#anyways I think in total I’ve written like 5 sentences this week
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For lesbian visibility i think we deserve the grandekofi fic ☹️🏳️🌈
I am actually physically incapable of writing anything right now trust and believe I have tried 😭 but I can post an excerpt!
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Unfortunately, Dame seemed to have other plans. Tia felt a pair of strong arms wrapping around her waist and she tensed for a moment, feeling Dame’s warm body against her back.
“Sorry, I didn’t mean to scare you, darling.” Dame placed a kiss behind Tia’s ear, squeezing her gently. “I’m thinking I’ll go shower while you work on the kitchen, then we can continue watching Doctor Who maybe? We left off on a cliffhanger last week and I won’t last much longer not knowing what happens.”
Tia relaxed, body melting into Dame’s arms. “You know I’ll never say no to Doctor Who,” she said, tilting her head to look at her. “Just make sure you leave me some hot water, yeah?”
Dame laughed, one hand ghosting against the opening of her silk dressing gown seemingly absentmindedly. “I can think of a way to save water…” Dame practically purred, wiggling her eyebrows dramatically.
Tia almost choked on her own spit, face immediately tinging a dark raspberry. “Ha ha. Very funny. Go shower.” Tia forced a laugh.
“Hmmph. You’re no fun,” Dame twirled the tie securing Tia’s dressing gown closed in her fingers for a moment before dropping her arms. “Next time, perhaps.”
“Perhaps.” It barely came out as more than a whisper. Dame just smiled, in that adorably pursed way she did when she had some sort of ulterior motive. Tia just wished she knew what it was.
Luckily for Tia’s heart rate, Dame left without any further comments, and Tia waited until she could hear the water running to let her guard down.
#have I posted this before#no fucking clue#anyways I think in total I’ve written like 5 sentences this week#it’s just not happening#I can’t write my brain is broken#ask#asks#sweetestberryofthebunch#I do love this fic though I want to complete it I do I promise#I’m just sitting on so many started fics and a bunch of edits for rawnsyf that I just do not want to do and I just ahhhhhh#my writing#grandekofi#tia kofi#La grande dame#drag race#rpdr#RuPaul’s drag race#drag race uk vs the world#ukvtw2#uk vs the world#drukvtw
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Okay, cute! Tagged by @batrachised! Thanks so much for thinking of me, you’re the actual best!
1-How many works do you have on AO3?
Aw, man. Not a single one. I’m on fanfiction.net, because I feel like it’s the best spot to find fellowship with other likeminded or book-based Montgomery readers. (At least for the Anne series.)
2-What's your total AO3 word count? Not a lot! I’ve written four weency sketches that don’t actually even count fully as stories, because there’s scarcely any plot, only niceties and overall sweetness. My word count is something around 6.7K, which is piteous, following batrachised!
3-What fandoms do you write for? Lucy Maud Montgomery. I’ve done a lot of Anne, and little of Emily.
4-What are your top 5 fics by kudos? I haven’t even written five! I’m probably unqualified for this whole list of questions. Is a kudo interchangeable with a follow? My most followed is the Smugglers Jug.
5-Do you respond to comments? Why or why not? Yes, of course! If anyone has a fanfiction.net account, and they left me a comment, I’ve responded over private message, which is the vehicle that ff.net allows for such correspondence. It never feels like enough, though! In a perfect world, I’d be able to take you out for coffee or tea, as a way of saying thanks. Comments or reviews mean so much.
6-What's the fic you wrote with the angstiest ending?
Angst? I don’t know her.
7-What's the fic you wrote with the happiest ending?
Sincerely all of them. Anne and Gilbert are happy in canon, and all I even do are canon expansion/inserts.
8-Do you get hate on fics?
Mercifully, no. I’d probably cry. I can’t imagine what inspires people to leave hateful comments. It’s fan fiction! It’s supposed to be fun!
9-Do you write smut? If so what kind?
Please, I’m blushing. I’m actually writing something right now (when I say ‘right now,’ I just mean that it’s a Word document I’ve glanced at in the last six weeks) that I’ll have to label as M! But it’s not all that explicit, and it’s really just something seen by a third party. And anyway, we’ll see if I can ever summon the courage needed to post it.
10-Do you write crossovers? What's the craziest one you've written?
Not yet, sorry!
11-Have you ever had a fic stolen? I don’t think so! Small potatoes.
12-Have you ever had a fic translated? One time someone asked me if they could "podfic" one of my works, but this is the closest I’ve ever gotten to such a thing.
13-Have you ever cowritten a fic before?
I didn’t even know that was a thing! I love it.
14-What's your all-time favourite ship?
Walter/Una? Walter’s parents, too.
15-What's a WIP you want to finish, but doubt you ever will?
I mean… speaking of crossovers! I have about 2K words done of an Ingleside/the Alienist (they exist is the same time period, and only 1200 KM apart; in my brain this is totally feasible) crossover that sees an awful murderer land in Glen St. Mary, and Doctor Blythe being relied upon by Doctor Kreizler for professional assistance throughout. I might have the time to complete this when I’m 85.
16-What are your writing strengths?
I think it’s a strength that I always want to be writing, isn’t it?
17-What are your writing weaknesses?
I can’t stop writing run-on sentences. Like… think an entire paragraph that’s one sentence. I’m wholly aware that I do it. But I still can’t stop. I’m out of control, really. In other places, while it’s true I always want to be writing, I also can’t write unless I have the right pen the exact environment and circumstances that I feel are conducive to my best writing. (A desk, my favourite lappy, an empty house, pink noise, and a coffee.) If one small thing is off, I’m useless to my own endeavours.
18-Thoughts on writing dialogue in another language for a fic?
I could do it in Lushootseed?
19-First fandom you wrote for?
Lucy Maud Montgomery books. First I read for, first I wrote for, first I ever cared enough about to seek ‘more’ of. We can add ‘only’ here too.
20-Favorite fic you've ever written?
Awoo, I don’t know! They all stress me out equally? No matter what, I’ll always think to myself, ‘yikes, I could have done that better.’ I wish this had asked for recs, though! I have a bunch of those.
21-Tagging:
@dandelionsandderivatives! 🫶🏻
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What is your writing advice for young people who want to write fanfiction and original stories in the near future?
If this is just Way Too Much, skip to the end (#16). My most important piece of advice is there. I also happen to think #5 is pretty good.
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1) Literally just write. Write whatever you want, and do a lot of it.
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2) You don’t have to post everything. In fact you don’t have to post anything. You can, don’t get me wrong, but it can be intimidating to sit down and think “I will now write something that other people will see and read and judge with their eyeballs.” Because that’s probably gonna lead to nerves and writer's block. Just write down the ideas that you have, the things you want to write, whatever’s in your brain that you want to explore and expand upon and make into something. And then if you want to, share it. Or don’t share it. I have plenty of half-baked ideas and documents and random story chapters and shit hidden away on my Google Drive that will never see the light of day, for a whole number of reasons. I wanted to write it but it wasn’t ~Spicy~ enough to warrant posting, or it’s only like an eighth of a good idea, or it’s like one scene with no story around it, or it’s just something incredibly self-indulgent I just wanted to write for my own enjoyment.
Point being, don’t write for other people. Don’t write so that other people can read it; write what you want, write for yourself, and then if you want to share it, do.
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3) You can pretty much ignore any and all of these for fanfiction. In fact, you can ignore pretty much any rules or guidelines you want for fanfiction. Fanfic is a sandbox. You don’t have to be a “professional writer” to post fic. No one expects you to be Stephen King or Margaret Atwood. Fanfic is just for playing in a fandom and having fun. If you wanna write a 50 chapter slow burn with very little plot aside from the OTP slowly getting to know each other, and no real stakes or central conflict, I guarantee people would read that. Really, fanfiction is the Old West of writing: lawless, wild, unpredictable, and free.
However, here are the rules you must follow:
-Separate your paragraphs. (I’m sure you know this already, but I’m gonna say it anyway just in case.) Do not post one big block of text. Make a paragraph break when someone new is talking, when the characters are in a new place, when a new event occurs that changes the scene, when a chunk of time has passed, and when there’s a major change in subject.
-I know it’s obvious, but... grammar, punctuation, and capitalization. They exist to make writing easy for readers to read, and more people will read your stuff if they don’t have to stop and try to figure out what you meant.
-Use tags and labels, as is possible with whatever site you’re using. Especially if you include possibly triggering content in your story. Again, I know it’s obvious, but it’s common courtesy. Bonus: tagging the themes and content of your story helps readers find it and read it :)
-If possible, limit the use of all-caps and exclamation marks / question marks. 99% of the time, one ! or one ? will do. If you overload the page with a lot of all-caps and long rows of exclamation marks or question marks, it hampers readability.
... That’s literally all I can think of. And, like I said, it’s all pretty basic stuff. You were probably rolling your eyes like, “Uh, yeah, Gwen, I know.” But that’s literally it. You can pretty much do whatever you want in fanfic.
That being said, here’s my advice for both fanfiction and original work...
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4) A quick and dirty rule for coming up with a plot, starting a story, keeping up pacing, or maintaining tension: figure out what dreams, desires, and goals are nearest and dearest to your main character’s heart (see #16). Then set up the main conflict to be directly in opposition to that goal. It doesn’t have to be in a tangible way, though it could be. But, if your main character wants more than anything to reach the ships on the southern coast of your world and sail to a new life, make sure the main conflict immediately prevents them from doing that - in fact, make sure to send them north. If your main character just wants to keep their loved ones safe, kidnap the loved ones. If your main character just wants to date their best-friend-turned-crush, make sure they think they have no chance - or, make them cocky about it, and make sure it makes Person B determined not to ever like them. You get it. Figure out what your character most wants, and then keep them from having that. Boom - your conflict now ties in with your character's motivation. It's like instant yeast for plots.
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5) If you’re anything like me, you want your first draft to be Good, despite all that advice about how the first draft doesn’t have to be good and it’s just to get words on the page, yadda yadda. And if you’re somewhat of a perfectionist (like myself), it’s easy to get stuck looking at a blank page because you don’t have The Perfect Words, and you want what you write to be Good the first time.
Here’s how I cheat that:
Instead of trying to write a Good First Draft from a blank page, hit the enter key a few times, skip a little down on the page, change your ink to red (or blue, or whatever - just something immediately identifiable as Not Black) and just thought vomit. Write whatever the hell you’re thinking, exactly as you think it. Don’t worry about it being readable, don’t worry about narrative flow for now, don’t worry about covering all the details, don’t worry about anything except either a) getting all the details of your idea out onto the page, whether that’s a lot or whether it’s just a sentence or two, or b) if you don’t have an idea yet, finding your way there.
Because this method is also very good for finding your way to ideas when you’re stuck in writer’s block.
Because of how human brains work, getting this stuff out onto the page - in all its messy, stream-of-consciousness glory - will likely spark more thoughts. As you write your original idea about the scene, it’ll likely spark more ideas. Creation begets creation. If you just start thought-vomiting your ideas onto the page, chances are you’ll think of more things as you go, and you’ll start filling out description or dialogue or tone or action or whatever, and pretty soon the scene starts writing itself.
Not sure where you’re going with the scene or which ideas you wanna use? Use a lot of ambivalent language in your “thought-vomit draft.” My pre-writing notes are chock-full of the words “maybe,” “perhaps,” and the phrases, “At some point...” and “...or something like that.” In this way, I don’t tie myself down to one idea; it’s just an idea, and I’m keeping it on the page in case I use it, but I might chuck it in the trash or change it or whatever.
And then, once your ideas for the scene (or story, or chapter, or whatever) are on the page, then go back to the top and start translating them into a “real” first draft. Use black ink, and start copy-pasting chunks of the thought-vomit up into the top part of the document and translating them into Draft 1. Separate out paragraphs where paragraph breaks should be. Add the correct punctuation and whatnot. Change “describe the lobby here - include potted plants, fancy carpet, blood stain, etc.” into an actual description of the lobby. Flesh it out, or condense, or whatever it needs. And if you’re still stuck, change back to red ink and ramble some more until you find a path that feels right, then plug that in. This keeps you from looking at a blank page, and it allows you to generate a kind of Draft 0.5, somewhere between a plan and a first draft.
You don’t have to use every idea. Like I said, jot down whatever comes to mind, put a “maybe” before or after it, and keep working. If the idea grabs you and you wanna keep expanding on it and exploring it, cool. If you just wanna jot it down so you don’t forget it and then move on, also cool. Red-ink draft / “thought-vomit draft” is your time to jump around in the timeline, add or finesse details at whatever point your brain moves to, etc. Don’t try to do it exactly in story order, because you will get tangential thoughts and ideas, and you will not remember to write them down five pages later when you finally get to taking notes on that scene. Trust me. On that note...
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6) Write everything down the moment you think of it. Seriously.
“I’ll remember it when I get around to writing that scene in a couple days / weeks / months (/years).”
You won’t.
Write it down.
Phone, journal, google docs - hell, my family regularly laughs at me for grabbing a napkin during dinner and scribbling thoughts down alongside pasta sauce stains.
And then, once you have it written down somewhere...
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7) Consolidate your writing ideas in one place.
Maybe this isn’t really your style, and that’s totally chill.
Buuuut, if you’re Type-A like me - or if you tend to be somewhat unorganized and you know you’ll lose track of your writing notes if they’re scattered across multiple notebooks, journals, napkins, phone notes, etc. - having one consolidated document of notes is a life saver. I keep mine on Google Docs so I can access it, add to it, and look through it for inspiration anywhere at any time. When I have one of those Shower Thoughts that I jot down on my phone or on a napkin during dinner, I set myself a reminder on my phone to type it up in my Story Ideas document later.
(Or, if the idea I had was for a story of mine that I’ve already started planning / drafting / whatever, I put it in the document for that story instead of the Big Random Story Ideas doc. You get it.)
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8) Have other ways to collect and save writing ideas, besides just writing stuff down. If you like Pinterest, make pinterest boards of your characters or stories or settings or whatever. If you’re big into playlists, make a playlist for your character / setting / story / etc. Or both. Or something else. I’m not good at drawing, but maybe you are, and maybe you like to draw your ideas. Whatever form it takes, having another way to save ideas and think about your stories is invaluable.
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9) Some writers can just start writing with no idea where the story is going, and they just kind of figure it out as they go. I envy those writers. And I do that sometimes for fanfiction, where the stakes are somewhat lower and the audience is reading more for scene-to-scene enjoyment (and to see their OTP kiss) than for a Driving And Compelling Narrative.
But here’s the thing: especially if you’re just kind of starting out, writing without some sort of plan is really, really hard, and will likely lead you into a slow, meandering narrative that will likely frustrate you.
Even if you think you’re someone that just can’t write with a plan (and again, I have the highest respect for pansters out there - I don’t know how you do it, you crazy bastards, but you keep doing you) - even if you think “I can’t work with plans, they’re too prescriptive, I just want to write and see what happens -”
Try at least making the most skeletal of plans.
Even if you have no clue what 90% of the story is, yet. That’s fine. But you need to have some idea of what you’re building to, even if that’s nothing more specific than a feeling, or a turning point for your character. Even if your entire plan for everything beyond Chapter 1 is, “At some point, Charlie needs to realize that Ed was lying to her.”
This is where those Draft 0.5 notes come in handy. Because, more than likely, working on your current scene that way will spark ideas for later scenes, which you can put down at the bottom of the document and save for when they become relevant. In my experience, the line between planning ahead and making a Draft 0.5 is exceptionally thin. One can quickly turn into the other.
If you’re really, really resistant to the idea of planning ahead, that’s okay. It’s not everybody’s style. But for the love of all that is holy, write down your ideas for future scenes, even if you’re a person that doesn’t like to plan and writes only in story order, because you will not remember that idea once you get to that scene.
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10) You don’t have to write in order.
Here’s the thing: I’m a person that can only do my Draft 1 in story order (meaning, chronological order). I just have to be in that flow; I need to write in story order for me to best channel where the character is at from scene to scene, both narratively and emotionally.
But my Thought Vomit Draft is another thing entirely. By using the brain hack of putting my notes in red (or another color, it doesn’t matter) and going down to the bottom of the document / page and taking notes there, and then integrating them into whatever plan I have, and then translating them into Draft 1 once I get there in the story - by doing that, I can get my good ideas onto the page (and expound upon them and let my muse carry me and ride that momentum while I’m in the moment of inspiration) without writing out of order.
Maybe that’s just me. But if you’re a person who really prefers to write in story order, that could be hugely helpful to you. It is to me.
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11) Emotion and motivation will do more for your story than technicalities of plot.
If your characters really care about something, and their journey through the (shaky or weak) plot is emotionally engaging, it will be a much more compelling story than a story with a “perfect” plot and unrelatable or unmotivated characters.
If your characters care about what they’re doing, and it means something to them, and their goals and actions are driven by dreams or fears or emotions that are integral to who they are, your audience will care too. If you have a perfectly crafted plot that hits all the right beats and has high stakes and fast pacing and drama - but your characters don’t connect with what’s happening in a way that’s deeply meaningful or emotional for them? You’re gonna have a hard time engaging readers.
When in doubt, prioritize character emotion and motivation over plot. Emotion is what drives story.
This power is highly exploitable. (Just look at pulp novels and shitty but entertaining movies.) You can even use it to glaze over plot holes or reinvigorate a limp narrative. Use it that way sparingly, though. It’s a band-aid, not a surgery.
