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color-cacophony · 1 year ago

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I was going to make a Big Official Review Post about Rayman in the Phantom Show but I don't really have enough complete thoughts to make something comprehensive and organized, but I still want to share some points from my experience with it so uhhh without further ado, here's a bunch of thoughts on what dazzled me and what I thought could have been done better.

Here I go...

I'll start with the stuff that bugged me first because I don't like to end on a bad note:

I think the biggest issue is that giving the player the option to complete each set in any order diminishes the opportunity to have a linear story. Without a series of events building up to the finale, the actual climax doesn't feel as grand or substantial as it should be (it definitely feels like a few lines were cut from the moments before Phantom's first verse with how abruptly it starts). It would have felt more immersive to see actual scenes of the heroes trying to play their roles and have more varied quests based on puzzles or even characters and dialogue (like the search for Sweetlopek's stolen axe), all whilst gradually putting the pieces together that they were led into a trap.

Speaking of putting the pieces together, it would've paid off to have Beep-0 learn from his own arrogance in the past instead of repeating his assertion that he knew what Phantom was up to all along. That part made me kind of sad because I really like Beep-0 and it seemed like they were setting him up to eventually become less uptight and more open to admitting his mistakes, which would be more satisfying and obvious!

As we all know, Beep-0 isn't the only one who repeated himself. I remember an exchange I had with @randomrabbidramblings about our predictions for what would happen in the climax; they were hoping the final showdown with Phantom would not be redundant with his first encounter, having the same battle gimmick as before. Unfortunately that is, in fact, what they ended up doing. While framing it as Phantom being unoriginal or making a callback helps it a little bit, ultimately it made me feel let down (although I love Beep-0's delivery when he reiterates his line from Kingdom Battle. he means business).

As for the aftermath of the battle, I want to know where Phantom went. There doesn't seem to be any sign of him anywhere in the studio. It's really odd, given how this was supposed to be his grand comeback (alongside Rayman, of course), but we don't get even a simple explanation of what happened to him after he was defeated for the second time, unless I missed something. I presume this is his last major appearance in a game (unless they decide to do something completely different with him in the distant future??? wishful thinking but not ruling it out!), so it's a strangely underwhelming and mysterious send-off to our beloved ghostly diva. I would have been bummed that we didn't get lore paintings for him, but the memory entry summarizing his surprisingly short-lived career actually made me laugh and honestly, the thought of him only releasing one album and becoming so well-known just because he's notoriously a huge jerk and a producer of incredibly terrible films is so in-character for him.

Another choice I found unusual was the lack of any explanation as to how he got his voice back, since it's been established that he screwed it up by overdoing it. Although, they must have dismissed it knowing that not everyone is going to find the mural containing the only source of that detail. His voice could have healed over time anyway, but it just doesn't entirely make sense that they don't acknowledge it at all (I did see @bramble-scramble 's post mentioning a detail @randomrabbidramblings pointed out where a gramophone can be seen in a box in the studio's control room and it is supposedly the one Phantom replaced with a new one when he messed it up, but even if that's true, it's still a bit easy to miss).

I understand that a lot of these issues were due to restraints since it's only a DLC and they could only fit so much in, but that goes to show that this concept is a little too big for a DLC, but not quite big enough for a full game.

Now, for the things I loved...

I must give massive props to the artists and animators for taking reference from multiple Rayman games and essentially making the pinnacle of his goofiness. Rayman was HIGHLY entertaining to see (and listen to, thanks to David Gasman) and very lovable in this! And the way his dynamic with Rabbid Peach and Rabbid Mario changes up until the end where he becomes friends with them and realizes that he can work with the Rabbids now instead of against them it's just 🥺 awgh... It feels cheesy to talk about it but it really does make me happy now that Rayman has a chance to be an equal to the Rabbids and have something resembling a mutual understanding.

I appreciate them bringing back characters from the main game and giving them their own sets. Fittingly enough, it's like a curtain call for the final installment of SoH.

The return of Beep-0's swearing. SERIOUSLY IT'S SUCH A SMALL THING BUT IT DELIGHTED ME

The studio's lobby is gorgeous. Absolutely STUNNING I love all the details and the music notation motifs on everything.

Honestly the rest of this is just going to be me gushing about Phantom hehehe...

First of all, I was completely awestruck at the decision to give him a swing/jazz sequence because I love the aesthetic of the whole sassy big band musical number kind of thing so when I saw that Phantom was going to do that I went INSANE. The animation in the song sequences is absolutely top tier. Phantom is ALL OVER THE PLACE, very charming, very energetic. The swing bit made me realize just how unbelievably coordinated he is. Like when he's zipping and spinning around the stage and it doesn't affect his singing at all? Holy crap. Then, I went even MORE insane when rock/metal Phantom showed up. I would have wanted a verse in that style too, but I get that it was cut because it would mess up the pacing of the battle.

I love Phantom's inability to contain his excitement at the start of the battle, his annoyed lines when you destroy the lights, his smug remarks even when he's taking damage. He's just so- I'm just gonna say it- so freaking cute in this! His line deliveries in general made me fall so hard for him, especially "were you EVER a thing, Rayman?". The way he drops his voice sounds so cool...

Regarding his abilities, I thought they were going to explain why he could turn people to stone in Kingdom Battle, but they simply took that detail away. I don't have a big problem with this, as the Stone Deaf ability could have been part of the Megabug's influence (and it makes him at least a bit less OP lol). I'm also satisfied to finally know that he can indeed phase through things like any other ghost and isn't limited to just teleporting.

His death acting has definitely improved since last time, in that it's silly and makes me smile instead of just making me feel embarrassed lol.

So uummmm yeah that's all the noteworthy stuff I can think of! Overall I thought the DLC was delightful during my playthrough, but after I finished it I felt kind of sad because it just didn't feel "thorough". However, given that Sparks of Hope generally improved on so many aspects from the last game, I'm confident that they'll keep adding and experimenting with more characterizations and scenarios and make something even better if they decide to continue with Mario + Rabbids. And even if they don't, we'll always have the amazing fans to continue the story and put even more wonder into this wild crossed-over universe!

Anyway, thank you for reading through this highly disorganized rant/gush! And while I'm at it, thank you to everybody in the Mario + Rabbids community for making such amazing art and just being here to share our love for the series. That means thank you to @randomrabbidramblings @bramble-scramble @salamifuposey @hostess-of-horror @phandrow @pastelprince18 @critterzone13 @hostdoozy @majorpepperidge and more! You guys are super cool and I appreciate you even though I've never directly interacted with all of you, hehe. I suppose all I have left to say is goodnight, so goodnight/day everyone! Until next time I decide to dump more nonsense onto your dashboard :D

#I was a bit late making this post but I was dead for a while so eehhhh #thoughts and rambles tag

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archaeren · 17 days ago

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Hi! I hope you’re doing well. I apologize in advance if you’ve already answered this but I just found your blog and got excited to see another author using Notion.

I saw one of your posts where you showed how you use it and I think I saw you have a formula that shows you the word count of your page content? If that is true would you be willing to share?

I might have gotten that wrong but I am dying over this because I only seem to find formulas that will count the number of words in a *related property* but never in the page itself.

Thank you in advance! 🫶

Ps. I know i can check the word count in the menu but a formula would just make it so much better 🥲

God I WISH!!! I too, have searched fruitlessly for a solution to this problem. It's the biggest drawback to using Notion tables for writing. I know Notion updates and adds new features only constantly, so I can only hope that they will some day get around to adding this feature. They might do it if enough people hassle them for it XD The formulas you saw are for tracking wordcount, but they still rely on me inputting the wordcount manually from the menu counter. I'll note them down anyway in case their functions are still of interest to you! Basically, I have four different fields tracking different aspects of wordcount. These are called, 'wc', 'est. wc', 'Remaining', and 'Total'. The first two are Number fields and the second two are Formula fields. 'wc', as you can guess, is the current wordcount as counted by Notion, which I input manually. 'est. wc' is estimated wordcount, so the number of words that I predict a scene will be. I'm not usually that good at making this estimate, but I don't mind being wrong. It's good to practice anyway XD I also adjust this number if it seems like the scene will be longer than I had originally expected once I start working on it. The reason for this field existing is so that I can (attempt) to predict how much I still need to write to complete a chapter, part, the whole story... etc. I'm currently at 103k for this fic, and 'est. wc' is currently projecting it to be finished around 109k, which is surely wrong XD 'Remaining', therefore, is just the wordcount subtracted from the estimated wordcount. It also sets itself to 0 if the scene is marked complete The formula I made for this field is: Status != "completed draft" and Status!= "posted" ? (Est. wc-wc) : 0 'Total' is a more accurate-ish completion prediction. It's set up to use 'est. wc' until a scene is marked as complete, and then it swaps the 'est. wc' number for the 'wc' number. The sum of all those numbers gives a more accurate idea of the predicted final total, which it currently thinks is going to be around 120k. Which is also, surely, still wrong. But hopefully a little less wrong. XD The formula I made for this field is: Status == "completed draft" or Status== "posted" ? wc:Est. wc

I know it's not what you hoped for, but I hope this is useful or at least interesting anyway!

#ask #notion #writing #writing resources

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snugglesquiggle · 7 months ago

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Any tips on using fonts in ao3?

going to assume you're familiar with the basics — creating a new workskin at Dashboard → Skins → My Work Skins, and selecting a skin on the Edit Work page. if not, AO3 has a tutorial for this

(though skimming the tutorial, it doesn't seem to mention the <span> tag, which is your best friend when it comes to applying styles to a bit of text within a paragraph)

now for the more specific part of this question. also, be warned i'm going to be embarrassingly technical before i actually answer your question.

this is going to sound funny, but i am by and large not a fan of manipulating fonts as a stylistic device. my personal opinion is that what font a text is displayed in should be for the user to decide, both for preference and for accessibility reasons (e.g. there's fonts designed for dyslexic readers). i also tend to find most font changes to be a a bit goofy and immersion-breaking

it's different when i do it, but i'll explain my cope in a second

anyway, the style property you want to change to set in your work skin is font-family. e.g. font-family: monospace will give text a code/"typewriter" look, and on my own site i use "font-family: Newsreader, serif;". (the comma there essentially says 'if you don't have Newsreader installed, any serif font will do)

but as mentioned, i don't like messing with fonts, and in fact, there is no font styling as such in my fic at all. what gives?

