#and you see i would've added more but unfortunately it doesn't fit
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They're literally a bunch of fictional characters, but I love and care about em' way more than I should've
#LOOK-#i just kin them so much alright?!#and you see i would've added more but unfortunately it doesn't fit#but the kin list is way bigger than what i've shown#my standards are simple#any character: does something funny or cute#me: congratulations you're in my kin list now#meme#sorta shitpost#amphibia#the owl house#toh#the ghost and molly mcgee#tgamm#au#anne boonchuy#sprig plantar#ivy sundew#maddie flour#luz noceda#molly mcgee#spraddivy#sprivaddie#post version of my bio i guess#kin list
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Hello! I’ve just finished the first chapter of your White Dragon of The North series and I’m loving it!
Just a quick question, no criticism just interested in the story you’ve created and if there’s any added lore I can find out 🫣 is reader the first born child of rhaenyra? If so, what is the reason she named Jace as her heir and not reader?
Thank you for all you do and giving us more then 4 minutes of cregan 🫠🥰
hello! firstly thank you for the love🤍 glad to hear you're enjoying it!
backstory wise:
i left her parentage ambiguous on purpose in order to allow readers to pick their preferred parents. she is stated to be older than jacaerys though she is not named heir, so she might as well be daemon's child with laena and call rhaenyra 'mother' because she had taken on the motherly role after laena died
her parents can be anyone from rhaenyra, harwin, laenor, laena and daemon:) though throughout the story she will call both jacaerys and baela "brother" and "sister"
🌸none of the following things will be mentioned in future chapters to maintain the ambiguity, so i might as well drop the lore for the options of parents:
1. rhaenyra and harwin
i myself think of her as being rhaenyra's firstborn daughter with harwin (obviously not because i fit into the 'strong' physical description)
she had grown up vehemently refusing the throne despite being rhaenyra's firstborn, after seeing what the war for it did to her father
she knows harwin is her father and is not ashamed of secretly being a bastard, being more grateful that harwin is her father than she would've been for being daemon's legitimate daughter.
2. rhaenyra and laenor or laenor's bastard
in the book it is not mentioned as clearly as in the show that rhaenyra's first 3 sons are harwin's bastards, so i consider this option valid for anyone who wants to read as it is.
whether her brothers are harwin's or not, her parentage had been also disputed with their regardless of skin color. it was team green propaganda to weaken their claim, stating that rhaenyra and laenor had an open marriage and that if the reader resembles him, she is his bastard, but in any case not legitimate.
because of this, she had renounced her claim to avoid a second civil war
3. daemon and laena
she has a love hate relationship with daemon that led to a closer relationship with rhaenyra after laena's unfortunate death. also has a close connection to driftmark and her "salt and sea" side but has never expressed desire to climb either throne. she strongly believes baela or addam are more suited to rule driftmark
even with legitimacy, suvion doesn't do as well with the humidity of the sea as he does with the dry frost of the north. this notion along with her care for her dragon strengthened jacaerys' decision to offer her a safe place in winterfell.
(it is implied that she had flown suvion to winterfell or to the wall at some point before the war broke out, since suvion seemed to be drawn to the place)
i rushed this& if i missed something i will come back and edit
#wyvernest#cregan stark x reader#house of the dragon#cregan stark#asks#rhaenyra targaryen#daemon targaryen#jacaerys targaryen#jacaerys velaryon#baela targaryen#rhaena targaryen#harwin strong
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Ask chapter 4
The pose is pretty boring and tells us nothing , for a character bio I did expect a pose more telling of her own character , since Ruth is supposed to be the heart of gold but harsh person I did expect something to make her more imposing and strong .
The math isn't mathing, since Ruth is supposed to be born in 1942 in 2019 she should've been 77 not 75 .
It's good for her to have this background but in Australia in order to become bouncer you need an accredited license . So I don't understand why it's not added in her backgrounds as it is important information. Also for her to be the only bouncer is very dangerous , usually you need to have at least 3 bouncer and make them rotate their turns they bounce during the week and always have 2 of them active .
The layering of that panel could've been more interesting and I don't understand why she didn't color Ruth, if there's a moment where you want to color a character it is during their bio
I think having such a large age gap is interesting for them , I hope their maturity gap will be explored more so we can understand their relationship in a more complex way ? I don't have much hope since rusty best work is always simple fluff slice of life . But maybe since this is close enough to romance we're gonna have a much more interesting dynamic between them .
I really like the anatomy here , since it's in a very stylized style it doesn't feel as off as in later chapter and shez looks somewhat more realistic here , she doesn't look as bulky or off proportions as she does in some instances . I also enjoy the fashion choices , they're simple but far from boring and make us learn details about them that can only be told trough fashion choices .
Although I dislike the color choices . Having only the tattoo colored is really weird and off putting , done that way it just doesn't fit she should've just colored everything, not necessarily in a perfect way having a messier idea for this kind of sketch is good especially when it give more content to feed your audience .
Tho I do like the fact that shez and parniya disagree on certain stuff , perfect relationship don't exist and having them having disagreement is healthy , once again
Rusty should've focused on a romance comic
I like Jaden path of discovery , it's pretty common among queer youth to discover they are queer later especially since Jaden n i are somewhat close in age when I was young it was rare to see queer people and even more rare to know about them . So it's a really interesting path choice for Jaden. Having her also focus because she didn't understand the attraction to dating until she realized who she was attracted to is really sweet as well . I went trough something kinda similar so it's really refreshing to finally see rusty do the stuff she excels at . It's unfortunate her bigotry and transphobia get in the way because she's good at writing simple Romance . The rest are topics she doesn't understand the complexity of it trough her terf tainted glasses .
For this panel the lack of color make sense , I would've colored Jaden skin darker but since it's black and white I'm gonna let this panel pass as simply a quick sketch
I really like that for Riley she always kinda knew and just didn't realize it , tho the execution of this panel isn't the best . It's easily misinterpreted as "Riley wished she looked like the mannequin" perhaps showing her looking at a poster or a magazine in a window would've been a better alternative to let no place to misinterpretation . I also like how small they are putting emphasis on the fact she realized her attraction at a very young age despite not knowing what it was exactly. I like how they're experiences are so different.
It would be interesting to have another one (maybe violet realizing she's actually a lesbian and not bi) trough learning about comphet maybe in that instance , blaire could be useful and more be a Grey zone character in the morality of the comic . If the comic is really meant to be lesbiancentric I'd really love to have more diverse lesbian experience about them . It could be interesting and appeal to a broader public than the niche of experience rusty try to cater to (privileged white cis woman)
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saw all the ep 3 performances but not the actual ep lol.
voting list (week 3)
all of these girls are criminally low compared to how they performed imo.
first round commentary (copied from my twitter 🫶🏿)
1. team: hard
my winner(s): like 6/7 but emma jaoying & P.AMP stood out, it's a shame geumhee was hidden for her high note
this team is great but who decided the concept/outfits 😭
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2. team: 7 rings
my winner(s): WANG KE (and vita)
the other girlies didn't stand a chance against wang ke this was legit brutal 😭 i do wonder if they were all comfortable with the concept though, this doesn't seem like something liliana wouldve chosen?
also rei is my girl but this performance doesn't play to her strengths at all im devastated 😭
3. team: one more last time
my winner(s): DUNA, rose
duna's experience really shone through, plus she fits this concept super well. very glad she got center. rose also did super well, i only wish she had the second main part 😭 praying this saves her
devi also did great, but i don't think this'll be enough unfortunately:/
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4. team: i like you
my winner(s): zoi, TEGAN, tk
i had to think about this team bc once again, so insanely hard to pretend this is live. zoi was just good onstage, tegan has that voice, and tk surprised me. they clearly want preemy gone tho i hate it hereee
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5. team: kick back
my winner(s): QIAO YIYU
honestly i love love love this team composition but i don't think the stage really showed their strongest points...i think a different wayv song would've made all the difference tbh
6. team: booty bomb
my winner(s): yeham, coco, MAO XIUTING
tbh there are some people here with lots of screentime who i don't understand the hype for, although both of them did better than their auditions. anyways yeham!!! she barely got screentime apart from her lines but i loved her voice with this concept tbh, it added a much needed freshness? brightness? to the performance. i need to see a full stage ver with no cuts though
7. team: love destiny 2
my winner(s): PANGJANG (everyone did well though)
pangjang just has the voice, what is there to say really. i feel soooooo bad for ninnint, she did well but this was really not the song for her. fly high girlie 😔✊️
8. team: play with me
my winner(s): YEAN, elyn, caith
seoyeon has greater ability than a lot of the contestants but her energy really isn't there to the point where i can't help but wonder if it's on purpose...?
9. team: i'll do it how you like it
my winner(s): ?
the chaba krista rjing vocal meal in the beginning was so sick omg
the rest of the performance didn't really click even though no one was bad at all. need maliya to be saved though like that's a Face
picking a winner is tough for this team because you have some singers who can't dance/perform & some dancers who don't sing as well. in truth pream, rjing, xueyao, and maybe maliya are the most balanced, but xueyao in particular didn't really stand out. pream stood out because of her center time, but this is far from her best (her presence is usually a lot stronger). maybe id go with rjing? but id need to see a full stage with no cuts
10. team: pieces of love
my winner(s): KITTIE
you have to suspend your disbelief a bit with these shows but i couldn't even pretend this was live & it's so distracting 😭 yuan ke & jessica are my next picks but i need them to focus more on facial expressions
my top 9?
honestly i've had a really hard time coming up with a group, if only because i genuinely like 47ish of the contestants (others i dont like or simply don't know). also, i do think it'd be nice for most of the group to be thai. i scrolled through the contestants and just picked the first 9 that i saw who made me go "yeah, you" lmfao and this is what i ended up with:
yean feels virtually indispensable at this point. she can dance, she's a great pop vocalist, and she can fit any concept. the show is also very on her side.
wang ke's performance in 7 rings convinced me of her star power (honestly she's been hit or miss to me until this point). wang ke didn't need to be the best singer or dancer to stand out on stage, it's her energy that really sets her apart and that's a hard skill to learn.
tegan...she's just a surprisingly strong contestant. i wasn't really a fan of how she acted during the theme song arc (all 7.5 minutes of it, lol) but i do understand that she was trying to lighten the mood. from the theme song to round one she showed that she really could hold her own on stage if she put her mind to it. other factors: star quality, demographic appeal, growth idolism, unique tone/strong vocals
rose is my underrated pick. she has a great voice and i think she can be styled to fit a number of concepts. she hasn't gotten much screentime, but i really hope she makes round 2, just to force the show to show more of her strengths. in some ways she's a little bit filler here, but i think she's necessary for the group to gel
ruan, our summer dream center...idk i just like her a lot. she suits different concepts and is super super hardworking & serious about this, while also being really kind. i want to see her learning/speaking more thai and english hopefully!
qiao yiyu is a talent & demographic pick (and one of my overall main picks at this point) she's another member who i see as indispensable. she's a main dancer who can fit multiple styles (but she's also for the girlies). in this pic she kinda looks like yuqi? lmfao
p.amp, my other totally biased pick 🥲 she's so gorgeous onstage and has so much presence i don't understand why the masses aren't seeing her 😭. she's a filler visual here but hot take, we don't need a wannabe gangsta rapper who can't dance self proclaimed quote unquote "real rapper" in the lineup when so many gg raps are pre-written and last for max 4 lines. p.amp can do it while dancing, being charming, and looking hot. i rest my case
geumhee is my pick of the csr members, although duna's rank is the best & seoyeon is the one getting a storyline. geumhee would be slightly filler here, but her singing ability would make her a lead vocal, and he experience and preexisting intl audience would make her indispensable. tbh she's the first member i personally noticed in csr, but i think that csr could live for a couple years without her and then benefit from her return.
mingming is good, although im generally on the fence about her. she has great lead vocal potential and is very likable. i kind of think the mindy members will be fine if none of them make it, but i do feel her voice is a little wasted there.
nationalities: 4 thailand, 2 china, 1 usa, 1 japan, 1 south korea
other contestants to consider:
pailiu! i really like her (and she's currently rank 2) but im not seeing a group that she fits into in the top ranks. maybe if maliya, jessica, xueyao, yuanke, p.amp, jaoying, etc were a bit higher. it's too soon to tell though i suppose
elyn's (#1) fanbase is really showing out for her considering the relatively minimal screentime she's had. her vocals aren't as strong as rose's, but she could potentially replace her in the lineup and add more (in terms of fan loyalty & demographic appeal).
emma not making my off the top of my head top 9 was really unexpected! i make the top 9 and then went wait where's emma? i think i would replace mingming with her, although honestly? emma's a star and should probably try to go to a company with some power, like perhaps yuehua china. for a survival show group, it's good that she stands out as an individual but in terms of cohesion...eh. she couldn't be filler, but she also probably couldn't be the star with the rest of this lineup. it's tough
absolutely LOVE krista's voice, but the reason i stopped voting for her is that she is kind of an absolutely miserable dancer. the great part is that she's super young, and can train to work on her dancing & her stage presence + facial expressions. krista (and others) make me wish that chuang was like produce japan, where the funding company (there lapone, here ryce) takes on trainees from the show for future permanent or temporary groups. krista would be a great candidate for that.
kitty, natty, & jaoying i noticed for the first time this round. i don't have much to say but they would be very solid filler members (not a drag, btw). im looking forward to seeing more of them!
yuan ke & wan yan jiayi are growing kind of indispensable if they want to have a foothold in china it seems. my personal pick would be yuan ke, but i think jiayi is moreso on the rise.
TBH i have 21 more contestant photos saved but let me just move onto another potential top 9
all i did was replace rose & mingming with elyn & emma, which brings the nationality count to: 2 thailand, 3 china, 1 japan, 1 usa, 1 malaysia, 1 south korea. see but now i'd say they need at least one more thai member! now sort of i want to put jaoying in over elyn lol. oh well 🤷🏿♀️
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HI!! do you have any predictions or maybe like a wish list for the Murtagh book??
Hi! Thank you for asking this. This'll hopefully help me cope with the horrible wait.
The things that I feel like we'll see in the murtagh book i think fit into both categories.
Especially, I had always thought that, for a book focused on murtagh, it would be necessary to deepen into his childhood, into what it was like to grow up at galby's court, the consideration people had of him as morzan's son and his own idea of what that means... Also I'm dying to know more about tornac (as paolini has already suggested we will) and about selena.
I feel like in this book murtagh *needs* to understand himself, and, in order to do so, needs to understand his past and make peace with it. It's obvious he adores and misses selena and her loss has always been something huge for him. Adding to this, i think he resents her as well, for not protecting him as she "should have", for having eragon (and him being brom's son!) and giving him a "safe" upbringing and not having had to grow up with the stigma of being morzan's son, and also perhaps, in a way, for dying and leaving him. So my idea is that he'll eventually find out things about her, and will be able to see her as the complex creature she was, and, most importantly, as his mother who loved him unconditionally.
In a rather self-indulgent way, I kinda hope he gets to see her, somehow. Whether it's in a similar fashion to brom giving eragon his message as "his father" or contacting the netherworld (i don't care that the elves presume the great beyond doesn't exist. what do they know) and get to see/talk to her, or even get a glimpse of her in the past, defending him from morzan or a moment selena and murtagh shared when he was a baby.
Also, I hope we get to see how galby's court works, the inner turnings of it, through his eyes and experience. I'm a historian so I *love* that shit. I think we'll get to see a bit of him and tornac being weird father and son together, maybe even get a flashback to when tornac died or murtagh's grief after losing him. He obviously means a great deal to him, and his loss has severely affected him, just as selena's did, but worse because murtagh was 18.
I hope murtagh meets roran, and gets to have a nice chat with eragon. He deserves to spend time with his family, and feel part of it.
Also i feel like we're going to get more in depth about murtagh's feelings for nasuada, and his experience in uru'baen with her. I know some people have pointed it out because apparently its hinted in the sneak peak. I unfortunately haven't read the sneak peak because that edition is nowhere around where I live and I can't really get it, but it seems like he's going to feel like shit about all that transpired. I've been reading inheritance actually, and despite the fact that it was a horrible situation, hopefully he'll realize that if it hadn't been for him, nasuada would've gone mad, would've become galby's slave and would've died. He saved her, just as much as he saved thorn and himself.
I can't wait to see what Bachel is about, what she'll be like and how murtagh with deal with her. Whether she's good or not, what she'll make him do.... It's a world of possibilities and I'm really looking forward to it. Also, i hope he'll meet Essie again, maybe taking the role of mentor, like tornac did for him.
Also, maybe he'll visit vroengard, but I don't really know about that lmao. We'll see. I'd love to see what you all think the book will show and what murtagh will go through!
#ask#i'm actually trying to keep my cool about the book#it's borderline torture having to make us wait until november for it#murtagh#thanks for the ask!#the inheritance cycle#murtagh morzansson
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I'm sorry that it had to be like this. Truth is; I was never made for this world. My brain fights me on everything. Spending time with people leaves me exhausted, spent and anxious. Spending time alone sends me spiraling. Every. Single. Time. I'm too sensitive. Pain, war, starvation, genocide. 10,000 KM away? Doesn't matter. I feel it in my being. I lose hope. I lost hope. I used to be the eternal optimist. Two steps forward, one step back. Losing is learning. All of that. But really, loss is pain and humiliation.
If people knew what was in my heart - They might respect me. But they don't. Nobody does. Everything is an uphill battle. I'm tired. My kindness and optimism is exploited.
A childhood of being gaslighted, punished, sequestered and beat around and has left me scarred and full of doubts. It has left me ill-equipped to face a world that wants nothing but to use me. I knew there was something different about me when I was a child. I knew it was different for me. People treated me different and I didn't know why.
That's the issue with learning disorders, human psychology, human psycho-pharmacology... it's hard to spot what makes people different. My mother has repeated ad nauseam that all I had to do was sit down and shut up. But somehow... that was the most difficult thing to do. And when I did sit down and shut up for any amount of time, the only thing people would talk about, would be the window of time that I didn't.
If I grew up in today's world, I would've been diagnosed early. Maybe I would've had help. Maybe I would've been ostracised. I don't know. We'll never know. Unfortunately for me, I was just smart and charming enough to pass not to be, but just autistic enough to irritate the fabric of the world around me. In my father's eyes, I was born guilty of the crime of not being more like David. I tell myself that he must've seen a lot of himself in me growing up and that's why he resented me. What I would've done for him to just be more patient with me. Sit down, talk to me, challenge me, instead of always being mad and abusive. I didn't even need him to love me or like me. I just wish he would've talked with me instead of talking at me.
To be clear; I don't blame anyone. Everyone did their best given the circumstances. Sometimes, some of us fall between the cracks. If you're reading this; You probably played a small role in keeping me around this long.
When I was 14 years old I came to the realization that I would never have a "normal" life. The thought of ending things hasn't been far away since then. I legitimately do not know what it is like to go through life as an adult thinking about commiting suicide every day.
Unfortunately, when you think with a way out. Nothing is important. Nothing has consequences. I don't need to finish school, I won't be around long. I don't need to get fit, I won't be around long, I don't need to call my friends, I don't be around long. After 20 years, you look back and realize that there's a trail of bad decisions that left you broken, crippled, suffering and in the dark. It's hard to make long term plans when you don't see a long term. It's hard to see anything, to be honest... even when it's right in front of your face. Every friendship, relationship doomed by my own depression. Inevitably I start pushing people away to avoid hurting them.
This decision is no one's fault, the timing is just the culmination of my procrastination.
I made my decisions back in December; After 3 years of doing everything I could and being told it wasn't nearly enough; I knew that I would never get it right. I'd end up alone at the end, exploited by broken things who end up taking advantage of me. Just like I had been up to this point.
I started cutting people off then. There are a few I kept connections with, hoping they might help give me some hope again. I know some of you have tried. David and Nick's presence meant a lot to me. I leave with good thoughts of both of you.
Dash: Thank you for seeing me. Of all the strangers I met since December, you are the only one to have treated me like a human being. You're the only one who has acted, like a human being. If it had not been for you; I would've been gone already. You have a beautiful, strong soul full of potential and talent. I hope that after I'm gone, I get to keep an eye on the world partly just to see what you make of yourself. I will forever be grateful for your time and kidness these last few months. What was nothing to you, meant the world to me. I'm so incredibly touched in knowing that there are songs you'll forever sing with "A touch of K"
Boubou; J'aurais tellement voulu te voir grandir. Écoute ton papa, mais rappel lui d'être patient avec toi. On est des Parent pis c'est pas évident pour nous autres.
