#anne pangolin guéno

[basilepesso]

So, the narration of my nightmare since the disappearance on the 28/08/2 021 of my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin) was at the point of my arrival to a French camping in the first half of June 2 022. I called and sent phone texts (I hadn't any personal phone as Anne has also deliciously taken our shared mobile phone - I’m not interested in mobile phones, one for two is fine and even excessive but you know it’s compulsory for some topics as administrations) to as many people as I could, with a blocked phone plan that let me very little latitude, from a phone that the dude who had “invited” me then put me on the street had given me. All my friends refused to welcome me in their home, except one who accepted but finally...refused. Despaired, I called emergency services who were all full, especially the French dedicated national number whose rule is “call only when you’re on the street without a shelter”.

I was sure I was gonna be on the streets, and with sequels of brain stroke you bet it easily means...death. Suddenly I thought of a friend whom I didn’t know so much - a black man by the way - and this is important to specify here as I did it three times already on Facebook, for several reasons that I may re-explain here later. At the VERY FIRST SECOND his tone was not the one of bothered hesitation, but the one of someone wanting to find a solution - which he did in many ways.

He had two plans, two houses that he had bought, one occupied but with a free separate space, and the other one, empty, in restoration works. He called the lodger of the first possibility - refusal...so the second plan was the one. He told me that he’d be there in five hours, coming from 250km. He arrived, we went to take some stuff in the shelter that had put me on the streets, went to the house, let the things. A few days after he had gotten a trailer and we went to get the rest among which all Anne’s artworks included a huge painting. The shelter was so crazy, hating art and artists, so hillbillies, that they were gonna...throw everything to the bin and they were very close not to fulfill their promise, which was to wait for us to make the necessary.

All the journeys made 1 000km. I’ll just say for now one thing about skin color and origin : all the “white patriots” that had let me in the shite without ONE FUCKING GESTURE, all the white artists that I have been serving on a golden plate in Yes We Are Magazine daily FOR FREE since 2 014 // this black friend. BP.

[basilepesso]

First broadcast 19/06/2 024 on my 2nd Tumblr - now erased.

I started to post on Tumblr in February 2 012 (On my main Tumblr, not this one). I was an amateur photographer with many flaws, of which I was not aware. If you go in my archive in 11 you'll see this, especially with several shamefully and unwillingly unsharp abstracts - not the superb blur, but flawy unsharpness. I had always been an amateur but had decided to make more serious things in the photo field, after having been agent and curator for visual artists.

I progressed quickly and spectacularly, and had an Aminus3 which was my main and daily platform. So spectacularly that it attracted as many friends and pleased spectators than absolutely sordid haters - almost all French. I loved to post portraits of Anne - even some discrete semi-nudes.

One of the haters was a French pig - first gravelly comment under one of these very rare nudes and already I was repelled from keeping on posting such images. I kept on on Tumblr, then a waaaaaay worse hater - absolute Evil - came and started his pages of hate against us (or me, as Anne was declared to be "one of my avatars" to a trepanned audience, some of these trisomics still believing 8 years after the start of the hate that Anne doesn't exist, licking the boots of the psycho, who was actually waaaay worse than a simple web sicko). ...and here it was, end of images with Anne here, just a few on Blipfoto (now erased as my Aminus because of, each time, haters) and Facebook. Now you know... BP.

[yeswearemagazine]

I don't have much time to lose with this shit, but after having been blocked by an ultra-left extremist with hateful disclaimer, blocked without any reason except the fantasies of this sick sick mind, I have to explain a few things. I have been considered "racist" and in particular "islamophobic" by these kinds of sick persons for about ten years. This has given intense boycott, huge loss of money and fame, included for my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin). This shit has had severe consequences on her psyche, and resulted among other things in her disappearance exactly two years ago, her sequestration for eleven months by her parents, and other shits elsewhere related. There was not only boycott but extreme slander and harassment, on a very, very long duration, with barbarian death threats. YWAMag, as stated in its Fb and Tumblr abouts, is open to ANYONE except haters. This has never changed in 9 years and about 80 000 selections. This doesn't only include nationalities, skin color, religion, sexual orientation, but also the cold haters aka the boycotters. Because art is my life, and this petty hate is just garbage. When I think about art, I forget the sick minds of these petty individuals, and imagine that they are their art - and not heavy, pestilential farts. I have written and published on my main Tumblr the start of my unfinished essay Once, We Were - A History of Neo-Collaboration (extract here). I have based my view on the racial slaughters and mass rapes in several Western countries among which France as the eye of the cyclone upon personal experience and huge daily journalistic work, with articles of the mainstream press and analyses from these facts or general ones. There is nothing to CONTRADICT. This is not a debate. I'll keep on later, in particular with what the "leftists" - it's the name, but it's actually fake left - because I have always been extreme-left - have in mind in front of this massive report of FACTS. Basile Pesso - YWAMag director since 2 014

