#and you know what? its the best sketchbook ive ever had

[charlotte-family-apologist]

33 and 26 for the ask game ? >:3

:33

33. Have you taken a lot of classes for art?

No only the highschool ones 😔

26. What do you physically draw with (pencil and paper, tablet, etc)?

I use a refurbished wacom screen tablet for digital and pencil, microns, and a sketchbook for traditional.

[su0su]

somebody.

bangchan x gender neutral reader

angst/fluff

wc: 877

i was listening to this song as i wrote this, the music just gave me this vibe.

it was in the middle of lunch at school, i wasnt really feeling myself as i sighed, sitting alone on a bench.

i like sitting here since nobody really comes here. theres blossom trees and bushes that cut off everything. cherry blossom petals scattered around the ground. the petals would fall as the wind blows. it was comforting here. i zoned out as i was listening to music.

everybody had a somebody, a best friend or a lover, although i didnt. i never had a somebody. i did have friends, but they always had a pair. i feel like im missing something. its like i dont understand how to get a somebody. its just, different.

i was distracted by my music from my headphones, looking at the nature around me as i sighed. not realising somebody was sitting next to me.

"hey."

a soft voice surprised me out of my thoughts as i looked to the side to see chan. chan was a mutual friend i had. we dont talk much. he wasnt my somebody.

"oh hey."

my voice was abit groggy as i took a sip of my waterbottle to clear my throat.

"you know, you always look like you have something in your mind."

his voice was soft spoken, i could see him looking around as he leaned back to look up at the sky.

"i do, although i rather not talk about it."

i sighed as i took off my headphones and fixed myself up.

"your always alone... am i correct?"

i look at the side in his direction. was it that obvious? how embarrassing.

"... um... yeah.. i guess you could say that."

my words were abit shakey as i cleared my throat.

"what goes through your head then?"

he looked at my eyes as i thought about his question.

"uhm well... alot."

i looked away as i bit my lip as i began to fiddle with my fingers

"over here is calming, i can see why you hang out here alone"

he was still looking at me. why was he here? why did he know I come here often?

"its just better being here then over where everybody else hangs out. i dont like seeing people with others having fun. it makes me feel jealous"

i sighed as i brought up my legs and wrapped my arms around them. sitting comfortably as i look infront of me, pretty cherry blossom trees rustle from the wind.

"jealous? whys that?"

there was a hint of confusion and concern in his voice. i bit my lip. was i really going to vent to somebody? he isnt my somebody, though.. right...?

"everybody has a somebody. a close friend or something. i just never had one. my whole life i was confused on why i didnt have a somebody. i just hated seeing others get along in duos. its always two people. never three. trios dont work."

i looked down at the ground as my eyes began to tear up. why am i crying? this is embarrassing.

chan sighed as he thought about my words. feeling pity as he looked up at the blossom trees.

"right. i understand, it must suck seeing that, now i get why you sit here. do you ever think you would get a somebody?"

i stopped to think. i never really thought about that before.

"no i dont think so. im pretty convinced i dont and wont have a somebody."

"i can be your somebody."

i look at him as i was confused.

"what..?"

chan looked down and then to my eyes. he bit his lip and thought about what he said. then opening his mouth.

"ive been observing you for awhile. not in a weird way.. its just.. i always wanted to know what goes in your mind. you never speak much to people and always draw in class in your sketchbook... i just think about you alot... i wonder about alot of things about you."

his voice was anxious as he fiddled with his fingers. scared of what you were going to say.

"you.. think about me..? but why me though...?"

i didnt understand why he observed me only. why did he want to know more? does he actually want to be.. my somebody?

"im into you ever since i laid my eyes on you. its just i want to know more about you. more stuff about you personally. so i can fall inlove with you even more.. i want to be your somebody."

he looked deep into my eyes as i was surprised by his words. he.. was inlove with me?

"i always watch you in class. you little habits make me smile. everything you do is just perfect in my eyes."

he sighed as he looked down at his hands. scared of what i would say.

i began to tear up as i had never heard this before. it felt different.

"chan.. i.. i dont think ive heard words like that being told to me.. ever.."

i chuckled nervously as i wiped my tears.

he was surprised but glad. he heard you chuckle for the first time, and it made him flush. he smiled as he looked up at me.

