown on me, but there's one problem I have with it. If you swipe up from the bottom, you get to the recent apps page. If you swipe up again, you get to the app drawer. Supposedly, if you long swipe, you can get instantly to the app drawer, but I find this very difficult to do quickly. I feel like I have to bring my finger up the entire screen slowly to get it to work, and it just really breaks the flow for me.

For some reason, when I watch YouTube videos, the equalisation of the audio varies. Sometimes, I'll get bass-boosted sound when I start the video, but if I skip around the video, the equalisation randomly changes to have more treble. I don't know why it does that, and I can't seem to find anything about it online.

These are some of the minor issues I've been having, but nothing so far has really stuck out to me as significant. So far, my experience with this phone has been pretty solid, and I'm really enjoying it.

The UI

Remember, I was on a Samsung phone before they had One UI, so the change to stock Android was really drastic. Instantly, I felt like the whole phone was just prettier and smoother. The UI was flat, beautiful and, dare I say, gradient-free! I've always had a soft spot for Material Design, so it was finally nice to have my phone be using it for almost everything.

The Pixel launcher is really lovely, too. It's snappy and easy to use. The Google feed to the left is handy, and I appreciate the choice to put a Google search bar at the bottom for easy access. The top of the launcher shows the time and weather, and when a calendar event is coming up, it shows that event and the time remaining until it occurs.

The Not Bloated System

I love the fact that this phone doesn't come with stuff I don't need. In fact, it was the biggest reason I wanted this phone. Yes, I know rooting exists, but I didn't want to do it. This phone comes with the bare essentials, and gone are the days of having two calendar apps because Samsung insists that I use theirs, even though it's shit. I don't have to hide apps anymore with a third-party launcher. Some people say it's weird to brag about fewer features, but in this case, less is more. If I want an app, I'll go to the Play Store and grab it.

The Missed Opportunity

I need to go back to the negatives because I want to talk about something important. Many people may laugh at Energizer's hyperthick phone, but I think it's crucial for smartphone companies to start experimenting with more innovation. This is where Google's two-tone design can be taken advantage of: it's perfect for adding a user-replaceable battery. The Samsung Galaxy S5 showed that it's possible to have a water-resistant phone with a user-removable battery so this could have been Google's chance to add in a great feature that a lot of people miss. If they did that, as well as cut the price down a bit, then I think a lot more people would have a higher interest in buying this phone.

The Conclusion

I didn't go into every little detail about the phone, but I just wanted to give a general review a few things and also to refute some arguments against the phone. There's the big question which asks 'should I buy the Google Pixel 3?' The truth, however, is something I haven't heard any other reviewer say: I don't know what you want. You know what you want. If you're looking to buy a phone, you need to weigh all of the pros and cons of the phones and see which one works for you.

For example, a Pixel 3 doesn't have expandable memory, but if you don't care about that, then it isn't going to bother you. The other bit of the reality is that many of the big tech reviewers switch phones every two weeks or so. Average consumers like you and me usually keep their phones for a minimum of two years. We buy the phone, look at it and say 'this is going to be my smartphone for the next two years or so', and that really changes perspective. Things take time to grow on you, and the Pixel 3 XL really grew on me. Thank you all for reading, and I hope you have a wonderful week!

#review #google #google pixel #phone review #pixel 3 #long reads

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allisonswrittenwords · 6 years ago

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We’re one day closer to Mother’s Day, and that means one more crazy mother movie trailer!

Yesterday, hell hath no fury like a Joan Crawford scorned. Beneath her overly made-up visage was a wire hanger-beating, alcohol-fueled angry lady. Her daughter wrote all about it in a 1977 memoir, which promptly became a 1981 film that, despite being hugely successful, is considered a cult classic.

Today’s film has received the same prestige, but not the same kind of box office success. And while the movie tried to pass itself off as a biopic (if you’ve seen it, you’d understand), it really wasn’t.

The year is 1994, the Suburban Crazy Mom is Kathleen Turner’s Beverly Sutphin, and the film…is Serial Mom!

So, if you haven’t seen this film before…

Beverly Sutphin is your picturesque suburban mom – dentist husband (much like his appearance in that Robot Insurance Policy ad on Saturday Night Live, it still baffles me that Sam Waterston played this part), two teenage children, bird enthusiast, recycler, good neighbor.

But beneath that perfectly set visage is a woman who kills anyone who merely inconveniences her…or flat out wrongs her.

Recycle…or else!

Oh, and did I mention she likes Barry Manilow’s song”Daybreak”? Because apparently this is the kind of song an unsuspecting serial killer would like.

But don’t take my word for it…check out the trailer!

youtube

Upload via 3DollarBillCinema

Serial Mom was released on April 13, 1994, and received mixed to positive reviews. It was a commercial failure, but has attained a cult status not unlike John Waters’ other films, with the same mainstream look that his other films from around this time had.

Kathleen Turner was one of several women considered for the role – John Waters had suggested Meryl Streep, Kathy Bates, and Glenn Close, but ultimately, the role went to Kathleen Turner. Any one of those castings would have been interesting. Don’t get me wrong, Turner was incredible in the role, but can you imagine of Meryl Streep or Glenn Close played Beverly?

Like Mommie Dearest, my mom absolutely hates this movie. Of course, my dad likes it (no surprise there!). I first saw this movie in the late 1990s on HBO – I loved the bizarre story of a suburban housewife with a killer instinct even as a teenager. My brother actually has the original DVD print (the HBO Home Video version, which is long out of print) sitting on his DVD shelf in his house.

So two days, two crazy mothers, and the hope that your mom is not these moms!

My mom definitely is not, though she does like Barry Manilow music…

That means nothing, people!

Anyway, have a fantastic Flashback Friday, a great weekend, and Happy Mother’s Day to all the moms out there! Thanks for going the extra mile for us kids.

Just don’t go this kind of extra mile, don’t want to look crazy, do you?

Continuing with this week's theme of "crazy mothers," let's look at the comedic side of the genre, with 1994's "Serial Mom"! We're one day closer to Mother's Day, and that means one more crazy mother movie trailer!

#FlashbackFriday #1994 #John Waters #Kathleen Turner #Serial Mom (1994 Movie)

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phenyxsnest · 8 years ago

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Robbie the Reluctant Role Model

Based on a request for Robbie/twin interactions with Robbie as the world’s most reluctant role model.

On AO3 // On FF.net

Robbie Valentino and the Pines family had a somewhat complicated relationship.

They could stand each other, which was an improvement, but there was baggage on both sides.

So in general, they avoided each other. Or at least, Robbie avoided the sister, since the brother wasn't exactly...around all the time. He'd never admit it, but a lot of that was guilt, for how he and Dipper had felt about each other while Dipper had been...had been human.

Until Wendy read him the riot act.