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12) Evil villains are hard to write - mostly because there are very few truly evil people in the world. (There are a few. Billionaires and several big name politicians come to mind.) But by and large, there aren’t that many evil people. There are plenty of bad people, but bad people have some good in them, somewhere in there. Trying to write an evil villain is hard, because they often turn very cartoony.
Here’s a tip: it’s much easier to write antagonists who aren’t evil. Even if they’re bad people. Of course, there’s no reason you can’t write a villain that’s just truly evil - a serial killer, or an abuser, or a billionaire, or someone who legit just wants to hurt people or blow up the earth or stay in control of an oppressed population, or whatever. But chances are, it’s gonna be really hard to make them feel real, and even harder to create a plot around them that doesn’t feel forced or contrived.
Instead, try writing an antagonist / villain whose motivations and goals directly clash with your protagonist’s - but not because they want to take over the world or see people suffer. Write an antagonist who’s chaotic good, but whose perception of the situation is completely opposite from your hero’s. Write an antagonist whose only desire is to save people, and who will do anything to achieve that goal - anything. Write an antagonist who believes in the letter of the law, and will hinder and oppose the hero’s methods even if they agree with the hero’s motivation. Write an antagonist who got in way over their head and did some things they regret, and now they don’t know how to get out, and they’re doing their best but whatever they set in motion is too powerful for them to stop now.
Write villains who are human. Write a killer who thought they were doing the right thing by taking their victim out of the equation, who vomits at the sight of the body and sobs over the grave they dig. Write a government leader who truly believes she’s doing what’s best for her people in the long-term, even if it might hurt them in the short term, and is willing to endure the hatred and belligerence of the masses if it means securing what she thinks is a better future for her people. Write a teenage bully that thinks they’re the one being picked on by the world, and they’re just fighting back, standing their ground. Write a scientist who will break any code of ethics and hurt anyone he needs to - in order to bring back his baby sister from the grave, because he promised her he’d protect her and he failed. Write an antagonist who is selfish and self-centered and capricious - because in order to survive they had to look out for Number One, and that habit ain’t about to break anytime soon.
Write villains who aren’t even villains. Write antagonists who oppose the hero because of moral differences. Write antagonists who are trying to do the right thing. Write antagonists who treat the heroes with kindness and dignity and respect and gentleness.
They don’t have to be good. They don’t have to be Misunderstood Sweethearts who “deserve” a redemption arc. They can be cruel and nasty and dismissive and callous and violent and etc. etc.
Just hesitate before you make them Evil-with-a-capital-E. Because evil is hard to write, and honestly, boring to read. Flawed human beings with goals and motivations that directly oppose the main characters’ are much easier to write and much more interesting to read.
Ask why. Why is your villain trying to take over the world? What does that even mean? Are they trying to create a Star-Trek-like post-capitalism utopia, but they know that won’t happen in a million lifetimes, so they’re trying to do it by force? Are they actually super in favor of human rights, but they got very impatient waiting for the world to do anything about poverty and war, so they decided to take it into their own hands? Are they determined to fix the world - no matter the cost? Are they terrified and overwhelmed, but committed to see it through to the end? Or - maybe they’re just doing it on a dare. Maybe they don’t really give a shit about world domination, they were just a mediocre rich white guy who decided to fuck around and find out, and now he’s kind of curious how far he can take this thing. And now he’s kind of an internationally-wanted criminal, so he’s kind of stuck living on his hidden private island in his multi-billion dollar secret base, strapping lasers to sharks’ heads for the hell of it. Gross, selfish, uncaring, and dangerous? For sure. Evil? Depends on your definition. See, now we’re getting somewhere.
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13) It’s tempting to let the plot control the characters. It’s easy to drop your characters into a situation and see how they react. But here’s the thing: that doesn’t drive plot. In fact, it bogs down pacing. Instead, try to build you plot off of your characters’ actions and decisions. Let your character build their own situation. Not to say it should go they way they wanted it to go; in fact, usually, their grand plans should go to hell very quickly. But having the characters take action and make decisions, and letting the plot develop based on that, is much easier to make compelling than making a rigid series of events and then trying to herd your characters into them.
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14) Having trouble justifying a character’s actions? Consider having them make the opposite decision, or having them approach the situation in a different way. For example: you need your character to go meet the bad guy, for plot reasons, even though there’s no way it’s not a trap. If the character goes, readers are gonna be groaning with their head in their hands, because c’mon man, that was really fucking stupid. But he’s gotta go, because the plot needs that. Two ways you might handle this: a) He knows it’s probably a trap. He decides not to go. The plot conspires to get him near the villain anyway. Or, b) He knows it’s a trap. But he needs to go, for (insert reasons here). So, he approaches it in an unexpected way. He brings backup, recruiting a side character we met earlier in the story. Or he arrives on the back of a dragon, because ain’t nobody gonna fuck with a dude on a dragon. Or he goes - early, and ambushes the villain. It may work, it may not. He may get himself kidnapped anyway. But it moves the plot along without having Stupid Hero Syndrome.
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15) This is a legit piece of advice: if all of this sounds overwhelming, literally just ignore it and write what you want. For real. Writing should be fun, and every single writer operates differently. If you’re sitting here like “I’m getting stressed just reading this,” just flip me a good-natured bird and get on with your life. I promise I won’t take it personally. Same goes for literally any other writing advice you see. Lots of rules and guidelines can very quickly make anything thoroughly un-fun. Just write. If you’re passionate about it and you do it for long enough, you’ll start figuring out the tips and tricks on your own.
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16) Here’s the best piece of advice I can give you: know your characters. More importantly, know what’s important to them. Build their personality and decisions off of that, and build your plot off of their decisions.
I see a lot of character building sheets that ask a shit-ton of questions like “What’s their most prized possession?” “Do they like their family?” “What’s their favorite food?”
And while these are good questions, my problem with this type of character building is that if you start there, with the little stuff, you’re building on nothing. IMO, to make a truly strong character (not strong like Inner Strength, strong like effective), you need a strong foundation.
Here are the things you must know about your character:
a) What are their greatest fears / deepest insecurities? And I don’t mean “wasps” or “heights.” I mean the deep shit. I mean fears like “living a meaningless life,” or “turning out just like their parents,” or “that no one will ever love them,” or “being powerless.” You may say, “But they’re really scared of wasps! They fall into a wasp nest when they were little and got stung so much they almost died!” Great! That’s a fantastic bit of backstory. They should absolutely be afraid of wasps, and that should absolutely be an impediment later in the story. But dig deeper. What about that event actually scarred them? Was it the helplessness? Stumbling around, swatting at the air, not being able to do a single thing to stop what was happening to them? Was it that they were alone, and no matter how loud they screamed, no one was coming? Was it the bodily horror of feeling themself turn into an inhuman creature as they swelled up from the stings, unable to move their fingers or face normally anymore?
And don’t forget insecurities, because those factor in, too. Are they deeply insecure about their identity? Do they believe, deep down, that they’re ugly? Did they grow up poor and they’ve always been really touchy about that? Why? Dig deep. Figure out what really, really bothers them.
b) What are their hopes and dreams? What do they truly want out of life? What do they consider the most valuable to their experience here in this thing called life? Is it the freedom to forge their own path and be independent? Is it the approval of their family or peers? Is it a home? Is it knowledge, or understanding? Spiritual fulfillment? Is it deeply important to them that they contribute to their community, or protect those they love? What do they need in order to feel truly and deeply fulfilled in life?
Figure out those two things (each one encompasses several things, btw, you don’t have to stop at just one for each), and then use that to inform how they behave and the types of decisions they make within the story.
It also informs character behavior and personality.
Let’s say we have a character who’s afraid of helplessness. They’re probably gonna be the person that always wants to do something, try something, no matter how hopeless the situation seems. They’d despise just sitting and waiting, probably, because it makes them feel powerless. They might even be the person that makes rash decisions and acts impulsively and puts themself in danger unnecessarily, because in their mind it’s better than being at the mercy of fate. This is one way you could use a character’s personality to inform their decisions, which in turn helps to inform plot.
Or, let’s say we have a character whose greatest fear is being left behind or forgotten. We may have a chatterbox on our hands. They might be obnoxious. They might love the spotlight, constantly vying for attention no matter the situation, because deep down they’re so afraid that they’d be forgotten otherwise. Or, it may go the opposite way. They may be so afraid of people leaving them that they’re terrified of bothering people. They don’t want to do anything that could annoy people, anything that might give people a reason to leave them. They might be exceedingly polite, quiet, accommodating. A push-over, really.
These are two nearly opposite types of personalities, both stemming from the same core fear/insecurity. You can go a lot of different ways with it. But if you build on that strong foundation, you’ll have a strong character, and a stronger plot.
Likewise, the structure of your story can and should inform the design of these character traits. If you need your characters to team up near the end, it may be impactful if you give your main character a deep fear of commitment, an insecurity about being unwanted or left behind, and make them highly value independence and freedom. That could make their team-up for the final battle very meaningful. Conversely, you can use your character’s deepest fears and desires to help design the plot. Is your character deeply insecure about voicing their opinions or taking a stand, because of trauma they faced in the past? Make them face that. Build that into the climactic third act. Give them the big inspirational speech where they stand up and talk about what they believe to be important, what they think the group should do. And then design that character arc to run through the story, giving you more handholds and stepping stones, more pieces of foundation on which to design the plot.
In this way, character should inform story as much as story informs character. It’s a feedback loop.
Bonus: if you build your character and your plot off of each other in this way, it automatically starts to build in the foundations of that emotional investment I mentioned earlier. If your character’s decisions are based on what they most want and do not want in life, you basically have your character motivation and stakes pre-built.
Note: you need to know these things about your villain, too.
-_-_-
I’m genuinely sorry about the length of this, lmao. But you did ask.
Best of luck!
Edit: I forgot an important one:
17) Start when the scene starts and end when the scene ends.
What do I mean by that?
If your notes say “Danny asks Nicole out after school and majorly flubs it,” start the scene when Danny approaches Nicole after school. Better yet, cold-open the scene on “I was wondering if, you know, you’d wanna. You know. Hang out some time?”
Don’t start that morning when Danny goes to school, unless you’re gonna cover the school day in like one or two sentences. Don’t spend whole paragraphs going through the school day, unless it’s to cover other plot points first (in which case apply these same guidelines there), or if the paragraphs are there for a specific reason, like to illustrate how stressed he is and how it seems like every little thing is going wrong. Even then, trim the fat as much as possible. Expounding and describing everything Moment-to-moment is for the meat of the scenes, not the leading-up-to and coming-away-from.
Here’s my rule of thumb: study how and when movies cut from scene to scene. Movies have exceptionally strict, limited time for storytelling; they’re excellent examples of starting a scene when the plot point starts and ending when it’s over. If you can’t picture a movie showing everything you showed, start the scene later and end it earlier.
#asks#anon#writing advice#writing tips#writing#fanfic writing#fanfiction#character creation#plot development#character development#my advice#original writing
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love in the time of p.t.a meetings {marcus moreno} - 2/5
summary: your kid has taken a liking to marcus moreno - and frankly, so have you {series masterlist}
warnings: swearing, mentions of divorce & very brief mentions of his wife’s death
i don’t normally update series this quickly but this was originally one imagine that reached about 11k words lmao so it’s all written, just being split up. i’ve also decided it’s gonna be 5 parts instead of 3, cos i reread the ending and realised i was not done by a longshot. enjoy!
- jazz
Mondays. You hated ‘em.
Everything just seemed so...amplified. The peace and relaxation of the weekend was over and everyone had to go back on the grind. The traffic always seemed worst, the clock seemed to tick backwards and you just wanted to be at home, in bed. After an incident involving the dog, a toaster and a small pan fire, you were already running twenty minutes late and you knew in your soul that your child’s shoes weren’t on the right feet. That, and also he was wearing a Chewbacca onesie to school. It had been a compromise. As in, he was refusing to go to school unless you let him wear the damn thing. It was a compromise. You’d lost.
On the bright side, the past weekend had been the best you’d had in a long time. Jack had spent all of Saturday afternoon at the Heroics headquarters and he was so worn out, he’d slept through all of Sunday. Marcus Moreno must have a been a fucking wizard, because you’d been trying to tire the kid out for five years. You made a mental note to do something in return, though you sensed there was nothing on God’s green earth that could possibly amount to babysitting the world’s most exhausting child for six hours. You were allowed to say that, because Jack was your world’s most exhausting child and you wouldn’t have changed him for anything.
‘New week, huh buddy?’ You glanced at Jack in your rear view mirror. He was sat on his booster seat, legs dangling back and forth and a power ranger action figure in his hand. ‘A fresh start.’
‘Can we listen to the song from Cars?’ Jack ignored your comment.
‘You gotta try and behave yourself this week. You’ve seen what happens to people who do follow the rules, right? They get to go work at the Heroics-’
‘- I wanna listen to the song from Cars!’
You wanted to have a deep conversation. Jack wanted to listen to Life Is A Highway. That was...actually, it was exactly how you’d expected that to go. It wasn’t that off of the time you were trying to explain your divorce to him and he’d interrupted you to demand that you put Toy Story on.
‘Sure thing, kid.’ You rolled your eyes, reaching across to hand him on your phone. ‘D’you know how to spell it-’
Your sentence was cut off by the sound of guitars blaring from the speakers. At least he could work out Spotify.
By some miracle, you managed to make it the school with a few minutes to spare. Because most people had dropped their kids off earlier (see: on time), the lot was pretty empty. That meant you could once again dump your car without regard for the painted white lines -- who had time to park properly on a Monday morning? That was for people who had their shit together.
Leaping out the car, you almost cursed when you tripped over your heels. You didn’t have to wear them, but since you’d started working in a managerial role at your office, you figured it made you look a little more professional. And what was the harm in being a few inches taller? It made you feel powerful.
‘C’mon, J.’ You pulled open the back door, helping Jack leap out the car.
‘You know, I’m starting to think you can’t park your car at all.’
‘Marcus!’ Jack practically flew out the car, his tiny body suddenly jolting with excitement.
‘Morning, buddy.’ He replied; he then moved his brown eyes to gaze at you, offering a smile. ‘Hey.’
‘Hey, how you doing?’ You greeted him.��‘I don’t normally see you here in the mornings.’
‘Yeah, I normally drop Missy off at the front but it was one of those mornings, you know? She was taking a little more convincing than usual to go in.’
‘My kid is in a Wookiee onesie and backwards Thomas the Tank Engine shoes and you have the audacity to ask me if I know those mornings? I am those mornings.’ You replied.
Marcus chuckled. ‘I think it’s a look. I especially like the Lightning McQueen sunglasses.’
‘Do you have a super suit?’ Jack asked. ‘Can I try it on?’
‘C’mon, Jack. You’ve already managed to get a tour of the HQ.’ You ruffled his hair. ‘And we gotta get going to school.’
‘But I wanna ask more questions.’ He muttered. ‘I have over a hundred.’
‘Don’t I know it.’ You murmured under your breath. ‘But school is more important.’
‘I don’t wanna go anymore.’
‘I let you wear the onesie. That was our agreement, remember?’
‘All good superheroes have to get an education.’ Marcus reasoned. ‘And if you go in, maybe I can show you my suit at some point?’
'Okay!’ Jack grinned. He wrapped his arms around your waist in a quick hug, before peering up at you with a toothy smile. ‘See ya later!’
He turned on his heel and ripped his backpack from your hand, suddenly speeding up the path and towards school. Had...had that just happened? For once in your life, had you not had to wrench him from the car and wrestle him through the school gates? Move aside, Harry Potter, because Marcus Moreno was the new wizard in town. You might have been a little jealous that he was so good with your son but at the same time, it made you like him even more. He was the first parent at the school that had leant into Jack’s wild tendencies. And, whilst you tried not to think too much about it, even his own dad had struggled to do that. It made your heart warm a little.
‘You are seriously my favourite person.’ You chimed, leaning back against your car.
‘Kids with character are way more fun than kids who are well-behaved.’ Marcus replied.
‘I spent forty-five minutes scraping string cheese out the USB port of my computer yesterday, but sure.’
He chuckled. ‘No, I’m serious. I don’t encourage Missy to misbehave but she does get herself into some situations. I choose to see it as a testament to her intelligence rather than disobedience.’
‘I refuse to believe for a second that Missy ever misbehaves.’ You shot back back. ‘She seems so well-behaved.’
‘What you see in the parking lot is not a reflection of our whole lives.’ He reminded you.
‘Right, because despite appearances, I’m actually a very put together parent.’ You snorted. ‘But I get what you mean.’
‘I gotta get to work now, but it was good to see you.’ Marcus pulled his car keys out his pocket. ‘I was serious about that suit thing, by the way. He saw my katanas on Saturday.’
‘Katanas?’ You spluttered. ‘My kid managed to start a fire last week out of nothing and you want to give him katanas?!’
‘Maybe I can show you how to use them.’ He flashed you a smile. ‘And then you can pass on the knowledge.’
‘That’s probably an even worse idea.’ You shook your head with a laugh, pulling open your car door. ‘I’ll see you around.’
‘You as well. Have a good day, pretty lady.’
--
Did you stop thinking about your exchange at any point during the day? Absolutely not. In fact, you’d already written an email to the local deed poll office to change your legal name to Pretty Lady.
No, but in all seriousness, you’d been a little giddy about it. Had he been flirting? That didn’t seem like a long shot. You got on well, you’d hung out a bit over the weekend and not to toot your own horn, but you were by no means bad looking. Tired and a little frazzled, sometimes? Yeah. But anyone would have been lucky to have you and you were doing a better job at recognising that, especially since your divorce.
