#anonymously even

[dailypokemoncrochet]

[nataliescatorccio]

aren't you almost 30? it is weird when people over 30 watch shows aimed at teens and 20-somethings. but you even said you stopped watching it, so it's fine :).

ohmygod please don't be one of those people who thinks when you're thirty you're suddenly 'old' and can't enjoy things that give you nostalgia because 'they're for teens!'. guess what, a switch doesn't flip when you hit a certain number that means you stop enjoying things you did before. this attitude will only make yourself miserable

[canisalbus]

Historians will say they were best friends!

[trekkerac]

Ghost Stan sees Ford spiraling and decides to constantly interrupt Ford’s spiraling by having goofy music playing every time it happens.

Ford: FOR WHAT IS A MAN IF NOT AN ACCULMATION OF MISTAKES AND PRIDE, OH HOW I LONG FOR REPENTANCE

Ghost Stan: Yeah, no. It’s a goofy goober time

They should call him Stanley VIBE RUINER Pines Yeah things like this is how he figured out it was Stan

[hellsite-hall-of-fame]

I mean, you're obviously President Barack Obama, right?

well obviously

also can everyone stop stealing my shoelaces now >:(

/j

[yuwuta]

please feed us some yuuji blurbs there’s a lack of him rn :(

ofc… sweetest boy all time… here’s something was was meant to be a longer project but got lost in the editing whirlwind… love him so bad... 

NEVER LOST IN TRANSLATION, BECAUSE YOU KNOW WHAT I WANT 

notes: reader is implied to be american/english-speaking, yuuta and megumi are bilingual, yuuji, bless his soul, is not. i didn’t use italics for conversations between yuuji and megumi because it would all be in japanese, but when they get mixed later in the scene, japanese is differentiated with italics. hope that’s not too confusing lololll

Honestly, Yuuji tried his best in school. Some things came easier than other, but with a bit of hard work, and help from his friends, he always managed to pull pretty good grades. But right now, his biggest regret is not taking english more seriously in high school, because it’s been about three weeks since he met you, and he’s only been able to say maybe five full sentences to you without the help of Yuuta or Megumi translating. 

He was excited when Yuuta said his friend from abroad would be coming to visit and study, but god, he didn’t expect you to be so pretty. To have such pretty eyes, and pretty lips, and pretty hair, to have the prettiest voice in the world despite him only understanding every eighteenth word you say. You’re beautiful to him, and Yuuji thinks that even if he could speak your language fluently, the words would still get caught in his throat. He’s so lovesick, it’s embarrassing—his friends have been harping on him blushing and stuttering over you for the past month, and he can’t even blame them.

“What does she say to you when you guys talk,” Yuuji whines, hovering around Megumi, and not-so-discreetly looking back at you where you’re still sat in the living room laughing with Yuuta, “Does she ever say anything about me? I mean—probably not right? Which is fine! Actually, dont tell me—no, do. Or maybe—”

“She asks about you,” Megumi says, matter-of-fact in delivery, as he places a bag of popcorn in the microwave, but that doesn’t curb Yuuji’s enthusiasm. He’s practically bouncing, if he weren’t already—begging Megumi to spill the details, “What did she ask? Tell me! Tell me!” 

“She once asked if you dye your hair.”

“That’s it?!” Yuuji screams, heartbroken, and visibly deflating.

Megumi shrugs, “Yuuta probably knows more. She’s his exchange buddy friend thing, so ask him.”

“I can’t ask him, he’s right next to her!” Yuuji pouts, “Wait, what does ‘exchange buddy friend thing’ mean? You don’t think they’re more than friends, right…? I can’t blame her, senpai is really pretty, too, and he can actually talk to her… so unfair.” 

“You know, she’s not fluent, but she can understand some Japanese,” Megumi reminds him, “So, she can definitely hear you, and probably understand you.”

Yuuji’s shoulders slump, and once again, he turns around to look back at you. This time, you two make eye-contact, and that instant, Yuuji’s cheeks go pink, a nervous hand raised to wave at you, and instant internal regret at his actions; but, then you smile, and wave back, and Yuuji stays like that, dumbfounded and lovestruck and on autopilot as he waves with hearts in his eyes until Yuuta looks up from his phone and catches him.

Embarrassing. He knows he’s not the brightest, but he’s at a record high of self-embarrassment since he’s met you.

