#anna about

[timbit-robin-art]

Dropping in for a new mission.

[jaemongus]

hi sorry for being gone for like 5 years i am back with x-men cuties

[spn2006]

the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it

[infestedguest]

I just had a truly horrible realization. I was talking about the worldbuilding in fma with someone the other day, and they mistakenly said it took place during the Victorian era, or Amestris’s equivilant to it.

I, being a lover of fashion history as well as an insufferable pedant, corrected them by saying that both the year(s) it takes place in as well as many of the technological and cultural influences seen in the world are actually more in line with the subsequent, much shorter era known as the…

the Edwardian era.

God fucking dammit.

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[theloverstomb]

‘Fragile Microbiomes’ by bio-artist Anna Dumitriu

1. SYPHILIS DRESS- This dress is embroidered with images of the corkscrew-shaped bacterium which causes the sexually transmitted disease syphilis. These embroideries are impregnated with the sterilised DNA of the Nichols strain of the bacterium - Treponema pallidum subsp. pallidum - which Dumitriu extracted with her collaborators.

2. MICROBE MOUTH- The tooth at the centre of this necklace was grown in the lab using an extremophile bacterium which is part of the species called Serratia (Serratia N14) that can produce hydroxyapatite, the same substance that tooth enamel is made from.

The handmade porcelain teeth that make up this necklace have been coated with glazes derived from various bacterial species that live in our mouths and cause tooth decay and gum disease, including Porphyromonas gingivalis, which can introduce an iron-containing light brown stain to the glaze.

3. TEETH MARKS: THE MOST PROFOUND MYSTERY- In his 1845 essay “On Artificial Teeth”, W.H. Mortimer described false teeth as “the most profound mystery” because they were never discussed. Instead, people would hide the stigma of bad teeth and foul breath using fans.

This altered antique fan is made from animal bone and has been mended with gold wire, both materials historically used to construct false teeth (which would also sometimes incorporate human teeth). The silk of the fan and ribbon has been grown and patterned with two species of oral pathogens: Prevotella intermedia and Porphyromonas gingivalis. These bacteria cause gum disease and bad breath, and the latter has also recently been linked to Alzheimer’s disease.

4. PLAGUE DRESS- This 1665-style 'Plague Dress' is made from raw silk, hand-dyed with walnut husks in reference to the famous herbalist of the era Nicholas Culpeper, who recommended walnuts as a treatment for plague. It has been appliquéd with original 17th-century embroideries, impregnated with the DNA of Yersinia pestis bacteria (plague). The artist extracted this from killed bacteria in the laboratory of the National Collection of Type Cultures at the UK Health Security Agency.

The dress is stuffed and surrounded by lavender, which people carried during the Great Plague of London to cover the stench of infection and to prevent the disease, which was believed to be caused by 'bad air' or 'miasmas'. The silk of the dress references the Silk Road, a key vector for the spread of plague.

5. BACTERIAL BAPTISM- based on a vintage christening gown which has been altered by the artist to tell the story of research into how the microbiomes of babies develop, with a focus on the bacterium Clostridioides difficile, originally discovered by Hall and O’Toole in 1935 and presented in their paper “Intestinal flora in new-born infants”. It was named Bacillus difficilis because it was difficult to grow, and in the 1970s it was recognised as causing conditions from mild antibiotic-associated diarrhoea to life-threatening intestinal inflammation. The embroidery silk is dyed using stains used in the study of the gut microbiome and the gown is decorated with hand-crocheted linen lace grown in lab with (sterilised) C. difficile biofilms. The piece also considers how new-borns become colonised by bacteria during birth in what has been described as ‘bacterial baptism’.

6. ZENEXTON- Around 1570, Swiss physician and alchemist Theophrastus Paracelsus coined the term ‘Zenexton’, meaning an amulet worn around the neck to protect from the plague. Until then, amulets had a more general purpose of warding off (unspecified) disease, rather like the difference today between ‘broad spectrum’ antibiotics and antibiotics informed by genomics approaches which target a specific organism.

Over the next century, several ideas were put forward as to what this amulet might contain: a paste made of powdered toads, sapphires that would turn black when they leeched the pestilence from the body, or menstrual blood. Bizarre improvements were later made: “of course, the toad should be finely powdered”; “the menstrual blood from a virgin”; “collected on a full moon”.

This very modern Zenexton has been 3D printed and offers the wearer something that genuinely protects: the recently developed vaccine against Yersinia pestis, the bacterium that causes plague.

[asoftepiloguemylove]

"I BELIEVE THERE IS A GOD. BUT I'M NOT SURE HE STILL BELIEVES IN US." // MUSINGS ABOUT GOD

Vi Khi Nao Fish in Exile // pinterest // Ada Limón The Echo Sounder, from "Lucky Wreck" // Mitski Bug Like an Angel // Margaret Atwood Half Hanged Mary // Ethel Cain American Teenager // Supernatural (2005-2020) cr. Eric Kripke // Elle Emerson Regarding the Röttgen Pietà // Yves Olade Belovéd // Kim Addonizio Wild Nights from "Tell Me" // Jensen McRae Machines // Supernatural (2005-2020) cr. Eric Kripke // Anna Kamienska A Nest of Quiet: A Notebook (tr. Clare Cavanagh) // Tom Waits Day After Tomorrow // pinterest // Lauren Camp Upon Taking the Universe One Thing at a Time

[cassianandfenrysaremyboyos]

Rogue's so relatable for this

[classichorrorblog]

The Cabin In The Woods (2012)

[sncwbaz]

so, watched ep 1 of the atla live action and uhm, imagine not wanting one of your main characters to depict sexism because you believe it doesn’t read well in Current Times, so instead you double down on the character’s obsession towards leadership in order to give him that extra edge. but in order to make that work u have to make his sister quietly obedient instead of an outspoken leading presence that has the potential to overshadow him. because silencing a female character in order to write out a male character’s story arc of unlearning sexism is obviously a better and less sexist outcome.

[anna-scribbles]

i think it would be funny if one of the ways that adrien responded to Everything was by becoming the most offline unreachable hermit of all time. no phone no computer nothing. don’t talk to him about ai or instagram brand deals or twitter drama he can’t even receive a text message. if you want to contact him he checks his email once a week at the local library. he also has a flip phone with customized ringtones and no internet connection, and a number he gives out to an extremely select list of people. don’t try to reference a pop culture phenomenon to him he won’t understand it. his flip phone can’t open tiktoks. he’s protecting his peace.

[cordycepspog]

There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.

It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.

And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?

[blorbologist]

hey im not over this. I just went to dig it up and. it's literally the exact same shot. (except Orthax is giving Ripley a smidge more personal space, and she doesn't have the glowy-glowy ember eyes)

[potato-lord-but-not]

WHAT IF ???? LESBIANS?????

ok fr tho I’ve been thinking about them. I like to think before moving to Harper’s Hill, Sarah stayed in Arkham for a bit with Anna, trying to unpack everything they learned. After a while, Anna decided she didn’t want to continue poking at this unknowable horror, but Sarah was adamant on finding out the truth. They parted ways ofc, but they stayed closed where it mattered most.

sorry anyway bonus Roland design WAHOO

[infestedguest]

There is at least one universe where Mustang has this hanging on his office door.

[sharp-fanged13]

What a wonderful occassion to remember this happened and is canon af: