#anyway i have no regrets. living my truth i am a classical stan first and a person second. also classical composers can't title for shit

[supercantaloupe]

10 songs / 10 people

tagged by @lonelyroommp3, ty!! 10 songs i've been listening to lately. apologies in advance cause this is gonna be 100% classical and opera

allegro from oboe quartet in f, mozart

variations on la ci darem la mano for oboe trio, beethoven

adagio-allegro vivace-adagio from horn quintet no. 1 in Bb minor, ewald

overture to le nozze di figaro, mozart

allegro moderato from concerto in Bb for clarinet and english horn, fiala

epilogue from the rake's progress, stravinsky

allegro from concerto in a major for clarinet, mozart

allegro from trio for two oboes and english horn, beethoven

serenade for winds, strauss

ne timeas maria, victoria

tagging: @tragedyposting, @nablah, @theresa-of-liechtenstein, @malcolm-f-tucker, @pearlandbrine, @signawyvern, @druid-for-hire, @kingfisherkink, @beatricexbenedick, and @leporellian if you'd like!

[scott-mccall-the-hot-girl]

my ultimate guide to thiam fic !!

( as a new teen wolf stan )

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the classic post war, long ass (multi chapter) fic !!with great development that genuinely made me laugh out loud, they have the best friendship in this & i love it very much. ( like theo teaches liam to drive and i just *happy sobs* ) a fundamental in thiam fanfiction !! all stans have probably already read it but if you haven’t this is in fact a threat ,, go show this vv iconic story some love !!

Airplanes - Captainmintyfresh

Summary: After the Anuk-ite and the hunters are dealt with Liam needs a break. Cue Theo and a road trip that Liam should know better than to think will be peaceful.

Not Rated, No Archive Warnings Apply, Completed, 43/43 Chapters, Words: 236,875 (236k)

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okay okay so this one is also post 6B !! but ,, now we introduce fighting monroe & the hunters again ,, so we get the boys & a new mission !! so if you like an intresting plot 11/10 would recommend !! just to be clear this ISN’T complete ,, if that turns you off i understand but definitely give this one a read !! it litterally have theo doing crossword puzzles & fighting zombies

Vacancy Signs - LovelyLittleGrim

Summary: Theo and Liam are in Manhattan negotiating a pack allyship when the zombie apocalypse breaks out. Now, the two of them have to find their way back to Beacon Hills without getting eaten by zombies or killing one another.

Rated: Explicit, Graphic Description of Violence, Not Completed, 15/17 Chapters, Words: 89,605 (89k)

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Royalty AU !! I REPEAT ROYALTY AU !! a fantastic au where i stan their moms more than i stan them !! genuinely so good at the childhood rivals to lovers trope !! i’m genuinely obsessed with this one. has made me cry more than once ,, hurts in a good way <3 the ending is just *chefs kiss* also one of the tags is genuinely: # theo and liam make bad choices for over 130k straight !! if that doesn’t sound appealing i don’t know what does !!

Artificial Love - songbvrd

Summary: Prince Theo and Prince Liam are forced to spend every Summer together from age five onwards. They hate each other, and usually find ways to make each other miserable as much as possible in their six weeks together. But when they're reunited because of intended unions as adults, things change. They're both supposed to be married to noble women, but neither of them is as interested in anyone else as they are with their childhood rival.

Rated: Mature, No Archive Warnings Apply, Completed, Chapters: 32/32, Words: 172,935 (172k)

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so if you are in the mood for a crack fic that’s not explicitally a crack fic this is for you !! okay so i’m really hit or miss with AU’s ,, sometimes i feel like they don’t quite capture the characters right but this story have the BEST dramatic liam i have ever seen in my life !! basically they all live in the same apartment building & it’s fantastic !! i saw this one floating around a lot but the summary didn’t really unrest me until i have it a shot !! so go read it rn !! also nolan & brett are genuinely fantastic and make me wheeze ,, LIKE ACTUALLY VERBALLY LAUGHING !! all i’m gonna say is that my fav characters are scott & the beetles but that won’t make actual sense until you read it !!

The Neighbors Song - TheodoreR

Summary: “I always hear you singing on your balcony every morning, but suddenly you’ve stopped?”