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this is a bit random but i remembered you saying in your tags that your will to live dropped after ptd did and like... the real lasting legacy for ptd for me personally is that now i have trust issues every time a kpop group i like is about to release a song. like the preview for back for more sounds good and that makes me a bit optimistic but part of me is also cautious bc a preview is just a small snippet, what if the whole track turns out to be a song that i dislike and that i feel doesn't fit txt at all? maybe a few years ago i would've been purely excited but now there's always that part of me that's like "please don't be another ptd" so i feel cautious before every release
anyway this is just a vent and this is my own personal problem, like i said i think the preview sounds good and it's cool that other people are excited! this is just more of a "what if" nagging thought for me and sometimes i wonder if other fans feel the same or if i'm just being pessimistic
ok i talked too much so i'm adding a read more break here
JDKAJDJA i feel u 😔 personally i don't have a problem if i don't like a song one of my fav groups releases, so i won't be TOO disappointed if i don't like it. plus as someone from brazil i am REALLY excited to see them releasing a feature with a brazilian artist tbh 😭 my problem with ptd was the series of unfortunate events that lead us to that moment yk? like they were supposed to promote mots7 (which to me was a wonderful album) and go on tour, but then covid happened so the tour was cancelled, then they released dynamite... which was a BOP ngl i loved it i was just as obsessed as anyone else. but bighit saw how well the song performed internationally, especially in the usa, and seemed to become obsessed with trying to make bts appeal to the american media. so we got butter (and i was FUMING at the time bc txt had a cb with 0x1 shortly after a fcking bts comeback and i felt like they wouldn't stand a chance against bts on mysic shows and stuff 😭) and later on we got ptd which to me is honestly the weakest and most generic song bts has ever released. bts went from a group that co-wrote and co-produced most of their songs to a group that was being forced to only sing other people's generic stuff. (and i won't even mention BE bc that felt like a fever dream tbh it was literally released just as damage control and also at a specific time of the year so bts could win album of the year in 2021 without actually releasing an album in 2021.) and now that bts is on a hiatus i fear that they try to put them txt through a btsification process or smth idk???? but at least for now it doesn't seem to be the case. i don't mind them appealing to the american public and releasing songs that are meant to be a radio hit over there or whatever, as long as they don't lose their essence in the long run... and considering this album concept seems to be following that txt formula we know and love (since it's a continuation of the previous one, apparently), i think everything's still ok for now.
plus around the time do it like that was released they mentioned it on a welive that korean fans were getting kinda frustrated at how much promotion they were doing in the usa and not in korea and they were like don't worry we still have smth BIG coming up for us in korea, and i'm p sure they were talking about the album!! so i think we will survive. i hope. particularly i'm super excited to find out what the album is gonna sound like!! it's the first full album since freeze so hopefully we'll get many great tracks to jam to
#thanks for coming to my ted talk 😭#anyway it's fine we'll be ok!!! i trust them!!! although i guess they have no power over bighit and i do NOT trust bighit#but it's ok#i'm rlly excited for this comeback tbh!!!!#anon#💌
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sweethearts ; bakugou katsuki
warnings shy!reader, shy!katsuki, mutual pining, and not edited
genre fluff, f2ls
word count 2.5k
inspiration n/a
synopsis in which you and the rest of the bakusquad are apart of the candygram committee and you take the opportunity to make a move on one stubborn katsuki
"This is so stupid." Katsuki sighed, feet hiked up onto his desk. It was around the umpteenth time that he had mentioned how useless or well— stupid this whole thing is.
You frowned, tying another ribbon around a baggie. "Aw, c'mon, Kat. It's the day of love, be more cheerful." You said, tossing him a chocolate.
He scoffed. "No. And stop calling me Kat." The following demand was mumbled as Katsuki turned his attention to opening the candy.
"Sure thing, Kat." You whipped around, imagining the irritated expression he was channeling because of your antics.
"C'mon Mina! How many do I have!" Denki whined, trying his best to juke the clipboard of names from Mina's hands. Something he's been doing all morning.
From the left of you, Kirishima let out a breath of laughter. "Dude, just wait and see." He assured Denki.
"Exactly. The surprise is the most fun part about this thing." Mina added on while she gently shoved Denki away from her.
"Not if dunceface doesn't get any." Katsuki sneered, sending Denki into a further sulk.
You sucked you teeth, preparing to reprimand Katsuki but Sero interjected first. "I wonder if you're getting anything today, Bakugou."
Almost on cue, the smug smirk on Katsuki's face simmers down into a scowl. He scoffed, "I could care less if I got one of those pathetic bags today! I can buy my own damn candy!" As he was getting chewed out, Sero could only chuckle.
Sending a sneaky glance towards you. You sighed, tuning out Katsuki's continous speech about how candygrams were pointless and how he didn't even want any.
In the corner of your eye you could see a sympathic smile on Kirishima's lips. He nudged your arm, "Nonetheless, you should still give it to him," He whispered into your ear.
Tossing another baggie into the box next to Jirou, you nodded.
"It'll make his day, I promise."
ฺ。*:・
"Woah... seventeen for Yaomomo," Jirou blinked a couple times as your class erupted in a wave of teasing while Momo shuffled her way up to the front.
"Just take the whole damn box." Denki bitterly jutted it out her. He doubled over suddenly when Mina took said box and hit him in the stomach.
"Sorry, he's being very negative today." She handed Yaomomo her designated number of bags, making Denki help her to her desk.
You giggled softly. Your class was the last one for today, thankfully. Somehow, you had already grown sick to the smell of chalky sweets, even if your name hasn't been called yet.
"Twelve for Todoroki," Shoto came up to the front as dazed as ever while Denki muttered a very distasteful shocker under his breath.
Katsuki scoffed from his spot next you, leaning his back against the classroom chalk board. "Can't I go back to my desk?" He groaned.
Sero sucked his teeth, forming a conversation while Jirou's monotonous call continued. "Seeing as you didn't lift a finger all day I think you should be able to."
He prepared a smug smirk for Katsuki's explosive comeback but before he could speak through his gritted teeth, Aizawa had already shushed them.
"Two for Denki," A giggle that she covered up immediately with her hand fell from Jirou's lips and the classroom followed suit with a fit of snickers.
You could've sworn you say Denki's eye twitch before being handed two baggies by a grinning Mina. "Hey! That's two more than last year, right buddy?" Kirishima smacked Denki on the back in attempt to comfort.
"I don't think he wants words from someone who got seven more than him, Kiri." You whispered, noticing the way Denki borderline shook under Kirishima's hand.
"Four for ___." Your laughing fit with Kirishima was interrupted by your own name being called and Mina handing you your treats.
"Tch. What four imbeciles went out of their way to buy one of those for you?" Katsuki mused before you could speak yourself.
"You smell that," you sniffed around, Katsuki's eyes narrowed at you. "I smell pure jealousy." Your bags were waved in Katsuki's face for a moment before he was swatting your hands away.
"And last but certainly not least, one for Katsuki." Your heart skipped a beat. Not just at the mention of his name like it usually did but because you knew that one bag was purchased by you for him.
You were eager to look over and see the confused look on Katsuki's face you knew he was wearing but your heart was already beating in your ears so loud that you were in a stand still.
The thoughts you've had that always followed since you even got the idea to give him one started to roam freely.
Would he be grossed out? Would he be curious? What if he already suspects you because you're being obvious? And what if, miraculously, Kirishima's right and it makes his day?
But instead of laying any of those raging questions to rest, Katsuki accepts his bag from Mina silently. No snarky comment, no anger, just a soft tint of pink layering his cheeks as he looked at the packaging he had seen a hundred times already.
"Alright, thanks for finally wrapping that up, Jirou. Don't get those candy wrappers on my floor, I'm taking a nap." Mister Aizawa waved you all off like he always did and found home in that yellow sleeping bag.
While your committee cleaned up the boxes, the classroom fluttered with chatter. The spectrum of conversation being who they think would get them one and who they think bought something for the other person.
The cleanup was quick, so you all headed to the front where all the seats were open and gathered.
"Two. I only got two." Denki finally awoke from his daze to the realization.
You laughed, taking one from your bunch and leaning over to Denki. "I can share one of mine. Not really a fan of sweethearts."
But Denki still proved to be bitter, slapping your bag away. "I don't need your pity candy, ___."
You snorted. "Okay, suit yourself."
"So, it turns out Kat actually got one. You owe me twenty bucks Jirou." Sero made grabby hands at the girl who scoffed and immediately went into her bag.
You expected the usual antics to come from Katsuki who sat in his usual desk, one ahead of you. But again, there was no yelling, or anger, just a scoff and a glare.
"You idiots bet on me?" He asked.
"Hey, I thought it was easy money since I know exactly who would've got you one. Thankfully, they pulled through." Sero collected his cash with glee while you broke out into a cold sweat. Your eyes darted to Sero, a threatening message within them that you're sure he understood.
"Who?" Katsuki tried to make it seem like he didn't really care with the tone he used. But he was genuinely curious, you could tell. Which made you sweat more.
Katsuki sucked his teeth. "It was probably you, so you could get the money." The breath of relief you took was like no other, you visibly relaxed.
Sero chuckled. "No sir, I spent no money on candygrams. So, keep on guessing."
Fortunately, the bell rang, signaling that class and school as a whole was over. Your class flooded out, all walking to your dorm together in the usual group. Kirishima found his way to you in the crowd, bumping your hip.
"See, I told you." He pointed to a couple feet away where Katsuki walked ahead, bag still in hand as he stared down at it.
You felt your face start to heat up, nudging him with your elbow. "Maybe he's weirded out."
Kirishima scoffed. "If you told him it was from you, I assure you then you'll know it made his day."
A sigh had your body slumping. "I don't know, Kiri. I've managed to keep a good friendship with Kat. It's risky enough that I bought him one but confessing is another thing."
Even though you've managed to get through Katsuki's tough exterior ( kind of ), you still couldn't read him that well. How were you supposed to know when the right time to tell him was? Or if a right time even existed.
"Do it, trust me." Kirishima placed a hand on your shoulder, you gulped and darted your attention again to Katsuki's back.
ฺ。*:・
You spent the rest of the day wallowing in your room with your inner conflict. Even ignoring the invites from your friends to spend the day watching d—list romance movies to sulk. It wasn't until later on in the evening that you came out of your room.
The dorms were less lively, almost everyone going away to their rooms to do whatever. You were convinced you were the only one in the main area until you saw Katsuki in the kitchen, unfortunately.
Your feet were ready to take you back upstairs to hide from him. But he must've heard the creaking that happened under your feet and caught you. His maroon eyes piercing right through you.
Damn it.
"Hey, Kat." You greeted awkwardly, hesitantly shuffling into the kitchen.
He nodded at you in acknowledgement, continuing to watch whatever he had in the microwave go round. The kitchen fell silent while the cogs in your head worked together to find yourself an excuse as to why you were even in here.
You shuffled through cabinets, pretending you were looking for something in particular.
"Hey," Katsuki beckoned your attention. His eyes were still trained on the microwave but obviously he was listening and waiting for your response. You hummed in answer, halting your pretend scavenging and leaning on the counter next to the fridge.
"You have any clue who bought me that baggie thing?" As he continued, his head turned to you. Your eyes enlarged at the sudden question that was accompanied by Katsuki staring you down. You felt like you were under an intense spotlight and there was no way out other than to a) lie or b) spill the beans.
Your brain was telling you to just get it over with and do the former, admit it to him confidently like Kiri had been urging you to do. Face the consequences as they came and stop hiding. So, you inhaled deeply and exhaled.
"I— uh— well, I— uh..." If you had the willpower to face palm you would, but apparently none of the signals your brain was sending were making it through to your body. Because your mouth kept opening and closing, no confession or accountability flowing out like you had hoped.
The only you could do was heat up and start sweating. The spotlight was getting hotter and more blinding.
The urge to face plant into the island ahead of you increased when Katsuki narrowed his eyes at you. The intimidating look sending chills up your spine.
You coughed. Putting an end to your stuttering and stammering. Your eyes fell to the tiles of the kitchen, hoping they'd loosen up one by one and swallow you whole.
"If there's something you want to tell me, idiot, spit it out," The microwave went off but now Katsuki could care less. He was edging towards you, arms crossed and curious to why it seemed like you were being interrogated for murder when he asked what he thought was a simple question.
Just do it.
The phrase chanted repeatedly in your head. And with the last of your dignity, you finally fulfilled your brain's request.
"I did it. I'm the one who bought the candygram..., Kat." You started off strong, but moving onto the second sentence your voice began to mellow.
You wanted to look anywhere except Katsuki but the shocked look on his face, accompanied by the tint of red covering his cheeks kept you drawn in. This time around he was staring down at the tiles, probably wishing the same thing that you were just seconds ago.
"If you did it as a joke, id—" Katsuki was about to threaten you, ready to build his walls back up but your adrenaline from fessing up was obviously still surging through you.
"No! It wasn't to prank you or anything, I did it because I like you, Kat. A lot." You paused, inhaling.
"A—and I've been meaning to tell you but I didn't know how you'd react because you're not really open. But then Kirishima told me it was a good idea, so I—" Your real self snapped back to reality in the middle of your confession, and it was apparent as you began to ramble and scratch the nape of your neck.
"Alright, enough. You sound like damn Deku." Katsuki, thankfully, put an end to your tangent that you silently agreed did sound like Izuku.
You laughed awkwardly, hoping it'd ease the tension not only in the air but in you. It felt nice to get that weight off your shoulders but oh boy did you have a lot to face. Like for example, how did Katsuki feel? Did he even reciprocate feelings? What would your friendship look like after this?
You had to know. You were dying to know. "So?" You mumbled, now fiddling with your fingers.
Katsuki's hand was at his nape like yours was moments ago. He huffed, obviously looking for the words. "You know, if you're going to confess to someone you should be more up front about it." Katsuki took short steps towards you.
You just hoped he couldn't hear your heart banging against your ribcage, because that's basically all you could focus on.
"I know." You answered.
"Tch. And I guess in saying that I should be taking my own advice." He grumbled, moving his gaze to the tile again. Your body basically perked up at the sound of that.
"Katsuki, did you send me a candygram?" Your assumption aloud make Katsuki scoff, his face heating up more and his gaze wandering even further. Now that the tables seemed to be turned, you suppressed your laughter. You had been psyching yourself out this whole time but Katsuki was basically in the same boat as you.
"So, what do we do now, Kat?" You asked, you crossed your arms. A hopeful thought that since he reciprocated your feelings a relationship would come of it.
Katsuki scoffed, dropping his arm into having them crossed again. "What did I tell you about that stupid nickname, dumbass?"
You laughed at his scowl. Thankful that even after the sudden confession between you to didn't actually tint your dynamic like you theorized it would.
Katsuki huffed, not seeking to bicker with you anymore. "Are you free this Saturday?"
"Uh, yea—"
"Alright, then. Be ready by three." That's what you were left with as Katsuki turned on his heel and left the kitchen with whatever he had in the microwave.
Your mind was still registering what had just happened, but all you could do was thank your luck and Kirishima.
#bnha x black!reader#bnha x black reader#x black reader#katsuki x black!reader#bakugou x black reader#mha x black reader#mha x black!reader#bakugou katsuki#katsuki bakugo imagine#bakugou x y/n#mha bakugou#bnha bakugo x reader
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Analyzing the writing of Eagles
Here's a post I've been wanting to make for a while! I've expressed my thoughts on some of the storylines in previous posts, but I've never done a complete post on the writing of the whole show. I've divided this post into separate parts, focusing on each season and its plot points. Keep reading to see my analysis of the writing in Eagles! 👇 Word Count: 18k
If you've stumbled upon this post from the Young Royals or the Beartown tag (tagged them since I've drawn some parallels from those shows), here's a brief summary of what Eagles is, which you can watch with English subtitles here. This post contains Eagles spoilers from 1x01 - 3x10.
Eagles is a Swedish TV show that revolves around a few teenagers living in the Swedish ice hockey town Oskarshamn while experiencing friendship, love, and rivalry on the ice.
To start this off I would like to say that I have no experience with professional screenwriting and if anything, this is just a way for me to procrastinate on actually writing my own projects.
I love experiencing new stories and when I discover one I really like it's just natural for me to branch off with "what ifs" and to start wondering how the story would've turned out if some things were changed. Sometimes it's with a storyline improvement in mind, and other times it's just out of plain curiosity.
You might feel like this post is leaning towards the critical side, and I can definitely understand why since there are a lot of small details that I've picked apart from all seasons. I added a section for each season with things that I thought were really well done so this post wouldn't be too negative.
I actually did enjoy all seasons and I feel like the quality of not just the writing but every single thing has steadily increased each year.
Season 1: Tropes and clichés
Eagles premiered its first season in 2019 and was, despite many negative reviews, a big success among its target audience. Every episode on SVT Play amassed around 700 000–800 000 views and there didn't seem to be any doubt that the show would get renewed.
What the critics had issues with were that "Eagles rarely takes the unexpected path, and feels like a slightly soulless product of studied target group thinking a little too often," (Karolina Fjellborg in Aftonbladet) and "In Eagles, the characters seem to be locked in the role of a "teenager" but the humanity is missing. They've simplified the construction of the character," (Django Lorentzson in MovieZine).
Eagles was unfortunate enough to constantly be compared to SKAM in its infancy, and that's a tough comparison to live up to. SVT sort of shot themselves in the foot as they were the ones who contributed to it. While the show was still in the casting process, SVT wrote an article hyping the show up as a Swedish SKAM (which has since been edited, but led many to falsely believe that it would involve all the familiar SKAM characters with some hockey elements sprinkled in).
So, why exactly did critics think the first three episodes of the show were predictable and soulless? Well, it's pretty simple. They'd seen it all before. The setting, the characters, the storylines—just in different TV shows and movies.
Season 1 for me is nostalgic and very enjoyable despite its clichéd nature. I also felt like I'd seen the show before due to its generic storylines, but there is a reason why tropes are tropes and why clichés are clichés. It's because they're tried and true, and actually somewhat good writing tools as long as you expand on them. The keyword here is to expand—a story doesn't magically become good simply because you mimic something another writer has done. Tropes are fine to use but you can't just apply them and stop there. Everything in a story needs to be developed in order to be good.
It's safe to say that it's pretty much impossible to write a story without any tropes that have been used before. Striving to avoid clichés at all costs in hopes of making your story as original as possible is harder than it sounds, and almost impossible to boot. Here's a great piece of advice for aspiring writers written by a user on Carvezine:
[...] if you look down at your story and are worried it’s already been told before – don’t spend another second thinking about it. It has. A million times. The only difference is that it hasn’t been told by you. Accept that regurgitation is part of writing, and just do your best not to regurgitate the same way as the guy next to you. We’d all do well to acknowledge there is at least a portion of our stories that are really someone else’s. [...] Beyond that, write with the motivation that if you don’t get around to telling your story, eventually somebody else will.
Even the greatest books have storylines with some clichés. And that's not really a bad thing, either. Think about it. How many times have you decided to binge a TV show solely because it reminded you of another series? Or picked up a book simply because you love a good enemies to lovers romance, a battle between good and evil fantasy, or whatever it might be?
I found this article from Masterclass that perfectly describes what tropes are and why they're used. It's written from the perspective of novel writing but it is still applicable.
A trope in literary terms is a plot device or character attribute that is used so commonly in the genre that it’s seen as commonplace or conventional. For example, a trope in superhero stories is a villain who wants to take over the world. Tropes are popular for a reason—if something has been written about over and over again, there’s a good chance that it’s something readers enjoy reading! Tropes can be helpful, but a novel made up only of tropes will quickly start to feel stale and predictable to readers. That’s why you need to read up on tropes—and then innovate. Deliberately taking a favorite trope and turning it on its head is a great way to put your own unique spin on the genre and keep your readers interested.
Eagles, in its first season, didn't really do a lot of expanding upon the tropes they used and it's understandable that they were still trying to find their footing. I can also imagine it's difficult to do so when you only have eight 20 minute episodes in the season.
However... There definitely should've been more work put into these characters to make them their own. It's tricky, yes, but still achievable if you don't abandon them in their cookie-cutter form and try to actually decorate them with something unique and fresh.
So, how did they write their characters?
Felicia's character and backstory
To start off, Felicia is a famous influencer known for starring in a reality show next to her former NHL professional father. There's already a clear disconnect because it's hard to relate to a character with such a public past and large following. But it is 100% possible if you let the viewer know the character has humane qualities just like the person watching the show.
Look at Wilhelm from Netflix's Young Royals, another Swedish TV show. Wilhelm is the prince of Sweden, set to attend a prestigious elite boarding school, and is the heir to the throne. That doesn't exactly sound like a relatable scenario, does it? And yet the writers make it work because when we're introduced to Wilhelm we realize he's just like everybody else. He wants a normal life, he latches on to his older brother for support, he has anxiety, and he struggles between following his heart versus doing what his family is expecting him to do. A lot of these factors are relatable among the audience.
So, let's look at Felicia Kroon. She is in many ways portrayed as the main character of the show. Eagles starts off with her family having moved to Oskarshamn and the following episodes focus on her developing relationship with Ludde as well as her traumatic past. There's almost too much focus on Felicia here, and I'll get back to that.
Comparing Felicia to Wilhelm from Young Royals, they're both well-known teenagers with famous parents. Of course they have different circumstances considering Felicia is Instagram popular and Wilhelm is a blood royal, but in the grand scheme of things they're similar. Felicia is even referred to as a "Kroon princess" because of her last name Kroon bearing a resemblance to the Swedish word kronprinsessa, meaning crown princess.
The students of their respective schools treat their attendance as a big deal when they first arrive and then Wilhelm and Felicia start spending time with the "popular" crowd despite not really fitting in there.
I personally found it easy to relate to Wilhelm but difficult to relate to Felicia. Some people may feel differently, but her character is basically a popular party girl who attracts the attention of one of the school's star players and is "welcomed" by the popular crowd on her first day of school. I put welcome in quotation marks because Klara, the leader of the girl group, isn't exactly the most welcoming person but she does welcome Felicia to the school. My point is, Felicia doesn't have a lot of relatable traits in the first episodes.
Felicia then goes on a date with the guy she's met, Ludde. Okay, so there haven't been that many layers to her character yet. We're at the third episode and so far she's been kind of flat.
Near the end of the third episode, we get some depth to the character and we hear her back story.
Felicia: [...] We don’t have a good relationship, my dad and I. And that’s probably why we moved from the beginning, because he’s an idiot. We’ve never been close, but… Elias and he have been since they’ve had hockey. [...] And mom has been really involved, so… And I… They’ve never really cared about me. And… And I haven’t really been a problem either. I’ve had good grades, good friends, and… I don’t know why I’m telling you this. I don’t talk about it to people. [...] I just felt so fucking lonely and invisible. I was worried all the time, couldn’t sleep, panicked because I couldn’t sleep… So I started going out more. It went overboard. It started affecting school, my grades slipped… I started taking things to be able to concentrate. Everybody does stuff like that. And then I still couldn’t sleep, so… I started mixing with sleeping pills. And there’s always wine and booze at our place. I don’t want this to come out, that’s really important. Ludde: Of course, I’d never tell. Felicia: One night, something happened that made me… Act out of control more than usual. I woke up the next morning in the hospital. So they sent me to rehab. It was really rough for mom and dad that I was suddenly in focus. When I woke up, dad wasn’t even there. Ludde: What made you take too much that night? Felicia: I’d forgotten my phone at home, so I ran up and got it while my friends were waiting in an Uber. Then I came into the hall and I heard noises. You know, like, when somebody is doing it. Ludde: Okay. Felicia: And I thought it was really weird because mom wasn’t home. So I went into the living room… Dad was fucking my mom’s best friend. On the rug below the couch.
