#and you know. obviously i personally have my own clear ideas of everything. and i'm content with what i got. this isn't coming from a place

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.

[mllemaenad]

Listening to Wyll's backstory in context of all the details we're acquiring on devil's contracts and soul selling is fascinating.

See - I listened to Lann Tarv's three tales to get my soul coins. I felt bad for making Karlach listen to that, obviously, but to be honest I didn't even want the coins that much. I actually wanted the stories. I wanted a better understanding of how this works.

And what I'm learning is - for the gods (and godlike beings) of this world, cruelty seems to be the point. I mean - it's possible there's a god in this world I wouldn't want to stab to death with a rusty fork, but if so I have not met them yet.

These beings have the power to save people and places, to change lives, to do anything. And when someone asks them to - they demand a terrible price. But they don't just demand a price. They subvert the original request in such a way that they utterly fail to deliver on the original promise.

An abused woman wishes to be loved - and her true love appears, but dies instantly. A man wishes to save his children from starvation, and ends up personally growing masses of meat on his own body - not only painful for him, but forcing his children into survival cannibalism, which they were trying to avoid.

Auntie Ethel works the same way. Every one of her customers is left in a tortured state, while Ethel still takes her payment.

The idea is that the person must come to regret their wish long before the payment comes due. Every cry for help must be met with a boot to the face. Or else the mortals will get uppity? Or something.

What is interesting is how consciously Wyll defies that. And how much Mizora is dancing around, trying to force him into that state of miserable regret.

Wyll was manipulated into selling his soul. He was a kid, and he was summoned into a terrible situation - and in that moment, he could see no other way to save the city. Mizora did need to save Baldur's Gate to serve her boss's purposes, so she couldn't take that victory from him - but she did everything she could to take the joy of it.

He didn't get respect, or admiration, or his father's pride for saving the city. He lost his home and his family. He was assumed to have done something monstrous because he was denied an opportunity to defend himself.

That was supposed to fill him with bitterness and regret - but he got to work building his own life instead. By the time you run into him, the Blade of Frontiers is a hero of some renown. He's remade himself, and found a way to enjoy what his powers can do, however he came by them.

So that didn't work.

Then Mizora sent him after Karlach, and that was a mission tailored to break him. Karlach is kind and heroic herself, and that the start she has been sold into slavery, mutilated and forced to fight in a war against her will. If Wyll killed her, and then found out who she really was, then he betrayed everything the Blade of Frontiers is supposed to stand for - and he would lose the life he made for himself.

But he didn't, and that didn't work either. He's got a friend, now, who at least knows part of what he's dealing with.

So Mizora gave him demonic features. That would destroy the life he's made for himself, because no one would trust him to help them.

Except now Wyll basically goes nowhere on his own, and a small army of people can attest that he got those horns and eyes as punishment for being a good man. Mizora might be able to shut his mouth, but she can't silence his friends - and the group absolutely have shouting sessions about everything. Wyll's horns become a battle scar, like his missing eye, and nothing more.

And beyond that, if you are playing as a heroic character, a significant throughline in the game's story is the journey of the tiefling refugees. The story makes it clear that these people experience a constant barrage of racism, due to their appearance and "demonic" heritage. It also makes it abundantly clear that this prejudice is entirely undeserved - they're just people, with virtues and flaws like everyone else, and what is happening to them is terrible. So Wyll turns up to assist a bunch of people whom he now at least somewhat resembles - and with Karlach along, you have two people in the group who technically count as "infernal", but haven't got an evil bone in either of their bodies.

Mizora created solidarity. Oops.

Wyll is deeply suspicious of gods and higher powers. He doesn't want to make more deals with devils. When Elminster arrives to tell Gale what Mystra demands of him, he explicitly says he does not do religion. When you get Mizora to agree to let his contract expire in six months, he starts by casually invoking the gods - but switches to thanking the player character instead, because he knows who helped, and who did not.

But he utterly refuses to regret the pact he made. That can be a struggle. He clearly misses his dad, and would like that relationship repaired. The fact that he was transformed very much against his will is clearly a source of distress from him.

But if he regrets, then Mizora wins. That's it. Game over. She gets what she wanted all along. So he doesn't.

The main companion characters all have this kind of problem, and naturally have different ways of dealing with it. You have characters like Shadowheart and Lae'zel, who were indoctrinated as children, or Gale, who was literally seduced by one of these nightmare deities - and with them you have to start out by convincing them they they were the wronged party in the first place.

But Wyll knows exactly what game he's playing, and he's been screaming defiance the whole time. It's just that, in his case, the "defiance" is grinning and carrying on every time Mizora inflicts some more bullshit on him.

[lucystark12]

what are you thinking, finn wolfhard?

everything i'm about to say aligns with my finn wolfhard is a genius agenda.

it was just made apparent to me that not only did finn wolfhard film it 2017 before season two, but he filmed his scenes as boris in the goldfinch literally DAYS before filming season three. this is extremely hard for me to conceptualize. but it also makes me think about finn wolfhard himself who obviously knows the truth about mike wheeler's sexuality. if byler is as deep seeded as we want it to be, odds are that finn knew what was up from the beginning. which makes a girl think- did he know the same about richie tozier when he first played him in 2017?

lets look at richie a bit.

richie is obviously gay. i will not be taking arguments on this. i'm reading a reddit thred right now where people are debating it and i'm like- are you kidding me. but he wasn't gay in the source material. stephen king has stated as much in a vanity fair article. though he calls andy muscetti's choice "genius" (which it is, btw), he makes it clear that it wasn't his intention. it's explicitly clear in it chapter 2, and being wired like a byler shipper, i was able to suss it out in the first movie, but was that andy muscetti's intention to begin with?

there are many ways this change can be interpreted. assuming that it wasn't something that was explicitly written into the original character description for richie in the first movie, you could see this as something that was put in as a sign of the times, a statement if you will. it chapter one was written in 2015-2016 while we were still under obama's presidency, one that saw drastic improvements for the quality of life of a gay person in america. it chapter two was written during trump's presidency and could have been trying to brand itself as a statement of sorts. i only say this because as far as i can find (and PLEASE tell me if i'm wrong) there wasn't nearly as much evidence hinting at richie's sexuality in the first movie as there is for mike or will to use a relevant example.

the idea that finn wolfhard could have gone straight from it filming (summer of 2016) to stranger things filming (early november 2016) just having played a character who he knows was in the closet and in love with his best friend in the 80s could open up new interpretation to mke in season two. oddly, the reason i bring this up is because richie tozier to me is the mirror image of a kid i was friends with in middle school. they acted the same, they even weirdly looked and dressed the same. the only time i've ever made the comparison between middle school kid and mike wheeler was during season two, specifically in the scene where max leaves them the note, which leads me to believe that he could have carried other things over from other aspects of the it production.

season two isn't what really concerns me though. i'm looking more at season three. the goldfinch only moved to production in albuquerque in april of 2018, which is obviously where finn wolfhard filmed all of his scenes. however, stranger things 3 started production on april 23rd, 2018, which means there might have even been crossover between finn's shooting dates if not at least a very short gap of time between them. it chapter 2 was filmed that same summer likely with some of it's own crossover with stranger things three dates. finn wolfhard's lack of scenes in the second movie are probably what made this possible, but the scenes that he did have tackled very delicate topics that had to be handled with care. most actors get their scripts for minor roles like this a few weeks out from filming, which means that finn could have had his scripts for it chapter 2 that very explicitly make it clear that he's gay during filming for stranger things 3.

so here he is with one gay character right before season 3 and one right after. he knows how to handle these things, which means that every move he's making, especially in season three, is most likely intentional, especially if he knows this far in advance about mike's sexuality. i think it's totally feasible that he does. i'm fifteen and i understand what was happening between byler during the fight scene, finn was sixteen and, being a part of this show, probably understood what was going on too even if he wasn't outright told. doing justice to a season like this when he was also having to figure out scenes like the boreo taxi scene or the arcade scene with henry bower's cousin or r + e was probably at the forefront of his mind.

in conclusion, i just have one question:

what does this mean, finn wolfhard?

[lemotmo]

They're in complete meltdown 🤣🤣🤣. She posted multiple questions at once, I sent everything. They're so bad at this 🤣. Enjoy!

Q. I have a college degree I am more than capable of comprehending the media I consume, certainly more than you are. I know what I'm watching when it comes to Tommy. Tim only came at us so you all would stop running to him crying.

Q. Love how wanting more of and for Tommy makes us the bad guys. You all are so pathetic. Tim's no better, he should have told you all to grow up.

Q. You all are so afraid of Tommy taking Eddie's place on the show and your desperation is showing. We all know Ryan's only there because Tim thinks he's hot.

Q. Tim should be embarrassed by that interview. How immature to call out your audience because we rightly told you that you weren't giving us what we wanted. He brought Tommy in he doesn't get to be upset when we tell him he isn't using him correctly.

A. I posted all of these together because this is what mine and many other ask boxes look like tonight. I will answer these questions jointly instead of one at a time. I want to first point out to all of you that you once again tattled on yourselves. You all seem to have a bad habit of doing that. First tattle was that you all clearly understood that you were who Tim was talking about. The second tattle was the one where we all said Buck didn't matter to you, and these questions prove us right. Buck isn't mentioned in any of these asks. The other thing these asks did though, and I'm positive you all weren't aware you were doing it, is confirm that you are indeed aware of the story the show is actually telling. Pretty sure you all didn't mean to let that little mask slip. Whoops. I do want to address the first ask for a minute though because, anon surely you aren't implying that a college degree is required to be on Tumblr.com discussing fictional television characters? The only qualification required is show/character knowledge (you know that thing many of you don't actually have). But if this is a personal dick measuring contest with me I have a double major in journalism and public relations and my minor was in political science. Does that qualify me to talk about Buck and Eddie being fond of one another? Or Tommy not being the right guy for Buck? What degree is required to be qualified to participate in fandom?

With that out of the way, let's jump straight into the interview since it's what set you all off. We need to acknowledge right away that Tim has spent his entire career dealing with fandoms. Buffy, 911, Lonestar. The man has seen some fandoms. The fact that he said he has never seen anything this ugly should embarrass and alarm you. I know it doesn't do either of those things, but it should. It's also probably very confusing for him because Tommy is very obviously being written as temporary so I'm sure this entire thing has taken him by surprise. But let's start at the beginning. Tommy came into the show at a clear disadvantage, and as a result many things needed to break perfectly in his and his fans favor for him to have any hope of moving the needle on the original storyline. One, everyone important involved in creating the show is firmly in the other ships camp. He needed to convert some pretty important people, that doesn't appear to have happened. Two, his scene partner on the show, Oliver, is also firmly in the camp of the other ship (he is in fact co-president of their fanclub), he needed him to at least be open to the idea of this relationship semi long-term. That very clearly didn't happen. Oliver checked out immediately following episode 6. He has been crickets ever since. Third, he needed a significant portion of the audience, a significant portion, to vocally become Tommy fans. That also didn't happen. He made a fandom dent of his own, and some of you all certainly tried very hard to appear to be many different viewers, but, again, you ratted yourselves out, so that plan didn't work. Lou needed all three of those dominoes to fall in his favor and he went 0 for 3. On top of that the fans that he did amass were described by Tim today in a very unflattering way. And that's putting it politely.

