#any way. designs that totally wont change next time i draw them

[ba1laur]

still trying to find a look for those guys. the world of dog eat dog is so cruel to straight people

[ask-unpleasant]

hey chat sorry for the month of inactivity. i was unmotivated to do anything with this blog

but then i looked at some of the art on here and realized that i just lost my love for the character designs. so you know how we're gonna fix that? we're redesigning some characters bayybeeee 😈

starting with the man the myth the legend, here is UNPLEZZIE 2.0

he's probably the only one i had genuine problems with other than not being very aesthetically pleasing. he seemed too boring, his proportions were always a bit wonky, and the way he became more and more simple the more i drew him dumbed him down to just...awkward.

for this redesign, i kept all the features that made him my unpleasant. the only really signature thing i changed was his hair, sorry not sorry he had to fire his barber. i changed his scars to be far less opaque as to not clutter him up (which was the main reason i left them out most of the time), the only drawback is that i'm no longer just scribbling them in with a brush, they're actual geometry, so i cut back on the arms just for my own sake. also his tail now looks (and acts) like an actual docked tail.

next is the QSWX GVCTXMG AMXLSYX VIEPPC FIMRK GVCTXMG GLEVEGXIV SJ XLI CIEV, here is CREEPY 2.0

creepy was probably my least favorite character to draw. its head shape with the hair that always ends off screen, the 4 arms, the lack of any real way to move visible, it has always been a mess of a character. don't get me wrong, creepy is my second favorite character to write for (beaten only by neuro), i love its personality and its inflection, i just never got the chance to show that because i hated drawing it so much.

so for the redesign, i've basically reimagined it. its face hair now has an actual definitive ending, it has a more unique shape, and is just much more expunged-friendly in my opinion. it looks even more like its mom now...

next is this one, i thought she was american. here's PARANORMAL 2.0

i'm gonna be totally honest i have no idea what i was doing when designing para for the first time. that outfit was 100% subconsciously stolen from some other character i can't think of right now. it also really just didn't fit her character at all. also i dont know why i gave her boobs???? what????

anyways for the redesign she's basically a whole new design now. i wanted to play with some shape language. also, para always had a sort of inhuman quality to me, despite her personality, so i've given her inverted eyes and some animalistic features. i guess it adds irony or something, i dunno.

and finally, the moment GERIATRIC CAT you've all been waiting for, UNNERVING 2.0

in truth nervy's design is my favorite. the only gripe i had is the lack of legs, like with creepy. also i had to give her one of the same pride flag ass gradient as the rest so she'd fit in with the rest. other than all that i love her she is perfect just the way she is with minor adjustments

that's all the redesigns done!! i only did these 4 because stabby is not mine to redesign and NEURO is perfect just the way it is. feel free to give me any constructive criticism for these redesigns, i can always tweak em a bit. also the more stripy gradients wont a pattern that follows the contours of the body but rather just unmoving plaid always. i hope this lengthy yap sesh contributed something to something, maybe gave some insight into my characters.

and if you got this far i put a public discord server link in the intro post. you dont gotta ask anymore. dont tell anyone....shhh....*lovingly puts my finger on your lips* *smirks* *bolts away* *gets hit by truck* *instantly fatal*

[gay-bug-lover-artdump]

THE LAST PIC IS MY COMIC CHARACTERS BUT DRAWN IN A SKINDRED ALBUM! (babylon) i didnt ever listen to skindred but my friend told me that it would be a silly idea. so.. here it is.

you may notice some of the designs changing, thats because i am still working and some things may change. though, the characters shown in the album photo are all finished and i do not plan on changing anything about them.

i definitely said that im workin on a comic before, but never showed any pics. i guess its a good time to do so now! i wont say a lot, not yet at least. but i can share the characters. so, the blue girl is Eve, she is a Beautiful Demoiselle, a species of dragonflies. where are her wings? the most i can say about that is that she lost them in a very painful way. more exactly got them pulled out at a young age. then, we have Chocolate (more commonly known as Choco) shes a short lined chocolate moth, a relative to Smolder. Choco and Eve live together. Next, we have Nail. the green guy, you may also notice him in the 4th pic. he, just like Eve, is a royal guard of the Termite King. though, Nail will stick with the King for much longer.. for reasons. Last, we have Hector. hes a friend, a cool guy and there is definitely nothing going on with him he is just a guy nothing about him no serious shit totally believe me please. theres much more characters, but im still yet to draw the new designs, i could share sketches but i dont want to, not yet anyway. from 1st pic u may notice Szerelem, most i can tell for now is that he might be important :]

the name is Behind the Kingdom's Walls

as always, follow for more!!! >:]

[mobius-prime]

208. Sonic the Hedgehog #140

Return to Angel Island (Part 3): How Many Echidnas Does It Take to Protect a Master Emerald?

Writer: Karl Bollers Pencils: Jon Gray Colors: Jason Jensen

So! We didn't forget that Lara-Le was pregnant a year ago, did we? Knuckles is completely stunned at the sight of his baby brother, and carefully hands him back, asking what his name is.