[thesoftpangolin]

Gravity

Camille Saint-Saëns, Danse Macabre Anne Pangolin Guéno, Barcelona © November 2020 Ink and watercolor on paper 70 x 100 cm

[jarrimimram]

Interview sur issuu.com

[basilepesso]

Third English text narrating the nightmare that my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin) has put me in since the lockdowns - and Anne, again, this is NOT against you - and you know it and react well - I’m telling it anyway by security. First part here Second there About ten logical points in French showing that I have been telling, and am telling the truth Police evidence of Anne’s disappearance (September 2 021, a few days after her disappearance)

In January 2 022, under the threats of my landlord, heavy stress caused by Anne’s disappearance, my discovery of the satanist adultery, and maybe corona that facilitates this, I had a brain stroke with blocking of an arm and vision for 15 hours approx. In March occurred what I described in the two previous English texts. I hadn’t a “NIE” (Identification Number for Foreigners), we used to function on only one, and it was Anne’s. I hadn’t a Spanish bank account, Anne having elegantly closed our shared account which was at her name, just because I used to delegate her all the administrative stuff. This card was literally unable to get in spite of all my efforts. Therefore, couldn’t I earn money legally, and my usual activities are not sure in terms of financial gain. As all our shared exhibitions, books and other partnerships with Anne were waiting or had been cancelled, the situation was totally critical. In October 2 021, I gathered ten high level visual artists among which myself for Yes We Are Gallery. A friend or supposed to be so helped me by creating the website but couldn’t finish it.

I was doing a few polls but either they were cheat or didn’t bring anything financially, or almost. I sold a few pictures, but not sufficient.

One of our partners, a shop/gallery took some of my images but no sales.

I tried to sell pictures on the street : no sales. I was trying to get translations as I’m a translator in many languages : nothing.

I went to many teaching places to give various classes and workshops (some places could make an arrangement for the identity card problem) and sent many proposals : I was put on waiting list or told that they didn’t need my services, and I didn’t have the time to be on waiting lists.

I found two collaborations with an architect/friend. I brought her two big decoration/architectural projects from people I had met, and it could bring a lot of money. But when I explained more in detail what was happening with Anne’s blogs under fake identities to one of the persons, he told me I was crazy, and stopped the proposal...the other one was actually too far away in Latin America and too hard to implement for my friend. After many researches and encounters, I found two new design shops and/or galleries who were waiting for Anne. An extremely generous friend sent me a diamond to sell. It could bring us a lot of money and I went to about 20 shops to try to sell it, but the price was not sufficient and I was waiting for way more. I started a novel in collaboration (it would publish the novel bit by bit on their website) with an organ called The Homeless Entrepreneur but the proposed money was not sufficient, and with what happened after we couldn’t start the collaboration. I tried to sell a bag that we had created with Anne (she had almost made everything) and had found two shops. We could start soon but I panicked because of one more landlord threat. Repeated panic attacks, and sudden fall in depression. Some friends helped me to pack a few things, especially our artist works and my computer, and we went to let me in a house in France where I was invited.

This invitation has actually been a nightmare and I was put on the street in one week.

By miracle, I found a shelter. In two weeks, they put me on the street after a manipulation. I went to a camping with the little money I had left. I’ll tell after what happened then... BP. P.S : and, AS USUAL, NO ONE (well, here, one brave person) reacts, except by the usual emotional and sordid unfollowings...)

P.S 2 : as already said, YWAMag Gallery is not something I can take care of for the moment, and what’s more, its webmaster has stopped speaking to me after the hospital abuse against me - and I need to be in contact with him if I decide to start the gallery, as there are still technical details for which I’d need his help.

[basilepesso]

Yesterday evening very late I published two texts narrating the start of the main facts that occurred after my wife and collaborator Anne Pangolin Guéno’ (now 32 years-old)‘s disappearance on the 28//08/2 021.

It’s not that I want to always repeat the same stuff, but I know by experience that most people don’t read, even when it’s extremely serious. So, as I had forgotten to add the article to the facts about the 14 dead people in Japan in 2 014, here it is. I also added it in the text of yesterday. Read the part 2 of my English narration to understand the context, and also go to the part 1, and to the French logical points that show that I tell the truth. BP.