Or the one where Theo annoys Liam every morning with his awful singing until he doesn’t anymore and Liam is even more annoyed. Liam hates every single thing about his mornings -the fact that they happen in the morning alone is enough. The thing Liam hates the most about his mornings though is the terrible voice of the guy who lives below him. He can’t sing for shit and Liam tried to politely let him understand that by throwing flour and water on his balcony, and also by shouting it to him, you can’t sing for shit!, and then by writing it into a note he proceeded to attach to his door, but this Raeken guy just keeps doing it, every single morning, like a fucking rooster. Liam did nothing to deserve this. He probably didn’t do anything to deserve better either to be fair, he doesn’t expect to open his window and be welcomed by some angelic voice singing him good morning, he’d just be happy with nothing. Silence. That’s something Liam can appreciate in mornings. Just some bark from his dog and the sound of his misery and that’s it. But no, god forbid the new guy lets him have that.

Rated: Explicit, Creator Chose Not to Use Archive Wanrings, Completed, 8/8 Chapters, Words: 42,814 (42k)

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me: i’m not a big fan of AU’s ,, proceeds to talk about ANOTHER au… OKAY BUT THIS ONE !! it’s not complete but the author has been updating regularly ,, vv slow burn !! but in a REALLY intresting way !! i lOVE LIAM IN THIS SO MUCH ,, he is such a diaster of a person and it’s wonderful !! they have a great dynamic & i’m sucker for general puppy pack content ( and erica reyes being a badass ) !! also theo plays lacrosse in this & i really like it ahhhhh ,, also liam is just being an artic monkeys stan the whole time & theo is like *que confused repressed gay noises*

Inglorious Roommates - honeyscape

Summary: A roommate is defined as “a person with whom one shares a room.”

Theo would say a roommate was more along the lines of, “The person who's the bane of his existence. The weirdo that sleeps for days. The spaz that exercises at 3am. The guy with a revolving door of annoying friends. An insufferable human being that Theo has no control over living in his room.”

Example: Theo hates his roommate Liam.

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okay okay i hate myself but i have another WIP for y’all !! this one is jUST FANTASTIC. i’m genuinely so upset it’s most likely not going to updated again *incoherent screaming ensues*. for this story ,, it’s very theo-centric bUT thats bc it ends right before liam becomes a concrete member of the story !! ANYWAY: basic plot = theo & acquiring not one but two children ,, so #dad theo but he is still crusty & homeless and i love him very much. it’s just so GOOD !! just read if you want to experience my fav theo coming out story & him etching high school musical

Look who's talking - Captainmintyfresh

Summary: Theo had been labeled many things in his life. Evil, failure, monster. He'd never thought Father would be one of those things but as he looked across the table to a six year old with blue smears of bubble gum icecream across her face trying to coax the first words out of her sister. Finger jabbing towards Theo's face as she repeated 'Daddy' again and again he couldn't bring himself to dispute the label.

(Theo accidentally adopts two young werewolves)

Not Rated, Creator Chose Not to Use Archive Warnings, Not Completed, Chapters: 16/?, Words: 48740 ( 48k )

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so here me out: post-canon ( poetry like angst ) summer get away !! just the boys doing cute little domestic things together whilst pining !! theo’s guilt in this is just so powerful & aGjffkgkkfkvkdlv !! i think it’s so interesting to see how they interact in this one, it’s just very heart warming !! and it features one of my favorite niche teen wolf tropes of theo being great with like seven year old girls- it’s just so good ,, very much a wonderful little one shot that just makes your heart happy.

(next time i see you you'll show me) a hundred different ways to say the same things - cherrysprite

Summary: “...You deserve good things,” Liam says eventually. He makes sure not to look at Theo even though he can feel his eyes turn on him. Somehow he can already tell that Theo doesn’t believe him.

Liam instantly makes that the goal of this summer - making Theo believe him.