"may i be your somebody?"

part 2 maybe?? dunno its like 5am and i havent slept

[reggiejworkshop]

"Crowd Control"

When it comes to large shows, you need to have a large enough of a bouncer crew to deal with it.

If its not the abrasive loudness of the headlining act, its the frenzy they whip the crowd into.  The swirling pit of rowdy toons, the occasional surfers who breach just over said pit, the occasional fights, the ones in front who need a splash of water to stay hydrated, the dancers who manage to jump on and off stage, sometimes with some extra assistance. And yet, in spite of all of that, everyone manages have a good time and  leave the venue with a musical experience that will stick with them until the end time.

So, this is a project I had been meaning to do for the longest time. Part of the reason I put it off for so long is due the fact that planning out the composition took awhile to figure out, even before I put this setting in a poll on what you all would have liked to see for this picture! Seriously, crowd scenes are not easy to put together!

I initially drew this on two separate sketchbook sheets before splicing them together!

Then there was coloring this in. I decided to keep the shadows soft since I didn't want them competing with the linework. Wanted to have this chaotic and raw!

What spawned the extra inspiration for the pandemonium here is a recent show I actually went to earlier this past September. I saw Death Grips, an experimental hardcore hip hop group, in my hometown. They are always known for putting on an energetic show, and this one was no different. Even though I was up in the nosebleed balcony sections, I still enjoyed myself and consider it one of the best shows Ive ever been to!

This is also a celebration for the eight years I've been on Deviantart! One Thousand Watchers and Counting!

Even though I have my occasional issues with that site, and might have more to come in the future, I will always apricate that this place was the first time I ever decided to share my art outside of just friends and family. Ive met so many people there and here, fellow artists, friends, writers, and simple art enthusiasts.

As always guys, thank you so much for your support over the years! Because without you, I might not have done the work I did.

P.S See how many cartoon characters I managed to sneak in here!  Some you might know, others you probably haven't seen in years! You might be able to spot at least thirty here, although I tried to get far more in here with varying success. Some are bit off model and wonky, but they are here!

[ichijager13]

Teach me how to be loved

Chapter IV

For a little piece of heaven

Pairing : Eren Jäger x reader

Characters: Eren Jäger, Annie Leonhart, Pieck Finger.

Tags: Unhealthy copping mechanism, unhealthy relationships, childhood trauma, physical and verbal abuse, self-esteem and trust issues, domestic violence, implied/ referenced cheating and a touch of sweet, lovable and non fuckboy Eren Jäger

Masterlist, AO3,  Playlists : Reader’s POV, Eren’s POV

A/N: Hello, first of all, I would like to thank you for reading my story and for all the support you are giving the fic. it warms my heart and motivates me to give you more. From now on I will update the story twice a week, Mondays and Thursdays.

PS: I am not a german speaker so if you ever spot tippos don't hesitate to let me know.

You readjusted your glasses for the hundredth time this afternoon. You spent most of the day in your study working on your latest project. Tapping your bottom lip with your pencil you tried to decide if the design was put together or if you need to open a new file and start all over again. You were so far gone in your thoughts when you heard your phone buzzing. Someone was calling you, Eren was calling you.

“Hello”. You spoke massaging your blurry eyes.

“Hey, how are you doing?” You felt micro shockwaves creeping up your spine when you heard his deep voice from the other end of the line.

“Fine, how about you?” You replied after what seemed to be an eternity to you.

“Doing well, thanks. So, about the sketchbook”. You closed your laptop and focused on his voice. “Does tomorrow work for you?”

“Yeah, I’ll be at work”.

“At what time do you finish?”

“4 PM”.

“Okay, I’ll text you before I come”. He added before wishing you a good evening and hanging up.

You spent the rest of your Sunday trying to finish your assignment.

 Once he finished signing all the papers his secretary left him and all his meetings, he left his office heading to his best friend’s company. He sent you a message as soon as he arrived. “I’m at the parking lot”. The message read.

You were about to leave your desk when you felt your phone buzzing in your pocket. Once outside, your eyes scanned the parking lot looking for him. Frowning, you pulled out your phone.

You were about to call and ask where he was when you heard a panting voice coming from behind you. “I was on the other side. I saw you heading this way”. He tried to catch his breath before handing you a paper bag. “I went through it; I hope you don’t mind”. He confessed watching you flipping the pages of the notebook before putting it back inside the paper bag. Your lips curved up when you noticed the box of chocolate he slipped inside the bag.