[basilepesso]

Quelques Points Logiques...

Pourquoi, à votre avis (je m'adresse aux Prix Nobel qui me pensent fou), ma femme Anne Pangolin Guéno (The Soft Pangolin, 32 ans) n'a plus donné aucun signe de vie à personne parmi ses/nos collaborateurs/partenaires professionnels depuis sa disparition le 28/08/2 021 ? Pourquoi sa carrière brillante est-elle arrêtée depuis sa disparition ? Pourquoi aucun de ses sites (Tumblr, Instagram, Facebook, bio sur Zet Gallery) ne publie rien depuis sa disparition ? Pourquoi n'a t'elle jamais apporté la moindre contradiction à mes soi-disant "élucubrations psychotiques" concernant l'adultère sataniste que j'ai découvert en octobre 2 021, avec l'intellectuel américain Oliver Perrin aka Read the Signs ou Semiogogue ? Pourquoi celui-ci n'a jamais rien dit contre moi alors que je l'ai nommé 50 fois ? Pourquoi ai-je toutes les œuvres d'Anne sauf celles qui ont été vendues et celles qui sont en galeries/boutiques? Pourquoi puis-je partager ce que je veux depuis le Fb d'Anne ? Pourquoi son Fb est-il rempli de photos de mon autorat, et de nos collaborations ? Pourquoi le Fb d'Anne nous mentionne comme mariés et vivant à Barcelone ? Pourquoi diable mentirais-je lorsque je dis que je suis en contact avec Anne mais qu'elle est mutique et n'arrive pas à rentrer alors qu'elle me dit le vouloir ? Pourquoi des enculés m'ont bloqué et unfriendé, ou me snobent, parce que je dis ce qui est ? Basile Pesso, 7 mai 2 023 (Fb)

P.S : EVIDEMMENT, la seule réaction que j’ai pour l’instant ici, au lieu de regarder les FAITS, est un unfriending émotionnel automatique.

[basilepesso]

To all the artists and in particular photographers who were part of the start of Yes We Are Gallery which for the moment hasn’t started and might not even exist... The circumstances with the disappearance of Anne (Anne Pangolin Guéno - The Soft Pangolin, my wife and collaborator since 2 011) the 28/08/2 021 haven’t made the project possible, I thought I could manage but I haven’t in spite of all the preparation I had made (files’ selections and sendings by you, contracts and discussions about them with you, texts about you, website preparation...). I am now in contact with Anne and she wants to come back.

I have lost our Spanish heaven as many know. I am now in France as her and we’ll get back to Spain when possible. For the moment I don’t have the right conditions to keep on the project, but I keep everything of course, and if the project restarts you’ll still be in it ! I just finished the digital transcription of an English novel written in 2 022 by hand and have started the French version. The mag has restarted as you know three weeks ago but for the moment just on Tumblr. The Fb version will have to wait for Anne to give me the key... All the websites of Anne (Tumblr, Instagram : see the two links above ; and Fb) have been stopped since her disappearance, as well as all our planned exhibitions, books and partnerships.

Many, many, many fantastic people have thought I was crazy and stopped talking to me or even blocked me on the web. Fuck them, even friends ! They haven’t thought one fucking second that a woman of then 31 years-old who disappears and stops her fantastic art career might be in danger, and that her husband might tell the truth. I’ll remind that except a few ones which are in galleries/shops, and several which disappeared God knows where, I have all Anne’s artworks, about 100. This simple element should have put many partisans of the “he is crazy” theory on the right track. But no...this is sooo much fun to throw me to the bin ! BP.

[basilepesso]

S’il te fallait une autre raison pour accélérer ton retour à ta et à notre vie, je viens d’apprendre que :

“En janvier 2023, trois artistes, Sarah Andersen, Kelly McKernan et Karla Ortiz ont déposé une plainte pour violation du droit d'auteur contre Stable Diffusion, Midjourney et DeviantArt, affirmant que ces sociétés avaient enfreint les droits de millions d'artistes en formant des outils d'IA sur cinq milliards d'images extraits du Web sans le consentement des artistes originaux“ (Wikipédia).