Honestly, this series of panels alone is enough to sell me on Jon Gray as an artist - I don't think anyone else could have pulled off this joke as well as he did. Anyway, yeah, this is in fact the Mace we briefly saw in StH#132, so clearly once he grew up he also agreed that Kneecaps is a horrible name and started going by Mace instead. That night, the echidna refugees all set up tents for Knuckles and his friends, but Knuckles is reluctant to accept the hospitality, still disturbed by everyone's reverence for him. He leaves, and Sonic is confused about his attitude, which Mighty says is likely influenced by the way everyone treats him differently after coming back from the dead. This draws a parallel in Sonic's mind between Knuckles' situation and his own with Sally, which I'm honestly surprised hasn't really been explored as of yet, considering it's one of the main things they currently have in common. Knuckles heads to the Hidden Palace, but ignores both Finitevus and Lien-Da when they try to ask him what he's doing, instead going straight for the Master Emerald in the chamber beyond. There, he sits just far enough from it that the pain doesn't affect him, and reflects on his choices up till now.

Okay, first of all Knuckles, we already established that you hardly came back for egotistical reasons. You fully accepted the fact that returning from the afterlife would have consequences, and came back anyway to save literally everyone on the planet from being sucked into a black hole. I'd say that's a worthy goddamn reason to go against Aurora's warnings. And second of all, Archimedes?! Dear lord, it's been… what, sixty-six freaking issues since we last saw you! Why do you look so evil there? Like seriously, it's a weird design choice, because when I first read this I was worried that Archimedes was being mind controlled or had gone evil or something, but I'll spoil it right now for you that he's totally fine and his excitement over his predictions being true is completely benevolent. I'm honestly sad that we haven't seen him in so long, because I actually quite like Archimedes, and enjoyed the larger role he played in earlier issues, particularly throughout a lot of the KtE series. He's been relegated to barely more than a bit part at this point, even though he and Knuckles seemed to be building such a good rapport when they first met.

Anyway, General Kage contacts Eggman to inform him of the invasion of one of the prison camps by Knuckles and his entourage, and Eggman becomes angry, telling Kage to work harder to root the disturbance out and get things working more smoothly on the island. M, repaired by now and with a fresh coat of "makeup," suggests that she go to Angel Island to oversee things, but Eggman vetoes that, right as they walk past a room ominously labeled "Snively Processing Lab," with a horrifyingly familiar silhouette inside being experimented on. It's clear that in the year that has passed, Eggman has reduced Snively to nothing better than fuel for his experiments - we've only seen him one other time since Sonic returned, and he seemed utterly terrified of his boss. Given his hatred of his uncle, and how this version of Robotnik is even more brutal than the original, I feel genuinely bad for him. Eggman reassures M that he knows just how to fix things on Angel Island, and goes to release someone from a prison pod in his base, equipping the mysterious prisoner with a control collar to ensure total obedience…

The next morning, Knuckles is awoken from where he passed out in front of the Master Emerald by Julie-Su - apparently, their double agent in the dingoes' ranks has contacted them with Locke's location, and so the full force of the Dark Legion, as well as Knuckles and all his friends, all make for the base in Dingo City where he's being held, with Espio surprisingly swearing up a storm as they take the Legion's hovercraft. As they race to the rescue, we finally get a clue as to where our favorite dingo has been all this time! How ya doing, Harry old boy?

Oh, gee, not so good, I see. The general is distracted from Harry dropping his breakfast in a fright by a call from Eggman, who tells him that if Locke isn't going to give up the information, it's time to cut their losses and "terminate" him. However, at that exact moment, the cavalry bursts in and begins beating the dingo sentries into the ground.

Knuckles immediately rushes to get his father down, and despite his rough treatment Locke is relatively okay, if weak. Kage tries to get back up, but Sonic and Knuckles merely grin at each other and punch him right back into unconsciousness. However, before they can congratulate themselves too much, Eggman projects his face as a hologram at them, as he is wont to do, and gloats that Locke was only one of his methods for finding the Master Emerald. While they've been busy in the city, Eggman has sent someone else to attack the echidna refugees' camp… and it's none other than Hunter from the ending of the KtE series, powered up and ready to wreak havoc once more!

Mobius 25 Years Later: A Difference of Opinion

Writer: Ken Penders Pencils: Steven Butler Colors: Jason Jensen

In stark contrast to the sense of fierce camaraderie born of fire that Sonic and Knuckles share in the previous story, here we get to finally see their older counterparts interact one on one and be all hostile for no reason. Well, actually, we do get a reason. Knuckles finds Sonic lounging outside on his nightly walk, and invites him along for a chat, with their wives secretly watching from the windows and hoping they'll be able to work things out. Sonic is apparently skeptical of Rotor's claims of approaching armageddon, while Knuckles is more inclined to believe him. Sonic is then forced into some contrived dialogue that conveniently leaves him free to explain in detail exactly what caused them to start hating each other so much. Instead of typing out a summary here, I'm gonna go ahead and let the comic explain the whole thing for me, so you can see for yourself how much this sucks.