That wouldn't have been enough except, well, Wendy was right, and he was treating the currently sixteen year old Mabel a lot like the people back in Piedmont had, and it took about five seconds of watching her after Wendy had yanked his head back out of his ass to realize it hurt the kid.

And maybe Robbie felt just a little bit guilty. Fine, the kids had been, well, kids when all the personal biz went down, and he was being silly for holding a grudge. Mabel had always been kind of okay, if a bit too loud and rainbow for him. And she'd really gone out of her way to set him up with Tambry...

Ugh. Growing up was the worst. He had to, like, care about other people's feelings now. Or at least he had to or be the asshole, and be self aware enough now to realize he was being one.

Wendy was picking the twins up from school – or to be more precise, she was picking Mabel up, and apparently Dipper was joining Mabel outside the gates to ride back with her.

And for some reason, she was dragging Robbie along. Something about “You can't keep avoiding them, man. You're either there for them, and one of us, or you're not, but you can't keep wavering on it like this.”

Robbie sure hoped the others, Nate and Lee and Tambry and Thompson, had gotten the lecture too, or he was...well, he'd probably sulk a bit at least. They weren't exactly being Wendy levels of friendly either, since they were pretty uncomfortable about how to handle Dipper's new status.

Getting better, he guessed, but not really comfortable yet. Mostly because it was so dang hard to talk to the kid now and everything had to go through Mabel, but things were still kind of awkward. Better than the kids had been dealing with back in Piedmont though. At least here, the discomfort was because they couldn't tell where Dipper was or talk to him, not because of what he was now.

Okay, there was a little discomfort over that, but damned if they were going to let the kids see that.

“Ah, man, really?” Wendy said as they pulled up to the school.

Robbie looked over and saw Brad and Carl Corbett, kids he recognized because their older brother had tried to cause trouble for him and Wendy when they were back in school, give Mabel a shove from behind.

Her books fell, and though she was immediately in fighting stance, ready to go, Robbie could see the face she made when the books fell, that on the edge of tears look he'd seen a time or two when they'd all thought her brother was gone but she'd been trying to be strong. That look of someone who's dealt with too much already, and couldn't take much more before she shattered.

Robbie was out of the truck before he realized what he was doing, grabbing the kid who'd shoved Mabel by the back of his shirt.

“Hey, what'ddya think you're doing!” he yelled. The kid kicked out and struggled free, his brother already running for the hills. “Little brats!” Robbie yelled after them, shaking his fist.

“I could've handled them,” Mabel said, a little sullenly, and Robbie shrugged, sticking his hands in his hoodie's pocket.

“Yeah, whatever,” he muttered, embarrassed at his reaction. Why did he do that?

“Thanks, though,” Mabel said as she gathered up her things. Her head tilted, eyes going faraway in the expression even Robbie had learned meant that she was listening to Dipper. “Stop it, Dipper, I could've taken them.” Another pause, and “I do not take on too much, and you're one to talk anyway, Dippy-cat!”

“Dude, why you calling your bother a cat again?” Wendy asked, walking up to the two humans and invisible demon. “They totally got away, by the way. Sorry. Robbie scared 'em good.”

“Oh, Dippin' Dots is getting all mad 'cuz he doesn't think I could totally have handled them myself, but thanks for doing it Robbie, and Dip's acting like he doesn't hide when he's upset or hurt like a kitty does but he's accusing me of doing it.”

It took effort for Robbie not to smirk, but dammit he was trying to be nice, and Mabel had always been nice to him, even when he was aggravating her brother.

Things being as they were, the friends weren't able to be together as often as they used to – most of them were either off at college or getting ready to go off to college – but they were still making the effort.

Part of it was because they had always been friends, but two large factors remained that kept them in touch where other high school friendships had fallen apart...and theirs might have too without those two things.

The big one being that they'd been there, at Weirdmaggedon, the Transcendence, and if you hadn't been there it was hard to explain what had happened that day, the days leading up to it. Sometimes you just really needed to be with someone who got it, who'd lived through the epicenter of it all.

The other was Mabel and Dipper.

Because those two had given everything to save the world, and well, Wendy had put out the call – the kids needed them. Even with all the problems they'd had with each other, even Robbie had trouble saying no to that.

So they came home on weekends, as often as they could.

They were hanging out now, in the garage where they'd always hung out, when Mabel came in, as perky as usual, stopping all conversation.

Because Mabel wasn't in her usual sweater.

Well, technically she was in a sweater, since it looked like she'd hand knitted her top, but...no one had ever seen Mabel in black before, save that one day when they'd had to have a funeral for Dipper, to lie to the world that he was dead.

Fishnets and layers, thick boots and tights, gloves and blacks and purples and greys, thick makeup covering her face, Mabel looked like an entire Edgy On Purpose store had chewed her up and spit her out.

Mabel posed and did a little spin when she noticed everyone's eyes were on her.

“Mabel. What,” Wendy said flatly.

“I've gone Goth!” Mabel announced proudly.

“Yeah, I can see that,” Wendy said, “But why?”

“Come on, Wendy, I've got a demon brother! I bust cults! What's more Goth than that? Plus, this jewelry is awesome!”

Robbie, who had been sitting and watching silently and with mounting tension, threw up his hands with a cry of frustration. “I can't take it anymore!” he snapped. He marched over to Mabel and grabbed her shoulders, shoving her towards the bathroom.

The air around them turned oppressive, a sign Dipper was upset with Robbie's treatment of his sister, but it was just one more thing, unnoticed as the others tried to stop Robbie before he did something they all regretted.

“Look, kid, it's one thing to be Goth, but you gotta learn how to do the eyeliner right, okay?” Robbie said, shoving Mabel – though pretty gently – in front of the mirror. “Now get that makeup off and let me show you how. You can't just do the whole eye or you'll look like you got in a fight. Tambry, get those videos up, okay? The crazy eye makeup ones, with all the swirls and junk. That's more Mabel's style than plain lining.”

The air lightened considerably as Robbie began lecturing Mabel on makeup and how to apply it properly – along with instructions, like to make sure you got it all off before going to bed or it was just going to make the acne worse, do you wanna ruin your skin? Don't do like I did, come on – and showing her the videos Tambry brought up of fancy makeup tutorials.

From then on, it became almost normal to see Robbie fixing Mabel's makeup, even after she became proficient at it. Fussing with jewelry, working on dyeing hair, or making some kind of accessory.

That, or discussing the new jewelry and accessories on sale at Edgy on Purpose.

They were all pretty sure that the Goth thing wouldn't last – Mabel loved bright colors too much to restrict herself to blacks and purples for long – but for now, well, she and Robbie were both having fun.

Mabel was a full on teenager. They all knew it. And she and Dipper had been tracking down cults for a couple of years now.

Didn't mean those in the know didn't worry about them when they went out.