I will even give you the benefit of the doubt and say that the joint interview they sent him and Oliver on was testing the waters (it wasn't but I'm giving you the benefit for argument sake). If that had actually been a test, it was a massive failure. The only thing that interview accomplished was confirming their mutual disinterest in one another. They both tried for a brief minute but neither one was committed enough to the bit to really make an effort. Oliver's season long lack of even being interested in pretending was a death nail even if anyone behind the scenes was willing to think about it. What will be interesting to see is how long he actually sticks around for this season. Because I now believe it will be shorter than they probably ended season 7 thinking it would be. He was never going to be anything major, but I do think once they slowed the original storyline down they had plans to keep him for at least 8a, maybe a bit longer. Now I think he'll be lucky to make 3 episodes. There's a growing part of me that wouldn't be surprised if they did in fact decide to go the off screen breakup route. I raise that theory by suggesting they only released that deleted clip because they needed the audience aware that conversation took place, because it's going to be referenced in a scene in either episode one or two. I still believe the show needs him for at least a couple of scenes. Technically they could have Buck narrate why they broke up, but Buck is a notoriously unreliable narrator. Especially when it comes to himself. He'll paint himself as the bad guy, and this break-up doesn't need a bad guy. It's being written as a bad FIT. There's a difference. But if Tim, or especially ABC, believes Lou ended up causing more trouble than he was worth (he did) they'll cut their loss and explain the break-up and reasoning behind it (that's the part they need Tommy for) another way. It can be done though, it just won't be as cohesive as actually using Tommy to show it. In short, anons, the only thing Tim's interview today confirmed was that Lou's cameo nonsense did in fact create a mess that Tim, and company, are not at all happy about. Congratulations you played yourselves.

On a side note I didn't address the Eddie ask because you all have spent the entire off-season trying to hijack his entire character history to turn into Tommy's backstory. I think that proves who's actually afraid of who. And Ryan is hot. Tim is so valid for thinking that, but it's not the reason he has the job. But you knew that already.

I must admit that the OP has more patience than me. I got so angry seeing those questions she got in her askbox. I would have probably ended up deleting a bunch of them.

That being said, I love this answer so much. I agree 100% with everything here.

I think this deserves another one of these:

Thank you Nonny for dropping this in my inbox!

Heads up! For anyone who is giving me the shifty eyes for reposting these anon OP updates instead of reblogging. Don't get mad at me. There is a reason for it and it's all done with consent from the OP. You can find out more about that here.

Remember, no hate in comments or reblogs. Let's keep it civil and respectful. Thank you.

If you are interested in more of the anonymous OP’s posts, you can find all of their posts so far under the tag: anonymous blog I love.

[antianakin]

I found this on Tumblr and wanted to get your thoughts on it. So, that quote was from The Acolyte that the head witch lady says to Sol, and I knew that some would reference Anakin and Order 66 because of that line. But, I wasn't expecting them to mention that scene with Qui-Gonn.

Also, I don't know why some would compare Qui-Gonn to Sol cause Sol was overly emotional. He was impulsive, insistant on Osha to be his padawan, and wasn't composed. Qui-Gonn was more put together, and he spoke with reason even when he was denied by the council. I just can't wrap my head around this. The jedi aren't supposed to be emotionless. They just can't let their emotions mess with their judgment, right? So, why make Sol like this?

I have no idea what the "choice" thing is about lol, I'm not sure I want to know given everything I already know about this show.

I feel like I've made my thoughts about Acolyte fairly clear at this point. It's not shocking that there's a direct reference to Order 66 that condemns the Jedi and blames them for their own genocide. Headland has made herself EXTREMELY clear in basically every interview I've seen of hers where she discusses the Jedi and her ultimate thesis about them in this story. This is why I boycotted it and will never try to watch it even after it ends. Nothing in this show is meant for fans like me because I am not going to find it compelling or interesting or enjoyable to watch. I'm willing to bet every single person who loves Acolyte and thinks it's incredible probably hated the Obi-Wan Kenobi show (a show that was intentionally trying to feel like the Prequels and refuses to place the blame on the Jedi instead of Anakin himself), so whatever. I got mine.

As for Sol and Qui-Gon, they're not basing him on CANON Qui-Gon, they're basing him on FANON Qui-Gon. They obviously think that it's canon Qui-Gon, but it's not. Sol is based on Filoni's Qui-Gon, the Enlightened One, the man who was the embodiment of What a Jedi Should Be specifically because he "defied the Council" and was labeled a "maverick" as a result. People have taken the fact that Qui-Gon questions the Council somewhat regularly and decided this means that Qui-Gon like... understood what being a Jedi meant BETTER than the rest of the Council and that the Council's version of being a Jedi involves suppressing/repressing your emotions, so therefore Qui-Gon doesn't do that.

Some of this is also based on the fact that Qui-Gon believes Anakin was the Chosen One and the Council seems a little skeptical about that, but Qui-Gon is obviously right about this and so the assumption is that Qui-Gon is more connected to the Force or more clued in to its will than the rest of the Council.

This takes the whole "the point of the Prequels is that the Jedi were corrupt" interpretation and the conflict seen between Qui-Gon and the Council and makes some assumptions about Qui-Gon's character as a result. If the Jedi Council represents everything WRONG with the Jedi in this era, and the Council is in opposition to Qui-Gon, then naturally Qui-Gon must be everything RIGHT with the Jedi.

So when you take all of this together, despite the fact that Qui-Gon in TPM is actually pretty reserved himself, it leads to this interpretation of Qui-Gon as someone who just trusts his emotions above everything else and feels them more than any other Jedi does, which leads us to Sol, who is more visibly emotional. Since I haven't watched the show, I can't speak very well to how he's intended to come across, whether those emotions are meant to make us believe he's more enlightened than anybody else or not. I do know that the actor himself has said he explicitly based his character on Qui-Gon, so take from that what you will I guess.

Headland's views on the Jedi would impact her views on the Council as well, and a LOT of Jedi critical fans tend to laud Qui-Gon as some kind of enlightened messiah, so it doesn't shock me that she views Qui-Gon this way herself and made a character in her show that sort-of emulates her interpretation of Qui-Gon. Qui-Gon is VERY important for fans who interpret the Prequels as being about the Jedi's failure, so since Headland is writing a story about the beginning of the Jedi's downfall, it makes sense that she'd include a character based on someone she interprets as the last remnant of "what the Jedi should've been."

[vioartemis]

Mine (part 2)

(Wednesday Addams x fem! reader)

Summary: Your girlfriend's stalker seems to know a lot about your breakup with Enid... Part 1 || Part 2 Warnings: none a/n: I struggle writing lately, but I'll try to motivate myself more because I have so many ideas 😭 (English isn't my first language, I'm sorry if there are mistakes or if something doesn't make sense TvT)

A few months after you started dating Wednesday, you discovered your girlfriend had a stalker. Neither of you had an idea of who it could be, but one thing was clear: this person was up to no good.

The raven had already been threatened multiple times by her stalker but didn't pay any attention to it, thinking it was just a prank. It was only when her stalker started threatening to hurt you that she started to be worried.

You were her whole life, her reason to live. She couldn't lose you; she wouldn't know what to do without you. Now that she had you, she was ready to do everything in her power to make sure you would remain hers. Forever.

Her only problem was she didn't know who the stalker was. Usually, she would have just investigated to figure it out, but she couldn't bring you with her, knowing it might be dangerous. She also couldn't let you alone while she was away, that would give the stalker a good opportunity to hurt you.

In this moment, she almost regretted you had no friends anymore. Almost. She still believed she was all you needed.

When she had to leave you, even for a short amount of time, she would ask Thing to stay and keep an eye on you, to make sure you were safe.

What she didn't know was that the stalker -whoever it was- had no intention to harm you. Not physically at least. Of course not. Even if you were to die, the pain caused to Wednesday wouldn't be enough. She had to suffer. And they had found the perfect way to do so.

One day when Weems had called Wednesday in her office, you received a text from an unknown number.

'Your girlfriend is a toxic, manipulative liar. Here are the 'proofs' of Enid cheating on you. It's Wednesday who edited the pictures and sent them to you.'

You couldn't believe your eyes. Even with the screenshots sent by the stalker -because it was obviously them- you couldn't believe it. You didn't want to.

You decided to wait until your girlfriend got back from Weems' office and confront her.

"I'm back my love, did something happen while I was gone?" she asked right away, as per usual, the second she stepped into the room

"Actually... yes, something happened. I uh... I received a text, probably from the stalker"

Wednesday snapped her head at you the moment she heard the 'yes', blinking.

"What? Show me."

You purposefully held the phone away from her.

"Answer me first; were you the one who sent me the pictures of Enid 'cheating on me'?" you asked as calmly as you could

She certainly was taken aback by your sudden question, and it was clear she was thinking of the best answer to give you.

She could lie to you, tell you she didn’t do anything. But if you had real evidence, you would hate her if she lied. More than you would hate her if you knew what she’d done.

She was going to have to tell you the truth, it was the best thing to do to make sure she wouldn’t lose you.

"Yes. It was me."

You felt your heart sink at her words. You would've never thought she would do something like that.

"... Why?"

"It was for your own good, Y/n, I-"

"For my own good? You hurt me for my own good?" you cut her off, your anger building up "You ruined a perfectly good and healthy relationship that made me happy!"

"She wouldn't have made you happy a long time. You were not meant to be. I know I am the one for you. Aren't you more happy with me, cara mia?"

She spoke calmy and took your hand in hers softly. This simple touch was almost enough to calm you down.

"I am. But this... this is not healthy. Everything is based on a lie..."

"I did it for you. For us."

"No. No. You did it for you."

The anger was back, and made you snatch your hand away from hers before continuing.

"It was never about me. You just couldn't bear to see me with someone else. You had to have me all for yourself, didn't you? No matter how that would hurt me."

"No, that is not-"

"It is. It's exactly what it is. You're just selfish, Wednesday. Did you ever even considered the fact that I might not develop feelings for you? That you might have ruined my life?"

She did not consider it, not even once. She was sure you would love her because you were meant to be, weren't you? She could feel it. She couldn't explain it, but she knew you were made for her and vice versa.

She believed you were her soulmate, but she never realized she might not be yours. That would be cruel. And not how she liked it.

"Y/n-"

"No." you raised your hand and grabbed your bag "I'm going to my dorm. Don't follow me."

You didn't let her say anything else and stormed out of her room. You were angry and felt betrayed. You just wanted to be alone.

Wednesday watched you leave, her stomach twisted uncomfortably. She wanted to follow you, to call you back, to do anything to make sure she wasn't losing you. But you told her not to, and it would upset you more if she did.

She couldn't lose you. Not now, not after everything she'd done. You loved her, she knew it. Yet, she couldn't help but feel nervous. What if you went to Enid? What if she still loved you and tried to get you back?

She didn't have news of you for the next two days. You were doing your best to avoid her, and she didn't like it. It was torture -and not the good kind.

It was torture for you too, as much as you hated to admit it. You missed her so much. It was almost concerning how fast she got you addicted to her. You wanted to come back to her, hug her, kiss her... But you were mad she lied to you. And you wanted her to understand that.

But again, you missed her. So so much. You had trouble sleeping at night without her, and during the day you just missed her sarcastic remarks, the feeling of her hand in yours, the way she looks at you like you're the eighth wonder of the world.