You were almost ecstatic when it got to 4PM and you hadn’t received a single call from Jack’s teachers. That meant that he had behaved, and what Marcus had said had worked. Because you worked past his finishing time, he usually went to the after-school club till you could come to collect him - it had been a lifesaver, especially since you couldn’t always leave early. He usually came home with some kind of weird arts and crafts. Last week, it had been an unidentifiable item made of dried macaroni and glitter. He’d placed it pridefully on the old fireplace in your lounge.
After saying goodbye to your co-workers, you headed out the building. Your office was right in the city centre and not too far out from the school. It was a nice place to be; your lunch hour, when you could head out to a street cart and eat your food in the local park, was usually the highlight of your day. It was when you could exist just as you. When you were at work, you were in charge on your entire department. When you were home, you were a parent 24/7. That time to yourself was vital.
As you were heading to your car, your phone began to ring. Your heart almost jumped out your chest when you saw Marcus’ name - he hadn’t called you before, only texted to sort out the previous weekend’s plans with Jack. You quickly organised yourself (he couldn’t see you, dumb ass) and cleared your throat.
‘Hey, everything alright?’ You brightly greeted him.
‘Hey! Are you out of work now?’
‘Yeah, I’m literally just leaving. What’s up?’
‘Look, I hate to do this but I’ve had an emergency at work - superhero related, you don’t wanna know - and I’m not gonna be out for hours.’ Marcus sounded stressed. Yeah, I feel that you thought. ‘Would you be able to pick up Missy and possibly have her for a few hours? If not, that’s totally-’
‘- I’d be glad too!’ You interrupted him. ‘I owe you one anyways for the weekend. And this morning, actually.’
‘You don’t owe me anything.’ He sounded surprised that you’d even imply it. ‘But I will definitely owe you for having Missy.’
‘Hey, it’s cool!’ You insisted. ‘Do you want me to drop her off at yours later?’
‘I can come and collect her if you text me your address?’
‘Perfect.’ You smiled. ‘I’ll see you later then?’
‘You’re a lifesaver.’ Marcus said. ‘I’ll text Missy to let her know to find your car instead of mine. I would ask for your plate number, but your car is...’
‘...bright red, covered in dents and hard to miss?’ You finished his sentence.
‘Exactly.’
You’d been in the same situation before; pulled between work and parenting, with Jack stuck at school and an important meeting that felt like it was never ending. It was hard to get a sitter on such short notice - or afford one, sometimes - and it was just another one of the million, stressful situations that single parenting could get you into. If you could help Marcus even a little bit, of course you were going to. You knew he’d do the same for you. Heck, he had done the same for you.
Jack and Missy were both chatty on the way home. Given that she was a little older than him, her conversational skills were strikingly better. It was nice to ask someone about their day and not get where are my Cheetos? as an answer. From what you gathered, she hated science class, enjoyed gym, and her favourite subject was lunch. That didn’t come as a surprise to you - her dad was a literal superhero and probably encouraged physical activity.
(You’d seen his arms, okay? They were more than enough to go on. I digress).
The only thing that made you wish you’d had a little more notice on having her for the evening was the state of your apartment. The place wasn’t bad; you’d lived there for the better part of eight years, and it was crammed with soft furniture and millions of blankets, as well as photos of you and Jack and his questionable art projects. It was just that you hadn’t done the dishes that morning, there was a mountain of shoes by the door and the pancakes from the previous night were still stuck on the roof.
Missy barely blinked an eye; the minute she saw your dog, she’d abandoned her bag and was playing with him.
‘Hey buddy!’ She grinned. ‘What’s he called?’
‘That’s Oppy.’ You replied, hanging your jacket up. She didn’t need to know that it was short for Optimus Prime. No guesses on whose idea that had been.
‘He’s so cute!’ Missy continued. ‘I’ve been asking dad for a dog for ages but he won’t budge.’
For some reason, that surprised you a little. Marcus might have been the leader of a super-hero team and a public figure, but you could tell he would do anything for his daughter. You knew because it was the same for you with Jack. He might have ruled your whole life but you would have hung the damn stars in the sky for him if he asked
‘They’re a lot of work.’ You reasoned. ‘I have to wake up every morning at 6AM to make sure he gets a walk. Then there’s the matter of-’
‘- mum! Optimus Prime pooped in the bathroom!’
‘The matter of that.’ You murmured under your breath.
The rest of the evening went pretty smoothly. You fed the kids some leftover takeaway and between the dog and Netflix, they were easily entertained. Jack seemed to take a liking to Missy, which was good because it meant he wanted to sit with her the entire time instead of bouncing off the walls. She had the same patience as her dad, especially when he asked her a million questions about superheroes. It took her twenty minutes to convince him that Batman wasn’t her uncle, and a further fifteen to make him believe that she hadn’t met Captain America.
Jack had asked you a few times about whether or not he would get siblings. Of course, it would be different to any interactions with Missy because he would have been the oldest, but it did get you thinking. You were finally in a place where you were moving past your former relationship and healing from the wounds. Time wasn’t much of an issue either - you’d had Jack when you were young and barely out of college. You couldn’t possibly imagine having any more kids right now, not when it was just the two of you, but in the future? You’d never rule out meeting somebody new. If anything, you were hopeful. Your first relationship had been your only one, and it had ended badly. You wanted to experience love for what it actually was, and not what you thought it was supposed to be.
Not long after 7PM, there was a knock on your door. By that point, both Missy and Jack had passed out on the sofa with Star Wars playing quietly in the background. It had been her idea to watch it - she had good taste. Marcus had clearly done a good job.
‘Hey!’ You greeted him as you pulled open the front door. ‘Come in quick, it’s fucking freezing out there.’
‘Thank you.’ Marcus came inside, dusting a few snow flakes out his hair. ‘Seriously, I can’t say it enough-’
‘- it’s fine!’ You shook your head, offering him a smile. ‘Missy’s been great. She’s really chatty and it was nice to have a coherent conversation with someone that isn’t about Paw Patrol. But was everything at the office okay?’
He was quiet for a minute. ‘Yeah. We uh, we lost someone. A hero.’
‘Shit, man. I’m sorry.’ Your voice fell quiet. ‘You wanna come in? You look like you could probably take a moment.’
‘Are you sure?’
‘Of course! Missy and Jack are both asleep on the couch anyways.’ You pointed through to the living room. Marcus leant over to have a look, smiling slightly at the sight.
‘Thank you. I’d appreciate that.’
He took a seat at the kitchen counter. Your old bar stools were a little old and wobbly, but Marcus didn’t seem to notice. If anything, he admired the place. It was cluttered as hell and filled with useless, old items - cook books you didn’t use, random magnets, assorted toys - but it was nice. His house always felt a little cold and clinical. He’d moved a lot over the course of Missy’s life and now that he was retired from the field, he’d sworn to her that their current house was going to be permanent. Whether or not it felt like home was another question entirely.
‘I would offer you a drink but all I have is..’ you paused, opening the fridge. ‘Nesquik, vodka or apple juice.’
‘You know what? A Nesquik doesn’t sound too bad.’
‘I like your thinking, Moreno.’
After quickly fixing up the two drinks, you slid into the seat beside him and handed him one. You had never in a million years imagined a situation where Marcus Moreno would be in your kitchen drinking chocolate milk, but here we were. It had clearly been a long day for him and you had enough of those to last a lifetime, so you knew how it felt. Coming home after a day that had beat your ass into the ground and having to put on a brave face for your kids was difficult at best.
‘Are you sure you’re okay?’ You gently asked.
‘Yeah, I’ll be okay - it just always fucks me up a bit.’ Marcus murmured quietly. ‘Hits a little too close to home.’
He wasn’t an idiot. He knew that you knew what had happened to his wife. You knew why he’d retired, and why he and Missy had moved away from their original city six years ago.
‘Sorry, that was too deep-’
‘- it wasn’t!’ You quickly cut him off. ‘I’ve had random women come up to me at pick up time and say they’re sorry to hear about my divorce. People I don’t even know. So really, after that, nothing is too much.’
He smiled slightly. ‘They always say they’re sorry but why would you bring up a subject if you have to apologise for it?’
‘Exactly!’ You replied. ‘Especially when I’ve moved on. It’s been a year.’
‘It’s the same with me. Missy and I miss her everyday but we don’t mope about it. We just...we look back with fondness on the good memories we have. You can’t move forward if you’re stuck in the past, no matter how much it sucks.’
‘That’s...that’s wise.’ You blinked in surprise. ‘S’pose that means I should take down the dartboard I have with my ex’s face on.’
‘From what I’ve heard, he seems like he should have more than a dart board.’ Marcus snorted - then he froze. ‘Wait, not that I’ve heard stuff, I mean...I don’t listen-’
‘- Marcus!’ You whacked his arm. ‘It’s fine. One of the other kid’s mums started telling me about the terrible divorce someone was going through but she realised she was gossiping to the one who was going through it.’
‘I don’t know how much of what I’ve been told is true, but it sounds like it was bad.’ His hand hovered over where yours was rested on the counter.
‘The rumours pretty much get the gist of it.’ You replied. ‘But we were talking about your thing, so I don’t wanna take away from that.’
‘Hey, it’s okay.’ He finally moved his hand, fingers gently curling underneath yours to intertwine them. ‘If even half of the whispers are true, he sounds like an asshole. You and Jack both deserve better than that.’
Whatever people had said, it had sort of covered the gist of it. You’d married too young and had a kid too young - your ex had been a terrible husband and an even worst husband. He’d chastised Jack for being...well, being Jack. He’d stay out late with his friends, spend money on things neither of you needed and tried to make you take the blame for it all. After giving him a few too many chances, you’d finally reached breaking point and kicked him out. Filing for divorce and taking on being a single parent was single-handedly the hardest and bravest thing you’d ever had to do. In a way, you were glad you’d done it when Jack was still so young - he didn’t really understand any of it, even when you’d try to explain it in child friendly terms.
‘I think people judge me for it a little sometimes.’ You confessed. ‘They see me struggling but they know I made the choice to separate from him, like I brought it all on myself.’
‘That’s bullshit.’ Marcus plainly stated. ‘Parenthood isn’t a dependent thing based on whether or not you’re still married to the other parent. It’s unconditional and permanent.’
‘I should tell him that, but I also don’t want him back in our lives.’
‘I know it’s none of my business, but he doesn’t deserve Jack. He’s one of the best and brightest kids I’ve ever met.’
‘Thank you. I’m glad he doesn’t seem like a complete lunatic.’
‘He doesn’t deserve you either.’ Marcus continued. ‘Again, I might be out of place saying this but you are...you’re amazing. I was a wreck when I was suddenly on my own and you’re still holding everything together and working your ass off.’
‘You’ve noticed?’ You quirked an eyebrow.
‘Yeah, in passing.’ He admitted. ‘I remember I once saw you carrying three separate science projects at once and then Carol made a passing comment that you were on your own and...I just kinda admired you from afar.’
‘You, Marcus Moreno, admired me?’ You blinked at him in disbelief. ‘I find that hard to believe.’
‘I wish I’d had my shit together half as much as you did when I lost Missy’s mum.’
‘But the difference is you didn’t have a choice in your situation. I chose to boot his dad out-’
‘- you gotta stop discrediting yourself.’ He shook his head. ‘And stop blaming yourself. You did what was right for your kid and that is the most admirable thing of all.’
‘You really think so?’
‘I know so.’
The conversation slowly drizzled away, leaving you two to just look at each other. It was hard to tear yourself away from his brown eyes - there was a lot going on behind them. Fear, pain, anguish, admiration. He was one of the most mind-blowingly impressive people you’d ever met; single dad, superhero, electric car owner. He probably didn’t have a mortgage too and that was kinda hot. You were none of those things and yet, here he was, with you, managing to connect on a level that you never had with anyone. Both of your situations were tough, but they’d brought you together.
Marcus Moreno was pretty fucking fearless (came with the job, you figured), and he wasn’t afraid to make the first move. He slowly inched his head forward and in return, you gravitated towards him. Your lips met halfway in a soft kiss, his hands moving to firmly hold your waist as he pulled you closer.
You almost stumbled out your chair with the movement, but his grip on your hips meant you didn’t slip. Instead, he placed you up on the counter, standing up as he did. It took you a moment to adjust to the position, but with your legs resting on either side of his, you could reach forward and lean on him. You had one hand tangled in his hair and the other on the back of his neck - you’d surprised yourself with that. It had been months since you’d kissed anyone, but you weren’t as rusty as you thought.
‘Oh my god, is the superhero gonna be my new dad?!’
Marcus suddenly jumped backwards at the sound of Jack’s voice. He was stood in the doorway, post-nap hair covered by a lopsided Chewbacca hood. His eyes were like dinner plates, even though he was grinning from ear to ear.
‘Uh...’ you glanced between him and Marcus. ‘We were just...we were...’
‘I had something in my eye.’
‘He had something in his eye.’ You quickly agreed. ‘But now it’s out, so Marcus is gonna go home.’
He knew you didn’t mean it rudely - it was more of a desperation thing. The longer he stayed, the more questions Jack would come out with. Missy could have overheard too and that would have been twice as much to explain. So really, the sooner he got out, the better.
‘Yeah. I’ll uh, I’ll grab Missy.’ Marcus said, scratching the back of his head. ‘Thank you again for looking after her.’
‘You don’t need to keep thanking me.’ You shot back.
He disappeared into the living room for a moment, reemerging with a sleeping Missy in his arms a moment later. Your eyes met again, and he gave you a soft smile.
‘I’ll call you.’
‘Yeah, sure.’ You nodded. ‘See you, Marcus.’
--
True to character, the next hour was spent being pelted with questions from your over-curious son. He didn’t shut up once when you were bathing him and he got even louder when you were reading him his best time story. On the bright side, you’d managed to get him to change out of his slightly manky Wookiee onesie and into a clean Buzz Lightyear one. Normally, you would have argued that he couldn’t live in pyjamas, but if it kept him quiet? It was a price you were willing to pay.
‘Night, kiddo.’ You pressed a kiss to his forehead, switching on his nightlight. ‘Remember our deal, yeah? If I buy you a Happy Meal tomorrow, you won’t mention what you saw to any of your friends?’
‘You said library was bad.’
‘No, it’s bribery.’ You corrected him. ‘And do as I say, not as I do.’
‘Sounds bad, but okay.’ He sleepily murmured. ‘Night.’
‘Night.’ You stood up, flicking out his bedroom lights.
‘Wait, mum!’ Jack suddenly sat up, as though he’d remembered something. ‘You never said no.’
‘No to what, buddy?’
‘When I asked if the superhero was my new dad.’
Well, fuck.
taglist: @naivara-duneimith @1-2-3-4-5metalfingers @likeshootingstarsinthenightsky @lyanna-the-giantsbane @phoenixhalliwell @crazycookiecrumbles @bitchin-beskar @comphersjost {message me to be added!}
#marcus moreno x reader#marcus moreno imagine#marcus moreno x you#marcus moreno x y/n#pedro pascal characters#pedro pascal character headcanons#pedro pascal characters x reader
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it’s only sharing a disgustingly sweet milkshake at the local college town diner after both of your evening classes that suna graciously provides the answers to the math homework.
the spongy pencil eraser is easy for you to sink your teeth into as you puzzle over his handwriting. “you know,” you mumble around the nib, trying to figure out if that’s a 5 or a 6, “i never know why you do this to me every week.” this time the drink with two plastic straws floating in an unhealthy heaping of whip cream is a syrupy strawberry flavor.
rintarou tips forward to sip at one of them and in your peripheral, chunky pink-coated fruit pieces travel up the clear tube and disappear between his lips. he releases the straw with an annoying ah that makes you frown, even if you weren’t concentrating in the first place. “aw, don’t tell me you don’t like hanging out with me.” he feigns hurt.
a well placed sip of your own allows you to avoid having to answer that—you have a personal rule of never being sappy in the presence of calculus. if you didn’t like him, suna knows you wouldn’t be hanging out with him—there are just some things you can’t do, even if it’s for the sake of your grade. none of this has to be said out loud of course, but he decides to be annoying and ask anyway.
actually—well... maybe hanging out is... not exactly how this appears to bystanders.
sharing a drink like this, you two probably look more like a couple on a (terribly cheap) afternoon date, rather than two broke college students that split meals to save money and believe that sharing answers for homework isn’t cheating, it’s collaboration.
ha, as if it would ever be different—things like the former never come true. maybe in movies, but that’s about where the line is drawn.
as if he knows what you’re thinking, suna raises an eyebrow at you over the glass, a smile playing on his lips—the same stupid look he always gives you. it feels particularly worse this evening.
it’s hard to avoid eye contact with him mere inches away, but you manage when a car painted a very interesting shade of red rumbles past the fingerprint covered window. you’re grateful for the distraction.
the subject changes when you realize suna has terrible taste when it comes to ordering milkshakes. “what flavor is this?” you spit out the word as though the very concept of calling this a real flavor is more disgusting than the drink itself, smacking your lips and screwing up your face at the excessively saccharine, artificial strawberry aftertaste.
this is no ordinary strawberry milkshake. no, this is a so-bad-only-suna-rintarou-would-order-something-this-horrible-(and-not-necessarily-on-purpose-either) strawberry milkshake.