This… this is literally the worst thing we've seen so far. Okay, okay, maybe not the worst - Sonic trying to drown his own son really takes the cake - but it's up there. This entire backstory is built entirely on the idea of Knuckles literally trying to rewrite reality in the middle of an out-of-nowhere god complex and then facing absolutely no repercussions for it afterward aside from the loss of an eye. This is the reason that Julie-Su is missing her cybernetics - because sometime in the past, Knuckles, without even asking her what she wanted, took them from her, simply because he apparently thought she'd be better off without them. And now, he still considers Sonic to be the bad guy of the story, because Sonic had the nerve to consider Knuckles trying to reshape their entire world the way he liked it to be a threat to their continued peaceful existence. And as far as Knuckles losing an eye as a result, all things considered, that is not bad at all. I mean sure, losing any body part sucks, but in this universe one can be outfitted with various cybernetics that are better that the original organic part they're replacing, and as Sonic points out, the technology exists to just give him back his organic eye with no lasting side effects. Furthermore, Knuckles also seems put out that Sonic prevented him from becoming a Chaos-Emerald-powered god, even though literally not that long ago we just saw how badly things turn out when that happens! You freaking died, Knuckles! I can't even begin to put my disdain for this backstory into proper words, it's so bad. Like, there's not even one single thing I can pin down to explain how bad it is - it's just a jumbled mess, and such a disappointment. I mean, all this time I've been pointing out how out of character it is for Sonic and Knuckles to hate each other, but since we didn't know why they hated each other there was always the chance that later on the story would finally reveal to us the real reason for their enmity, and that it would change everything, revealing some unknown details that explained everything we've seen and made it totally believable. This story not only failed to do that, it has actually done the opposite, making their rivalry less believable and making Knuckles feel just as out of character as everyone else so far. Like, I'm seriously surprised that Kenders would do this to his favorite character in the series, because it just makes Knuckles seem so unsympathetic and unlikable that it basically renders a lot of his character development up till now seem totally pointless. Like, just… why?

[nellynee]

FowlPlayAU (aka Miraculous Peacock Marinette AU)

Literally no one asked but I don’t care. An AU in which Marinette holds the Peacock Miraculous

This actually developed from a few different threads that I tugged on over the course of a few months.

I guess the starting point for this was probably the season 1 episode “Simon Says” with the very short but profound moment of understanding between Gabriel and Ladybug over the pedestal they both placed Adrien on and the subsequent really, really heavy handed comparisons everyone kept making towards everyone else about who resembled Emilie the most

Basically I thought this episode was the heaviest seed in the narrative of the parallels between Gabriel and Marinette, both fashion career focused workaholics who take way to much responsibility on their own shoulders and get obsessive to the point of destructiveness over their respective, similar love interests, and using those parallels as a point of interest in showing both Marinette's growth as she moves beyond that destructive mentality and towards regarding Adrien as a person and how Gabriel’s “love conquers all” mentality isn’t an inherently positive thing but no. *sigh* no, they needed more screen time for one time characters. It fleshes out the world,yes, but not the characters. LOTS of interesting long term threads were dropped in favor of broadening the cast to try and shoehorn that “kid superhero group” into the show that was originally tossed. Basically I’m saying that I do think Gabriel and Marinette have enough in common to surprise some people, including each other, and I’m a sucker for intergenerational friendships

The second main factor was the small subplot at the time of Gabriel suspecting Adrien of being Cat Noir. I got really interested after “Gorizilla” about what might actually happen if Gabriel did figure out that Adrien was Cat Noir at that point in the series (I have words about Cat Blanc, trust me. No those words aren’t “throw the whole mess out the window” because I actually love it. But many, many words) Going off the heavy handed implications that Emilie was the former Peacock, I thought it would be interesting, and in character, for Gabriel desperately analyze his son’s behavior as Cat Noir, trying to figure out WTF Adrien thinks he’s doing, only to realize that Cat Noir has some pretty obvious affections for Ladybug. This is unacceptable of course, but understandable in a “he’s a hormone ridden, teenage boy, and Gabriel was once too the same sort of boy in love with the same sort of heroin” sort of way. The obvious answer to getting rid of what is the only possible obstacle for his son’s cooperation (I was going off the pilot with the potential of Cat Noir as a Hawkmoth agent because of their familial connections) is to get rid of his affections, and since it has to be shallow, he’s too young and also Gabriel controls his whole life so it can’t be love, then all he has to do is shift his son’s affections. Cue an uncomfortable number of episodes in which Gabriel subtly inserts a B plot into his Akumatized villains by trying to push various girl together with his son in carefully controlled circumstances. Because this is before Kasumi, and again, those nice parallels between Marinette and Gabriel himself, he eventually after trial and error settles on Marinette as the perfect candidate. Thus, we get a series of hilarious situations in which Marinette and Adrien are pushed more and more into high pressure uncomfortable and intimate situations, losing time and ability to turn into their superhero personas as a natural deterrent to power creep and justifying the use of other Miraculous users a lot more. 

I saw someone comment in one of their author’s notes on a fic a long time ago that they hated the trope of Marinette being an emotional Atlas and my instantaneous internal response that that kinda WAS Marinette's character early series, especially the origin episode, and that a lot of the most prevalent fics were written in that time period, and that really intense response from me really stuck. 

Peacock aesthetic. yup, that alone gets an equal piece of the pie 

So yeah, if any of that interests you, keeping in mind that on top of potential sympathy and understanding of his actions, Gabriel is still absolutly a shitty person, then the actual (canon divergent) AU is under the cut.

The actual thing diverts during Stone Heart, in which the moment Marinette decided to become Ladybug for realsies rather than try to faust it off Alya doesn’t happen. Rather than deciding to put on the earings, Marinette distracts the monster enough they can get away. Alya finds the earings, and takes up the Mantle of Ladybug.

This decidedly marks a regression in Marinette. Where as Ladybug, and with Tiki’s constant assurances and influence, Marinette learns to work past her urges to take responsibility for everyone’s emotions, Marinette has now lost that constant companion, and has to deal to with her new best friend’s time being diverted

Cut forward to “Stormy Weather” and Marinette has fallen into a vicious cycle of guilt. The little creature had told her it was her destiny to be Ladybug. And while we know that the situation with Hawkmoth is not much different than it is in canon, Marinette is totally convinced that the only reason Hawkmoth is still around hurting people is because she rejected the call. That guilt has built into a feeling of impotent inadequacy that convinces her that she’s no longer deserving of the Ladybug roll, and so she’s both unable to do anything, and responsible for Hawkmoth still being around. 