(note: im going include mildly spoilery excerpts from my fic, Hostile Takeover)

but basically, i wrap cyn's dialogue in <code> tags, and most browsers will make that monospaced by default, but it leaves the door open for custom userskins to add their own flair to code blocks.

for example, my site puts little boxes around them

but with all that said, i think i might be taking this question overly literally. i think it's likely you aren't talking specifically about just fonts, and most of the interesting things people want to replicate from my fic aren't about what shape the letters are.

my secret weapon for styling this fic is the humble text-shadow property.

what it does is simple: it creates a copy of the text, and you have four knobs to turn: you can shift it over horizontally or vertically, blur it, and of course change the color

text-shadow: 1px 2px 3px red;

this gives you a copy of the text shifted to the right 1 pixels, down 2 pixels, blurred 3 pixels and colored red.

text-shadow: 1px 2px 3px red, -1px -2px 3px blue;

same deal but now there's another in the opposite directions colored blue, like a chromatic aberration.

you don't have to include the color or the blur if you dont want color or blur.

now i'll run through some real examples

the "pain" effect is what you get when you stack text vertically

text-shadow: 0 -3px 0px, 0 3px 0px;

the "beyond the grave" effect is text stacked horizontally

text-shadow: 2px 0px 0px;

the famous "i want you destroy you" text is of course colored, and here i offer an actual tip

you can predict the offsets, but the color is special

text-shadow: 2px -1px 0px #da38;

full explanation here, but basically, when you write a color with four values, the first three are RGB, but the last is the opacity. i think this matters because, if the earlier part of this post didn't make it clear, i care about readers getting a good experience no matter how they choose their custom styles (within reason, ofc)

by making the color slightly transparent, it blends with the background color, means whether you read with a light them or dark, it meets you half way

(try removing the transparency on that shade, and it's a pretty harsh contrast on both modes — though part of that might be that i made it super saturated to compensate for the transparency.)

i have some complaints about how ao3 handles css, and one of them is that it forbids you from using the very convenient filter: blur() function. to work around this, i cooked up a very "we have blur at home" solution

text-shadow: 0px 0px 6px, 1px 1px 3px, -1px -1px 3px; opacity: 50%;

(it looks much better on my site, where i can filter: blur all i like)

one of the reasons this sucks is that without a doubt the biggest limiter on doing really complicated stuff with text shadows is that they don't stack.

you'll notice that when the "pain" effect shows up, the "blur" effect disappears.

this matters most for what is definitely the most striking and involved use of text shadows in the work: the big man himself

the basic principle here isn't that special. the illusion of depth is accomplished by increasing blur and opacity the 'deeper' the text is supposed to be. the biggest trick here is that instead of the 'px' we've been using everywhere before, the offsets use 'em', which is a unit that relative to the font size.

but there is a nuance. you see:

text-shadow: 0px 1px 0px, 0px -1px 0px, #fd64 2px 2px 2px, #fd68 2em 1em 3px, #fd65 4em 2em 5px; text-shadow: #fd64 2px 2px 2px, #fd65 2em 1em 5px; text-shadow: #fd6 2px 2px 5px, 0px -3px 0px, 0px 3px 0px, #fd68 2em 1em 3px;

the "translate" looks like a combination of the new effect and the pain effect, but i had to give it a special style, specifying both by hand.

if you want to layer things, it will get out of hand, and if you ever opt to revise the specific colors or values, solver help you.

also, this doesnt show up anywhere in HT (yet), but i've used it in the past — only setting the blur of a text-shadow lets you give words an 'aura', and it's a neat and simple effect

(excerpt from Eifre Quest, an original work of mine from years ago. i have mixed feelings about it)

sorry if that was a long ramble or self-indulgent, but hopefully something there was new or helpful.

thanks for asking!

#ao3 #ao3 formatting #ao3 tutorial #hostile takeover #my answers

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starlit-dreaming · 4 months ago

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[prologue] re: All in the Past

Fandom: Persona (3 & 4) Rating: M Major/Eventual Ships: Akihamu Minor Ships: Jundori, Minayuka AU: Twin Protags + Somebody Lives/Not Everybody Dies + Post-Canon AU Note: Cross-posted on AO3 under the same title.

Summary:

Kotone Shiomi might be an idiot. No, actually, she is undoubtedly an idiot, because no one in the right mind would choose to stick around in the same city that took her loved ones away, a place that had nothing for her. She knew that her parents loved this wretched place, that they often swung by to play concerts when they were alive. Her brother had loved this terrible place, enough to want to finish his schooling, enough to actually consider opening up that bakery she always joked about. Her brother made friends here, he even had a girlfriend (which, gross, someone actually thought her gloomy brother was attractive), and he was finally opening up his heart to people. On their phone calls, he had even asked Kotone questions of her life! Questions that he’s never bothered to ask before! And then he died. He died, leaving everything behind — money, his cosplay crap, the letters she sent him over the years, and… He left her a goodbye letter. //In which the aftermath of Minato's death affected those outside of SEES.

A/N:

I wrote a fanfic around 2014 on FFN under my first fanfic writing account (and I want no reminders of its existence, but if it gets found, just know I will scream and cry if you do find it). It was intended to be a one-shot, although it was very open-ended and I didn’t really want to think too deeply on it. Originally, this was meant to hype me up for P3: Reload, but I haven’t touched it yet because I’m still mourning over the fact that there’s no Female Protag. Hamuko is a nickname; Kotone Shiomi will be used as her full name! Also, I’ll be including Japanese suffixes to better portray relationships. Fun fact: The University is named “Hankyō” (反響) which means “echo” and “reverberation”, which I found to be poetic, because Hamuko’s following after the traces of her brother’s memory in order to solve the mystery of his death. @hwang-lucas because I'm posting this fic for you instead of letting it collect dust in my google docs LMAO

Chapters: [prologue] 1 | 2 | 3

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0. prologue

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Beginning of March, 2011

Breathe in. Breathe out.

This will be the third time in her life that she visits the Iwatodai Graveyard, and she wishes that it never went beyond the first visit.

But that’s the thing about life.

Like it or not, you don’t always get what you want.

“Thank you for showing me the way,” she politely bowed at the handsome silver-haired young man.

“No problem, Shiomi-san,” Akihiko Sanada gave her a sympathetic smile as he hands over the bucket of water — for cleaning the graves, she idly reminds herself as her eyes linger on his muscles for just a second too long. “Will you be okay from here?”

Breathe in. Breathe out.

“Yeah, no worries,” she replied, smiling at the stranger despite the clenching of her fists. It was very hard not to grab his shoulders and shake him for answers about her brother, but she knew better than to do that.

Easy. Just take it easy. They don’t know you, and he might not be one of them.

It was, predictably, harder to watch him walk away without any answers to any question of hers.

When she first arrived in the area, she got lost — plain and simple, and flat out embarrassing. Her phone was dead, and she couldn’t contact anyone who might know something — not that she knew anyone in Iwatodai, much less Tatsumi Port Island, to begin with. Maybe Mitsuru Kirijo, the person who helped fund her brother’s funeral and arranged everything, but she’s not sure if that’s how she wants to get back into contact with her brother’s friend…

Anyway, that was how she became acquainted with Akihiko Sanada — she wound up finding the police station and asked for directions to the graveyard. The officer at the desk was a rather intimidating fellow, and maybe it was obvious that she was gradually getting more and more confused at the older man’s instructions as he mentioned the names of streets and buildings, that Akihiko Sanada, a handsome young man who had been in the room, had politely offered to show her the way.

Which, she supposes, has been the only good thing about the day for her.

Talking to Akihiko was easy, and maybe that was because he was easy on the eyes. As she glanced at their surroundings throughout the journey to the graveyard, he made it easy to feel as if she hadn’t been an outsider looking in. He made recommendations to some of the food places, she asked about things like the bookstores and cafés. Eventually, they touched on the topic of why she was visiting the graveyard, and he sympathized with her by mentioning his younger sister after she spoke of her brother.

His name sounded familiar enough, so chances are, Akihiko had been one of her brother’s friends. There was a brief mention of an Akihiko-senpai, and she had suspicions that they were one in the same. She would need to revisit the letters her brother sent her as well as the emails to be sure. Detective Shirogane was arriving next week, so the sooner she figures it all out, the better.

Still, it was clear that Akihiko managed to walk forward with his grief, even if it still hurts.

She wondered, then, that if it was her who left this world, would her brother mourn for her in the same way as Akihiko had done for his sister? Would he miss her, often, but still find the strength within him to still push forward?

Or would he be standing here, alone in a world that feels strange? Alone, and unwilling to let sleeping demons be, to touch upon matters that were best left behind as everyone had advised? The past is in the past, but would he let himself feel angry at the world? Would he get frustrated when things feel hopeless, despair when it starts to feel pointless? Would he deal with detective after detective, the constant confirmations that he’s in over his head, and that the only logical explanation ought to be drugs and a friend wanting to protect their reputation?

Oh, but she knows. She knows her brother better than anyone else in the world prior to his death. And, maybe, the only thing she never knew was the him before he died. He would wear his apathy to mask the painful aches, if he ever allowed himself to feel in those fleeting moments.

But, unlike her, Minato had friends that he could trust. Friends he could count on.

Her brother was strong, both physically and mentally.

And, more importantly, he isn’t her.

He’s not Kotone.

Breathe in. Breathe out.

She won’t break down like this. She hasn’t cried in years, and she’s not gonna start now, when she knows absolutely nothing about the man her brother became. Oh, she certainly raged at his death, cursing the world for all that it’s taken from her, but she had yet to shed honest tears over his death.

And instead, she smiles. Smiles were a good thing. Smiles made people feel safe and reassured. Smiles made her likeable. Smiles hadn’t failed her, even when she’s alone and tired and sick of it all—

Eventually, she manages to find her brother’s grave, settled beside her parent’s gravestone. Her parents eloped and ran away from their respective families after marrying, but only her father was disowned by his family. The Shiomi Family was matriarchal, and because Kotone was the only girl born in her generation and was therefore the heiress — at least, until one of her cousins were born and Kotone was more than happy to pass on the hat, so to speak — she was accepted into the family with open arms after her parents died, even if they criticized her mother often.

So, it was a bit surprising to know that her parents didn’t have their gravestone in the Shiomi Family Graveyard. For Minato, it was probably thanks to his friend who likely argued in his favor. Did he ever talk to her about their maternal family? Or did he just leave the thought alone?

Vaguely, she recalls a blurry memory of her crouched down in front of their parent’s grave. She was just a little kid sobbing, her brother hugging her, traumatized and different because the adults said so, saying that he had been awake when the accident occurred.

(She woke up in the remnants of the accident, after their parents had passed, with her brother shaking her and trembling all the while, with an expressionless look on his face and tears falling down. In the midst of burning flames and blooming pain that looked almost like an ominous green, she was traumatized in a different way.

But that is neither here nor there.)

Kotone shakes her head, settling down and opening her yellow backpack for the cleaning rags and got to work cleaning her parent’s grave. Her brother’s grave was much cleaner and well-cared for, likely visited by his friends more than her parent’s have ever been. But, his stone sits beside them, like his cremated ashes placed beside their parents in her room.

Seeing his name engraved in the stone was a very jarring thing. It’s a strange sight, one that she never expected to see before she’s even considered a young adult. Like her brother, her name will also be carved in this place when she passes, and she hopes her family honors that request.

Breathe in. Breathe out.

Kotone rinses out the cleaning rag and places the flowers for her parents.

Seventeen.

Minato died when they were both only seventeen.

And now here she was, eighteen and in a world without him.

Living in the same city where their parents died, the same city that traumatized him and left them both orphans. The same city that she recently moved to, just to cling onto the could-haves and should’ve-beens.

Eighteen and alone, when they promised to move in together so she can finally escape the Shiomi Family and he can finally live without them threatening to hold their parent’s inheritance against him.

Breathe in. Breathe out.

When she attended his funeral, her family — her mother’s side of the family, because father was disowned after he eloped with mother and adopted his own mother’s maiden name — was solemn and quiet, but all of them only showed up for appearances. Most inquired about possessions, and only some of them realized that she was still there. Everything went to her, except for certain boxes that he himself had set aside and noted for who it would go to. He drafted his own will, apparently, and left it with the same lawyer their parents used who looked at her with sympathy and pity.

All of his belongings had been neatly tucked and packaged away, as if to make it all easier.

Her brother had told her that his time was coming to a close, that he was tired. She thought he was joking when she first read that email, with him talking about graduation for his senpais. She thought that with how animated his letters and emails became after befriending his friends, that he was finally coming out of his shell. Maybe he had a flair for dramatics, something she never knew, and wouldn’t that have been nice to have in common with her brother?

