#anyways sorry long rant over

[fortemelody]

one nazi leaves… and another one enters

In tears

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[skyloftian-nutcase]

Outbreak Pt 3 (LU in Healthcare)

(Content warning, this is a plague fic, it will likely hit close to home, and there’s dark humor and character death in this part)

It started off as a whisper, but the whisper became a chatter, a groan, constant and disturbing and growing ever closer.

Cases were on the rise in the city, though the surrounding area seemed unaffected still, for now. City officials were growing concerned, and restrictions were starting to be enacted. People were asked to stay home, if possible. As for the hospital and squads…

Hyrule squinted at his email. "Wait. Didn't... didn't they say we could use alcohol wipes to clean the equipment?"

"Yeah," Mo called from the kitchenette in the station.

"Now it says we can only use bleach wipes."

Mo groaned. "Isn't that like the third policy change this week?"

"I'm still trying to figure out if we're doing a specific isolation truck or not anymore," Aurora mumbled. "Like we just had one truck dedicated to the high risk iso cases, and now we're getting so many calls for it that it's a moot point anyway."

"I think the last email said put plastic over everything for Arfy patients and then wipe everything down that you use," Mo replied.

"Wait, which email?"

Hyrule sighed. This was getting ridiculous. And he was getting just a little nervous. “When in doubt, just bleach everything, I guess.”

Aurora huffed. “Did you see the email about the respirators?”

“Which email?” Mo threw his hands in the air, exasperated. “I’ve got twenty new emails!”

“I suppose that means you’ll actually have to read them now,” Aurora noted with a snort.

“Do you all think it’ll get worse before it gets better?” Dawn asked, wringing her hands worriedly. “The OMD made it sound like that would be the case.”

“Our medical director knows more than I do,” Hyrule shrugged. “If he says it’s going to get worse—”

“No, he didn’t just say that, he said ‘it’s not a matter of if the wave hits us, but when,’” Aurora quoted, standing. “He scared the hell out of Dawn.”

“They’re pretty foreboding words,” Hyrule commented darkly, looking away. It was the main reason he was getting nervous. But he was also steeling himself. If they were in for a fight, he would face it head on.

“Okay, but what does any of this have to do with the email about the respirators?” Mo asked as he scrolled frantically through his email.

“Oh, we’re supposed to wear N95s now,” Aurora answered with a wave of her hand.

Hyrule blinked. “Wait. Aren’t—aren’t we supposed to get fit tested for those?”

“Oh, yeah,” Aurora nodded, rolling her eyes. “Here’s your official fit test: pick a mask that fits.”

“We’re all going to die, aren’t we?” Dawn questioned worriedly, hugging herself.

“Nobody’s died from Arfy yet, I don’t think,” Mo noted. “At least not here.”

“People have died,” Aurora corrected.

“Well, maybe we’ll die, then,” Mo amended.

Hyrule laughed while Aurora swatted his partner. Well… at least they’d die fighting. But he really hoped it wouldn’t get to that point.

While the rescue squads struggled to keep up with policies and slapped shoddy safety regulations into place, the hospital clamped down even further. Visitor policies had officially been revoked as of today, and it made all the providers somewhat uneasy.

In some aspects, it was helpful. In others, it made things that much harder.

Arfy patients were medical patients. Which meant the medical floor and ICU was quickly filling up while other parts of the hospital either maintained their quota or decreased as people stayed home. More and more, Four found himself floating to his friend’s ICU, and he felt fairly out of his depths about it. The one good thing was that he got to spend time with Dot. But as cases rose, so did the stress, the worry, and the heartache.

The ICU felt less like a unit where critically ill people got better and more like a place to go to die.

Four and Dot had the same patient assignment for four days in a row. It was the same assignment because nothing had changed with the patients. Intubated, sedated, paralyzed, some proned. The amount of sedation required to keep their patients under was far more than Four was used to, and it was insane how little it would take for their oxygen saturation to drop. Any semblance of activity in the body increased oxygen demand, and the instant oxygen demand increased, no amount of intervention from the ventilator seemed to help. ECMO was a word Four had hardly heard in his trauma ICU, but he heard it on a near daily basis now, being considered at rounds, being initiated with someone else’s patient.