“valentine’s valor,” he states matter-of-factly like those words mean anything to you. you stare at him until he elaborates. “their valentine’s special,” he clarifies and is gifted with a sarcastic thumbs-up from you in thanks—it is pointedly ignored and suna slings an arm over back of his seat. “dunno the exact flavor though. forgot.”
it tastes like the embodiment of pink, you decide. valentine’s valor. what a stupid name. there are a million and one better words that start with v... you can name at least five with a little thinking. you should ask them to hire you as part of their marketing team, you decide.
maybe it’s fitting title though. you certainly need valor to even think about taking another sip of that... concoction—which you do because you are obsessed with getting your money’s worth.
“valentine’s day was half a week ago?” your mental calendar helpfully supplies.
the clatter of pans in the back kitchen somehow mingles charmingly with the way rintarou throws his head back to laugh—a scene straight out of a movie really. you decide you hate him in the moment. “right you are. want a prize?” ugh. you stick your tongue out at his tone.
great. as if to add insult to injury, of course you’re sharing an out-of-date love holiday special with suna of all people. valentine’s was four days ago and this is where you are on a thursday night. the sticky upholstery of the booth seat, ripped and fraying at the corners, squeaks and groans and attaches itself to the fabric of your jeans as you shift around, suddenly hot. what a strange situation to be in, you think. this has to be a metaphor for life—then again, you’d been thinking this whole... thing has been a metaphor anyway.
yup, ever since suna sat next to you in a calculus II lecture all those fated months ago and took pity on how much you fucking sucked at math, up until the present where he takes slightly less pity on you but does enjoy emptying your dorm mini-fridge and making you pay for his milkshakes—all of it. this entire thing with him. one big stupid metaphor.
the specifics of how you came to have a routine like this are certainly murky, but two things are for certain—one, your calculus grade is certainly a lot better than it would have been otherwise, and two, you have one friend more than you did at the start of the school year. (that last one is kind of a big deal, you think. the college social scene is brutal. the word friend has started to become more disappointing than exhilarating lately though.)
rin reaches to your left to pick at the fries you’d ordered as a side—you’ve learned not to try and stop him. “also,” he adds, mouth full, “you’re totally getting me a new pencil after this.” yes, true, the pencil you’re currently leaving frustrated teeth marks all over isn’t yours. very easy to forget in the moment. you’ve probably destroyed 15 of his pencils by now for the 15 weeks of the last semester—only 7 so far for the current one. you do the mental math.
instead of drawing in the sharp lines of the differential equation that should be going in the question box, you lightly trace in the curves of a 2 and then another one next to it in the corner of the worksheet, graphite underlining them both in one swoop. the horribly thin paper of the school library’s printer is scratchy as you write but soon you flip the pencil over and under your fingers to tap the eraser (that has seen better days) just below what you wrote. “this is pencil number 22.”
suna leans over to look at the number as if you hadn’t just told him what it said. what an idiot. “glad you’re keeping count.” he settles back into his seat. “when can i expect my reimbursement?”
“you’re funny,” you say, without a hint of humor in your voice. the pretty 22 you had written now has flower petals growing off of the sides as you get distracted doodling along the edges of your work. it’s quiet for a moment as he watches you, or maybe as he takes the chance while you’re distracted to shove more french fries down his throat—either option is plausible and you don’t lift your eyes to check.
something occurs to you.
“rin.” you take an extended pause in between the words as you continue drawing, just to annoy him. you don’t continue speaking until he grumbles in acknowledgment (you try to hide your smile). “do you ever doodle in your notebooks?” now that you thought about it, suna was surprisingly pretty straight-laced when it came to class—you couldn’t ever recall him ever slacking off to the degree that meant his pages were filled with hearts and stars and flowers and suns and atomically inaccurate animals and tiny people in different colored ink. your work was always certainly the more vibrant out of the two (perhaps that could explain your grades and how you understand like... nothing in your lectures, but you decide correlation does not equal causation).
“waste of time,” he says around another mouthful of fries, another one already halfway there to his mouth.
suna is also surprisingly negative at times—but the blue book flipped open to his homework says maybe he’s just a liar though. you squint at it.
“it’s still pretty early but we probably should get out of here soon,” suna says, pulling his phone out from his pocket to check the time and leaning his elbows on the table. “i’ll walk you back. your roomie doesn’t leave the gym until 9—before you ask, yes i’ve been keeping track. it’s not stalking if it’s for my own sake.”—rin is, of course, referring to the long standing rivalry between him and your (very nice, might you add) roommate you don’t really understand but which has cumulated in him deciding he would avoid them as much as humanly possible purely out of spite. (“the only person i like in dorm 302 is you,” he’d told you one time and the throwaway sentence maybe made your heart flutter more than it probably should’ve.)
the bell above the front door jingles behind you as another patron enters. rin glances up at the sound and then returns to his phone with a bored bat of his eyes, probably scrolling through twitter or replying to texts, and picking at his teeth with a toothpick (where did he even get that?).
you try to get back to work (copying) but something in your gut tells you there’s more to his notebook than the messy handwriting and crossed out words that meet the eye.
with suna distracted, you take the chance to carefully slide the book towards you and then, in a single quick swipe, pull it into your lap under the table, already leafing to the back pages—everyone knows that’s where the real secrets are—not sure what to expect. a flash of color makes you pause and you flip back to a page that has the corner folded into a tiny, crisp triangle.
whatever you were thinking suna had stashed in the back of his calculus notebook certainly does not match up with what’s staring you in the face currently. sparkly, gel-inked hearts in neon colors glitter under the fluorescent overheads. in each of them, written in capital letters neater than you thought possible for suna, is your initials, a small plus sign in the middle, and then S.R. (for none other than suna rinatoru) next to it. it instantly makes sense to you. “rin, what the fuck.” one side of the book dangles from your hand, pages fluttering, and you hold it up for him to see, other hand flying to cover your mouth because you don’t know whether to laugh or pretend to be mortified or what.
it’s very amusing to watch how suna goes from a disinterested stare, to widened eyes, to reaching over the heaps of school supplies to attempt to grab the book from you, frantic. you hold it just out of reach. “what are you—” an old lady at a table shushes him when he half-screams. “—give that back,” suna whisper-yells instead in the greatest verbal equivalent of tiny caps you’ve ever heard.
“not a chance.”
he looks like he wants to lunge across the table and pry his prized possession from your meddling hands, but also has half the mind not to make a scene. getting kicked out and then subsequently banned from his favorite diner all on a noise complaint and disorderly conduct accusation was not ideal.
you hum, flip back to your place, and observe the drawings covering the lined pages. you shoot him a venomous smirk over the edge of the cover, one that’s more theatrics than anything, and say with all the satisfaction of someone who knows they have all the power, “oh, this is gold.” he deflates and you feel grateful he doesn’t see right through your facade because oh man are you sweating inside right now. what the fuck? no way suna rintarou is drawing little hearts with both of your initials in it like a lovesick middle schooler. no fucking way. you almost want to tell him that you did the same thing once when the thoughts about him had gotten especially bad (you felt guilty afterwards though, thinking you never had a chance with him, but... now... if he’s doing the same—well, that kind of changes everything).
suna is utterly defeated you think—doesn’t even try to defend himself, just slumps in his seat with a groan. you at least expected a “i can explain!” from him, a last attempt at dignity, not the resigned “i’m never going to live this down, am i?” he mumbles after a few seconds. well, either works for you.
“nope,” you quip, maybe a little too cheerfully because the response you receive is a distressed wail and him banging his head against the table. the old lady shushes him again. you chuckle at that (it feels a little wobbly though because once again, freaking out here) and flip the page. you stop.
this one has similar perfect little hearts drawn all over it, but there are other things. cute, standard shaky drawings of misshapen dogs and volleyballs and other things you never thought suna would take it upon himself to create but all of which make sense are there. but there’s something else. little scribbles in the corners with your last name swapped with his and even him trying out his name with your last one—all of them are scratched out but not so much you can’t read them. a list on the right in a very tiny font that makes you think he was embarrassed even penning the words is titled “date ideas?” (the question mark is in red and the dot is a heart) and has several popular spots around town written down in the local lingo of unofficial names for them.
“listen... please let’s forget about this.” rin’s voice is muffled and he’s still faceplanted. “it’s fine if you don’t... you know... yeah.” if you don’t feel that way, he means. true, the doodles were a pretty good indication of his feelings.
what to do...
well... you take pity on him, let your lips upturn and your eyes soften to reflect the sentiment, and shut the book with a quiet thud. you slide it back across the table from where it came and back to him silently. you give it a resounding pat when suna peeks up at you, expression saying it all—he was so going to get you back for this. you stick your tongue out��acceptance of the challenge. and just like that, you’re friends again—maybe that’s what’s so great about suna.
as you get ready to leave and slowly begin the trek back to the dorm buildings with him, street lamps glimmering a pasty yellow, there’s no awkward tension, no need to ask questions, no verbal wonderings about what ifs between you two. it’s just joking and shoving each other around and challenges to see who can run to the next tree the fastest in the middle of the chilly february night. you know, maybe for now you’ll keep your own thoughts a secret.
#haikyuu x reader#haikyuu!! x reader#hq x reader#suna x reader#suna rintarou x reader#happy birthday to me 🎉#<<< the way i typed that tag so long ago and now look what day it is#extras#haikyuu imagines#haikyuu!! imagines#hq imagines#i accidentally deleted part of this b4 i can’t believe#haikyuu scenarios#haikyuu!! scenarios#hq scenarios#why did this take me so long to write + it’s so dumb this is embarrassing#hq!! x reader#suna imagines#suna scenarios#haikyuu fluff#suna rintarou
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2021 Fic In Review
Been seeing this going around and thought I may as well also look back and see what I managed to write this year!
Total number of completed works:
7 fics completed and posted this year! Plus, I also finally finished the orig novel I’d been plugging away at for the past few years. (Or, well, finished enough to put it aside for later editing, at least.)
Total word count:
Only counting those 7 fics, and not anything from the 3 sentence fication or my original stuff, I posted a total of 34,366 words.
Fandoms you’ve written in:
5 Narnia stories, one of which was a crossover with A Song of Ice and Fire, another of which was a crossover with BTS (and I still can’t believe I even did that). Also one story each for Among Us and Danny Phantom!
Looking Back, did you write more fic than you thought you would this year, less, or about what you’d expected?
Honestly, 7 fics is pretty good. I mean, 2020 I think I wrote 11 stories, and the year before that was 9, but for several years I was only posting a couple of pieces over the entire year so 7 is much better in comparison.
What’s your favourite story of the year?
Oh gosh, hard question. Probably Against All The Powers Ranged (Narnia), because I managed to execute a good time travel plot and I’m really pleased with how the Edmund/Jadis’s sister romance turned out. Also, it turned out to be one of the longest things I’ve posted.
Did you take any writing risks this year?
Not… really. Unless you count sending my orig novel out to friends for feedback, which was mildly terrifying.
Do you have any writing goals for the new year?
New novel! I’m already working on it and it’s going great so far, and I know I won’t be thinking this once I reach 2/3rds of the way through but I’m hoping to plug away at it anyway. The last novel I did took several years but I think I’ve got a much better grasp on what I’m doing with this one so ideally, I could get a draft finished in a couple of months if I keep up the current pace.
As for fic -- oh boy. I’m writing another Danny Phantom piece specifically for my sister @marzfartz, based on her very good art. I’m also part of the way through a Narnia fic about Ramandu’s Daughter as Lady of the Green Kirtle that I told practically everyone about last summer and then proceeded to not work on for months.
Other than that--well, just keep up my habit of writing (or thinking about writing) 6 days a week and see where that takes me.
Most popular story of the year:
By kudos, Brother Mine (Danny Phantom), despite the fact that it’s been posted for less than a week? Whereas the next most popular would be Against All The Powers Ranged, which came out at the beginning of the year and has pretty much the same number of comments and bookmarks, but half the kudos.
Most under-appreciated story of yours, in your opinion:
Honestly, I was feeling a little bit down about Brother Mine until I looked at the stats just now. Although I am very proud of my other Time Travel fic this year, oh blue, if only you knew (Among Us) which didn’t get too much attention.
Most fun story to write:
Hands down, it was Beyond Typical Sightseeing (Narnia/BTS), because it was so absurd to be writing this whole story for a fandom I knew (and, tbh, still know) absolutely nothing about. Keeping the whole thing a secret until it was posted just made it all the more fun.
Most unintentionally telling story:
I was just talking yesterday about how Brother Mine is Very Much based on my experiences as a big sister. I didn’t even realize how much I was pulling from my own life until my own little sister is like “Jazz moved away, you moved away… Jazz misses her little brother, you miss your little sisters... Meagan."
(Me: Omg you're right. Jazz has a creepy-looking sibling with limbs that are unnaturally long, and so do I.)
Biggest disappointment:
I try not to let these things get to me because the joy of exchanges for me is in the writing itself, but I never got a response from one of my time travel exchange recips and that was a bit of a bummer. But I can’t complain, because I got plenty of other wonderful comments on that piece and I’m very proud of what I managed to do with it. So. It is what it is.
Biggest surprise:
I wrote a whole actual sexy story, Witching Season, for the Narnia Bacchanal this spring?? And maybe the sex scene is still mostly implied, or at least told in metaphorical language, but it's the first time I’ve not just completely faded to black, yay!
My favourite part of fandom this year:
Joining together with absolutely wonderful Narnia friends to create @narnia-renaissance in order to remind others out there that there are wonderful people in the Narnian fandom if you know where to look, and that we welcome all types of fans and stories.
Tagging: Absolutely anyone! These are always so much fun to read.
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A Cursed Reality- JJk x Male Reader (Ch.5)
This chapter is a little longer than usual and very dialogue heavy. (also plenty of swearing). Sorry if the scene is disappointing but I'm not super good at fight scenes and I'm hoping to develop them as I go on. Also if I made [Name] OP then everything would be over too quickly.
Let me know what you think about the chapter in the comments (or the tags!!) enjoy
Last || Next
Chapter Five:
“Kugisaki-chan. Be honest with me. On a scale of Gojo to Yuji how stupid do you think I am?”
“Eh? Do you really want me to answer that?”
“... Yes”
“If I had to pick an idiot I’d say Gojo-sensei. He at least has the brain power to understand jujutsu. I mean he’s a childish and immature old man who ignores what’s staring him right in his face but he wouldn’t ask me what animal the pink panther was.”
[Name] uttered out a confused thank you before thinking ‘I have got to stop starting conversations like this’
He almost never gets the answer he wants. It’s like as soon as he asks the question he becomes humanized and not a mysterious special grade sorcerer a few seconds from ending someone’s life for finishing off the fruit snacks. (Based on a true story. Gojo can confirm.)
“You’re welcome. Why’d you ask anyway?”
“Actually I think I’ll jinx it if I talk about it. Plus I don’t want you to think poorly of your ‘superiors’ but let’s just say there are people plotting behind my back and I’m wondering if I have idiot written across the top of my head”
“Okay... “
“On a lighter note, do you think any of the other first years know how close we are?”
“I was asked whether or not the Pink Panther was a lion and spoken to in 6 word sentences just yesterday. You’re the only person I can hang out with. The other two are people I spend time with”
“What about Maki?”
“That’s totally different. You should know you have a totally different relationship with Gojo and Inumaki.”
“Explain”
“You and Gojo fight and tease each other like siblings or something and you and Inumaki spend time alone. Together. And sometimes you like go out and eat food and stuff”
“You make it sound like we’re dating”
“You’re not?”
“No”
“Hmm”
--------------------------------------------------------------------------------
[Name] absolutely hates talking on the phone and everyone knows this. Facetime has been like a happy medium whenever people need to get in touch with him but it’s still extremely annoying to have to have a face to face conversation over the phone.
“Why are you calling me Gojo?”
“My precious little [Name] I was just checking up on you to see how your day off is going?”
“It was going fine until you called and interrupted my peace”
“Don’t be like that [Name] I know you miss me”
“As if- No puppy- WAIT!”
Gojo furrowed his eyebrows “[Name]-chan?”
“Hmm?”
“Since when do you have a pet?”
“I made Fushiguro give me one of his divine dogs”
“Aww. That’s so sweet of Megumi. But you can’t keep calling him puppy. Give him a real name”
“He does have a real name I call him yu-yu”
“So who were you calling Puppy?”
“...Yuji”
“.....”
“Don’t make it weird”
“It’s already weird”
“Look me in the camera and tell me he doesn’t remind you of like a golden retriever or somethin”
“You made several points but still”
“It’s supposed to be derogatory”
“It’s a pet name”
“He’s hyper, adorable and excitable. I’m pointing out the obvious. Me calling him puppy has the same energy as calling someone four eyes”
“It does not”
“....I have to go Yuji just found out about Megan Thee Stallion”
----------------------------------------------
“Are you a Fall out boy emo or like Lorde sad boy?”
“That’s a loaded question”
“It most definitely is” [Name] replied holding back laughter “But I can like, vibe to either one so just play whatever music you like and I’ll enhance the atmosphere.”
“...Okay”
That day was definitely the most relaxed Fushiguro had been in weeks, and [Name] learned some very interesting things about Fushiguro’s…. tastes. They definitely had some things in common.
-------------------------------------------------
“You’re sending me on a mission”
“Yes”
“Alone?”
“[L.Name] you’re a special grade sorcerer. You can handle a first-grade curse on your own”
“I most definitely can, but so can others. Both Gojo and Okkotsu are away on missions. Are you telling me in your expert wisdom, you’re making the choice to dispatch all of the Special Grade sorcerer’s for first-grade curses? What if something happens on home turf.”