This gives Felicia more layers and does separate her from every other "popular pretty party girl" trope that you see on TV. But this is a huge info dump, and that's a problem. I would've liked to see this happen on-screen instead of only being told what went down. The golden rule of Show don't tell, as people like to say.
Show, don’t tell is a writing technique in which story and characters are related through sensory details and actions rather than exposition. It fosters a style of writing that’s more immersive for the reader, allowing them to “be in the room” with the characters. In his most commonly repeated quote, Chekhov said, “Don’t tell me the moon is shining. Show me the glint of light on broken glass."
This back story could've been more impactful that way if, perhaps, the show began with Felicia in a hospital bed with a strong headache and hazy flashbacks of that night where she saw her dad sleeping with another woman. Then we're introduced to her mother and brother sitting next to the hospital bed tired and worried, and Felicia notices her dad isn't present. They tell her Felicia is being sent to rehab and then there's a time-jump before we see the Kroon family having moved to Oskarshamn.
That's just an idea I threw together at the top of my head, but you get my point. It would've been more interesting if we knew from the beginning that Felicia had a traumatic past like this, leading the viewer to want to know more about what actually happened.
We did get a brief flashback at the very beginning of the show—we see Felicia partying with her friends and taking some pill before lying unconscious on the ground. There's also a glimpse of Ludde's car accident with Andreas yelling at him to get out of there.
That segment only lasts for around 45 seconds and it's easily forgettable upon your first viewing of the show. It's also hard to even recognize Felicia in the dark nightclub setting with the flashing lights. Some dialogue in that short scene could've made it more memorable, because I found that when I first watched season 1 I remembered Andreas yelling at Ludde despite that being drowned out by the music.
Ludde's backstory was way more well-done, in my opinion. We see him having crashed the car and bleeding from his head. He looks terrified and almost frozen by fear, needing to be pulled out of the car by a panicked Andreas yelling at him to bring Ludde back to the reality of the situation. We see Andreas yelling and pointing, telling Ludde he needs to run now. It's more powerful when we get to see it.
And in episode 8, when we learn the truth of what happened, it's not a long and dragged-out monologue. It fits into what's going on in the story. Felicia and Ludde have known each other for a few months now and are much closer than they were on their first date. They've had disagreements and fights, but at this moment they're in a good place.
And it feels like the right moment for Ludde to come clean about what happened to him.
Ludde: Hey… There’s something I’ve been meaning to tell you. Felicia: What? Ludde: About… My brother. It’s not really as everybody thinks. Felicia: What do you mean? Ludde: That night when he crashed… It wasn’t Andreas who drove the car. We were on our way home from one of his buddies. We’d had some fun drinking. And then… I’d just started learning how to drive. So I nagged and nagged at him. Felicia: So you were the one driving? But he’s an adult- Ludde: He was drunk as hell. He was going to leave the car, but I thought it was so cold and it was only three blocks away so I thought that I could drive. Felicia: And what happened? Ludde: It was slippery and really dark… And a car came. I hit the brakes in time, but it… Yeah. Right after he pushed me out of the car and yelled that I should run home straight away. He really didn’t want me to get into trouble. So, yeah… It was fucking bad luck. I want to just gather everybody and scream that it was me. Felicia: Hey… I love you. Ludde: I love you too. I love you so fucking much.
As Ludde is telling Felicia what happened as the other car came, we see a silent flashback of it along with Ludde's voice narrating. We see Andreas pulling him out of the car and yelling. Cutting to this scene that we've already seen in the beginning but might've forgotten about is a smart choice and makes the story Ludde is telling more real. We see it unfolding as Ludde is telling this to Felicia. It's a powerful scene.
We then see Felicia hugging Ludde from behind, a sign of support with no words needed. She tells him she loves him and Ludde says it back. It's an honest and sweet moment that comes at a perfect time in the story. It's not too early like Felicia's backstory was.
I sort of understand why Felicia's backstory was info-dumped because it was right before the drama of Mats accidentally spilling the beans to Klara's family. They wanted the audience to know what happened to her early, so they could move on to the plot point of Felicia thinking Ludde was the one who told everybody.
But we don't need every single detail of Felicia's story. Let it come organically. The only thing that was really needed was for Ludde to know that Felicia had struggled with drug use and was sent to rehab for this storyline to work. The reason why could've been saved for later, and it would've made for a more interesting reveal. Maybe just have Felicia allude to seeing something that night, but don't tell the viewers right away what it was.
In 1x06, Felicia is incredibly upset when she hears that her dad was the one who told Klara's family what happened to Felicia in the US. And rightly so.
Felicia: Don’t you get it? You ruined everything! Mats: What? Felicia: You told the whole damn town about me! About the US! Mats: I really didn’t mean to disclose you- Or disclose us. Sorry. Hey, sorry. Flisan, please. Hey. Felicia: Did you tell them you fucked mom’s best friend too? Yes, I saw you.
If this had been the moment where we first find out what Felicia saw, it would've been more surprising. Our reaction would've mirrored Mats's, and it would've been more heart-wrenching to know that Felicia was traumatized by an affair her dad had only to be cheated on herself in the very same episode.
Ludde's problematic nature
One of the scriptwriters of Eagles, Fanny Ekstrand, was interviewed in the behind-the-scenes documentary Edvins Skådisdrömmar. In this interview, she states:
Ludvig, he's the one who's been the easiest to retain the personality of. Because he's so... He's calm and friendly, but he makes dumb decisions. Ludvig isn't a typical hockey guy. He has a bunch of other qualities—music being one of them.
I found myself slightly disagreeing with this take, despite knowing Ekstrand is literally a part of the writing team and most likely helped shaped Ludde's personality. I just interpreted Ludde's character (at least in season 1) differently.
I also didn't find him that much different from any other typical hockey guy just because he happens to have another interest. That's a bit like saying Archie Andrews from The CW's Riverdale isn't a stereotypical jock because he also plays the guitar.
In season 1, we see Ludde break into the rink because he wanted to test out the ice. He just loves hockey that much. He also uses it as a way to express frustration and anger, which we saw in 1x05. He flirts with the new girl in school and in the beginning he even uses it as a tactic to gain a position on the main hockey team. This was confirmed by the creator Stefan H. Lindén in his Q&A, where he said:
My idea has always been that Ludde was blown away by Felicia and that he really likes her but that they both initially interacted and met to go swimming because Felicia knew it would piss her dad off and Ludde knew that it might throw Elias off since they were competing for the same position in the team.
I would say that the characteristics of a typical hockey guy would be someone like Adam—obsessed with the sport, flirting with girls, going to parties, and just spending a lot of time in the rink. Ludde checks off all of these points. However, I will give this the benefit of the doubt since season 2 Ludde seems to change a lot and it's easier to interpret him as the calm and friendly guy he was supposed to be in season 1.
So to me, Ludde wasn't calm and friendly at all. In season 2, yes, but when we're first introduced to him?
Ludde shows anger issues and violent tendencies in 1x05 when he head-butts Elias and breaks his nose. It's violent and messy. He then yells at Felicia to leave when she's trying to communicate with him and belittles her drug problems solely because she's rich. To me, Ludde wasn't a nice person in 1x04 either when he let his friends make suggestive comments about Felicia and what she was like in bed.
Omar: I can tell you one thing - you’re not borrowing my towel today cause I don’t know where that dick has been. Adam: It’s nice when she sucks, right? Omar: Can’t you tell us some more, does she bite you or is it just really, really nice? [...] Adam: Is that what you sound like when you’re coming? What does she sound like?
This was described as "locker room talk" and the writers probably wanted to show an authentic view of what being a hockey player is like. I understand that. But it's a little problematic when it's later swept under the rug and treated like something that we're just supposed to accept.
Elias: [...] it’s not very fun to sit in a hockey locker room where people are talking about how nice it is to fuck my sister. Felicia: Ludde would never say anything like that, you know that. Elias: He wouldn’t? It’s a locker room, Felicia. That’s the only thing they talk about.
It did not sit right with me how Felicia seemed to be the one Elias blamed in this scene, and Ludde and his friends never faced any real consequences for what they said. Elias did lash out at Ludde, but there was no severe consequence for Omar and Adam's comments.
Compare this scenario to another Swedish show, Beartown on HBO. Beartown is similar to Eagles and focuses on a hockey team in a small town with one of the star players hooking up with a girl who's recently moved to their small town.
This girl is raped by the hockey player. And because of his status as the star of the team, he has almost the whole school behind him. The girl however is labeled as a lying slut. It's unfair and frustrating to see it happen, but it's authentic and done in a way that doesn't glamorize the ugly side of hockey culture.
Eagles is not as dark as Beartown so this comparison might be a little unfair. Beartown's whole storyline did revolve around this incident while in Eagles the hockey culture is treated more as a side thought. It's like they decided to throw in a taste of what goes on in a locker room just to create drama without really addressing it further.
Beartown did a much better job of portraying the problematic and toxic elements of hockey culture without making it seem like it's just something normal that we should accept. It was honest and raw. If you haven't seen the show, this short video does a great job of depicting how much thought was put into the toxic hockey culture, winning mentality, and subsequently hockey players thinking they're entitled to do whatever they want.
So, to respond to Ekstrand's quote from Edvins Skådisdrömmar—I did not experience Ludde as a "good guy" who only makes dumb decisions at all. In season 1, he's a bad person for letting his friends sexualize a girl he likes and letting her brother hear their disgusting comments. He's a bad person for fighting with her brother and later yelling at her, saying her drug issues are insignificant despite acting supportive of her only two episodes earlier.
I don't mind conflicts like these because they drive the story forward. I didn't particularly like Ludde in season 1 because of the reasons I just stated, but they're necessary to create drama and make the show interesting.
It's just weird to me how one of the writers is saying that Ludde is a calm person and a good guy when that is not at all how I interpreted his character.
Eagles is a show targeted towards a young audience, among them probably a lot of easily influenced pre-teens. What kind of message does this send to them when the guy letting his friends sexualize a girl he's slept with and on top of that laughing at their inappropriate comments is referred to as the good guy?
Klara is mean... What else?
From the moment we're introduced to Klara, it seems obvious that she'll play a living and breathing version of the infamous Alpha Bitch trope. She's also a prime example of the basic Popular is Evil trope and has her own Girl Posse consisting of Sara and Amie.
Klara feels threatened by the arrival of a potential new popular girl, Felicia, and does everything in her power to bully Felicia to show dominance. She barely shows any good sides of herself.
The only instance I can think of where we sort of see season 1 Klara in a positive light is when she talks to Amie in 1x05 about their friendship and then accompanies Amie to her audition for the school band.
Klara: Ever since Felicia started at school… It’s felt like you only hang out with her and that you’ve forgotten about me. She like took you from me. Amie: But I haven’t forgotten you. Klara: No, but do you get what I mean? Amie: I get it, but I haven’t forgotten you. Klara: No, I know. Amie: I know, but it just turned out that way when school started. Klara: Okay. Amie: But I’m sorry. Klara: It’s fine. Amie: Are you sure? Klara: Yeah. You can make it up to me when you go on your world tour.
Klara is really supportive of Amie's musical endeavors, but she also uses her support as a way to alienate Felicia from the girl group. It's very on the nose and kind of feels suffocating in the way it's written.
Klara: Amie, did you remove the clips? Amie: Yeah, she said they weren’t good. Klara: She’s just jealous. It’s so obvious. I mean, I’m jealous. You sing absolutely amazing. I don’t know, I just think it was really rude of her to sit in the cafeteria and criticize you like that Amie: Yeah, maybe. But she apologized. Klara: But still. That clip of you in the bathroom… Like… Sorry, but I’d be so mad if someone had posted something like that of me. I mean, you were standing there without makeup, completely non-fixed up. And the whole thing with her filming you without you knowing. That’s really weird. You don’t do that. Don’t you think so?
I'm sure there are plenty of people who act like this in real life. And maybe that's part of the problem, because Klara in season 1 really isn't an interesting character. We've met this person before and we know exactly what she's like. There's nothing new to discover. So season 1 is essentially just Klara being petty and rude every chance she gets, and to me it felt like a large part of her character was written just to stir up drama.
In 1x06, we see Klara backstab Amie by filming her making out with Ludde at her Halloween party. But I thought it was established in 1x05 that Klara feels like Amie was taken from her? And if Klara actually cared about Amie and didn't want to lose her as a friend, she wouldn't just stand by and watch with her phone recording the whole thing. It doesn't make a lot of sense.
Klara even made that whole point about how it was really weird of Felicia to film Amie without her knowing. So why would Klara do it, when she expressed that's weird and not something a normal person does? Is that supposed to be foreshadowing? Because if so, that's a clear contradiction and not how foreshadowing works.
When Sara happens to see the video on Klara's phone she immediately says that Klara should delete it.
Sara: What is that? Did they know you were filming? Klara: No, of course they didn’t know. Sara: Oh my god, Klara. You should probably delete it. Klara: I’m going to! But it’s crazy, right? Sara: Yeah, god. But seriously, delete it. Klara: I’m going to.
So Klara says she's going to delete the video. But it's still unclear why it was filmed in the first place if Klara insists that she's going to delete it. It's not like she filmed it just to show it to Sara either, since Sara wasn't meant to see it and only saw it by chance while swiping through Klara's photos on her phone.
It doesn't make sense for Klara to film a video like that of her best friend that she's supposed to care about. It doesn't make sense for Klara to film a video of anybody without their knowledge when she previously made a big deal about how you shouldn't do that.
What Klara's character is, is a bad attempt at the classical mean girl. She's clichéd, boring, and full of tropes.
Even her eventual character development is riddled with tropes like the Heel Realization where a character realizes they're actually one of the bad guys. This realization seems to come in 1x08, where Felicia calls Klara out on her behavior.
Felicia: You know what, Klara. I’m so fucking tired of your fucking comments. You didn’t get to be Lucia this year. Poor you! Was dad unable to fix that? Cry then, Klara. Cry. You’re so fucking mean. Everybody here is tired- Everybody here is scared of you. Even those who liked you once, they can’t take it anymore. Klara: That’s not true. It’s not true. Felicia: Yes, everybody is scared of you. You know what? Look around. Show people some fucking respect. Klara: Well say something, Amie! Amie: What is there to say? She’s right.
Klara needed a wake-up call like this. It's just unfortunate that she goes back to her mean girl behavior and posts the video after Amie insinuated that Klara wasn't a real friend. Klara already knew that Amie felt that way since she said Felicia was right in her assessment of everybody being scared and tired of Klara. So wouldn't it have made more sense for Klara to post the video right after that moment instead of during Amie's performance?
Or rather, why not pull a Subverted Trope and not have Klara post the video at all after she realized how horrible she'd been acting? That would've made me respect her so much more and be a great introduction to her character development in season 2.
The Halloween Incident
To me, the whole Halloween episode was questionable. First off, we never got actual confirmation of what happened in that room between Amie and Ludde. Some viewers insist that they only made out and others believe they went all the way. Here's what the creator of the show, Stefan H. Lindén, had to say about this in a Q&A post he did:
I think if you went into the writers room of Eagles and asked all of us what really happened in that room [between Ludde and Amie at Klara's Halloween party] we would all have different answers. I know what happened, but I’m not sure we will ever truly know for sure, unless Ludvig or Amie eventually are open enough to admit to anyone what really happened.
This is kind of a vague answer, but that's fair considering that when Stefan did this Q&A the latest episode that had been released was 2x05 and he probably didn't want to spoil anything. However, looking back at this answer knowing how the season turned out I still feel like it's unclear what happened. It's also strange that Stefan seems to be saying that they never actually decided what happened between them since the writers "would all have different answers".
1x06 was just an odd episode for me overall. Lots of things felt rushed and underdeveloped. Let's not forget that this episode also contained, in my opinion, some of the weirdest lines in the whole show (along with Elias's strange monologue about plague vampires).
Ludde: Hey, I only have like 3%. Do you have any power? Adam: Are you wondering if I have a power bank in my shorts? It’s coming-
Ludde: I like shellfish. (said to Amie, wearing a lobster costume)
Up until this episode, Ludde has shown zero interest and attraction towards Amie. We are basically told that Ludde only hooked up with Amie because he was so drunk that he practically had no idea what he was doing.
In 1x02, we see a drunk Amie try to kiss Tobbe and upon getting rejected she moves on to make out with Adam. She gets overly friendly when she's drunk so the fact that she makes out with Ludde later is... Weird, but not entirely out of the realms of possibility.
Ludde on the other hand is moping about Felicia all night. He regrets how he yelled at her at the end of 1x05 and it shows. He's trying to drown all his problems in alcohol and it seems to be working, because when it enters his system he seems to be on top of the world.
What I found kind of ambiguous in this incident was if Ludde even remembered what happened that night. He was drinking so much compared to Amie, who doesn't really need as much alcohol before she reaches her "overly friendly" state. I thought for sure that Ludde was oblivious to the situation when he woke up in his bed the next day and immediately messaged Felicia.
There are just so many questions to unpack here that were never answered. What prompted Amie and Ludde to go into that empty room? Why did Ludde come with her? Why didn't Adam seem to care about this, when he'd been sitting next to Ludde and taking care of him most of the night? And as I wrote before, why would Klara film this video of her best friend when she previously expressed that was a weird thing to do?
There's just too much in 1x06 left unanswered. The Amie/Ludde hook-up was a badly executed plot twist because there wasn't anything hinting that this would happen. It just came out of nowhere.
Unbalanced screentime and Elias's wasted potential
A large portion of season 1 was dedicated to Felicia. This was kind of a let-down for me since I thought more focus would be placed on Eagles as a hockey team (after all, that's what the show is named after). I also thought more attention would be on Elias since he's the talented star player who's supposed to live up to his father's legacy.
The show starts with a couple radio hosts hyping up how Elias Kroon, son of the legendary Mats Kroon, is going to join the Eagles hockey team.
Host #1: [...] It’s finally official. New center in the junior team - Elias Kroon, son to the legendary NHL-pro Mats Kroon, who has now chosen to move home from the US to his hometown where Elias will play in his father’s old club Oskarshamn Eagles. Host #2: This is so freaking cool. Who doesn’t want a Kroon on their team? Host #1: We hope that he’ll take a spot on the A-team.
But we don't learn a lot about who Elias actually is in the first episode. The attention is on Felicia and her interest in Ludde.
Elias is so discarded that he barely has anything to say in the first couple of scenes we see him in. Here are all his eight lines in 1x01, and I'm not even joking.
Elias: Yes. Elias: Shut up. Elias: Ow. Elias: It's fine. Elias: Really? Elias: Fucking hell. Elias: I'll stay here. Elias: No, it's fine.
In 1x02 he has even fewer lines. Three, to be exact, and all he says is that his injury is a sprain and that it's fine. Essentially just an echo of two of the lines he had in the previous episode. It's nothing new.
There's a way to have a character stand out when they don't have many lines, but Elias just fades into the background with every other extra. There's too much time spent on having other characters talk about Elias than us actually getting to know him. So when we do meet him, it's pretty underwhelming.
Compare Elias to his sister who gets so much more attention from the writers. I don't really understand why either, since I thought Elias was a much more interesting character than his influencer sister. Felicia's character only seems to revolve around a guy. I wonder how many times we've seen that before?
In 1x02 we see the Eagles hockey team play their first game, but Elias is unable to play and has to sit in the stands for what was supposed to be his debut match. Why? Because during a hockey practice session in 1x01, Adam rams his stick into Elias to purposely injure him. I mean, fair enough. Adam is trying to get Ludde on the main team since he and Elias are competing for the same position. The shot of Adam smiling after Elias sprains his wrist is a bit too on the nose, but whatever.
What this does is minimize Elias' presence in season 1 by a lot. We don't see the son of the legendary NHL professional play an actual game until 1x05, which is more than halfway into the season. It's kind of disappointing but I understand the injury is done to dramatize his situation.
Elias barely gets his own storylines in the first few episodes. He just has things done to him instead of acting on his own. When we do see him on screen he gets injured by Adam, reprimanded by his father, and later told he can't play in his debut game.
His sweet side (or any side of him, really) isn't shown until 1x03 when Amie wakes up at the Kroon house and Elias reassures her that they didn't do anything together and that she can borrow Felicia's clothes.
Elias doesn't really do much for the plot until he hears Ludde's friends objectify Felicia and he starts a fight with Ludde and confronts Felicia about it. That's when it feels like Elias is actually a part of this show instead of just being an extra shoved into the background. His actions are finally affecting the plot.
Elias's potential in season 1 was hugely wasted. The only episode where we actually got to see him shine was 1x07, when he travels to Karlskrona with Amie. We find out he doesn't want the hockey arrangement his dad has planned for him and that he's actually a pretty goofy guy who likes making jokes (and eating green candy).
If less time was spent with Felicia and the distribution of every episode's 20 minutes was more balanced, season 1 could've been massively improved. It got much better in season 2, but season 1 suffered and made many people think that Felicia was a basic and unentertaining character.
The side characters and their comic relief
So one thing that I found really disappointing with Felicia's amount of screentime is that we barely got enough time for the other main characters, let alone the side characters.
What I mean here is that the only people we really know on the Eagles hockey team are Ludde and Elias. Ludde's friends, Adam and Omar, just feel like comic relief sidekicks. We don't really know what they're like, besides the fact that they like to make jokes and mess around.
This issue is largely created by the short running time the episodes have along with season 1 only having eight episodes in total. That's definitely understandable. It did get better in season 3 where we see Ludde having a deeper conversation with Adam and Omar and they finally don't just feel like the comic relief characters, but actual people with layers.