Rating: Teen and Up, No Archive Warnings Apply, Chapters: 1/1, Words: 28875 ( 28k )

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okay so this next section of fic recs is a bit different !!

two of my favorite authors !! and a compilation of fics i’ve read by them both !!

for context: these two have written some genuinely gorgeous fics, like pure poetry, they explore the real gritty & scary side of our boys relationship in such a wonderful way. they’ve both used some of my favorite tropes & i love them very much !!

whenever i need something soothing but so genuinely intresting & enticing these are my go to !! ( also they both write a lot of good nolan angst & some vv good fics with hayden )

go check out:

eneiryu

as well as fallingforboys

here are some of my favorite fics by them ~

darling i want you here in my arms (kiss the pain away, i know you can) - fallingforboys

even before you touched me, i belonged to you (all you had to do was look at me) - fallingforboys

memories linger like tattoo scars (but your touch on my skin is just as permanent) - fallingforboys

skin, bones, a stolen heart, and an ugly creature lurking underneath -fallingforboys

i don't know how to breathe in the place i called home - fallingforboys

whisper your gossamer truths into the shadow, maybe you'll find the answers you're searching for - fallingforboys

between the mountains and the valley we built a monument to our regret - eneiryu

cracked the hinges of the cage and waited for you - eneiryu

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okay and finally: since i am a self centered whore

my own fic: an rendition of the # elevator scene

it’s basically my version of post canon if we did get the kiss in the elevator. we got a classic liam pov in which he is has 12/10 for extreme bi diaster energy even whilst being shot at !! so go him ig…

Fuck Off, Fuck This & Fuck It! - nefelibata_peach

Summary: Liam thought to himself heart rate climbing, they were bound to be dead by morning. So he thought with everything but his brain and he kissed him.

Where Liam Dunbar is very confused, slightly traumatized, and just a bit scared but hey, aren't they all! Bad decisions ensue as two boys fight in a war they never did sign up for.

Rating: Teen and Up, Creator Chose Not To Use Archive Warnings, Chapters: 1/1, Words: 3558 ( 3k )

[orionsangel86]

15x04 Episode Review - What a Meta Rollercoaster THAT was!

Jensen Ackles directed this. Let that sink in before you read on. Because this means EVERYTHING.

Davy Perez said on Twitter that he had a lot of help with this episode from Bobo, Dabb, Meredith, Even from Jensen and Rob. Which seems pretty clear from me as I was blown away by what I consider a meta masterpiece.

There is a lot to unpack here so let me just jump straight in with my favourite part:

THE REDEEMED FANGIRL AND THE BRONLY GOD

In an episode directed by Jensen Ackles it both astonishes me and pleases me immensely that the strongest and most interesting plot didn’t involve the brothers. Every single scene with Becky and Chuck was a galaxy brain of meta and my head is still buzzing about it. 

**Meta Essay under the cut**

Becky has changed. She has grown up, has gone to therapy, has channelled previously unhealthy behaviour into a stable and successful Etsy business. She is the model fangirl. No longer the source of this shows mockery. Becky shuddered when remembering what she did to Sam. Showing her regret and guilt over her former actions leading the way for this fanbase to forgive and redeem her. Formerly Becky was portrayed as a mockery of those in the fandom who irritated Kripke, now she has grown beyond that dark and hateful corner, has welcomed Castiel into her home as the character whose form appears most often on her shelves. Clearly Becky is a Cas stan now. I bet she ships Destiel in those domestic AU’s she writes on AO3. Only Cas stans and Destiel shippers proclaim “not enough Cas” when referring to the source material after all.

However even though the positive message of the reformed fangirl from obsessive incest fetishist into healthy Cas fan filled me with joy, it wasn’t my top take away moment from these scenes. The entire message of Chuck and Becky’s conversation makes me want to cry tears of joy. After all, it isn’t often your favourite show includes an avatar of yourself arguing with an avatar for the writers - or at least, the villainous arrogant writer who refuses to acknowledge you. 

Becky likes the character drama. Chuck likes the monsters. Becky doesn’t care for the monsters. Chuck brings up the Leviathan (because of course Chuck would enjoy the season that first tried to “go back to the shows roots” and reduce the format back to just “Sam and Dean alone on the road”). Chuck tells her that fanfiction doesn’t count, but our strong willed fangirl avatar tells him “writings writing!” and damn right you are Becky. It counts.