She thought wrong, when she received that dreadful phone call from a stranger whose name she’s only known through her brother’s letters and emails.

It sickened her, really. She had months worth of letters and emails from him, and as his letters stopped, descending into short phone calls and even shorter emails, she thought nothing of it. He sounded tired, and she could only assume that he hadn’t been sleeping well again.

Final exams often did that to people. So what? He missed a few phone calls, and he sent her apology texts whenever he missed five. Whatever. He’s a busy guy.

How naïve of her. Did she really think it was normal?

She thought it was strange, maybe even suspicious at times. His first week there was odd when he emailed her about it, no matter how much the detectives justified it as delusions or just pure exhaustion. He even claimed it, but it still stood out to her.

Because apparently he was so exhausted and thought the city turned into some sort of deranged graveyard in greens, with blood oozing in places and the moon yellow. She even thought it was a dream of his, since he mentioned dozing off on the train at some point, and that maybe it’d be a great premise for a suspenseful horror story he wanted to write. At some point he mentioned his dorm mate-turned-friend-turned-girlfriend, Yukari Takeba, had pointed a gun at him. Granted, she supposes that having a gun was probably for the best safety-wise since only two girls and a guy lived at the dorms until her brother came along, as well as the others.

She wonders if this Yukari girl had known about her brother’s condition. Apparently, from what was told, the doctors claimed that her brother passed away in his sleep. How that was possible at such a young age, she hadn’t the slightest idea.

It was like one day, he was spirited away.

At one point in all their correspondence, he mentioned that his friend asked him to kill him, and that he felt horrified at the idea of it. She doesn’t blame him, but since she couldn’t even find a Facebook profile of this Ryoji guy, she wonders if her brother was… if he was talking about himself, rather than an actual friend. She hopes not — God, she really hopes not. How much was her brother struggling? Did he actually rely on his friends, or did he only tell her that so she’d feel at ease?

She… was too distraught at the funeral to take notice of them. His friends did show up, at least, she thinks they did, but they mostly didn’t approach her, and she kept to herself. A young woman, Mitsuru, had expressed her condolences to her directly, saying that she was her brother’s friend, and offered her phone number if she ever needed it.

But Kotone never called her. The number was saved on her phone, but… she couldn’t bring herself to do it.

Her nails were digging into her skin painfully, and the pain quickly washes away when she immediately releases her clenched fists upon realizing this fact. She’s been staring at the bouquet of flowers resting before her brother’s gravestone — pinks and blues, seeming almost symbolic of something.

Breathe in. Breathe out. Vision is shaking, but that’s normal.

Right. She can think this over and over again a million times, and she will, but now she’s here visiting her brother’s… grave. What should she even say to him? Should she apologize for being unable to visit his grave because she hadn’t fully moved to Iwatodai yet, even though she prayed to him and their parents often? Should she tell him how exhausting it was to unpack everything by herself? That her university admissions made a mistake with her transfer paperwork, so she ended up wasting maybe an hour having to wait on getting that crap sorted out? Does she talk about the journey to the graveyard because she got hopelessly lost?

Does she talk about the detectives, all of the ones that rejected her case? Or what about the ones who threw insulting remarks about him or his friends, or the few believing that the Kirijo Group had some involvement? Not all of them were bad, she supposes.

But what does it say about all those full grown men, when it was a kid barely into his first year of high school who reached out to her first?

The same kid who asked her if she was still looking for someone to look into her case?

What the hell do normal people really talk about, anyway? What should someone say, despite the distant relationship they shared prior to them passing on?

Breathe in. Breathe out.

“Hey,” she settles on a smile. “Sorry I couldn’t come sooner.”

Before he decided to attend Gekkoukan High School, they were only able to meet up a few times in a year if they were lucky. All of them had been for family gatherings, and Minato had been shoved into house to house among their relatives because none of them wanted to deal with the more traumatized twin.

They only stayed in contact through her sheer stubborn will, and she doubts her brother would agree to it if she hadn’t been intentionally annoying and nosy about his life. The letters were meant to be his reprieve from her constantly trying to contact him by phone.

(Maybe she should’ve tried harder.)

It was a good thing that she didn’t give up on staying in contact. She doubts that she would be excluded from it as his twin sister, but if she wasn’t one of his contacts, maybe she wouldn’t have even known about the funeral. Some of their relatives still didn’t find out until recently.

(And they were all disgustingly the same, murmuring feigned sorrow with greedy eyes as they reluctantly ask about whatever was left of their inheritance from their parents.

She knows they wish she were out of the picture, too.)

“I know you didn’t want to talk to me about a bunch of stuff, but what the hell, big bro?” she dryly laughed. “What’s up with all the money and cosplay crap?”

Part of her thinks that maybe he really did do some shady jobs — the money he left behind to her was enough to buy her several houses and live comfortably unemployed for years, and that didn’t include the inheritance from their parents and the royalties they still received from their music. If she was smart with her money and didn’t waste it, if she made a few investments, then she’d be set for life.

(One detective thought that maybe he sold raunchy cosplay pictures, a mental image that was, and still is, very much unwanted and unneeded and made zero sense with what she knew of her brother. It helps that the detective seemed just as uncomfortable with the thought as she was.

Another suggested it was from video game competitions, which sounded much more likely and vastly more doable and preferable.)

Similar to their parents, there were royalties coming in under his name. Maybe she ought to revisit those papers and figure out why that is. The past few months, she’s been more focused on graduating and planning what to do next, so she tried to avoid thinking about most of the unpleasant aspects that come after someone’s passing, which included those royalties.

Still, he really did leave behind a lot of stuff. Weapons, clothes, accessories, books, and a bunch of miscellaneous stuff. The few detectives willing to entertain her case before declining after hearing that the Kirijo Group was involved considered that maybe his school club was one of those Dungeons and Dragons thing, but was much more serious to the point that they’d embody their character. His phone’s background was also proof that he was really into gaming. It explained half the problems and nothing more.

So this whole green world thing from the first letter was maybe a mistake, which was possible. He might’ve been tired and started writing a scene and forgot that it was a letter to her. Debatable, questionable, but not impossible. The weapons thing felt odd, but her brother had never been very forthcoming about his interests other than music, so that left room for possibilities. Books were normal, but the random outfits and accessories made sense when lumped together as part of the cosplay stuff. He had an armband with “SEES” on it, which was apparently one of his after school clubs.

What concerned her was the random health stuff.

He had a notebook. It mentioned the names of the items, the effects of it, the HP and SP — that was one of the tip offs that it must’ve just been a group game thing. Some were items were relatively harmless, but the more concerning items were what he noted to be “Rancid Gravy” and “Odd Morsel”.

She supposes that it was fortunate that Mitsuru Kirijo had offered to buy most of her brother’s things for her, even if she sent an assistant to handle the deal. Even if she was sure that the Kirijo Group covered up her brother’s cause of death, she did seem guilty about it. And ashamed, if the avoidance of a second in-person meeting was any indication.

One of the suggestions for her brother’s cause of death was overwork, despite being at the pinnacle of health. That was the official story, anyway.

(How the hell does the rising star of the track team die in his sleep, without an ounce of drugs in his blood?)

It was painful going through his belongings, and the whole thing felt rather ironic. She would want for nothing thanks to her brother’s passing, and yet him being alive was the only thing she wished for.

She crouches down, feeling so incredibly small and sad and angry at the world. It looked like the grave was well-maintained. His friends, she thinks, because their family hadn’t thought kindly of her and her brother, except for a few who were never able to care for them.

A passing thought flickers in her mind, wondering if her brother ever visited their parents while he was here.

Probably not.

He didn’t like reminiscing any more than she did.

She places an incense, a habit that’s become second nature since the death of their parents. Even if she doesn’t believe in an afterlife, she finds comfort in the gesture. It helps, knowing that if it really did exist despite her disbelief, then she could make her loved ones happy even if just for a short while.

“I don’t even know if melon bread is still your favourite,” she admits softly, placing the plastic wrapped bread on the grave as an offering. “I’d like to think it still is.”

It’d be devastating if she were ever told otherwise, but she likes to pretend that she still knows her brother well. Her brother would eat anything placed in front of him, but he had minor dislikes that popped up from time to time. When she first started learning how to cook back when they were younger and still lived together, she was absolutely terrible, but her brother never complained and simply made suggestions little by little. He sent her compliments when she sent him cookies every once in a while, and she promised to cook for him whenever she had the chance to see him.

Her brother was always the better chef, though. He was always sending her recipes, mentioning alterations he’s done. She didn’t really have the chance to show off when they reached high school, but she promised she would. Hell, he entertained the idea of a restaurant, purely because he had a senpai who was good at cooking.

And now, she’ll never have that chance to cook for her brother.

“You promised,” she muttered, feeling so horribly hurt and broken as she smiled with gritted teeth. “Did you remember? We were going to be grown-ups and open up our own bakery or restaurant. I’d deal with the customers, and you could stay in the kitchen cooking and baking all day, rocking out to music as much as you want, and then when we close up shop, we can just go upstairs and be at home relaxing in minutes.”

It was a what-if, a possible future plan, but she wanted to be with her brother because he was the only person left who understood. She wanted them to live an easy and simple life, because it was hard to move from place to place with no one to return home to.

And that’s what will happen now. Moving to a new place with no one to come home to.

Again.

“You liar,” she muttered, bitter and hateful, burying her face into the palm of her hands. Part of her wants to cry, but she won’t, and she hasn’t. This dreadful place doesn’t deserve her tears. She could smell the sandalwood incense, and yet again, she’s reminded of that time during their parent’s funeral.

How could he leave like this? Did she even cross his mind?

Ah, but she knows. She knows that whatever happened to him, he didn’t want to leave her.

It wasn’t said outright, but there was a chance that he’d be fine. That he was going to hang in there.

Something happened to him, but what ?

She clenched her fists, her nails once again digging into her skin.

It’s very easy for her, she thinks, to feel resentful about everything. Resentful of her brother, of his death, of herself — everything.

Between the two of them, she was always selfish, something that she didn’t mind until now, always wanting things to go her way. She was always more resentful, she knew hatred so intimately well that it made her feel bitter to her bones. Maybe that was why she knew that he’d tell her to leave it be, let bygones be bygones, and to not even try to look into his death.

But her brother was gone, so he can’t really tell her what to do. And she won’t take the imagined advice — not even if he were to rise from the dead to tell her himself.

She’ll damn well figure out why he died.

——————————

[Unsent Letter]

From: Minato Arisato

To: Kotone Shiomi

January – 2010

Dear Hamuko,

For what it’s worth, I’m sorry.

I’m not sure if this letter will ever reach you, but if it has, then. Well, I’m gone, and the world hasn’t ended like we thought it would. This day came sooner than I thought, and it’s hard sometimes, but I think I get what you mean now. About rising above challenges as long as you’re with some friends, even if you were only talking about manga. I have a promise to keep to my friends, and I’ll die trying to achieve it.

Maybe in another life, or another world, you could understand what I’m going through. Or maybe we would live normal lives and build up that bakery you keep yapping on about.

I’m sorry for never really being present in your life. You always reach out to me, even when you get upset at me for something I’ve done. I do feel guilty about that, and I can’t make anyone happy here no matter what I choose to do. I know you’ll be okay, you always manage to bounce back up no matter what, but that doesn’t mean it won’t hurt.

I’d like to tell you I’m sorry in person, but if you received this letter, then I can’t do that.