Ludde: I’m going to quit hockey. Adam: Are you serious? Omar: What the hell are you saying? Ludde: It’s not the same anymore. I’m not passionate about it. I… Yes, it sucks, but… I’ve thought about it for a while now. Omar: We make jokes about it and all, but… Yeah. It wouldn’t be the same without you. Kingelikingen. Adam: I get that it’s a tough choice. But yeah… You’ll work things out. You and Felicia. You always do. Ludde: You guys are pretty awesome sometimes, actually.
This scene was really sweet, and I wish we could've had moments like this between the guys in season 1. Just one scene to show that they're not just the "typical hockey guys". It feels like Ludde was the only person on the team in season 1 who wasn't just a background character. Even Elias, who you would assume should be at the forefront, isn't properly developed until 1x05 where we see him defending his sister and starting a fight with Ludde. Otherwise, it very much felt like Elias was kept in the background.
There are also guys on the team called Herman, Simon, Näslund, Ekbäck, Hoffmann, Berglund (even Montell, which was a fun nod to the show's director)... But who are they, actually? Do you even remember their names? To be honest with you, I don't. Because they're just names—not actual characters.
None of the other guys on the team get any depth. They're just sort of there as extras and to give the audience a sense of comedy with their "hockey team shenanigans". This was illustrated in 1x08, where Adam and Omar make their teammate Liam do a "sexy dance" on a table because he lost his virginity. Or a more extreme example—Jönsson, who only exists to be the comic relief and the unlucky guy who just can't catch a break.
In 2x04, Jönsson is told by Jack to do extra time in the gym and gets told off when he only spends a few minutes on the exercise bike. Later, Jack also makes a joke about how he should get Jönsson a defibrillator. In 2x09 Jönsson invites Ludde, Adam, and Omar to come to his mom's place to hang out. After he's left, Adam makes a comment about how there's no way he's going to "rot" in Jönsson's apartment that doesn't even have a balcony.
Don't get me wrong, these scenes aren't bad and I don't mean they should've been scrapped. Comedy can absolutely have its place in a show like this. Let's take the scene where Ludde flashes a couple of unfortunate old ladies on his first date with Felicia as an example. It feels like something a teenage boy would do to try to make a girl he likes laugh. It's a brief scene and it's nice to see Ludde being able to goof off only moments after talking about Andreas. We know that's a touchy subject for him.
However, it feels slightly overdone sometimes with how almost everybody on the hockey team is only there for comedic purposes and to fill space. It's more refreshing when they're shown to be multi-dimensional. I wish this is something that the writers would've considered when the show is literally titled after the hockey team, yet most of the hockey players are hardly in the story.
To add to this, it felt like Sara and Tobbe completely disappeared from the story in season 2. With Sara we understand that she probably didn't want to hang out with Klara anymore after knowing she filmed the Halloween video and posted it on Instagram, so that's fair. But it would've been nice to see Tobbe stick around in season 2, and I'll get back to why I think that.
The potential of season 1
When I look back on season 1 I feel really nostalgic. No matter how many small details that irked me, I can't deny that the setting of the show is beautiful and I really appreciate the depiction of it. Instead of showing Oskarshamn as a boring small town, we're shown the beauty of it which is incorporated into the storylines.
Some examples would be Ludde and Felicia's first date at Gunnarsö and walk through Havslätt, the gorgeous view of the Oskarshamn harbor from Klara's house Villa Högklint, and Badholmen where the school band performs and we later see Elias and Amie walking by in season 3. All these places are listed on the Eagles Oskarshamn site and I feel like they did a great job tying the storylines in with the locations.
Another aspect of season 1 and its writing that I really enjoyed was Elias and Amie's budding relationship. They just have a natural chemistry together and the dialogue between them also felt authentic and sweet.
Season 1 is just a very polished teen drama overall compared to some of SVT's previous series.
Back in 2007-2010, SVT used to air a soap opera-style show focusing on a few teenagers living in Gothenburg that was called Andra Avenyn (translation: Second Avenue). I was only seven at the time but I watched this show religiously as it aired three times a week. Just mentioning the show brings a lot of nostalgia.
Andra Avenyn amassed around 500 000 viewers per episode and was, just like Eagles, nominated for a Kristallen television award. But how good was it, really? If I take off my rose-colored glasses for a second and actually consider the show's highly dramatized storylines and unlikely scenarios, it had a tendency to drag on (which usually happens with soap operas). It didn't offer a realistic view of teenage life and on IMDb it currently sits at a rating score of 5.6 stars out of 10.
Comparing this old teen series to SVT's newer one, Eagles season 1 was a huge improvement and continues to be the most popular teen series that SVT has aired so far.
This idea and all the characters have lived in Stefan H. Lindéns mind since 2008, while Andra Avenyn was still on the air. It's actually amazing how high the quality of most TV shows has risen since then. Eagles has a rating score of 7.4 out of 10 stars on IMDb and has become internationally known in a way that Andra Avenyn never was.
Eagles season 1 laid the groundwork for SVT's most successful teen series of all time, and that's a huge achievement.
Season 2: "Subverting expectations"
When Eagles came back for season 2, the script made it kind of obvious that the writers had listened to the critique of season 1 being predictable.
I did find season 2 a huge step up from season 1—the directing was so much better and when it came to the script we got a deeper look into all the characters that they hadn't really scratched the surface of in the first season. My main disappointment however was that it felt like they threw in a bunch of weird plot twists just for the sake of "subverting expectations".
The core idea of subverting expectations can be great if done correctly. You lead the audience to believe they know what's going to happen, but then you surprise them with an unexpected and clever twist.
A post in Cinematography written by Mason Leaver defines the phrase of "subverting expectations" as:
[...] a method of surprising the audience with some element of a story, be it the plot, themes, characters, etc. This goes beyond a “twist” in a film. Expectation subversion actively works within the genre of a story, and attempts to reinterpret or subvert the conventions of that genre, breaking patterns in surprising and interesting ways. However, this method of surprising the audience is not always well received- it can sometimes be the source of heavy criticism from fans of the tropes which have been subverted.
This included "unexpected" relationships such as Elias/Klara and Amie/Ludde. The former actually worked, but the latter? Not so much.
Amie's crush on Ludde—make it make sense!
Amie and Ludde were my biggest issue with season 2, and it felt so out of character of Amie to be head over heels for Ludde. They work great as friends but romantically they're a huge mismatch.
But they have music in common, I hear you say. Yes, they do. But having a shared interest doesn't mean people are automatically a good match. You have to consider their chemistry and overall compatibility.
Before actors are cast in a show or movie where their characters will be romantically involved with each other, it's common to do what's called a chemistry read. Here's a neat description from an article in Backstage written by Caroline Liem:
Chemistry is the complex emotional or psychological interaction between two people. If this were a romantic article, it would be about love. Instead, we are discussing the astonishing rapport between two actors, and how that connection is achieved in order to book [...] the role. A chemistry read is an opportunity to read with actors being considered for a role opposite yours, usually lead roles. The main purpose is to see how you instinctively connect and work with the other actor.
This obviously wasn't done for the actors playing Amie and Ludde, since there didn't seem to be any intention of having their characters be involved in a romantic relationship.
That was even confirmed by Stefan H. Lindén in his Q&A of season 2, where he said that a love triangle between Ludde/Felicia/Amie was planned but later scrapped.
I can confirm that from the beginning of development of the series and the first version of the storyline a triangle drama was at some point intended for season 1 but later removed – however when creating the characters, Ludvigs skill in music and arts was always there from the beginning so by knowing that, we always knew that interactions would appear between them. When looking back at Season 1, in the first scene by the lockers when Amie tells Felicia who Ludvig is, she does know exactly who he is and she is well aware of that his friend Tobias is a music guy that Amie wants to get to know. Also when looking at it, when I was the same age as Ludvig and Amie I, and I am sure a lot of people can relate to it, fact is that we never really knew if it was love or friendship in the beginning.
Knowing that the triangle drama was scrapped for season 1, it makes sense why it seems so arbitrary. There was no groundwork laid down for this pairing before it was hastily thrown together in 1x06 for a cheap plot twist. This continues in season 2, where Amie and Ludde start spending more time together. Yet it's hard to see Ludde as a potential love interest for Amie in the way the writers want us to. They still come off as friends despite having hooked up at a party.
I mentioned that Tobbe should've stuck around for season 2 and here's why. Tobbe was written to be the leader of the school band that Amie later joins, and he was friends with Ludde before the video was posted. He would've been a perfect fit for the Amie/Ludde music storyline but he's completely absent. He had the potential to be the person who could've helped them with the song a little and then later picked up on whatever there was going on between them.
I think the Amie/Ludde storyline could've hugely benefitted from a scene between Amie and Tobbe, where Tobbe asks if she actually has feelings for Ludde and we get to hear exactly what Amie is feeling. Maybe she's torn, not wanting to get together with Ludde because of how much they hurt Felicia, but at the same time finds it hard to suppress her feelings. A scene like that would've allowed us to get into Amie's head and make the Amie/Ludde storyline much clearer.
To add, this storyline was in desperate need of more interest from Ludde's side. There needed to be some indication from him that would make Amie believe he liked him back, even if that wasn't the case. All we get is Ludde complimenting Amie's song and then a hug in 2x05 when Amie says the record label in Stockholm wanted a meeting. And apparently, that was enough for Amie to think Ludde was interested in her despite him blowing off the Stockholm meeting and Amie hearing Ludde say that the Halloween incident was a mistake.
Ludde and Amie don't really mesh as well as Elias/Amie do or even as well as Ludde/Felicia do. Elias and Amie had sparks flying from the very first scene they shared. That pairing is one of the main reasons why the show became popular internationally, and why is that? Because of the actors' chemistry.
Amie and Ludde are a clumsy attempt at throwing together two people who don't really work together with the intention of "subverting expectations". And I suppose that's what the writers wanted to depict—an awkward crush that doesn't really make sense, which I'm sure many people have experienced as a teenager. That part is fine. But what I didn't like about this storyline is that Amie had no good reason to believe Ludde would be interested in anything with her beyond a platonic friendship.
While season 2 was airing, I was convinced that Amie wasn't actually in love with Ludde. She was just lonely after the aftermath of the Halloween video and mistook her feelings for Ludde as love when she just appreciated his company. Here's what I wrote:
So as we know, Amie kissed Ludde in episode 6 when he was in the hospital after having been injured during the hockey game against Karlskrona. She immediately seemed to regret having done that and ran out without an explanation, leaving Ludde alone and confused. I honestly don’t think Amie has any romantic feelings towards Ludde. I think she might mistake her feelings for a crush or something, when in reality she’s just lonely and appreciates Ludde always being there for her and giving her compliments on her musical ability. Ludde was complimenting Amie at the hospital, saying she was amazing, and I think Amie was just really touched by that and maybe wanted to thank him somehow, and ended up kissing him. And then she freaked out and left because oh my god did she really just kiss Ludde. It was an uncomfortable and awkward situation and that’s probably why she ran out. However, I really believe that if she had just stayed to explain and apologize, Ludde would understand and they could’ve just laughed it off. But this is a drama show so of course that wouldn’t happen! Do I think the writers are making them into a couple? No, definitely not. They know that season 1 was sort of predictable and cliché, so they’re making season 2 as different as possible by including these unexpected pairings such as Klara & Elias and Amie & Ludde. But Amie and Ludde won’t ever be a couple, because Ludde is still very much hung up on Felicia. I don’t see them as a couple either - yes, they have music in common, but they work way better as friends than in a relationship.
In Edvins Skådisdrömmar, which is a behind-the-scenes documentary of Eagles season 2, writers Fanny Ekstrand and Michaela Hamilton discuss the writing of the show in the documentary's third episode. The third episode is mostly focused on the lead-up to the scene where Amie kisses Ludde at the hospital. Adrian Öjvindsson, who plays Ludde, says:
Filming the kissing scene was [...] awkward and weird, actually. And that's how it ended up. Yandeh and I haven't really had any intimate scenes. In this case you could take in that it was weird, because that's also what the scene wanted to depict.
When Edvin reads the script, he describes the scene as a "nightmare" scenario. I agree. And the lazy build-up to this Awkward Kiss trope doesn't make it any better, because just like the Halloween incident this doesn't make a lot of sense.
It's supposed to be awkward and weird, just like Adrian said. But he also mentioned one of the most important details: Yandeh and I haven't really had any intimate scenes.
Before this kiss scene, there was nothing that indicated any chemistry between them. No accidental hand-touching, no longing stares, no nothing. Just a friendly hug. A proper build-up to the kiss scene would've made it feel less out of place.
The love confession from Amie to Ludde in 2x10 really threw me off as well. The confession to me made no sense and honestly felt like a prank call. There was no feeling behind it and zero reason for Amie to believe that there was a chance Ludde liked her back.
At the end of 2x08, Felicia goes to Ludde's house after he's confessed the truth to the police about the Andreas situation. Amie happens to overhear the conversation and she hears Ludde very clearly say that he's not interested in Amie.
Ludde: Felicia, there’s nothing between us. Between me and Amie. It was really the biggest mistake of my life. Felicia: Goodbye, Ludde. Ludde: Felicia, please!
Amie, now having her heart broken, crosses Ludde's name off the contract while crying. She knows he doesn't feel the same. So why would Amie even bother to call Ludde up to tell him she's "in love with him"?
Amie: [...] Hey, Ludde… Ludde: Yeah? Amie: It feels really weird to hear our song now. Because I know who the lyrics are about. And… And I… I really like you. Or, well… I’m in love with you. I just need to know how you feel. Or if you feel anything. Just tell me. Ludde: I’ll always want to be your friend, Amie, but… It’s Felicia I’m in love with.
This moment is on par with the awkwardness from the hospital kiss between them in 2x06. The second-hand embarrassment with this one was really rough, and what I don't understand is why this was even added to the script when Amie had already gotten the confirmation that Ludde didn't think of her in a romantic way. This storyline could've ended in 2x08 after Amie overheard the conversation between Ludde and Felicia.
It really didn't need to drag on for the whole season, essentially making Amie's whole storyline in season 2 about a guy. Her moment of finally getting signed to the record label was ruined when it could've been regarded as a fresh start if the storyline had just ended where it should have.
What this storyline did instead was ruining my favorite friendship of season 1, which was Amie/Felicia. This mess made it so hard for them to reconcile and they didn't end up properly addressing it until 3x09, spending almost two whole seasons mad at each other. It sucks that the writers decided to drag out their fighting and disagreements for this long when they could've instead shown two girls in solidarity who don't let a guy get between them and their friendship.
Amie apologized in 3x03 for how she hurt Felicia, but Felicia made it clear in 3x06 that she still harbored ill will towards Amie for what happened at Halloween (which in the timeline of this show was more than a year ago).
Felicia (to Amie): Are you going to start slobbering with [Elias] now too? Just give me back that sweater first, I don’t want slobber on that. Thanks.
I talked about how much I disliked the Amie/Ludde storyline in this post, with my main reason being that it really messed up the character dynamics that were established in season 1.
This storyline [of Ludde and Amie hooking up]—along with Amie falling in love with Ludde—is by far my least favorite one because it messed up the whole character dynamic. I feel like Amie and Felicia won’t ever go back to the kind of friendship they had in season 1 before the Halloween incident because the trust was so broken, and Amie really should’ve tried harder to apologize to Felicia like Ludde did instead of going after her best friend’s ex in season 2.
If there's just one thing I could change about this show, I would 100% get rid of the Amie/Ludde storylines. There is nothing that annoyed me as much as those storylines did.
Amie's musical ambitions
I've talked about this a bit before in another post because this was something that really bugged me about Amie's character in season 2. Here's what I wrote:
I honestly still feel like Amie’s whole storyline with sending in a rather basic demo written by two teenagers with little to no experience and then getting praised on it [by the Stockholm music producers] with comments such as “it’s going to be a real summer hit” felt so unrealistic to me. Maybe they only said that so Amie would accept their offer or something, but that’s still very strange because she would have still said yes without a doubt. I can understand that they thought Amie was marketable as a person and there was this bonus with her having gone viral before on Felicia’s Instagram, but that demo did not seem good enough for me to be immediately released as a single and then have them decide on the spot that Amie would be given a contract. I mean, come on. It never felt earned because we never really saw Amie struggling with her songwriting journey to achieve this dream. Sending in one demo to one record label and having them immediately want to make a whole album with you just doesn’t happen in real life unless the song is extremely good or you have a very unique voice. Amie is really talented but there are hundreds of people just like her, if not thousands. I was never convinced by her getting signed so quickly in season 2. I understand that they wanted to establish her as a successful artist [at the beginning of season 3], but that felt so rushed. I was so sure that the record label would screw her over and steal the song rights to record it with another artist who was already established, and that we’d have to see Amie work even harder to achieve her dreams. But we didn’t get that at all. Where was the struggle? [...] Of course I wanted to see Amie achieve success (and I was happy when she did), but the journey there was so bizarrely easy. She didn’t start to seriously work on making her music career become a reality until season 2. Amie had dabbled in music prior to that, like when she auditioned for the school band and did that performance of Follow, but she didn’t truly start to work towards it until season 2 when she decided to have her work sent to professionals in the business. And then, just five episodes later, she gets contacted by the record label in Stockholm. To put this into context—season 2 took place somewhere around March, and episode 5 around three weeks into April. So when Ludde first started helping Amie it took less than two months for her to get signed. You could argue that the song was just that good or that Amie is just that talented, but it never felt like a realistic storyline to me.
It's tricky to write a storyline like this when you only have ten 20 minute episodes in the season and a limited amount of screentime for every character. All that is understandable. But it's strange that they didn't opt for a time jump to really sell this storyline and make it believable.
Eagles uses time jumps a lot, but somehow this particular plot point was omitted from that and kind of glossed over. I don't really understand how they expected us to buy this storyline. The viewers aren't stupid, and more effort should've been put into this storyline.
In the post where I wrote this, @gajana18 also had an interesting thing to add:
[...] it's equally unrealistic that this huge record company would be hounding Amie, a teenage onehit wonder essentially to come back to the label- don’t they have other bigger artists?
This is a very strong point. Considering how Amie kept expressing that she wanted to finish school and then proceeded to ignore their calls, it's weird that they didn't just decide to discard her contract when Amie clearly wasn't taking her singing career as seriously as they wanted her to.
So, back to season 2. Maybe they could've gone with the record label stealing the rights to Amie's first song and screwing her over. This fuels her to try again and after a time jump of a few months we see Amie having worked really hard on a new and better song. Maybe even a whole album. And this time, she's learned from her past mistakes and improved her songwriting. This time, she's successful in her endeavor and it feels so much more earned after knowing the struggles she's been through to get there.
I also feel like a storyline like that would've made people sympathize with Amie more in season 2. It was really hard to root for her when she had nearly screwed Ludde over by not giving credit to his songwriting and saying "fuck him" when he didn't return Amie's feelings.
Klara's character development
When we're introduced to Klara in season 1, she's a stereotypical mean girl with wealthy parents who is the popular girl at school and has her own followers.
In season 2, the writers decided to develop the character. We find out Klara has issues at home and her mom is barely there. When she is, her parents will start fighting. Klara is feeling really lonely and doesn't really hang out with her friend Sara as much as she used to.
I appreciated the added depth, but it seemed like a drastic shift. The changed perspective could attribute to that but when you step back and really look at s1 Klara and s2 Klara, they're like two completely different people.
Maybe Klara's reputation suffered after she posted the Halloween video? Maybe she had a change of heart after Felicia finally confronted her during Lucia? I mean, I guess.
But what most fans (including me) didn't like about Klara in season 2 was that there were no clear consequences for her after she posted the Halloween video. Klara still hangs out with what seems to be the popular crowd and she has people to go out with. In a post I wrote last year about my thoughts on season 2, I wrote this:
I actually wish that Klara would’ve become more ostracized from her school friends to emphasize how alone she is, but she seems to still be pretty popular so that was kind of disappointing. I thought the fall-out of her posting the video would be worse, but I guess not. Anyway, I like that they’re taking a disliked character and making her into a better person. Feels like it’s been done a few times before, but I still appreciate them doing it. I hated s1 Klara for being so one-dimensional, but s2 Klara is well on her way to being a pretty good and nuanced character.
Her character development sort of comes a little out of nowhere, though. Her reputation wasn't ruined by posting that video and she didn't really lose any friends besides Sara (she had already lost Amie prior to posting that video considering what Amie said to her after Lucia in 1x08).
So what prompted Klara to become this whole new person who actually considers other people's feelings in a relatively short amount of time? Here's a conversation between Felicia and Klara in 2x07.
Felicia: Was there anything in particular you wanted to talk about? I understand that we’re not best friends just because you and Elias are together. We’re not here without a reason, right? Klara: No, I get that this feels weird for you. And if you don’t trust me after everything that’s happened - or that I’ve done. Felicia: Klara… Klara: I know that I haven’t acted like the world’s best person. And I regret that. Sorry.
But why does Klara regret her past behavior? What made her realize she hadn't acted like the "world's best person" if the ramifications from posting the Halloween video were so minimal?
Was it the relationship with Elias that made Klara change? No, I don't think so. When they first start talking at the bar in 2x03, Elias tells Klara that he doesn't always agree with Felicia and that he has his own viewpoints. In 2x07, he says Klara wasn't the one who messed up, but rather Amie and Ludde. And in 2x09, the script tells us that the Elias/Klara relationship seemed to bring more change to Elias rather than Klara.
Felicia: What did you do to him? Klara: What? Felicia: He’s smiling. Elias is like a whole new person since he met you. Klara: Stop. Felicia: I mean it!
So what made Klara change? In 1x08 she's mocking Felicia's drug problems and posts a video that will for sure ruin Amie's reputation. But at the start of season 2, she's suddenly become more withdrawn and considerate of people's feelings.
I can only name one factor that actually makes sense, and that's the fighting between her parents. Klara seems to turn into this quiet child when she has to listen to her mom and dad yelling at each other. This is something that didn't really begin until season 2, when Ola's company GECED started going under. This storyline was very well done.
But the other things, like Klara's reputation and friend group which you would assume would be affected, remain as they were in season 1.