Then Becky goes and blows my mind by speaking aloud in my favourite show the kind of things that I think and talk about every time this show brings out another generic MOTW episode:

“If I had to give one note, the jeopardy Chuck, its feeling a little thin. No stakes. It’s fun to hear the boys voices but a story is only as good as its villain and these villains are just not feeling very dangerous. Not to mention there’s no classic rock, no one even mentions Cas, the climax is a little stale. The boys tied up again while we get the villains monologue which frankly isn’t one of your best. A hint of originality wouldn’t… hurt.”

(x)

At this point I might as well be on the floor because holy shit Becky is me. When did the writers become so very aware of their fanbase? It’s taken them 15 years, but they are finally here. Chuck is fuming of course. How dare a fangirl criticise his work, so instead of taking her advice on board, he plays up. He gets mean.

Chuck’s perfect SPN ending is tragic and in some weird insanely meta way this feels like a message from the writers telling us that they hear us because Becky once again says what we have ALL been screaming on Twitter about a tragic ending:

“It’s awful. Horrible! It’s hopeless! You can’t do this to the fans! What you did to Dean? What you did to Sam?”

I keep thinking that the SPN writers have made Chuck into a parody of the GoT writers. Chuck is arrogant, egotistical, and completely incapable of taking criticism. He went to Becky hoping she would fluff up his ego, but she shot him down and unfortunately, he destroyed her for it. 

The message here though is one of hope. Everything about Chuck is framed as negative, as villainous - this includes the tragic ending. Therefore if there is one thing I am practically certain of after this episode it’s that the actual finale will subvert Chuck’s vision. We will not be getting a tragic death ending to the show.

The other thing I can’t quite believe that the writers have done here, in an episode directed by Jensen is the shaaaade. I’m honestly feeling a little sorry for the bibro’s right now. Because the writers have been shading them HARD this season. Chuck has proven himself to be one of them. Imagine having the writers see you and the things you like about the show, and make you into the actual villain? I mean... ouch.

Reasons Chuck is a Bibro

He has tunnel vision on Sam and Dean (ignores Castiel completely)

He is all about the MOTW episodes. Doesn’t pay attention to depth of character

He clearly enjoyed season 7 MOTW brother only season

He believes a tragic brother only ending would be loved by the fans

He wants a dark tragic ending

When Becky recommends he write something else, he moans that he only likes Sam and Dean and only wants to write about them.

He is arrogant, egotistical and doesn’t listen to criticism.

(this is technically a crack intermission to an otherwise serious meta post but ADMIT IT there is truth to this crack!)

SAM AND DEAN - CHUCKS PUPPETS?

Whilst Becky faces Chuck and makes all our meta writer hearts pound with excitement, the other main story was a rather generic MOTW episode. But wasn’t that the whole point? What a genius twist on a MOTW this episode was. We all know the formula, so overdone now in the show that it has grown tiresome. Yet to have that tiresome format called out in the very episode that... includes... that...format... well, that’s gotta be one of the most meta things this show has ever done. I’m in awe. 

Sam and Dean investigate the mysterious death of a cheerleader at Beaverdale high school (and even though I don’t watch Riverdale even I can see how this school is a blatant nod to that terrible show #sorrynotsorry). It starts off pretty boring and normal. Sam and Dean do their thing, they wear the suits and pretend to be feds. They suspect Veronica (again Riverdale fans are probably enjoying this) but realise that she can’t be their vamp. The boys seem quite lost as to who is responsible... until Chuck starts writing that is. Then suddenly a random car driving past the crime scene on CCTV is enough for them to enter someones house with a machete. It’s a sloppy MOTW storyline, but this seems intentional IMO. From the moment Sam and Dean are back in their lumberjack chic and storming the family home to accuse the father of being the vamp, something feels off - or it did to me anyway. 

In fact, as this was all playing out right at the moment that Becky critiqued Chuck’s writing, it felt as if she was critiquing the very MOTW hunt that we were watching, at least from that point onwards. 

Suddenly we are back in Chuck’s world and he’s made it dark and tragic. 

The son in this nuclear family is Jack. unwillingly monstrous, innocent and guilty at the same time. The father, so desperate and self sacrificial for his child - heartbreakingly Castiel:

“You don’t have children do you, because if you did you would know that to see your child in pain, rips your heart out, and you’d know that you’d do anything. You’d die for them.”