Four was exhausted. His face was breaking out from wearing a respirator for twelve hours at a time. His feet and knees and hips hurt from standing in isolation rooms for three to four hours at a time trying to cluster all his care. And now, with the visitor restriction enacted…

Visitors were hit or miss, particularly in Four’s world. Trauma precipitated drama, and while family could be infinitely helpful and supportive, he’d also seen things go awry, had to deescalate fights or call security. In some aspects, he was thankful there were no visitors while all of this was happening; he was tired of having to explain that yes, you have to wear this gown and gloves and mask, no you can’t kiss your loved one while they’re intubated and sedated with a contagious disease… but still. He couldn’t imagine how hard it was on the family - the patients were sedated to the point that they shouldn’t be aware of anything, but the family had to agonize over the matter at home.

He didn’t like it. He understand the logic. But he didn’t like it.

And so here he sat, holding a patient’s hand while they withdrew care. Here he sat, being the only witness to someone’s last breaths while their family mourned from afar.

Four watched the heart rate steadily drop. He watched the oxygen saturation plummet. He muted the red alarms as the monitor screamed that his patient was dying, that something should be done, like an accusation and call to arms when Four knew this particular fight was over.

He wasn’t a particularly religious person, but he said a prayer for the patient and the family either way. He found himself praying a lot these days, honestly.

While the visitor policy took its toll inside the frame of work, the restrictions both inside and outside the hospital were causing further stress on everyone. Warriors had basically banned Wind from seeing him, opting to stay with Time and Malon instead, leaving the kid in the apartment. He brought food deliveries to the door, asked if Wind needed anything, but he always did so when Wind wasn’t awake - the teenager had swore up and down that if anybody got Arfy he’d take care of them, and Warriors was terrified of that promise as it was basically a threat. Time agreed that Wind didn’t need to get involved, much to the teenager’s chagrin, and Wind found himself already struggling from the loneliness and the frustration of trying to study for classes online when nobody knew what they were doing or how long this would last.

Meanwhile, Wild sat in his room, fingers aimlessly tracing over each other, the smell of bleach so fresh in his nose from scrubbing everything relentlessly for hours on end that he might as well have inhaled a bottle of it. His chest hurt. Not to mention that new disinfectant they were told to use made him cough a lot.

And he worried. Because… it had been a few days since he’d seen his father. Legend had given him updates through his sister (and made Wild swear not to tell anyone about her), and it had sounded like he was improving as expected. But now, he… the rest of the family…

It felt like a blessing and a curse. It was a guarantee that Wild couldn’t run into his mother or sister by accident, but it was also a situation that his mind screamed that he address.

He couldn’t just… he couldn’t just leave his father isolated and alone recovering in the hospital in the midst of an outbreak. He couldn’t.

But what if visiting him made things so much worse? What if it stressed his father’s recovering heart? What if it triggered more traumatic memories for Wild? He was terrified of getting anywhere near the man while he was awake, but his heart screamed that he go to him.

Wild refused to be a coward. And he refused to be heartless, despite how anxious this entire situation made him, despite how his mind screamed he keep away. So that night, when he got on to work, he took a delivery to the cardiovascular ICU and paused in front of a doorway, looking hopefully for a familiar nurse.

“Link? Wild?”

Jumping, Wild turned around to see the nurse in question, watching him scrutinously. She smiled (or at least, he assumed she did, based on how her eye crinkled above her mask) in recognition. “I thought it was you. You here to see your dad?”

Wild swallowed and nodded.

“Good, because the drama I’ve been trying to avoid has been driving me insane,” Legend’s sister said lightheartedly, but despite the casualness of her tone, the words sank into Wild’s stomach like a stone.

“Drama?” He questioned quietly.

“Nothing like… bad, I suppose, but still,” the nurse explained. “I’d be in there taking care of him and overhear him talking to his wife and he’d mention that he swore he saw you. I’m not entirely sure she’s convinced. She seems hopeful, though. But I figured it was best not to bring it up myself since I, ah, don’t know what’s going on.”

Wild felt his blood freeze. His father remembered? And he’d told his mother?

Great. This was… this was just great.

“Go see him,” Legend’s sister prompted gently. “I can tell he loves you very much and just wants to know you’re ok.”

Wild’s eyes unexpectedly burned with tears in an instant, and he was grateful he was wearing a mask to hide his expression. He nodded, hesitantly making his way towards the room.