Jack's sudden character change
Jack came into season 2 as a charming and charismatic character, seemingly fooling everybody into thinking he was a good guy. He knew the Kroon family from before and both Felicia and Elias were none the wiser when it came to the eventual reveal of his true colors.
Here's what Stefan H. Lindén had to say about the Jack character in his season 2 Q&A:
Bringing Jack in was actually originally not my idea, it came from my writer colleagues after that they revised my storyline notes for Season 2, while I was still down in Oskarshamn shooting Season 1. We had always intended for a character to come in and raise the stakes but I never imagined it to be Jack. When we started to develop the character, we all started liking him so he was kept in the story. Like with any new character we never really know who they are and what [the] point of them for coming in is [...]
Personally, I feel like the point of Jack's character is pretty obvious. When he first comes to Oskarshamn he is very much the embodiment of the new love interest coming in to date the girl who has broken up with her previous lover, while the previous lover still loves her and does anything he can to get her back although she's dating someone new. Jack is the Romantic False Lead trope who later becomes an alpha-dog Jerkass.
What I found interesting about Jack compared to Klara (in season 1) is that Jack isn't just a bad guy. He's very clever with his manipulation tactics and can easily charm people with his good looks and charisma.
When Felicia accuses Jack of cheating in 2x07, he manages to spin the whole thing around and make Felicia apologize to him and say it was stupid of her to believe he would cheat on her. I talked about this in a post while the season still aired, before Jack's true colors were revealed. Here's what I wrote:
I still don’t know if Jack really is cheating on Felicia with Olivia (the girl that texted him) but I would say he is. Jack is incredibly confident and charming, which makes him able to easily lie and manipulate people. We know he’s not an entirely good person since he’s already lied to Elias about not knowing that Mats would bring him back to Eagles. I wouldn’t be surprised if he really did hook up with Olivia and ended up being a really good liar. The fact is that not only did he deny it but he then shamed Felicia for blaming him and causing a scene, ultimately shifting the focus in the argument to her and making Felicia feel bad that she even confronted him in the first place. Jack says that maybe they shouldn’t even be together, which causes Felicia to backtrack and apologize. It’s actually pretty impressive how Jack was able to spin that around to blame Felicia and make her apologize.
Jack is able to take a small detail and use it as ammunition to get what he wants. In this situation, he brings up the girl in the Stockholm club that Felicia partied with and also kissed.
Jack: You shouldn’t accuse me, either. Felicia: What? Jack: I saw on Instagram, you and some girl in Stockholm. Have I whined about that? Coming here and blaming me for things, it feels really immature. Felicia: Fuck. Sorry, Jack.
Jack wasn't bothered by that at all. It happened before Felicia and Jack were even an official couple, and all they had done was hooking up at a party while Felicia was high. Jack, having cheated on Felicia, couldn't care less about the random girl Felicia kissed. That was just something he used to manipulate her.
When we discover that Jack is actually cheating on Felicia, he immediately reverts to a one-dimensional "evil" character. He's become the 2.0 version of Klara in season 1—written in just to stir up drama.
This "master manipulator" version of him just goes down the drain and Jack turns into a manchild who starts petty fights, files a police report because Ludde pushed him, and says to Felicia "I'm gonna tell on you!". Alright, maybe those weren't his exact words, but you know what I mean. It's a sudden shift and you start wondering how Jack was able to hide this version of himself so well before.
In 3x05, Jack sees Ludde and Andreas after a hockey game and fumbles trying to find any insult he can to hurl at Ludde. Everything he says from that point on is just line after line to really solidify that Jack is the bad guy. You didn't forget that, right? Here, let's have Jack call Felicia a druggie so you know just how shitty he is. And have him call Andreas a junkie later for good measure—there, that should be enough for people to understand that Jack is the villain here.
Jack: Johansson! Ludde: What the hell are you doing here? Jack: What does it look like? Ludde: I guess it’s you I should thank for the victory. Nice work. Jack: What is Felicia doing these days, then? Does she miss me? Ludde: Hey, you’re shutting up now, do you get it?! Jack: Jesus Christ. Do you think you can save her? What do you think she even sees in you? You two play in different leagues, Ludde. Ludde: You have no idea what we’re like. Jack: Come on! You should leave her. While you can. She’ll just pull you down into the dirt with her. You’re no hero, Ludde. Isn’t she still doing drugs? Once a druggie, always a druggie, right?
Jack is a horrible person, but at least he was able to pretend to be a good guy in season 2. And that was actually really fascinating. I wish we could've seen more of Jack's manipulative side that he showed in season 2 instead of making everything coming out of his mouth be a half-assed attempt at insulting the other person. That's a pretty boring villain, in my opinion.
Jack's backstory of his father being an alcoholic and him starting to resent the whole Kroon family because they had everything growing up while he didn't is interesting. It would've also made more sense if his anger was only directed towards the Kroon family since they're the ones he grew up with. They're the ones he was after the whole time.
His anger towards them feels cheapened when Jack also starts insulting Andreas (who he's probably never met before) for no good reason. It's like Jack's human qualities are just gone and all that's left is this empty shell made to start fights. His backstory didn't really make anybody sympathize with him, either.
The improvements of season 2
What I liked about the writing in season 2 was that they explored new ideas and had some solid storylines (besides the mess that was Amie and Ludde). Elias and Klara actually worked pretty well as a couple, even if they were pretty much the 2.0 version of Felicia/Ludde as the "wealthy, popular pretty girl starts dating the star player on the sports team".
Felicia finally gets some more depth. The scene at the end of 2x02, where Felicia and Leila park their car near the harbor and just start crying, is so powerful.
2x05 is also one of my favorite episodes of the show, as well as the ending montage of the 2x10 season finale. In Gameday, we had a very touching scene between Felicia and Mats where they finally communicate. It's not the most understanding conversation but it's a start. It's an interesting contrast between their talk in 1x06 where Felicia revealed she saw Mats cheating on Leila versus the talk they're having now.
Another one of my favorite scenes is when Felicia and Ludde meet up at their bench in 2x10 after Ludde has called her up asking Felicia to come if there's any chance of them getting back together.
The dialogue is simple and to the point. There's no long-winded love confession for the sake of drama. It's a moment that the whole season has been building up for, and when we finally get there we realize that this is how love should be.
Easy and simple.
Ludde: You came back. Felicia: Yeah, I did. Ludde: Do you remember our first date here? Felicia: No. I’ve forgotten. Ludde: I was so freaking nervous. Felicia: Everything you said… Did you mean it? Because you hurt me, Ludvig. And I… I’ve really tried to hurt you back, but… It’s not possible. I can’t… Not love you. Do you think… Do you think it can be us again? Ludde: What do you think? Felicia: I don’t want anything else.
Ludde admitting how nervous he was on their first date is sweet and shows us how much they've been through. Felicia is struggling to find the words to say and she's acknowledging how hurt she was, but still can't seem to find it in her heart to hate Ludde. It's honest.
Another plotline that I think was a little underrated in season 2 is the GECED company going bankrupt and Ola, Klara's dad, is under investigation for financial crime. This isn't a storyline you would usually see in a teen series. It's much more serious. It also gave us a really touching and poignant scene in 2x08 between Ola and Klara sitting on the floor of his office, where Klara has to comfort her father who starts crying.
Ola: When you were little you used to sit like this. On the floor, while I was working. You had your own room, but you wanted to sit with me. “Help daddy work”. Mom’s doing the right thing by leaving for a while, don’t blame her for that. Klara: What, you can’t just leave because things get a little tough. Ola: Maybe you should get away for a while too. You know, I never wanted you two to… That you… Everything’s gone. Klara: It will be fine. It will be fine. Ola: Sorry. I’m sorry.
In 2x09, Klara is at a party when she notices a bunch of missed calls from her dad. She immediately senses something is wrong and rushes home to find her dad having attempted suicide. It's executed very well and I really liked the more serious tone they went for in season 2.
It set up season 3 perfectly, which continued with the darker themes but balanced them very well with the more light-hearted moments.
Season 3: Finding one's footing
Season 3 was a highly anticipated season. I thought the season 2 finale was masterfully done and it left me wanting more. When season 1 finished on its cliffhanger of the video leaking, the focus only seemed to be on that.
But with season 2 there's Felicia/Ludde getting back together and Ludde having been sued by Jack, Jack threatening that he would leak all of the Kroon's family secrets, Klara's dad passing away, Elias deciding to get on the train and go to the draft combine anyway, Amie having finally become a recording artist but being isolated and heartbroken... There's so much to unpack, and it's a lot more interesting than the ending of season 1.
Where's Jack?
Jack is supposed to be the main villain but he's gone for most of the season, failing to show up until 3x05. In the season 2 finale Jack makes a huge deal about how he's going to destroy Felicia's life. He's threatening her in a very violent and abusive way.
Jack: [...] I know a lot about you, Felicia. And your nice family. It’s enough for me to leak to one news site. I can destroy you. Do you get it? I’ll tell them everything. The drugs, the cheating, your abortion! Felicia: Shut up! Jack: Hey. Huh? Did you seriously think I wanted to be with you? The little Kroon princess, who has gotten everything for free her whole fucking life! You and Elias! Like spoiled brats! You don’t understand what it means to fight for something!
In 2x10, Jack decides to report Ludde for assault but he doesn't follow through on destroying this family that he hates. If there's anything Jack seems to despise above all, it should be the Kroon family, right? So why did he fight back with Ludde but not the Kroon family?
I expected Jack to leak all the Kroon secrets at the beginning of season 3, but Felicia seems strangely calm at the funeral which I'm assuming only takes place two weeks or so after Ola's passing in the season 2 finale.
Then, a whole year passes with no indication that Jack is ever going to leak anything. As season 3 was airing, I commented on how strange this felt in an ask I received:
One of my main questions about the time jump is the whole thing with Jack saying he was going to ruin Felicia’s and the Kroon family’s reputation in the press. It seemed like nothing really came of that? I’m pretty sure that detail hasn’t been abandoned entirely and that Jack will come back (we’ve already seen a glimpse of him in the third episode), but it feels strange that Jack threatened to leak all her secrets and then just never did. I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him. And yet there’s no mention of where Jack has been during that time or what he’s been doing. I feel like I would be pretty paranoid about this if I was Felicia, but we don’t see this haunting her until episode 3 when she sees a flash of Jack before realizing it was just some random guy. It seems strange that Felicia was relatively at ease during the funeral (which I assume took place not long after Jack first threatened her) and after the time jump. We don’t really know what’s been going on during that year, but Felicia seems to be fine and like she hasn’t had any thoughts of Jack at all. Maybe she assumed that his threats were empty and that he wouldn’t actually leak anything to the press, which is reasonable but at the same time I don’t understand why Jack has yet to do anything after a year. He was really pissed off in the season 2 finale, after all.
Going to repeat one of the things I wrote here because it deserves to be mentioned twice, and this point is one of my biggest issues.
I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him.
I feel like this was kind of a plot hole that wasn't explained. Jack is ruthless and doesn't hold back at all when his true colors come out. He has no problem talking about the sexual relationship he had with Felicia in front of her father. Jack is just that horrible.
So what prevented him from ruining the Kroon family's lives earlier, when it seems to be the thing he's wanted for years?
Michael's predictable predicament
Michael first appears at the end of 3x04, where he calls Amie up to tell her he's her father.
Man: Hey! Sorry for calling so late. Is it Amie? Amie Condé? Amie: Yeah. Man: I saw you on TV the other day. I’m Michael Condé. I’m your father.
In the next episode, we get a voice-over of the continued conversation between him and Amie.
Michael: [...] I understand if it’s shocking. I’m in Oskarshamn for work for a few weeks and— Could we meet up someday?
So, it's clear what the writers are going for here. It's the estranged father who returns into the child's life when they've become successful. We're made to believe it's a Daddy Had a Good Reason for Abandoning You trope when Michael meets up with Amie and tells her why he left.
Michael: So Petra, she— Has she said anything about me? Amie: Well… That you moved from Sweden before I was born… That you’re working as a lawyer. That you didn’t want to see me. Michael: I was… I was young when we met. Your mom and I. And everything went really fast. I was in love, but she had feelings for somebody else. And when she found out that she— That she was expecting you, then… She didn’t want me there. She said I wasn’t father material. To some degree she might’ve been right, but… I wasn’t much older than you are now. I had just gotten into a law school in Berlin. When I finally came back to Sweden, then… She didn’t let me see you. I had already lost you by then, but I want you to know that I— I’ve thought of you. And about a week ago, I… I’m seeing you. On TV. There you are. With my last name. I’m so proud.
However, it's pretty easy to identify the holes in Michael's story. To be honest this whole storyline was predictable from the very start. Before Michael even came into the story, I made this post which pretty much summed up Michael's whole character when we didn't even know he existed yet (this was when 3x03 was the latest episode that had aired).
I don’t think we’ve heard any mention of Amie’s dad in the whole series except for 3x02 when Amie was being interviewed and was asked about the Condé name where she said that while Samuelsson was from her mother’s side, and Condé was from “the other side”. I found her word choice a little interesting. I don’t think Amie’s dad has passed—but rather that he’s alive and just chosen to not be a part of her life, which is why Petra seemed to be a little offended when asking Amie why she didn’t want her last name anymore. This might also be why Amie said “the other side” rather than “my dad’s side” because they have an estranged relationship. [...] I’m not really sure if they’ll do anything with Amie’s dad (maybe they’ll go for that trope where the parent who previously abandoned their child returns after the child has accomplished something big/something major happened and the parent wants something from them for personal gain?).
When we actually get to meet Michael and hear his explanation of why he left, I wrote this post pointing out some of the holes in this storyline.
Michael meeting Amie only after she’s become famous is a little suspicious, but it’s understandable if he previously thought she didn’t want to meet him and then sees her with his last name on national television. Obviously he would contact her after that. I feel like there were some question marks with Michael’s whole story though, and the fact that his work just conveniently happened to send him to Oskarshamn after he’d just seen Amie on TV. Maybe I’m missing something here, but how did he know Amie had gone back to Oskarshamn if he saw her living as a pop star in Stockholm? Was this information about Amie quitting the tour and going back to her hometown even online? If Elias (who actually witnessed Amie saying she was done and quitting) seemed taken aback when he saw Amie in Oskarshamn, then how did Michael know?
I do think Michael will return for season 4 though, so hopefully this storyline will be straightened out a little. We don't really know what Michael has been up for the past few years and if he has a family of his own. Maybe he'll contact Amie again to tell her she has some younger half-siblings?
They ended on sour terms, but if Michael does have his own family it's something Amie deserves to know and she can decide whatever she wants to do. I'd also like to see a Michael/Petra reunion, but I'm getting a little ahead of myself.
This storyline wasn't bad, and I do appreciate we got to find out what the situation with Amie's dad was. I also liked how I was able to sympathize with Michael. He's not entirely awful, even if he did put a lot of blame on Petra. It's one of those situations where you don't really know what it's like to be in Michael's position unless you've experienced it, and it's very realistic.
Plot holes
Some of the plot holes of season 3 that I've already mentioned are how Jack waited a whole year before leaking the Kroon family's secrets and how Michael conveniently knew Amie was in Oskarshamn when nobody seemed to know she was coming except her mom.
I actually don't mind that it was never explained how Michael got Amie's phone number either, because that's usually pretty easy to find with a Google search. Things like addresses, economic status, and even your criminal history are easily accessible in Sweden when googling someone's name. So finding someone's phone number is probably fairly easy as well.
On the other hand, one of the most glaring plot holes appeared in 3x08. In this episode entitled Lost, the Kroon family is frantically searching for Felicia who has gone missing. Leila and Elias knock on Petra's door to see if Amie is there and might know something about Felicia's whereabouts. Petra tells them Amie isn't there and they leave.
Someone left me an anonymous ask which I answered in this post, pointing out how it was strange that Elias didn't just call Amie to ask her when she wasn't at home. We know Elias has her number because they've been talking on the phone and texting each other several times before in the season.
In 3x08, when Elias and his mom go to Amie's house and ask Petra if Amie has seen or spoken to Felicia or whether she's home, I couldn't help but wonder, uh Elias why not just call Amie and ask her if she has seen or spoken to Felicia? [...] if Elias had called her and she heard how frightened him and his family were and police being involved she would have told him and then there would be no point in the 3x09 episode really.
This is a very strong point. You could argue that maybe Elias just didn't think of that but if they went out of their way to visit Amie's house only to not find her there, it would seem like calling her instead would just be a logical next step in the situation? Here's what I wrote in response to this ask.
This is an issue I had with 3x08 and 3x09 as well. I had a hard time actually enjoying the moment between Felicia, Klara, and Amie knowing that her family was getting increasingly worried for her and even thought for a short moment that Felicia was lying dead at the bottom of the ocean. All that could’ve been avoided. To add, it didn’t make a lot of sense to me that when Klara finally decided to call someone she called Amie instead of Elias. An ex-friend of Felicia’s instead of her brother who could’ve helped a lot more. What was Amie supposed to do when she showed up at the hotel, exactly? I know there was the thing with Klara only knowing Amie’s number off the top of her head, but there is no reason why she couldn’t have gone down to the reception while Felicia was sleeping and asked to use a computer just to get a quick message to Elias. Like, “hey, Felicia attempted something bad but she’s safe with me, we’re at this hotel in this room but she didn’t want me to call anybody, I don’t know what to do”. That would’ve been so much better than keeping quiet about the situation for nearly 24 hours. I know that Klara probably has trauma from leaving her dad at the hospital after his suicide attempt and that she probably didn’t want to go against Felicia’s wishes. I understand the first part 100%. But Felicia was in a very bad place emotionally and was thinking that her whole family hated her when that wasn’t the case. I feel like in a situation like that you kind of have to be the bad guy just to ensure the family that Felicia was safe. Even if everything turned out alright in the end, it could’ve gone so much worse if Felicia had wanted to be kept hidden for longer. [...] Elias calling Amie would’ve been an easy solution to this whole debacle but we would’ve lost the drama. It’s still somewhat of a plot hole though, like you said.
I understand it was done this way for dramatic effect, but that doesn't really patch up the plot hole.
I also found it strange how many people turned on Felicia after Jack ruined her reputation in the press. I talked about this in an ask I received.
I don’t understand why the public turned on Felicia so harshly. And Leila too, for that matter. The way Jack told the story about how these two women had things done to them should indicate that they’re not the ones to be blamed. If I read this article and found out an 18-year-old girl got pregnant by a “violent criminal” who forced her to abort and then abused her I would not be angry with the girl. I would be angry that she was physically abused and also outed on her sexuality for being bi. If I read this article and found out Leila had been cheated on by her husband repeatedly with her best friends, I wouldn’t be angry at her. I would not agree with the decision to turn to alcohol (same as Felicia turning to drugs), but I wouldn’t blame them. And I feel like a lot of people should’ve been on Leila’s side after finding out the reason why they divorced. I don’t understand why people are saying they’re disappointed in Felicia and calling her fake when she’s been through so much trauma in her life. I feel like if this actually happened in real life, all the blame would be shifted to the men because they’re the ones who—in this story—are painted as the bad guys (with the exception of Jack, considering he was anonymous).
I got another anonymous ask sent in after this, pointing out how the anger directed towards Felicia was considerably more about her drug use rather than the abuse she endured. Here was my response to that:
[...] the drug use should’ve been understandable considering the stuff Felicia had been through was also written in that article. I don’t know. I can understand people unfollowing her if they didn’t want their young children to be exposed to all the controversy, but it’s still strange that everything Felicia received was hate messages. Did everybody just skip over the part where the anonymous source stated that Felicia was violently forced to have an abortion by an ex-criminal and probably did so out of fear for her life? Yes, we know this is fake, but why didn’t anybody seem to mention this? [...] they seem to have written this storyline with the idea in mind that the public was against the whole Kroon family. Felicia got comments such as “So fucking disappointed in you and your family”, “What a nasty fucking family”, “You and your family are so fucking disgusting”. So I think Leila received plenty of hate for drinking instead of divorcing her husband sooner and basically turning a blind eye to all the problems her family went through. That’s what Jack told the press, at least. The anger seemed to be directed towards every member of the Kroon family and that didn’t make a lot of sense to me.
Again, this is something the writers did to dramatize the situation and they kind of forgot to consider that what Jack actually told the journalist wasn't as incriminating for Felicia and Leila as it were for Mats and Elias.
The magic of season 3
What season 3 really excelled in, to me, was delving into some more serious topics as well as showing the gradual development of Amie and Elias' relationship. Amie and Elias are the prime example of how a slow burn is so much better than having a couple get together too fast, like Felicia and Ludde did back in season 1.
While season 3 was still airing, I wrote a post dedicated to questions I had received about Elias and Amie. Here's one of the things I said about them:
I think Elias’ interest in her really started to grow after he saw how caring Amie was to Felicia, and later on connecting with her on how they both ended up back in Oskarshamn after following their dreams which didn’t exactly turn out the way they expected. Yes, Elias has always sort of been watching and admiring Amie from afar, but that interest didn’t start growing until he actually got to know her. The experiences they had in the US and Stockholm, respectively, probably changed their mindsets and in my opinion it makes so much more sense for them to get together now than it would’ve in season 1 or season 2.
I still believe that Elias and Amie are the best-written couple of the whole show (at least so far), because they just make sense. We'll see what season 4 has in store for them because we have yet to actually see them in a romantic relationship, but I feel like their personalities and characters just fit together really well.
Another thing I really appreciated was the depiction of Felicia and Ludde's declining relationship. Things like that happen so easily, and I liked how we see Felicia do this huge gesture of planning a picnic for Ludde in 3x04 but there were still underlying problems between them. It's like that in real life too—no matter how big of a romantic gesture you make, communication will always be the number one priority in any relationship and that's where Felicia and Ludde fall short.
The obvious disconnect between them when it comes to money is also important. It's been like this from the beginning, but season 3 gave us an actual conversation about it.