The most prevalent of episode changes is Lady Wifi. It’s Marinette who’s akumatized, not Alya, and it’s a fairly traumatizing, but empowering experience for Marinette. 

The ultimate culmination of this is this universe’ “Volpina” episode, where, in the background of main battle events, Marinette gains an understanding of the suspicions that Gabriel might be Hawkmoth, and in the climax of the battle, believing Adrien in danger, she confronts him, confirming his alter ego. 

In a scene I have no time to actually extrapolate on, if your curious, just ask, Gabriel and Marinette come to a tentative understanding. He’ll give her the powers to protect his son, and she’ll actually have some sort of control in her life again. This akumatization takes the form of a faux Peacock Miraculous. 

This marks the first half of her partnership as an antihero with Hawkmoth. (and yes, I do have the mechanics of how he can akumatized more than one person at a time without Catalyst, which will be extrapolated upon request, but this is long enough already)

Again, I wanna draw attention to those Sweet, Sweet Marinette and Gabriel parallels. Gabriel, through half truths and carefully peppered moments of emotional manipulation and practiced vulnerability, attempts to B plot Marinette into stealing the Miraculouses. Believing herself to be at least somewhat in his thrall, Marinette allows herself to empathize with his plight, and they build a surprising, if strained, raport. 

After discovering that she is not, in fact, under Hawkmoth’s control Marinette rebels just long enough to have Hawkmoth take back his Akuma, and Marinette caves the next time Adrien is in Genuine Danger, stealing the real Peacock Miraculous and using it.

This marks the second half of their partnership, and Hawkmoth reveals that the miraculous is broken, and Marinette is now dying from it’s use, and that her only choice of survival is to help him make his wish. This evens out the power balance, at they both now have the same goals and powers independent of each other, but also ups ante. 

That’s the most tldr general of overview, with other more specific highlights like

Ladybug!Alya having to reach her own emotional maturity, her earlier stint as a hero leaving her with a much bigger ego in terms of how she perceives her impact of the morale of the city and where her priorities lie in trying to boost that morale vs her personal needs. Ladybug!Alya tries too hard to take notes from already established heroes and public images. She still runs the Ladyblog, Spiderman style.

After quickly realizing (after some confusion) that the Ladybug he fought Stoneheart with the last time is not the same as the one he fought the first time with, Adrien gets a big old case of the pining sighs

Early series Adrien and Alya are both not the type to value secret identities, and so yes, they do reveal said identities to each other fairly early.

They also can both keep a fucking secret, so it works. They are secret BFFs

After the first time Adrien is rescued by the mysterious Peacock Holder, he figures out that whoever she is, she’s the original Ladybug, and more and more ends up distracted and drawn away from fights by her, the perfect reason for Alya to have to bring in other miraculous users. (the interactions tend to take place on moonlit balconies. There’s heavy Pilot influences here)

Marinette does this thing where she spreads her fan when she’s startled and hides her face. Mostly because Cat Noir wont stay out of it. The miraculous’ memory means she tends to fan speak a lot. Symbolism

Speaking of symbolism, the character designs are rife with them. I know exactly what Peacock Marinette looks like and there’s a reason for everything.

The subplot where (inspired by the pilot) Cat Noir finds out that there used to be a curse on the ring that could only be lifted by a kiss from Ladybug (thanks to her creation/retcon powers). Cat Noir convinces (inaccurately) himself that his destruction powers can totally do something similar with Hawkmoth’s mind control now all he needs is to kiss the Peacock user and she’ll be free! She’s totes not a bad guy!

Yes, Marinette does get a different miraculous ala being an episode helper, and her emotions are complicated about it

And other fun tidbits. This got way to long but I’m more than willing to extrapolate on anything more specific that anyone is curious about

[snazzamazing]

Stupid random theories, headcanons, and unpopular opinions of mine

Btw, these are all long so sit tight

My mangle theory :

I cant be the only one here who thinks that mangle was taken apart by little kids. It wouldn't make sense that little toddlers would be strong enough to pull apart a metal robot. That's because the kids didnt break her, william did. Mangle seems like he was an inspiration from funtime foxy because sister location happened before AND a lot of times, "toy foxy" is often referred to "funtime foxy". Due to this inspiration, mangle had the ability to record voices and things just like funtime foxy. Why am I pointing this out? Well, why would mangle randomly have static noises and a broken radio sound? It's her recorder, it's broken. He recorded many things and then recorded something that someone didnt want anyone to find out about. That someone would be William afton. William is always suspicious and doing evil things.Let's say that, oh idk, maybe William murdered someone, some person called the cops on him, (which explains the police messages n stuff in the radio) William killed that person and his the evidence of the murders. At least that's what he thought. Mangle was somehow recording the whole thing. William had no other choice but to take her apart and destroy him. But then William thought that it would to suspicious to have mangle be randomly broken the next day and so he fixed mangle up in way where it looks like shes fixed, but one tug hes broken and the kids are there to blame for. All of this might be a stretch I know, but apparently in one of the fnaf 2 minigames where theres a mangle Sprite, in the files or sources codes or WHATEVER IDK, there's a hidden message that says "he was here" or something like that. THAT CAN SUPPORT THIS THEORY errr headcanons? Idk I should go sleep lol