The mother, wide eyed, armed and dangerous - Clearly Dean:

“Or kill for them.”

The son plays his part perfectly. Chuck be proud:

“I killed someone that I loved” 

“I’m a monster” 

Compare this to Jack in 14x20 saying to Dean as he stares down the barrel of the gun “You were right. I am the monster.”

But we as the audience know that this situation is wrong. There is no real monster here other than Chuck. The boy is a victim just as Jack was. The parents forced into desperate circumstances out of love. They may be the stereotypical white middle class American family made of privilege and self obsession, but what they do is still purely out of love. It is a situation they are forced into by Chuck, just as he forced the TFW family into the same situation at the end of last season, and we are made to look on in horror as what happened in the season 14 finale happens again, and yet Sam and Dean barely blink or question their actions. This is the strangest part of all. 

Sam’s reaction is interesting, because he knows this is wrong. He knows they shouldn’t be killing this kid. He can see the mirror, the repeated story here. He can TELL that something isn’t right... but he doesn’t speak up, doesn’t protest, doesn’t stop it. 

Dean doesn’t question a damn thing. He plays his part perfectly. It’s haunting. Chuck almost had his clutches in Dean before, but this time his hold is tight. 

Look at how this was framed and tell me this whole thing isn’t Chuck’s doing?

In both scenes Sam looks on in horror knowing that it isn’t right. But this time no one protests, and Chuck get’s his horrific ending.

Chuck banishes Becky and her family, and arrogantly proclaims that he “can do anything, I’m a writer” and the next scene cuts to Sam and Dean in the car ready for the classic Bro Melodrama moment as to be expected of all standard MOTW, but this time, it feels like they are reading from a script - at least at first:

Dean: “Well that was an interesting one.”

Sam: “Yeah. What Henry did. We’d have done the same thing. For Jack, if we’d had the chance.”

Dean: “Yeah. Yeah we would. Look man I get it. I get it we have lost way way too much. And its hard enough to feel like just cashing up. I felt like that. After Chuck back at the crypt. But you know what brought me back, you did. You saying that what we do still matters.

That’s why I wanted to drag us out here, to work the case, to save lives. Ya know. Because it is, it’s a crap job. We do the ugly thing so people can live happy.”

Sam: “Lucky them.”

Dean: “Yeah lucky them.”

Sam: “But it doesn’t change a thing. Ya know you still do the job. We don’t do it for us. We do it for Jack, for mom, for Rowena. We owe it to everyone whose ever given a damn about us to keep putting one foot in front of the other. No matter what.

Hey man like you said, now that Chucks gone. We’re finally on our own. We are finally free to… move on. Ya know.”

Sam: “Yeah I dunno I dunno if I can move on. I can’t forget any of them. I still think about Jessica. I can’t just let that go.”

Dean: “No man that’s not what I’m talking about.”

Sam: “I know I know I’m sorry I know. What I’m saying is that I don’t feel free. What we’ve done, what we’ve lost, right now that is what I’m feeling and sometimes its, its like I can’t even breath. Maybe tomorrow, maybe ill feel better in the morning.”

Dean: “And what if you don’t?”

Sam: “I dunno.”

First of all, would they REALLY have done the same thing for Jack? Kidnapped and bled an innocent girl to feed him? Because I don’t think they would have. Then Dean goes into a monologue that we have heard over and over again and it feels like he is reading from a script. It’s like going through the motions. We are back in Chuck’s worlds. There is no freedom here. Even the lack of Cas mention which we can argue is because Dean is burying those feelings and in denial, even so it feels jarring in the episode where the lack of Cas mention was already called out directly by Becky, so it only further adds to how disjointed this whole scene is. Like this scene is pure wank fodder for Bibro Chuck. Quite frankly, it is. But this time it feels like the writers are aware of this and are doing it purposely to MAKE it feel off.

The one time the script seems to trip is when Dean mentions moving on - triggering Cas’s words from last week, which he struggles with, and then Sam protests and actually opens up to how he is really feeling. The brother’s are back in Chuck’s maze, and this time it seems like he has made it impossible to deviate from the path - but I do wonder if Sam is going to be harder to control because of the connection...