You just couldn't stay away from her any longer.

You barged in her dorm after classes that day and grabbed her face to kiss her, not even letting her the time to understand what was happening.

She was taken aback by your sudden arrival after three days without even looking at her, but that meant you weren't leaving her, and that was the most important to her.

She held you close, hands on your waist, while she kissed you back. She'd missed that as much as you did.

After a moment, you pulled away.

"I'm still mad at you. But I just can't seem to be without you..."

"Cara mia-"

"No, let me talk, please"

Your girlfriend looked at you and nodded, a bit nervous about what you were about to say next.

"No more lies, and no more things like that, okay?"

"Of course, mi amor. I promise you I will be fully transparent now."

You smile at her words.

"Okay, I believe you. I love you Wednesday"

She nodded at your answer. She was relieved that you believed her, that you still loved her.

If she was determined to discover who her stalker was before, now she was ready to do everything in her power to figure it out. Whoever it was, they tried to take you away from her. And that she would not forgive.

[Previous part]

[mrs-snape5984]

“I was held in chains but now I’m free…”

“Hey, little train! Wait for me! I once was blind but now I see. Have you left a seat for me? Is that such a stretch of the imagination?” (“O Children” by Nick Cave & The Bad Seeds)

I feel obligated to set up a trigger warning on this post, since I’m mentioning thoughts of suicidal ideation in my text. If you’re feeling uncomfortable with this topic, please feel free to ignore the following four paragraphs and skip right to my praise for the incredibly talented artist of this comic strip.

As already mentioned in some of my latest posts, I’ve commissioned some of my favourite artists here on tumblr for a special project of mine: My afterlife project.

I’m suffering from multiple autoimmune disorders, which probably have paved the way for this bitch of a disease, ME/CFS (myalgic encephalomyelitis/chronic fatigue syndrome), two years ago. Sure, my life already wasn’t the easiest before, but since then, it came to a standstill. More and more, I lost my abilities, my social life, my place in the society…and surely even my participation in my own family. My days are mostly spent in bed all day and night, surrounded only by darkness and solitude.

Patients with severe ME/CFS might die earlier than expected, due to multiple organ failure and - yes, I have to admit, that this reason is, indeed, undeniably relatable (and alluring) to me - suicide. With each passing day, that I’m doomed to “live” with these confines of my personal hell… imprisoned within myself without any chance to escape… death appears to be a welcoming friend, who’s only awaiting to pull me into a tight embrace. For me, it’s like it’s written in the following poem (“Joy in Death”) of Emily Dickinson…it will be good news and maybe even a relief…not just for me.

I know, I can’t leave, yet… and that I have to stay as long as endurable - at least for my children’s sake - but… yeah, BUT… but, damn, I’m tired. My personal limits are set… my lines are drawn… my responsibilities are cleared and both of my closest friends are informed about my pathetic little wishes (please, play that goddamn song for me!). I’m prepared. But for now, I have to stay…. to fight a little longer… to be a mom, even though my kids only see me for a few minutes each day… a mere shadow of the mother, they used to know. It’s a fucking shame!

For this particular part of my afterlife project, I’ve commissioned my sweet friend @sleepybradipo, who will always be my first choice to draw my vision of the young Severus in his own uniquely tender art style, which I’m so weak for.

In my imagination, I will be able to choose, how my eternal life will look like. Finally, I’ll be with Severus! We’ll meet at the age of 11 years and eventually spend the rest of our lives side by side...growing old together. Severus and Jukes will finally get the life, they’ve always deserved to have. I’ve started to show sections of this existence by Severus’ side in some of my other posts, which belong to this project. It may sound strange and pathetic (obviously), but this is all, that I'm wishing for. I want to come home to him.

For this artwork, I asked @sleepybradipo to make the process of “renewing” visible…almost like some kind of resurrection! Jules is stripping off her old, exhausted self, only to be 11 years old again…happily running towards the 11 years old Severus, who’s waiting for her.

Ivano, at first, I felt guilty for my request for this commission. I’m constantly afraid of becoming a burden to others with my ridiculously morbid thoughts and ideas. But you, my dear friend, made me feel seen with your kindness and compassion. Your understanding of my fantasy and the way, you’ve realised it in this mesmerising piece of art, are absolutely breathtaking! I don’t know, how I could possibly show enough gratitude to express, what your art is doing to my black little heart. It’s like a bandage…a soothing balm… a comforting embrace. Thank you for everything, Ivano.

🖤Severus & Julia🖤

🖤Sevy & Jules🖤

PS: I have to apologise for my repetive use of terms in my writing this time. The lack of coherence might be caused by my current “crashing” condition and a weird cocktail of different medications. I’ll try better next time, but it was important for me, to show this heart-wrenching composition of art as soon as possible. Your work needs to be seen, Ivano!

[crumblinggothicarchitecture]

I was so impressed with your toe-to-toe comment on the French philosophy anon. So happy to have found you, omg! I heard Taylor called her ttpd set as the "female rage musical." I take it she knows the impact of the song Labour by Paris Paloma which has been dubbed as the female rage anthem. So naturally, here is the 34 year old culture vulture, can't-have-any-ideas-of-her-own that is Taylor Swift hopping there wanting to get the attention away from it when that song is quite phenomenal. One song compared to her 31 diss tracks that's nothing to me, at least, but the excessive sentimentality of an infantile woman in her 30s. It's gross the confessions she's put on that album. And even her own fans are comparing her to Olivia Rodrigo. That's she's copying everything about her - song, outfits, the "female rage" theme just to mock her. Somehow, Swift thinks it would do her a world of good. People are catching on to her antics which are absolutely disgusting, btw. I'm hoping one day you write about all these completely ridiculous gross things she's done using her own lyrics. You know what I mean? I hope someone write about her nasty lyrics and that it completely destroys her.

Thank you ha, I'm glad you found something meaningful in that post. I will not lie, that Anon actually hurt my feelings for a second (I got over it by writing my response), but I was upset at being so misunderstood. I'm not out here levying unreasonable criticism at Taylor Swift. All will be based on reality, or interpretation of her own lyrics.  I’m defs out to get her though- in the most legitimate way possible- and maybe someday I will publish for real on her. I have a couple of criticisms that I will not be putting on my blog- because I want to say it on a bigger platform. : )  

I do see a lot of harmful things in her music that I have been resisting the urge to write about for YEARS! Even back in 2009, listening to "Love Story" I remember thinking to myself, oh this is nothing like what Shakespeare meant and it's also a weird appeal to the patriarchy through the "I talked to your Dad/ Go Pick out a white dress." It's so clear that she's just reduplicating mainstream attitudes on romantic relationships by using Christian Conservative social standards of needing the father's permission to ask the girl's hand in marriage. She obviously wanted to attract the Christian- Conservative fan- base with that song, and that's exactly what happened. Her marketing is tied to the phrases she places inside her songs in a way that is extremely calculating. She, Afterall, learned from the best at attracting mainstream, Christian, conservative fans, Toby Keith (hate that fascist, white nationalist freak). (WHoops, that was mean- oh well, he’s dead anyway). (and if he wanted me to be nice- he shouldn't have been a fascist).  

It's so obvious, and I really figured everyone else was also aware of the ways in which Swift interpolates patriarchal standards in her music. I have many more examples- I could write a whole essay on it.  

Apparently, everyone thought she was a feminist? Bro, she became a "feminist" if only to evade criticism and capitalize on mainstream pop-feminist trends. She's not a real feminist. Her use of “feminism” to evade critique ties directly into her other marketing strategy of telling the world “I’m so innocent and young” all the time. 

Also, her co-opting of the phrase Female Rage has made me angry, exceptionally angry. I saw that she's trying to trademark the phrase. I am incensed. I will post about it soon. 

I wish Swift would stop co-opting legitimate terms and pulling only the most shallow- self-centered conception of the term out to use in her mediocre music. She’s like if Pinterest was a person- and I’m tired of it.  

Paris Paloma’s “Labour” is amazing, because guess what- it actually speaks about the experience of women under patriarchal standards in a way that respects the seriousness of the topic. I absolutely believe that Swift saw how viral that song went and decided she needed to cash in on that too.  

And she is totally copying Olivia Rodrigo. Can you imagine being 34 and trying to act 20? I would die of embarrassment. But it's so obvious that it's getting weird.

I have much more to say on this topic- sincerely I could write a book on the conceptual point of “Female Rage” in media. I have thousands of examples, and I’ve been studying this stuff for years. I will, however, ramble on no longer. Thank you for your kind words- and I hope you enjoy my upcoming writings.

[l8rs-gat0rs]

You got some time?

Pairing: Carol Danvers x AFAB Spider person!reader

Warning(s): smut ;) , flirty Carol, reader is also kinda a flirt, CAPTAIN KIIIINK, Carol using her powers in you in you, degradation, moderate fluff, Dom Carol is a warning itself.

Summary: The Captain's got some free time on her hands and so do you, you decide to have a night out because superheroes don't get many of those. As the night goes on, Carol decides time isn't the only thing she wants her hands on and you have the exact same idea.

Word count: 3.4k

I know, I know, I have requests to finish but my brain would not let me write them until I finished this one. I will get to the requests soon! I swear😔

Happy kinktober btw!!!! One of the best times of the year if I do say so myself😌 I obviously didn't participate in all 30 days bc I've tried in previous years, and it did not work out Haha, but here's at least one fic for Kinktober before it ends!

