#anyways I bet most of you fully support someone like Taylor swift who’s a literal billionaire

[whatohitsonfirewelp]

Actually let’s talk about watcher because so many of you are so unbelievably clueless about how money works it’s actually embarrassing.

You understand a company costs a LOT, right?

Today ONE FAMILY could live a comfortable but not a lavish lifestyle off of 70k a year. That’s for ONE FAMILY.

An entire business definitely can’t live off that. They’re getting approximately a few million. That’s not enough, not anymore.

And yeah, they do have a fan base. But it’s not exactly the most established. They didn’t start their own channel on YouTube like GMM or Smosh. They started at Buzzfeed and THEN moved to YouTube. They started late.

They started around Covid. And the economy has worsened so much since then. Of COURSE they’re struggling.

Also, hey, guys, it’s absolutely suicidal for them to put all of their own personal money into this business. Ryan and Shane are married. Their income helps support another human being too. What exactly do you want them to do? Go without food? Lose their HOMES?

Yeah, a business comes with sacrifices but, hey, guess what? That shouldn’t mean killing yourself in the process.

Also, hey, Steven owning a Tesla? Not a valid argument. He is ONE person, and frankly, we don’t know how long he saved or what he gave up in his personal life to have that. And FRANKLY, a Tesla isn’t exactly the most bizarre and out of this world car to own.

For a business they have to pay for the office, depending on who that’s through they may have separate bills for things like water, electricity, ect. They have to pay a salary for each staff member, they have to pay their guests. They have to pay for equipment, they have to pay for travel fees. They have to pay for food for staff when traveling, and so much more.

Also, hey, you guys understand how much we pay for everyday, right? How many of you have Netflix? Disney+? Spotify premium? How many of you pay for Starbucks more than once a week instead of making coffee at home?

And I’m not saying you should be ashamed of that, but just think for a moment. You don’t need all of that. Struggling for money means you can’t afford any of that to begin with. If you can that means you’re deciding how YOU want to spend your money and where, just like they are. Except unlike you, they’re making an investment for their COMPANY.

Also, guys, not a single content creator owes us their content or time. They’re giving it to us for free and that’s amazing. But it’s definitely hard on them. Especially when fans are so demanding. We have to pay for most things in life. It’s not all the surprising that we’d have to pay for watcher.

If anything it makes sense. They’re a show, these guys are basically actors. They provide entertainment like any other tv show. And hey, you have to pay SOMETHING AND SOMEONE to watch tv.

[do-y0u-have-to-let-it-linger]

hi!!! can i get an x-men shift please? i’m bi (but hetero leaning) and use she/her pronouns. i’m a sagittarius, INTP, and am super into pop culture, movies tv shows music stuff like that. i’m an introvert, pretty shy at first but once you get to know me i’m pretty funny and kinda an asshole. i’m 5’7”, plus size and curvy, with longish wavy brown hair, blue eyes, and wear black glasses. i dress pretty comfy, jeans and t-shirts, sweatshirts, but i also have a leather jacket when i want to look more put together. mostly wear vans and converse. i love taylor swift, star wars, and all the superhero movies out there. i honestly don’t know what my mutation would be, i’ve never found one that fits right i guess. can’t wait to see who i’m paired with! love your blog, and thank you :)

I ship you with Peter Maximoff!

Warning: ✨contains swear words, mentions of being high, and grammatical errors probably✨

Peter is the type of person who thinks of bold and outrageous plans, but is horrible at executing them.

This is especially apparent now that he is part of the X-Men, because of the high stakes that often come hand and hand with these plans.

Yet at this moment, standing in front of you, attempting to respond to your simple and reasonable question, he feels as though the stakes of this plan are higher than any other he has previously made.

You and Peter were very close, most of you X-Men were. Shared trauma bonded you all like a family. So you were very comfortable around each other, like the: "We literally laugh at each other's farts and say 'love ya!' When one of us leaves a room." comfortable, so it concerned you that he seemed so nervous. You repeated your, as previously stated, simple and reasonable question.