Ceci signifie que vu ton style de peinture et de dessin, il y a peu de chances que tu ne soies pas dans le lot... P.S : for the ones who don’t understand who I’m speaking to and why I’m doing it on my blogs and not in private : I’m speaking to my wife and collaborator Anne Pangolin Guéno (The Soft Pangolin), 32 years-old (art CV here), disappeared the 28/08/2 021 after a fall in a sect ; and having stopped her brilliant careers : websites, books and comics with me, exhibitions with me and alone, presence in design and decoration shops, etc. Except a few sold ones and others which are in shops and galleries, all Anne’s artworks are with me. None of our partners has had any answer or news from Anne since her disappearance. In contact with me but unable to speak, so I think that this way of speaking to her is the best for the moment. BP.

[basilepesso]

As maaany people think that I have invented the nightmare my wife has been putting me in since the lockdowns, here is the message that a Barcelona police station sent me after Anne’s disappearance. It’s to this police station that Anne’s parents, Maryse and Philippe Guéno, went to make a false testimony in October 2 021, as they did to the French police. BP.

[basilepesso]

Because of a technical problem I haven’t been able to post on Instagram since November 2 021. This has made me lose 300 followers and is very problematic for my work.

The Fb version of Yes We Are Magazine is not available to me as Anne has closed the internal access to me, as well as to our shared Facebook on which were presented our shared work, her personal one which you also find on Tumblr and Instagram, and the Fb Choice of the Day of Yes We Are Magazine. Since her disappearance on the 28/08/21 she hasn’t given any news and has stopped her brilliant careers are 31 years-old. She’s now 32. As you may know about 20 contracts that we shared with galleries, shops and publishers have been stopped because of this situation.

I have all her artworks (about 80) except a few ones I sold and a few ones I can’t find ; plus the ones in galleries/shops, waiting.

The only web action she made during one year and 4 months was to unfollow 800 Instagrams (artists, galleries, etc) in two times in September. The Tumblr version of the mag is on pause. BP.

[basilepessoart]

My wife and collaborator Anne Pangolin Guéno (The Soft Pangolin). Kidnapped three years ago, found recently, unable yet to reappear publicly. Many of you know her : designer, painter, illustrator, in formation writer, graphic designer, model, and my assistant since 2 011. Many people have been vomiting on us and have refused to help us in spite of all the horrors we have been living. A particularly atrocious bunch of French among which a French independent journalist and now writer have produced about ten days ago a particularly ignominious page of hate and delusions against us, page with 150 sickos with long comments. I'd be a rapist who has been in jail, I'd say that "Jews are paedo-satanists", we'd have never worked of our life, my only brother, dead at 34 years-old : "we hope he has suffered", I'd harass my "ex" who would be Anne, nothing would have happened to her, I'd be classified schizophrenic, etc. BP. Anne's CV Mine, without many things as my former agent and exhibitions' curator career

Lisbonne octobre 2 011

[basilepesso]

To all. Your lack of concentration and cleverness might have made you miss many things. Most of the things I have written on my wife and collaborator Anne Pangolin Guéno aka The Soft Pangolin (this is still her name but the only thing we'll keep is the nickname) 's disappearance the 28/08/2 021 (she was then 31 years-old) have been in French and on Fb. Yet this is absolutely not an excuse as I have also explained the stuff in detail in English here and in the mag several times. There were mistakes as she had put me on wrong tracks for several reasons, the main being not to reveal the real horror she was living. You know the communication way we have been having and that it was indirect, for example by blogs under fake identity. Under death threat and also under the threat of me being executed this was the only possiblity even if the shame of her forced prostitute condition has played a lot when she was actually living at 1km from our home. It was more than easy to just LISTEN TO ME and not to fall in the trap concocted by her procurers (pimps) among which the main ones were her "parents", jailed a few weeks ago in France. Plenty of times have I given the obvious elements showing that it was a frightening disappearance and not a departure. Very few people have listened. Many have told intolerable bullshit. About you "friends" of the web and acquaintances, almost all the men she was forced to hook with alibis believed that she has chosen this sordid life when she had all she wanted and was an internationally acknowledged artist and designer in spite of the boycott which is not just political but caused by permanent slanders by the pigs against us. Many of you dickards have already committed suicide. That's a blessing for me. I'm not a nice guy. I'm actually extremely nice but don't play with me and my wife. The worst obviously are the physical clients, and I won't tell the number which is an absolute horror. I have given details on Fb on the extreme sexual violence to which she has been submitted, and the barbarism she was forced to commit. I have not given so many elements on this. Nor the number of occurrences. No one can survive this. You'll have details in the media soon. That's not all. It's far from being all. I don't want this in our life but it's there and unfortunately will be there. The Epstein case is nothing compared to what is gonna explode about the mafia I'm speaking about. BP.

