#anyway more fun facts about her:

[dotmander]

character introduction: zenais (she/her)

as a cub, zenais wondered about the world outside of the sandswept isles. the inquest to the south terrified her, yes, but she was also curious about them - possibly more than was good for her health, considering her lack of skill with a weapon. her scouting helped the olmakhan learn how to avoid them, at least. eventually, her thirst for knowledge became unbearable; she left the isles with a promise to send stories of the larger world back to her people. she's quite far from home by now, but she has more to see!

[theneonfennec]

So the Book of Bill huh (ID in alt text)

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[teeayohess]

{ 18 simlish horror-themed recolors of misstiikeri+eir's m2f crooked tee } what a mouthful lmao

i wasn't too sure about how these had turned out at first, but after seeing them in game they actually grew on me, so here they are. thank you @gvaudoiin-tricou for encouraging me to finish them and share! i hope you like them :-)

since this is essentially a mash-up of several people's work (see credits), frankenstein-ed together, it feels pretty appropriate for the theme.... 🧟‍♂️🔪🦇🩸👽 consider this a tiny late simblreen treat, hehe 🎃

these separate tops are for AF only*, since that's what i needed in my game (but the TF/EF meshes should be easy to copy-paste onto) [edit: *added links to an AM version as well]

they are categorized as everyday, sleepwear and athletic (not sure who would want to sleep or exercise in fishnets but hey i'm not judging. also it's really easy to remove them if you like, since they're a separate texture from the shirt)

compressorized, tooltipped, and the files are labeled clearly. the swatch and previews are included in the rar file.

full disclosure, this mesh has a few issues i don't currently have the skills to fix: it has no fat morph (😑), and there is some clipping in places depending on how the sim moves, and a few dark spots (not super noticeable with the black texture, thankfully). if anyone feels inspired to fix the mesh or add morphs, i'll happily update this post and the linked file.

>>> get them here: { SFS } { MF } [edit: AM version here: { SFS } { MF } ]

credits, swatch & unedited pic under the cut.

swatch: (labeled according to the file names for easy id; i suck at reading simlish so 'flash' was all i could understand from that one, apologies if it's incorrect lol)

unedited preview: (taken in-game, with neutral lighting)

credits: the77sims & misstiikeri (original male mesh & 3t2 conversion) eir (m2f conversion) trillyke (fishnets), monilisasims (4t2 conversion) littlecakes (graphics), kalux (4t2 conversion) surprisepeach (graphics)

[starrysharks]

winter assassin outfit

[instantpansies]

life is hard for us oz fans who are only meh about wicked. have half a meme.

[rena-yume]

Nora Ostern

[jacarandaaaas]

Mirabel Madrigal & Creativity:

So something I’ve realized after watching the movie a couple of times now is how mirabels story can easily correlate with the experience of someone creative when you’re only considered of use if you’re academically smart.

Not only do they refer to the magic as “gifts” and “gifted” very common terms associated with people who are considered academically smart but also the fact mirabel is shown as an artist. Our first introduction to her you see her room is plastered in artwork as a 5 year old and even after the prologue you still see she’s kept her artistic side. the thing is mirabel is incredibly talented she draws, she sews, she embroiders, paints, plays the accordion too! These are all incredible talents to possess and yet do we ever see her getting praised for them in the movie? not really. because mirabel doesn’t have a “gift” a literal magic gift yes but also could be interpreted for a creative as academic smarts. Creative thinking is something mirabel possesses and its quite literally the answer in the end but because she’s not smart in the expected way i.e academics she feels she’s not worth as much as others in her family.

I like to think making her an artist was an intentional choice as I know a lot of fellow artists have had people tell us it’s not a “useful” skill to have in the real world. It’s not worth taking the time doing when you could be pursuing medicine or law or something that uses your brain. Even in the ending of the movie mirabel tells them they’re “more than just your gift” which I feel can relate a lot to people who heavily rely on their academic achievements they can forget it’s ok to not do 100% every time and these ridiculous standards are just wearing you down.

So in conclusion I believe mirabels story resonates a lot with the experience of being a creative person but your skills not being seen as valuable. I just love that they made mirabel an artist to show how talented she actually is! she shows that creatives are valued and appreciated and needed and deserve to be encouraged not shot down! so thank you mirabel valentina rojas madrigal for being my favorite artist <3

[circuscarnage]

Mwah Mwah

me rambling about Woe (My Vespersona) and how she would kiss the main love interests.

Kissing Francesco is easy. He's adorable and a good boy to boot. Woe would gladly kiss him every opportunity she gets. There isn't much romantic tension, but it is tender, as if kissing a puppy. I can see Woe cupping Francesco's face as she gently pulls him closer, planting a chaste kiss on his cheek before giving it a light tap. It may not be what he wanted, but it's what he's going to get.

Woe kisses Keir as if to prove a point. After so many talkbacks and oooo you wanna kiss me so baaaddd, finally being given the green light to kiss him is like a punishment in itself. It's a 'You allowed me into your heart so now I have to kiss you just to spite you' type of deal. If he would let her, she would climb that man like a tree and kiss his face all over. But most of the time it's quick and simple kisses on whatever skin is showing (Which admittedly is his arms), followed by denial 'A fly must have landed on you, not me.' Everyone knows she's lying.

It's playful, the way she guards information about herself behind a paywall, and yet expects the same currency to be paid when she asks. Woe would kiss Oleander mostly under the premise that she'll get something out of it 'I'll only kiss you if..' is an example of her curiosity mixed with affection. She doesn't want to offer kisses directly, not if she can get something out of it. A stray rumour or common knowledge, something small and meaningless that doesn't undermine the affection she's trying to give.