"Peter, what the fuck."

You were mid-way through Empire Strikes Back when he first appeared, standing in front of the TV. Generally, when someone is watching a movie alone with the volume level barely audible, at 2 AM in the morning, they do not expect to be interrupted, but there he was. Interrupting you.

So you had asked him if he wanted to watch the movie with you and he said no.

Then you asked him if something was wrong and he said no.

But after he had stood in front of the television long enough for you to have paused the movie, you had come to the conclusion that he was messing with you. Hence the two "what the fuck"s.

He finally responded, seemly returning to his body after his brain's small vacation to who knows where.

"I need to talk to you about something important, and I wanted it to go a certain way but that way never actually happens so I'm doing it another way." Well, that was even more incoherent than his usual sentences.

"Wait- are you high again?"

"No! No. Well, maybe a little- but that's not the point."

"Sure, now what's going on."

"We're like... technically co-workers because of us being X-Men and shit, right?"

"If Bat-Man and Robin are co-workers, then yes."

"Don't be self-deprecating, you're way cooler than a silly side-kick."

You raised your eyebrows at him, "I wasn't Robin in that analogy, but thank you."

"Wait, I'm Robin?"

"You are a grown man who just used the world silly un-ironically, and I feel like that's something Robin would do. Just to clarify I don't know shit about Bat-man."

"Hey I'm barely a grown man- I'm not 25 yet, that would entail being a grown man, and I've got time 'till then! Anyway, stop going off-topic."

"Then move on from being weirdly defensive about being an adult in the eyes of the state."

"Touché. So, we're co-workers."

"Correct. What's the point."

"That's a problem."

"Why?"

"Well, ok this needs to be prefaced so consider this me shushing you in a respectful and not sexist way. You have been shushed."

"...Ok?"

"Shh! Now I get to ramble. So you know movies?" He gestured towards the school's collection of movies that sat next to the tv, and you nodded confused. "So in these movies, things happen certain ways, but those certain ways seem just as scary as the opposite of those ways." Yeah, he was totally high. "So, wow I'm starting so many sentences with the word 'so'. Anyway- I want to tell you something but I don't want it to be like a movie but I don't want it to be like not in a movie either. So I just want to say it then leave. Like- I'm going to run after I say it. Is that okay? You are temporarily un-shushed."

"If you're dying it's not, but if it's basically anything else then yeah. Go for it, you speedy coward."

"Cool. I mean- the nickname hurt but cool. Cool." He looked at you for a second. "Can you like... turn around?"

"Turn around?"

He now acknowledged that that was an odd thing to ask. "...Yeah. Is that dumb?"

"No, no, I'll turn around." To lighten the awkward mood, you made a joke. "A reasonable price for your terrible secrets to be revealed to me." It was not a very funny joke, but you tried your best and earned a (pity) scoff from him.

You were now both sitting criscrossed on the couch, facing the same direction. You were staring at a wall you found very uninteresting, and he was staring at the back of the head belonging to a person he found very interesting.