Micheal headcanon:

I always wanted to believe that Micheal was the older brother/Bully and that the bite victim was a different character. Why? Because I want more..character for Micheal. He went to sister location because he wants his torn apart family to be back together. He went to save Elizabeth and he never forgave himself for being the one to 'kill' his brother and all that failed. I wanted Michaels story to be exciting and emotional because of his past and the whole family thing

I also always liked to think that Micheal started working out to gain some strength before becoming a technician because he knows that the robots are strong and dangerous. That way things can be more action packed with Michael punching through pipes and walls, and holding back animatronics trying to grab him, and just...cool stuff

Fnaf headcanons:

Freddy has a nice deep voice and that's his real voice. When it comes to preforming during the day, he talks in his "family friendly" voice which is all goofy and fun (kinda like Patrick star's voice) The animatronics are a lot different on stage. It's as if they play as characters and they change their voices sometimes (like Freddy). Chica acts like this ditzy cute country gal, Bonnie is a laid back chill bon, foxy is just more ...pirate, and Freddy is a fun loving silly lead singer

Nightmarriones pupils change shape to Express his emotions. (Sad=tear drop pupils, sick=swirly pupils, angry=skull or fire pupils)

Lefty has his own voice instead of a whispery girly voice because he is his own character. He may look like the rockstars but he was made differently. The rockstars were built by some factory or company and they have advanced technology which gives em the ability to have emotions, personalities and to do tricks. Meanwhile lefty was built by henry in a shed or something. Henry only focused on programming him to find charlie and he had to make lefty look like the rockstars to blend in and not be suspicious. Other than that, lefty was a total rush job. Henry only wanted Charlie therefore, Henry didn't care to give lefty a personality, emotions, an EYE, or stablness.

In the afton family, the mother is sweet, kind, caring, and over protective while william is outgoing, silly, and isnt afraid to do anything (before he went insane). Usually kids have similar personalities to their parents soooo I like to think that Micheal is more like his mom but looks like his dad and that Elizabeth looks like her mom but acts like her dad. Why? Because I always saw Michael as a hero, he cares for others and he wants to save his family. He is sweet and protective like his mom. Elizabeth is rebellious and sassy. In the sister location mini cutscene with William and Elizabeth, she disobeys william to see baby and that's a rebellious move. Elizabeth likes adventure and crazy things so she wont follow the rules any time soon.

Funtime chica does all the rockstar's make up. When months pass by, the rockstar's paint would peel or chip and so ft. Chica would repaint their lipsticks, eye shadows, cheeks, etc. And they look fresh and new afterwards

Even though puppet and Goldie (and all the other animatronics) have been through so much shiz, they still try to keep their cool and enjoy life

In the rockstar crew r. Bonnie is the creepiest. Yeah, he seems chill and is self centered, he is the only rockstar who is most likely to murder someone if he's told to do so (this isn't counting ucn where they all kill). All on Bonnie's songs are so creepy and he sings about killing you in unique ways. Stuff like making slivers (or slippers) out of you, flaying your flesh, smashing your face into concrete, ending your life, and stabbing your heart with his guitar. He's definitely into gory stuff

Springtrap has two different personalities. Most of the time he's himself, spring bonnie. A kind fun loving bun who completely changed his personality after becoming springtrap. He is know constantly scared, upset, and afraid of Williams next move. He hates being an evil monster but it's not something he can control due to William still having control over him. When the slringbonnie side of springtrap gets mad or upset that's when hes weak and William takes control and becomes the evil side of springtrap. Springtrap is very aggressive and very strong. Slringbonnie tries to fight back Williams spirit, but as time went on and when the kids got sent free, spring bonnie got lonely and gave up which let William take full control over him. Sprjngbonnie is gone, its William now (which explains scraptrap)

Idk if this is a theory or headcanon but fnaf 1 bonnie is blue. Yes, he is known to be purple and everyone says and draws him purple but he's blue. Maybe it's the certain blue color he is but due to lightning it makes him look very purple. When he's in more darker areas, bonnie is very blue but when he's in the light areas, hes purple. Let's not forget how every single version on bonnie is blue (except for extras like spring springbon and bonnet etc.) Exept for fnaf 1 bonnie. That doesn't make sense if one of the originals would be purple but all the other versions are blue. One more thing, in the silver eyes, they mention that bonnie has blue fur ;) this was a dumb rant sorry

Shadow bon is evil and can shape shift cause hes a goopy shadow boy and shadow fred is his lil assistant

After fazbears fright burned down, William got to take control over springbonnie(trap) and roamed the streets at night. He roamed dark allies and probably killed whoever slighted him. It was a long walk but he was just trying to get to his destination, fred bears diner. Because of the fires, the springtrap suit was more ruined and unsturdy and so it was time for a change. Somehow William got out of the suit but he's weak without one so he picked an old spring bonnie suit, scraptrap. (According to the fnaf minigames there are multiple spring bonnie suits so that why spring trap looks different)

I got more headcanons but this post is already to long :p

My Unpopular opinions:

Am I the only one here who's not way into the whole Michael AI theory?? Like it kinda makes sense but at the same time, making a whole new robot son with advanced technology IN THE 80s does not give the fnaf-y feel?? Ya know what I mean? Like it doesn't fit the theme? Also the ai thing is in the books and the books are a different universe from the games sooo idk why matpat still connected them?? Hsjsbsjsjsn fnaf is just waaaaay to confusing. Also please dont get mad at me for this opinion cause matpats ai thing is just a theory, its not canon

Foxy isnt super great. Dont get me wrong, I love foxy and he's an amazing character but I don't get why he got so much attention and hype

Bonnet and lolbit should just be canon already. They're not canon characters but they're included in sooo many things in fnaf so might as well make em canon

Funko needs to make a fnaf 2 figure set where you collect t.chica,t.bonnie,t.freddy, puppet, one of the withereds or shadows and you collect them all to make a mangled mangle figure. I would DIE for a fully formed noodle fox figure, how cool would that be?