Yuuta finds himself chuckling when Yuuji spins around and goes back to prodding Megumi with questions. When you turn to face him again, it’s with a shy smile.

“I told you you’d like him,” Yuuta grins—the kind that seems sweet and innocent, but has just a kiss of that all-knowing tease to it; the kind that reminds you that he’s truly related to Satoru.

“Oh, be quiet,” you grumble, tucking your legs in and resting your chin on your knee. You spare another glance in Yuuji’s direction, for once, grateful for the language barrier between the two of you, when you turn back to Yuuta to proclaim: “I can like someone and not do anything about it. You’re real good at that, aren’t you?”

Yuuta’s slightly cocky grin falls into a scowl, and now you get to smile when he argues back, “We said not to bring up he who shall not be named in the presence of my friends!”

“Then don’t bring up my he who shall not be named in the presence of him!”

“Aren’t Americans all about forging new frontiers and chasing after your dreams?” he taunts, “Well, your dream is right in front of you.”

“My dream right now is to kill you.”

“Lucky for me, you’re going to have to hold off on that because your lover boy is approaching.”

You don’t have time to argue back with Yuuta when Megumi and Yuuji approach the living area with snacks in tow. Yuuta scoots to the tail end of the couch under the guise of giving Yuuji space to place the popcorn and nuggets in the center of the coffee table, but he has just enough time to flash you a wink before Yuuji settles in between. Megumi opts for the loveseat closets to Yuuta’s end of the couch, and you do your best not to reach over Yuuji and strangle Yuuta.

The boys decide on watching a movie you’ve never heard of, but Megumi reassures you it’ll be easy to follow and has English subtitles. You don’t mind, settling in to your corner of the couch with a handful of popcorn just as the title-screen for Human Earthworm 3 rolls across the TV.

You can follow along well-enough—even without subtitles, you get the gist of the movie. What you really find entertaining is Yuuji, who occasionally blurts out a comment or exclamation, or audibly coos whenever something sad is happening on screen. He’s almost as animated as the characters; you’re more of the silent-watcher type, but you find yourself endearing by this commentary, even if you can only understand parts of it.

You particularly appreciate the way that after every comment, he either motions to Megumi, or turns to you himself to repeat his thoughts in his best broken English, and even when you don’t understand his words, you understand him. His emotions are all on his sleeve: frustration, happiness, confusion, curiosity—communication between you two should be more difficult, but Yuuji makes it easy.

It gives you the confidence you cough out your own observation, “You, um… you’ve… seen the others? You seem to like this series.”

Across the room, Megumi and Yuuta hold their breaths, opting to not translate for you when you switch from Japanese to English. Yuuji is quiet for a moment, turned to face you with a slightly confused look on his face that makes you nervous, until his eyes brighten up and he smiles and begins nodding fervently—“Yeah—yeah, I do! It’s my… hm how do I say it… Oh! It’s my favorite!”

Between the smile on his face, the blush on his cheeks, and sincerity in his voice, you feel like you’re wrapped up in his world. It’s a little confusing, and scary, but it’s not all that bad. Maybe you can do something about it, eventually.

“I.. I think I like it, too.”

[softersynths]

How does he feel about Bill (in modern day) and how would he react to him

shifty is terrified of bill.

he never knew the specifics of who bill was and ford’s relationship with him. to shifty, bill was a monster that tortured and terrified his father, to the point of ford needing to lock shifty behind the retinal-scan door to the portal room to keep ‘the monster in dad’s body’ from harming him. when even your father can’t save you from the monster, when even he’s scared, what hope do you have?

seeing his brave, unflappable caretaker slowly turned into a trembling, violent, paranoid wreck, without ever fully understanding why, is a trauma that lives in him for a very long time.

[prideprejudce]

I think alot more people would enjoy the show if they learned to see Rhaenyra and Alicent as Unreliable Narrators, and characters who are supposed to have glaring flaws and weaknesses.

Mandatory preface- There are Issues™️ with season 2 that are its own other ask- but the complaints ive seen about character assassination on both women kind of tells me ppl just wanted to see the two just GirlBossing around, not being tragic characters trapped in their own circumstances.

For Alicent specifically- she just isn't written to be Cersei 2.0, and while it was really interesting to see motherhood from cersei's point of view, its already been done!! I actually prefer seeing Alicent's mercurial clinging to and abandoning motherhood- its interesting!! She was made a mother at what- 15? An age where you truly arent mentally developed enough to raise 3 kids, AND be a child bride, AND be a queen, (AND be a lesbian).