Felicia: Please, I can’t talk about this. Seriously. It was stupid of me to bring this up from the beginning. Fuck, I get such anxiety talking about the future— Ludde: You get anxiety? I’m the one walking around with no money in my account. Mom and dad had to get a loan to pay off mine and Andreas’ fines. I’m playing on a shitty old synth, and living off you like some leech. That’s anxiety. Felicia: Everything isn’t about money. Ludde: Says the one who has money. Felicia: Move out then, if it’s so fucking hard to feel like a leech.
This felt very realistic. Of course a person like Felicia wouldn't think money is everything when she's never experienced financial issues. She's able to move out into her own one-bedroom apartment as soon as she's turned 18, it seems, and doesn't worry at all about the cost of furnishing and decorating it. She didn't even pay for it herself, because Mats mentions he's the one on the mortgage loan. It seems like Felicia has never had an actual job either, and that's starting to worry her because she has no idea what she should be doing.
Felicia: [...] I don’t know what I’ll be or what I’ll do in the future. I don’t know that. Ludde: You’re still an influencer— Felicia: Don’t say I’m an influencer, please. Do you think I want to be that my whole life? It’s not even a career. I'm— I’m graduating next year, and I… My grades suck, and— I have no plan. I only have you. Not like that—I have you. That’s what I have. I want to be here, in Oskarshamn. I don’t want to go to the US and chase some dream and be a hockey wife. That’s not a life. Sometimes I wish neither of us had a plan, just us together here.
Felicia's character finally offers something interesting here, which I've waited for since season 1. She's not just a party girl anymore who has issues with drugs. She's a privileged teenager who is co-dependent on the guys she meets and who has anxiety about the future, to the point where she wishes she could stay in Oskarshamn in her little apartment forever stuck in limbo.
She has to face a harsh reality when Ludde decides to break up with her, and later on when her name is slandered in the press and people all over the country are sending her hate messages. Her own family is furious with her and Felicia has nobody. She's pushed away a lot of people and her mental state is just crumbling in front of our eyes.
It's a strong storyline and actually very well executed. Almost everything gets taken away from her, and at the end of 3x07 you can almost feel what Felicia is feeling. We've been with her through this whole journey, almost, and we understand why she feels like suicide is the only answer.
It's tough to watch that final scene of 3x07. It's greatly amplified by Alva Bratt's superb acting, but the writing of the journey there is also amazing. It's very difficult to write a sensitive storyline like this.
Overall, I don't have a lot of critique towards season 3. I loved most of the episodes. I elaborated on this further in a separate post:
[Episodes 3x04 and 3x05] showcased what Eagles should be all about so well, which is relationships plus the struggles you go through as a teenager in a small town, and then of course hockey. The hockey game episodes are really good, even if I don’t think 3x05 topped 2x05 (the game where Ludde got tackled and knocked out). I loved the contrast in Date night of the budding relationship between Elias and Amie and then that fight between Felicia and Ludde on the cliff. [...] It was interesting to see how this sweet gesture from Felicia turned into a fight between the two of them. I thought that was very realistic, because no matter how big of a gesture Felicia made to apologize there were still underlying problems that they needed to talk about. I also loved the “non-date” between Elias and Amie in this episode. It was cute to see them goofing off before the movie started and then talking about it on the way home. I liked how Elias could connect to her on how they had both returned to Oskarshamn. The recent episodes that dropped last week (3x08 and 3x09) were very strong and discussed some important subject matters [...] They were dark, but not necessarily bad because they needed to happen. However, I have to say that I prefer Eagles when it’s about hockey and teenage relationships. 3x04 and 3x05 made me kind of nostalgic for season 1 and I liked the vibe they both had.
Eagles season 3 is in my opinion the best season of the show so far, and we haven't seen any signs suggesting that there is any reason for season 4 to not be even better.
Season 4: Hopes and wishes
Considering how each season has been increasing in quality bit by bit, I have pretty high hopes for the writing in season 4. I'm excited to see how the transition from teenager to young adult will be portrayed in the main characters, and what their future will hold for them after they've graduated.
My main questions are if Felicia and Ludde will find their way back to each other or if they'll remain broken up (that would be realistic as well), if Klara will reconcile with her mom, what's in store for Elias's hockey career, and if Amie will leave her label and maybe opt for something more independent.
I also want to see how Felicia deals with the new home she's checked in to, and if Ludde will in fact go to the school now that it seems Andreas will be getting into trouble again.
Amie and Klara are kind of wild cards here, because it somewhat feels like they've already reached their happy endings. Amie is famous and successful in her pop music career, and Klara has found her place as a businesswoman following in her father's footsteps. Maybe these developments should've come in season 4 instead of rushing them.
Nonetheless, I have faith in the writers. The writing suffered a little in seasons 1 and 2 but it has gotten better. Most of the things I pointed out about season 3 were just small details in an otherwise stellar season.
In conclusion...
This post was critical, but I tend to be critical of every show I watch. Eagles is still a very special show for me and having grown up in a Swedish small town myself I'm very fond of the show and its characters.
So huge thanks to the creator, Stefan H. Lindén, for making this show a reality and also to the director Carl-Petter Montell for contributing to the writing in season 3. And of course the writers of the show which include Michaela Hamilton, Fanny Ekstrand, and Anton Nyberg (plus Amanda Adolfsson who helped write 1x02 and 1x05 and Simon Ekbäck Nordström who is credited for helping with the hockey scenes in 3x05).
I hope you guys enjoyed this long, long post and major kudos to you if you read this far!
#eagles svt#svt eagles#eaglesspoilers#young royals#beartown#björnstad#been working on this post for a few days so i really hope you enjoy it!
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I'm sorry.
!Warning!
!This one contains a little spoiler from the manga!
Keywords:
(Y/N)-your name
(H/C)-hair color
(P/N)-pillar name
~•~•~•~•~•~
It was inevitable, ever since he had first met her, he knew that he should avoid her at all cost, yet here he is clutching a certain girl to his dear life. Now there's only one question. Why is he crying?
The first time (Y/N) had approached him it was the beginning of spring, she was being introduced as the new (P/N). She became fast friends with everyone except for the wind and snake pillar, Giyuu paid no mind about her, but the (H/C) took notice of him and approached him, he didn't seem to notice her presence when she tapped his shoulder he visibly stiffened up to her touch.
"Oh, I'm sorry for startling you! I'm (Y/N) the new (P/N) pillar! Who might you be?"
Giyuu looked at her as his void of darkness slowly dissipate as she shine brightly, the ultramarine sky only added more charisma to her. He shaked off his thoughts and looked away from her.
He knew he shouldn't fall in love and just focus on being a pillar, but no matter how hard he tries he can't get the (H/C) colored hair off his mind, as if she was stuck on his mind.
Unbeknownst to him his feelings for the girl started blossoming, with her efforts to be close with the water pillar made him somewhat made him confused. Like why bother trying to be close with him, when all he has ever done is ignore her? It didn't make any sense for him. But soon he noticed his feelings getting bigger and bigger for the girl, he doesn't understand the feelings he is feeling but he likes it.
Giyuu had started asking about what was he feeling, and not knowing who to ask, he asked the insect pillar, the insect pillar only laughed at him. "Wow I didn't know you were that dumb Tomioka-san." Giyuu looked at Shinobu who's laughing at him. "What is it?" "You're in love Tomioka-san."
After asking Shinobu, Giyuu left to clear his mind but as he do so his crow flew towards him shouting some words about the (P/N) pillar. Just by hearing that he had rush off to save his fellow pillar.
But unfortunately as he got there (Y/N) was already covered with a huge scar on her stomach as she kept on fighting the upper demon 4 which who has his 3 emotions fighting the (P/N) with the real upper demon 4 was inside in one of the emotions. Giyuu looked at (Y/N) and to the 3 emotions. "First Style: Water Surface Slash." Slicing their heads off. "(Y/N) are you okay?!" Worry and concern was visible within his face, as the girl only smiled weakly. "Look Giyuu the sun is about to rise." This took the upper moon's attention and it's 3 emotions to run. "Damn it they ran away." Giyuu cursed under his breath as (Y/N) coughed up blood which took Giyuu's attention. "(Y/N)!" The girl smiled again as Giyuu cradled her figure. "You know what Giyuu? You don't fit crying. I prefer seeing you smile." (Y/N) spoke as she wiped his tears which he didn't notice flowing. "Y-you'll be okay (Y/N) I promise you, I'll just have to carry you to Shinobu's and they'll fix you up in no time." The girl only chuckled as her breathing got shallow. "Giyuu who are you kidding? We all know that I wouldn't survive with this huge scar on my stomach right? And we're too far to reach Shinobu's estate in time." The girl reasoned, as Giyuu cried. "There's still another way!-" "Giyuu... I'm sorry." (Y/N) said as Giyuu noticed her warmth slowly turned cold, he looked at her and saw her face, she was still beautiful even though she was becoming pale. "No... I'm sorry, If I had arrived earlier I would've helped you out and get you out of here, this is all my fault." "Stop saying that." She coughs as her heart beat slowly slowed down. "It's not your fault..." She said as she slowly closed her eyes and fell limp. "(Y/N)...? (Y/N)? (Y/N)!"
"I'm sorry."
#kny x reader#kny imagines#demon slayer x reader#kimetsu no yaiba x reader#giyuu tomioka x reader#giyuu x reader
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James & Ava
James: [let's say he puts up an insta of those bubs playing with those torts for her to see] Ava: 🥰 So happy they like 'em, I would've tried to get a real one but they were not fitting in the hand-luggage and apparently that's illegal 🤷 James: [ages later like] James: picking you up from A&E is one thing, a holding cell is quite another Ava: I understand, there's fast and then there's that Ava: thank GOD my Dad will front my bail 😏 James: & your brother's practically a lawyer so there's that Ava: If it weren't him I'd raise questions about having a 'basically' lawyer take my case but yeah Ava: do the torts have names yet? Ava: keep me posted tah James: they do James: Clover & Dandy Ava: 👏 Ava: very creative, very cute Ava: must take after you James: Matty's suggestions were all rejected for being too confusing, which in my opinion was slightly brutal of Jay, but I do also see her point Ava: 😂 Ava: They can have some confusing but adorable nicknames Ava: I couldn't say either my brother or sister's names for the longest time Ava: stuck being 'Uster and 'Ancy James: & yet if the roles were reversed they'd have had such an easy time James: yet more evidence you're a 😇 Ava: and very easy to spell when I got to School, thanks mum and dad Ava: you were alright, 'til it gets to your surname, bit unfair that James: I used to just do a J James: ironic now but I didn't like writing much when I was younger James: added the a & y later when everyone started calling me it Ava: It must've been something, to get to pass that on James: she did it without asking me James: but I know she could have fared a lot worse Ava: Oh, really Ava: I guess that's a thoughtful gesture on her part James: from an outsiders perspective, yes, but I understand why she actually did it Ava: Why? James: because she wanted me to step up & it was the most obvious way there is to say that she's mine & I had to Ava: Ah, that makes sense Ava: in that case, thoughtful as in well thought out but not beyond that Ava: she took your name from you that's James: I'm happy for Jay to have it now though, she'd hate a 'girly' name James: I would have had to find a nickname she could bear to be called in that instance Ava: Yes, at least she's the one who actually has the name, that's never gonna feel bad James: I don't remember where Matilda's came from, we were barely speaking then James: so that does feel worse Ava: at least there's an excellent book and character waiting James: very true James: & she had terrible parents Ava: You won't be getting a hat glued to your head any time soon James: today I won't, we've all learned so many 🐢 facts Ava: Go for esio trot first James: I will, I haven't read it before James: thank you, Ava Ava: You'll like it, and for Roald Dahl, it's pretty sweet Ava: no bad ideas before bed time, like James: does it have a happy ending? Ava: It does Ava: for humans and 🐢 alike James: I've missed you Ava: I've missed you Ava: Obviously couldn't commit the cliche of meeting me off the plane, but when can I see you? James: what are you doing tomorrow? Ava: Avoiding unpacking Ava: I think I've got a brunch date but beyond that, I'm free James: my dad is out of the office all day if you'd like to come & visit me Ava: I'd like that a lot Ava: I definitely will Ava: that'll be okay, right James: she's not going to also decide to visit me James: or talk to anyone that could see you doing so Ava: okay good Ava: Obviously you've thought it through but got a 😇 rep to protect James: I'll never be reckless when your halo is at stake, I assure you James: it's very important to me Ava: What about my 😈 Ava: You can do something about them too, yeah? James: absolutely James: those horns need to stay sharp, of course Ava: God you're hot James Ava: I've missed you so much you have no idea because I lack the words to explain it in any way that would convey just how hard it's been being so far away from you Ava: but I am very much ready to show you tomorrow Ava: and I'm not just talking about the holiday snaps that were not suitable for public display James: It's vital that the protagonist of my 1st novel is very multifaceted 😇 & 😈 which is why I wouldn't write it about just anyone James: I'll show you tomorrow, why it has to be you Ava: I'm so glad that it's me Ava: fuck James: I've lost hours thinking about the tan lines you potentially do or don't have, I'm very invested Ava: I have a strict no spoilers policy Ava: all will be revealed James: but I need to know Ava: 😏 Ava: It does seem cruel and unusual to make you wait when you've already been waiting so long Ava: too 😈 perhaps James: but sending gifts was very 😇 James: what decision are you going to make? Ava: It was just a little something Ava: if I had to get something every time I thought about you, we're talking grains of sand on the beach level Ava: I can't send you pictures, can I James: no, she has an app that restores any pictures I delete Ava: Hmm James: that said, you don't have any tattoos or anything clearly identifying Ava: that's true Ava: can she see the account of who's sent the pictures Ava: because it doesn't have to be me who sends them, or anyone else that actually exists to hunt down James: how many times are you going to go above & beyond to prove to me that you're too smart for King's? James: I believed you on the 1st tour Ava: I can be smart as long as we need to be smart Ava: and I had to make sure you wanted to talk to me after the 1st tour, of course James: I wanted to talk to you before the 1st tour, you know that Ava: I know Ava: Can I ask you something, if you promise to be honest James: yes Ava: Did you think badly of me for trying to pursue you when I knew you were married Ava: or what did you think of me, I guess James: I was too busy being glad that you wanted to James: but of course I wondered why James: I still wonder what it is that you could ever be interested in about me Ava: I can't profess to giving it particular or cohesive prior thought myself Ava: we both allowed some recklessness that day, clearly Ava: and I know you do, I'll write you a book one day Ava: but it'll take me a while to get down everything I find interesting and worthwhile about you James: I can wait Ava: Good Ava: One job at a time Ava: and this profile is looking pretty realistic and is as close to untraceable as is possible Ava: but I'm assuming she doesn't moonlight for MI5 James: do you? James: because you perhaps should Ava: 😏 Ava: Only to write my award-winning, world-changing exposé James: you're going to be a spectacular journalist Ava: Thank you 😊 Ava: I'll spare waxing lyrical about the vitality of a free press, don't think the readers will be about it when we could be talking more about my tan lines James: please do continue James: on whatever subject you feel the most passionate Ava: [a message request from this fake profile moment] James: [immediately accepts and immediately dies] James: oh Ava: you said passionate James: I did Ava: You're a subject I can get really worked up about, like James: I can see that James: & feel it Ava: Good Ava: Are you allowed to send photos to a fake girl or no? James: I don't care if the fake girl gets discovered James: she means nothing to me Ava: Poor fake girl Ava: still, can't be all bad James: it's not James: because now I can show you how much you mean James: [and does because FINALLY can send each other whatever they want] Ava: [what a glorious moment also over here like don't say ily don't say ily] Ava: OH James: Thrilled as I am to be behind a locked door, I'd be even gladder if you were here too Ava: yeah I Ava: feel that Ava: really feel it James: it's my turn to ask you a question James: do you want to hear the story of what would happen if we currently had all the time we could possibly want to really delve into 2 weeks of thoughts, dreams & wish fulfilment or do you want a narrative that's more realistically framed, so unfortunately there's not much opportunity for description or dialogue but instead every second is intensely action driven because we don't have a single one to waste? Ava: The latter Ava: I know the story, as the protagonist I've been living it with you Ava: Call mystery girl, she'll be as quiet as she can James: [does of course] Ava: Well James: I'm speechless James: but still here Ava: Please stay Ava: I hope you can stay James: I'll try Ava: Remember I told you this is different James: yes Ava: I really haven't felt like this before Ava: is what I'm saying Ava: I'm even more sure this is entirely new now James: understood James: I know you understand that it's the same for me Ava: I do James: Ava James: please stay too Ava: I will Ava: Literally nowhere else I'd rather be Ava: or no one else James: I'll try to understand that Ava: I'll try to make it clearer Ava: long as that may take Ava: not a quitter James: you've also never been unclear Ava: But you should know by now Ava: you know James: that's my error, not yours Ava: Shh James: I can't because Ava: Why? James: none of the blame for what I don't know rests on you Ava: but Ava: yeah, that's true Ava: but there's more ways I could show you Ava: tell you James: are there? Ava: yeah Ava: but you know Ava: scary James: that I do know for definite Ava: You don't think I'm 🙀 James: I think you're brave James: but you recognise when to be cautious Ava: I recognize it Ava: I rarely want to be cautious though James: we wouldn't have a story if you did Ava: 😏 okay Ava: I feel less bad James: don't feel bad at all James: please Ava: okay Ava: I'll try Ava: if you do James: you shake Frank's paw & I'll shake a 🐢's James: arm? whatever they have Ava: 🥰 you are so fucking cute Ava: and it's a deal James: [sends her a pic of him doing it because he can now #nerd] Ava: [send a video of Frank mugging her off like get away from me mother] James: 😂 Ava: I still agree to the terms and conditions Ava: he's just a diva and thinks I'm trying to give him an unwanted manipedi James: I can relate to the dread of an unwanted makeover James: tell him I apologise for laughing Ava: Dad duties? James: the reality of a very controlling wife Ava: 😑 Ava: Well we'll go shopping, one day James: only if Jay can come too, nobody hates having no influence over their own wardrobe more than she does Ava: Of course Ava: she's got to meet Frank James: she would love to, you honestly have no idea Ava: One day soon Ava: I can handle bumping into you at the park without being too 😍 James: I don't know whether to be happy or sad that you can apparently handle that Ava: I'm nothing if not over-ambitious Ava: and over-confident James: I like both of those things about you Ava: There's nothing I don't like about you James: I got it really wrong, you're not trying to age me, you're trying to kill me Ava: Never Ava: What would I do without you? James: you'd survive, as you're always saying Ava: 🥺 Ava: no James: it's okay, we don't have to find out James: I want you with me, not without me Ava: I need you James: Ava James: I haven't got in it me to walk away again, I mean it Ava: Then don't Ava: it isn't what I want Ava: but as well, I really don't think it's right, for you or for anyone, me included Ava: It wouldn't be easy, at all, but if I thought this was wrong, I wouldn't do it, I'd have to stop, somehow James: I know Ava: I'm not a bad person Ava: and neither are you James: you're a good person James: & being with you isn't what makes me a bad one Ava: You're a good one Ava: one of my favourites James: no, but you make me want to be better at being a person James: because you're one of my favourites too Ava: We're all just trying to get better at being people, yeah James: most of us Ava: The rest are gonna wake up and realize they wasted a lot of time pretending they had it all figured out, too late James: I'm so happy I met you Ava: That is definitely very mutual James: even if this all goes wrong again tomorrow or any time before how long we want it to last, I want you to know I won't be sorry about the start or the middle Ava: That means more than that phrase can convey James: & I want to emphasise I'm not only saying so because everything else in my life is going horribly James: if I was happy I'd want to share that with you too Ava: I love you James: Ava Ava: I couldn't not say it anymore, I'm sorry James: I don't want you to be sorry if you're not Ava: I'm not sorry that I mean it, or feel it Ava: but I am if I crossed a boundary James: you can say anything to me Ava: Well Ava: there it is James: what are we going to do about it? Ava: Up to you really Ava: we don't have to do anything Ava: do we? James: but that wouldn't be right James: things shouldn't go on as they are Ava: Sometimes they have to though Ava: anyway, does it even count as a declaration of love if I don't run to your house in the pouring rain in something made of white silk, like James: it counts that you're the 1st adult who has honestly said that to me Ava: Then I'll say it again Ava: I love you, James James: Then we need to find a way to be together properly Ava: Yeah? James: yes James: you can't be this important & the other most important person in my life not know that you exist James: or never have woken up next to me James: I still have no idea how beautiful you look when you're asleep Ava: We'll work it out Ava: be together properly James: I promise James: because I have no intention of breaking it Ava: I'm thinking maybe you want me dead too James: not even hypothetically James: I need you too much Ava: My legs feel like they ache from not being allowed to come run and find you right now James: I keep accidentally hurting you, don't I? James: Frank has no skills as a masseur I assume? James: IOU Ava: I'm holding you to that one like it's a bonafide promise too James: good James: because while I don't technically have any skills of my own, I'm confident you'll let me know if you like my attempts or not Ava: fake girl might be quiet as a mouse but that's not my style unless absolutely necessary James: that's why you're my favourite & she's my scapegoat Ava: 🥰😏 I can only be so sorry James: well, it's fine because apologies aren't what I wanna hear Ava: All I wanna hear is my alarm so it means I get to see you today James: almost looking forward to going to the office myself James: how unusual Ava: They're so welcome for the boost in morale, like James: if I could keep you on my desk all day, I would Ava: When the novel is ready and you're ready to be fired, then we can do that James: okay James: I'll pull a few more all-nighters James: see if I can't get these chapters finished Ava: I'll nap beside you Ava: at my most inspiring when I 😴 James: I find it hard to believe you'd be anything other than distracting Ava: Who, me? 