My choices have brought me to this point, and I can’t say I regret anything about my life now that I understand what true relationships are like.

I do regret one thing, and that’s leaving you behind. I’m sorry, Hamuko, for breaking our promises. I won’t ask you to forgive me.

This is just another consequence of my actions, and I will bear it as my responsibility.

You will always be my little sister.

Goodbye,

Minato

——————————

‘Now what?’ She thinks, staring blankly at the gravestone. ‘I bought an old dormitory to renovate so I can feel less guilty for using brother's money one I start getting tenants — I need to do some tidying up, but it’ll be a good place to rent out, so I can have a little extra money just to be safe. I don’t have a meeting with the detective until next weekend, and I need to wait to hear about my enrollment to University.’

She looks up into the sky, watching the clouds floating by amidst the sunset skies.

How long has she been standing here?

“Shiomi-san? You’re still here?” comes the familiar voice, surprise and a hint of concern in his voice. Looking up, she finds herself staring at the man she’s seen only several hours ago.

“Oh, Sanada-san,” she politely greeted after a moment of silence.

She knew that seeing him again was inevitable, considering that he was a student at the university she’s enrolling into, but it’s only been a few hours. And, unlike before, he wasn’t alone. Standing a little away was a group of young adults, with a teen, a dog, and a foreigner girl.

“I was actually just about done,” she smiled at him. “There’s been a lot on my mind, so it’s rather refreshing to get it off my chest.”

It wasn’t necessarily a lie — she really did feel better, even if she had a minor headache from all the things that she needed to deal with. Renovations. Paperwork. Meeting the detective. University.

Paperwork was no joke, but solving a mystery with almost no clues was the absolute worst.

Ah… so much to do.

“I see,” he looked at her, understanding in his eyes as he simply nodded.

“Well, I ought to get going before it starts getting dark out, Sanada-san,” she bowed to him, smiling politely. “Have a good evening.”

She walks past him, getting a better look at the group. What a colorful group, she thinks. Blue baseball cap guy, a lady in a pink sweater, a petite lady in green, a blonde foreigner, a teen in an orange sweater, and…

Kotone instinctively smiled, bowing politely at the group and glancing up at Mitsuru Kirijo, the most famous among the group. The heiress, or rather, the leader of the group. Wasn’t she her brother’s friend? If that’s the case, then everyone here must’ve been the group who showed up at her brother’s funeral.

So she was right. Akihiko Sanada was the same Akihiko-senpai her brother mentioned in passing.

“I take it that you and your friends have been taking care of my brother’s grave,” she bowed again. “Thank you for looking out for him even now.”

She bites her tongue, her mind cursing at them. How much did they contribute to her brother’s death? There’s been shady rumours of the Kirijo Group, they were wealthy and had more than enough influence to keep things hidden.

Kotone will never know.

Before they could say anything — surprise, shock, or just downright confusion written all across their faces — she takes her leave. Fists clenching, she bites her lip and wonders how she ought to go about this.

She can’t take any risks right now.

It was safe to assume that they were all dorm mates or or they were all part of the same club, otherwise they wouldn’t plan on visiting together with an almost carefree air to them. It was also possible that they all happened to know her brother from separate instances and came together to grieve after his funeral. He’s mentioned quite a lot of names, so that’s her first step: rereading everything and writing down names and his relation to them. That’s already her plan for before the detective arrives.

She wasn’t going to demand answers from them. Not right now.

For starters, a cover-up was still in the realm of possibility with the Kirijo Group involved. And it was very obvious now that they might know something from how they acted at the funeral back then. They grieved for her brother, but it was different from all the other funerals that she’s been to. Back then, she thought nothing of it because her mind had blanked and she couldn’t focus.

But Kirijo recognized her after she thanked her, with a flash of guilt and understanding. Maybe she’s grasping at straws for something, but it doesn’t matter.

She will find out the truth.

#ilyusha tag #wynter writes #p3 fic #re: all in the past #fic: all in the past (rewrite)#akihamu

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the-prsc · 1 year ago

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LET THE GAME BEGIN:

Hello and welcome to the one and only interactive Prog Rock Survival Competition (definitely not a Lord of The Flies/Hunger Games rip-off)! We are your hosts, @probably-not-mig (Host Mig, aka The Good Host) and @theprogrockbstheorist (Host Violet, aka The Evil Host).

This account chronicles a hypothetical situation in which we place a bunch of prog bands in the woods (include map) and have them try to kill outlive each other. It’s essentially a theoretical survival competition, except there isn’t a lot of actual surviving. Yeah. There can be only one winner, so if killing off hypothetical (and fictional, btw) versions of your favorite musicians isn’t your thing, uhhh… you should probably leave now. It gets bad. We’ll be doing real-time updates on the hypothetical situation, along with some prediction polls, journal entries, comedy routines, and whatever other things we come up with.

Map of the arena (art by @zralokx!! Go follow him)

Do note that this is meant to be purely for entertainment and therefore purely fictional and hypothetical: nothing posted should be taken seriously, and is not an accurate reflection of anybody named. This never happened, will never happen, and should never happen. For all intents and purposes, this is really sort of a parody, so if your favorite musician is like… a murderer in this, it’s important to the plot, and not a statement on our opinions on them as a person.

Furthermore, this sort of takes place outside of time. Nothing chronologically makes much sense: the lineups are all wonky and there are references from all over these bands’ careers. Just assume that everyone is 1) alive when beginning the “game”, and 2) in their physical peak. We have also factored out drug/alcohol addiction, mostly because we had already finished the plot by the time we thought of that.

Anyways, on to our cast of characters/bands! It’s a small list, and we would have loved to include more, but then it would be much longer and we would’ve needed to kill off more of them, which would’ve diluted the quality. If your favorite band isn’t listed, honestly consider yourself lucky.

We have:

ELP (The lineup is in the name)

Genesis (the “classic” prog lineup)

King Crimson (Larks’ lineup)

Rush (do I really need to specify?)

and of course...

Yes (Tales linup)

There will also be surprise appearances, to be revealed later!

We recommend reading from Day 0, however if you’re only interested in the game, you can start at Day 1. We will be keeping this as a pinned post as the game goes on, and updating it with links to all of the daily updates.

Are there any rules to this game/hypothetical situation/clusterfuck? No, not really. It is completely safe for work, but questionably safe for your mental health. We will reveal that there is ONLY ONE SURVIVOR. Did it have to be that way? That’s up to you, the reader.

One last technical note, all of our posts will be tagged as both #progrocksurvivalcompetition and #prsc (an abbreviation of the first tag). If any of you end up making fan art of this, or have Thoughts on our little thingy, you can use those tags! Once again, we are Host Mig and Host Violet, and let the game begin! Day 0 Day 1 Day 2 Day 3

Day 4 Special Report: The Conglomerate (Day 4)

Day 5

Day 6

Day 7

Day 8

Day 9

Day 10

Day 11

Day 12

#progrocksurvivalcompetition #prsc #prog #prog rock #progressive rock #rock

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artofapeach · 2 years ago

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I've always worried if no one will like me or just ignore me because I ship DamianxKayla. I used to be in a zoophobia discord chat and use to draw a lot. But whenever I post art in the chat, especially with a certain ship, I just get ignored in favored for someone's art or ship. It hurt so much that I lost motivation to draw for almost a year. Just a couple months ago I finally started drawing again. But I'm scared if I will get ignored again all because they don't like what I ship.

Please please please draw for you no MATTER what!!

It does suck getting ignored and having no one to talk about it with and worrying that people dislike you *because* you ship it—I go through that all the time!

…well okay not with shipping since if it’s not Blitzfizz I don’t really ship much, but with other things!

I draw a lot of body horror art and enjoy working on original stories—which pretty much gets 0 notes every time I post them. Usually, I don’t mind, since this blog was created for me to dump my art, but now that I have a primarily Vivziepop following, I feel this expectation to post mainly Vivziepop fanart. When I’m more in the mood for body horror and other original work, I’m often worried people won’t like it anymore and stop following :(

But I post it anyway!!

Because this is Tumblr dammit!!!!!! This is the place where we’re supposed to be cringe and post the things we enjoy, whether others like it or not!!!!!!!!!

I will tell you this. Unless it’s a proship (which Damian and Kayla is most definitely not) no one will ever not like you for what you ship! If they do, trust me, you don’t want to be involved with them anyway!

People will see your art, go “hey that’s a ship I don’t care for” and go on with their lives.

But for some people??? It doesn’t end there! They’ll keep seeing your art thinking meh, but then they see more and more and go “okay this is kinda cute actually” until they end up shipping it too!

How do I know this? Because it’s happened to me! Twice! Yes, once with Blitzfizz that’s predictable I know. But ALSO with Dandash—Danny and Dash from Danny Phantom. I did NOT care for them until I saw tumblr user Pbeltarts draw soft art of them again and again and I just finally went “okay this is cute actually”

You gotta keep drawing for you, not just for yourself but also for others! There’s 7-8 billion people on this planet—someone’s going to like your ship, your art of the ship, the way you implement the ship, etc. They just either haven’t realized it or haven’t found you yet :)

Again I know it’s hard—I still struggle with it. But I hope this motivates you to at least keep going!

#hey an ask #not art #zoophobia #im not a fan of Damian and Kayla in canon but I won’t complain about seeing them in fanon :)

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baronfulmen · 2 years ago

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Let's talk about how different dice-rolling stuff works! First, let's look at regular polyhedral dice.

A Note About Averages: Averages are good to know when doing stuff with dice, but more often what you need to know is the chances of getting a particular number OR higher which isn't quite the same thing. That being said, it's a good thing to know and can be the starting point for figuring stuff out. As the post above points out, the average result for 2d6 is 7, if you look at the top of the chart above you can see it's 3.5 for each d6 - so 2d6 is 7, 5d6 is 17.5, etc. But yeah, this is boring so who cares. More interesting die-rolling ahead!

Rolling Two Dice and Dropping the Highest or Lowest: People love to say that rolling with advantage in 5e is basically a +5, and I wanted to just put out there that they're wrong. It's an understandable kind of wrong, because the math is complicated if you want to be right and depends on what your odds of success are. I don't have a chart for this one because it would be big and ugly if I did it in this style.

Fudge Dice: These are usually notated as dF, so like 4dF means roll four Fudge dice. Fudge dice create a bell curve! They've got three different results but are usually made with six-sided dice because three-sided dice are kind of a pain. The sides are 0, -, and +. This means that the average is always zero, and adding more Fudge dice keeps the average at zero but moves the tails of the bell curve further out. This is great for when you want your results to be generally predictable, but still have some surprises. Since it's a bell curve, your odds of getting a -2 or +2 are way worse than getting a -1 or +1, but there's always that chance that a roll of 4dF will come up ++++ or something.

The yellow-highlighted ones above are lower than you can roll, but since it's that number OR above it's also 100% likely. The green is closest you get to 50% odds, and the red is 0% possibility. Note that, as you can see at the very top, no matter how many dice you add the average is always zero.

Exploding Dice: Guys I love exploding dice. So much. They're usually notated with an exclamation mark, so 1d6 would be a normal roll of a six-sided die but 1d6! would be an exploding die. The way it works is simple, if you roll the highest number you roll the die again and add it on. If you're a coward you can have this only work once, but the real way to do it is to get recursive with it. So a roll of 1d6! could end up getting 6, 6, 6, 6, 3 for a total of 27 (in theory).