"So- basically I think you're... pretty..." He said the word intending to add another adjective after it, like 'cool', but he decided against it because that would be stupid. "And I have this problem where when I figure out I want to, quote-unquote, date someone, which is a gross word, by the way, I'm always friends with them. That means it has to be this dramatic thing. But I don't want it to be! You know? I just want to tell you that I have a stupid crush on you like a normal person. And- that's why I suddenly started hating training, because who likes to see people they want to smooch almost fake die, huh? No one! That's who! And I want to explain why I like you, but whenever I talk to Wanda about you, I always end up describing you the way a first grader describes their crush! Like: she's pwetty and smawt or whatever but that's fuckin' dumb. I guess that makes sense because I don't have crushes on people ever, and I barely dated in school, so I have no idea how to do this and I just want to pass you one of those 'hey, do you like me?!' notes with the fuckin' checkmarks!! And I am an adult person who is kind of afraid of kissing! What?!? Also, I don't have abs like Scott! Or boobs, and I know you like people with or without boobs and boobs are great! Also, to backtrack, don't think that I think you would go for Scott, even though if you were to, I would be supportive of you, but also sad because I would prefer if you went for me! So I want to be normal. Normal like the people in movies who meet someone cute and ask them out and not like the movies with the big stupid confessions. Trust me, if I had noticed that I whatever you like a year ago, I would have asked you out! Well no I wouldn't of because I would be too afraid to talk to you. But anyway I made you this," He reached around you and handed you a folded-up note. "Don't open it until I run away, but just leave it here with your response. If you check no, I bet if we paid Jean enough money she would erase this interaction from our brains. I only have seven dollars but I'm betting on a 'friends and family' discount. But.. if you say yes, I can ask you out like a dick in a movie, knowing you'll say yes because I am a speedy coward. I want you to call me a speedy coward when I do cowardly shit speedily, then do this cute thing where you'd be like 'but you're my speedy coward''. Anyway, I'm going to leave now. Love ya, but in the way we always said it beforehand, not in a dramatic confession way. Sorry I delved into my childhood there. Bye." You felt him awkwardly pat your back.

There was a gust of wind that ruffled your hair, and you knew he had run away.

You lifted the note up, mind empty, still processing everything he had rambled to you, and started carefully unfolding it.

It was one of his previously mentioned "Do you like me?" notes.

You willed yourself not to straight-up giggle like a 12-year-old at his note. It was messily written, and clearly on the back of a mission briefing.

Shit, you didn't have a pen. You looked under the couch cushions but there was no form of a writing utensil in sight! The audacity.

You knew Peter well enough to know that he was probably not too far away, waiting for the result of his question and trying not to spy.

"Hey... uh... Peter? I don't have a pen."

Peter hit his forehead with his hand, where the fuck was he going to get a pen? It's not like he owned pens that were actually in a designated spot! How ridiculous would that be, who did he look like, Charles? Charles! Charles has pens in designated pen places!

So Peter ran into the headmaster's office and found a pen. He wrote a small note stating that he borrowed a pen and that he would return it. Looking at the note Peter found it did not fully encapsulate the desperate need for the pen. The note ended up something like this:

Hey Charles! It's Peter! I took borrowed a pen because a very serious situation manner situation has arised. arisen. From, Peter. You can't get mad at me because if you could legally marry my dad you would be married and I would basically be your step son! Thanks half dad!

He thought the addition of the 'step' in stepson effectively hid the fact that Charles was a father figure of his. What was he doing here again? The serious manner!

In an instant of you telling Peter that you did not have a pen, one appeared.

"Thank you!"

You checked the yes box, but had a want to write something adorable. You couldn't think of anything so you just wrote "This was weird." under your checkmark. Well played.

You entertained the idea of resuming your movie but decided against it, you thought it would be more dramatic if you left the room.

The minute you made your exit Peter sprinted into the room. He opened your note, jumped, pumped his fist in the air, realized that was nerdy, and tried to make a cool pose to recover.

Now he just had to figure out how the fuck he was going to ask you out.

[yououghtaknow]

15 + 24?

hi!! thank you so much <3

15. introduce us to your version of william

oh BABY!!!!

okay. so. the thing about william is i have always hated him. as someone who has been in a manipulative situation similar to noorhelm, just hated the man. so, i decided to create a new man. a good man. complex, but good.

enter JAMES ABRAHAM COHEN!!!!! he’s introduced to the song teenagers by mcr and is wearing a trenchcoat over his school uniform, not only because he’s edgy, but because he’s cold because he immigrated to the uk from the middle east. he is, at the beginning, a manwhore, yes. but he’s a party boy, a guitar boy, who rori sees and thinks Yes. My Future Husband. meanwhile he’s just having a drinking contest with his Boys and then talking about his favourite comic book character. he’s not a bad boy TM. he’s a Dumb Teenage Boy.