Possession was hard on Mabel, and it was hard on Dipper, to know what he put his sister through during the possessions.

They were still so young, for all they thought of themselves as being all grown up.

If there was anything both Wendy and Robbie could understand, it was thinking you were an adult while still being a child.

Of course, that didn't mean the Pines twins were happy about it – Mabel in particular had never really wanted to grow up.

Stan taught Mabel to fight, but Wendy and Robbie were the ones to refine it, to teach her how to take advantage of her weight and size.

It helped when Mabel got into fights at school, though those were rarer now that she was in Gravity Falls High, where people were much more used to the supernatural, and most had been there for the Transcendence and, if they hadn't directly been involved, had heard just what Mabel and her brother had done to save their town and the world from parents or older siblings who had been there.

There were just a few utter jerks who still bothered people despite everything else, though they soon quit after Robbie had a little talk with some of them and gave Mabel a few hints at how to deal with the rest and her natural Pines streak took care of what he didn't help with.

Robbie may have grown up, but he was still sarcastic and stubborn, Goth and moody.

In short, he was nobody's role model or big brother figure. Ever. Get away.

But then there was Mabel Pines.

Save her once from some bullies, give her a few tips on makeup, hang out a bit, and suddenly she's all looking up to you and making you feel like you have to live up to some standard she has of you in her head, like you're actually a good person or something.

It was exhausting, and more than once Robbie wanted to tell her to shove off.

But he couldn't seem to do it, and it wasn't because he was scared of her brother. No, really, he wasn't, 'cuz he knew Wendy would stop the kid from retaliating, and so would Mabel.

But...he just couldn't look into those eyes and tell Mabel to get lost.

And more than once, when he was sitting at the Shack, he caught that Great-Uncle of Mabel's watching him, and was just self aware enough to understand when Mr. Pines sent him that understanding glance, like he got the whole thing, that weird need to live up to what they thought of you and being unable to look them in the eye and tell them you were a terrible person.

Though the old man still laughed at him as Mabel dragged him along into some crazy scheme. Stupid old geezer.

#transcendence au #phenyx writes #comments are love #not sure I got Robbie down but I tried

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topicprinter · 5 years ago

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Okay so I recently decided I wanted to set up my own business (hence why I am on this sub). So I did the thing any person under 50 would do and searched how to set up a business, run ads etc on YouTube, google and in this sub. Well slap me in the face and call me Shirely, I was sent down a massive black hole of “business gurus” who for the knock off price of $1997 (normally 5k) could make me a millionaire. My YouTube is still getting panned by fake guru ads as we speak.I was so taken back by these figures that I have been a two day rabbit hole researching if all this was legit in anyway.Interestingly, if you look into this and go back all the way to the 70’s/80’s Don Lapre is seemingly the godfather of dropshipping. He was doing it even before the Internet by placing small ads in a newspaper (the equivalent of FB ads). If this ad got a certain amount of sales, he would then apparently scale this ad to thousands of other newspapers (sounds familiar, right?). When that was failing, he moved on to release vitamin products which seems to be an MLM business where when you sign up to 20 people to buy the vitamin products you got a bonus, and some money if the people you signed up also sold.So yes dropshipping gurus making outlandish claims are nothing new and have been around for decades. Anyway Don Lapre was eventually arrested for nearly 70 counts of fraud and killed himself in his jail cell before he was sentenced.By this point I’m starting to realise these people aren’t selling you a product but a dream. Have you noticed how none of them talk about what skills you will gain, it’s more about lifestyle and FREEDOM you gain. I seriously doubt anyone has got rich in a year from drop shipping or affiliate marketing unless you already had a following you could leverage.Here’s some more interesting videos I came across on my journey. I’m not affiliated with any of these guys, their videos were just super interesting:The video is titled “The Cult of Dan Lok- brainwashed student lost $26,000”.It’s a testimonial from a student giving the real results he got and the inner workings of Dan Loks courses and membership schemeLink 1Here’s another video by the same guy but this time on Sam OvensThe video is titled: “Sam Ovens is a fake guru!? (100% REAL TESTIMONIAL)He shows a testimonial that Sam Ovens uses on his promotional videos. Weirdly the same guy giving this testimonial has given testimonials for a lot of other gurus, and some of the things he says about himself doesn’t add up with his LinkedIn profile.Link 2The video is titled: “The Contrepreneur Forumla Exposed”This guy explains the science behind the formula used by these Entrepreneurs selling you courses:Link 3The video is titled “I got an Amazon best seller with a blank book”To prove how bullshit the Amazon Best Seller tag is, the same guy also got an Amazon Best Seller by publishing a book with no text in. It got an Amazon best seller status within 48 hours...Link 4So yeah make of all of this what you will. But be careful for pursuing any business venture that promised to make you rich with 2 years or offers you “FREEDOM”.We laugh at these gurus and some of their outlandish claims. People’s lives do get ruined for the sake of fake business gurus buying an extra boat. There are examples of guys who are in tens of thousands of debt but are then encouraged to take out PayPal loans to sign up to the course to make their money back... no joke.Be very careful out there.

#/r/entrepreneur #reddit

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rockthecotswolds · 7 years ago

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A Rocking Day in the Life: Betsy Benn

We meet Rocker and multi award-winning founder of the wonderful personalised prints, gifts and decorations company that is www.betsybenn.com

So Betsy, when did you set up the business and what were you doing beforehand?

We launched Betsy Benn in March 2010 and I’d kind of been doing a couple of things before that. My “big job” was as an events manager for Zurich in Swindon, but after I’d had my baby I really couldn’t figure out commuting from Cheltenham, and all the overnight stays and travelling involved in my role when my husband was also doing a lot of travelling. We’d waited a long time to start a family and I’d always planned to take a career break anyway so I was in the middle of that break when I realised I was surrounded by adorable babies pretty much all the time.

I took my love of photography and launched a small baby portraiture business. It was doing okay, but my clever husband pointed out that there was a healthy gap between commissions and my photographic printer needed cleaning between each job and this wasted a lot of expensive ink. So I thought I’d design a few prints to sell in between commissions to keep the printer clean – and then the prints side literally exploded and the photography business was history!

Did you choose your office location for any particular reason?

Um – have you seen this door? Talk about kerb appeal.

Before we moved into the Royal Crescent there were three full timers working in my house, and sometimes two part timers as well. We were literally falling over each other at some points and at Christmas time it was beyond daft to try and manage that.

We’d already converted the loft and built a garden studio to maximise the house space, but when I walked into the building we are in now, I fell in love! So big, so spacious, it was more than we needed, but you know we have filled that to its limits and we need to think about how we take the next step and where that might be.

How many people do you work with and what do they do?