“No, I don’t”. you looked up at him. “Thank you, it’s my favorite”. You followed.

“You are quite talented”.

“Thank you, Euh… I was thinking…”. You mentally kicked yourself for stuttering. “I would love to… Can I offer you a drink or something to thank you for bringing it back”. You were shifting the bag from one hand to another. “If you are free, of course”. You spoke consciously giving your brain the chance to process each word you uttered.

“I know a quiet place not far from here”. He had to double his efforts to repress the smile threatening to make its way across his lips when he noticed you were slightly blushing.

“Lead the way”. You mumbled.

 “You know I thought you were Annie’s friend”. He spoke, after ordering. “I didn’t know you work for Armin”.

“I am in fact, friends with Annie, we used to work together before she got married”. You clarified. “We know each other for six years now”. you followed. “I met Armin through her, and though they firmly deny it, I’m positive she suggested for him to hire me”.

As the hours tick away, you understood why you never could resist him. Eren was a cheerful person and fun to be around. The conversation was reaching an interesting point when you were interrupted by his ringtone. “You can take it, I don’t mind”, Noting he was hesitating, you said smiling.

He flashed you a smile before taking the call. “Halo, mutty… Was ist los? (Hello, mom… what’s wrong?)” He asked alarmed. “Wo? (Where?)” Another silence. “I’m on my way, mach dir keine Sorgen. (Don’t worry)”. He added. “I’m sorry, I have an emergency, I need to go”. He spoke after he hung up. “I’ll make it up for you later, I promise”. He followed standing up and you simply nodded. He shot you an apologetic smile before paying for your consumption and leaving the coffee shop.

 “Good evening, I’m here for a patient, a young girl, she arrived minutes ago, a four-year-old girl”. Words were spilling out of his mouth.

“Name please”. The receptionist asked.

“Sophie Jäger”. He nervously tapped his food.

“Yes, she arrived ten minutes ago, sir. The doctor is seeing her now”.

“Where?”

“I’m afraid you can’t…”

“I’m her father”. Losing his calm, he cut her and handed her his ID.

“The second stand on your left”. She replied.

 “There, there sweetheart”. The nurse cooed. “We will be done in a minute”.

“Vater”. The girl’s eyes welled up with tears when he came into her field of view.

“It’s alright, mein liebling. Ich bin hier jetzt (I’m here now)”. He kneeled in front of his daughter holding her small hands. “I’m her father”. He spoke to the nurse doing her bandages.

“There’s nothing to be worried about, Mr. Jäger. The doctor has prescript a pain killer and medicine in case she got a fever”. She caressed the girl’s hair smiling fondly. “The cut needs to be cleaned every two days”. she glanced at the dark-haired man facing her and then at the middle-aged woman. “Accidents like this happen often, right Mrs. Jäger? She will be alright”. She smiled when Carla nodded.

“But her face is swollen”. His voice was filled with concern.

“It’s a normal reaction. It will be gone in no time”. She reassured him. “And we’re done, you are a brave girl, Sophie”. She offered the toddler candy before handing the prescription to Eren. “See you on Wednesday”. She smiled at her once again before heading to the next patient.

“What happened?” Eren asked Carla.

“Sie spielte mit ihrem Fahrrad, als sie hinfiel. (She was playing with her bicycle when she fell)”. His mom answered helping her granddaughter put on her jacket. “Ich war drinnen, als es passierte. (I was inside when it happened)”. She added smoothing her hair before pecking her cheek. “Ich eilte nach draußen, als ich sie weinen hörte. Zum Glück war Sieg zu Hause. He drove us here. (I rushed outside when I heard her crying. Luckily, Sieg was home)”. She looked up at her son. “It was him who did her stitches”.

He pressed his lips to his mother’s forehead before picking up his daughter. “How about we go home? Ich bleibe über Nacht. (I will stay over tonight)”. He said cheerfully.

“Will you read me a story?” Sophie stared at her father with big pleading green eyes.

“Of course, my princess”. Once in the car, he sent his brother a message thanking him and letting him know they are leaving. “wer will Eis? (Who wants ice cream?)” He asked leaving the parking lot. Both grandmother and daughter rose their hands, lips curved into a bright smile.