he's a genuinely nice guy. he apologises to rori as many times as he can, and only stops because she asks him to, and they become friends. he falls madly in love with liz as soon as she starts roasting him. he’s just an Understanding guy who’s made mistakes and is always trying to get better and be there for his friends. he literally let jake live in his flat for a good while. 

and, my favourite thing about james is that he forced his friends to audition for a production of grease with him to see the girl he Loves So Much and ends up getting the lead role???? TWICE???? this man is danny zuko and roger davis. 

also, in my personal opinion, i think james is kind of a superior arthur skamfrance. both have a disability (arthur is hard of hearing, james has autism/adhd), both have abusive family, both are in a love triangle with two beautiful girls (one of whom is a wlw chris b). and also a surprise member of the boy squad starting in season 3. 

also, in a way, my william is a william/jonas/eskild combination??? which is very fun. i just love taking all these different skam dynamic, cutting them up and throwing them in a pot and seeing what looks nice.

also, ONE LAST THING, i think my william has the most reasonable reason to go to london. as it is an hour away from brighton by train and he can come back before the day’s over. because he’s a teenage boy. and we will be seeing a lot more of james in season 5. get ready for it.

24. tell us about a ship that is endgame.

i’m going to be real with you all on tumblr dot com on this night. i honestly don’t know what romantic ships are going to be endgame, because i plan the seasons i’m writing as i’m writing them, so i only have the vague framework of what i want for the endgame of skambr as a whole. so i’m just going to talk about the 3 main romantic ships that are canon as of the end of season 4. and i’m gonna Go Off.

esther/sandy:

OKAY. taking sandy’s story as a whole. she’s kissed her best girl friend. she started dating a guy she doesn’t like. she’s desperate for something new to come along. and esther has just moved back from germany. she just wants to meet someone to talk to because she’s so lonely. and boom. they run into each other one night by chance and it’s “oh my god she’s so pretty” at first sight. and then they start talking and become friends so quickly (and esther introduces sandy to the keysmash). also, nooreva should’ve been canon. i have rectified that.

but god. the way they have their conversation in s1 e4 and almost kiss but get interrupted by sophie??? god. and when they actually kiss in s1 e6 and suddenly everything’s Good until they get caught. and sandy Runs because what else can she do? she’s terrified. and esther stays. and when they see each other again, esther doesn’t say anything because she knows sandy can’t talk about it. until sandy gets outed and attacked by the football team, and esther instantly goes to protect her and puts her own feelings aside to make sure sandy’s okay. and sandy just Needed a safe place to land like esther for so long. and when they finally kiss at the christmas fair as “girls like girls” plays????? god.

and their relationship in all of the later seasons GOD. i love them. their fight and reconciliation in season 2. them just being together casually, with sandy healing from her past and learning to truly love herself, and esther opening up and having someone there to comfort her when she needs it. and the fact that they’re still friends throughout it all, because it;s not just friends to lovers. it’s friends to friends AND lovers. also when esther sang “boy problems” by crj at sandy..... ICONIC

liz/james:

GOD. okay these two are really one of my favourite dynamics i’ve ever written. because they start as “oh you’re the annoying guy my best friend’s got a crush on”. and go to “oh you’re the ASSHOLE who broke my friend’s heart”. to “oh she may have forgiven you, but i Have Not”. and james is just like “I Am Being So Nice And She Still Hates Me”. but then we see liz seeing james’s art piece at the end of s2 e1. and she connects with it so deeply. and then they have their first real conversation in the next episode and they have a lot in common. they get each other. and he sings “perfect for you” from n2n to her. and she gets so overwhelmed by the fact that her mind might be changing that she just Runs Away.