We have two full time Betsy helpers – Catherine, who is the office manager and basically makes sure the place doesn’t fall apart and reminds me to pay the bills whilst also giving excellent customer service and Rachel, our resident graphic designer who designs everything I ask for and also solves practical problems like “how will we engrave these aprons without unfolding them”. They were both off at the same time for a week once – I sort of enjoyed the challenge of being back hands on again, but the post only went out on time twice, there were large piles of things for them to look at when they got back and my wine consumption that week doubled.

Then we have Stuart, a freelance graphic designer who helps us when we get uber busy and when we have techy questions about a particular issue. He and I have really similar music tastes so when it’s just the two of us in the studio I get to play very loud 1990s grunge!

We have an open door it feels like when it comes to other floating helpers. We always get busy at Christmas and try to find some local graphic design students who want to earn a few bucks. And we offer internships in the summer when we are quiet and can spend some time sharing our skills and learning all about what’s new from the student’s perspective.

What’s a fairly typical day for you?

I drop the small one at the school bus stop at 7.20 so I’m normally in the studio by 7.30. If it’s not too busy at work I might sneak in a quick swim or gym session first and then rock up at 9 like a normal person. First I go through the new orders and see what the day’s workload looks like for me and everyone else. The beauty of a small team is that we all work so well and in harmony together and most things are understood by most people.

There are some graphic design things that my office manager doesn’t get involved in, but that makes sense! We joke now that we work on a telepathic level and we don’t actually need to say most things out loud, and it’s kind of true. I might start a job and then get pulled away but Rachel or Catherine will seamlessly move in and finish it without me asking. The reverse happens too. I’m very lucky that my team love the jobs they have and are totally engaged in the success of the company. It makes working together very easy.

I try not to get involved too much in the actual orders these days, I need and love to work on new designs and also the bigger strategy for the business, the comms plans, the commercial direction all of that. I get drawn back into the orders every Christmas which keeps my skills sharp and my finger on the pulse. So my day could involve writing blog posts, working out a social media plan for the months, developing new designs and products, reaching out to other creative businesses for the creative hub plan I have for the future (!) or even making and photographing new products.

How do you get to work?

It’s a quick drive. I wish I could do it another way a bit more regularly. On Fridays in the summer I will often walk in because I don’t have to do either end of the school run, but every other day I feel like I’m squeezing the absolute maximum amount of time in the office as I can before I have to head off and collect my son from school in Stroud. And even then I’m quite often late!

Every spring I say that I will cycle in a bit – but (big secret here) I never actually learned to ride a bike when I was young and although I have a bike now, I’m still very much not in control of where it goes – so there’s some work to do there!

Where would you recommend to eat during your lunch break?

Star Bistro is right next door which can be both awesome and dangerous. We have a great relationship with them and they have been known to deliver sausage sandwiches to my desk. That takes some beating. Cheltenham is full of eateries though, we are very lucky.

SO Wagamama on a Friday, Huffkins or Swallow bakeries for any day that needs soup and cake, Bottle of Sauce for a half price burger on a Monday, Gianni’s for anything with loads of garlic, Boston Tea Party if you haven’t had breakfast yet, The Stable for Pizza, Turtle Bay if you need heat or have a cold coming and I can’t wait to properly try out Kindness & Co – I’ve walked past a couple of times and it looks soooo good.

What’s been the most challenging and most rewarding part of Betsy Benn to date and why?

Wow, the answer to that will change on an almost daily basis. Challenges apparently help you to grow, right? Like forcing rhubarb? I’d say that launching and growing two businesses in a recession has been a fairly big challenge in and of itself, whilst still trying to find time to do other life stuff (tell me we all have days when we forget to eat, yes?).

But I think the biggest challenges are in keeping on creating new designs and collections that resonate with our ethos and our customers and then, of course, finding our customers – especially the new ones – and telling them about these great new products. We’ve had huge levels of success with notonthehighstreet.com and they have a great customer base, but we also need to be independent and support ourselves in that way.

I think the most rewarding stays the most constant and there are two biggies. It was a challenge to build the right team and get the right working environment, but we got there and we all really enjoy rocking up to the studio each day.

We’ve all come through personal disasters the last few years and having each other on a daily basis has helped pull us through! The second huge reward is the feedback we get from our customers. The things we create are so personalised and really all about a person’s story and their relationship with the gift receiver. They make the best gifts and we are constantly hearing how a print made someone cry, or was the most loved present of all. It puts a massive smile on my face every day.

Any new products we should be looking out for this Christmas?

I am always guilty of falling a little bit in love with our latest products and actually (although that can be dangerous) I think that’s a good sign. If you don’t love your product, why would anyone else? And we really want to create products that people love and will carry on loving for a long time.

So our latest products are our personalised denim aprons which have been flying out! Thankfully other folk love them too. They are these gorgeous hipster style dark denim aprons with a tan leather look pocket on the front that we can engrave with pretty much anything. They’re fabulous.

In Christmas decorations we launched a new decoration called Lasso The Moon which was inspired by the film It’s A Wonderful Life. It was a labour of love to get the right materials and make it look the way I wanted, but I love it so much!

And in prints we are just about to launch these amazing designs which look like typical vinyl record sleeve artworks, but they feature your own photographs, so you can be “the band”. Brilliant fun for any music fan!

What’s your most popular? What’s your own personal favourite?

Well, see above, I love all my babies! But the one most dear to my heart will always be the bus blind destination print. It kind of launched my business and is still a classic best seller. We just made a video to promote it a bit more – wanna see? (click here). I just love the way you can tell a whole life story with this print, or just the highlights of one amazing year.

And every year we sell out of our amazing Balloon Advent calendars that are actually sold by our sister company, Luna Studio Designs. We were on TV a couple of years ago on Kirstie’s Handmade Christmas with them and they were also on the front cover of the Notonthehighstreet.com Christmas Gift Guide, so they have taken on a bit of a cult status now. Very cool!

If you could recommend one place to go in the Cotswolds to a first time visitor where would it be?

JUST ONE?? Oh that’s hard. The Cotswolds is such a draw for so many different types of people that it’s hard to choose a one size fits all. Let’s see…. (my brain is exploding right now).

Okay – you need to come to our house for a week whilst the Literature festival is on. That way we can show you the best bits of Cheltenham whilst it’s alive with clever types, we can treat you to a lunchtime steak at 131 and then a pint of Stowford Press at The Green Dragon which we will walk off all over Crickley Hill and marvel at the autumnal colours of the season.

Followed by an evening spa at Cowley Manor. We’ll also take in a craft course at the New Brewery Arts centre and maybe even a day of cookery skills and a wood fired pizza at the Daylesford Organic Café whilst you’re here.

You see – there’s too much to choose from!

How do you unwind after a day at work?

I’m sorry, UNW…..what? I’m not familiar with that concept.