The final shot of the episode only seems to further confirm that the Winchesters are once again being manipulated by Chuck. They are his puppets again, and this time it may even be worse:

There is a huge sense of foreboding with this final shot. The shaking funko pops seemingly in fear of what Chuck plans to do. The two feathers behind them indicating their missing guardian angel (as Chuck continues to neglect Cas’s role in classic Bronly form) the tree indicating a garden? Heaven? and the grey paper with the Winchester tattoo potentially the gravestone that Chuck visualised? 

Whatever Chuck has planned, it appears to have played out in some form in this episode. Whilst I don’t think that the boys have been completely robbed of their free will, it is safe to say that they are back to playing by Chuck’s script, but this time with the confidence of men who think they are free. 

CASTIEL AS THE CATALYST FOR FREE WILL

For years now, I have been one of those annoying people irritating Cas fans by being irrationally happy when Cas isn’t in key episodes because I can see him so clearly in the negative space that his absence basically forms its own overshadowing presence instead. 

When I have rambled on about negative space in the past, it is almost always connected to MOTW episodes following some big DeanCas drama, and on the surface level, people have moaned about how the Cas mention wasn’t enough, or Dean hasn’t acknowledged him or something like that.

Well, this episode is no exception. But this episode IS different in that this episode textually calls out the lack of Cas blatantly within it’s script. Which is just some next level self awareness from this show that I am amazed by.

The entire first three episodes of this season spiralled around this DeanCas tension and drama which us Destiel shipping meta writers could barely believe we were watching since it is practically unheard of for this show to set its emotional A plot around Dean and Cas rather than Sam and Dean. But that is what Dabb has done. When that tension came to its climax in 15x03′s final scene, it was well speculated that 15x04 would understate the DeanCas break up due to the episodes being filmed out of order and therefore Jensen not knowing exactly the impact of the break up when he filmed his scenes for this episode. 

Well, we were certainly right that it was understated, with Dean basically burying his feelings in denial and work and food and drink. Until Chuck started writing and therefore took control back of the script, Dean was eating or drinking in practically every single scene. As he is well known for using food and alcohol has coping mechanisms when spiralling into a dark mindset. Other than these key clues, Dean doesn’t mention Cas once. So we can speculate that he hasn’t told Sam what happened, and probably made up some excuse about Cas leaving so that Sam wasn’t concerned. Though no doubt we will find out the extent of what Sam knows fairly soon.

On a surface level, DeanCas shippers and Cas fans have a right to be somewhat upset by this lack of acknowledgement of Cas, even though it is perfectly in character for Dean to bury his feelings in denial and distractions. But beneath the surface this meta masterpiece of an episode was so full to bursting with Cas it left me very happy. Lets go through the key Cas positive areas:

1. The AU world vision of Sam’s that opens the episode is dark and depressing and indicates a world in which Sam's demon blood obsession got the better of him, which was a season 4 story arc (which we all remember as Cas’s introductory season), and yet Benny appears as Dean’s right hand man, a season 8 story arc founded in Purgatory (which we all relate heavily to Cas). Castiel is mysteriously absent from this vision though, even though the two key story lines here in the OG world heavily revolved around Cas. The question has to be asked, in fact the entire vision demands we ask it, just as Becky points out later: Where is Cas? This AU world is sure to appear later in the show, and I have a feeling Castiel’s absence will be explained.

2. Becky’s house - The crew clearly had a lot of fun filling this set with fan made merchandise (and what a wonderful way to reward your fanbase by including their creations in the show itself?). As a Cas girl my eagle eyes were mainly looking for any Cas merch and I was not disappointed. In fact there wasn’t a single scene in Becky’s house where a Cas figure of some kind wasn’t in frame. Whether that was Jensen’s decision or not, it makes me very happy. I talk here about the specific arrangement of Cas merch paired up with Dean merch which blatantly proves Becky is a Destiel shipper). In fact, Cas looms in the background in every scene until Cas sits down at the end to write his tragic ending when the camera pans to the Winchester funko pops bobbing like puppets. Cas is jarringly absent from that scene which only further indicates that he has been overlooked and is therefore still free of Chuck’s manipulations.