“I assure you if there’s an attack on the school Principal Yaga can handle the threat.”
“I’m not talking about the school.”
There was a brief silence in which [Name] just stared “You have your orders”
“I do”
And [Name] absolutely did have his orders. Ones that aligned with his personal feelings. You see, a little while ago Gojo ordered [Name] to protect Yuji. And if anything were to happen to the precious angel, it would be the one day that both he and Gojo were away. Yaga cares more for the rules than Gojo or [Name]. That was one thing [Name] didn’t like about both Yaga and Nanami. They cared about the kids, but only to an extent. In their eyes the kids would die out or grow older but rules wouldn’t change, and Yuji’s life mattered less to them than the stagnant outdated rules.
The larger problem was whether or not [Name] was willing to face the consequences for not following orders from the “respected” higher ups. Then there was the whole issue of actual people being in danger and that wouldn’t go over well, not with the old assholes nor with [Name]’s conscience.
‘I fucking hate Satoru.’ [Name] thought as he set out to do actual work. Ever since he got sent on that mission he found himself caring for more and more people. If he was going to exorcise the curse and return to make sure Yuji and the others first years were all safe, he would have to race against the clock. There was no doubt in his mind that something was going to happen today and he knew Sukuna wouldn’t let Yuji die without a fight.
---------------------------------------------------------------
“What the actual fuck is going on anymore?? THREE FIRST YEARS WERE SENT TO DEFEAT A WHAT?” [Name] yelled into the phone
“A cursed womb”
“Say it as it really is Ijichi! They were sent in to fight a fucking special grade curse. They’re barely equipped to fight a second grade curse, and it isn’t as if having you there is going to help them much”
Ijichi flinched at that. [Name] only went for low blows when he was pissed, and it was obvious pretty soon someone would have to face his wrath. And because he knew what was best for his safety and peace of mind, Ijichi answered [Name]’s question before he asked
“I warned them not to engage a special grade so they should be fine until you get here. I lowered the curtain myself so you’ll be able to get in. They’re at Eishu Juvenile Detention Center”
“I’ll be there in 10”
[Name] would probably make it in less time than that but he always made sure to be careful with making promises. There was always a chance he would run into some issues on the way there. Grabbing his things, he set out for the detention center hoping Nobara and Megumi were okay. Yuji was stronger than those two, though Megumi could be a suicidal idiot at times. If things got anymore serious they’d let Sukuna out, but that would be a whole other problem.
“Ijichi, i’m here”
“...[Name]”
“What?”
“Kugisaki is hurt. I'm driving back to the school.”
“If you’re driving back, why is the curtain still up?”
“Fushiguro went back in to deal with Sukuna who’s more than likely already taken care of the curse I recommend-”
[Name] hung up. “Fucking rule followers and their precious higher ups. And look what a mess I have to take care of” he said as he looked up at the curtain. He sighed and then walked through
“I don’t feel a curse- is that megumi” [Name] thought aloud
“He ain’t coming back” Sukuna teased “Don’t worry I’m in a good mood. Let’s talk”
“I’m not feeling particularly chatty” [Name] called out. Fushiguro and Sukuna turned to the second year in shock
“Fushiguro you should go”
“No. I’m not leaving you alone. And besides it’s my responsibility-”
“Do you think I’m here to kill Yuji?”
“...”
“I’m here to rescue your sorry asses. I was sent on a mission earlier and came back in a hurry to make sure you were okay. I’m a little sad I don’t get to meet the curse that hurt poor Kugisaki-chan but he’ll make do” [Name]’s voice became darker the longer he went on
“My fighting skill is nowhere near the level of Maki’s, but my cursed technique on the other hand… Don’t worry, Yuji’ll make it out alive”
Fushiguro hesitated. He trusted [Name], it was Sukuna who was the problem. The curse was cunning and took advantage of Fushiguro’s hesitation to enact his plan
“It seems he’s having a hard time changing back” Sukuna started “This must be a side effect of using me without restrictions. It’s most likely only a matter of time though… So i’ve been thinking about my next move.”
Before [Name] or Fushiguro could realize, Sukuna had ripped Yuji’s heart out, smiling as blood dripped out of his mouth and the gaping hole in his chest. The two of them froze. If he were at his best [Name] would’ve been able to stop Sukuna from continuing to monologue or even from swallowing another of his fingers. But he had defeated a first grade curse, dealt with the higher ups and rushed to the first years’ rescue within 3 hours.
Fushiguro seemed to follow the conversation as [Name] just stood there, his ears ringing as if he were standing too close to a bomb that went off.
“Itadori will return” Megumi said confidently “Even if it means his death. He’s that kind of guy”
And Megumi was right, [Name] knew of it. So he made a sacrifice. Fushiguro would have to deal with Sukuna while [Name] figured out what to do next. With two fingers Sukuna might’ve been able to resist [Name]’s compulsion. ‘No’ he thought ‘it would take a few more fingers before he was that strong.’
“Stop”
The both of them froze in place. There was a trail of blood running down Yuji’s chest but [Name] could tell Sukuna had done more damage to Megumi than Megumi had done to Yuji’s body
“Stay out of my way Megumi” [Name] said before looking in Sukuna’s eyes “Yuji, if you can hear me. I’m sorry”
“This brat’s not worth the effort” Sukuna smirked. He may not have been able to move but he was going to try and tempt the second year into losing his composure.
“Choke”
Sukuna began to gargle on the blood that was supposed to be pumping through Yuji’s body. Choking, he fell on the ground. Megumi’s eyes widened and he moved to say something but [Name] shot him a desperate, angry look picking up Yuji’s discarded heart shoving it into the empty cavity.
“Heal Him”
“It’s too late [Name]”
“Yuji?? No! NO! YUJI! SWITCH BACK I CAN MAKE HIM HEAL YOU”
“Megumi. [Name]. And Kugisaki and Gojo-sensei. Well I guess I don’t have to worry about him. Live a long life okay?” Yuji smiled as tears dripped onto his face
“I Heard A Rumor” [Name] whispered “That nothing happened and you were gonna be okay”
“What a nice rumor senpai” “Yuji whispered back before the light in his eyes faded
Fushiguro laid a hand on [Name]’s shoulder looking up to the sky as he tried to keep from crying. [Name] let out a pained scream shocking Fushiguro. Megumi wrapped his arms around [Name] trying to pull him up and meeting resistance Fushiguro just walked toward the exit before stopping. Without looking back he said “I’ll send Gojo to collect you both” and then walked off.
Gojo did come back to pick up the body and the shell shocked [Name] but when he showed up there was nothing there. As if the land behind the two had just up and walked away. Gojo wasn’t informed of [Name]’s rumor but assumed the boy did it out of rage. He was the only one able to wipe a location off the map so cleanly. What he didn’t realize that if the land had returned to its natural state as if nothing had ever happened, Yuji was bound to be okay
#jujutsu kaisen#jujutsu kaisen x reader#jujutsu kaisen x male reader#jujutsu kaisen x m!reader#x male reader#x reader#male reader#male reader insert#x m!reader#xmr
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thanks for tagging me @flowercrown-bard!
Fanfiction tag game
how many works do you have on Ao3?
36 (which is honestly a lot more than I’d have thought)
what’s your total Ao3 word count?
244,36. Fun fact: most of that was written between August and December last year
what are your top 5 fics by kudos?
Of Witchers, Bards, and Broken Hearts. So far no surprises. This fic got wildly popular and at this point I’m still not sure why
Toss a Coin to your Lover. The first witcher fic I ever wrote! I vomited out 1k words at 2 am and then look what became of me...
The Best Laid Plans. Ahhh, yes. The mistletoe fic. One of my personal favourites.
Handsy Strangers and Clever Bards. This is a very short fic of mine in which Jaskier is hit on by a stranger and says that Geralt is actually his boyfriend. Not a lot happens but it’s pretend relationship, so I get it
To Find Warmth Where There Is None. The Kaer Morons cuddle pile fic! I love that one
do you respond to comments, why or why not?
I try to, but I tend to forget. I just love interacting with the author when I’m writing comments, so I imagine my readers might feel a similar way. I also love interacting with readers, getting to know their opinions, theories, etc.
what’s the fic you’ve written with the happiest ending?
See, here’s the problem: I don’t really do endings, I reach a point where I don’t know how to continue and slap that thing on the internet. Besides that, most of my fics just end with the couple getting together. But if you’re looking for a fic with a particularily sappy ending, I’d recommend my entry for Zutara Week 2020.
what’s the fic you’ve written with the angstiest ending?
ahhhh, I think this would be this angsty baby here. Geralt apologises to Jaskier after the mountain, but they have to keep their relationship secret, feat. a beautiful (albeit very sad) artwork by @spielzeugkaiser
do you write crossovers?
no, I don’t really see the appeal
have you ever received hate on a fic?
I think I might just start to cry if I ever did, so I am very glad that I haven’t
do you write smut? if so, what kind?
I tried writing smut a couple of times and am absolutely unable to read any of it again. I’ve said so several times but the only Geraskier thing spicier than a tomato I’ve got is this
have you ever co-written a fic before?
Not a fanfic, no! But I’ve got a 200k monster with @parttime-creative (that I have to continue, whoops)
what’s your all-time favourite ship?
Zutara. It’s almost been 10 years since I lost my heart to that ship
what’s a wip that you want to finish but don’t think you ever will?
Probably We Were Born Sick, just realistically speaking. I’m not as invested as in OWBABH and the drive is kinda gone...
what are your writing strengths?
Honestly, I think that is more a question for my readers than me. But judging from what I’ve been told before, I’d say it’s creating secondary characters? Oh, and another thing that I enjoy immensely to write are dreams and visions.
what are your writing weaknesses?
I would say body language. Not that I have problems envisioning it, but then turning it into words is driving me nuts. Also, travel logs. These are also the most boring things for me when I am reading.
what are your thoughts on writing dialogue in other languages in a fic?
So, here’s the thing: as a reader, I don’t particularly care about that, I can just skip it. Only when it’s like crucial sentences, then I’m all for it (ASOIAF with Valar Morghulis/Valar dohaeris my beloved).
As a writer, worldbuilder, and linguist, however? I fucking love my conlangs. And I love incorporating them into the story. But I do realise that most readers don’t care for that and that’s okay. I don’t really incorporate it into fics anyways. (My original work/pathfinder campaign tho? different story)
what was the first fandom you wrote for?
The first fandom I wrote for (as in published a fic in fandom spaces) was for the Warriors novel series in 2010/2011 I think? Although I did not use any of the original character or even the setting! (If you ask me, I had a stellar premise and to this day I maintain that it was better than any of the later seasons. but oh well)
That was when I first became aware of fandom. I have, however, still the document of a self-insert Dragid Feuerherz fanfic from when I was about 8
what’s your favourite fic you’ve written?
I would say it’s OWBABH, because I really love that AU with my whole heart... BUT the fic I’m definitely proudest of is For You I’ll Always Wait (very loosely inspired by my absolute obsession with Hadestown). I wrote eight entire poems for it! I analysed Jaskier’s ballads so that I could replicate the tone and the rhymes and metre and everything! And it’s almost entirely set in a dream world with weird laws of physics and deities and stuff! I even printed it and bound it as a book!
Yeah, I love that fic. I loved writing it and, what’s even more important, I love reading it.
Thanks for tagging me, this was fun!
I’m tagging @witcher-and-his-bard, @parttime-creative, @contemplativepancakes and whoever else wants to do this
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Fic Writer Review
Thank you so much for the tag @do-androids-dream-ao3acc!
1. How many fics on AO3?
3 works - I'm only getting started :)
2. Total AO3 wordcount?
48.349
3. How many fandoms have you written for and what are they?
Published? Only for The Witcher (Video Game). There might have been a few unpublished ones for Lord of the Rings and Dragonball Z in my youth, though.
4. Top Five By Kudos?
I can only give you the top three for obvious reasons, but here we go:
3. Dark Metinna with 52 kudos (and I'm crying a little over it being last in place, because I consider it the best thing I've written so far)
2. Mellow My Mind with 57 kudos
1. A Cat's Love Language with 93 kudos.
5. Do you respond to comments, why/why not?
I always respond to comments! That is mainly because of my own experience as a reader/commenter: when I write a nice and elaborate comment (or even just a nice sentence) and the author doesn't even give me a peep in response, I feel discouraged and unappreciated. To me it feels like screaming into a void and I never want that for any of my readers. So, yes, I will always respond to comments - even if it's just a "thank you". I see you, readers, and I want you to feel seen, too.
6. What's the fic you've written with the angsties ending?
No angsty endings in this house! Only nice and well-rounded endings!
7. Do you write crossovers? If so, what is the craziest one you've written?
No, I don't have written a crossover (yet).
8. Have you received hate on a fic?
No, and I'm grateful for it!
9. Do you write smut?
No, I don't. Hinting at it is the furthest I will go in that regard.
10. Have you ever had a fic stolen?
No. What would be the point of that anyway? *looks at the meagre kudos*
11. Ever had a fic translated?
Unfortunately not.
12. Ever co-written a fic before?
No, and I'm not sure that I ever will. My muse is unreliable...to say the least.
13. All time favorite ship?
Emhyr var Emreis x Geralt of Rivia, of course. I write what I like, after all. Although Lambert x Aiden and Dandelion x Geralt of Rivia is a close second and third within the Witcher fandom. Ask me about other fandoms and I will just throw a list at you. I commandeer a whole fleet of ships!
14. What's a WIP you want to finish, but don't think you ever will?
I only have one proper WIP right now and I will finish it someday. No promises on when that will be, though.
15. What are your writing strengths?
Especially after publishing Dark Metinna, I'm rather confident to say that it's emotions and plots.
16. What are your writing weaknesses?
Romance and action scenes. Smut, like stated above.
17. What are your thoughts of writing dialogue in other languages?
I think it's a very useful tool in showing what goes on in a character. Let's take Emhyr var Emreis, for example, who is, for all that we know, bilingual, because he speaks Common and Nilfgaardian. In Dark Metinna I made him drop back into Nilfgaardian on several occasions:
1. To show his emotional turmoil, thus reverting back to his native tongue (to soothe himself, maybe, or because his grip on Common just slips when he's upset)
2. To be able to say things he couldn't say in Common because our dear, uptight Emperor just can't be soft and gentle around Geralt. But the man behind the mask can.
But for all its usefulness, of course, you can't overdo it, or readers might get bored. Still, I love doing this, especially for fantasy languages like Nilfgaardian!
18. First fandom you write for?
Again, if you ask for published fics - The Witcher. If you ask for unpublished fics as well, it's probably The Lord of the Rings.
19. Favorite fic you've ever written?
Without a question it's Dark Metinna. This fic was my bane and my joy for several weeks as it simply poured out of me. I lost sleep because of it. And I'm so ridiculously proud of it: for its plot, for its characters and for the little quirks I could give Emhyr in it.
So it seems I'm almost robbed of people to tag! But a few of my favorite mutuals and writers remain. So @the-butch-of-blaviken @alllthequeenshorses @useless-empty-brain @traumschwinge maybe you are up for it?
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I’m so angry! 🤬
So to recap: 2 jobs ago, my boss saw that my talents were not being best utilized in my current role and offered me a new position that leveraged them more. Namely, these talents were related to writing and editing. This spring, my boss’s boss wanted to cut my position and my boss spent literally multiple hours of her supervision time arguing to keep me. My job was cut anyway. A while later my boss revealed to me that she was getting a new job and there was an opportunity to take me with her into a writing-heavy position. She felt this position was absolutely vital to have (it did not previously exist) and assured me that I was her top pick for it and she had me in mind while writing the job description. There were politics etc with when exactly the hire could be made, but basically, if I still needed/wanted the job when things got moving, it was mine. Because of my writing skills that my boss had seen over the past 5 years working together.
Finally things got moving and my boss reached out. However there had been a slight shift and this position would now be reporting with a solid line to one department and a dotted line to another, which would be which still TBD, so the other department head needed to interview me since she didn’t know me. I was asked to send her my resume and some writing samples, which I did.
She spoke to me for less than 15 minutes. The first question out of her mouth seemed to indicate that not only had she not looked at my resume, she also hadn’t particularly absorbed the part where I’d worked with my boss for 5 years, which had been written in the approximately 3 sentence intro email my boss sent us both, as well as I would think ostensibly discussed between the two of them previously. Most of the less than 15 minutes was spent answering a question she really could have answered herself just taking a good look at my resume. The only time my writing came up was when she asked me if I had experience doing a particular type of writing, to which I responded that I do not, but that my boss and I are both fully confident that I have the skills to do it. She didn’t say anything about my writing samples or ask for additional ones written for a different context.
Today I got an email from my boss saying that the interviewer told her we had a great conversation and she really liked me, but she doesn’t think my writing is at the level she’s looking for, and she has to sign off on the hire for this position, so that’s that.
Like EXCUSE me?! I would understand if I was some rando who applied for a job I didn’t have the experience for and was just like “trust me, I totally have the skills to do it.” But that’s not the situation! I was RECRUITED for this job, which was created with me in mind from its conception, FOR MY WRITING SKILLS by someone who has seen me use them for FIVE YEARS! How the hell does this lady who hardly gave me the time of day and has seen literally 2 things I’ve written get to just waltz in and say my writing is not at the necessary level?! Ask me for some additional material, give me an assignment, just…take 2 seconds to try to understand why my boss wanted ME specifically in this position instead of dismissing me out of hand???