You might want to roll your eyes a little, but I’m one of those annoying people that lives up to that motivational quote print that you see in an insurance sales office “If you find a job that you love, you’ll never work a day in your life”. Newsflash – it’s kind of true. I’m answering these questions at midnight, with a glass of wine at hand, because I’m in “work” mode and enjoying it.

The big thing that no-one ever really shares with you when you decide to work for yourself, and it’s kind of obvious, is that you’re in charge and you get to decide how busy you are. You might think I’m talking rubbish, because as a retail business you are dependent upon people placing orders with you and buying your things! And then of course you will be busy fulfilling those orders, but you have to wait for those orders to come to you?

Running a successful creative business is not the online equivalent of having an honesty box on the side of the road for the apples you’ve just harvested from your garden trees and this can be where a lot of craft based businesses let themselves down.

There is always something that you can do in this world to be telling people about your business, your products, your ethos, your story, your dreams – anything! And in that way I say you get to choose how busy you are – you get to choose your bus-y-ness! If you’ve told a great story and people are beating down your door to get your products, then you can be a little quiet for a while.

But if that’s not the case, there a million ways to share what you are doing with your potential customers. And, like most entrepreneurs I’m sure, my mind is like a pinball machine on multiplay, with little silver balls hitting targets and lighting up lights right left and centre.

I’m currently in the process of reaching out to every creative person in the county in the hopes of building an online creative forum where we can all support each other and chat about the things that are getting in our way, or the latest brilliant thing we have discovered that makes life easier.

And maybe one day that online forum might lead to a physical cooperative work space – who knows – but get in touch if any of that sounds interesting!

Our tagline at Betsy Benn is "a design for every story".

Well, here, we've collected together our little promotional pieces that tell the stories of our designs, how they are made, what our customers love about our products and their stories which we translate into our personalised prints and designs.

www.betsybenn.com

Betsy Benn’s Awards to date

Best New Product: notonthehighstreet.com Make Awards 2013 - Winners

Entrepreneur of the Year: notonthehighstreet.com Make Awards 2012 - Winners

Best Customer Service Award:notonthehighstreet.com Make Awards 2011 - Winners

Business of the Year 2014 - Gloucestershire Women in Business Awards - Winners

Rock the Cotswolds is a not-for-profit campaign created to promote the talent and creativity of the area.

It is sponsored by Crowe Clark Whitehill in Cheltenham - their belief in what we’re doing and generous support helps keep the campaign alive and kicking!

www.rockthecotswolds.com

#christmas #decorations #betsybenn #posters #prints #adventcalendar #apron #presents #gifts #bespoke #cheltenham #entrepreneur

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edibleflowerseu · 8 years ago

Text

SOUNDS

Alexandre Bazin / Full Moon (2016) [Umor Rex]

“Eleven stunning compositions with a neo-classical signature, an obsessive focus on structure and a refined sense of melody. Emotional compositions serve as interludes to relaxing, post-new age moments, with plenty of space for intuitive beat journeys. An independent-minded composer attuned to the society that surrounds him, he channels the fury of the world into exceptional music marked with poetry. With a free-thinking approach to writing, Alexandre transcends context and genres. Full Moon is the meeting point of early electronic analog exploration and classical minimalism.” (---)

...

What the fuck does that quote even mean. I dunno, bruh. I'm feeling kinda sick and beat af. Need to sleep. Didn't do enough of that last night or the two nights before.

Anyway I've only listened to like four tracks off this but its a lot of fun, I think. I think its fun. I can't tell what is fun anymore, but I still try to have it. U know??

I wanna listen to this more when I have the time but rn gotta meet up with a gal, u know how it is. I honestly just wanted to include this cause it has bangin' artwork I'm very into. An aesthetic I would like to emulate for my own work, whatever or whenever that will be. A reminder to return here when the weather improves.

Burial / Rival Dealer (2013) [Hyperdub]

“Few electronic artists from the last decade have been pigeonholed like William Bevan. Since the London producer behind Burial gained widespread attention with 2007's epochal second album, Untrue, listeners and critics alike have spoken of "the Burial sound"—pitched-down vocal samples, rustling noise, blocky garage rhythms in perpetual decay—as if it were straight gospel ... As imitators big and small have lined up to pay respect, the phrase 'sounds like Burial' escaped the connotation of wishful thinking and started sounding almost like, well, an insult.

Insulting because, as this decade so far has proven, one person who doesn't sound like Burial anymore is Burial himself.” (---)

...

Burial has long been in the domain of “shit I fuck with if I ever decide to fuck with it.” I've known about him a long ass time, been in my radar, and showered with praise in every corner of the internet in which his named is dropped. Good dude, mysterious dude. Wintery dark type dude.

I don't know shit about this genre front as I may. But I like the way it makes me feel, and I want to feel like this more.

Max Richter / The Blue Notebooks (2004) [Fat Cat]

“Conceptually, Max Richter's The Blue Notebooks – German-born composer mixes contemporary classical compositions with electronic elements in a dreamscapy journalogue featuring excerpts from Kafka's The Blue Octavo Notebooks as narrated by Tilda Swinton – reads like a relentlessly precious endeavor, as new age music for grad students, the sort of record that sagely pats you on the back for being smart enough to seek it out. And yet in practice, despite the fact that it is exactly as outlined above, Kafka quotes and all, there is absolutely nothing exclusive or contrived-feeling about it.” (---)

___

“[U]nlike his influences, he's not remotely interested in subverting the traditional rules of composition. Short of one very beautiful moment that plunges an electronic sublow bassline into a deep sea of harpsichords and violas (see: the literally perfect "Shadow Journal"), there is nothing here to suggest that Richter is concerned with anything other than melody and economy. It's a formula he singlemindedly exploits with staggering effect.” (---)

...

I have a problem with Max Richter. Back in college, I took a summer semester film course in which – among other things – I had to watch old ass movies. One of those old ass movies was a bit called Intolerance, which was D.W. Griffith's attempt at redemption after he massively fucked up with the famously racist Birth of a Nation**. Within, it's a handful of unconnected narratives set throughout history (Babylonia, the Renaissance in France, Jesus getting his ass whooped by a cross, and one set in “modern” times a.k.a. 1916). It's pomp, it's pretentious, it's James Cameron in the 1910s. But most importantly, it's two hours and silent. I had to watch a shitty two hour silent film for class. I guarantee u I was the only one who actually did it.

I survived by endlessly looping Richter's Memoryhouse as a quasi-score for the film. It worked incredibly well and I got very into the movie. But now, every time I hear that album or anything from it, an image of a huge and horrifically expensive historical set piece being set on firefor some weak high art film snobbery wedges itself into my subconscious.

The Blue Notebooks wholesale revisits some melodic motifs here and there, which instantly conjured up my past woes. That being said, it was still a killer, moving album. It has Tilda Swinton reading some excerpts from Kafka's journals, which teeters between “ooh this is fun” and “try-hard city.” Generally it is the the former, and upon multiple listens, maybe its always the former.