It all seemed so normal, seeing his father sitting in a recliner looking at his phone. Wild wasn’t even entirely sure he’d recovered memories of his father like that, but somehow it seemed familiar. Abel hadn’t noticed him yet, engrossed in whatever he was looking at, brow slightly furrowed. That expression drew memories, a familiar scrutiny that he would often give Wild himself or his sister, a quiet concern and sternness that made Wild want to stiffen up and simultaneously run to him.

Damn it all, he’d missed him.

Wild swallowed his fears and stepped forward, hoping that this wouldn’t be a disaster. He knocked on the door, initially so quietly that his father didn’t hear him over the chatter of the news on the television. He knocked again.

His father looked up. Stared a moment. Went a shade paler.

Wild hastily stepped forward. “W-wait, don’t get worked up—”

His father stood, seeming mostly steady on his feet, and tried to walk to him, heedless of the cords and oxygen tubing attached, and Wild hastily met him part of the way before he ripped everything out of the wall. Abel immediately pulled him to his chest in the tightest hug Wild had ever felt, and…

And Link sank into the embrace, crying.

[kyonshi-8610]

trying sometin out // id in alt // unrelated babblings in tags

[taffywabbit]

I touched on this during a stream last night but like. the thing that's probably really confusing about Mormonism is, if it's so wildly restrictive and puritanical and alienating, why do people actually want to JOIN the religion and claim to like it and feel that it improves their quality of life?

I've talked at length before about how, like any good cult organization, the church weaponizes rejection from outsiders and a deliberate sense of self-perpetuated othering to keep people trapped in the organization and feeling like they can't trust "the world" - they're only safe and understood and accepted within the confines of this very specific and unattractive in-group who have all been messed up in the same ways they are.

but like, as much as the statistics show that Mormons don't actually get many new converts for the amount of money and resources they spend on missionary efforts (and thus have to focus on long-term retention through the above methods, and also compelling their members to have a dozen kids who will grow up Mormon, in order to grow/maintain the church's numbers), some outsiders DO join, and some members who are more resistant to the feelings of isolation DO remain in the church out of a sincere belief that it makes them happier and more fulfilled. so like, what's up with THOSE people? how do they convince themselves this horrible restrictive lifestyle that cuts them off emotionally from the rest of society is what they actually want?

well, I'm sure there are a lot of deeper psychological factors that vary between individuals, but if you think about good old-fashioned Puritans and why THEY were so focused on the constant denial of basic earthly pleasures, you can get a little insight into this. from what I've figured out in the years since I left, a lot of this religion's supposed emotional benefits boil down to moral relativism.

most people want to feel like they're a good person, and some people have a really hard time feeling like they're a good person unless they have someone who is "worse" than them to compare themselves to. a lot of Christianity in general runs on this - the more evangelical or puritanical a sect is, the more you hear them speaking dismissively of outsiders and nonbelievers and heathens, and sometimes even talking about "purity" (ew). Granny Baker down the street could be the sweetest kindest old lady who volunteers at the food bank every Tuesday, but if she's not an avid churchgoer, especially in your particular chosen denomination, then she's still inferior to you in some meaningless intangible way and you get to feel like you're special for doing nothing. that's pretty much it! Christianity for a lot of people is just about getting to feel better about yourself without needing to improve in any actual substantial ways. you read your special book, say your prayers, sit in a church for an hour every week, never ever think any gay thoughts, and boom! you're "righteous" and god loves you, so who cares if Granny Baker thinks you're kind of a judgy asshole.

Mormons, though, take this to the next level. it's ALL about moral escalation, baby. it's not good enough to just do the basic Christian stuff - you need to prove you've joined GOD'S ONE TRUE RELIGION by being even more holy and special than any other Christians, too! they think drinking is frowned upon? well not only do Mormons NEVER drink or smoke or do drugs, they don't drink coffee or tea either! regular Christians go to church for an hour every Sunday? Mormons go for 2-3 hours, plus potentially some extra meetings if they have additional responsibilities in some kind of council or whatever, PLUS all kinds of other shit during the week to make sure they're in the church as often as possible. PLUS adult Mormons are supposed to attend several-hour ordinance sessions at a temple (those bigger fancier pointier churches that nonmembers can't enter, where all the REALLY cult-y looking stuff goes on) as frequently as they're able. regular Christians (if they're kinda old-fashioned) try not to work on Sundays? Mormons aren't supposed to do ANYTHING on Sundays besides church stuff. don't buy things, don't do schoolwork, don't go to the movies, don't listen to music that's "irreverent", etc etc... at EVERY level of this lifestyle your priority is to make sure you're extra special and holy and living a more devoted life than anyone else so you never have to question if they're more kind or benevolent or accepting or, y'know, actually Christlike than you. you follow all your little arbitrary extra rules and thus win a game that nobody else is playing.