I immediately responded to the email asking if we could speak by phone, and my boss called me a couple minutes later. I told her about how short the interview was and how little of it had to do with my writing, and that I didn’t feel I had been given a fair shot to prove myself at all under the circumstances. She was very receptive, thankfully, and suggested that I put together some copy of the type that this lady was concerned about over the next week or so and then we will go back to her and present it.
This is kind of a big ask because I DON’T have the experience and I’m being asked to do it without the guidance or context that I would receive in the actual job (I’m making up a fake campaign!), but damn if I’m going to let this be how this lead ends when the job itself was created with me in freaking mind. So you can bet I’m going to give it my all.
The other ridiculous thing about all of this is that the type of writing this lady is ostensibly so concerned about is not even the entirety of the job! She zoomed in on this one thing and didn’t even ask about any of the other functions of the job.
The point is - it’s a writing job. I am good at writing. I am good at learning new things. I just have not been given the opportunity in the past to do this specific type of writing, but I can WRITE, so I can learn how to do this type of writing. I KNOW I can do this job and I would be good at it! My boss knows I can do it and would be good at it! That’s why she thought of me as she wrote the job description! Every single person I’ve told about this job has told me it sounds perfect for me and that I would be good at it. I WOULD BE GOOD AT IT! And it will be a massive, massive shame if this stupid lady can’t be bothered to give me a fair chance to demonstrate that even with my boss backing me up with 5 years of knowledge of my abilities.
#AHHHHHHHHHHHHHHHHHHHHHHH#i was supposed to be offered a job this is ridiculous!#i shouldn't be fighting for a position that was created FOR ME!
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Favorite Works of 2020
I was tagged by @girl-in-red-crossing (whose fics you should totally read if you haven’t! <3). Thank you!
Rules: it’s time to love yourselves! choose your 5 (ish) favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!
Ooh, this was kind of hard! I didn’t realize I made so many things this year.
Though I Try Not To So, new fandoms are always a little scary for me. I don’t know the landscape, I lack confidence in my characterization, and often the first really personally compelling idea I have has been done a bajillion times. And that was definitely how I felt posting this one. I was already thrilled that I felt like writing again after hardly doing anything for over a year though, and if nobody read the darned thing, I’d still be happy for that. But I have never felt so overwhelmingly welcome in a fandom before as I did working on this story. It makes me want to collectively hug everyone. Even if it Hurts (Even if it Makes Me Bleed) I have kind of a love/hate relationship with the soulmate trope. I love a lot of soulmate fics. They’re often very sweet and well written. There are a couple I’ve found myself going back to read again because they’re wonderful. But as a person who harps a lot on personal agency, I have a little bit of a hard time with soulmates as a concept. This becomes extra true for me where Geralt is concerned because so much of his life and the people in it already got decided for him. I’ve always wanted to write a soulmate fic, but it didn’t feel like it would be true to the kind of stories I want to tell if I didn’t find some way to turn the trope on its ear. I had so much fun trying to work this out, and I’m actually really happy with the end result. Even in the Dark I Know You I think pretty much all my friends from previous fandoms who put up with my current nonsense could tell you that most of the time when I’m flailing about a story idea, it’s in the context of “But what if it was worse???” Angst is my jam, but even more so when it comes with the catharsis of a hopeful ending. I think if there were one thing I wrote this year that really illustrates my reading and writing tendencies it’s this one. This actually started out with what was supposed to be a random oneshot for Geralt Whump Week, but I had so much fun playing with it that I didn’t stop until I’d spun it out into a proper narrative. For The Space of a Heartbeat I started this fic back in June, wrote a bit, decided I was getting everything wrong, and closed the document for almost five months. And when I actually posted it, it was largely because I was supposed to be working on Whumptober prompts, and the minute I have a thing I’m supposed to be doing, my brain tends to insist that it’s really very urgent that I finish this other thing instead. That’s a terrible run-on sentence, but I’m rolling with it. I don’t think it’s even my own work that makes it a favorite of mine. It’s that someone left this one comment about they’d been having a terrible day and this made them smile anyway. There is no better feeling than knowing somewhere out there, someone’s life is at least the tiniest bit better because of what you put out into the world. Nothing But The Background Noise This one is very close to my heart. I might claim to love angst (and I do), but sometimes it’s nice to write something that’s just unapologetically soft. I started it ages ago, got halfway through and then ended up stuck because I had this sentiment I was trying to illustrate, but nothing I wrote really seemed to articulate it while still feeling true to my translation of the characters. I was so, so, so happy when it finally hit me that I was too married to a particular ending and just needed to let go of it. As for tagging! @mikkeneko @goodheavensgwen @inennui @valdomarx @teamfreehoodies and really, anyone who wants to. I really love reading these. <3
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Love Bites
Love sucks. That's pretty much common knowledge. Combine that with addiction, money, fame, and childhood trauma and you've got a recipe for disaster.
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Same shit, different fucking day.
Don't ask me how I'm balancing six days a week at my job and band practice three to four days a week, because I truly have no fucking idea. I tried college but once the band formed, I cut that out of my schedule completely.
It's been about a months since the argument with Gwen and Tiffany went down and our band hasn't practiced. I tried to be sympathetic for the longest time, but it's beyond ridiculous now. Veronica, Tiffany, and I have been wanting to do band stuff but Gwen refuses because she's mad that Tiffany is dating a man SHE broke up with. It's not like Tiffany did it intentionally, and the fact that she's letting her own personal stuff interfere with our band is really pissing me off.
We've all got shit going on, but Gwen loves being a drama queen. Veronica has suggested kicking her out of the band a few times and Tiffany has echoed the same sentiment, but I don't think my patience has thinned to that extent just yet.
But it's getting there.
Young musicans aren't hard to come by, but finding someone who fits the band's sound as perfectly as Gwen's adds on a large layer of difficulty that I'm not prepared for. We'd have to start all over, teach our new singer the songs, establish chemistry...it seems exhausting and more trouble than it's worth, at least for the time being.
"Hey Julie." Dylan greeted me as I walked past, something he does whenever we work together. Sometimes it ends up being the best part of my day.
As the day progresses, I find myself smiling a lot more than I usually do. Customers are easier to deal with and a large amount of them were actually friendly. It created a light-hearted atmosphere in the restaurant that we don't get too often, unfortunately. The time seemed to fly by.
"Good luck Dylan." I said goodbye and walked out of the front door. Dylan was always there a hour before I arrived, and an hour before I left. The rest of the staff is pretty cool, but Dylan is the only one I'd consider to be a friend of mine. He's essentially the less musically inclined male version of me.
I head to our rehearsal space for the second time this week. I've extended the invitation to Gwen, as if she needs an invitation to show up to her own fucking band's rehearsal. If she doesn't show up tonight, she's out. Our time is just as important as hers and we're all tired of it being wasted.
I'm usually the first person to show up, but some days that isn't the case, like today.
"Hey." Gwen says shyly.
I give her a blank stare and proceeded to put my things down on a table nearby.
"Nice of you to finally decided to show up." I stated plainly.
"Look, I know I've missed a lot of practice and I totally understand the three of you being pissed at me, but can you please take one second to see this from my perspective?"
I couldn't help but scoff at what was coming out of Gwen's mouth. Has she seriously taken an objective look at the situation and came to the conclusion that she has a leg to stand on.
"Okay fine. You broke up with a guy, he moved onto Tiffany, you were so jealous that he wasn't falling you around like a lost puppy, and you took it out on Tiffany."
Gwen rolled her eyes but before she could speak, Tiffany and Veronica entered the room. Anger was written all over Tiffany's face, while Veronica seemed to be as cool as a cucumber.
That's one thing I've always liked about Veronica. She can keep her cool in some pretty tough situations. That's not all there is to like about her, though. She's utterly gorgeous. Her dark skin and hair that was almost always styled in an afro were truly beautiful features that I couldn't help but admire. She's beautiful, smart, talented, and has an amazing personality. She's the full package.
"What the fuck are you doing here?" Tiffany wasted no time begining the screaming match we all knew was about to go down.
"We're in the same band." Gwen managed to maintain her regular tone of voice, but if I know Tiff like I think I do, and trust me, I do, she'll keep going until she sets Gwen off and then everything will go up in flames.
"Clearly the band hasn't been very high on your list of priorities for the past four weeks. Finally make time in your schedule for us, princess?" Tiffany was speaking with her genuine emotions, but part of her wanted to get a reaction out of Gwen. She knows how Gwen feels about being called "princess".
Gwen looks like she wants to say something to Tiffany that would no doubt escalate the situation even further, but she takes a deep breath and regains her composure.
"I'm sorry, okay? For everything. Julie was right, I should've maintained my professionalism above all else...and I shouldn't have put some guy over you and our friendship."
The three of us looked at Gwen semi-shocked. That girl never apologizes for anything. Instead of responding, Tiffany tells Veronica and I that she's stepping out for a smoke.
I'm not sure if we should discuss things further or let bygones be bygones, but it's not exactly my place to make that call.
Tiffany returns just as I finshed tuning my guitar and walked up to Gwen. If I didn't know Tiffany, I'd say she was going to punch Gwen in the face with the speed she was moving.
"That whole situation was fucked up, but I know how hard it is for you to apologize to people, so I forgive you." Tiffany pulls Gwen in for a hug and for the first time in awhile, things seem okay between the four of us.
"I would like to reiterate that Gwendolyn said I was right." I smiled proudly.
"Yeah, don't get used to hearing that from me."
It was nice while it lasted, at least.
Band practice turned out to be super productive, and it hasn't been that way in a long time. We got a lot of work done today and hopefully we can keep this up for awhile. We spent about 7 hours in our rehearsal space and it felt more like 5 minutes. Time really does fly when you're surrounded by positivity.
The girls and I said our goodbyes and parted ways for the night. Tiffany had mentioned that we haven't seen each other this past month like we usually do. Of course I feel bad about that, she's been my best friend for so long. But I've been spending a lot of time with the Guns N' Roses boys...Axl in particular can be a persuasive little shit when he wants to be. I've already told the guys that Tiffany's birthday is this weekend and they can't keep monopolizing my time. I need more feminine energy!
"Julie!" I hear someone call out. I recognize the voice as soon as it hits my ears.
"Hey Slash, what's up?"
Minus Izzy, I'm becoming pretty close with the members of Guns N' Roses. I just wish that man wasn't so goddamn illusive.
Slash and I walk and talk. Clearly he's decided we're hanging out tonight. I don't mind it much since Tiffany's going out with Victor tonight, Gwen is visiting her parents, and Veronica is doing god knows what, like always. So even if I wanted to make plans with someone, it's not like I had anyone else anyway.
"I don't think anyone's at the house, besides Izzy." From the way he phrased his sentence, it was a clear indication that Slash had no interest in staying at the "Hell House" with Izzy, he usually opted to spend his nights the same way he spent his days: completely wasted. It didn't matter if it was alcohol or heroin, if it got him high, he'd take it.
But this isn't about Slash. I want to see Izzy...I might have a slight obsession with a man who has never even said a single word to me, but I mean, he's absolutely gorgeous. There's something about him that keeps me drawn to him and I'm determined to figure out what it is. No matter how long it takes me.
"Then let's go to the house."
Before Slash can process what I said so he could say no, I grab him by the arm and run as fast as I possibly can while dragging a grown man behind me. It only takes about 15 seconds of running before I realized, Slash in tow or not, I'm very out of shape. I'm running out of breath, determined to get to the band's house. I'll be wheezing all the way down Sunset Boulevard and trying to convince myself it's worth it by the time we get there. But knowing me, it won't.
We enter the house and lo and behold...
Izzy isn't there. Despite me struggling to breathe, the look of defeat plasters my face and Slash starts laughing his ass off.
"Izzy's out working, I just wanted to see how you'd react. Sure didn't think you'd go runnin to our house, though." Slash manages to get out through his fit of hysterical laughter.
"Slash! Why the hell would you do that?"
"Because I know you like him. I got the confirmation I needed. Just wait until I tell Duff!" Slash heads for the stairs, but I grab his arm before he starts his ascent.
"You cannot tell Duff." I tell him seriously.
"He can't tell Duff what?" Duff appears from the kitchen
"And why are you out of breath? And why are you holding Slash's arm?"
"She totally likes Izzy, dude. I told her that he was here and she dragged me through the streets. We almost got hit by like, 5 cars."
My shocked face slowly twists into a look of confusion as Duff rolls his eyes, pulls out his wallet, and hands Slash a 20 dollar bill.
"Dude, you guys bet on whether I liked Izzy or not?" I was part shocked, part confused, and part mortified that my crush on Izzy was that obvious. Izzy seems like a smart man, so I couldn't stop thinking about the possibility of him knowing and not talking to me because I'm a weird chick who likes him without even knowing anything about him.
"Yeah, and now I'm out 20 bucks because you can't control your goddamn hormones." Duff says in mock frustration. I ignore his joke as the overthinking sets in further.
"Does...does he know?"
"Nah. The man's pretty oblivious, plus he doesn't pay much attention to anything except drugs, work, and music. It's fine." Duff reassures me.
Then Izzy walks in. The three of us get quiet when he shuts the door behind him. He looked at the guys then looks me up and down. He then looks back up at my face like he's done several times before, but this time he doesn't look away when our eyes meet, not immediately, at least. I feel my heart start beating a mile a minute at the momentary eye contact and feel myself longing for it again when it breaks.
He nods his head and walks up the stairs. I guess his first words to me will have to wait another day.
"What does Izzy do for work?" I ask, to no one in particular.
"He's a drug dealer." Duff replies nonchalantly.
I don't know how to respond to that, so I don't. Slash and Duff have their own conversation and I find myself wondering what kind of person Izzy is. I don't know what to think. All I know is he's a damn good musician, an equally gifted writer, and a drug dealer.
Who the hell is Izzy Stradlin?
#guns n' roses#guns n roses#guns n roses fanfic#axl rose#steven adler#izzy stradlin#duff mckagan#slash#slash gnr#saul hudson
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author interview tag game
thank you for the tag, @pandora15! <3
Name: caroline
Fandoms: mostly the clone wars, but i also have some marvel stuff, and waaay back in the day, i wrote some doctor who and merlin stuff!
Where you post: primarily on ao3! i mostly just write on tumblr when i’m accepting prompts from like...ask games or something.
Most Popular Oneshot: real
Most Popular Multichap: to these memories (this fic only recently hit 1k kudos, and my heart?? w h a t)
Favorite Story You’ve Written: def. to these memories because a) longest fic i’ve ever written, and b) oh, the hours i logged into writing this fic, and c) oh, the outlining that went into this fic...i’m very proud of myself for completing the fic, and of course, i credit this to everyone who showed their lovely support for the story. :’)
Fic You Were Nervous to Post: uhhh definitely too far just because it’s...rather personal. i sometimes say that there’ll be a scene or two or just straight up a line or two that’s plucked out of my real life, and i think it’s inevitable for writers of any kind, including fic writers, to isolate their real lives completely from whatever they’re writing, and?? this fic is probably the most personal for me because of that. i remember kinda hem-hawwing about posting it, because i was like whoa, maybe this is a little too personal? but then i steeled myself and was like, “okay, well, would this have lifted my spirits when i needed a story like this??” and then decided to post it.
How you choose your titles: i def. toss and turn between titles! there’s a few fics of mine that are straight-up song lyrics (no surprise there), but to my surprise (as i was looking through my catalogue of fics just now), i realize that a lot of my fics are usually just words or two about what i think might have been extremely important to the story. (or captures the overall tone/theme of the story, anyways.)
Do you outline? for multi-chapter fics and relatively long one-shots with lots of moving parts, i’ll outline. but for shorter one-shots and prompts, i’ll usually just stick with the image that compelled me to write the prompt/one-shot in the first place! (and then kinda write around that.)
Complete: uhhhhh, i’m gonna answer relatively for all my clone wars fics, because in total, i have 74 completed fics. (make that...75, hopefully in a few minutes or hours!) but out of clone wars fics, i have 46 completed fics! (and again, hopefully 47 in a little while.) a part of me is lowkey hoping that i’ll get up to 100 total fics by the end of this year. a part of me highly doubts it, but given how much i was able to write over summer break, i’m...intruiged if i wind up somehow writing another twenty or so fics by the end of this year. (asfsf my wip list is long enough to fill in for another twenty fics. caroline finish all your wips challenge.)
In Progress: okay, so officially, time, wondrous time is in progress and online. but in terms of the works in progress on my laptop...i have...*mutters, counting* fourteen official wips. (ten of them are one-shots, and the other four are longform fics. one of them, i’m hoping to release next week (!!!), and another, i’m hoping to release hopefully around mid-december. uhhh so fingers crossed??)