😇 James: yes, you James: you're very beautiful, you know Ava: 😊 Ava: You're lovely James: it's true, you make me wish I knew how to paint Ava: You make me wish a lot of things, I get that James: tell me one day Ava: Every wish? James: yes Ava: Okay Ava: we can count how many have come true James: until they all have Ava: Happily ever after James: it would be over ambitious & over confident of me to suggest I'm capable of giving you anything close & I'm not anything close to being either Ava: You're just less talk, more make it happen Ava: you've shown that plenty already Ava: I believe in you, I always tell you James: I can always feel how sincere you're being when you do Ava: Good 'cos I don't lie Ava: even to be nice James: I like that about you most of all Ava: If I wasn't conceited before 😂 James: you weren't, it's fine Ava: Well Ava: 🤏 Ava: but it is fine Ava: not not fine enough to warrant stopping you complimenting me James: you couldn't stop me, darling Ava: is that so? James: of course James: even if you made me speechless again, compliments don't have to be spoken Ava: 🤤 Ava: can we put that to the test James: give me a minute James: [a dramatic pause that's longer than either of them would like] Ava: James? James: okay, test me Ava: How though? James: how do you think you can 😶? Ava: Oh, that's easy Ava: I just need the help of a friend James: it's easy to give you compliments Ava: I know, that's why I've gotta go hard over here Ava: bear with James: take all the time you need Ava: I won't need that long Ava: don't like wasting time with you ever James: are you saying you think you've already lost? Ava: Um, no Ava: I'm saying it won't be long until you can see the finished product and be 😶 Ava: how rude of you 😏 James: then it couldn't possibly be a waste of time Ava: [sends him a video on the fake profile] Ava: might wanna turn your sound way down James: well, now I want to turn it up Ava: do so at your own risk Ava: I'm very much alone rn so I could be as loud as is necessary James: [sends her a pic so she knows how into that video he was because worth a thousand words] Ava: Now that is a compliment James: like I said, it's easy to be complimentary towards you Ava: I can see that 🤭 James: I need to see you James: why the fuck isn't it tomorrow yet? Ava: It's actually so unfair Ava: dunno if we can claim starcrossed but you know James: it'll feel less tragic once I get in the shower & can actually turn the volume up Ava: You're really gonna inspire a sequel that easily, huh James: a saga James: longer than Twilight Ava: would just about see us through 'til morning Ava: me @ brunch 🥴 James: I'm wide awake if you are Ava: Of course Ava: new challenge Ava: make you speechless and get you to 💤 pass out, like James: I'm not sure if it's an advantage or disadvantage that I haven't slept well for the last 6 years Ava: We'll work that out together Ava: but wait Ava: say night now so I don't miss it later James: it'll definitely prove helpful in the morning since we have a habit of leaving cups of coffee untouched when we're together James: Oh Ava, you're so sweet James: goodnight for later, my darling Ava: True Ava: and Edward is so jealous Ava: you can't help being more interesting Ava: or better at sweet talk James: we'll make everyone jealous, one day James: when you're my girlfriend Ava: I can't wait Ava: legitimately James: me either Ava: Did you have many girlfriends before Ava: or just do hookups James: I didn't have any girlfriends before Ava: suppose you didn't have much time, nah Ava: not for serious ones James: I didn't want a serious one in school & my parents absolutely didn't want me to have one either, for all the good that did Ava: Makes sense Ava: parents rarely get what they want though, like you said James: I was having too much fun not being serious about anything, until I wasn't any more Ava: That's a lot of people Ava: if there's a time for it James: that's everyone I knew then & a lot of different people I also know now Ava: Yeah, it is a bit like they typecast this entire area most of the time James: I'll make every attempt to avoid it when I set the scene in my novel Ava: like you said too, fun 'til it ain't Ava: I always leave before then James: I always did too, until I got to rehab & leaving was no longer an option James: kind of its unique selling point Ava: How long ago was that? James: it's been years Ava: What did you go in for, if you don't mind me asking James: do you remember that expensive drug habit I mentioned as being one of the only things I used to care about? it honestly was Ava: I was just worried you were meant to be sober Ava: 'cos that would've been really awkward Ava: that's amazing though Ava: well done James: I'm mostly sober but sometimes I fuck that up, which is awkward, you're right Ava: I'm sorry Ava: that night was totally my idea, I steamrolled you so hard James: it was my bad idea to get drunk, that's not your fault James: it's also not your fault that I did something I shouldn't to try & stop myself from doing something else that I'd convinced myself that I shouldn't James: because I'm well aware of how well that doesn't work Ava: Alright Ava: but I'll be more supportive now I know, for the record Ava: though I see your logic there, even if it didn't exactly go to plan James: it went according to an even better plan James: because here we are James: & I don't want to spoil your fun, Ava Ava: I can't even claim it as my plan, sadly Ava: 'cos I couldn't even imagine we'd get here Ava: and you won't, you don't Ava: there's more than one way to have fun Ava: every time I've met up with you has been fun and I was only drinking one of those times so safe to say it isn't required, like James: tomorrow won't be any different, I promise James: despite the fact my office has never been fun before Ava: yeah but I've never been there before Ava: obviously the issue James: the main issue, absolutely Ava: having your dad as a co-worker is probably a fair 2nd James: technically he's my boss & how often he likes to make that known is the 3rd Ava: ick Ava: 🙄 Ava: he's not getting in the book James: I'll put him in the acknowledgements for spurring me on in getting the chapters done quickly Ava: 😂 A subtle dig is the best kind James: 🖋 vs ⚔ Ava: your 🤓 brain is sexy James: I'll happily say again that everything about you is Ava: I'll be even happier when I can hear you actually say it tomorrow James: you can hear me say it now James: I'll bring you into the 🚿 with me Ava: I love you James: [okay we skipping to tomorrow for my evil cockblocking deeds] James: Teddy's here Ava: Oh Ava: to visit or put in hours? James: the latter apparently, which he has wisely decided to do when my dad isn't here to supervise him Ava: Well, good for him Ava: right, what's the plan then James: I'm gonna go get Matty, she might as well here too since you can't be James: maybe she'll annoy him enough that he'll leave earlier than he's currently planning to Ava: Cross my fingers, like Ava: she's pretty sweet overall though James: Teddy really doesn't like children though Ava: I can't imagine him interacting with one tbf Ava: keep me posted then, I guess James: he dropped Jay when she was a bit older than Matty, it can't have helped matters James: if nothing else I'll try & leave earlier than I actually need to when I go to pick her up James: it won't give us long but it's the best I can do Ava: Kids are made of sturdy stuff, if my fam has taught me anything Ava: bless him Ava: that's cool Ava: the girls were going on to the shops so I'll just join them James: okay Ava: can't be helped, can it James: not yet James: but I'm still sorry Ava: not your fault James: [sends her all the deets because he's booked her a massage since he can't give her one & she's now got loads of spare time, like ILY babe] Ava: You didn't have to do that Ava: but as far as 2nd best options go Ava: I've lucked out there, thank you James: I'm aware how frustrating all of this is, in every possible aspect of the word James: so hopefully this will help Ava: It is Ava: but you're worth it to me so I'm in if you are Ava: though probably warn me beforehand if it's that kind of massage, otherwise it could get awkward James: 😂 I have heard she's very good but I can't personally vouch for whether or not that's why she's as highly recommended as she is James: you'll have to let me know Ava: 😏 I'll let you know if your friends are shameless perverts or not, yeah James: thank you James: it would be useful information to have because both my parents have separately been there Ava: 😬 Ava: do you reckon that's ever happened Ava: having an affair with the same person by accident James: it must have at some point Ava: I mean, a thruple is the last resort of every middle-aged couple wanting to reignite things so give it a go James: thank god I'm not yet middle aged & my marriage is dead in the water James: it was strange enough when a friend made a pass at me at a party who I know had slept with her previously without seeking us it out Ava: as much as it pains me you aren't, babe Ava: she's not my type either sorry James: understandable, he wasn't mine Ava: you straight? James: shocking, I know Ava: Again, tragically not but I thought I better check 😉 James: as much as she'd probably love that to be the reason I want to leave her, it's not Ava: That cliche really is played out though James: agreed, it's not one of my preferred cliches Ava: Fine, fine, I WON'T sleep with the masseuse, you don't have to beg James: if you could not sleep with anyone else, regardless of their profession, that'd be a relief Ava: 'Course I won't Ava: I love you, there'd be no point James: I miss you so much Ava: I know, I miss you too Ava: not just because all my friends seem to have got new boyfriends at once that they all had to talk about James: two fake profiles would be a step too far, right? Ava: 🤏 just Ava: anyway, fake girl means nothing Ava: I don't wanna claim fake boy either, just you James: maybe you should come to the office & let Teddy see you, it would get everything out in the open Ava: I don't think you're ready for that, are you James: there is no way to ready myself for it though, is there? Ava: There's some ways Ava: even if you know your wife is obviously gonna be a nightmare regardless Ava: can ease everyone else in Ava: maybe mention you've met someone to him? see how he is with that first James: I don't really want to involve him to such a dramatic degree, yours is a much better idea Ava: Believe me, I wanna be there as much as you want me there Ava: but I don't wanna fuck it up James: me either, it's gotten so bad with her James: as bad as it's ever been Ava: What are you going to do? James: I don't know, I tried to leave when...after I left you & James: well, I'm still there, aren't I? Ava: It's really fucking complicated Ava: and that's an understatement Ava: it will probably be worse after, when you do leave Ava: but then, when she can't follow through with her threats, 'cos it's all bullshit, what can she do, you know what I mean James: she's said things that mean I can't risk leaving her alone with the children at all now James: not that I particularly did before but there were things I believed she'd do then & things I didn't actually Ava: You'd have to take them with you Ava: so that means you need to keep your place Ava: but I assume the chances of her leaving are slim to none Ava: unless Ava: hmm James: she's said she wants to go, start over, but that means nothing James: I know she'd refuse to just to spite me Ava: Appearance is everything with her, yeah? James: it is Ava: you need to do something that will make her leave then, feel like she's made the decision Ava: like if you were gay, something that she can't make go away on the socials James: we can't have a baby just so she'll fuck off Ava: No, I can't even have news of a fake baby getting back to my parents Ava: but seriously Ava: if we did out us, show people we were Ava: would she find a way to hack that or no? James: she'd find a way to destroy your entire life Ava: No she wouldn't Ava: she's doing that to yours, has been for too long James: she would, Ava James: she's done it before, to your sister, to any other girls she's found out about James: & I didn't even care about them the way I do about you Ava: What could she possibly say about me? Ava: I'm a homewrecker? If she wants everyone to know how unhappily married she is Ava: Everyone knows all about my weird family, I've dealt with that for years Ava: Anything she could say, I'd own up to or I'd prove wrong, she doesn't control my narrative James: even if you are right, she still controls mine James: my children's James: I'm not allowed to just take them, am I? She'll have me arrested or something Ava: Only mentally Ava: you can break that, you will Ava: 'cos she doesn't provide any finances, she doesn't look after the kids, what does she offer, like Ava: there is no hold over you but her mental one Ava: Your name is on their birth certificates too, you're as entitled to be with them Ava: anyway, you don't have to go anywhere, who owns your flat, like? James: my dad owns everything Ava: Yeah, your dad Ava: He's not going to put his grandkids out, even if he doesn't side with you Ava: and if it comes to it, he'll have to have you both out whilst you sort out the divorce Ava: there's no way she's automatically entitled to that flat, it isn't either of yours Ava: and she's not automatically entitled to the kids, especially with all the worrying things she's said, yeah James: but I'm not either, I'm an addict Ava: Recovered, literally went to rehab Ava: and let's be honest, half this town is on it to that degree but they're not owning up and calling it a problem Ava: you did that and you sorted it out James: what if they aren't actually mine? James: she's cheated as much as I have Ava: Oh, James Ava: I don't know Ava: you could find out Ava: if you were ready for that but Ava: I see the appeal of not knowing Ava: she probably does though, if she's thought to use it against you before, it's at least crossed her mind too James: as much as she's said it, I've never actually believed her James: but what if I find out that they aren't, it'll be the end, nothing else that we've just said would even have any relevance James: I can't lose them, Ava, I'd rather stay with her forever than let that happen Ava: Of course Ava: they're yours, you raised them Ava: does she Ava: stupid question but does she actually want them? James: no James: she told me she never did, either of them Ava: I don't Ava: as spiteful as she is Ava: would she keep two kids she doesn't love or want Ava: what about her parents, what do they think? James: they're both at their wits end Ava: They'd back you, then James: they know they can't back her James: too much has happened that her mum knows about Ava: If you have proof and people backing you that she's unfit to be the sole provider, then she'd have to sort out visitation and work with you Ava: and I can't see her bothering, if she means all she's said Ava: but Ava: I don't know Ava: it's scary James: if she knows it's you I'm with, I honestly couldn't guarantee anything with regards to what she would or wouldn't do James: her strange obsession with your siblings is something I've never quite understood Ava: None of this is about me, or my wellbeing Ava: I don't care, there's nothing she can do to me Ava: if that was all we were worried about I'd move myself in today but it ain't James: but what I'm saying is, she could go further than we're thinking she would with regards to the children because she doesn't want me to be happy with you specifically James: not just because she doesn't want me to be happy ever Ava: Okay, I get it Ava: So you'll either stay, forever Ava: or she'll take the kids and you'll have to battle in the courts to see them James: that's how it appears James: & if they aren't mine, she just takes them if I don't stay forever Ava: That's why if you do decide to leave Ava: you need to know that first James: I'm scared to know it Ava: That's understandable Ava: there's few things scarier that I can think of James: Matty wouldn't remember if I disappeared from her life now but Jay needs me Ava: You aren't going to just disappear Ava: whatever you decide, whatever happens, we won't let it be that James: can you forget everything I said about trying to be sober, please, I really need a drink James: lots of drinks actually Ava: Tell whoever you need to that you need to go home, okay Ava: then come meet me Ava: I shouldn't have started this conversation right now, I'm so sorry Ava: come be with me James: I can't, you've got a massage to get to & that's the least of what's expected of me James: not leaving Ava: Okay, have you got Matty? Ava: Because go do that then, spend some time with her James: I don't think I should, she'll pick up on how I feel & then nobody'll get any work done Ava: Alright, are you sure you want to stay, you'll be alright? James: I'll be fine Ava: I'll leave you to it then Ava: try to distract yourself, sure Teddy will help you James: I'll talk to you later Ava: Sure, no worries James: [later] James: I'm sorry Ava: I totally get it Ava: well, I don't, but I totally get that too Ava: I'm sorry as well James: everything is indescribably terrible Ava: Yeah Ava: it's bad James: I'm so sorry, Ava Ava: You don't have to say sorry to me Ava: I chose what I chose Ava: you didn't know what you were signing up for, how could you James: now you know what you're signing up for, if you don't want to be any more, I understand Ava: Don't say that James: I have to say it Ava: Now you have then but I'm ignoring you James: please don't Ava: I could never, you know how I feel Ava: that's not changing, it can't James: I know & you know I don't want it to Ava: I just wish there was something I could do Ava: to actually help James: you do help James: more than I can find words to express Ava: I'm not gonna bring it all up again but Ava: all I can think is we have two spare rooms at mine, alright Ava: if you ever need them James: what about your parents? Ava: I could talk to them Ava: and both rooms have bathrooms, and it's only me on that floor as well so the girls wouldn't have to feel like they've got to meet loads of new people James: but what could you possibly say? Ava: As much of the truth as they need to know Ava: Don't worry about that, they're easier to sort than any of the rest of this, yeah James: I'm fairly certain that'd be the whole truth & that wouldn't be easy Ava: They're big rooms, the girls could share or you could have one with Matty Ava: I'm saying, we don't have to say you could as easily share mine James: I wouldn't want someone as fucked up as me going out with either of my daughters Ava: You aren't Ava: it'll just be the age gap but they'll get over that Ava: anyway, the space is there, that's about all I've come up with since earlier James: thank you James: for even trying to come up with anything while I've just been James: again, I don't know what the word is, or could be Ava: You needed to stop Ava: as much as you ever can James: & now I need to see you but it can never just be that simple Ava: Does Jay have anything on tonight, like a club or a lesson or? James: ballet, so I have to stay because she hates it Ava: Fair enough Ava: Is lunch tomorrow an option or? James: I'll make sure it is Ava: Okay, I'll see you then Ava: could you do a phonecall during ballet, even for five minutes Ava: just so I can hear your voice, tell you all the things I wanna James: no promises Ava: of course James: aren't you glad you came back from holiday to all this Ava: I wasn't planning to stay there forever regardless Ava: you know how much I missed you Ava: still do James: tell me about it, or the massage, or your friends' boyfriends, anything that isn't the subject of my misery Ava: It was a good massage Ava: though the way my shoulders killed, you wouldn't think I'd just been on holiday Ava: you definitely need to try it yourself James: I'll book us in together next time Ava: That'll be perfect James: but before I do, did she try & seduce you? Ava: 😂 Ava: not enough to convince me I need to go back every fortnight 💔 James: did you not tell her I've got a best selling novel to write? Ava: Of course Ava: doing the hard sell on everyone for you, babe James: I appreciate it, very much Ava: I appreciate you Ava: What time will you be back, I'll uber eats you something for dinner Ava: you must be exhausted James: only if you order the same thing, it'll almost be like having dinner together Ava: You have the best ideas James: [a time that he'll be back] Ava: It's a date James: I'll dress up for you James: get out of these work clothes Ava: 😳 'scuse you Ava: warn me before you're gonna be that hot please James: if you were warned, you'd be less likely to 😳 Ava: I'll always blush for you Ava: like it or not James: you know how much I like it Ava: I seriously wish you were here Ava: such a waste of pink James: I wish you were here Ava: Gutted my ballet days are behind me James: she doesn't want to go, is there anywhere we actually could meet? Ava: With the kids? Ava: I hear that new soft play does a good coffee James: okay Ava: It's one place adults are actually encouraged to chat to each other so it won't be weird to Jay James: as soon as I tell her she doesn't have to put her tutu on, that's all she'll care about Ava: Bless her James: not to mention the bun, that's a war I'm happy to call a ceasefire on Ava: I'll put my hair down Ava: not trigger her 😂 James: just me then 😍 Ava: it's still a date, like Ava: got to keep you on your toes James: can we draw the line at a pirouette though please? I'm very tired Ava: alright, another time 😏 James: tomorrow maybe Ava: you'll feel up to it then? Ava: planning on a 💤 night of sleep James: you said the coffee's good James: if I actually manage to drink it, who knows Ava: Don't you know you're too big for the ball pit? James: that's an outrageous thing to say! after the day I've had, I couldn't deserve a ball pit more James: you've really devastated me there Ava: Okay, okay, I'm sorry Ava: sneaky hold my hand under the balls? Ava: please James: regardless of your apology, I'm gonna have to throw you in James: so yes Ava: 😱 Ava: now that's actually outrageous James: 😏 Ava: 😈 Ava: how you play James: with you Ava: so inappropriate to make me 😳 in soft play James: oh, so you want best behaviour? James: I can do that too Ava: No Ava: never said that Ava: I might like inappropriate James: I also think you might, let's find out Ava: 🥰 Ava: Let's James: Ava James: I seriously don't know what I would do without you James: no, that's wrong actually, I do. I'd be in such a state right now, really drunk or worse James: because it's not talking about it that's the problem James: we have to keep talking about it, okay? James: I have to figure out what I'm going to do Ava: I love you, James Ava: of course we can keep talking, I'm not going to leave you Ava: whatever you need means just that Ava: you will figure it out Ava: You will not lose them, okay, whatever that takes James: but what you need is just as important & if that's ever taking a step back, not talking about it or whatever else, do it Ava: Of course Ava: I will, I'll try James: good, I've already dragged you into this & I refuse to also drag you down Ava: You'll see how hard it is to do that in the ball pit James: 😂 Ava: Not without a fight, ever James: if they don't use that as the film tagline, such a waste Ava: They might want you as lead for that Ava: negotiations are ongoing James: you're the face, it's non-negotiable Ava: 🥺 I wanna kiss your face James: I want to press my lips against every single bit of your skin, all the time Ava: Oh James: there's never enough hours for everything I want to do with you Ava: Making up for all that lost time should be very, very good James: we're going to need days, weeks, months James: I want to give you that Ava: You can promise James: can I? Ava: Yeah Ava: we'll find a way, right? James: I promise you Ava: 💙 Ava: I promise you it'll get better James: of course, there's no crying in the ballpit Ava: not even when I beat you James: hypothetically not even then, but you won't so it's no problem Ava: 😏 that's fighting talk James: yes, it very much is Ava: Don't try to swoon your way to victory Ava: I'm definitely not that easy, nope James: I'm not Mr Darcy James: we can both do better than that James: that said, I am wearing a white shirt Ava: Shame there's not a good lake around James: but we should still go swimming some time Ava: Only if you pick the bikini Ava: tradition now James: of course, I'd hate to break tradition Ava: take you off the alumnus James: & then how would I meet girls Ava: 😲 Ava: Cheek James: that's all it is, I assure you Ava: not a threat then? James: no James: I'm not planning to lose you in the ball pit Ava: Good luck Ava: take more than a subtle hint to get rid of me, babe James: it'd be very bad luck Ava: 🍀 James: how soon can you be there? Ava: it isn't far, is it Ava: 15-20 minutes James: okay Ava: You better show up first so I can tell 'em I'm meeting you Ava: convincing a not-bothered 6-year-old I have an imaginary child is one thing Ava: reception will just be getting 🚨 James: I'll let you know when we do Ava: 👍 Ava: I'm looking forward to it Ava: even if it'll be odd to leave it at a kiss on the cheek James: & very odd for you & Jay to finally be in the same place Ava: Yeah, you sure you're alright with it? Ava: No doubt she'll totally blank me, who wouldn't when faced with the joy of soft play James: obviously it's far from ideal for me or you but Ava: I just wanna see you Ava: I'm fine with it James: I know I should probably care more but I swear, if this day ends without seeing you James: I will actually lose my mind Ava: We're not doing anything wrong Ava: you can't help it if random women talk to you at soft play Ava: have to keep you literally locked up to avoid that so James: It does happen a lot & yet I've so far avoided being chained to the wall Ava: Exactly Ava: not even anything noteworthy Ava: and I'm not gonna like Ava: overstep or be too much with either of the girls, you don't need to worry Ava: I wouldn't do that, or anything you weren't comfortable with James: I'm not worried about that James: I'd never have brought Matty over to your house if I thought it was going to make either of us feel uncomfortable Ava: 'Course Ava: you're a good