Side note for story purposes: I know a lot of people have their own spider personas with suits they made for them, which might I add, I've loved looking at all the artwork of! Buuuut, just so one or two of the scenes make sense, the reader's mask is kinda like Jessica drew's. The one in the comics, not across the spider verse just so we're clear. Like, the nose, mouth, and chin are open and the reader's hair is out from the top.

~~~~18+ MINORS DNI~~~~

You swung through the streets of Queens, smiling as you saw people point at you excitedly.

You were doing your evening rounds and all was looking quiet, thankfully.

You swung onto a rooftop and landed gracefully.

You had to say, you loved New York City. You grew up with the sounds of cars honking all night outside your window, you found it to be charming rather than annoying.

On top of all the warm memories and friends you made in the city, one of your favorite things in the world, nothing could beat the view of the sun setting behind all the buildings and skyscrapers from a rooftop.

"It never gets old does it?" You heard a woman's voice behind you.

You turned around as she landed, recognizing her voice.

"Carol" You smiled.

"Hey spider girl." She smiled at you, using one of your titles endearingly.

"Captain." You said right back.

If you weren't staring at her so intensely, you wouldn't have caught the slight falter in her confidence as she looked away, clearing her throat before looking back at you.

However, before you could comment on it she locked eyes with you once more and spoke.

"I'm kind of jealous you've had this view all your life." She spoke quietly, moving to stand next to you and gaze over the view you had previously been looking at.

You turned around and smiled.

"Yeah, well I bet nothing beats space." You smirked and nudged her with your elbow.

She chuckled, turning back to look at you.

"It's not all that, lots of emptiness and darkness if I'm being honest, and I miss the people."

She turned back to the sunset before continuing.

"I like this much better." She sighed.

The sun shone a beautiful golden light onto her face. As the wind blew through her hair, the sun made it shine even more golden than it already was.

"Yeah, me too." You said softly.

She turned to you and smiled, a faint blush reaching her cheeks as she realized what you meant.

"Ew you’re so cliché," she punched your arm lightly, causing you to laugh.

"So everything clear on your front?" She asked, turning to you.

"Yup, just finished my evening rounds. There's no sign of any supervillains, and I left a guy webbed to a pole for the cops. Surprisingly quiet other than that." You shrugged.

She chuckled causing you to smile at the sound.

"Well, it's all quiet on my end as well, sooooo...." She wiggled her eyebrows at you.

"Soooo?" You responded curiously.

"Come on! We finally both have some free time, let's do something together!" She exclaimed.

It was true, you usually didn't have free time, and when you did, Carol wasn't free.

After thinking about it for a minute, you agreed.

"Alright, what did you have in mind?" You smiled, causing her to jump in the air and clap.

"How abouuuut, we watch a movie?" She pitched after calming down.

"Hmm okay, what kind of movie?" You asked absentmindedly walking up the side of the water tower that was on the roof.

Carol lifted her head to watch you as she mused.

"What about a rom-com?" She asked with faux innocence.

You stopped in your tracks as you stood upside down from under the water tower.

You attached a web to the underside and slowly descended, still upside down, till you were in front of Carol, her eyes following you the whole way down.

"A rom-com you say?" You smirked.

"Yeah, why not?" She shrugged.

"What's with the smirk?"

"Nothing, nothing....So is this like...a date?" You swung lightly, your hair swaying with you.

"So rom-com equals date to you?" She smirked.

"No, but you specifically asking me to watch a rom-com with just you, feels like a date."

"Okay, then what if it was a date?" She shrugged.

"Then I wouldn't be mad" You smiled, still hanging upside down, but stopping your swaying.

"Then it's a date." She said, moving closer to you, while watching your lips.

"Isn't this a bit cliché?" You whispered with a playful smile, referencing her earlier comment.

"What, you want me to be upside down too?" She joked.

You laughed before stealthily turning yourself upright and landing on the floor, letting go of your web.

"I mean we haven't even been on the date yet, Danvers." You chuckled.

"Fair enough, I can wait." She said coolly.

"Who said I was kissing you at all tonight?" You shot back.

"I just have a feeling," she smirked before turning to walk away from the water tower.

You followed her, smiling at her confidence.

"You look good in the mask by the way." She added, not turning around.

Your face felt hot at her unexpected compliment.

"Th-Thanks" You cursed yourself for stuttering.

She looked over her shoulder and smirked at your response.

"No problem, so, I'll meet you at the theater on 37th avenue?" She asked, turning around to face you and slowly walking backwards.

"Yeah, sure." You confirmed.

"I'm gonna wear something nice tonight." She shrugged nonchalantly.

"Wow, the great Captain Marvel dressing up all for me!?" You gasped, over-exaggerating your reaction with your hand over your chest.

She stopped walking backwards.

"Not for you, it's just been a while since I dressed up." She rolled her eyes.

"Come onnnn, admit it! It's mostly for me." You smirked and crossed your arms as you finally stood in front of her.

"Well I'll admit one thing, you're special." She winked.

You felt your chest swell with warmth and you smiled like an idiot.

"Alright then, I'll dress up a bit too." You thought about what to wear.

"Oh? That sounds promising." Carol smirked before you saw her body start to glow with energy.

"See you soon?" She asked with a raised brow and she started to lift off the ground.

"See you soon, captain." You smiled and saluted her.

She smirked before flying off the opposite way of you.

"What. A. Woman." You sighed aloud to yourself with your hands on your hips before swinging towards your house.

When you get home you fretted over what to wear.

You didn't wanna go overboard, but it was a date, Carol also said she was dressing up...

You settled with a red button up, the first 2 buttons unbuttoned, tucked into black jeans with suspenders, topping it off with your favorite black chuck Taylors.

"Wow I look so gay." You chuckled to yourself.

You stepped outside your house and put your portable suit that Tony gave you in your pocket.

You didn't like wearing it that much, preferring the suit you designed yourself, but hey, when duty calls....

You got into the Uber you had ordered and gave the driver the address of the theater.

When you got there, you saw Carol already waiting outside, and boy did your jaw drop.

She was wearing a suit with a bow tie, her hair was in waves, and she topped it all off with shiny black dress shoes.

Her eyes lit up and she smiled when she saw you get out of the car.

"Jesus Christ Carol, I thought I was gonna be overdressed." You gaped at her.

She looked at you with a smirk.

"You look extremely good, trust me"

"And you look like you're going to a movie premier." You laughed.

"Hey, like I said, I don't get to dress up often. This was just hanging in my closet collecting dust." She gestured to her suit.

"Well in any case, you look absolutely stunning, Carol." You smiled at her, barely managing to keep your jaw shut as you glanced over her once again.

"Thank you, you as well. That outfit really...suits...you" She winked, giving you a nudge.

You rolled your eyes at her pun referring to her own outfit.

"God, you are so corny." You rolled your eyes playfully.

"Come on, you loved it." She laughed.

You cracked a smile.

"Okay yeah, it was cute." You laughed along with her.

"Oh, so you think I'm cute?" She smirked.

"Oh shut up! Lets just go buy the movie tickets before all the good seats are taken." Your face heated up, grabbing her arm and pulling her into the theater as she laughed, letting you drag her.

The two of you bought tickets to a rom-com that was currently playing in theaters.

People stared at the two of you, or maybe just Carol, but nobody had the guts to come up to either of you when they saw her hand around your waist.

You made your way into the theater with minimal distractions, the only one being a little girl saying hello to Carol and high fiving her.

You had smiled fondly at the cute interaction.

"I'm actually excited, I wanted to see this movie if I'm being honest." You explained excitedly.

"Well then, I'm glad we came." Carol said as you made your way to your seats.

The two of you had come in a bit late so the lights were dim and the trailers were playing.

When you sat down Carol immediately held your hand, causing heat to slap your face as you looked at your intertwined hands.

She smiled at you as you looked up to meet her eyes, which were already watching you.

"You're adorable you know?" Carol confessed to you in a hushed whisper.

"I could say the same thing about you." You smiled.

She smiled back, but before she could say anything else, the theater went dark and the movie began to play.

"Oh shit it's starting!" You whispered excitedly, moving your attention to the screen.

The two of you watched the movie mostly in silence, occasionally, you would feel Carol's thumb lightly brushing your hand, or you would make an energetic comment about whatever was happening in the movie.

You were secretly a movie buff, and Carol thoroughly enjoyed getting to see that side of you revealed.

When the movie ended, you filed out of the theater along with everyone else and it was dark outside.

You looked up at the moon, shining brightly through the clouds.

"We should do this more often." Carol broke the silence, bringing your attention back to her.

"What, go on dates?" You chuckled.

"I mean of course, but also, Just you and me, hanging out, no pressure, no crazy aliens coming after us, no big fights, or catching criminals. Just, having a good time. It's nice." She smiled.

Your heart warmed at the sincerity In her voice.

"Yeah, I'd like that too Carol." You grinned at her, stopping in your tracks and putting your hands in your pockets.

"And... I'd even go as far as to say I like you." You said softly as you smiled at the ground.

You looked back up at Carol and she had the biggest grin on her face and her cheeks were flushed.

You laughed loudly at her silent reaction.

"What?"

"I like you too." She simply said.

"I like you a lot." She moved closer toward you causing your heart to flutter.

"So what do you suppose we do about it, I mean, now that it's out in the air and all that." You nonchalantly waved your hands in the air.

She chuckled as she walked towards you until she had you backed up into an alleyway you hadn't even noticed you were by.

Before you could get a word out, she grabbed you by the arm and pushed up against the wall, kissing you passionately.

You practically melted into the kiss.

"Oh, I've been dreaming about that." Carol said breathlessly as she pulled away lightly.

You didn't say anything for a moment, your brain still processing what had just happened.

"Wanna come over?" You asked her quickly just as she was about to speak up.

She cocked and eyebrow and smirked.

"I'm down."

You practically dragged her down the street before hailing a taxi that was parked on the side of the road.

"Are you working?" You asked the driver through the window.

He nodded and you got in the car, Carol getting in after you.

"Someone's in a hurry." Carol smirked, putting her hand on your upper thigh.

Your head shot down to look at her hand as you saw it glow with energy, you felt it warm your skin through your jeans.

You looked at her, biting your lip to hold in a groan.

As soon as the Taxi stopped outside your apartment, you thanked the driver and got out of the car.

You walked to your apartment holding Carol's hand the whole time.

You pressed the elevator button and got in, thankfully no one else was in there.

There was a charged silence between the two of you as you watched the numbers on the elevator until Carol broke it.

"You want me to fuck you? Hard or soft? Fast or slow?" Carol said with a confident smirk.

Your eyes widened as you looked at her and she cocked an eyebrow.

"Oh shut the fuck up, Danvers." You grabbed her and smashed your lips against hers, moaning lightly.

You felt her smile against your lips before you heard the ding of the elevator, causing the two of you to quickly separate.

You speed walk to your door, ripping your keys out of your pocket, almost dropping your Stark spider suit before you shoved it into the keyhole and turned it, unlocking your door.

Carol pushes you inside and slams your back into the door to close it.

You let out a gasp as the motion winds you and Carol has an open lusty smile as her lips barely touch yours and she reaches next to you to lock the door.

After locking the door, Carol makes quick work of untucking and unbuttoning your shirt, feeling up your body.

She lets out a little excited sound as she watches you react to her touch.

"I know it was only our first date and kiss today but, I would like your permission to absolutely ruin you tonight." Carol asks, looking into your dazed eyes.

You nod without hesitation.

"Do anything you want to me, Captain." You groan.

You watch as her eyes get wild and a lustful expression graces her face.

Carol attaches her lips to your neck and immediately starts marking you. You feel her moan against your skin as she sucks on it.

Your moans fill the space of your apartment even more as she squeezes your chest underneath the sports bra while she works on your neck.

Once she is satisfied with her work, she plays with your hardened nipples as she whispers hotly into your neck, her warm breath contrarily leaving goosebumps on your skin.

"You're so pretty like this baby." She moves her thigh in between yours and pushes you down onto it.

You gasp out as you start moving your hips against her muscular thigh.

"Mmm that's it, just like that baby."

You watch as she pulls back and holds you up against the wall as she watches your hips working her thigh with her mouth hanging open.

You slip your hand into her pants and she lets out a moan when you start rubbing tight circles on her clit.