Coming Soon/Not Yet Started: oops, i guess i kinda already answered that question, but eh, might as well! the one coming out next week (hopefully!! caroline get your shit together challenge!!) is titled most ardently, and it’s an obitine au based off pride & prejudice because i cannot and will not shut up about obitine being the period drama ship out of star wars okay--
and then the other longform fic that is very overdue is called getting lost in a big galaxy, which is a fix-it of sorts taking place after season 5. anakin’s gone missing, and obi-wan winds up going on a galaxy-ride road trip with ahsoka (who, remember, has left the order) to find their idiot. this is honestly my excuse to just write more obi-wan and ahsoka content. hopefully, that’ll be posted in december!! (despite the fact i...originally meant to post it in august oOps.)
and then there’s this other longform fic which...might be coming in early 2021 called red, underlined, which is essentially...uh. everyone’s a stressed out law-school student, and anakin might have accidentally murdered professor palpatine, and now anakin, obi-wan, ahsoka, padme, and rex are all trying to find out what the hell to do with themselves because they’re all in on it. (def. influenced by how to get away with murder except without the criminal justice professor to lead them through the ropes. so more chaos. kind of a dark comedy vibe, if anything else? anakin no is major theme in this one. uh, i mean, maybe anakin was justified in murdering creep palpatine because our gang’s gonna find out what was going on in the background, but either way! lots of “holy shit are we good people are we bad people what are we doing”. lots of questions about morality! ethics! law school student study nights with anakin sprawled out on the floor and obi-wan wearing glasses (which he pushes up the bridge of his nose whenever he’s about to lecture anakin that no, that’s not how that statute works, dumbass) and ahsoka just bringing snacks and rex catching paper airplanes and padme being the one to supply everyone with very neat flashcards. this fic is gonna be an absolute beheamoth, and i’m estimating about 45 chapters? like...130K+ words? help? yeah idk either this really blew up in my head
and then...this stupid, wonderful, boring, amazing job, which is...office x tcw au. only not? it’s very, very loosely based off the office, but not really. obi-wan moves in as a new manager of a company, and we’ve got anakin being like “lol new guy i’m gonna mess with him”, and ahsoka being the one who’s both like “please don’t mess with our new boss” but also being like “actually, wait, lemme help”, rex being in hr and being like “i don’t get paid enough for this”. (also there’s some parts that are written like actual interviews like you would find in the office, so there’s this one bit where uhhh
Obi-Wan flicks his eyes to the cameras in silent question before turning back to Ahsoka. “Well, if you need to call maintenance, then I hardly think you need my permission—”
“Thanks!” Ahsoka says quickly, and she’s about to disappear from the doorway when Obi-Wan stands up.
“Wait, Ahsoka, what exactly—”
Ahsoka re-appears at the doorway. “Oh, right,” she says. “Um—maybe just stay away from the men’s bathroom for a little bit.” She pauses.
“Actually, just stay away from them for the rest of the day.” She hovers by the door for a minute longer, and then she adds quickly, “And maybe also avoid the breakroom. Everything’s fine!”
And with a perfectly not-fine smile, Ahsoka disappears from the doorway.
Obi-Wan stares at where Ahsoka was just a moment ago, and the he turns to the cameras in disbelief. “Did she just—” Unable to finish his own sentence, Obi-Wan starts out the door. “Ahsoka?”
The camera follows Obi-Wan out of the conference room and into the breakroom. There are only muffled shouts—Anakin’s shouts, and then Rex’s, and then Ahsoka’s frantic “no, sorry, everything’s fine!”, and then Obi-Wan’s loud, “What is going on in here?”
surprise y’all just got a snippet i’m sorry can you tell i’m weirdly into this au?? i need to rewrite some scenes but uh there you go
Prompts: for the most part, yes! i have some stuff in my faq about prompts that i’ll probably turn down (mostly anything that’s...above a certain rating/really, realy heavy themes that i just don’t think i can tackle with justice or with enough education on my end). i can be a little slow with prompts, but i’ll get to all of them in time!
Upcoming Work You’re Most Excited About: uhhhh i have too many that i’m excited about. literally i can write a mini essay on every single one of the fics i’m working on? but uhhh i guess since i already talked about all my major longform fics above (asdfasdfsd didn’t mean to do that, i’m so sorry for everyone who had to scroll past that word-vomit), i guess the one i’m most excited about releasing is the post season 7 obi-wan-and-ahsoka-finally-talk-about-how-they-miss-each-other-also-sorry-for-fighting-with-you-i-know-you-were-just-trying-your-best fic. (not a whole ton of spoilers for this one, but uh. i’m looking at some of these scenes and making frustrated sounds because there’s this one particular instance where i’m like, ahsoka. ahsoka just talk to him just ta lk to him but then lol no talking :)) also maybe some h/c? lowkey sickfic might be involved in this somehow? might have accidentally served as a precursor to to these memories? help? this fic just ballooned. caroline keep your ideas contained challenge!)
No Pressure Tags: @lightasthesun @soplantyourownflowers @ohhellokenobiand anyone else who wants to join!
#tag game#thank you!!#caroline.....control your wips challenge#also i am so sorry this got sO long and SO OUT OF HAND#also....lol caroline stop writing so many longform fic challenge#i really love writing one-shots#i really really love writing one shots#but like also. also there's a part of me that's like 'im gonna hyperfixate on this au sO HARD'#thankfully tho i think those are all the longform wips#there's also that one time travel fix it longform fic i have in the back of my head....#but lol i still haven't outlined it yet
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Paris Haute Couture Week S/S 2020 Plus a Little Jacquemus: Okay, Dior DID Suck (Part 2/2)
Hi to anyone reading,
First of all, thank you! I have never had a post do as well as the part 1 of my haute couture week review did and I am so overwhelmed with the positive feedback. This is probably funny to read for those of you getting thousands of reblogs on your posts, me acting like I won an academy award because I got a couple of hundred, but honestly I don’t expect any traction when I write on here (it’s basically just me word vomiting everything I’m thinking as if people want to hear it aka. mouthing off into what I thought was the void) so if you did read it, thank you! I do spend a long-ass time on these so it means a lot:-)
I’ll leave the self-indulgent ramble there though as it’s probably not what you came for and jump straight into part 2 of my thoughts, starting with Jacquemus. Yeah, I knew what I was doing when I tagged that in my last post. Simon Porte Jacquemus is the man of the *fashion* people right now; I’ve even found myself coming round to the Le Chiquito bag despite my original thought being “well, that’s fucking useless”. I know, I know, technically it’s not haute couture; it was part of Men’s Fashion Week, but it happened around the same time and everyone was talking about it on Twitter, so I feel like I have to include it.
In a way, it kind of reminds me of Bottega Veneta’s last RTW show, in that, especially with the women’s outfits, we seem to be sticking with simple, fitted garments and chunky, more statement jewellery. I’ve got to say I like the styling here a lot more though, and in general I’m a fan of this collection. The collared tops with cut outs underneath blazers are cool and I can’t wait until it gets warm enough for me to not feel dumb wearing my headscarfs like this; there’s a LOT of summer outfit inspiration. It’s not a mind-blowing collection or anything but it is effortlessly sexy and that’s something I wish I could say about myself. Most of us can only hope to look half as good as these models do whilst making the effort but at least Jacquemus is aspirational, lol.
I also fucking adore this colour palette. I’m sick of neutrals literally just meaning brown and white; the navy, sand and muted khaki is a fresh edition to what is usually interpreted as the colours you’d seen worn by Disney’s Riverboat Cruise staff and only Disney’s Riverboat Cruise staff. And I mean, come on-what is more neutral than typical English school carpet blue.
Next for the whole reason I had to make this haute couture week review 2 separate posts: Jean Paul Gaultier’s final show.
In the best way possible, it’s a lot. I don’t even really know where to start, except to say that I guess this is a fitting last show; a celebration of everything campy, messy, weird, performative, and punk is the perfect send off for a brand whose best known perfume of the last few years is called Scandal. More than anything, the final show represented the range of characters and cultures that have influenced JPG throughout his half-a-decade-long career, the lines that supposedly separate what is “masculine” and “feminine”, “old” and “young” and ultimately art and fashion blurred in the most exaggerated way possible. Sure, there are some looks which are individually a bit messy here but the way they were grouped into almost chapter-like segments meant that when you see them all together, they work. Nods to the patterns and structures that recurred from season to season were sprinkled throughout, from sailor stripes to corsets to the expected whirlwinds of colour. I’ll even allow the wellies in that one outfit; if I can get over bucket hats in Peter fucking Pilotto’s last RTW show, I can get over some questionable shoes here. Middle aged fishermen and boys who liked to pose with monster carp in their Tinder pictures as some weird display of masculinity everywhere rejoice.
Now onto a show that I personally found slightly disappointing: Margiela.
I think this one is a bit TOO weird for me. Like if you’re gonna go avant-garde, go all out. Chiffon gimp masks (I don’t know if that’s the intention here but that’s what I’m getting, sorry Maison) are something I’m not particularly fond of and I’ve never been a fan of the Tabi boots in the first place, let alone when they’ve seemingly been blown up to Michelin man style proportions. I didn’t find the show to be a total lost cause-I enjoyed the colour palette and I’ve always liked that contrast stitching detail, plus the bowler hats are interesting-but on the whole considering how much I liked the last RTW show, this is a bit of a let down.
The looks I included are salvageable but (I feel mean saying this) there were genuinely a lot of pieces that did just resemble bits of fabric draped over each over with no discernible rhyme or reason, so much so that they reminded me of some of the monstrosities I saw at a Drag Race pub quiz this one time where we had 5 mins to make some garms out of loo roll and then have a team member model them for points down a makeshift runway.
Ralph and Russo was alright. There were a few pieces that I really liked but again, I can’t help but compare this collection to the last, where it felt like the fussy details of bows and sequins and feathers and the Barbie Dreamhouse palette were utilised with a direction in mind. Here, I don’t get that. As ever, the gowns are gorgeous and I’d pay good money just to try one on for five minutes but as an overall collection I’d say there was a lack of higher vision, which is probably the snobbiest sentence I’ve ever written so forgive me.
As for Ronald Van Der Kemp, I could’ve done without including it to be honest, if it weren’t for the few pieces I’m in love with: the velvet cape, fur trimmed jacket and blue satin dress are probably my favourite pieces here.
So onto a collection I liked a lot more: Schiaparelli.
The influence of nature from flowers in bloom to insects to the organic structure of the human skeleton is as present as ever, though this collection includes a lot more delicate symbolism than usual. Honestly, the details make it for me; the brooches, earrings and facial jewellery are other-worldly touches to outfits that could otherwise be simple fashion magazine editor on-the-go. That’s not in itself a bad thing! The suits are gorgeous. I mean, I’m talking fashion editor in New York in a power suit yelling orders down the phone while she rushes along with a coffee. A Miranda Priestley in the making type woman. THAT’S a modern take on the divine feminine that Maria Grazia should’ve been going for; our goddesses aren’t women who sit around looking pretty (though that helps too) and place curses on mere mortals anymore, they’re women who get shit done.
With regards to Valentino, which was also a delight, let me start by saying this colour palette is EVERYTHING. It’s ugly sisters in Cinderella fantastic, and we know those 2 were the real fashion icons really. Other than that, I adore the Old Hollywood silhouettes from the gloves to the Liz Taylor-in-Cleopatra-level-dramatic earrings. Everything is opulent and expensive-looking and pretty much what we’ve all come to expect from Valentino. A strong 8/10.
For me personally, Viktor and Rolf was a standout and one of my favourite collections of haute couture week. It’s not going to be everyone’s cup of tea and I know it’s at the complete opposite end of the spectrum to what was probably my other favourite collection, Elie Saab, but this is just my style down to a T, the perfect balance of grungy and cutesy that I want to achieve.
There’s probably going to be a lot of objections to the temporary face tattoos and I get that, but I think they’re fucking sick. I obviously wouldn’t get a permanent one lest my mother murder me in cold blood however if I did, you bet I would be pairing them with frilly-ass babydoll dresses that you could pick up in Camden Market like this.
And last but not least (that would be Dior), there’s Zuhair Murad.
Sigh.
IDK, man. Seeing Zuhair Murad dresses on Tumblr and WeHeartIt (remember that site? It still exists!) as a 14 year old was one of the things that got me into fashion, so it sucks that almost every time a new collection comes around, I feel underwhelmed. Disappointingly, the brand hasn’t really progressed all that much since 2013. It goes without saying that the stoning and the embroidery and sequins are stunning and would make anyone feel like a princess but from a critical point of view, I’m just not seeing anything new here. Whereas I feel like Elie Saab, for example, reflected the growing fascination with East Asian fashion and recognition of the supremacy of the region’s street style in his haute couture last collection, Zuhair Murad seems to be stuck designing the same dresses he was 6 years ago.
To pick one example, the rounded stoned necklines are so outdated that they’ve been making their way onto department store prom dresses for years. I get that it’s supposed to be a reference to Ancient Egyptian style and I respect that, I was one of those 8 year old that was obsessed with mummies and the “Curse of Tutankhamun”, but couldn’t it be done in a more interesting way? It’s Maria Grazia’s spin on Ancient Greece all over again. Now I get how how the I imagine very niche subsection of people who are into fashion and Julius Caesar (okay, so I don’t even know if they still believed in mythology and all that malarky at that point in history but just roll with my comparison here) might’ve felt going through Vogue Runway. Anyway, I hate to end on a critical note and so be clear, these are still absolutely magnificent dresses. If we ignore those ugly round necklines, that is.
So that’s it for this post! If you read part 1 and 2, I hope you enjoyed it! As always, let me know your opinions and feel free to disagree. I’m literally just about to start trawling through all the A/W 2020 RTW collections though I imagine that’s gonna take me way longer to do than this, so I wouldn’t expect that for a month or two. In the meantime, I’m trying to fit shooting a Euphoria-inspired lookbook into my days off work which is looking atm like it’s going to be the end of March, so look out for that, and also a review of the red carpet fashion from this season’s award shows.
As ever, thank you so much for reading and again, thank you for the reception on part 1 if you were one of the people that read it. It makes staying up til 3am with the jitters seem worthwhile, lol!
Lauren x
#haute couture#haute couture week#pfw#pfw2020#paris#fashion#fashion week#designer#jacquemus#style#review#dior#sequins#pretty#aesthetic#zuhair murad#grunge#viktor and rolf#valentino#luxury#schiaparelli#georges hobeika#maison margiela#margiela tabi#jean paul gaultier#jpg#jpgaultier
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listening reading method updates
Some updates because I’ve done Listening Reading Method maybe 10-15 hours within the past week and wow is it worth doing (for me) if done properly:
First some notes of what “properly” means for me: It means I’ve done step 2 at some point (since I’m using all books I have at least vague prior context for whether its this past year or in life I’ve seen them before). It means I do step 2 first. Then I do step 3, with parallel text so I keep my place OR do it in Pleco (doing step 3 in Pleco is strangely super effective for me).
So, I’ve been testing my general listening comprehension. How I’ve tested it: listening to some audio file of a chapter I did with L R method, and see if I can understand it better. So no text aid. Also generally some time gap (at least a few days) between when I did L R, and when I listen to test my comprehension.
Limits of test: this is not new material - I have both prior context of the plot, and doing L R method on the material before means I have intensively studied that audio material with L R method at one point. I’m trying to find some ‘totally unknown’ stuff to test with too we’ll see.
Benefits of the test: its easy to compare my progress, because I’ve listened to these audios many times so I know where my ‘comprehension’ of them was at a few months ago. I can more easily compare.
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So anyway, has L R Method helped listening comprehension? YES god oh my god.
I listened to Chapter 9 of Guardian’s audiobook just falling asleep, because I didn’t feel like full on L R Method the chapter (I have done Listening Reading Method for chapters 1-8). I could understand enough to follow the entire main plot and all the main scenes - a few descriptive sentences lost me, but I got all the action-related (touched reached stood cried shouted left side pocket held objects movement and set phrases priest uses for certain expressions), key emotion related (like sad cold warm kind sharp worried investigated pushed shivered and set phrases I remember priest using for certain expressions) details, and got all of the main dialogue (this part context helps for though since words like reincarnation and sundial are fairly new to me and I only understand since I already ran into them in previous chapters I’ve done L R Method with).
I was freaking FLOORED I could just listen and enjoy the story, so today I listened to chapter 1 again. And YEP - same thing applied. I could follow all of the main plot, main scenes, and certain details. I totally missed the part where he talks about his aunt/uncle but I heard his bad grades, got the letter for a job notice, how he hates phone calls, his plan to go, him getting to the place, what the place looked like and Wang Zheng and all the scenes at the job - so like I mentioned, actions/emotions/real objects being interacted with I can mostly follow. The paragraphs of description background (like Guo Changcheng’s upbringing and how his uncle got him a job) are harder for me to catch everything - I am guessing because there’s more description phrases and less straightforward action=response. (For example - xiao guo sees Lao Wu, they respond, so its easy to follow, or he sees Wang Zheng and faints, or he walks into the courtyard and reads the address - all of these moments directly focus on things and react which is easier to follow).
For the first time I can say I can listen to just the audiobook and follow it enough to enjoy the plot and what’s mainly going on without any text aid. And I’ve only done the listening reading method for 8 chapters! That’s 40-50 minutes a chapter, around 360 minutes or 6 hours. 6 hours spent Listening Reading Method Guardian, and I already see a huge boost in what I can comprehend in listening! (I also did some random L R method chapters of other stuff so add 1-2 hours - that’s still like 8 hours total... that ain’t much).
Last time I listened to guardian audiobook without any text aid (a few months ago), I could hear some words I knew and some phrases, and had a vague understanding of when he got to the job (heard courtyard and si ming hao), met Lao Wu (i heard him report for duty), when he talked to zhao yunlan and got generally welcomed, met Wang Zheng and thought ‘he has no feet’ and got scared. No fucking details. The vaguest impression of the main plot mainly because I’ve read the chapter before and knew the scenes coming. But that was still eons better than Before That - around 6 months ago i listened to chapter 1 like 5 times until i could hear some phrases instead of just isolated words.