[basilepesso]

Flicards : je vous l'ai dit hier soir, vous pratiquez un harcèlement intense et totalement criminel sur moi et mes amis et notamment ma compagne et collaboratrice Anne Pangolin Guéno, et mon ex-compagne.

J'ai prévenu que nous vous attaquerions collectivement en justice, et j'ai donné le chef d'accusation. Vu les circonstances votre carrière est LITTÉRALEMENT TERMINÉE.

Cela dit vous avez la possibilité de vous arrêter immédiatement, et nous réfléchirons aux suites à donner à vos agissements. L'IGPN va de toute façon être saisie en France, et les organes identiques dans les autres pays.

Basile Pesso.

[basilepessoart]

Fucking Fuckery

Hi to all, As said when my computer broke "by magic" last Friday, I can't work on photo anymore (except with a camera ? Well there's also something - nevermind) nor post on sites with images that appear with ten levels of overexposure and all colors pale as an ass that hasn't seen the sun for 20 years on this fucking Hewlett Packard.

Artists working on Microsoft, if you have this problem and you keep these shitty comps, YOU have a problem. This is valid for galerists, museum staffs, art journalists, etc. Gates has created a sick world which is clearly NOT for us, in spite of his permanent "philanthropic" declarations - and this will take you to one of my last French texts about another "huge philanthrope". This computer stuff is literally unbearable as it's available - not available - I understand myself and the interested too. What is the panorama of my websites ?

-Instagram : Has been unavailable because of a technical problem since November 2 021. 500 followers lost, you know, when someone is not here anymore even if somewhere else, people act like that. I'd never think of doing this, but people are people. -YWAMag Fb : unavailable, as our shared Fb with Anne, which was largely used for the Fb Choice of the Day of the mag, since Anne's kidnapping (August 2 021). Yes she's free now, but the boxes are full of forced prostitution stuff and she refuses that I see this. -YWAMag Tumblr : unavailable since a technical change by Tumblr (last September). I don't know, as explained there, how to change the template that Anne had installed, and she's not able to do this for the moment. Anyway what will the mag be with about 50 of the best photographers of the mag having been clients of Anne as a forced prostitute, the gang's goal in this field being to destroy the mag ?

-Flickr : fine, just waiting for my computer to be gotten back -My Fb : writing, information, shared art, etc. Don't go there if you hate facts and are a collaborationnist with zero desire of getting out of your psychosis.

-Twitter or X : same as my personal Fb, though, not very used except on some periods as the current one, but always essential informations in several languages. Very few personal posts by me. Again, not interesting for collaborationnists.

-My Lens Culture : currently unfed but you have a part of my bio (half of the photo one), reduced by half by the staff without consent

-My Cargo Collective : a high level selection of my photo work, stopped ten years ago. I was more spectacular and accessible then.

Brilliant text about me by David Gibb Smeaton

-My Fine Art America : again, a collection (larger than the Cargo one) which is more spectacular than my latest production. Published between 2 013 and 2 014, for works (or photos, call them as you want, it doesn't matter) between 2 011 and 2 014, which is to say the start of my pro photo career.

The site is sale cheat - contact me for prints, not the site. Because, yes, I sell photos outside the exhibitions, I love and need it. -My YouTube : gathers a collection of the tunes broadcasted on my sites for years, currently about 700 songs or pieces. A single look by the shitheads who say I'd be "racist" and "anti-Semitic" to these collections should calm them - or not, we're speaking about fanatics -Our ISSUU : some of the mag's interviews, plus some before the mag - Graphic design Anne Pangolin Guéno under my supervising

Thus, this Tumblr, which is the only one technically available as long as I don't get my computer back (another technical reason linked to a mailbox), has become a writing one. I'm hoping to get it back, but when the fucking fuck ? And little by little put the texts on my main Tumblr so that this one is "lemmings' adapted". Indeed this 2nd Tumblr has for only goal to be a nice, ideas-free, truth-free cocoon for lemmings. I care for lemmings. They are nice. Or not. Basile Pesso, Land of Somewhere, 11 July 2 024 The Beatles, Get Back Modification 28/08/2 024 : 1. No forced prostitution, nothing of the kind. It was a strategy. The facts are about paedo-satanism, Anne having been hostage. I'll tell more later. 2. Lens Culture bio fine again now. As said in French on Fb a few days ago, thanks.