Scraptrap design is perfect. I know that we all make peanut and Jimmy neutron jokes but honestly I love his sharp teach, creepy eyes, AMazInG voice, and his stabby arm. Sometimes in some angles, he can look heck a creepy

SCRAP BABY LEGITIMATELY FREAKS ME OUT SHES SCARY

butter sock

[pensurfing]

Caitlin’s Three Things List

Okay, so moments (probably hours by the time I finish this) ago I wrote a goals list that I think is good for self-evaluation. (Keyword: This is what I think. results may vary depending on what you’re looking for.)

I’m going to hop to it and answer some of these that I laid out in hopes of having a better idea of what I want to accomplish. 

The Three Things Lists!

1) Three things that went well this year.

* Audience growth

So once upon a time, I grew a pretty decent following due to creating an Inktober Prompt list. My expectations: Maybe two of my friends would do this, maybe. And then one stranger that has followed me for a while. (There are a few followers I recognize their username because if I post something they always like it and for some reason that keeps me going.)

But because of this prompt, I was exposed to MANY new creators and illustrators that I now enjoy chatting with and following! Instagram had the biggest maintained growth. I’m excited to create for an audience that actually expects me to create and not just for friends who see my things “whenever they aren’t busy”. (Not to bash them or anything, just there are a lot where unless I tell them, they don’t see the posts I make.)

Another surge of growth in my audience was due to tabling at conventions this year. I was terrified to show my work let alone attempt to sell it to someone. Tabling at cons not only boosted my confidence but also quieted one of my ever going demons. “YoU sUcK aT dRaWiNg CaItLiN.” “How do you have a degree? oh right, you just barely passed.” I can’t say this is the case, there is an audience that genuinely enjoys my scribbles. So I am forever thankful to Atlanta Comic Con for giving me that chance. It honestly opened a few doors for me.

**Process

I’ve gotten more comfortable with showing my process. It can be messy, crisp, and illogical. But turns out the people who enjoy my content enjoy my scrambled thoughts. It’s something about not being alone in this sort of sense that calms the nerves.

So I can say with chest poked out that sharing process has gotten MUCH better. I can thank a self-help book I bought this year that was a FANTASTIC BUY. Austin Kleon has [two] (currently? If he has more then I’m buying it like people buy a name brand.) books that helped me see that it is GREAT to share not only the process but advice. “Show Your Work” is the book I’m talking about for now. Great tips, the outline is on the back of the book. So if you’re like me, I need to clearly see what I might be getting into, you might have a ball.

And finally, (not calling myself out on this but other) If you’re going to respond to people when they ask you “how do you___?” do not answer “Google it”. That is the rudest thing I’ve seen some of even my FAVORITE illustrators do; that response can burn in hell. PERIODT. (my one typo allowed.)

*** Art Style Exploration

For those who think college will help you establish an art style that you’ll enjoy or help nourish the one you currently have.... Let me save you over 80K.... No, the fuck it won’t.

That was the biggest thought I had going into art school. If anything, it confused me more and utterly destroyed what little confidence I had in my drawing style. After graduating, I had a huge swing from how I used to draw to how my art currently looks. I stopped trying to please the one professor who stood between me and my degree and started drawing to please my tastes. And guess what? That did something. And that something WORKED. I love what I draw now; I see why I chose this as my career path. I’m genuinely happy with how my pieces turn out versus in college just wanting to turn the damn thing in and hoping it isn’t an F.

2) Three things you could have handled better.

* The loss of a good paying client.

Now hear me out when I say this: A good paying client DOES NOT EQUAL a good client. Say that three times and then exhale.

Back earlier this year, I had the opportunity to work with a writer who gave me hell and back. And even that is an understatement. I dealt with her because in school you were taught “if they pay on time, finish the work and get the exposure.” 

I’m here to tell you my lesson learned: A good paying client DOES NOT EQUAL good exposure, good pay, a good client. 

I was doing the work of three for the price of one and a half. (And was always told I charged too much.) She tried abusing this power with friends of mine, with other illustrators. When things turned out bad, she tried saying it was my fault. She read my contract and then tried telling me I changed the wording, I purposely did this thing, another thing was my fault. I could go on with this story.

The part that I wish I handled better?

How I treated myself afterward. I’m so used to people telling me, “Cait, this is what you do wrong. This is how you fix it.” that I don’t consider my own feelings, and when I bring my feelings into the scenario they no longer matter. Because they tell me they don’t matter. In this case, I wish I had treated me better, because my feelings, my mental health, DOES matter.

**My Patience Getting Into Conventions.

Pretty self-explanatory. I got into one, finished one, and wanted to do eight more in a week. But this sort of thing just takes time and I need to accept that.