3. “No one even mentions Cas” - Obviously this was the line that pulls everything else together. For this to be said in an episode in which the very complaint actually occurs is a whole other level of self awareness and by including it the writer is of course reminding the audience to question this very thing. Like with the first scene, like with every moment that Sam and Dean are on screen together stubbornly not mentioning Cas or the extremely dramatic emotional break up scene at the end of the last episode, this line links everything together and forces the audience to keep Cas at the forefront of their mind.

4. The Bro Melodrama scene - As I mentioned above, this whole scene feels like the brothers are reading from a script and going through the motions but particularly Dean, whose stubborn refusal to mention Cas when he says “ We do it for Jack, for mom, for Rowena. We owe it to everyone whose ever given a damn about us to keep putting one foot in front of the other. No matter what.” it feels so intentional that they have left him out here. Thanks to that one line from Becky, the lack of Cas mention is impossible to ignore. He is so present in the negative space that its like a brick to the face. There is no way that there isn’t an agenda here regarding Castiel.

5. Castiel as the self sacrificing father - The second most glaringly obvious mirror in the episode after the son that mirrors Jack, the father of the vampire boy was far too ready to be killed by the Winchesters if it meant saving his sons life. Neither Sam nor Dean ever willingly offered themselves up for Jack, but we as the audience know all too well that Cas did in one of the most heartbreakingly emotional moments of Season 14. In an episode where the Winchesters stubbornly refuse to mention Cas (though Dean’s drinking on the job and overeager consumption of meaty food are a good indicator of his repressed feelings), Cas forces his presence on them anyway. It is a clear indicator of how close and important Cas is to the story that it is impossible for the boys to ever really forget about him, and I suspect that this will start to eat at Dean very soon.

6. Chuck overlooks the most powerful player - What ties in everything I have mentioned above already about Cas in the negative space, is Chuck. Because the whole point of this episode is that whilst he argues with Becky - the avatar for an inclusive healthy fandom that clearly adores Castiel and surrounds themselves in his image - we are left watching a stale and relatively boring MOTW episode where the Winchesters really do act like nothing more than shallow two dimensional bronly versions of themselves - because that’s what Chuck forces them to be. Chuck, who sits down and types with his Sam and Dean puppets metaphorically shaking with fear as they are condemned to live under his pen once again. It isn’t an accident that in a house surrounded with Cas merch no matter where you look, the one time his image isn’t in frame is that all important last shot - an indication that whilst Sam and Dean may now be under Chuck’s control, Castiel is not. Therefore Castiel’s importance in freeing the boys from Chuck’s villainous tragic ending becomes elevated. This episode symbolically makes Castiel the catalyst for true free will - after all, Castiel himself finally took control of his life and his mental health last week when he chose to walk away. In an episode where his presence in the negative space couldn’t be more obvious - he is the metaphorical elephant in the room - I can’t help but wonder just what role he has to play in Chuck’s vision, because right now it seems Chuck has simply forgot about him. A terribly foolish thing to do given everything Castiel has proven to be capable of.

OVERALL

As a quick summary, I’ll say I loved this episode and everything about it. Even the puppet bronly Winchesters because they were so clearly framed as being wrong. It’s such a hopeful episode, that indicates a hopeful non tragic inclusive TFW ending at least. Chuck is the villain and he will be beaten in the end. Dean and Cas will reunite and it will be the kind of scene that will rip all our hearts out in its emotional investment. Jensen Ackles directed an episode that threw major shade at the Bronly fandom corners, that celebrated TFW inclusivity through the reformed healthy successful fangirl Becky. That villainised the dark tragic brother only ending. This was a thoroughly validating and satisfying episode for me as a meta writer to watch. It has elevated my hope for the rest of the season, and following the incredibly emotional Destiel break up scene that held the focus of the last episode, I can’t stop myself from feeling joy just knowing that right now, everything that I watch this show for, all the things I adore about it, are the same things the writers of this show enjoy and are making the focal points for the series.

This isn’t a show for people that only care about seasons 1-3. This isn’t a show for people who hate Cas. This isn’t a show for people who fetishise the dark, depressing tragic game of thrones style brother ending. This is a show for people like me. Who actually enjoy it and celebrate it and can’t wait to see what happens next.