and then we get the sleepover scene and GOD. one of my favourite scenes to write. james being a good cook??? james smoking out the window and liz making fun of his guitar. and then liz beginning to play james’s brother’s piano and james making it a duet as they sing “falling slowly” from once together. and then they share a bed and instead of saying something creepy, james just says “i think we might be becoming friends”. and she texts him immediately after the prank on the holiday episode. and their first kiss. GOD. with him always calling her elizabeth and the pride and prejudice parallels and “bad idea” from waitress...... and then them spending the next day together. also, in the first kiss clip liz says that she “hates one direction”, and in the next morning clip, one direction plays as she walks with james. it’s a metaphor baby!!!!!1

and their whole political dynamic GOD. it’s actually based a lot on how my politics have changed from when i was 14, beginning to write the series, and now. with going from the centrist-liberal ideas of “all violence is bad :) racism isn’t that bad guys :)” to liz using her privilege as a rich white girl to fully bail james out of jail for assaulting the man who’s been racially harrassing him for months. and the scene where liz has her meltdown at school and james takes her home, puts her to bed, and sings her to sleep. AND THE SCENE WHERE HE COMES OUT TO HER AS TRANS GOD. also them just being nice in the background of season 3 and 4. delightful.

bree/rori:

THIS RELATIONSHIP IS LITERALLY ONE OF MY FAVOURITES TOO GOD. their DYNAMIC in the scene where bree is introduced and rori is all starry eyed over her and bree will already do Anything for her. it’s about the “i want to be her friend so bad” kind of crushes. and bree and rori getting closer and closer as the season goes on, and they get the “i bet i can make you horny” scene because i just think it’s really fun.

and GOD. the evilde plot in skam og makes me. so Mad. but here...... it’s about the internalised homophobia. it’s about the wanting one good movie kiss. it’s about the them making out to one direction in the middle of a school event. AND THEM DOING THE PRANK TOGETHER ON THE EASTER HOLIDAY EPISODE. QUEEN SHIT! and the scene where bree is drunk and talking to liz about how it feels to be in love...... that was about rori!!!! and when they played sandy and rizzo in grease together. the homoeroticism, the best friendship.

and in season 3 when nick and rori get together and bree is just standing there, jake talking to her and she looks into the camera...... god. and SEASON FOUR RORIANNA. WHICH IS THEIR SHIP NAME IN MY HEAD. GOD. them just being best friends and bree being silently in love with her because she’s happy that rori is happy with nick (who is also her friend). the scene where they “practise kissing” because rori is scared to kiss a girl onstage (we love internalised homophobia), and how bree also ignores it because she’s scared of conflict. and they’re always so there for each other. rori being there to support bree so hard when bree’s at her lowest point. bree being there for rori and ready to fight for her. bree going from waking up next to josh, to waking up alone, to waking up next to rori. them going from slow dancing to daylight by taylor swift to laughing and dancing on a crowded stage in la vie boheme.

quite genuinely? they have it all. evilde. sana/chris b. eva/chris b. noora/chris b. noora/vilde. it’s about girls supporting girls and also them kind of being cut from the same cloth as sandy/esther. one of them having internalised homophobia and running away from the kiss, and the other silently loving them until they get a yes or a no. 

anyways every relationship i write is about having clear consent and respect for your partner at all times. and also about friends to lovers. and also the tenderness of musical theatre couples. oh shit now i want to talk about jake/al. well. this is my tumblr blog and you all have to deal with me.

jake/al: jake and al are currently Not Together as of skam brighton season 4 but god. i love writing their relationship so much. it’s about them meeting when al is in a manic episode and jake is deep in his depression and grief. about the nothing and the everything. it’s about the jason and peter secret gay lovers, the tony and maria falling in love on the balcony and having their first kiss at a pretend wedding, the romeo and juliet whirlwind romance that ends in tragedy. it’s about the bright orpheus al with his music and his bright life and sad, bitter jake, hating everything about himself and holding his own, but then falling in love and finding a way to build himself a new life, while al is falling down into a deep depressive episode. and then jake picks al up and gives him the tools he needs to help him step back from the ledge. and then al, who’s spent the entire season chasing after jake and the joy he gives him, turns around and walks away to better himself. and jake is okay with it, because he also needs time on his own to get better, and they agree to stay close friends, and they do!!! it’s about the gay experience of falling madly in love and then going back to be friends.