Alicent is interesting to me because she's stunted at 15 years old, she's an adult woman who talks to and sometimes bullies her kids as if they are her peers, and is obsessed with her childhood crush(es). She hasn't built any new relationships* past the ones she was entangled with as a teenager, she's obsessed with both acting out to make SOMEONE see that shes suffering, (she's honestly pretty blatant for someone who prides themselves on being the Temperate Voice of Reason) but also to erase herself and reset to before she had to marry the king, before aemma died.

I think most of her 'bad out of character' decisions are just these two impulses winning out, her trying to force a reset, go back to a time where none of this had happened yet, when things were simpler and she had love and every day wasn't the worst day of her life™️.

She sleeps with cole, the man she thought was pretty at 15 (her last uncomplicated attraction just before it all went wrong and aemma died) -she doesnt seem to like it that much, but she does seem compelled to seek him out, esp when upset- shes obsessed with, and desperate to reconnect with Rhaenyra, her childhood best friend (and first love) and get back to where they were as kids, AND she still treats and asks her father for absolution as if he's still the only authority that matters to her just like she did at 15. Alot of her 'victim complex/bewildered they took it so far' behaviour in the plotting of rhaenyra's usurption reads to me like a teenager in over her head, she talked big game and now its real and shes panicking!! She's tragic BECAUSE she's still a teenager- so stunted shes unable to meaningfully grow up and learn to make healthier choices for herself, or move on and stop trying to grasp at the 'if i could just go back' urge.

As a mother, I think this creates an interesting dynamic as well, and I do like that in the casting even, she seems closer in age to her kids than rhaenyra does to hers. I think the contrast ppl are drawing with Alicent Protecting Her Kids in season1 compared to her giving them up in season two isn't bad writing to me, just massive differences in context. Sure she protected Aemond in driftmark, but we cant ignore that she probably felt humiliated by her husband choosing rhaenyra's side over hers in front of everyone, did it seem like a grown woman fighting for her son?? or a teenager furious with her ex winning one over her again? or both!! both sides twisted together is still interesting! When she protected Aegon from Rhaenys, is stepping in front of her son the king to protect him from the enemies dragon fire not the most romantic daydream of a deserving death a child bride could come up with?? Was it the impulse to protect the son she couldnt decide if she loved or hated, or was it to have the most heroic death possible to escape the reality that she sees coming. And if Rhaenyra hears about how Brave she was in the face of a dragons maw, and cries about it forever and feels sooo bad and regrets it til the day she dies, thats an added bonus. I think Alicent loves her kids, but is teenager selfish about HOW she loves and protects her kids, and is unable to be a mature, consistant, protective mother to them when she also sees them as having ruined her life. I think in season 2 when she 'gives them up' shes relieved, and once again following the compulsion of 'if i reset to when Rhaenyra was heir, i had no sons, and i wasn't married or queen, everything will be better'. I think theres complexity to it, i think she does love her sons and feels insane about it, but I think Alicent has been trying to Go Back in more and more Intense ways ever since she got married, and we might be giving her sanity more credit than it deserves when it comes to the need to wipe the board clean and go back to being 15.

hey anon are you trying to get married to me or what

[sleepingsims]

Hey! Love your CC!! Are you going to make the new Clementine Curls for children too? :D

yeah!

clementine curls child conversion.

same in-game thumbnail and details as the original, requires the original version to work.

download | alt

[arttsuka]

dipper as the merman and mabel as the deertaur

mabel keeps making "doe" puns to dipper's annoyance

[xinyuehui]

⊹ ┈ㆍ┈ㆍ┈ㆍ Misty ✧ Invasion ㆍ┈ㆍ┈ㆍ┈ ⊹

[slavhew]

maybe dirk and jade hanging out ?

this is their entire dynamic to me. Dirk being neurotic around his bf(f)sie's gradmadaughter and her finding the whole thing deeply funny. dave should count himself lucky that she likes him otherwise she would be doing the exact same thing to him (more often).

[dailyhatsune]

Do you know ausgris (unreleased) vocaloid? if you do what if Miku in ausgris' outfit???

they are now called aurum and they are slated for release on the upcoming maghni engine (which is being developed by the company behind oliver!)