**ok looked this up actually an urban myth, he apparently made this film in reaction to the intolerance he perceived the NAACP and others had for him after making the famously racist Birth of a Nation. deadass this is Griffith's “you're the real racist for calling me racist.”

UPDATE: briefly checked out Richter's 24 Postcards in Full Colour and its probs my fav thing by him so if u wanna fuck with this dude start there, is what I say.

The Pharcyde / Bizarre Ride II the Pharcyde (1992) [Delicious Vinyl]

“Nearly two decades after it was released, Bizarre Ride's dizzying mix of SoCal 420 culture, jazzy bohemianism, self-conscious rap smarts and postmodern pop-cult potpourri is still as entertaining and emotionally satisfying as ever, and with the benefit of hindsight, stands as a perfect snapshot of rap's rapid, diverse ascent to pop status in the early 1990s.” (---) ___

“"We're serious about certain things, but everything is basically a joke. We live through hard shit, but we can laugh about it." (---) ___

“She keeps on passin’ me by”

...

The landscape of the 90s rap canon is some shit. People cite The Pharcyde among the secretly smart, playful-type about-some-regular-shit school of rap, as opposed to the hard, violent and larger-than-life drama of gangsta rap. But there are holes in that view and p much everyone got down w/ Pharcyde despite or because of their foolish fun times. The group is class clowns with classics. “Oh Shit” is one of those transphobic “found out she had a dick, DAAAAAYUM” rap songs that really don't hold up in 2017. Or rather, you can forgive it as a relic from a less-informed time, but it still sours a room if u play it in mixed company.

Anyway, my boi Jesse sometimes reminds me of The Pharcyde (very much without the transphobia), and every disciple of REAL RAP knows wassup. I think I'm getting a fever or some shit can't think straight at all rn. Oh well, I'm still chugging forward. Progression n shit.

Royal Headache / High (2015) [What’s Your Rupture?]

“The ferocity of punk intimidates some. For those entering the field, High is a pair of training wheels. Even the album’s title track, a good-natured romp through the park with friends at your side, sounds like a muted clink of beers in celebration of revolt to come. It’s cheap, sure, but mediocre songs level out the uproar on others.” (---)

...

Another thing involving my boi Jesse. When he was in Budapest he ran into an Australian dude in the Hungarian equivalent of Staples. They became buds and he was visiting him the other weekend. We talked music for a minute and I name-dropped one of the few Australian bands I was legitimately about and the dude lit the fuck up. He was a huge fan of Aussie garage rock and his sister was a pretty big name in the Melbourne scene. Every time the conversation veered back to Royal Headache, I mentioned how huge they were in the US in terms of the scene. Every time he would say, “Royal Headache? Really? Of all bands??” He showed me some music and a lot of it was just Australian versions of Wavves and videos of dudes drinking and smoking. Nothing I was wild into but I saw the appeal.

Later on, high af w/ him and some dudes from my friend's pop punk band and the frontman/drummer asks if the Australian dude knows Royal Headache. Once again, Australian dude was like “of all bands??” People who know whaddup know that Royal Headache is one of a kind. Pop punk frontman tells me Joyce Manor fucks with them. And that's some cred right there.

Soulful croon-shouts, lo-fi power chords, sweat + beer.

Sleater-Kinney / Dig Me Out (1997) [Kill Rock Stars]

“A life-or-death seriousness is omnipresent with Sleater-Kinney, but they never rejected rock's base desires—sex, dancing, proverbial milkshakes—although sometimes they vaguely mocked them. Sleater-Kinney stole from men what men had in turn stolen from the margins: electrified blues that all still made girls scream.” (---)

...

While it's not going swimmingly, I continue my reacquaintance with quintessential guitar rock of the 1990s. I banged through the first couple of Sleater-Kinney albums and was semi-into em. Not something I would reach for immediately but something I would be down with if I was in the right mood.

This is the first album I listened to that sounded like it was made by a band as revered as Sleater-Kinney. The vocals are a clear precedent to the howling vibrato of Screaming Females (Corin Tucker and Carrie Brownstein share vocal duties and I'm pretty sure the aforementioned howl belongs to Tucker?), and the guitar-work sounds deft and deliberate, something by people who knew what they were trying to do. This is in contrast to the earlier albums I had heard, which were good but banked more on raw guitar slamming and ~rebellious~ lyrics. I get the feeling that once I poke around Sleater-Kinney's catalog more and get a real feel for their sonic world, I'll be able to confront older albums I was mixed on with new insights and appreciation. Let’s see what happens.

Sleater-Kinney is a monumental band and I wanna do them justice.

Other shit:

Mobb Deep / The Infamous

DJ SVYATOPOLK / Original Moscow Sound

DJ Camgirl / Problems

Merchandise / A Corpse Wired for Sound

Swum / Runway

Saiko / Breezin’

Jinsang / Gratitude

Jinsang / Solitude

Especia / Gusto

Mounika / Basket Sound

#SOUNDS

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cruddyborderlandstheories · 5 years ago

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me: i don’t have anything to post ughhh also me: has 10 95% finished drafts i could literally take an hour to finish and upload but won’t me: lemme start a new analysis

aaaaaa the mural of mayhem looks so good (source)

tl;dr: bunches of new environment shots. also i wanna time travel So Bad, just so Bad,,, gearbox, please, time travel??? i wanna meet The Man Typhon Deleon just *clenches fist* so bad and slap him for leading to the opening of the first vault. also for some reason tina is the only one of the good guys with the fabric stuff the twins are wearing. be warned. oh, also, there might be some ursa mechs? i saw like 3 robos that look like iron bear but aren’t colored like it so who even knows. oh and we see the scientist (?) dude in color next to Tannis from the MoM. he seems cool evil.

i don’t even know where to begin here so let’s start with the middle and work our way towards literally whatever catches my eye next. i have no method, im a disaster

OwO

nothing too special about our VHs here, they seem to be using the gold gun skins that are offering in either the early adopter pack or the other pack u get i think for signing up to be a VIP. so that’s neat. also shows off the good guys = blue/yellow theme we see throughout the mural.

there is this weird square shape in the sky/clouds above them? idk what it’s supposed to be, though. a logo? a ship? a building? i can’t tell!

i could be wrong/seeing things though lol

zoomer isn’t colored in! probably didn’t want to detract from the main 4 VHs. additionally, Amara’s arms don’t have their patterns across them.