This time, I could follow things because I could HEAR what was actually going on, not just because I heard some keywords. I could clearly hear the details about Guo Changcheng entering the courtyard, reading the address and special investigations name, go up to Lao Wu and report in and Lao Wu greet him warmly and excitedly mention how lucky it is he came today that their boss is there! And fawn over how cool the boss is, and all the specifics of the convo with Zhao Yunlan (and half of his appearance like how he’s handsome and heroic looking and had a hand in his pocket and seemed cold until he noticed them and smiled and acted warm and friendly). And all the scenes were like that - like with Wang Zheng I could hear all the details of Guo Changcheng freaking out, eventually noticing her head had been cut and it wasn’t a necklace it was like sewn on and how he passed out. It was soooo much better ToT. The amount of comprehension is sooooo much higher than the last time I tried to listen! It shocks me how much better! This is enough comprehension to actually listen and just enjoy it. ToT
So yeah, I’d say Listening Reading Method, as I’m doing it right now, is making noticeable improvements in my reading skill and listening skill.
So yeah I’m super curious how listening comprehension is gonna be 20 chapters into Listening Reading Method.
What I do think this would be good for, if you were studying short term? If you wanted to understand a specific audiobook - doing L R Method with the book until you can listen to the rest. It would probably take a short enough amount of study to do within a month if you already have some skills in the language (since this is with 6-8 hours of study). I saw someone once do SRS Flashcard study based on a show they liked in a foreign language, and within a month they could watch that show they liked without english subs and follow the main plot. I think L R Method with a novel works kind of similar - its intensive study on one story. So within a reasonably short amount of time (10-50 hours maybe, something that can be done within a month) you can get enough comprehension skill of that One story to understand it ok.
I imagine you need to do L R Method longer, and with either a word dense material (lots of varied vocab) or else multiple stories (ideally different authors and genres), in order to get broader listening skill improvement. Like right now my listening skill in general seems to have improved somewhat... but its more like ‘listening to a show without subs’ is now easier. Not like I can turn on a brand new audiobook and follow it this well. So some slightly easier listening activity is now easier, but for other audiobooks I am probably comprehending more but the listening skill improvement is NOT as drastic as it is specifically with Guardian.
Testing listening comprehension with materials I have not L R Method with:
Alice in Wonderland (story is shorter/simpler than novel): I can follow it mostly when listening only. I can follow it near entirely (know exactly what’s going on just a few words I don’t recognize) if I’m looking at the video (since it has pictures for context - like watching a show). My listening comprehension drops noticeably if I do NOT look at the video visuals for an aid - since I am used to Alice in Wonderland hitting the original novel beats, not this shorter movie-based version. This level of comprehension makes sense, as its written simpler than Guardian so I should have an easier time following details in this. But lack of context means I have to put more effort into figuring out what scene is what if I don’t have any visual cues. So easier ‘written’ audiobook material is much more comprehensible now (easier than Guardian even since I know most words), but I still need context like an image or prior awareness of the overall plot or else I need to pay more careful attention to follow everything: https://youtu.be/HqCg5y8Nwhg
Sherlock Holmes 血字的研究: Some benefit just like Alice in Wonderland in that I have broad context (I know Watson and Sherlock live and work together to solve issues, Watson is a verteran and doctor). First 5 minutes I can vaguely tell its probably Watson narrating, that he lives in London, that before he might have been injured (I heard bing like sick or?) - I’m truly not sure what happened, and now after 5 minutes I heard ‘great friend’ and ‘touched shoulder’ and ‘gaoxing’ so happy. So I’m guessing Sherlock and Watson are interacting now. What improvement in my listening comprehension I can Notice - is that words stick out, phrases, and sentence structures (like finally, since, therefore, actions). So I feel if I paused I might be able to look up some words I notice but can’t understand, to follow along better. As the 2 of them have their conversation I can catch SOME details and I could probably follow what’s going on IF I had some prior context (like what the general case is about). But I only hear - its a pity, what happened last night, poor lad, fangzi, destination. So i’m not sure if someone died or was hurt or what happened the other night?? But again, conversations seem to be the easiest part to follow. For this particular audiobook I almost feel like if I just kept consistently listening or re-listening, I could understand more... like I probably know more words than I’m catching, but since my brain’s working on trying to catch the main gist plot right now its not grasping any details I might otherwise be able to notice. No prior context of plot, no image - hard lol. Unlike guardian, I cannot follow most of it. But I can catch bits of each scene, most clear are the dialogue parts (but cause I have no surrounding contexts I’m still pretty lost). Also the clear action parts are easier to follow (he spoke, moved, reacted to something). Mostly the lack of context is what’s making me struggle. In the descriptions I hear a lot phrases and words I recognize, but I’m struggling to comprehend them together. Unfortunately context is mostly in the description parts I can’t figure out lol. https://youtu.be/J1sbP6_3680
I suspect an audio DRAMA might be a little easier now. Since they’re mostly dialogue, and dialogue seems to be what I’m finding the most improvement in (from very vague to some of the clearest comprehended parts). I listened to tian ya ke audiodrama a few days ago and it was doable to follow along with - but that was before more Listening Reading Method, and of course my prior context (having seen the show/read part of the novel) means it was muchhhh easier to follow cause I had enough context to guess which scene each moment was supposed to be - so I didn’t have to figure out overall context, just details.
#rant#may#may progress#listening reading method#l r method#i'm also hella curious if just listening to guardian audiobook would produce any benefit - perhaps consolidate my skills and help make#future audiobooks easier?#anyway basically my summary is: how i have BEEN doing L R method this month is hugely effective for me rn#and note to future self: SPECIFICALLY doing it THIS way - with pleco or a parallel text for step 3. and doing STEP 2 (which is helping with#reading).#i am mostly surprised by how Little time investment this has taken. i've done maybe 1-3 hours a day. i remember on the l r method original#article site - the person said 30 hours for a closely related language. and like 50-100 hours for a less transparent language#and like. i have only done maybe 8 hours max this month. and maybe 15 hours MAX the entire time i've tried l r method this past year#so i'm not even at 30 hours - which is when i should start understanding 'some'. im wondering if the improvement is faster since#im not an actual beginner in chinese. i have some base skill#which - since im only trying l r method in languages ive already studied i have some base skill any time i try this#anyway 6-8 hours so far is NOT a very big time cost to get the reading/listening improvements im seeing#like? i talked about listening in this update because thats what l r method is SUPPOSED to improve
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Holiday Cups || Shawn Mendes
Description: Holiday working at a Starbucks could quite possibly be the worst thing to ever happen to you, especially when you’re tasked with decorating the store with the shift manager who couldn’t get enough of annoying you: Shawn.
Description per my notes (aka jumped, also this is my fave I love myself for this one): STARBUCKS HOLIDAY AU YES BABY YES
A/N: hi it’s me Dani your local former Starbucks barista aka the worst 3 months of my life aha anyway this idea came outta nowhere but I've never seen anyone do it and we all know I'm a hoe for Starbucks and holidays so enjoy :)
Word Count: 2.4k
12 Days of Ficmas
If you could describe your personal hell in one sentence, it’d be easy: working at Starbuck’s during the holiday season.
You loved your job, and it’s what got the bills paid while you went to school. So, for now, you’d deal with the 4:00 am opening shifts, people complaining about their drinks and cleaning until your hands burned (which, let’s be honest, they were probably burned from something you spilled earlier anyway).
It was a few weeks before Christmas and the biggest store change of the year. The typical green menu signs got switched to cheerful red ones, and the white cups were switched out for the ones adorned with red and green.
Out of the few years you worked here, you never had to work the closing shift of the day this all had to be changed.
Until now.
When your schedule was sent to you, you felt your heart drop to your feet. You had an 8:00 am class that next day, and you knew that you wouldn’t get out of work until well after midnight.
And to make it even worse, you were scheduled with the shift manager that seemed to want to make your life a living hell.
Shawn.
So, when you arrived that day, you plastered a smile on your face and dealt with it. It’d be over before you knew it.
“[Y/N], nice of you to finally show up. Go find the boxes we’ll need for tonight,” Shawn barked as he slid a croissant into the oven.
“Hello to you too, Shawn. I’m not late, in fact, I’m five minutes early,” you said with a sickeningly sweet voice.
You glared at you and was about to say something rude when his headset beeped. He swiveled the mouthpiece and turned on his charm as his retail voice came booming through the headset.
“Welcome to Starbucks, what can I get started for you on this beautiful day?” He said with a cheery tone and a frown still plastered on his face.
You shook your head as you walked past him to gather the multiple boxes full of decorations and supplies that they had sent over for the store change. You stacked them all neatly by the back door in order of what you had to get done first. You triple checked the list and tried not to groan out loud when you saw all the things you had to get done. This place had to look like a winter wonderland before 5:00 am tomorrow morning.
You took a deep breath and went to the sink to start working on dishes because the sooner those were done, the sooner you could close down the store and start the changes.
Shawn whisked in and out of the back, piling up more and more dishes. You breathed slowly and continued washing as quickly and thoroughly as you could. Eventually, the pile dwindled down, and the clock struck 10:00.
You dried your hands as you walked out to the front of the store while Shawn locked the front doors.
“Bring the boxes out. I’m going to close down the register,” he said quickly.
You nodded and walked back to start bringing the boxes into the lobby of the store while you heard the clinking of the change as Shawn counted it.
You set the last box down and leaned against the wall, waiting for Shawn to finish. He looked up at you for a moment before typing a few things in the register and shutting the drawer.
“Alright, I’ll change out the cups while you switch the signs,” Shawn said as he rounded the counter to look through the boxes. “What’s in what box?” He asked with a raised eyebrow, expecting you to not know.
“I labeled them all on top,” you said with a smile as you tapped a finger on top of the nearest box where you had written what was inside.
“Oh,” Shawn said as he looked at the writing on top, letting him know ornaments were in this one. “Thanks,” he mumbled.
“Never heard you say that before,” you said almost under your breath as you grabbed the tall box that contained the signs.
He turned around and watched you walk around the corner before you climbed onto the counter to pull out the old signs.
“I say thanks all the time,” he said defensively.
You scoffed, “Yeah, right.”
He crossed his arms across his chest with a displeased look written on his face.
You glanced back at him as you set the sign down.
“Are you just going sit there and stare at me or start actually doing something?” You said. “I don’t want to be here all night.”
He didn’t say another word as he hauled the box of cups onto the counter and started pulling out the old cups, throwing them in bags and putting in the new ones.
Silence settles between you two as all you could hear was the shuffling of cups and signs. You hopped off the counter, collected the old signs and put them in the box before bringing it in the back where all the other signs were kept. By the time you got back, Shawn was looking at the list and writing things in the margins.
“Ok, let’s get this place looking like a winter wonderland,” he grumbled as he opened up the box that contained the fake Christmas tree.
“Cheer up, Scrooge,” you said as you held the box down and Shawn tugged the tree out.
“No offense, but this is the last place I want to be right now,” Shawn said as he positioned the tree into its stand.
“That makes two of us,” you responded. “I have an 8:00 am class tomorrow.”
“I was supposed to be singing at that art thing they’re having downtown,” Shawn said quietly.
“You sing?” You asked as you handed him the lights to wrap the tree.
He nodded his head, “Yeah, but here I am. Living the dream at Starbucks.”
“Is that what you want to do?” You asked him.
“Work at Starbucks for the rest of my life? Hell no,” he responded quickly.
“I meant the singing,” you clarified with an eye roll.
“Oh, yeah, but it’s pretty unrealistic,” he said.
“But you were going to perform at that art thing? That’s pretty hard to get into.”
He shrugged his shoulder as a soft blush spread across his cheeks.
“What about you? Starbucks forever?” He turned the question back at you.
“Hell no,” you responded the same way he did as he smiled for the first time that night. “I’m actually finishing up my last year in pre-med, and then next year is medical school.”
“You’re pre-med? I had no idea,” Shawn paused and looked up at you from his spot on the ground.
“Well, you don’t really listen much,” you said slowly, not wanting to break the bond you were slowly building with him.
“Neither do you,” he said back.
“That’s not true.”
“Really? Do you even know my last name?” He asked with his eyebrows raised. “Because Greg only calls me by it, so everyone should know it.”
You stopped hanging ornaments for a second as you looked over at him, trying to figure out what it was.
“Does it start with a P?” You asked cautiously.
“Nope,” he said as he continued to wrap the lights.
“Can you give me a hint?”
“It’s Mendes,” he said as he shook his head.
“Well, you just gave it away,” you said defensively. “What’s my last name?” You tested.
“[Y/L/N], I help make the schedule,” he said with an eye roll.
“Ok, not fair,” you said with a slight laugh, and Shawn returned it.
Silence fell again as the two of you finished the tree. You both stood back and looked at it side by side.
“Not bad,” Shawn said.
“Looks good enough to me,” you said as you looked at the list. “So, we just have to hang the garlands and switch out the merchandise.”
“The merchandise is what’s going to suck,” Shawn groaned as he dragged two of the boxes to the shelf. “You can start hanging the garlands and wreaths while I start this.”
You grabbed miscellaneous decorations and started hanging them where the guide directed you to. You carefully hung a garland around the counter and around the menu, ending with a wreath on the front door.
You break down the boxes, put them away and wander over to Shawn as he fills the merchandise, only being halfway done.
You sit on the floor next to him and grab the sheet he’s working off of.
“This doesn’t seem right,” you said carefully as you looked at the sheet and back up at the shelves. “I think you did it backward.”
“No, I didn’t,” Shawn said without even looking at you.
“Yes, you did. The coffee is supposed to be closest to the door, and you put it the farthest away. You’re supposed to mirror what flip what this sheet shows based on our store design,” you said as you pointed at where it said that on the instructions.
Shawn leaned against the shelves and sighed as he stared down at the sheet.
“You sure you’ve never done this before? Because you’re doing a great job at proving me wrong,” he said with just the right amount of sass.
“I worked at other places before this one, and I was a supervisor. I know my way around floorset sheets. But it’s totally fine that you don’t get it yet,” you said with a sympathetic look.
He rolled his eyes at you, and you couldn’t miss the blush that crept up on his cheeks, which caused yours to do the same.
You helped him move the items in the correct positions before looking back down at the sheet and finding the new items among the boxes to put on the shelf.
Shawn moved to put one in the wrong spot again, but you slowly pushed his arm until it was in the right spot. He looked down at you with a small smile.
“I don’t know why they put me in charge of this,” he whispered.
“Neither do I,” you whispered back.
He bumped his shoulder into yours as he leaned down to grab more mugs.
“Why do you hate me?” You asked out of nowhere as you folded your arms across your chest.
Shawn turns around, mimicking your stance with a confused look on his face.
“I don’t hate you,” he said bluntly.
“You’ve never said one nice thing to me, and you’re always yelling at me for things I can’t control,” you said carefully.
Shawn paused for a moment, not meeting your gaze.
“I can’t risk losing this job,” he started. “It’s all I have right now, and I know you can handle it and that you’ll fix whatever the problem is. I can’t say that about anyone else here.”
You stayed quiet for a moment, watching him straighten a row of to-go mugs.
“If I never call you guys out when something goes wrong, Katie’s eventually going to yell at me about it. But she loves you, and you do everything right. You do everything beyond what’s ‘right.’ And I’m sorry if I came off as anything else other than admiration. You’re amazing at your job,” he said, not looking at you.
“Really?” You said.
He simply nodded his head before reaching down to grab the sheet and check his work.
“If you wanted to work at Starbucks for the rest of your life, you totally could,” he said as he looked back at you with a smirk.
You rolled your eyes and plucked the sheet out of his hand.
“What a tough decision. Starbucks or medical school?” You questioned.
“I think it’s a clear choice. Starbucks,” Shawn teased.
You grabbed the last few items and put them into the last remaining places as Shawn grabbed a broom to sweep up scraps of cardboard and other paper.
After that, the two of you stood in the far corner of the store, scanning it carefully to make sure nothing was out of place. Katie would have your heads on a silver platter if it wasn’t perfect.
“I think it looks good,” you finally said after a minute of silence.
“Yeah, I agree,” Shawn paused. “You did good, [Y/L/N].”
“Wow, the first nice thing you’ve said to me. Thank you, Mendes,” you retaliated.
“And she remembered my last name,” he said out into the store a little louder than necessary.
“Alright, let’s get out of here,” you said as you walked away with a skip in your step to grab your bag.
Shawn followed behind you and grabbed his coat. You followed him towards the back door.
“What are you up to for the rest of the night?” Shawn asked as he opened the door and held it for you.
“Sleeping,” you said with a smile as you turned around to look at him.
“I may not have been able to sing at it, but there are fireworks at the art thing I was telling you about,” he paused and glanced at the time. “They don’t start for another thirty minutes.”
“Are you asking me on a date? Because I’m positive I’m not allowed to date a supervisor,” you said with a smirk.
He rolled his eyes at you. “Fine, then it’s not a date.”
“Ok, not a date. Am I driving or you?”
“You. If I drove, that would be too close to a date, and your car has remote start and is already warm,” he pointed out with a smile.
“Alright, Mendes. Let’s go to see some fireworks,” you said as you began walking him to your car.
“Can we get hot chocolate?” You asked as you started your car and Christmas music started playing softly through your speakers.
“Hot chocolate? That’s not Starbucks?” Shawn with his hand to his chest.
“Guess you’re going to have to fire me,” you said as you threw your hands up.
“Ok, you’re fired,” he said with a smirk.
You caught on to what he was doing.
“Fine, let’s go on a date then.”
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