something especially funny that non-Mormons may notice is that SOME Mormons take it EVEN FURTHER, too. not content to just do the bare minimum as set forth by the church's many councils of wrinkly businessmen in Utah, they make up ADDITIONAL personal rules for their family to live by, so they can be extra sure they never step anywhere CLOSE to being morally inferior to anyone. this is why you may have met Mormons who also say they don't drink cola or caffeinated soda or any soda at all, or who don't play video games on Sundays, or who not only don't swear but don't even say substitutes like "crap" and "dang it" and "freaking". (hey guess what! I was all of these at one point! my parents gave up on that last one after a while tho lol.)

they'll often tell you these extra house rules are part of their religion too, even though they're technically not in the books anywhere... and in a way they're not wrong, because that IS largely what Mormonism is about on a cultural level. you don't have to care about being homophobic or racist or uncharitable or various other things that come with essentially just being a Utah Republican But As A Religion, because every week you get to go to a place that praises and affirms you for being better and smarter than everyone else by following all the special little secret arbitrary rules that make you Morally Invincible and immune to anyone else's judgment.

so how does this tie into why people find the church interesting and want to join/stay? well of course, a desire to always win your internal comparisons against others goes hand-in-hand with a desire to be privy to secrets and tricks and obscure knowledge that others aren't. it's not just that Mormon beliefs can make you feel righteous - they ALSO make you feel smarter than all the other dumbasses out there who couldn't figure out that literally all you need to do to be happy is Stop Drinking Coffee and also Give 10% Of Your Income To An Organization With A $100 Billion Stock Portfolio. they entice you with the promise of teaching you stuff that everyone else is apparently just too dense to comprehend, and make you feel clever and special for recognizing the Truth. it's not just a social in-group you're being invited into, it's an EXCLUSIVE CLUB full of SECRET KNOWLEDGE with HIGH STANDARDS and only SMART COOL PEOPLE get to join! if you're going through some rough times or your self-esteem is low or you feel vaguely guilty about your life and don't know how to feel better, you are a lot more likely to be ensnared by what they promise you. (trust me! when I was a missionary they literally trained us to ask questions that would help us efficiently target those people!) and then before you know it, you're isolated inside that ecosystem, normal people find you intimidating and weird, it's hard to get back out, and the church won't leave you alone if you do. oops! aren't cults fun?

[taco-drinking-bleach]

PART 1: basic information Am I unwell about Yanqing? Well, I'm sure enough I'm well enough about him that's why we getting another rant about him :]!! (although that will be in part 2) -Purple: References to time -Red: References to his power, strength, or swordmanship -Green: His character -Blue: His past Today we gonna cover the abundance theory, first I should cover what it is and point you to this reddit link: https://www.reddit.com/r/YanqingMains/comments/1dqmmdl/abundance_yanqing_theory_explained/ that has a connecting Youtube video ^^^ and this reddit post that explained what is was 2 me at first!: https://www.reddit.com/r/YanqingMains/comments/1cgp2it/yanqing_is_sus_and_not_enough_people_are_talking/ First and foremost it summarizing what we know, and what some may not. This isn't all abundance, some of it is merely his lore to understand him better so its easier to under the theory. :] Yanqing's birth parents, origins, and how he spent his earliest years are unknown.