dad James: but if you do feel anything close to it, with Jay or with anything, just tell me Ava: I will Ava: You're doing this well, you know James: I'm trying to Ava: And if she ever says, you know Ava: she doesn't like me or whatever Ava: then you can tell me and we won't meet when you have to be with them Ava: take it slower Ava: I know it would make it harder but I know they come first and I'm totally cool with that James: you're doing this really well too Ava: I hope so Ava: it's new territory for both of us, all of us Ava: we'll work this out too James: I trust you, Ava Ava: Thank you Ava: you can Ava: I'm not gonna let you down James: but you can, like you said, we're all just trying to get better at being people, aren't we Ava: Yeah, okay Ava: Too cocky? Ava: I'll try really, really hard not to let you down, but no promises Ava: How's that? James: I don't want you to think that me thinking you're perfect means you have to be James: 😇 & 😈 remember, mistakes are what rewrites exist for & I already made mine in trying to let you go James: you're allowed to get it wrong too Ava: I just really don't want to hurt you James: I don't want to hurt you either Ava: as long as we know that, even if we do by accident or whatever Ava: that's better, isn't it Ava: than me leaving you alone James: anything would be better than that James: but yes, especially if we know what we want & don't want James: I'd let you hurt me over & over again if it meant you didn't leave but I know that isn't what you want Ava: Never ever Ava: even thinking about it is making me hurt James: so we're not going to let it happen even hypothetically Ava: only fun hypotheticals James: like the traffic not being horrendous so I get to soft play before the children start a riot James: because we're finally ready to go Ava: That's so hypothetical it borders on a pipe dream but maybe the universe will play fair after the day you've had 🙏🤞 James: so much so that I'm hypothetically considering walking Ava: how many hypothetical stops would you have to make 'cos she wants to look at something or pick something up she shouldn't Ava: Frank can make a ten minute walk take a good thirty, easy James: enough that I could hypothetically catch my breath after all the cigarette breaks I've had today & I might not hypothetically pass out Ava: Just thinking of your health, clearly James: I should quit, again Ava: How long did you manage? James: which time? Ava: 😏 most successful time then James: 6 months maybe Ava: Not to be sniffed at Ava: longer than I've gone and I'm a shameless 'social' smoker as if that's alright James: how long have you managed? Ava: However long between whenever I've been offered one Ava: I've not tried really James: do you want me to not offer you any? Ava: Sounds like you need to catch your breath Ava: take that as you will James: okay Ava: 😊 Ava: Tell me when I need to leave James: [a long enough pause] James: you can leave now, if you'd like Ava: On my way Ava: how strict is your sweet policy? James: arguably not as strict as it should be, but I don't share that hypothetical opinion Ava: I'll stop in the shop on the way Ava: now, do I guess and see how my choice rates or do I cheat and ask you what the faves are Ava: 🤔 James: you heard me say I trust you, right? Ava: Okay, I got this James: I believe it & in you, darling Ava: 😍 you could say that again Ava: if you liked James: I've got no end of faith in you, Ava Ava: Ugh, bye Ava: I've melted James: what I'm hearing is that I'm going to have to pour you into the ball pit? Ava: If you can pick me up off the floor, yes Ava: also what I'm hearing is you want a treat too, noted James: of course I'll pick you up Ava: Actually trying to kill me Ava: I'm trying to walk, like James: if I could carry you over the threshold of this soft play centre, I would Ava: Babe 😩 James: not the time nor the place, understood Ava: Sadly not James: when the filmmaker takes certain liberties with the source material, we'll attempt it then Ava: Directors cut, yeah James: yes Ava: right, 'scuse me whilst I focus Ava: 🍭🍫🍬 important decisions to be made James: you're sweeter than any of it Ava: James James: sorry, you need to concentrate 😶 Ava: 😈 you Ava: but 😇 at the same time Ava: how do you do it? James: how do you? Ava: Touche Ava: maybe we're a good match James: I think we are Ava: What a coincidence Ava: Me too James: 🍀 Ava: [do we wanna end it here and just work out how it goes?] James: [yeah we can do] Ava: [I'm saying she went animal-themed and got her like percy pigs and an animal bar and the animal biscuits etc and got Matty some rusks or something soz baby snacks aren't as fun and then got him some candy cigarettes] James: [we all know that'd go down amazingly well done babe & I'm saying the baby made the loudest sound when she saw her again like oh hey girl] Ava: [that would be so cute] James: [we all know they already like each other] Ava: [lbr you haven't got any competition in Chloe, all you need to do is not be a massive bitch] James: [mhhmmm I'm also saying he let Jay decide what she wanted to wear because she deserves that thank you] Ava: [when you're busy living your best life so I assume you'll be alright even if you're like hello stranger?] James: [she'd be in such a good mood thankfully] Ava: [we all deserve this to be a moment, lads] James: [even if it can't be as much of a moment as you'd both like, keep it sneaky lads] Ava: [🐍[ James: [the self control required after the day they've had and how highkey their emotions are rn] Ava: [truly, at least no adults are there to pick up on what is way more than the vibe] James: [the receptionist been knew but who's she telling] Ava: [lmao imagine the amount of people conducting sneaky affairs she stay in her lane] James: [I bet they would cos their kids could not be more distracted] Ava: [its perfect tbh] James: [100% am throwing her in the ballpit excuse us children] Ava: [must be done] James: [let him be young goddamn it, he was robbed] Ava: [be young and have fun] James: [Jau just talking about soft play constantly for the foreseeable but Chloe none the wiser lol] Ava: [gonna steal your kids and your man 'cos you don't want 'em James: [they gotta come back because not only is it a great cover it'd be a really swag soft play like better than the one Louise always goes to even because posh people] Ava: [remember on scummymummies they said that one did booze lol they've got so fancy] James: [you're missing out Chlo, soz not soz] Ava: [literally no one is soz, not even your baby] James: [the baby should have her tort with her because feels] Ava: [awh yas] James: [no other kids steal it thank you] Ava: [baby fight lmao] James: [I hope not because the mum would be so judgey cos he's young & Ava's even younger] James: [not sorry we all serving looks & living our best lives at this soft play] Ava: [no one shall bring them down rn or I'll brawl] James: [but I do hope Jay's hair is the messiest it's ever been because fuck you chloe] Ava: [i always wonder what chloe is actually doing 'cos like, nothing ever is the tea] James: [truly how much shopping can you do girl] Ava: [waiting for your fairytale in your sham of a life, like] James: [ooh Ava should do something with Jay's hair that she actually likes cos maybe she's getting annoyed at it while she's trying to play & live her best life and James is like pikachu meme what is this witchcraft but she thinks he's like 😧 how dare you for the hottest of secs] Ava: [a mood just like lowkey how dare you but also how teach me lmao] James: [just falling more in love with the bae by the second over here] Ava: [queen of understated and simple shoutout to your mother for that one] James: [yas I've always loved that about Bea] Ava: [the levels of fuss Chloe is is not a mood for anyone] James: [one of many reasons Jay hates you babe] Ava: [those poor kids she ends up having like rip] James: [I hope she only dresses James now when they are going out because lord] Ava: [poor boy not a mood] James: [especially now you got the hottest bae ever] Ava: [nothing you can do to cockblock this honey] James: [she should obvs find the fake profile like immediately though] Ava: [we can do that next] James: [& if she messages it Ava will be able to see what she's like] Ava: [the delight that is, okay letgo]
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Christmas Au - Cass and Klaus
Before reading this new imagine you should know that this is an au based on my story. This was supposed to be a chapter but recently I had new ideas and this was not a fit anymore. so yeah here it is.
tags: @amirra88 @vampiregirl1797 (let me know if you wanna be added or removed)
"What are you doing here?" Freya asks when she sees me walking into the compound
"Is this how you welcome your guests? Didn't you miss me?" I say putting my bags on the ground and opening my arms waiting for a hug
She laughs and comes my way.
"Of course I did. I'm so happy to see you. Nik didn't tell us you were coming."
"That's because he doesn't know that I'm here. I came by to check on him, he has a lot on his plate right now. Well, all of you have so I came here to help."
We pull away from the familiar embrace and she pulls me to one of the sofas that adorns the abattoir.
"That's one way to put everything that is happening around here. But I'm not sure that you could help. I know that Nik wouldn't want you to get in trouble."
"I'm sure. But he doesn't have to worry about me, he already has another human to take care of. Oh, but this reminds me that I have to talk to him. Do you know where he is?" I ask knowing that I have to share this piece of information with him
"Knowing my brother's whereabouts these days is impossible. I hoped you, out of all people, could manage to track him down." Another voice spoke before Freya did and I turn around to see Elijah coming down the stairs.
"You overestimate me. But I can assure that he's okay. He's probably somewhere with Camille." I say wiggling my eyebrows when I mention her name.
I mean I don't ship them together, I'm sure everyone knows that. Despite what I think about them as a couple, I have to admit that she is good for him. Plus, she's a good person.
At my insinuating tone Elijah smirks and shakes his head. When he comes near us I get up and give him a hug.
"It's nice to have you here, Cas" he whispers after placing a kiss on my head.
"I couldn't not celebrate Christmas with you. I mean my favorite festivity should be spent with my favorite family." I say when he lets me go
"What about your family?" Freya asks when I sit back next to her
"I'm going to meet them tomorrow, actually. I'm not going to stay here for long unfortunately. I just wanted to check on the big bad hybrid and wish you all an happy Christmas in person."
Freya pouts when I mention the duration of my stay but when she's about to speak, another voice beats her to it. again.
"I forgot how much you like this festivity. It's absurd. I'm telling you sister, she gets excited like a baby." this time the voice belongs to someone I know very well. well, he's actually the reason I'm here. Klaus.
I roll my eyes at him. He likes to exaggerate stuff. It's his thing.
Obviously it doesn't go unnoticed by him, who I'm sure knows what I'm thinking, and for the first time he actually smiles at me. A big toothy smile.
I'm actually impressed. I didn't know he knew how to smile. He also opens his arms and looks at me.
This is truly a Christmas miracle.
I match his smile and actually run in his arms. What? Don't judge me, I've missed him.
We both laugh in glee when he catches me and I rest my head in the croook of his neck taking in his scent and enjoying his embrace.
One wouldn't imagine, but his hugs are actually great.
"Why didn't you tell me you were coming? I would've picked you up at the airport." he says putting me down after a while
"I didn't want to bother you. I know you're busy." I say looking into his ocean eyes. My eyes are drawn to the person standing behind him.
"Oh hi Camille. I'm sorry, this one likes to be the centre of the attention. How are you? I hope he hasn't bothered you too much." I say with a playful tone to her. Again, I don't like the idea of them together but mom thought me manners.
She smiles at me and shakes my hand looking at Klaus and then at me before speaking.
" You must be Cassandra. I'm fine thanks for asking, it's nice to meet you. I'm sure you know better than me that he can be a handful."
"As if you didn't like it" I can't help to think knowing that at this point she's deeply in love with him.
"Oh enough. You have just met and you're already conspiracing against me. I thought you liked me, Cas" Klaus cuts me off and again hints to my crush for him
"You know, it's getting old. I've already told you on the phone that I'm into Bradley James now. Get over yourself." I scoff at him.
I smile again at Cami before making my way back to Freya. We're soon joined by the rest of the family and we talk about Christmas dinner arrangements and the imminent arrival of Rebekah.
***
"Ah here are my favorites brothers! What are these pouts on your faces? Cheer up, it's Christmas." I exclaimed wrapping my arms around Klaus and Rebekah's shoulders.
They were around the fire to burn their wishes. The mood was sour for that stupid prophecy about a family member turning against the others.
"I really appreciate your high spirit Cas, you know I do. But given the situation I don't it's appropriate." replied Klaus
"Don't be a party pooper Nik. Do you really think that I would stand by and watch while you're in a tough spot? I'm actually offended. I've got you girls. Now, go and have fun." Pulling away from them and pulling them away from the fire towards the carpet where Hayley, Hope, Camille and Freya were opening gifts.
" You do realize that we are guys, don't you" Elijah says chuckling
"Yes Elijah but there's also two girls. Why should we use a male term to refer to a group of people where there's the same amount of girls and boys? This patriarchal society is also mirrored in our language, we should choose words more carefully." For someone who refers to himself as a feminist, he certainly has a lot to learn.
He doesn't reply, just puts his hands in the air like he was surrounding.
" In the midst of your feminist rant, do you have a moment for me?" I hear Klaus saying from behind me. I didn't even notice that he'd stopped.
"I always have time for you. What's up? Need advice for your night with Camille?" I hint to the sexual tension that was obviously between them. And we all know what is going to happen when everyone is sleeping.
He shakes his head and pulls me to the side where no one could hear us.
" No I don't. And don't pretend you're the more experienced one. I know for a fact that you aren't." he says smirking
"Yeah you made sure of that. And by the way, I don't think it's fair. You're here getting all the action and I'm -" I couldn't finish my sentence because I was interrupted. In the least expected way.
I was kissed. By Klaus. Klaus kissed me.
#the originals#tvd#klaus mikaelson#fanfiction#klaus mikealson fanfiction#klaus imagines#niklaus mikaelson#klaus one shot#niklaus imagine#klaus mikaelason imagines#niklaus mikealson imagine
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42 - 39
42.
Now at the bottom of the barrel, we have this abomination. As you can see by the expression worn by the wearer of this outfit, he's just not having it. The idea behind it was probably cute but unfortunately he didn't like it, having actually rated it 60%. A bonus deduction is the headband as it may be cute but he doesn't like wearing stuff on his head therefore it's an immediate no.
41.
This yeehaw fit is another no. The hat gave it an immediate deduction for reasons you now know. I don't like the jacket all that much but it's still okay. I believe that if he had to take something off just to feel more comfortable in his outfit, then the original idea wasn't good.
40.
I hate the stripes. No it's not cute, it would've been cute without the stripes. The colour itself is already bright so adding slightly less bright cream soda stripes just isn't it. The buttons on the sweatervest is cute tho.
39.
This is a light upgrade from the lime seeing as the shirt is just white. I personally don't like the pants but it does match the whole golfer theme better. At least he's not wearing stompers.
However putting the two of them next to each other on this day was not it. There was no coordination as she had a yellow skirt with a black shirt with white lacing on it and that just threw it off.
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Guest Speaker: Georgia Baul - Russel & Styling Activity
Today Louise had organised for a guest speaker to come in and talk about what it’s like to be a stylist, this was a very exciting opportunity to me to properly understand what a stylist does and the process they take during every shoot. Georgia gave us some tips about styling which were very useful, I hadn't considered any of these before and she explained it’s what makes a shoot run smoothly and to your vision. For a big shoot involving lots of people she explained its key to bring visuals (how you want the hair, make-up etc) in order to fit your vision and plans, she also explained that she likes every model to bring a piece (jewellery, clothing etc) that they love. This makes the shoot more personal, rather than using any old model it creates a story for that person making the outcome more engaging to viewers. This is something I hadn't considered but I think is key, I will be making sure every model I use throughout my project has an aspect that represents them in order to tell their story better which, my project aims to do. Georgia then gave us some tips on how to approach future clients and tips on what our emails should include when emailing clients, she also mentioned loads of photographers, stylists and creative directors whose work was with looking into. This will help my research process, giving me a head start on where to look.
Georgia then set up a styling activity which I was really excited to do, this will act as a practise trial to see what works and what I need to improve on for when I start my project. She gave each group a white shirt and asked us to create three looks using just a white shirt and some fabrics and accessories provided. Georgia previously said that each shoot needs a story so I decided to make each look based on each of my friends own personal style to make the shoots more personal.
For Evie’s shoot we based it on skater style, something Evie loves and gets into. We went with layers for this look, starting with the white shirt as a base we then layered her jumper she was wearing before hand. We made the shirt loose and free to represent how skaters feel when they're on their boards, we paired it with a black beanie hat to match her jumper and a gold chain that dangled down her thighs on top of her jeans. For location we struggled to find the best lighting, we found the stairs had the best natural lighting brightening Evie and her surroundings. Although, we found that the stairs and the number 2 in the back was similar to a tower block stairs giving the image an urban inner-city vibe which I felt represented skater youth and youth in general really well. I really enjoyed this shoot and trying to get images from different angles and moving the clothing to aid this was god fun to me however, to make this shoot better I would've liked to incorporate more accessories such as bags and props such as a skateboard, cigarette packets on the floor to make the outfit come to life.
For Mani’s shoot we based it on spring/summer themes to match what her usual style is at this time. For this theme we decided to use delicate and feminine colours that would associate with floral themes and ideas which, link well to spring/summer trends. We started with the white shirt and tied it up at the bottom to expose Mani’s torso slightly, this gave it a baggy and oversized look to represent free flowing vibes S/S looks on the runway give. With the shirt being oversized the crop the tie at the bottom brought back a feminine feel to the shirt linking nicely with our theme. We then decided to make a skirt using a bit of fabric we found, with limited resources we opted for this fabric because the colour was closest to the feminine and S/S theme we had envisioned. We wrapped it around Mani and pinned it at the back and side to get the fabric to sit ruffled and layered around, we went with a warp round skirt based on the wrap round midi skirt that is on trend currently. We also incorporated a slide slit in the skirt to emphasise the summerery and feminine vibe we were going for. We also added some gold jewellery to make sure the top half of the outfit wasn't too plain. We struggled to get the skirt to sit up right on Mani, because the fabric was too heavy the clips didn't give a tight enough grip causing the skirt to become loose and hang. Overall, I’m pleased with how this look went but I feel we should photograph this kind of outfit outside to emphasise the S/S feel. Unfortunately we count do this as it was pouring with rain outside but is something I’d like to see and try next time.
For Emma’s shoot we based it on her style as well as incorporating natural cool toned colours. For this outfit we folded the shirt to make a bandeau and tied it around Emma creating a big ruffled bow at the back, we felt this went really well with Emma’s simplistic trousers she already had on. The main focus point of this outfit is the detailing at the back, we went with a simplistic theme in order to draw the immediate attention to the detailing at the back. We found that the toilets had the best aesthetic to match Emma’s outfit, the colours of the tiles matched the colours in her outfit really well. We placed her right by the mirror to make sure we wouldn't get the toilet in the shot but her reflection in the mirror made a really nice effect , we felt this drew attention to the outfit better because you can see it from two different angles. We also decided to get some shots at the bottom of the stairs to get an all white background and se how that looked, it ended up working really well. It completely gave the simplistic theme we were going for, it drew all the attention to the outfit whilst complimenting the outfit and the colours really well. Next time I would like to have more resources to ensure that the outfit isn't too simplistic although, it turned out really well and exactly how we envisioned it.
I really enjoyed the styling task set by Georgia, It was a good practise run to see what works and what doesn't in certain situations. I’m impressed with how well our group did with limited resources, It was also interesting for me to try out the photography side of this task which will be helpful during my project. I’m really grateful for the opportunity Louise provided by inviting Georgia to come and chat with us, I know feel much more confident to start my own styling project.
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Awh, it sucks that we've been dealing with the same things. Where I live is very rural and spread out so we haven't had many cases but that doesn't mean we shouldn't still be cautious. I became a kpop fan in the beginning of '17, a couple months before the release of DWC. I'm definitely interested in learning more abt older generation groups! I wish I would've found out about kpop earlier cause I would've definitely enjoyed it! That sucks that you missed out on MX's concert. 😞 How... 1/3 -🌹💎
many kpop concerts have you been to? Also I hope you get that scholarship!!! What are you studying? (I also can talk a lot about kpop but my sister is tired of hearing about it lol) Okay! Now for some info about my music taste! Artists I like: Monsta X, Ateez, Stray Kids, Carly Rae Jepsen, Sunmi Svt Songs: Thinking About You, Call Call Call, Let Me Hear You Say, Snap Shoot I love pop, and am especially found of 80s synth pop/more retro sounds. Some of my favorite songs lately have... 2/3 -🌹💎
been Pporappippam by Sunmi, Easy by SKZ, Spark by Taeyeon, and This Love by Shinhwa. I'm not a huge fan of more "noise" music nothing against it just not my thing). I like to listen to upbeat stuff I can jam to. I actually don't have Spotify so I haven't listened to SVT's playlists unfortunately 😥 (But I added some extra info to hopefully make up for that!). I can't wait to see what you recommend!! 3/3 - 🌹💎
OOOOO 2017 was definitely a good year to get into kpop. and yeah! idk it might very well be me looking at the era with rose-tinted glasses but 2nd gen was just so fun and i miss it all the time ;; i’ve actually been to several concerts! i didn’t realize i did until i counted one day and i was like OH CRAP. but i’ve been to 11? KCon ‘12 and ‘13, Infinite, U-Kiss, BTS, Day6, Monsta X, Kevin (from U-Kiss) and James (from Royal Pirates)’s joint solo concert, ACE, and Seventeen (two times!) i could be missing some but that’s what i remember off the top of my head... have you been able to go to any concerts?
and thank you! i’m really hoping i get it but it’s super competitive so it’s going to be tough. i’m an english major with a creative writing emphasis! i want to go into publishing but ironically, all the scholarships i’m looking at are for teaching instead LOL also your music taste WOW i do approve LOL like THIS LOVE?? I LOVE THAT SONG SO MUCH UGHHHH we also have similar faves in svt songs and i also don’t really like noise music ahha i also didn’t have spotify until this year (i only downloaded it so i could listen to monsta x’s english album LOL) so it’s nice to know there are some of us non-spotifiers (??) still out there HAHA anyways i will do my best to recommend songs/groups that fit your taste!
#anon#carat anon#🌹💎#i'm actually lowkey bad at coming up with playlists so hopefully you will enjoy the one i make for you!!#lots of thinking is going into this lol#but also i'm super excited HAHA
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