Moze is also the only VH here with a hint as to what her Action Skill is. IB is elsewhere on the mural, though. We’ll get to him.

the Vault behind them!

moving down below the VHs, we see this ship

I’ve spoken about it before, so i won’t go into it here

bandits? i think! looks like at least one of them is wearing power armor... or just a suit of armor in general. it looks like power armor to me tho lol

another set of silhouettes in the foreground on the right there. can’t tell who/what they’re supposed to be unfortunately, but im going to assume more bandits

interestingly, we see the ruins of helios SUPER close and, even more interestingly, what appears to be a Vault in front of it! Which could very well be the Vault of the Traveler? since the Traveler itself can’t teleport it anymore (cause y’know... it ded.) It has a weird shape at the bottom, idk what that is supposed to be. it looks like a curvy outline of an arrow tbh lol. i wonder if the Vault actually did teleport Rhys and Fiona somewhere. I also wonder if the thing on the bottom is meant to help ‘visitors’ or something idk use/see/extract whatever was in the Vault. there was like some stairs and then a chest..? thing? idek.

but yeah, looks like the Vault by Helios is doing well. Also, Vaughn apparently knows Rhys is on Promethea (soon) after the end of tales so I wonder if that actually is a portal... either way, i hope this means we’ll get to go visit 👀 We’ve visited the ruins of helios already in commander lilith, so hopefully this isn’t too much of a stretch.

to the right of that we see Lorelei knockin the shit out of a goliath that seems... kinda small compared to her? idk maybe it’s cause he’s lying down (and out).

We also see another instance of Mystery Girl up at the top there, though she’s in the exact same pose as the mask of mayhem which makes me kinda sad. i was hoping to see another angle of her or something. I do hope she’s actually in the game and isn’t just a statue. be wild if tyreen gave her the suck or something to turn her into a statue to preserve her in the hopes that doing the reverse succ/getting the ultimate power would let ty bring her back to life at a later point lmao

below lorelei we can see a crimson raider in the ash cloud! i have no idea why he’s there but he’s lookin baller.

next to to lorelei is a titan (unsure if that’s the official name for these big guys or if the one in the showcase was unique) a skag and clappy! I can’t tell if clappy is holding something in his left arm or not

also the background looks like a city. i think that is promethea? i can’t really tell tbh

next to clappy we see part of a ferris wheel which im pretty sure is part of the circus area we’ve seen in the trailers. the one with the circle emblem thing above the door/entrance.

below clappy/marcus we see what i think is part of Eden-6

the bridge/road has me going like 🤔 but the foliage pretty much confirms it. might be related to that research base looking area. might be related to jakobs manor (maybe they have a bridge to keep bandits out) idk

above that we see marcus looking some cash to a bunch of psychos. I think he has an ECHO skin? i can’t really tell. not really much to say here tbh, is marcs.

behind him we see this landscape which i don’t think we’ve seen before. the tree is screaming Athenas at me but tbh i think we’ve only seen red trees there, haven’t we? also is that the handle of a sword near the bottom there? wtf is that?

maybe a new planet? or a new biome on one of the planets we haven’t seen yet. it looks like a savanna tree to me. you know the ones?

yeah. possible new planet/new biome we haven’t seen yet?? i would ADORE a savanna type area.

next to that we see a tink and a skag in front of the HBC. I thiiink the tink is holding a flamethrower? not sure, though. maybe a miniboss like midgemong? that’d be neat asf

i can’t tell if this is a suit of power armor/a robot or just part of the environment lol, i can see the helmet up top and a big bulky body. i would love to fight power armored enemies like that, be so cool! maybe these are modified suits of the ursa corps project? or something. idk about the helmet.

above the tink/skag combo we can see more silhouettes in the foreground. i seriously can’t make out who they’re supposed to be :( maybe some maliwan troops? i feel like they’d be more recognizable, though. hmhmhmhm

in the background we see another robo/power armor suit (???? i think????), this one seems to have a flamethrower, which is kinda reinforcing my theory they might be repurposed armor sets. this one doesn’t appear to have a helmet. kinda get the feeling they’re either repurposed or completely different cuz the helmet on the other one is throwing me off a touch. IB doesn’t have a helmet.

for reference.

above that weirdly confusing collection of entities, we have hammerlock!

my boiii

and finally to the left of hammerlock we get to the big boy of this side of the mural

the god queen herself.

first thing i noticed? her jacket seems to be warping into that weird fabric we see clinging to other baddies throughout the mural and covering her right leg.

She seems to be holding up a grenade/molotov cocktail/smoke bomb?

pretty sure it’s a molotov cocktail though

i love how the smoke merges into the roses above her. really cool detail. you can also see the recruitment center to the right there! and a crane which makes me double down on the idea that the ‘vault’ we see in the booth thing had been excavated by dahl (considering the main building of the RC is a dahl building)

we also see a fire rakk? ?? i think? be cool if we got badass elemental rakks. i’ve only ever seen normal badass rakks. i wonder if this is a play on the fact there’s a psycho in the MoM with rakk wings and the twins stole lily’s firehawk powers... probably not, right? probably not...

ty’s tattoos are lookin kinda green for me here, might be the close proximity to all those browns and reds, though. it’d be really cool if she could pull an amara and swap her succ elements LMAO

a bunch of psychos! all with wings! which is weird cause the sirens don’t have wings here. weird chunk of symbolism i guess. we can see a tubby on the top there which makes me happy to know they’re coming back. there’s one with

a glowing nose

and there’s this figure on the very left

who doesn’t appear to be a psycho at all

also, note that all these psychos have a ‘normal’ brown/gray buzzaxe

the one at the bottom here, on ty’s left has a more golden-colored buzzaxe. im p sure that corresponds to rank in cult. i also feel obligated to point out that, while im 90% sure that flame is coming from the flamethrower on the right there, it does kinda look like the bottom psycho is shooting a blast of flames out of his palm.

moving right along

the whole entourage seems to be laying across a statue of roses, which match the ones at the top of the mural AND the ones on the cover art.

we see a shot of Pandora and Elpis here (I’m pretty sure. the purple light at the top right makes me believe that’s the eridian scar, but.... may not be)

looks very volcanic...

we see one of those lil video game dudes from the demo, forgot their names but they’re Maliwan

below them we see this scene

which is an area i don’t recognize. eden-6 maybe? the buildings seem a bit close together, though.

tbh i thought this was another city at first, maybe it’s Promethea from ye olde days? you know, before Atlas took over and modernized it. Maybe we’ll get to go back in time to stop the first Vault from ever being opened. that’d be pretty cool. man time travel would be wild. i wonder if we’d be able to combine the Vault of the Traveler and the Vault of the Sentinel to do that. now that’d be cool.

but it’s probably eden-6 lmao

quadruple threat here. from top to bottom: Rhys, Zer0, Vaughn, Aurelia? i think.

her hair seems spikier in the mask bit... maybe that’s not her? she also doesn’t have the earrings. idk who else it could be, though. 🤔

anyway. Vaughn seems to be climbing a cliff or something lol. at least he’s got a cape and his relic of strength on him.

rhys and zer0 are in the same poses as their poses on the Mask of Mayhem, just colored in.

biggg statue of ty. noticeably missing her facial scars. not much else to say, pretty sure this is just a different(ish) angle of her MoM statue during the pan around.

back to the bottom center of the mural, let’s move left

someone with a jetpack! i can’t make out who, though. i thought it was Moze at first but... she needs her digistruct pack for iron bear.