This does cause some odd statistical things - you're just slightly more likely to succeed on a task with a smaller die if the target number you're aiming for is equal to the number of sides on the die you'd normally be using. You can see this on the chart above with the yellow-highlighted cells - for example, if my target number is 6 then 1d4! is more likely to succeed than 1d6! is (18.75% vs 16.67%, not a huge difference but worth noting).

You can fix that statistical quirk, by going with...

Baron Fulmen's Terrible Plan: What if you want to roll way too many dice? Maybe you can't decide between regular dice, fudge dice, and exploding dice? What if you want to use exploding dice but you don't like that strange quirk mentioned above or you really want to have negative numbers be possible so people can fumble?

Just make all checks 1dX!+4dF

Is it stupid to roll an exploding polyhedral AND four fudge dice every time? Yes. Should you do it anyway? Probably not. Do you kind of want to though? Huh? Do you? Of course you do.

Look at it. It's beautiful. What a stupid, wonderful way to roll ability checks.

If as a novice game designer you understand nothing else, please understand that writing for a rules-light system doesn't mean you don't need to know basic statistics. I've seen multiple Apocalypse Engine titles whose authors are clearly under the impression that every possible sum of 2d6 is equally probable. I've encountered at least one that included sum-of-2d6 based lookup tables with twelve entries.

#dice #statistics #fudge dice #exploding dice

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asideofkimchi · 2 years ago

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I posted 15,277 times in 2022

That's 4,336 more posts than 2021!

30 posts created (0%)

15,247 posts reblogged (100%)

Blogs I reblogged the most:

@galahadwilder

@crazyw3irdo

@sabertoothwalrus

@corrupted---minds

@despazito

I tagged 5,527 of my posts in 2022

#ml - 706 posts

#spy x family - 451 posts

#dracula daily - 329 posts

#pokemon - 211 posts

#mm - 135 posts

#dc - 129 posts

#the husband - 94 posts

#batman - 65 posts

#loz - 54 posts

#birds - 53 posts

Longest Tag: 139 characters

#loid can’t sleep though so he eventually hears the knocking on his bedroom door. it’s yor. she couldn’t sleep too. needed to see anya again

My Top Posts in 2022:

Sabine Cheng: listen this teenage girl may have caused my daughter to be expelled from school but by GOD i will teach her the delicate art of chinese painting

34 notes - Posted February 12, 2022

Yall ever think about how this man, this beautiful loving man, BOUGHT a whole bouquet of roses and brought them home because they reminded him of you and his strong ever-growing feelings for you? He didn’t just take a selfie with them somewhere, he’s in his ROOM. He BOUGHT them, knowing there was no chance to actually give them to you yet did it anyway. What college boy does that? Yoosung Kim, that’s who.

41 notes - Posted March 8, 2022

anyway Happy Yoosung Kim Vore Day, everyone

51 notes - Posted April 1, 2022

Gunpowder Milkshake is the sexiest assassin movie I’ve ever seen. It’s the Feminist’s Kill Bill. It is so full of MILFS. It’s so cheesy and over the top and full of dramatic overkills and I loved every single second. I can’t remember the last time I so thoroughly enjoyed a live action film.

60 notes - Posted April 10, 2022

My #1 post of 2022

So this is MY prediction for BEAU tonight, expressed thru shitty meme:

450 notes - Posted August 25, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review #Lmao okay #shush you cabbage

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myjunkisyuzuruhanyu · 3 years ago

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Free skate predictions for the Olympics 2022 - Men

SP prediction scores here

These scoring predictions are based on GOEs and PCS awarded during Worlds 2021 and the 2021/2022 season from international judging panels. If things are taken from different judging panel it’s explained. All mistakes are mine and if you find any please point them out. This just gives a general impression of scores that could be awarded based on the season if a skater skates clean and gets all level 4s for spins and steps. I called it a “realistic” score. The “maximum” score is the base value + all elements receiving +5 GOEs and maximum PCS = 50.00. So a maximum perfect score which actually can’t happen. This isn’t about whether something GOEs or PCS were rightly awarded but what judges did award at international competitions.

I didn’t score all skaters but those who are among the best scoring skaters of this season - namely Nathan Chen, Yuzuru Hanyu, Shoma Uno, Yuma Kagiyama, Vincent Zhou, Jason Brown, Junhwan Cha and Mark Kondratiuk.

It shows you the trend what scores might be possible for skaters and what the maximum of each score would be.

Note: If a skater hasn’t landed a jump clean yet this season aka Yuzu’s 4A for example I put a 0 as GOE

Note: Nathan said in a recent interview that he wouldn’t go for 6 quads. Imo it’s neither necessary nor will it make much of a difference for his placement the way they overscore him anyway

Please do not share anything of it without referring to this post. Please give proper credit. This is for fun only!

#figure skating #shoma uno #yuzuru hanyu #nathan chen #yuma kagiyama #jason brown #beijing 2022 #scoring prediction

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ot3 · 4 years ago

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i watched red vs blue: zero with my dear friends today and i was asked to “post” my “thoughts” on the subject. Please do not click this readmore unless, for some reason, you want to read three thousand words on the subject of red vs blue: zero critical analysis. i highly doubt that’s the reason anyone is following me, but hey.

anyway. here you have it.

Here are my opinions on RVB0 as someone who has quite literally no nostalgia for any older RVB content. I’ve seen seasons 1-13 once and bits and pieces of it more than once here and there, but I only saw it for the first time within the past couple of months. I’ve literally never seen any other RT/AH content. I can name a few people who worked on OG Red vs. Blue but other than Mounty Oum I have NO idea who is responsible for what, really, or what anything else they’ve ever worked on is, or whether or not they’re awful people. I know even less about the people making RVB0 - All I know is that the main writer is named Torrian but I honestly don’t even know if that’s a first name, a last name, or a moniker. All this to say; nothing about my criticism is rooted in any perceived slight against the franchise or branding by the new staff members, because I don’t know or care about any of it. In fact, I’m going to try and avoid any direct comparison between RVB0 and earlier seasons of RVB as a means of critique until the very end, where I’ll look at that relationship specifically.

So here is my opinion of RVB0 as it stands right now:

1. The Writing

Everything about RVB0 feels as if it was written by a first-time writer who hasn’t learned to kill his darlings. The narrative is both simultaneously far too full, leaving very little breathing room for character interaction, and oddly sparse, with a story that lacks any meaningful takeaway, interesting ideas, or genuine emotional connection. It also feels like it’s for a very much younger audience - I don’t mean this as a negative at all. I love tv for kids. I watch more TV for kids than I do for adults, mostly, but I think it’s important to address this because a lot of the time ‘this is for kids’ is used to act like you’re not allowed to critique a narrative thoroughly. It definitely changes the way you critique it, but the critique can still be in good faith. I watched the entirety of RVB0 only after it was finished, in one sitting, and I was giving it my full attention, essentially like it was a movie. I’m going to assume it was much better to watch in chunks, because as it stood, there was literally no time built into the narrative to process the events that had just transpired, or try and predict what events might be coming in the future. When there’s no time to think about the narrative as you’re watching it, the narrative ends up as being something that happens to the audience, not something they engage with. It’s like the difference between taking notes during a lecture or just sitting and listening. If you’re making no attempt to actively process what’s happening, it doesn’t stick in your mind well. I found myself struggling to recall the events and explanations that had immediately transpired because as soon as one thing had happened, another thing was already happening, and it was like a mental juggling act to try and figure out which information was important enough to dwell on in the time we were given to dwell on it.

Which brings me to another point - pacing. Every event in the show, whether a character moment, a plot moment, or a fight scene, felt like it was supposed to land with almost the exact same amount of emotional weight. It all felt like The Most Important Thing that had Yet Happened. And I understand that this is done as an attempt to squeeze as much as possible out of a rather short runtime, but it fundamentally fails. When everything is the most important thing happening, it all fades into static. That’s what most of 0’s narrative was to me: static. It’s only been a few hours since I watched it but I had to go step by step and type out all of the story beats I could remember and run it by my friends who are much more enthusiastic RVB fans than I am to make sure I hadn’t missed or forgotten anything. I hadn’t, apparently, but the fact that my takeaway from the show was pretty accurate and also disappointingly lackluster says a lot. Strangely enough, the most interesting thing the show alluded to - a holo echo, or whatever the term they used was - was one of the things least extrapolated upon in the show’s incredibly bulky exposition. Benefit of the doubt says that’s something they’ll explore in future seasons (are they getting more? Is that planned? I just realized I don’t actually know.)

And bulky it was! I have quite honestly never seen such flagrant disregard for the rule of “show, don’t tell.” There was not a single ounce of subtlety or implication involved in the storytelling of RVB0. Something was either told to you explicitly, or almost entirely absent from the narrative. Essentially zilch in between. We are told the dynamic the characters have with each other, and their personality pros and cons are listed for us conveniently by Carolina. The plot develops in exposition dumps. This is partially due to the series’ short runtime, but is also very much a result of how that runtime was then used by the writers. They sacrificed a massive chunk of their show for the sake of cramming in a ton of fight scenes, and if they wanted to keep all of those fight scenes, it would have been necessary to pare down their story and characters proportionally in comparison, but they didn’t do that either. They wanted to have it both ways and there simply wasn’t enough time for it.

The story itself is… uninteresting. It plays out more like the flimsy premise of a video game quest rather than a piece of media to be meaningfully engaged with. RVB0 is I think something I would be pitched by a guy who thinks the MCU and BNHA are the best storytelling to come out of the past decade. It is nothing but tropes. And I hate having to use this as an insult! I love tropes. The worst thing about RVB0 is that nothing it does is wholly unforgivable in its own right. Hunter x Hunter, a phenomenal shonen, is notoriously filled with pages upon pages of detailed exposition and explanations of things, and I absolutely love it. Leverage, my favorite TV show of all time, is literally nothing but a five man band who has to learn to work as a team while seemingly systematically hitting a checklist of every relevant trope in the book. Pacific Rim is an incredibly straightforward good guys vs giant monsters blockbuster to show off some cool fight scenes such as a big robot cutting an alien in half with a giant sword, and it’s some of the most fun I ever have watching a movie. Something being derivative, clunky, poorly executed in some specific areas, narratively weak, or any single one of these flaws, is perfectly fine assuming it’s done with the intention and care that’s necessary to make the good parts shine more. I’ll forgive literally any crime a piece of media commits as long as it’s interesting and/or enjoyable to consume. RVB0 is not that. I’m not sure what the main point of RVB0 was supposed to be, because it seemingly succeeds at nothing. It has absolutely nothing new or innovative to justify its lack of concern for traditional storytelling conventions. Based solely on the amount of screentime things were given, I’d be inclined to say the narrative existed mostly to give flimsy pretense for the fight scenes, but that’s an entire other can of worms.

2. The Visuals + Fights

I have no qualms with things that are all style and no substance. Sometimes you just want to see pretty colors moving on the screen for a while or watch some cool bad guys and monsters or whatever get punched. RVB0 was not this either. The show fundamentally lacked a coherent aesthetic vision. Much of the show had a rather generic sci-fi feel to it with the biggest standouts to this being the very noir looking cityscape, which my friends and I all immediately joked looked like something from a batman game, or the temple, which my friends and I all immediately joked looked like a world of warcraft raid. They were obviously attempting to get variety in their environment design, which I appreciate, but they did this without having a coherent enough visual language to feel like it was all part of the same world. In general, there was also just a lack of visual clarity or strong shots. The value range in any given scene was poor, the compositions and framing were functional at best, and the character animation was unpleasantly exaggerated. It just doesn’t really look that good beyond fancy rendering techniques.