Carol closes her eyes in pleasure and moans loudly as you slip your fingers into her already soaking wet core, moving your hips fast against her thigh as she jerks her hips against your fingers.

Before the two of you get too lost in the pleasure Carol halts her movements, as well as yours. Before you open your mouth to protest, she looks you in the eyes and you see that they've darkened, her pupils blown out.

"As much as I'd like both of us to cum right here, right now, we should take this to the bedroom." She chuckles breathily as she pants.

"Mmmm, a modest lady huh?" You smirk as she helps you stand up straight again before you lead her to your bedroom.

"Hey, it's our first time, I want it to be amazing." She holds your hand.

You look at her and smile as you lead her into your bedroom, your heart feeling warm from her revelation.

"Me too," you nod.

"But I also need you to fuck me like... really bad." You add.

"I can absolutely do that " Carol smirks as both of you start to remove your shirts.

"Tell me how bad you want it." Carol whispered in your ear.

"Fuck, I want it so bad..." You groaned, your forehead falling against her neck as you breathed heavily.

Carol pushed you till the back of your knees hit the bed and you sat down, looking up at her.

"Fuck, those eyes... tell me princess, you want my fingers in you?" She asked, cocking her head as she slowly got down on her knees in front of you.

"God yes, I want your fingers-"

Before you could even finish your sentence, Carol had pulled your pants down and moved your underwear to the side, shoving two of her long fingers into you.

You gasped, your mouth hanging open while you stared at her with furrowed brows.

"I already knew the answer." She smirked.

"God, could you just shut up and-"

She pushed her fingers in deeper, all the way to her knuckles and you let out a choked moan.

"hmm? What was that baby?" She held her smirk, still standing on her knees.

You laid down, your back hitting the bed roughly as you slid down a little, pushing your core closer to her.

"F-fuck you.." You gasped as she pulled her fingers out and pushed them all the way back in, reveling in the wet sounds.

"Shit, I could listen to your pretty pussy all day. You'd like that wouldn't you? Me fucking you all day?" She cooed.

You nodded aggressively, panting as the pace of her fingers started to quicken.

"Yeah? Oh I know, you love being fingered like a slut huh?" Carol started to pant.

You don't know what came over you but you moaned loudly,

"C-captain!"

Carol's eyes went wild and you felt warmth and a little buzz inside you.

You gasped out,

"Holy fuck!!" Your legs felt like they were going numb.

"Call me that again." She growled lowly, the pace of her fingers quickening.

You looked down at her and saw her hand glowing, before letting your head fall back and arching your back.

"Captain, fuck... don't stop." You moaned loudly.

"That's right, let your captain know how good she's making you feel. I can feel your slutty pussy practically sucking my fingers in." She moaned.

And she was right, you could feel yourself clenching around her fingers tightly as you rapidly approached your high.

"Yeah, oh god, I'm- you're gonna make me cum, Captain... Please... It feels so good, you make me feel so good...Please make me cum." You moaned in between pants.

"As you wish, princess." She smirked, her fingers combined with the warmth of her inside you sending you over the edge.

Carol continued thrusting her fingers deep inside you, watching your face as you writhed in pleasure, your back arching off the sheets once again as you grabbed the sheets tightly and moaned loudly with your eyes shut tight.

When it was too much to bare due to the sensitivity, you pushed at Carol's hand and she obediently pulled her fingers out.

You watched as her hand stopped glowing and watched her hungry eyes as she panted while examining her fingers coated in your juices.

She brought her fingers to her mouth and stuck her tongue out a little, barely putting her fingers in her mouth.

Once her fingers touched her tongue you watched with furrowed brows and your mouth hanging open as she moaned loudly, closing her eyes and sticking her fingers all the way Into her mouth.

She swirled her tongue around her fingers for a couple of seconds before pulling her fingers out of her mouth with a pop and meeting your eyes.

"Baby, you taste fucking amazing." She breathed out.

You groaned and let your head fall back on to the bed as your breathing started to fall down.

You felt the bed dip next to you and you turned your head, meeting Carol's warm gaze.

"How was that for our first time?" She smirked.

"I think it could've been better." You shrugged jokingly.

"Oh? Well, I guess that means it's time for round two."

[babiebom]

When You Fall (i)

A/N: My first full fic on this blog! Thank you to everyone who voted! I will try my hardest to write and upload quickly, though I am not going to promise anything seeing as I have a job interview this Friday that I'm writing this(already passed by the time this is uploaded) and if I get it I'll be working more often. Though again thank you for voting and I hope you enjoy! Also a bit of a warning, some things from the game are obviously changed to make sense irl, like instead of there just being seasons there are actual months!(pictures not mine.)

Next Masterlist

TW: death, self harm in the form of overworking, cursing, depression, negative thoughts, funerals. Etc just sad

Genres: angst, potential happy ending, romance, some fluff. Multichapter Fic

WC: 4k

You hear your name being called, the voice is quiet under the ringing of your ears.

"Y/N!"

You attempt to force your eyes to adjust on the person, head and neck snapping quickly to face towards them. "Huh"?

"I asked if you were going to be alright getting to the graveyard alone…?"

You nod, swallowing even though your mouth and throat were dry. The funeral home was almost empty now; only you, your aunt and uncle, and a few friends that knew both of your parents and/or grandfather. Standing up straighter, you try to fix your face subtly, trying to act as if you weren't out of it for the entire funeral. "Yeah…yeah, I'll be fine. I promise." You clear your throat and offer her a smile.

She hesitates, lips trembling before she slowly gives you a hug. "Your uncle and I are here for you".

"I know".

As the two leave, as well as the rest of the stragglers, it's only you left with the bodies of your parents and grandfather. A sour laugh leaves your lips, tears kissing the corners of your eyes as you drag your feet closer to their caskets. To keep from crying you clench your jaw and curl your lips inward, slowly becoming overwhelmed with the idea of never seeing any of these three people again. If you would've known this was going to happen, you would've visited more, called more. If you would've known…well it doesn't matter anymore because you didn't know, and now you can't do any of those things. 

Slowly and one by one you press a kiss to each of their foreheads, letting your own head rest on top of theirs for just a moment before moving on, hoping the warmth from you would cure the cold coming from them. You stayed there for so long the funeral director had to escort you out, reminding you that they needed to be buried. 

Slowly you got into your car, remembering that everyone was probably on their way or already waiting for you and the bodies to show up. They were all going to be buried in Pelican Town, the same place your father had grown up, the same place you spent your summers during your childhood. 

Entering Pelican Town, nothing had changed since your childhood, and that made everything worse. Things hadn't changed for the town, and yet it wasn't the same for you. Everything has changed for you. The only difference was a couple new headstones, the graveyard now housing your mother, father, and grandfather; though you had noticed the additions of some that weren't there when you had last been here. The mayor was standing next to the open graves, making your heart clench at the finality of it all; the second they were filled with dirt would mark the last time you ever got to see their faces. 

Instead of standing with the rest of the crowd, you stand off to the side, crying silently as you watch the mayor pray over their bodies before they get lowered into the ground. You have to fight yourself to keep from yelling out, knowing that making a scene, making this whole process longer would affect everyone around you. It’s the middle of winter after all, everyone probably wanted to hurry and get back to their regular lives. Swallowing harshley, you only step forward when it's time for all of the guests to throw some dirt on top of the caskets. 

“I love you,” you whisper into the air, clenching your eyes closed and tossing the dirt in. A soft thump is all you get in response, the dirt scattering over the caskets. Your mother and father are sharing a grave, and your grandfather was being buried with your grandmother, the two finally being reunited after a decade and some change of being apart. 

You move backwards again, allowing the others who had arrived to say their final goodbyes. Avoiding looking at what was happening, you focused on the scenery instead. Pelican Town had always been nice, and being covered by snow it was no different. Everything had sort of a Christmas-y vibe to it, but that only made you feel worse. Letting your eyes continue to roam, you spot some of the towns-people walking around, obviously trying to get a glimpse of what was happening. They were walking far too slow to actually be trying to get somewhere, or maybe the calmness of a small town allowed them to take it easy even when they had errands to run. Your eyes connect with a woman with orange hair, her eyes growing wide the second yours stopped on her. She hurried away as soon as she realized she had been caught watching, moving from the large tree that she was under to presumably hide somewhere else. You scoff and turn your head to watch someone else, not really offended but somewhat annoyed that the public can watch as your normal life is ripped away from you. Bitterly, you wondered when the last time this town had held a funeral, or had even had someone die. 

Everything looked peaceful, your presence disrupting the environment and if that woman with the orange hair was anything to go by, this funeral was something that shook the small town that probably knew your grandfather better than you did. You wonder why none of them showed up to the funeral or to this burial. Your thoughts are disrupted by everyone bustling around you, hands on your shoulders words spoken to you, you figure out that the burial is finished by the people moving around you back towards the way you came.

The second you fully realize that the burial had ended, you race out towards your car, not wanting to stop and talk to anyone, not wanting to cry on someone’s shoulders. You decide then that the best course of action would be to throw yourself into your work. So, without another glance back, you drive away from Pelican Town, hoping you would never have to return to the place again.

Scrunching up your nose and frowning, you slam the drawer to your desk harder than you need to, ignoring the sound of the contents inside spilling and moving around. The sound of typing overwhelms your senses, and unlike the persona you’ve put on for the past couple of months, you get up and stalk towards the bathrooms. As you pass the other cubicles, the oncoming anxiety attack immediately takes over your being. 

You push open the bathroom door, wheezing and trying to suck in as much breath as you can. Yet it still feels like you’re drowning, as if every breath you suck in is instead water, and it’s impossible for you to come up to the surface. You fall onto the sink, leaning over it and heaving. Your legs threatened to give out, not wanting to hold you up any longer. Giving in, you allow yourself to sink to the dirty bathroom floor, dragging yourself in between the sinks and the wall, the gross overhead light giving you a headache. 

Your body shakes, still struggling to breathe. As you close your eyes, flashes of the funeral and the last time you saw each of them alive consume you. The second your ears start to ring, you realize that you’re already too far gone, and any of your attempts to self soothe were now made in vain because you couldn’t calm down. You needed help, but at the same time that was the last thing that you wanted. You can feel yourself shake, violently, and your head falls back and forth as you shake, and in the madness you realize that someone was shaking you, it wasn’t you yourself. “Please!” you heard someone plead, yet they sounded too far away from you. 

You open your mouth to reply, but nothing comes out of it, you want them to go away, and to leave you spiraling here on the ground, and in the back of your cloudy mind you hope that you still get paid for having this breakdown during work hours. Joja Co. wouldn’t take away your wages for this, right? You’re shaken again, this time rougher and your eyes begin to focus on someone kneeling in front of you. The ugliness that was Joja blue assaulting your eyes. You groan, and as you feel yourself begin to surface, realize that you had been screaming. Your throat now raw and hoarse as you begin to calm. 

The woman in front of you is someone you recognize, though you couldn’t recall her name. You only knew her as your supervisor that you rarely actually saw in the office, and behind her were two coworkers looking absolutely frightened and worried for you. Swallowing, you shake your head and haul yourself off of the ground, muttering a ‘sorry’ and pushing your way out of the bathroom. It was painful, the walk back to your cubicle, everyone was simultaneously watching you, but still not really looking at you. As if they wanted to pretend that your breakdown didn’t happen, and you are all too aware of how insane you probably looked, coming out of the bathroom with puffy red eyes, and messed up hair. 

It wasn’t uncommon for someone to have a breakdown at work, the expectations of your superiors and the company itself were always too much for some people to handle, yet you realized that you probably looked different than them, having run all the way to the bathroom, and not out the doors to the elevators. After a breakdown, the person always quits, yet here you are, sitting silently in your cubicle, brushing your hair out of your face as if everything was normal. 