Also a bunch of psychos all fighting each other. over the buzzaxes maybe? if they really are a symbol of rank in the cult. that or they’re just being psychos.

this area with a waterfall and also a drainage pipe. i think this is also eden-6, but i am not 100% sure. probably an area we haven’t seen yet.

lily!! her right (our left) wing looks really weird to me, idk what it is. it’s a lot redder/yellower than her left one. Also, the tattoos near her wrist look like they’re coming off her arm.

to the left of lily we see ellie!

holding a whole-ass street sign. insane.

next/behind her is promethea! which we’ve seen before. it looks like one of the buildings in the middle there is getting blasted by something, but idk what. maybe something Maliwan?

also, on the left there we can see what i thought was iron bear

but now i am second guessing myself due to the other robos/armor suits we saw on the right of the mural.

maybe they did not color in IB fully like Zoomer? it looks like there is someone/something where the turret mount would be. maybe that is moze standing up there? it would be really interesting to see other Ursa Corps soldiers coming in. I know they mentioned in the Commander Lily ECHO log that Vladof was at war with Tediore, and we know through their advertisements for bl2 that Vladof is also at war with Dahl. It’s possible we’ll see some of their troops in the game! especially since Moze’s echo actually talks about the troop as a whole and not specifically her, unlike the others.

next to the mystery mech or iron bear (you decide) we see Mystery Girl/Little Blue/Nope Girl

and, yeah, starting to think she may not actually fit into the timeline of Steele’s death. she looks older than 12 to me (for reference, in bl2 tina was 13). but we haven’t quite seen enough of her so who knows. im getting ‘way too tall’ vibes. maybe 14-15? maybe mystery MoM girl is her little sister. i would not be surprised if we saw another sibling relationship to juxtapose the twins (considering mystery girl looks like a CoV bandit, they’d be distant at the start and close at the end of the game while the twins are close at the start and distant at the end of the game- we know Danny Homan said their relationship would start to warp).

below her we see this area

i think that’s a water tank at the bottom there? this looks kinda like a garden/courtyard area to me. Maybe another place on Athenas? i want to say Athenas bc Little Blue is directly above it. may be another new planet/biome/region we haven’t seen yet.

Above L.B we see this car

which is interesting to me bc it appears to have a closed top? I could be wrong though. would be fun to see Vasquez’s car make a return, tho lol (and then everyone gets mad the fuckin car is making an appearance but Gaige isn’t)

above that we see Tina and Mordy (and Talon) making an appearance. Tina appears to be in the same pose as her Mappearancence, including the huge launcher behind her which has me like :O Talon is a girl now in bl3, right? unless their gender changed again after the commander lilith stuff.

Also, I’m hesitant to note that Tina is the only ‘good guy’ character to have the fabric on. Everyone other character with it is either a psycho or one of the twins. I hope that’s just artistic choice and nothing more because :(

also she has bows on her shoes. fucking ace

to their right we see 3 very interesting things so we’ll go in order from the bottom counter clockwise

another mystery dude who seems to match the one we saw by tyreen, and those silhouettes again. It looks like they’re reaching down to save their falling teammates. i hope they’re alright. (unless they’re evil. then, oof, crash and burn)

at the top i can see a bunch of men with guns pointed at what i think is a jabber? but the lower bit i can’t make out. someone’s falling at the very bottom, it looks like a second falling figure has been caught with rope? idk.

above that scene we see

tannis! and the mystery guy to the bottom right. the one we’ve seen standing next to her in the MoM. does he have red eyes for anyone else or is that just me? might just be the lighting. Do I think he’s evil? you know the fuck i do. I trust nobody lol. Since I’m a fan of the “the twins are the product of a weird experiment” theory, it’s possible he is the experimenter. Tannis could’ve been feeding him information. maybe she didn’t even know what was going on- though, knowing her disregard for ethics, maybe she did.

this guy btw

it looks like tannis is holding an eridian artifact?

maybe?? it looks like she’s holding it horizontally, if it is an artifact.

to her right and our left we see a familiar shot of Promethea. I’ve seen this exact frame before, iirc that building is smoking bc it’s Rhys’s office. actually, that could explain Rhys joining us on Sanc-III! maybe Lorelei, too.

above Tina and Mordy we see Brick

and to the right of him, Moxxi and her bar sign

she has a new megaphone, i wonder if that is hinting we’ll be getting more circles of slaughters/underdomes. It would be nice to have her commentary return, i actually really enjoyed that in the bl1 dlc and I did actually enjoy her dlc. The wave combat was fun. I’d love to have an endless wave version to see how long i could survive.

it also looks like there are a bunch of psychos (?) hanging out around the bar. and this character at the bottom right who i don’t recognize

to the far right of moxxi we see Maya

i think this is a new pose, but tbh i don’t see anything noteworthy here. I do think it’s interesting she’s using pistols instead of smgs, but oh well. might just be for the poses lol

Troy’s statue. one interesting bit i gotta mention is that it looks like the cut on the right side of his face (our left) is visible here! iirc it was not visible on his portraits in the MoM. so that’s new!

the big boy of this side of the mural!

none of the psychos on this side seem to have golden buzzaxes, plus their drapes? wtf are these? they don’t look like robes to me. anyway, they’re darker in color than the ones on Ty’s side. might be artistic direction, might be showing they’re not as high rank as the ones with the god queen (vs the right hand man lol)

i also only see 2 psychos with wings here, the one on the very left and you can see part of a wing on the bottom right. They also don’t appear to be resting/climbing on a statue like Tyreen’s are. There is ALSO a lot less of them.

some interesting stuff about Troy: his stomach tattoos don’t seem to be around, but that could be because of the detail level required- would probably look like a big ol smudge. it is cool seeing Troy with a gun, is this the first time? i can’t remember, but i know we always saw him with his sword. i find it kinda funny they decided on the gun considering this is supposed to be renaissance, the sword would (kinda) be more fitting in that regard. it is also a giant glowy tech sword, so maybe not.

Also, Ty’s side of the mural is the only one with the roses. idk if that’s to signify something or just to balance out colors, though you’d think the red clouds on troy’s side couldve been easily converted to roses as well. hmmm 🤔

anyway, this is all i’ve got. if i missed something/if you think of something new please tell me! i wanna know 👀

#borderlands #bl3 #borderlands 3 #mural of mayhem

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