The fight scenes are their entire own beast. Since ‘FIGHT SCENE’ is the largest single category of scenes in the show, they definitely feel worth looking at with a genuine critical eye. Or, at least, I’d like to, but honestly half the time I found myself almost unable to look at them. The camera is rarely still long enough to really enjoy what you’re watching - tracking the motion of the character AND the camera at such constant breakneck high speeds left little time to appreciate any nuances that might have been present in the choreography or character animation. I tried, believe me, I really did, but the fight scenes leave one with the same sort of dizzy convoluted spectacle as a Michael Bay transformers movie. They also really lacked the impact fight scenes are supposed to have.

It’s hard to have a good, memorable fight scene without it doing one of three things: 1. Showing off innovative or creative fighting styles and choreography 2. Making use of the fight’s setting or environment in an engaging and visually interesting way or 3. Further exploring a character’s personality or actions by the way they fight. It’s also hard to do one of these things on its own without at least touching a bit on the other two. For the most part, I find RVB0’s fight scenes fail to do this. Other than rather surface level insubstantial factors, there was little to visually distinguish any of RVB0’s fight scenes from each other. Not only did I find a lot of them difficult to watch and unappealing, I found them all difficult to watch and unappealing in an almost identical way. They felt incredibly interchangeable and very generic. If you could take a fight scene and change the location it was set and also change which characters were participating and have very little change, it’s probably not a good fight scene.

I think “generic” is really just the defining word of RVB0 and I think that’s also why it falls short in the humor department as well.

3. The Comedy

Funny shit is hard to write and humor is also incredibly subjective but I definitely got almost no laughs out of RVB0. I think a total of three. By far the best joke was Carolina having a cast on top of her armor, which, I must stress, is an incredibly funny gag and I love it. But overall I think the humor fell short because it felt like it was tacked on more than a natural and intentional part of this world and these characters. A lot of the jokes felt like they were just thrown in wherever they’d fit, without any build up to punchlines and with little regard for what sort of joke each character would make. Like, there was some, obviously Raymond’s sense of humor had the most character to it, but the character-oriented humor still felt very weak. When focusing on character-driven humor, there’s a LOT you can establish about characters based on what sort of jokes they choose to make, who they’re picking as the punchlines of these jokes, and who their in-universe audience for the jokes is. In RVB0, the jokes all felt very immersion-breaking and self aware, directed wholly towards the audience rather than occurring as a natural result of interplay between the characters. This is partially due to how lackluster the character writing was overall, and the previously stated tight timing, but also definitely due to a lack of a real understanding about what makes a joke land.

A rule of thumb I personally hold for comedy is that, when push comes to shove, more specific is always going to be more funny. The example I gave when trying to explain this was this:

saying two characters had awkward sex in a movie theater: funny

saying two characters had an awkward handjob in a cinemark: even funnier

saying two characters spent 54 minutes of 11:14's 1:26 runtime trying out some uncomfortably-angled hand stuff in the back of a dilapidated cinemark that lost funding halfway through retrofitting into a dinner theater: the funniest

The more specific a joke is, the more it relies on an in-depth understanding of the characters and world you’re dealing with and the more ‘realistic’ it feels within the context of your media. Especially with this kind of humor. When you’re joking with your friends, you don’t go for stock-humor that could be pulled out of a joke book, you go for the specific. You aim for the weak spots. If a set of jokes could be blindly transplanted into another world, onto another cast of characters, then it’s far too generic to be truly funny or memorable. I don’t think there’s a single joke in RVB0 where the humor of it hinged upon the characters or the setting.

Then there’s the issue of situational comedy and physical comedy. This is really where the humor being ‘tacked on’ shows the most. Once again, part of what makes actually solid comedy land properly is it feeling like a natural result of the world you have established. Real life is absurd and comical situations can be found even in the midst of some pretty grim context, and that’s why black comedy is successful, and why comedy shows are allowed to dip into heavier subject matter from time to time, or why dramas often search for levity in humor. It’s a natural part of being human to find humor in almost any situation. The key thing, though, once again, is finding it in the situation. Many of RVB0’s attempts at humor, once again, feel like they would be the exact same jokes when stripped from their context, and that’s almost never good. A pretty fundamental concept in both storytelling in general but particularly comedy writing is ‘setup and payoff’. No joke in RVB0 is a reward for a seemingly innocuous event in an earlier scene or for an overlooked piece of environmental design. The jokes pop in when there’s time for them in between all the exposition and fighting, and are gone as soon as they’re done. There’s no long term, underlying comedic throughline to give any sense of coherence or intent to the sense of humor the show is trying to establish. Every joke is an isolated one-off quip or one-liner, and it fails to engage the audience in a meaningful way.

All together, each individual component of RVB0 feels like it was conjured up independently, without any concern to how it interacted with the larger product they were creating. And I think this is really where it all falls apart. RVB0 feels criminally generic in a way reminiscent of mass-market media which at least has the luxury of attributing these flaws, this complete and total watering down of anything unique, to heavy oversight and large teams with competing visions. But I don’t think that’s the case for RVB0. I don’t know much about what the pipeline is like for this show, but I feel like the fundamental problem it suffers from is a lack of heart.

In comparison to Red vs. Blue

Let's face it. This is a terrible successor to Red vs. Blue. I wouldn’t care if NONE of the old characters were in it - that’s not my problem. I haven’t seen past season 13 because from what I heard the show already jumped the shark a bit and then some. That’s not what makes it a poor follow up. What makes it a bad successor is that it fundamentally lacks any of the aspects of the OG RVB that made it unique or appealing at all. I find myself wondering what Torrian is trying to say with RVB0 and quite literally the only answer I find myself falling back onto is that he isn’t trying to say anything at all. Regardless of what you feel about the original RVB, it undeniably had things to say. The opening “why are we here” speech does an excellent job at establishing that this is a show intended to poke fun at the misery of bureaucracy and subservience to nonsensical systems, not just in the context of military life, but in a very broad-strokes way almost any middle-class worker can relate to. At the end of the day, fiction is at its best when it resonates with some aspect of its audience’s life. I know instantly which parts of the original Red vs Blue I’m supposed to relate to. I can’t say anything even close to that about 0.

RVB is an absurdist parody that heavily satirizes aspects of the military and life as a low-on-the-food-chain worker in general that almost it’s entire target audience will be familiar with. The most significant draw of the show to me was how the dialogue felt like listening to my friends bicker with each other in our group chats. It required no effort for me to connect with and although the narrative never outright looked to the camera and explained ‘we are critiquing the military’s stupid red tape and self-fullfilling eternal conflict’ they didn’t need to, because the writing trusted itself and its audience enough to believe this could be conveyed. It is, in a way, the complete antithesis to the badass superhero macho military man protagonist that we all know so well. RVB was saying something, and it was saying it in a rather novel format.

Nothing about RVB0 is novel. Nothing about RVB0 says anything. Nothing about it compels me to relate to any of these characters or their situations. RVB0 doesn’t feel like absurdism, or satire. RVB0 feels like it is, completely uncritically, the exact media that RVB itself was riffing off of. Both RVB0 and RVB when you watch them give you the feeling that what you’re seeing here is kids on a playground larping with toy soldiers. It’s all ridiculous and over the top cliche stupid garbage where each side is trying to one-up the other. The critical difference is, in RVB, we’re supposed to look at this and laugh at how ridiculous this is. In RVB0 we’re supposed to unironically think this is all pretty badass.

The PFL arc of the original RVB existed to show us that setting up an elite team of supersoldiers with special powers was something done in bad faith, with poor outcomes, that left everyone involved either cruel, damaged, or dead. It was a bad thing. And what we’re seeing in RVB0 is the same premise, except, this time it’s good. We’re supposed to root for this format. RVB0 feels much more like a demo reel, cutscenes from a video game that doesn’t exist, or a shonen anime fanboy’s journal scribbling than it feels like a piece of media with any objective value in any area. In every area that RVB was anti-establishment, RVB0 is pure undiluted establishment through and through.

#long post #really long post guys. look out !#rvb

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talkingbl · 3 years ago

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Thoughts on the GMM Pillars + New GMM Royalty?

Just a post on my general thoughts on the pillars, the state of their pairings at this point (and moving forward), and potential new pillars in the mix.

KristSingto: As of the time of posting, I never really watched SOTUS/SOTUS S so I can't comment at length on KristSingto. Based on the first episode, I can see why people fell for SOTUS, KongpobArthit, and KristSingto generally. Krist and Singto also have some pretty funny iconic moments. But I didn't watch them enough to understand the complete cult following they've garnered, and thus can't really predict their future as a Pillar besides that they might be dead due to Krist wanting to branch out. But maybe someone can enlighten me lol.

OffGun: I have A LOT to say about OffGun. The first thing I'll say is that this is going to have strong hints of clowning so please indulge me for a bit. But let's just get into it.

I've watched Puppy Honey and Theory of Love and bah gawd does OffGun's chemistry carry the hell out of PickRome and KhaiThird (more so PickRome). But because Khai and Third are well-written as characters (more on that another time), I can focus more on Off and Gun's acting in TOL. I must say that on rewatch, Off and Gun are easily my favorite Thai BL pairing to watch onscreen and a good part of that is pure acting skill. That isn't to say they don't have chemistry because good lord do they do hot-and-cold/flirtationship extremely well. They also seem to have a very professional working relationship and you never see their drama overcome their work and this is vital as GMM Pillars and as co-leads in general. I firmly believe that Off and Gun can work together for as long as they so desire (not that they have to) based purely off the fact that they are so professional, are both good actors (and improving over time), and naturally seem to have a strong respect for each other.

Now that that's over with, this is where the clowning comes in... I'll start this with saying that Off and Gun know how to play the game. Not saying they should play the game or that I myself need that, but just saying that they know how to get their fans going. That being said, early OffGun gave a feeling of over-familiarity on Gun's behalf. Then, between 2019-2020, Off seemed to warm up a lot to Gun's familiarity and Gun then pulled back. I'm noting this because I think this push-and-pull in their early days was actually very genuine. Not saying it meant anything or something like that, just that you could clearly tell that Gun was a flirty person and Off was not comfortable with it but then, probably as a result of playing opposite Gun, Off started to open up more with everyone (not just Gun). I think their pairing actually forced them to grow as actors and professionals and it's part of the reason why they are likely the only current GMM Pillar I see having even more longevity.

TayNew: Okay so, y'all had to know I wrote this last... My thoughts on TayNew are weirdly complex, just like my journey with them. Full disclosure, I started out REALLY hating TayNew and very against their pairing. A lot of this has to do with the fact that I wasn't familiar with them prior to Girlfriendgate (not the official term but that's what I'm calling it 🤪). I felt so bad for New and felt like their fans ruined their work. And my issues with the fans bled over into the pairing itself. I didn't understand what people saw in them, thought they had 0 chemistry, and ESPECIALLY didn't know why people thought they were real (I tend to not believe in any of these offscreen things anyway though so there's also that). BUT this was all before I had even watched any of their shows together, watched a single interview, watched them do things separately, or even heard New speak lmao. I think I actively clung to JossTay just because I didn't want to even be associated with TayNew or Polcas. Probably in another post specifically about TayNew, I will discuss Girlfriendgate and my thoughts about it but for now, I want to focus on them as a pairing (i.e. acting in a show as co-leads) and their future as a GMM Pillar.