***My losses

I had to listen to a Little Mix song to actually learn this one. The context of the song is nowhere near the topic at hand. But a verse from Power feat Stomzy really packs a punch after this year: 

“ You look him in the eye and say, "I know I'm not a guy But see there's power in my losses and there's power in my wins" “

I had to look one of my demons in the face, and state something similar. My loses mean I’m trying. My loses piling shows I’m not willing to give up easily, and that is something that took a while to be content with.

3) Three things artistically you want to improve on.

*Composition

It’s not awful, but it can be better.

**Color

I told this BOLDLY if I might add while critiquing someone else’s portfolio; “Your color palette is boring. All your [things] look as if they are from the same universe, during the same time of day, with the same kind of mood. After three photos it’s bland, boring, and understood you have a preference.” 

Can you say damn Cait? The statement was, in fact, true, but I certainly could not talk. My color palette is mainly bright, pop, and happy. In order to tell a story, I KNOW it is best told with color. And I failed myself this year. But I sure won’t next year.

***My Damn Tag

Okay, alright. Why is it well-established artists have their tag figured out? Even some who’s art style is so recognizable (I’m looking HEAVILY at you Gabriel Piccolo.) we know it’s theirs, seem to have a tag that suits them and works for them. But more importantly, they put it in A VERY DECENT SPOT. SOMEONE SHARE THIS SCIENCE WITH ME? CAUSE APPARENTLY I DON’T GET IT.

4) Three things you want to focus on trying.

*More backgrounds.

As much as it pains me, I need to improve on backgrounds and perspective. When I do make backgrounds, I’m told I make great pieces. That I should look into becoming a background artist. And don’t get me wrong, I like them. But I don’t like them.

I feel as though I need to improve in that region so that way I don’t feel as though it’s a weakness of mine. My backgrounds are nice, but they aren’t nice to my standards.

**More designs

I love character designs, but let’s be real. If you were to scroll down my site or my Instagram page, or even this Tumblr archive, could you tell? 

I draw characters a lot sure, but none are designs. No process, no sheets, no turnarounds, none of that. So that’s a huge goal of mine for 2019.

***Scheduling posting

At one point I was pretty good at this. Live stream in Instagram and Twitter, cool. Videos on Facebook, Twitter, and Instagram. Cool. Everywhere gets a photo, everywhere gets a silly one-liner. Yay. I’m not leaving anything out.

Well by the end of this year that totally crumbled. 

SO I want to try getting better at that thing there. Because having attempted this at the end of the year was cool, but it still wasn’t enough apparently.

5) Three positive things to tell yourself.

* You are an inspiration. That’s all you wanted to be in life, you did it. I’m proud of you.

**You didn’t kill yourself like you tried to; you opened up about it for once and used that pint up anger creatively. That is very hard to do, trust. I’m proud of you.

***You moved on, matured, and let it go. Even when the goddess inside you told you these peasants didn’t deserve your light, your friendship, your greatness. I’m proud of you.

I’m just proud of me for not snapping when I had every right to; not everything deserves a reaction.

6) Three negative things you want to leave for 2018.

*Comparisons 

Oh boy. I am extremely guilty for this: I’ll compare myself to a well-known illustrator my age. I’ll compare myself to friends who are in the field having a blast and getting work; I’ll compare myself to friends who aren’t in the field and they struggle at getting work. I’ll compare myself to the kid I graduated high school with who is traveling the world, is able to eat, come home to his dog and relax because he doesn’t have tuition to pay. I’ll compare myself to these goddamn baby boomers who keep repeating “We didn’t have it hard, you’re just being stupid. Millennials aka our children deserve to starve. We’ll just put our faith in our grandchildren because screw the kids we raised and refuse to pay accordingly. $7 an hour worked in my day, they need to make it work now.” I’ll compare myself to fake people I created in my head and purposely made scenarios and wonder why I’m not like them, said creations I made because I was pretty low for ten minutes...

I just compare myself too much. To any damn body. It’s draining, obnoxious and most of all pointless. My new motto for next year is: “Unless it is helping you grow yourself, your brand, your spirituality, don’t do it.”

I’m not comparing my chapter two to someone’s chapter thirty-five. I’m not even comparing my chapter two to someone else’s chapter two. I need to stop doing that PERIOD! My journey is different, unique, and worth seeing through.

**Listening to negative others.

A couple of years ago, I lost a close friend around the time my aunt passed away. During this time I was hypersensitive to any and everything done or said; I also kept many walls up to hide my mourning. He caught the crossfire of all of that. I kept secrets from him I was too prideful of admitting and lashed out because of the emotional turmoil I kept suppressed. While in the midst of packing his things and leaving my life, he mentioned that I was a failure because I was unemployed and artistically speaking I hadn’t accomplished anything; that I would remain that way because that’s just the person I deserved to be. Now mind you, I graduated college that year; he was a flunk out. I changed my art style dramatically compared to when I started school to pass; he thought just posting crappy pictures of lukewarm sketches were equivalent. I started attempting trends and all he could do was copy. Don’t get me wrong, this isn’t to bash my old friend. If he were to come back into my life and move on like nothing had happened I’d do the same. (With some limitations.)

It’s just while typing out this scenario, of our four-year friendship I can’t think of one nice thing/compliment/gesture he has said to me. That’s my problem.

I can be praised, admired, and look highly upon for years straight. But my problem is I let others negative thinking and comments marinate with me for a long while. Too long of a while.

Another example is my mother’s friend. (My mom has many friends that do this shit, but this one stung more.) 