Again you open the drawer and look at the letter that had arrived on your desk weeks ago.

Dear, Y/N

If you’re reading this, you must be in dire need of a change.

The same thing happened to me, long ago.

I’d lost sight of what mattered most in life…real connections with other people and nature. So I dropped everything and moved to the place I truly belong.

I’ve enclosed the deed to that place…my pride and joy: New Hope Farm. It’s located in Stardew Valley, on the southern coast. It’s the perfect place to start your new life.

This was my most precious gift of all, and now it’s yours. I know you’ll honor the family name, my grandchild.

Good luck.

Love, Grandpa.

P.S. If Lewis is still alive, say hi to the old guy for me, will ya?

Taking in a breath, you laugh quietly to yourself. Your face still wet from your tears. It was ridiculous, hilarious even, that the very place you wanted to return to ends up the very place you flee in order to get back to yourself. 

You can hear clacks of shoes nearing you, coming from the direction of the same bathroom you just fled from. The woman stops in front of the opening to your cubicle. Staring down at you in your seat with aggravated eyes. The lack of concern annoys you to your very core, and with the least amount of emotion you can muster, you stare back up at her, the letter wrinkled in your hand.

"Yes?"

"That little breakdown you had there was very disruptive," she shifts her weight, "now you're one of your best workers, so we'll give you another chance, but next time something this unprofessional happens we'll have to let you go."

"Right," you swallow harshly, "about that, I need to take time off."

"Time off? Why do you need to take time off?" She asks loudly. You can see the people across from you look over with wide eyes. Vacations were never accepted, and were more likely to be taken as an insult. 

"Well, half of my family has just died...and I don't think I have a good enough mental state to-"

"We gave you time off already, we let you go to the funeral and have an extended weekend. How much more time do you need?" 

You scoff in disbelief, the woman staring at you with all seriousness of a person who has just been told the worst joke in the world. Did she not just witness the breakdown you just had? You sit back roughly in your chair, running a hand through your hair. Your patience started to run thin with the woman, and so in a huff you slam down the letter rather roughly before looking back up at her.

"Can I take a vacation or not?"

She gasps before angling her body back, now glaring daggers at you. "I am the boss, you do what I say. You've already taken time off, so you don't need any more. I'm really very disappointed in you-"

"But-"

"-and I don't think you realize just how lucky you are to be working for Joja Corporation. There's no other job as liberating and rewarding than working for and growing the Joja family."

You make a noise of indignation, completely taken aback with how she had decided to handle this situation, especially after seeing you in the worst state you've ever been in. "You know what?" You slam your hand on your desk, letting out a huff of air through your nose, now staring at the place your hand had settled. "I quit!"

You turn to watch her face as your words sink in. She splutters and takes in breaths as she struggles to come up with something to say as a retort. Laughing loudly in her face, you stand and push past her, going straight towards the supply closet, where you know there are extra boxes. Picking up the smallest that could fit all of your things, you completely ignore your now ex-supervisors desperate pleas. "You have to put in a 2 week notice!"

"Nah, no I don't." You shake your head, now filling the box with all of your things. You'd rather die than leave any of your cute cubicle things behind for them to throw away. Smirking, you carefully place the last plant you had on top of the other knick knacks you had, looking over to the angry woman with the best shit eating grin you could muster.

"I would say it was a pleasure to work with you, but that would be a lie."

The time taken to get back to Pelican Town was doubled due to you selling your car and opting to take the bus instead, and in that time you started to rethink your plan of starting anew without any backup plan. Everyone else that was riding with you had gotten off long ago, and you were left with those who were just along for the ride, having nothing else to do but stay until they were kicked off. 

You were grateful for the emptiness though, no one spoke a word on the way there; they simply allowed you to exist among them, thinking your thoughts without interruption. 

You grunt in pain as you're launched out of your seat, suitcases toppling over loudly. Embarrassed, you scramble to get up, hoping no one was secretly laughing at you because it would honestly cause another breakdown. The bus driver shouted out your arrival, staring at you specifically through the rear view mirror. Sniffing, you grab your suitcases and hurry off of the bus, squinting from the change of lighting.

"Hello! You must be Y/N" an orange haired woman standing waiting at the bus stop, friendly looking and sweaty. "I'm Robin, the local carpenter. Mayor Lewis sent me here to fetch you and show you the way to your new home. He's there now, tidying things up for your arrival."

You stare at her before taking her hand in a firm shake. She's pretty, and young looking but from the look at her hands she had to be older than you think. Her grip takes you off guard only slightly, rough calluses coming in contact with your own soft skin. You nod and grab your things again, wanting to get out from under the sun. There was a cool breeze cooling your skin, but just having been on a musty bus for the past couple of hours made you feel grosser than you normally would've. 

 "The farm's right over here, if you'll follow me" 

You want to tell her that you already know the way, that you've been here multiple times in your childhood, but you stay quiet not wanting to bring up memories that will just hurt you. You think staying silent is an even better idea when she takes two of your suitcases and heads down the road. 

Walking in silence is awkward for the first minute, and so you begin a conversation that you already regret happening the moment the first syllable leaves your mouth. "So," you swallow thickly, "how long have you been waiting out here?" 

She shakes her head and scrunches her nose. "Not long, maybe 15 minutes? First day of Spring is always brutal with the weather change."

You nod and keep walking, wanting to ask her more questions, yet you know that it would only serve to make everything more awkward. "Do you want something to drink? I have like a spare Gatorade if you're thirsty."

She makes a noise of acceptance and takes the drink from you, gulping it down quickly. The walk takes about 5 more minutes before you make it to a broken down fence.

"This is New Hope Farm."

You gasp loudly, a choked noise forcing its way out of your throat at the look of it. Grass overgrown, trees everywhere, boulders. It looked as if the place had been abandoned for years, and maybe it has been. Your grandfather must've been too old to continue the last couple of years, having been bedridden the months before his passing.  The air smells fresh, though, fresher than you've ever smelled it before, at least since you've grown up. A sense of calm settles over your being, just over the hurt and anxiety. At least you're okay for now. 

"What's the matter? Sure it's a bit overgrown, but there's some good soil underneath that mess! With a little dedication you'll have it cleaned up in no time." 

You smile at her as you open the gate for you both, entering the messy fields. It's another minute and a half before you actually make it to the farmhouse, "and here we are, your new home". 

You raise your eyebrows at the look of your grandfather's old cottage, it being slightly run down since you had seen it last. Your heart clenched at the sight, realizing that everything did in fact get old without you, or maybe alongside you. Taking in a deep breath, you jump as the door to the house opens loudly. A man, shortish and white haired leaves out of it. He looks slightly familiar, but obviously older. 

"Ah, the new farmer! Welcome I'm Lewis, Mayor of Pelican Town." You wait for him to descend the steps, stopping in front of you. You faintly remember him, with less whites in his head and a smaller mustache. His old hat on top of his head is the same from when you were little. You shake his hand, reminding him that you had met him before. 

"Ah, my apologies!"

You shake your head with a small smile, slowly getting tired of pleasantries. "It's fine I was like…maybe 9 the last time I saw you."

The conversation staggers a bit before Lewis sucks in a breath.

"You know, everyone's been asking about you. It's not every day that someone new moves in. It's quite a big deal!" He looks around, a flicker of sadness in his eyes causing you to wonder how close he and your grandfather were. 

"So...you're moving into your grandfather's old cottage. It's a good house…very 'rustic'." You raise an eyebrow at his words, it was obvious that the house had seen better days.

"Rustic? That's one way to put it. 'Crusty' might be a little more apt though." Robin remarks, looking around.

"Rude!" Lewis gasps, whirling around to stare at Robin in shock. You guess it's the fastest he's moved in a while because his hands grasp at his knees for a split second.

The woman lets out a laugh, slapping a hand over her lips in amusement. You let out a snort, silently agreeing with her.

"Don't listen to her, Y/N. She's just trying to make you dissatisfied so that you buy one of her house upgrades." Lewis says, sending the woman a glare. Robin, in turn, gasps in shock, her eyes darting between you two before frowning and huffing. Maybe she was trying to get you to buy an upgrade. 

"Anyway…you must be tired from the long journey. You should get some rest. Tomorrow you ought to explore the town a bit and introduce yourself. The townspeople would appreciate that." You nodded to him, but refused in your mind, not wanting to go parading around town introducing yourself to the villagers like some happy-go-lucky extroverted tv character. Lewis begins to leave, but stops a couple feet, maybe even a yard away. He has to yell in order to speak to you, and you sort of understand when you would rather not have to walk all the way back just to leave again. 

"Oh I almost forgot. If you have anything to sell just place it in this box here. I'll come by during the night to collect it. Well…good luck!" His voice is strained, when he shouts. You smile and wave, saying a goodbye to Robin as she walks after him. Turning to the cottage, you feel a sense of overwhelming sadness, your chest growing tight. You know that grieving is a process, and that healing isn’t a linear path, but a thought pops into your mind that this was a bad idea. How are you meant to process, heal, and move on when you’re surrounded by things that make you want to tear your hair out? Sighing, you head inside, setting your things down and snatching an axe off of the wall. 

You think to yourself that the healing can come later, preferably after you demolish the trees taking over the land, at least you’ll be able to see far enough to farm. Stepping back out into the sun, you get to work swinging the axe over your head as well as you can. The thump of the axe embedding itself into the tree sends vibrations up into your bones, yet the pain and unfamiliarity of the feeling makes you feel lighter than you had in weeks. Maybe you just had anger issues. But, chasing that feeling you swing again, and again, and again until both the tree and it’s stump has been reduced to logs that you could pick up. 

You leave the logs on the ground and move on to the next tree, and then the next, and you keep going until you can feel the sweat drip down your back, pooling around the edge of your jeans and your hips. Your breaths come in short, you huffing as you try to bring the axe overhead once more. Your chest is tight, and your head feels as if it’s not screwed all the way on. ‘One more time.’ You think to yourself, bringing the axe upwards. You can tell that the tree was close to being fully chopped down, and so with the last of your energy, you force yourself to at least complete it. Telling yourself that it was more about clearing everything quickly, you knew deep down that you just wanted to feel something other than sorrow. Your arms shake as the tool almost slips out of your grasp above your head. Arms burning, you force them forwards as you swing down, you hear the thump of the axe in the wood, and you fall over ears ringing, your vision fading to black.

[bobbydagen24]

Barb and Crimp are not Redeemed characters and its odd how their films gave them happy endings.

lets start with Barb for one she led armies attacking other Tribes destroying cities and imprisoning countless people all so she could get the strings.

and wipe out all other cultures deciding only her own should Remain and anyone who didn't conform to that culture would be turned into a brainwashed zombie. some people try and argue she has good intentions but frankly her intentions aren't all that good compared to everything she did and this wasn't even a problem in the first place its not like all the Tribes were at war or anything.

they were fine living separately so combining the Tribes is a nice idea but going to these extremes is not excusable in any sense given there was no legit reason for her to take such extreme action. and in the end she gets beaten she doesn't have a last minute change of heart and decide to do the Right thing ( tho to be clear this wouldn't mean it would suddenly be okay for her to face no consequences one posotive I'll say about Veneer's arc in TBT is that he was still held accountable in the end despite having a last minute change of heart because Redemption doesn't mean someone gets let off scott free if anything it means the opposite )

and after her defeat Barb is instantly forgiven for no legit reason like I know story wise you could argue its because she's queen and they don't want more conflict with the Rock Tribe. but from a basic story point of view its wrong especially for a kids film Barb isn't only let off scott free but Poppy light heartedly befriends her. and makes it clear there's no ill will so yeah showing a film where a villain who causes this level of destruction simply because they believe they are right is let off scott free is not very satisfying story telling imo.