Firstly, KMA: Pete-Kao wasn't some phenomenal story or anything with like crazy good writing but what it did well was allow Tay and New to play to their offscreen dynamic. Before fully watching KMA, I had only ever seen people say "Tay and New bicker like a married couple" or "Tay and New are really Pete and Kao" and I just thought, that's a little delusional...but then I watched KMA and early TayNew, and when you watch them, you get the distinct feeling that they are very honest with what they show people. Tay and New are not over-the-top with their offscreen interactions and they don't play up the "we're really boyfriends" thing like *cough* MewGulf *cough*. They don't even have classic romantic (or even friendly) chemistry IMO. Unlike, say, EarthMix, TayNew come off as coworkers who have tension/history lol. I know they always talk about hating each other at first and I can totally believe that. But there's also a weird feeling of something really sweet there that usually doesn't exist between people who hate each other. It's so hard to describe (especially in a brief section and without looking like a straight up clown) so I might try to elaborate later. Point is, Tay and New 100% bring this energy to Pete and Kao and it's hard to know when they've stepped out of character. Because of that, I think it became easy for Polcas to project Pete and Kao onto Tay and New. That said, I don't know if TayNew has a future as a GMM Pillar. It's a tough call right now because I do get the feeling that New is opening up to the pairing again but I also get the feeling that Tay might be a bit over it at this point. But I think I'll discuss more on that in a TayNew post.

BrightWin: So 2Gether was my first proper Thai BL and after watching it I totally understood the hype. It wasn't until I got further into Thai BL that I realized people actually did not like BrightWin as actors and thought they had no chemistry. I admit that Bright's acting wasn't the most inspired, but partly why I felt (and still feel to this day) that he worked with Win is that he was good at looking interested in Win. Win on the other hand seemed to be forcing it a bit more, though I'm not sure how much of this was acting his character to a T and how much of it was him just not having chemistry with Bright. I do highly doubt its the latter though because offscreen, there's a lot of easygoing chemistry there. It's not as loud as some of the other pairings on this list but you can tell they're not awkward with each other, which brings a lot to SalawatTine IMO. That said, I do not see BrightWin sticking around as a new GMM pillar. They're like an inbetweener pair that I don't think will do any more BL work together.

EarthMix: Earth and Mix have so much onscreen romantic chemistry it's almost jarring when you see them interact in real life. Despite the fact that they do almost nothing romantic in ATOTS, Tian seems smitten with Phupha in that tsundere sort of way and Phupha has a strong stillness in his adoration for Tian. Almost like a rock of controlled emotion for Tian. Offscreen, Earth and Mix have such a fun dynamic and you can tell they've been friends for years. I think it's a testament to their acting skills (mostly Mix's) that they're able to pull off romance onscreen in a way that other guys on this list who are close friends cannot.

PondPhuwin: This is my newest GMM pair and definitely one of my favorites in their show. PondPhuwin is like a higher vibrational BrightWin in many ways. Pond does very well as Mork with regard to showing attraction to Pi, and Phuwin is just a decent actor in general. Like 90% of his onscreen chemistry with Pond is how he his able to reach into a very vulnerable feeling and portray that as Pi. Offscreen, they have a very mutually respectful relationship and, as with the other GMM pairs, good boundaries with the fans. Their chemistry is brotherly and very marketable in that way. I definitely think they can become part of the GMM pillars.

#thai bl boys love gmm pillars #kristsingto offgun #taynew pondphuwin #earthmix #brightwin

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miniwolfsbane · 3 years ago

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Sweet Tooth S1 thoughts (BIG SPOILERS)

First off, I am disappointed we were shown a PURRING PUPPY BABY in the trailer and had 0 follow up with it? Did he/she escape to Istanbul with it’s parents? Get captured? Live a nomadic life? Live in the forest? I WANT ANSWERS!! :( Also, puppies don’t purr, so I want answers to that too. Unless they were trying to go for a whimper or an animal noise and just went with that instead.

BIG SPOILERS under the cut

Anyway, the only two things, aside from the bits of gore and violence (Reviews are all like “IT’S A FAMILY SHOW!” And I counter back with “I would not let any child under 13 watch this and I have never seen a family show with three seconds of guts being removed and two scenes of implied, live vivisecting on sentient beings without anesthetic.”), the only things I didn’t like about this were using 2 overused cliche’s. One being the hero hanging off a bridge for what seems like 12 years above peril, and the other I can’t remember. It was Jeppard nearly missing the train. The only thing that saved it was the flashback.

The other thing was that, while dark, there’s a bit of predictably and not much depth to the story. I realized last night that the comic source material my have the depth I’m craving out of the story. Just because it has child actors doesn’t mean the story can’t be dug into deeper and have more meaning. I applaud them for what they did and how they handled it, mixing in human-ish vivisecting with neighbors burning down their friends houses and being murderous hypocrites into a story about children, but it wasn’t enough for me. I wanted more. Edit: Not more violence, obviously, just more to the story. dig into the universe, hard. Like gardening, just shove both metaphorical hands into that story soil and root around in it. Find all the gems that are the interesting parts of this universe and answer our questions.

Sadly, I see someone on tumblr called it...something. Like, were we even watching the same show?? A multi-racial cast that gives all it’s characters dignity isn’t...that.

Bobby isn’t creepy to most and not shown that much. If you really think Bobby is that creepy, you need to go see original Bobby and get back to me. https://www.bing.com/images/search?view=detailV2&ccid=mv4YBZHa&id=071BD6BDAA183CA5965247E7F8F68E873375399B&thid=OIP.mv4YBZHau8dTzxGoK0L0ggHaHD&mediaurl=https%3A%2F%2Fvignette.wikia.nocookie.net%2Fmarvel_dc%2Fimages%2Ff%2Ffc%2FBobby_Sweet_Tooth_001.jpg%2Frevision%2Flatest%3Fcb%3D20150813115735&cdnurl=https%3A%2F%2Fth.bing.com%2Fth%2Fid%2FR9afe180591dabbc753cf11a82b42f482%3Frik%3Dmzl1M4eO9vjnRw&pid=ImgRaw&exph=616&expw=647&q=sweet+tooth+comics+bobby&simid=608026455638091252&ck=7A4DBACCF6BFE43E3B1E799F7F88C55A&selectedindex=0&adlt=demote&shtp=GetUrl&shid=3fb5000d-4d63-494a-986d-006fedeb28d5&shtk=Qm9iYnkgKFN3ZWV0IFRvb3RoKSB8IERDIERhdGFiYXNlIHwgRmFuZG9t&shdk=Rm91bmQgb24gQmluZyBmcm9tIGRjLmZhbmRvbS5jb20%3D&shhk=NjRWN4Jv1KDrxu8T30I3UN0IQ71oVtCAEnsLIeSmFl4%3D&form=EX0023&shth=OSH.nyb0RMh%252Bnm%252B%252B%252FIH1cnkhHw

Okay, kid does sorta look like a gremlin mixed with a Furby in the show, like one post said, but I’ve seen worse. https://www.bing.com/images/search?view=detailV2&ccid=F9mlBjUo&id=49C0257935E4A941563E579C7E9DCF48B72BEC01&thid=OIF.eyTVbAuEqt0R%2bKFmrIK4gA&mediaurl=https%3a%2f%2fepipoca.com.br%2fwp-content%2fuploads%2f2021%2f06%2fE3NUK2kVoAE5Ct_.jpg&cdnurl=https%3a%2f%2fth.bing.com%2fth%2fid%2fR17d9a5063528805f1ade0ea77464df86%3frik%3d%26pid%3dImgRaw&exph=675&expw=1482&q=sweet+tooth++Bobby&simid=297111136187&ck=7B24D56C0B84AADD11F8A166AC82B880&selectedIndex=49&FORM=IRPRST&ajaxhist=0&ajaxserp=0

Sometimes stuff goes over my head. I had no idea that the babies were being born and not made in a lab. When they showed them in the maternity ward, I genuinely thought they had been experimented on and didn’t come out of the womb like that. Apparently I missed that it was a maternity ward in a hospital. That’s my other problem with this show I forgot to mention: It defies logic and you really have to turn off your brain to accept the hybrid concept. I’m guessing the virus or other means (possibly according to the comics, I tried to avoid big spoilers), mutated them in utero. That still doesn’t satisfy me. Thankfully, Gus was somehow lab created, so that helps. (More information and context would be appreciated. Was it, like, they were experimenting with in-vitro or what?) Edit: This article https://screenrant.com/sweet-tooth-theory-purple-flowers-cure-sick-virus/ explains that putting the virus in a chicken egg produced Gus. Which makes even less sense. Edit: This MAY or MAY NOT be right. Someone on YT pointed out they never said this in the show.

IRL, Virus + chicken embryo=would never randomly produce a human/deer hybrid baby. It’s so freaking random it sounds like nonsense or the delusions of a madman, not a rational comic book author with a presumably sane mind. Just...I’ve said it before...things have to make sense, even in fiction. 5 step process of anything cannot equal random result. It goes against all science, right? And made up worlds have to have rules, even silly worlds. Like I said, you have to turn your brain off, but this stretches even my disbelief. Hybrids, I get, fine, but that? I’m sorry, what? *headdesk* I don’t know, maybe the comics had something I’m missing since I never read them.

I’m eager to learn the connection to the kids and the virus as we go. And if we don’t get a season 2, I’ll be getting the comics to satisfy my thirst for this show.

Gus is my baby and I don’t understand how a kid could be that cute. Jeppard is the GOAT (lol) Bear could use better line delivery at times, but her acting will improve I’m sure. Nice to see Diana Ramierez acting again, her character is likeable. Wendy is cute, but kinda just there for me. Needs more traits or character development to get on my favorite characters list. Bear also needs more than just backstory and a tough girl persona. She’s not bland, she just needs more spark to her as a character. More personality, if that makes sense.

Lastly, I wanted a tiny bit more from the make-up department. Wendy and rabbit kids (yes, I took note of this detail and I love bunnies) make-up is on point, but the rest look like kids dressed up in dollar store feathers and fur for a school play. Get more creative if you’re gonna show these hybrids, even if it’s just for a few seconds. You have the budget!! (But I think most of that went to Bobby’s puppetry/CGI and Jeppard’s baby, to be honest.)

I wanted a cat girl or boy, because the lulz for the anime community (Also, because I have 2 cats and stuff), but at least we got bird kids, even if they weren’t cockatiels like mine. I’m ready for Season 2, hurry Netflix!!

I can see why people wouldn’t like this show or wouldn’t recommend watching it, but I see many have embraced it. It’s either you’re thing or it’s not, but you should give it a chance and see. Just don’t shoot it down if you hate it, there’s enough wet blankets out there and we all have different tastes.

Edit: One last thing. I do have a problem with hybrids being half-human. Like, you would think that being half-human, they’d still have all the problems humans have with causing wars and all. I know it’s a dark story with a good outcome, but there’s something too saccharine about hybrids having “The best parts of us.” What exactly are those best parts? Last I checked, humans are selfish and vain at their core. Even the most altruistic, giving person can be greedy about something or want more. It’s like Genie said in the new Aladdin, “You can have all the money and power in the world and it still won’t be enough”. Wouldn’t bird people and pig people and deer people all want to side with each other instead of living in some grand utopia? Fighting over land and resources? Portraying hybrids as taking over the earth after people are gone from extinction and everything going peachy doesn’t quite work for me. Not that I’d want it to still be dark, but, eh, they’d have to have SOME problems, wouldn’t they?

#Sweet Tooth Netflix #Gus #Jeppard #hybrids #Sweet Tooth spoilers

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garrothromeave · 4 years ago

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the hell is mystreet season 6??