(I think the reason I see her more open to give affection to Keir no strings attached and Oleander only if is because Keir feels more genuine. Is her relationship with Oleander genuine or just for fun? I've yet to decide.)

Kisses with Cirrus feel extremely rare. Their dynamic requires him to be untouchable unless allowed. Kissing him is a reward, one that requires proof of her devotion. It's extra motivation, if anything. I can see Woe brushing her lips over Cirrus knuckles while she looks up to him. It's another that isn't necessary romantic, but a sign of respect. A continued and enthusiastic yes to whatever weird freaky thing they've got going on.

And just for fun Woe's favouite place to kiss them:

Fran: On cheek.

Keir: On neck.

Olander: On chest.

Cirrus: On hand.

[cometblaster2070]

oh boy im having thoughts about miquella and malenia again!!!

i don't know if it was intentional or not but like yk seeing malenia's entire character and seeing how the most important thing to her (save for her brother) is her dignity and her pride and her sense of self. after a lifetime of fighting the scarlet rot malenia is someone who still resists it every day no matter how strong it gets because she is someone who will fight to the bitter end to make sure it doesn't overtake her, to make sure that she's still just her and not the vessel for the rot.

(of course, the exception to this is when she bloomed in aeonia and in her fight with us, but I'll call those last-ditch attempts arising out of desperation so)

you get it malenia suffers every day of her life and the rot threatens to consume her but she refuses to let it win and instead completely rejects it and scorns it; she won't let it take away what makes her her.

and contrast it with the dlc where we see her brother miquella do exactly the opposite of what she does. because of his crosses, we see how much of himself miquella has lost how he constantly sheds pieces of himself in his effort to become a god to the point where he even discards his love, his other half st. trina.

he did all this to fulfill his goals, to succeed in what he thought was right; what he thought was a necessary sacrifice that would only bring him closer to his goals of a kind and compassionate world. only the problem is it ended up making him into something he was not; miquella the kind was certainly not like miquella the unalloyed.

i am aware that miquella even in the base game was not the wow sunshine jesusesque figure that did no wrong and was purehearted through and through. even then there were hints to a more complex character, but I think the difference between miquella the kind and miquella the unalloyed is that the miquella of before was someone who cared so so deeply on such a personal level; he was someone who put his heart and soul into helping each and everyone whether it be by crafting prosthetics or needles for his sister to ward away the rot and the meddling of outer gods or whether it was to try to give his brother godwyn a proper death; he was someone who cared very very deeply and in a very personal manner. but afterwards, I think in his quest for godhood miquella became someone very distant, very impersonal in the way a benevolent god who is looking out for everyone and who is "doing the right thing no matter what because ik better and I have the power to fix things" is. he is very removed from that which he once was; he abandoned himself and subsequently abandoned the very ideals he was fighting for.

miquella the kind still wants a world filled with peace and compassion but now, he is a god, now he is someone willing to take the most drastic of measures because now he is no longer the boy that was miquella the unalloyed that believed in an age of compassion with love present. you cannot have compassion without having love which, of course, miquella the kind has abandoned.

i don't know there's just something interesting about these siblings where one has continuously resisted the urge of an outer god who is trying to force her into being something she does not want to be and then there is the one who willingly rips away that which makes him him because he thinks that this will help him become someone he should be; it will help him become the god that will fix this broken world.

[ikol-art]

So where is my 'Arthur lives' fanfic where he realizes as he asks Merlin to hold him while he's dying that he was an idiot for refusing Merlin's hugs all those years and now that he's still alive he plans to make up for that?

[egginfroggin]

"Mother Knows Best" redraws with Bord go brrrrrrrrrrr

Words cannot describe how much I love portraying utter melodrama, oh my stars, the dramatics

Anyway, this. this is what you can blame the Tangled AU on just. Bill. being dramatic. So. have some dramatics. and a bit of toying around with lighting. for fun. as a treat. to me.

Y'all remember that bit where Gothel's on the stairs? With all the candles? Yeah, I'd like to tackle that next.

This is just a really convoluted excuse to get me used to drawing Ford, probably. And facial expressions.

Anyway, thanks for poking! Have a good night ^^

Transcript:

"Ditzy and a bit, well, hmm, vague"

"Stop, no more, you'll just upset me" Left text: "The drama queen to end all drama queens"

(Program: krita; time: about 2 hours)

[optiwashere]

Huh, I didn't even realize it'd been a year since BG3 came out until I opened tumblr this morning. Kinda wild. I didn't think much of the game's release: I like Larian's games, and I like the BG series. I wasn't ever going to skip the game, but I didn't think I'd play it at launch because I was busy working on a novel in 2023 and not doing well financially.

Thankfully, circumstances left me with a little bit of extra money last year just before launch and it meant I could spend on a video game. I needed a pick-me-up after said 2023 novel failed to go anywhere, and BG3 was right there. Like most CRPGs, I played it in basically every moment of free time that I had and did as much as I possibly could in one playthrough.

It's so odd how these small happenstances can snowball into coming back to fandom, finding some friends I might've never met otherwise, and writing a lot of fanfiction along the way. I'll probably have something more interesting to say/share when it's the 14th, AKA when I sat down and wrote my first fic for this fandom.

Anyways, it's been a lot of fun and I'm looking forward to more years to come 💜

[maladaptivedaydreamsx]

Emma: Can't spell guilty without Gil

Gilbert: *smiling cause she called him Gil*

[bayetea]

seeing non-black people critique rick's portrayal of black characters is interesting sometimes. only like 30% of the critiques I see make any sense to me to be honest

[hanzajesthanza]

it is absolutely so weird to me to try to imagine a version of geralt that is like, my age. like, no. get back to being an old man