and its bad in a kids film Teaching lack of consequences and accountability for your actions no matter how bad.

like don't get me wrong I like Barb personality wise and that's deffo why a good chunk of the fandom don't have a problem with her being let off the Hook.

but obviously villains being likable doesn't mean they shouldn't face consequences loads of people love Velvet but most of her fans can accept that she deserved to go to prison at the end for kidnapping and torturing someone. and then there's Crimp she's less of a bad example but still an example she went along with kidnapping and torturing someone simply because she didn't want to lose her Job. she came and went as she pleased only being held against her will right at the end and just because her bosses were mean to her doesn't mean she isn't still a villain. the movie acts like this makes her a victim and someone who shouldn't be blamed for V and Vs crimes when frankly yes she should she was complicit. she turned a blind eye to someone's suffering because she didn't wanna lose her pay check she's just a cowardly Henchmen not an out and out victim.

and she should have still been held accountable in the end for being an accomplice.

and I'm sorry but to circle back to my guy Creek the morality of the movies is all over the place in this regards. the fact that the movies consider characters who actively chose to do evil things of their own free will as still redeemable and deserving of happy endings. even with no actual work put in to better themselves yet Creek the literal Hostage tortured and threatened into doing a bad thing was lumped in with the actual big bad villain in the end. and was seen as deserving of a gruesome comeuppance is frankly a Horrifying sense of morality and justice in my opinion.

yes he came back in the tv show but I'm only talking about the movie cannon.

and this way of thinking in Regards to what villains do and don't deserve to be Redeemed is Honesty arsed backwards. characters who do evil things because they decided that they should get to make choices that effect and change other Tribes filled with large populations of people simply because they think their culture is better than other people's. and characters who do evil things simply because they don't want to lose a Job no matter how much they may need it are infinitely worse.

than a character who simply gave in to the very human fear of not wanting to die horrifically and who was basically forced into the role of villain due to having literally no other option other than lie down and die. I love Trolls but man these movies have a terrible sense of morality and they do not do Redemption Arcs well. 😅😅😅😅

[am-i-the-asshole-official]

WIBTA for using my cousin's weed habit to convince my dad to let me go live on my own, making him pay higher rent? Hi so this is kind of a silly idea i had but wanted to see if it would be assholeish. Also it is not the only way out or anything, just a bit of a thought experiment. So i (24x) moved from mexico to the usa for grad school (2 years). For this first year i've been living with my cousin A (23F), A's college friend B (23F) and A's childhood/family friend, C (25F). Now they're lovely and really fun roommates, but honestly not very good to live with on an everyday basis. B and A are really messy (leave everything lying around - dirty plates, clothes, trash, you name it), and none of them are very clean. Other than them occasionally wiping the kitchen counters, emptying the dishwasher, or taking out the trash, i've done all the cleaning so far on my own (kitchen, 2 bathrooms, living room, hallways). I've made my frustration pretty clear (and even gone on strike lol, but i can't deal w a dirty toilet for more then 2 weeks), but nothing changes!! At this point i'm really fed up, and want to move elsewhere next year, preferably to live on my own. The problem is that we live in san francisco, and rent is... well, it's pretty expensive. Sorry californians you really got it rough. However, i've looked into the university's accommodation for grad students and it could be an option. I would be paying about $250 per month more than right now, but i would save on utilities (about $40 per month). The thing is, my dad is the one whose been paying for my living expenses ever since i went back to school. We used to have a rocky relationship (he was really frustrated with me not meeting his expectations; coming out as a homo, being a leftist, doing some weed as a teen...) and i think he sees this as 'making it up to me'. I really appreciate the way he has been trying to fix out relationship, and i'm obviously extremely thankful for the economic support. So i feel really guilty asking for more than he is giving me. Here is where my plan comes in -- my dad haaates drugs, and my cousin A has a pretty intense weed habit. WIBTA to complain about it ('waa the house smells like weed, theyre blazing it all day every day') to my dad, in order to convince him that me moving to the grad dorms is a good idea? EXTRA INFO: Would my cousin get in trouble? - not really i think. Its legal, and her parents are aware of her indulgences (i dont think they're happy with the amount she smokes, but they're pretty chill). I worry that if i complain to my dad, he would tell his sister (A's mom) and make it a huge deal, but as I said A's parents are pretty tolerant, and know of her 'addiction' anyway. Don't i have any money of my own? - not anymore lol, at least not enough to pay californian rent. I'm getting a job over the summer, but with visa restrictions (half time) i doubt i would make enough to make a difference. Working during term time is not possible for me (personal limitations). Also the increase in price would not bleed my dad dry or anything. Can't i just sort it out w my roommates? - they've proven to be admirably immovable objects on the cleaning issue. I mean, i can tough ot out, but at this point it's also the spirit of the thing that is pissing me off so much, rather than the cleaning itself. Do they just dont care?? T-T Do i have to 'manipulate' my dad? - um idk. It's definitely the easy (perhaps cowardly) way, but that's why i want to see if its too assholeish. Thanks for reading! Lay it on me

[shakti-tiger]

Having a "time out" from Tumblr

If you're feeling good about today's Good Omens news please don't read, if, like me you're feeling deeply troubled by it, then feel free to read on.

Yesterday the Independent paper was able to quickly go and pick up some comments off X about how devastated fans were about the possible cancellation of their show. Comments that didn't mention the victims or the problematic nature of having Neil Gaiman involved at all.

Today we hear that Neil Gaiman is offering to "step back" whatever that means, from the production so that it can continue.. "

in some quarters I see that people are taking it as a chance to have hope, to even celebrate the fact that this makes it more likely that the show moves forward.

I am only going to give my own personal take, that I'm finding it deeply triggering to see those kind of comments around because it kind of feels like a free pass for Gaiman. This means that he can get his show made, profit from it, take the plaudits, if there are any, just by keeping his head down.

If /when it comes out we're still going to have to see publicity about it, people are still going to give their opinions about it, and in my heart I'm going to know that it was written by somebody who has taken advantage of young women and lied for years and years.

And also the ideas of somebody who is deeply troubled screwed up and definitely needs hell of a lot of therapy, if they were even ready to admit that they'd done anything wrong.. "Deadline understands Gaiman’s offer is not an admission of wrongdoing".

It's no longer going to feel like a love story, it's not even going to feel funny, it's going to feel like a vindication and service to someone who doesn't deserve it.

So whereas previously I was finding that I could maybe find a corner of Tumblr that I might fit into now, I'm going to stay clear of it for the moment because I know people are all processing this stuff in their own way and I've said that on previous posts but I'm just a little raw around this kind of celebration at the moment. And that's okay.

And if I put my self-analysis hat on, I know that this is a reminder trigger for people in my family carrying on as though everything was wonderful and fine, when in actual fact it wasn't. it feels like not being heard. It feels like people getting away with stuff. And that obviously still isn't quite healed for me.

Sending love, hugs, angel wings, glitter, dolphins and possibly even Kraken to anyone who fancies them. 🕊️🌟💖🧸🐬🐬🐳🐋🪽🪽✨🪩

P.S.

Oh and please don't mention Terry Pratchett in the same breath as Season 3 to me. He had his hard drive and all his unfinished works destroyed under a steam roller after his death.

This is an extract from an interview with Terry and Neil in 2006. Interestingly both of them were asked about a sequel. Terry's response is below.

“Neil and I thought about a sequel an awful lot initially. We talked about it on tour. And I think it was a big relief to both of us, when one day we looked one another in the eye and said, 'I thought you wanted to do a sequel.'

Neil's response was less unequivocal..

“We are actually just starting to think about beginning to ponder the idea of exploring the possibilities of perhaps someday writing a sequel together. It may happen, it may not."

Really I'm not convinced that any of this was Terry's idea.

Rant ends:-

[littleoneamanda]

GF: Stanford Pines

Well, probably one of the fastest drawings I have been drawing xD

The original art style is pretty easy to work with, but I think I will keep doing it in mine after Fidds. Unless you want to see me draw more in the original style. Let me know! :D

Now to my thoughts on the book of bill and Stanford as a character. (SPOILERS)

The missing Journal Pages in this book are probably the ones that I found the most interesting and disturbing. We learn more about Ford as a person and what kind of friendship he had with Bill.

I just wanna say this, I really don't see how so many people saw them as "lovers" which I (imo) found very problematic and disturbing.

I think it is pretty clear Bill only uses Ford for his own gain. His property. Ford was the perfect human for his plans.

Take everything Bill says in the book with a whole spoon of salt.

"Even his lies are lies"

-Code from TBOB

"The ego of a king. The insecurity of a circus freak. And totally isolated from anyone who might steer him clear of my plans "

-Bill, TBOB

Ford has very low self esteem, isolates himself, bad at social interactions and even had a shotgun pointed at him. He describes himself "six fingerd freak".

So when a god like figure shows up in a dream one day, tells you how great you are, you will change the world, ect, You would buy it. Especially when others around you have made you feel like an outcast through your whole life (except for Stanley and Fidds).

Bill is basically love bombing Ford. Making Ford feel very special and reminding him of the project that will change everything.

Now there is a difference between self esteem and self confidence. (I'm adding the links if you wanna know more :) ) Ford absolutely have a strong self confidence. He believes strongly in his research. He belives he CAN achive and complete his research. This is also something Bill takes advantage of. He knows Ford is desperate. This is where is self confidence turns a little bit more to narcissism (again caused by Bill by manipulation). Bill does everything to make sure Ford continues the work.

As soon Ford realizes the betrayal, Bill shows his true colors.

He takes over Fords body multiple times. Takes his body on top of the roof in the middle of the winter, taped a rattlesnake into his journal, recorded a video of him being in Fords body "Puppet Hour with Bill" and will cut to something more disturbing scene. Left a lot of polaroids of him humiliating and torture his body in different ways.

Scaring Ford with one scene where he pretended to call Stan that he was gonna kill himself. This part of the book was probably the one that made me actually shiver. Think about it, You see video and pictures of yourself doing all of this, knowing that this is not you doing all of these things. And having no memory of it at. Too scared to fall asleep because you have no idea were your body is going to be next. That would make any person as paranoid Ford was at the end.

Fidds and Ford.

There is a lot of things that I wanna talk about when it comes to these two, but I will save most of it to the Fidds drawing.

Fidleford is Fords only true friend during this time. He is very supportive but also honest with Ford.

Ford haven't had any other friends during his early life. Stanley was his only friend, and the one who protected him until that one mistake that separates them. When Fiddleford comes in to the picture, (a person who also seemed to have problems making friends) he's probably the first person who doesn't even notice at first that Ford has six fingers. I really wish here we had some more backstory of their college years to know what their friendship looked like, but it seems they were very close.

"I am overcome with emotion. The sight of my old classmate upon my doorstep this morning filled my heart with such joy and gratitude."

-Stanford, Journal 3

Ford was obviously very happy to not be alone anymore in his home. To have his best friend (who also left his family behind) to work with him on this massive project. Now comes the question, what does Ford see Fidds as? I think Fidds shows some kind of feelings towards Ford escpecially when it comes to giving presents (Not only in TBOB but also in Journal 3). I think Ford does deeply care about Fidds, but his mind at this point is so focused on the project (and Bill making sure he is) that he pushes away a lot of feelings. Probably a lot of feelings that are necessary to have as well.

Something I do notice tho is when Bill isn't present, Ford becomes more like himself. Decorating the portal to make make Fidds happy after the failed family reunion (which I don't think he normally would have done if Bill was present during the holidays).