"It's recorded in the military annals of the Cloud Knights how Jing Yuan came to discover the young boy, stood his ground against public opinion, and incorporated him into the armed forces. However, in the family lineage column, Yanqing's lineage was relegated to the category of unknown." What we *do* know is that he was put within the Cloud knights young, loves swords, and is extremely talented (if not doomed) . also the lines "He was born for the sword and is obsessed with it. Whenever a sword rests in Yanqing's hand, none would dare underestimate this genius still in the early days of his youth. Perhaps the only thing capable of dulling his treasured blade's sharp edge is time." - Character Details "Youngest lieutenant in the history of the Cloud Knights" "Ever since he could remember... follow Jing Yuan around.....helping the Seat of Divine Foresight.....Jing Yuan in return taught him the art of swordplay..and...war." "Yanqing is "A gifted swordsman born to fight."' - Character Story: Part I "this genius' debut on the battlefield was even more explosive" - Character Story: Part II "If you ask Yanqing what other interests he has besides sword fighting, you'll be met with a simple answer —

"Interests are temporary, my sword is forever!"' "But for this vastly impressive teen, it's now time to turn over a new page in the annals of history and write another chapter" -Character Story: Part III "Jing Yuan spent much time and energy in raising Yanqing. Some speculated that he was cultivating an heir, others claimed he only kept him around just to use this kid as a secret weapon. Jing Yuan never offered a response." "Yanqing became an unrivaled fighter aboard the Xianzhou Luofu as his skills grew more and more advanced" "What Yanqing needs right now is not more strength, but the ability and experience of curbing that strength — something that can only manifest by the passage of time." -Character Story: Part IV

"The boy is still tightly grasping the sword even when fast asleep against the general's shoulder. The general gently taps the boy's cheek, and the boy mutters in his sleep. "General... I finally... won."

The general pauses. He suddenly realizes that, compared to the boy trying to improve every day, he himself has endured too many years and is used to stagnation.

"You will soon be better than everyone, and that will only be the beginning..."' -Sleep Like the Dead, the lightcone VL's about him (although this isn't really important, it can show insight on how he is preserved, this can help us know his intentions, and if he himself is aware of the abundance.) "Your martial prowess exceeds that of the general, while I surpass him in strategy."- Fu Xuan Added to Team With Yanqing "The smell of this Luofu swordmaster is as pure as his character — I only detect the scent of rain. Hmm, does this mean that his will is pure, or that he is too naïve?"- Lingsha about Yanqing "Master Yanqing has very rigorous teaching style. He's always saying "that's what the general taught me back in the day," ...Looks like everything General Jing Yuan taught him he knows by heart." -March 7th About Yanqing ""A sword will vibrate and beg to be unsheathed if it is unused for too long… Once unsheathed, it will either paint the battlefield in blood, or break itself in the process…"' -Yukong About Yanqing Etymology

彦 Yàn means "elegant," and 卿 Qīng means "high ranking official." (The name Great Qing first appeared in 1636. Since there was no official explanation from the Qing government about the origin of the name, there are competing explanations on the meaning of Qīng (lit. "clear" or "pure"). -The character Qīng (清) is composed of "water" (氵) and "azure" (青), both associated with the water element Rain is often associated with life, growth, and renewal, but it can also represent sadness, loss, and despair) -Rain has been considered a symbol of divine blessings in many cultures -There is also scientific evidence to support the idea that rain symbolizes fertility -Rain can also be used to symbolize the unknown or the hidden. In many cultures, rain is associated with the divine or supernatural Specific birds give hidden meanings in Chinese paintings, individual entries in this section include magpies, quails, swallows, cranes, ravens, eagles and many others -The coming of swallows in spring was welcomed and signified good luck for the household. This may be linked to their amazing nest building skills, they can quickly repair and build a structure just out of mud. To account for their disappearance in winter, there was a legend that swallows spent the time transformed into mussels by the sea. In Europe it was believed that they -birds in china "Clouds are considered lucky and so feature heavily in Chinese pictures and symbolism. This is most likely down to the obvious connection that clouds bring the much needed rain to water the crops. It also sounds the same as 运 yùn ‘luck, fortune, fate’." -clouds in china