(warning, long post ahead)

ok so before i start this

1) ive never posted shiiiit on tumblr before so watch me suffer, im just here to talk about stuff that my friends who dont know anything about aphmau have to listen to me rant about for hours on end

2) i havent seen mystreet in like years (except season 3, i watch that frequently since im laurance and shadow knight deprived) so please bear with me because i might be completely wrong on this lol. it’s just like, pointing out things i remember

3) im sure someones already talked about this but who cares

4) im gonna do this stupid thing where i just explain myself a bit at first, if you dont want to read that just skip to the part where you see “the actual thingy:” in bold and italics

5) mild disclaimer; i am completely aware that jessica is not a professional writer. i know that she did her best to appeal to her fans, and honestly, respect for that. while this post will come off as aggressive and probably look like hate, that’s not my intention in the slightest. it’s just... intense criticism. im sure y’all probably already know that, but yeah, just stating that anyways. i do believe that jess is doing her best, and in no way do i want to dismiss any hard work she’s done. that being said; prepare for a very strongly opinionated post.

haha watch there be 10000+ typos in this making me look like a complete dumbass

ok here we go

one of the main reasons i stopped watching aphmau back in 2017 was the mess that was season 4. like, in the first few episodes of the emerald secret, i thought “woah!! this is kinda cool, im a sucker for mystery!” because of course i was, it was something new and something exciting. the only problem i had with it at the time was kim, but that’s just because i always found her annoying and out of place. i just didn’t understand why garroth dragged her along and honestly i still don’t to this day BUT, moving on.

anyways, as the season progressed, 13 year old me was of course just “:0!!” the entire time--that is, up until the reveal of the main villain. i remember watching the episode, seeing the reveal of ein, and then stopping. like, just for a quick break, but i was still just overwhelmingly disappointed. like, and this was the time when pdh was airing and ein just got made alpha (i think?) and i had really really liked eins character in pdh. either way, that really sucked and actually opened my eyes to a lot of things.

one of the main things bein’ the fact that this was supposed to be a slice of life kinda series that decided to take a turn to a more edgy kinda approach. which, i guess i regularly wouldnt mind? but seeing as mcd was kinda bein neglected at the time it just didnt sit right with me. BUT WHATEVER, point is i stopped watching mystreet all together at the end of season 4.

like, a whole year later my brother tells me that shit’s getting intense in season 5 + 6 of mystreet, and my brilliant self decided to give it a shot--but i refused to watch all of season 5, so i only stepped in when ein made an appearance. so whenever that was, that’s where i picked up because i didnt care enough to see

and y’know--i honestly didn’t hate it at first. in fact, i found it oddly cool. it wasn’t enough to get me into aphmau again, but it was enough to where i was intrigued. i dont know why, but i never watched the finale, so i didnt see the ending until just a few weeks ago--but back then, i thought it was neat. looking back on it however... im just so confused.

side note: only got back into aphmau this time around because of mcd. mainly because like, i adore the first season and the first half of the second season. and being nearly 18 now, im a lot more appreciative of plot and well-written characters n junk.

the actual thingy:

ok back on track. imma stop spilling out my story of how i got back into aphmau, and lets just skip to what rewatching mcd made me realize of season 6′s plot and shit:

-emmalyn. how the fuck does ghost even remotely exist? if she’s emmalyn as claimed, then why have we already seen emmalyn in the mystreet universe alive? look i get that creators can do whatever they want with their stories but at the same time please provide some sort of explanation good god. and maybe they did and i just havent seen it, so if there is one--let me know. but until that day imma just sit here confused as fuck

-ok so imma just be real, the whole ‘ultima’ thing is just... not great. in my opinion, anyways. like... i saw someone mention this in another post, but if this ultima stuff was like, a really big deal, why isnt it mentioned in mcd? though i suppose since its a curse of sorts, it could be later on past the time period in which mcd takes place--but even then, how did it manage to make its way into aaron’s family bloodline?

-WHY IS EVERYONE AT STARLIGHT ITS JUST SO CONVINIENT like what happened to this place being the most expensive shit on the planet or whatever, and how the gang happens to run into like, the werewolf trio and blaze and kai and guy and nate all of these people like god damn life doesnt WORK LIKE THAT

-im sorry but turning people into relics? thats... thats the best you could come up with? plus, like, how does that even work? in mcd it’s established that relics are separate entitles that choose their wielder, based on a ‘personal’ connection (being a descendent of a previous wielder) or if they’re a good match personality and (i think?) moral wise. so the whole turning-people-into-relics doesnt make much sense to be honest.

-irene really over here using her god powers to only keep her friends alive like god damn not a great god if you ask me

-can i talk about how incredibly predictable aphmaus death was? like i just kinda sat there waiting for it to happen and when it did i literally went “haha! wonder when she’ll be revived” because god forbid we actually kill off characters

-when aphmau + demon warlock fought in the irene dimension there was no passage of time whatsoever in the real world whiiiiiiiiich really bothers me because they fought in there for at least a few minutes

-speaking of aphmau and the demon warlocks fight does it bother anyone else that it had to be aaron who took over the fight?? like we get it hes the big protector blah blah blah but god damn it wouldve been cooler if aphmau had fought this battle as her. aaron fighting this battle was so underwhelming

-...love. like, thats the only thing thats needed to break out of a forever potion? love? LIKE YEAH, GOOD GUYS GOTTA WIN SOMEHOW, but its just so cliche and overdoneeee

-oh yeah and also when travis went bonkers and became the demon warlock or whatever, why’d he only take over katelyn and garroth?? like, zane had been influenced by the potions in the past as well? DONT GET ME WRONG--i do love some good brother edge, but uh, the demon warlock was just bein kinda a dumbass by not possessing zane too just sayin’

-can aaron please go to fucking jail for mass murder now like holy shit, he just got sent home on a fuckin boat. also why did blaze forgive him for killing him thats not even remotely realistic. then again, nothing in mystreet has ever been realistic when it comes to characters and motives and personalities, (cough katelyn being actually abusive and travis being an actual pervert) but yknow whatever

-katelyn and kawaii chan literally added nothing to the plot whatsoever. like lets be real, katelyn lost her personality the moment season 5 started and kawaii chan just kinda sits there :I

-ok im sorry this was bound to come up but cmon guys imagine laurances potential if he was in season 6 like god damn this is beyond maddening. AND YOU KNOW WHAT WOULD HAVE BEEN A REALLY REALLY COOL PARRALLEL?? IF IT WAS LAURANCE WHO SNAPPED GARROTH OUT OF HIS MIND CONTROL THING, because it would mimic laurance’s speech to get garroth to snap out of his rage in season 1, episode 100 of minecraft diaries. like how fuckin rad would that have been? missed opportunity

-also?? why does kim/ghost know magicks?? like, if i remember correctly, emmalyn is a scholar--not someone who knew magicks. i mean, i guess research? study?? but its been established that knowing how magicks works =/= being able to use magicks. i dunno, just doesnt seem right i guess. maybe its explained, i wouldnt know (yes i know that makes me look like a dick leave me alone)

-melissa should have stayed dead. LIKE, NO, ITS NOT AS SIMPLE AS “haha it takes more than a few bullets to kill me”??? look ive got nothing wrong with melissa (cough lie cough) but yknow it would have just been cool a character... stay dead? for once? its just too fuckin cliche that shes alive god damn

-can i also just say the only good thing that came out of season 6 was travis’ dads sacrifice like damn that made me actually sad

-howww was lucinda turned into a relic. or yknow, anyone else? like im sure they explain it better in the actual show i just dont remember, but its just that easy? turning anyone into a relic? granted, a normal person wouldnt be able to produce a good relic, but idk man. IM JUST SAYING; that the only really powerful relics that aphmau should have been able to wield is the one that aaron + zane produced because shad relic and esmund relic moment. lucinda isnt even like, connected to a divine warrior. ALSO, another point, if its seriously that powerful of a relic getting one from just a magic user like lucinda, why go through the trouble? i mean i guess ofc youd want the “all powerful” one that the ultima produces but i mean damn whats the point

-ok this is just going to bother me but in one of the episodes (i think might have been in season 5 actually) where that like, guardian dude was chasing aphmau and zane and at one point they split up and the dude just chuckles at zane diverting paths and goes under his breath “youre not the important one here”, suggesting that aphmau somehow is? first of all, id argue that any ro’meave is significantly more important than aphmau was, especially not knowing much about her other than that shes with aaron. i might be missing some bits an pieces, but if i was that dude id forget about aphmau and go after zane

-killing off derek for shock factor sucked, and i know the moment was supposed to be really sad because like “oh :( aarons dad is sacrificing himself for his son” but lets be real dereks still was a shitty father and i dont think his reasons for doing what he did was very good at all

-less about plot or more like: why the absolute fuck did the gang bring kim along instead of, oh i dont know, a life-long friend? like, laurance or dante maybe?? im sure its explained, i never saw aphmaus year or most of season 5, but god DAMN id hate to be apart of this friend group AND GOD LIKE, imagine reconnecting with an old friend who ends up getting closer to your best friends and taking priority in their lives over you (cough laurance) like god damn lol

-im just going to preface this one with: i dont remember everything that’s happened, so if im wrong i apologize in advance--but (you actually can correct me if im wrong and please do) didnt like, irene reincarnate her friends in order to give them better lives? I DONT KNOW IF THIS IS TRUE, ITS JUST WHAT I REMEMBER--however, if im correct, then:

a. why the hell would she bring back someone like zane, or gene, or ivy, etc.

b. why the hell do they all have the same exact names? first and last? again, im aware that the whole mystreet+mcd tie wasn’t originally supposed to be there, but i dont think that means such a coincidence can be excused? its just a bit much if you ask me.

c. why the hell is the fact that (as much as i literally hate this) aaron is a decedent of shad being ignored? like, you’d think that something like this would be something thats actually important, or something the demon warlock couldve taken advantage of. or are we completely erasing every other connections to divine warriors besides aphmau + irene? because even if irene did reincarnate them or do whatever it is she did, does she even have the power to sever the connections between them and their ancestors? my guess is, no.

d. speaking of irene why on earth was aphmau able to talk to/see irene, they’re literally the same person are they not? did she like, fuckin reincarnate herself without actually doing it?? BUT--i will give it to them, the demon warlock did refer to aphmau as something along the lines of being “one of the 3 parts of her broken soul” or something like that. however, my point still remains. also what are the other two did i miss that or is it never explained

now; if irene in fact did not ‘reincarnate’ her friends then please ignore that little bit right there :)

but yes, those are a few of the problems i have with season 6 off the top of my head. i would go into like, season 4 and 5 more as well, but i honestly didnt feel like it. at some point i might go into other things, like how important laurance could have been to the plot of these later seasons, or HELL, even dante. i might also go into what could have made season 4, 5, and 6 actually good--maybe... a rewrite? perhaps? but im getting too far ahead of myself, so i just leave you with this for now.

and i know that as soon as i post this 15 more things are just going to pop into my head BUT im going to try and not edit this post because why stress myself with that even more

anyways thank you for coming to my tedtalk

#in conclusion i hate it here #lets go back to mystreet bein slice of life pls #anyways tune in next week for 'the hell is pdh??'#aphmau #mcd #mystreet #minecraft diaries #please ignore these next tags im just promoting relentlessly #garroth ro'meave #zane ro'meave #aaron lycan #kawaii chan #kim mystreet #laurance zvhal #pls i have no idea how to tag posts #rant

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