[canisalbus]

angsty teenage machete dying his fur red

Angsty teenage Machete dyeing his fur black like his soul.

When you try to go for that goth look but you can't dye your pastel pink nose.

[dunmeshistash]

Idk if I say this right did the manga style changed over time from first chapter were tiny details on it, to the end it is more detailed? Bc it got me gasping of the improvement of author's art style

Yep, Dungeon Meshi was published over 9 years and Kui's style got more detailed as it went on. If you look at her older manga before dunmeshi you can see she had a very "inky" and minimal style. Here's some pages from Seven Little Sons of the Dragon from 2011~2012 (Taking the chance to do kui propaganda)

I'd say that's impressive work even back then and I think it's cool how expressive it gets and how much she puts across with just clean linework

Here's Dungeon Meshi from 2014 when it began (2~3 years after this)

It's still BEAUTIFUL art but her simplistic character drawings are still there from her older work, I think she's going for more detail and less minimalism when she starts dungeon meshi tho, I guess she still had to find her footing in the new style?

I think chapter 1 Senshi is the biggest offender in that transition from very simplistic characters to very detailed characters (think of a furry transitioning to drawing more humans, her monsters and animals were always very detailed but her humans were mostly that face Laios makes)

Them in the first cover

Them in chapter 35

You can tell she really found the consistency on how to draw them and upped the detail on her character work, I do think she improved! (you'd hope so after 9 years) but I like to give credit to her earlier work too, she was working upon a solid base to get where she is.

I also wanted to say simple doesn't mean worse, it all depends on what you're trying to achieve, I think Kui had a vision for dunmeshi that demanded more detail so she got out of her comfort zone? That's all assumptions tho, either way she's an amazing artist and has been for a long time.

Anyway this is the Ryoko Kui art analysis nobody asked for by an artist that draws like once a year.

Edit: sorry fixed the date it was supposed to be 2014 not 2013

[boytumms]

guy with a size kink gets knocked up by a size shifter. all through his pregnancy, his baby has growth and shrinking spurts the way other babies would kick. it's disorienting and painful. one minute he'll be fine, then his baby will knock him on his ass by deciding to grow as big as a foal, then his bump disappears when the baby shrinks to the size of a peanut. he has no predictability for any of this, and it's made his pregnancy a confusing nightmare. he didn't know this would happen, the dad didn't warn him, and he had to furiously look up sizeshifter pregnancy after an embarrassing growth spurt in the grocery store his first trimester, when baby decided to make him look ready to pop and tore apart his favorite shirt. clothes have been out of the question for months now. his belly skin is so red and stretched out and agitated with the constant inflation and deflation, the baby just getting more active near the end of the pregnancy. he worries about the birth. what if his baby has a growth spurt that makes it impossible to push out? or godforbid, one while he's actively crowning?

Having the baby shift sizes while he's giving birth would be so good, it keeps growing and shrinking rapidly while he's trying to push it out, making his labor so much longer and more painful than normal.

It's constantly changing shape, stretching him wider than his body was ever meant to stretch and getting stuck when it shifts into something huge. He screams and cries, thrashing in pain as he bucks his hips wildly in an attempt to dislodge the massive head, trembling under his towering belly and begging his baby to shrink before it breaks him. When it finally does shrink, he pushes frantically, not even waiting for contractions because he desperately needs to make as much progress as he can while the baby is small enough to be pushed out.

His labor drags on for hours, constantly bouncing back between non stop pushing when it's small and feeling like its about to split him in half and getting stuck when it's too big. He never knows how long each phase will be, he could have only minutes to push and hours of torture stretching around a creature with the head the size of a watermelon, or vice versa. His labor could last days if the baby decides to shift too big too much, leaving him exhausted and barely conscious by the time he manages to get it out.

He feels it slip out with one last push and collapses back in relief, thinking he's finally done, but suddenly his tummy jumps up, swelling right back up until he's even bigger than he started. He screams in pain, watching his belly in horror as it squirms and bounces with movement. It turns out that because shape shifting babies are always changing and shifting sizes, it's nearly impossible to figure out how many there really are. What he though was one baby constantly shrinking and growing could have actually been twins, triplets, or more.

After hours and hours of giving birth to just one baby, he realizes he has to do it all over again, and without knowing how many babies he's actually carrying, he may have to push out many more after that...