This friend always roots for me; treats me like a person, and encourages my artistic journey. I consider her family before my actual relatives. 

We went over for some barbeque the family was having and I was ready. Black Hallmark Cookouts, laughing, good food, good music, shit talking others teams. She asked me a harmless question of when was I going to quit my day job. Seemed like nothing at first, until the added gest of what she continued with. “All I’m saying is you can’t do [your day job] forever. That will get old. If the art thing doesn’t work out next year what’s plan b?”

I’m not a calm person (usually). Normal Caitlin would have cursed her out and mentioned how just because she chose a job to settle and be miserable at for most of her life doesn’t mean I have to follow suit. But again, of all the nice encouraging things she has done, said, and showed, for a while, I couldn’t think of it. 

So I pray I let go of this nasty behavior in 2018; it’s going to be hard but it is dire.

***Saying I’m Not Enough

Alright, now put the combination of the two above in a bowl and what do you get? A Caitlin who struggles in interviews and applying for jobs because I let comparisons and negative comments rule my thoughts. This stopped me from applying to jobs I would have been perfect for; internships that could have helped me; posting art online.

We (including me) have to stop thinking that in order to be an illustrator means we have to pass a certain threshold of struggle, success, and a huge number of followers. That isn’t the job description. NO JOB DESCRIPTION has ”must have at least 10K followers on Instagram or Twitter.” nOnE. 

So we (including me) need to stop treating ourselves this way. Period.

7) Three things you’re looking forward to in 2019.

*Going to move conventions.

**Adding pieces to my portfolio to try again at job hunting.

***Becoming content with the fact that my current situation isn’t my permanent situation. Unless I laze around and make it so.

Alright, so this was basically me calling myself out on my noise. Lashing out my demons and putting it in writing what I want to accomplish. I hope this inspires you to write yours, even if you keep it private. I hope it guides you and maintains your vision.

I’ll see you in 2019

A new wave

Caitlin xx

[shootycatfishgame]

Where Did I Come From?

Well, as stated several weeks ago, this weeks developer update will be the story of Shooty and the Catfish’s painfully long development. Before I get into that story however I would like to do a little update on the current progress of the game. UPDATE: I mentioned in last weeks video update that I had redesigned the sprites, this was realistically the 7th or 8th time I had done so. In all honesty I have been stuck in a rut of redesigning the look of the games sprites over and over for around 4 months now and it needs to stop. So instead I am approaching things differently, as I also mentioned in the video I have been working on a document laying out the game and its mechanics in its entirety, and that side of things has been going well. I am comfortable in saying I have planned what I WANT to have working for the battle mechanics (getting them working will be another story and compromises may need to be made) as well as the story for the second zone. In total there are 17 zones (not including towns etc) you will get to explore and each will have its own themes and short story for you as a player to experience. Writing these stories down in a document first and having a list of bullet points for the players progression seems to be working as a very useful tool. With this being the case I will not be posting anymore in game art or assets until this document is finished and  the first chunk of the game is completed. What I will be posting however is content like the following.

This is a simple piece of concept art designed to help me plan out the very first area of the game, the home of Shooty and Zaat. Its simply a rough guide and I hope to create one of these for every major exterior of the game. Mainly its to get an idea for coloring and layout. But yes, Shooty and Zaat do live in a giant mail box in a tree by the sea. Future updates will also feature my level design work before the mapping itself.

Where Did I Come From? Shooty and the Catfish was first conceived as an animated series back in 2013. After making a short animated Zelda parody called Links Amazing Adventure (I am currently cleaning it up to release it on my youtube channel) I was contacted by someone at the Machinima owned animation channel Happy Hour about pitching and developing a series for them. I was given 3 days and based off of 2 unrelated drawings in my sketch book I decided to go with Shooty and the Catfish, the story of 2 ultra violent idiots on a Shadow of the Colossus style quest. Happy Hour loved it and development slowly progressed for a few months. Things started getting rocky when time and budget came up, I wanted a lot more than they were willing to pay to develop the series to make sure it would be done right, but in the end they wanted it to be made as cheap and nastily as possible. I tried to compromise with them but in the end they dropped both me and project and moved onto other things. It was only a number of weeks later I was contacted by another Network, Cartoon Hangover to be specific. They were getting ready to launch Network Frederator and I was one of the first animators that they contacted. At the time they were putting a lot more effort into contacting more experienced artists and I was lucky enough to be one of the first dozen people they contacted. I was in talks with the staff of Network Frederator for some time about them picking up the series Happy Hour had turned down, especially seeing as it seemed much more in line with the content they had been producing. It was all going pretty well for a while until Youtube’s algorithm famously changed and animation for youtube became a whole different ordeal. This was the nail in the coffin for Shooty and the Catfish as an animated series.  After this period I decided because the scope of the story I had written was too big to animate alone that I could make it into a retro inspired RPG. It had been well over a decade at that point since I had last used RPG Maker but I remembered how quickly things could come together. The time since has been spent reworking the games narrative to work in an interactive way while experimenting with different ideas for mechanics to help the game stand out in what could easily be considered an over saturated market of retro inspired indie projects. I also spent a year on my previous game Flatwoods in order to better come to terms with RPG Maker MV.  To be able to say that development on the game is finally underway after such a long gestation period, well, its kind of hard to put into words just how good it feels, even if it has been such slow going. Join me next time as I detail all of the games and other forms of media that have inspired the world, mechanics and tone of Shooty and the Catfish in its current state... wont you? And as always, feel free to send in any asks!