"The wave design is a common emblem in pictures and on the hem of garments. Water in regular waves represents the sea. The tide 潮 cháo made up of waves sounds the same as 朝 cháo which means ‘Imperial court’ and so waves may symbolize a wish for a job in the Imperial service" -waves in china "Ice forms the boundary between air (yang) and water (yin), from this it symbolizes the match-maker (冰人 bīng rén) who forms the male-female partnership (a true 'ice-breaker' !). Ice symbolizes purity and winter. There is a design made from the pattern of cracked ice that is used in lattice window and porcelain designs. Ice also alludes to the story of Wang Xiang ➚ who was so devoted to his parents that he used his own body heat to melt ice so he could catch carp for his evil step-mother." -ice in china "Not until after one month of life, mǎn yuè (滿月), was a child's birth celebrated in ancient China, due to the high mortality rate. At this celebration, infants traditionally were given a longevity lock, a type of necklace that brought protection, health, and longevity. Often engraved with auspicious phrases, such as 'may you live to one hundred years’, cháng mìng bǎi suì (長命百歲). The lock is made from silver, gold or copper, depending on the wealth of the household." -Longevity Locks (honestly a strange thing to give him considering living longer then naturally given at birth is not really a good thing in the Loufu. There is also the fact we don't know his parents. As strange of a fact that he has it, maybe its hope that he doesn't die young.)

[elusiiev]

OMORITOBER DAY 14: LIBRARY

i like to imagine spirit mari tossing down her favorite memories for omori to read while peeking around to see omori's reaction :3

i was thinkin of drawing her too, but honestly i wasnt very sure what pose to do and i was a bit tired !!

thanks to @/ntrogensolar for the omoritober prompt list!

extra rant in the tags ab why this isnt a full piece!

[lameotello]

I hate that we've gone from "don't like, don't read" and not caring about what fucked up shit is depicted in fan media as a standard to hypervigilance and having to mind your every word so the group you've found yourself in doesn't know you ship the Not HOA Approved Ship

[oceanwithouthermoon]

ive been unhealthily fixated on kubosai for the past few weeks, i just have no idea how to put it into words. kuboyasu aren and saiki kusuo are in love btw

[somedecrepitcryptid]

ALL of my younger siblings are watching sonic.

Boys…… I might be next.

Im going to fall farther down the sonic fandom hole despite spending YEARS barely toeing the edge, knowing stuff about it but not getting into it. But now….. NOW????

[catastrxblues]

soo disappointed that they removed arachne’s funeral. i get that they had to cut many things to fit the film’s run time, but i was so surprised when they didn’t put it. because i took it as a pretty bold event, displayed to highlight how far the capitol would go to remind the district of their control and power. so urgent for them, that they would even surrender to blowing the what should’ve been a respectable funeral of one of their own out of proportion for propaganda use.

even snow saw it as such, that so many soldiers have died in the war, and yet they passed with such little recognition and honor compared to the girl who died stupidly as a “casualty of cheap laughs.” there was a speech from the president and dr. gaul, overstated praises and exaggerated claims, fabricated statements inching to lies, battalion of peacekeepers, quartet of horses, pulling the tributes in the cage for a show. how the gore of brandy’s body displayed hung in the air, dangling from its hook, causing more horror than the respect one would’ve expected for a funeral.

what grated me the most when i was reading this was that, from what i got, the capitol was still on shaky ground with the economy, especially with the ruins of the war still evident in every corner, so many things to fix. and yet they still spent what they had on this, just to show the people in the districts things they had already known from their starving stomachs and overworked hands—that they lost, and the capitol won.

and they did this twice, again for didi and pollo’s funeral. with what was left of the fallen tributes sickly paraded behind them.

i just keep thinking how these carefully put together events only show how the capitol truly had no genuine respect even for children of their own. their sympathy was only used when they had a political goal of their own, if there was something to make a propaganda out of. to sway the masses’ views and their perspective and will the spotlight on them to bring on their crocodile tears.

how, when it comes to medias and gaining sympathy and feeding fear and terror to the opposition, the capitol spares no expense, showed both in the hunger games, and even their own students’ funerals.

this just emphasizes the main theme of this entire series, how children were always the ones at the most disadvantage when it comes to war, and are so often used and exploited by the reigning governments, no matter what side are they on. really really wish they could’ve kept this one in honestly.

[ace-geographer]

Well Questies a lot has happened this week, and I finally have free time, so please enjoy these long overdue Willow text post memes

Part 18/?

Credit to cap-that.com for the images (it's only just occurring to me that I haven't included a credit tag whoops)

[pkmn-smashorpass]

blaziken will always be special to me cause after I had a car accident, holding onto my tiny blaziken plushie made me feel safe enough to get into a car again, so I'd say Blaziken has already smashed me, in my heart.

YOURE NOT ALLOWED TO MAKE ME CRY ON THE POKÉMON SEX BLOG 🥺

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it