After Bill torture and threatening Ford in the nightmare, the only man he could think of in that moment who could help him was Fiddleford. When he went through Fidds notes for any hints of where he was now, he finds the 5 failed knitted 6-fingered gloves and the ripped photo of them. I can't imagine what that must have felt...

The closest person he had in his life at that point, who has tried to warn him. Tried to give Ford another option for success in his research instead of the portal. The regret of not listening to his warnings.

When they reunited after Weirdmaggedon, seeing how Fiddleford lived now and what the aftermath of the portal incident did to him, must have been a punch in the gut.

"...but when I saw that he was living at the dump, it became clear how deeply I had hurt this man that I had once held so dear."

-Stanford Journal 3

So...Is Ford a jerk? The question and discussions that I've seen so many times here xD

Honestly, this man is complicated. Especially when it comes to understand his thoughts and feelings. However, Stanford is a type person that I personally have encountered irl. Sometimes too smart for his own good, sometimes not understanding how others may feel about certain things/topics and a person who constantly try to prove to themself and to others. A man lost in his own insecurities and very isolated. He his the main character in his life. Now that doesn't exscuse his negative actions at all. But more like a explanation to what might had led to the certain events.

Alright, this took way longer to write than actually make the drawing xD But did wanna share somethings that has been on my mind. When trying to search for analyses of the characters, it has been difficult to find one that is a middle ground. It's either: Stanford is a jerk and doesn't deserve anything good or Here is why everyone is wrong type of stuff. I'm not here to tell how we should think about certain characters. This is just how I look at all of this. The only problem I have with all of this is the thing between Ford and Bill. Maybe it's just me, but I really don't see any type of romance there. I know a lot of people went off on the "one thing led to another" part. I do not know what to say to that honestly. That page was super hard for my eyes to read for some reason lol. And i know, Yes, I did a video of Fidds being cucked by a triangle. I don't mind some of the jokes around it...I mean i did myself xD

I think the reason Bill is a bit obsessed over Ford is because after so many attempts with making deals with other humans to help Bill build a portal, this one was sooo close to success and ALMOST succeeded. He had all the tools and the right human to make it, but failed. He must feel so bitter.

Anyway, that's it for now! Next is Fiddleford :D

[homielander]

i am still extremely frustrated that "supporting rhaenyra = feminism" is the depth of the hotd writers' understanding on the subject. rhaenyra has not done a thing for other women apart from useless posturing ("when i am queen i will create a new order" and then denying baela driftmark at first opportunity) whereas alicent has actively stuck her neck out for other women -- by defending rhaenyra's claim to her father, other nobles, and even a doubtful viserys, all at the detriment of her own position; by convincing viserys that rhaenyra should be able to marry whomever she chooses; and by offering rhaenys and her granddaughters driftmark. i'm not delusional enough to label alicent a feminist but i would argue she comes much closer to being one than rhaenyra and rhaenys, who have done nothing but wallow in self-pity (actually rhaenys has done far worse) despite having a much greater capacity to enact change.

my question is, why should alicent support rhaenyra? before the time jump, alicent marrying viserys left the two estranged for years, and when they were on the verge of reconciliation, rhaenyra convinced alicent of a lie that got otto (her only remaining family member) sent away, leaving alicent alone at court without even the courtesy of a heads-up from her husband or former friend. after the time jump, rhaenyra only broached the idea of a marriage alliance as a last resort. she suggested torturing alicent's freshly-mutilated son and actively tried to implicate alicent in high treason. i can almost certainly say rhaenyra never said sorry for anything over the 10-year and 6-year time jumps considering alicent folded in like 30 seconds at the dinner when rhaenyra finally apologized and deigned to acknowledge that alicent was singlehandedly managing both the realm and viserys while she was off in dragonstone doing whatever.

(also, alicent's offences towards rhaenyra don't compare in my opinion -- the show made it pretty clear that alicent talking about the dubious parentage of rhaenyra's first three children was confined to closed doors, alicent never asked criston (and seriously, the courtyard incident is very much on harwin too) or larys to do what they did, and rhaenyra was the one to lend the bastard allegations credence by admitting them aloud in a room full of nobles at driftmark. alicent wasn't the source of those rumours by any means. "everyone knows. just look at them." of course there's the vaemond hearing but that comes after everything above ^)

all that being said, i honestly don't see why the contrived prophecy nonsense was necessary. i think alicent very well could have had an arc of personal empowerment where she decided after viserys's death to finally put her family and herself first, even if that came at the expense of rhaenyra and her claim. "have you ever imagined yourself on the iron throne" is a neat line and all, but it ignores that the only way a woman like alicent feasibly could have seized power is by putting her son (an actual claimant) forward as the successor. (after all, both f&b and hotd make it pretty clear that if not for the war, aegon would have been king in name only with alicent and otto ruling in his stead.) and we can't ignore that rhaenyra has never actually done anything to help secure other women's succession, so alicent wouldn't be making these moves to diminish women in general -- just rhaenyra.

of course you can have a conversation about how alicent working against the first female heir is a negative for women as a whole, but the point is it wouldn't be alicent's intention to work against women, just as it isn't rhaenyra's intention to work for them. i think there was a lot of potential for an interesting story here -- two women securing power only for themselves, but one operates within the system and one operates entirely outside of it -- but that obviously requires more nuance than the hotd writers were willing to allow either side. instead we get margaret thatcher effectively utilizing girlpower and the perpetual victim who's shown being sexually assaulted twice on screen as a punishment for not being able to bust out of her own prison with the dragon she doesn't have.

[androdragynous]

tell me something about your art. fucking love the recent sharp angles.

thank you for giving me an excuse to ramble I love you. kiss

this is going to be a long post but I think it's important so I'm leaving it as a normal post and not a read more

I wrote more words and changed my mind because I got distracted a bunch of times by talking to myself. Enjoy

my own works in general have always been like. The Way By Which I Interact With The World which I think is a pretty common artist experience. my fan art tended to focus on my own characters in those settings rather than on the existing characters because of that, to my younger self's chagrin at times (the desire to Appeal To Fandom was much stronger in my younger years, which I think is also pretty typical). so there was always that lens of, like, these characters aren't me, but they could have been, in some way, or at least when viewed at certain angles. first guy is dealing with the same shit, second guy is doing some gender stuff baby me won't unpack for another five years, you get the idea.

and then the whole disability thing ramped up a few notches and everything went to shit, which is to say, for a really long time there I couldn't so much as look at art without pain, let alone long enough to create it. I did not have the tools to accomodate that disability or the finances to get them, and so for a really long time I was basically cut off from... what honestly felt like my ability to connect with people.

this sucked very badly in many ways. it's still not back to where it was before things got worse, but I'm happy with where it's been recently. I don't know how much of that is connected to getting a blood transfusion and the affiliated correction to my quantity of blood. I don't know how much of it is just pure desperation to reconnect with a world that I feel estranged from. We will come back to this point because I have a different tangent first:

I really don't like vent art. I don't like making it, I don't like posting it, and I don't like seeing it. I understand why people make it - I understand why I do - but there's a very harsh rawness to it that feels inappropriate as a viewer. It's voyeuristic; it's a look into something incredibly deeply personal hurt and an equally deep and genuine desire to have that hurt seen, validified, comforted.

I do not think vent art is bad to create or share, to be clear. The fact it makes me uncomfortable does not illegitimize it. Could honestly strengthen its reason for existing, to be quite honest.

The line blurs with disability, though, and this is where we come back to the original tangent, because to talk about disability that cannot be cured will innately be seen as venting. It's basically inevitable, in my experience. You're supposed to want to get better. You're supposed to hate existing like this. So if you mention it, to people who haven't either been in the same boat or who haven't taken the time to work through their own baggage about it, it's innately a vent. It's innately a hurt that you're burdening them with, a hurt that you want recognized and helped. My family members have been particularly bad about this viewpoint, but so have friends and medical professionals. So have strangers. I find it akin to arguments against gay public displays of affection; two men holding hands is sexual, using a mobility aid is pitiable. You get me? There's that innate sense that you, as the person watching a disabled person be disabled, should be feeling something about it, and if it's not inspiration porn, obviously you're meant to be sad. If it wasn't clear, this is the description of a train of thought that I believe is entirely incorrect.

Anyways. So disability art ends up grouped as vent art if you talk about it sucking at all, even if the suck is about the barriers presented by society and not the disability itself. I can, of course, only speak for my own experience, which is what this post is about, so my situation is very much barriers-focused.

People really, really aren't good at dealing with the discomfort part, what I detailed as the emotions I feel around vent art. People don't know what to do when you don't want help, or their help doesn't help (for whatever reason), or basically in any situation where you can't actually fix things, which is a lot of Being Disabled. It's hard to sit with that discomfort, especially when it's about a person's vulnerability. People want to help others, generally, in my experience, and it's difficult to not be able to when it's someone you care about.

Which all ties back into the voyeurism; to be visibly disabled is to be a spectacle. This has also been pretty inevitable, in my experience. Being in a wheelchair draws attention. Using a cane draws attention. Wearing an eye patch draws attention. So on and so forth. Sometimes this is great - people will offer their chairs to me sometimes if I'm using my cane, for example, which I appreciate - and sometimes it is less great.

This ties in, for me, with the part people REALLY don't like talking about, which is sex and sexuality. How do you date when you can't go out to many places? How do you get to know someone when you live with others and can't invite them over? How do you look sexy when you feel and kind of look like a corpse? These are all questions I'd love to know the answers to, because I'm shit out of luck on figuring it out so far, and that's not even touching on the actual sex, because I don't want to get this post filtered if I can help it. There's a balance, right, of being visible on purpose by flirting, dressing up, going out, making an impact, that is both directly overlapping with and directly opposed to the inevitable visibility of visible disability. They juxtapose magnificently, in a kind of sun and moon during an eclipse sort of way, you get me? You have to lean into it. You have to make yourself comfortable in that visibility because it's inevitable, and you are going to inevitably be viewed as a spectacle because you've leaned into it, and you're never going to be viewed as sexual because nobody will ever distinguish that there are two kinds of visibility being done, here.

And THAT I think is where my art is at right now, trying to convey that overlap. I do not think I have been subtle about it - it's loud colors, sharp lines, layers of vandalism over the original draft, a kind of intentional obscuration that implies many others were drawn to leave their mark there. You know? But because of What It Is, I do think it causes discomfort in the overlap. It's supposed to. It's inevitable that it would. I think being disabled is overtly sexual in the way being gay is overtly sexual in the way being trans is overtly sexual, in that none of them are but none of them aren't, either, in the right contexts or the wrong ones. People are going to see you exist and come to their own conclusions about how wrong you must feel in existing, and they will be made uncomfortable by that perception, and they will want to fix you. You have to accept that or you have to be uncomfortable right back. There's not really a third option that keeps you alive. This is all connected to the art, because the art is also inherently sexual, for approximately the same reasons.

So the tldr is "op is it weird if I think this is hot" is both the intended response and yes, it is weird, and you have to sit with the fact that both of those are true and you have to be normal about it for the rest of your life forever, and also you should take that knowledge and get weirder about it. It's a complex system. I also may have described none of it. Good luck.