 “Vatty”.

“Ja, mein hase?” he ran a hand across her face checking her temperature, relieved she doesn’t have a fever.

“Tell me a story about mutty”. She asked.

He put her to bed and tucked her blanket under her chin before taking a deep breath. Sophie didn’t get the chance to know her mother who passed away during labor. Alongside Armin, Mikasa was Eren’s childhood friend. They all grew up together and eventually, Eren fell in love with her. They got married after Mikasa graduated from school and a year later Sophie was born.

While she had her father’s bright eyes, Sophie was the spitting image of her mother.

“See the plushie that looks a little like me?” He pointed at a toy set on her nightstand, she nodded. “deine Mutter hat es für mich gemacht. Wir waren in deinem Alter. (it’s your mother who made it for me. we were your age)”. Amazed, her eyes sparkled. “Your grandma was good at sewing, that’s how Mikasa learned”.

“Und oma?”

“No, she’s not”. He snickered. “aber das soll unter uns bleiben. (But this should stay between us)”. He whispered, trying to sound serious.

“Okay”. She giggled.

“Do you pinky promise?”

“Ja”. She held her finger to seal the promise. “Vatty”. He hummed in response checking her bandages. “Sleep in bed with me, bitte (please)”.

“Okay, Lass mich einfach meinen Schlafanzug anziehen. (Just let me put on my pajamas)”. She nodded visibly happy.

“Still up?” He frowned noticing his mother was still in the living room.

“I was waiting for you”. she answered. “schläft sie? (Is she sleeping)” he bobbed his head taking place on the opposite sofa. “Es ist schon eine Weile her, seit du hier übernachtet hast. (It’s been a while since you spent the night here)”. She added.

“sie bat mich, ihr eine geschichte über Mikasa zu erzählen. (She asked me to tell her a story about Mikasa)”. He closed his eyes. “I told Ymir I’m taking the day off tomorrow”. He followed.

“That would be nice”. Carla commented. “Er vermisst dich sehr. (She misses you a lot)”.

“Ich vermisse sie auch aber mein Zeitplan lässt es nicht zu.... (I miss her too but my schedule does not allow me to…)”.

“I know, liebling”. She cut him. “Go back before she wakes up”. she offered him a genuine smile.

“Gutte nacht”. He pecked her temple before going upstairs.

 After checking once more his child’s temperature he slipped under the blanket next to her. Feeling her father’s presence, Sophie let go of her plushie -the one Mikasa made for him- and scooted closer. She buried her face in his neck mumbling undistinguished words. He caressed her dark locks smiling. “Schlaf gut, mein Hase, Daddy ist hier, um dich zu beschützen. (Sleep well, my bunny, daddy is here to protect you)”.

Drifting to sleep, he remembered you. he smiled recalling your flushed cheeks when you invited him. he made a mental note to text you tomorrow morning.

[two-calicos-in-a-trenchcoat]

When I was binding my plant book I spent about an hour digging around online to figure out which stitch I would use and researching the different binding methods to figure out what would work best.

I also wanted a good written tutorial for how to do the stitch i ultimately chose (the coptic stitch) because I do not like video tutorials. Unfortunately none of the written tutorials had exactly what I needed. Specifically none of them told you what to do if you ran out of thread before finishing the binding. Their advice was "make sure to cut enough thread from the beginning" which was not going to work for me. While there is a way to measure out how much thread you need, I would likely still need to know how to add more thread. My plant book is quite a bit thicker than the books being made in the tutorials. And I dont know if you've ever tried to hand sew something by hand and thought "ehhh ill just cut off a bunch and hope its enough to do this in one go," but it NEVER works out that way.

DO NOT LISTEN TO THAT VOICE. THAT IS THE DEVIL SPEAKING.

All that will happen is you end up with a giant tangled mess of thread that you can never untangle. And im pretty good at untangling threads but its a pain in the ass and just not something I would like to waste my time on. Not to mention the wasted thread. So I ended up having to watch part of a video tutorial to figure out what I was supposed to do when the thread inevitably ran out. And I told myself that the next time I did this, I would make my own written tutorial with pictures showing what to do and also showing how I reinforce the spine because I go a bit further than any of the tutorials I found.

(Tutorial under the cut)

Most people seem to choose the coptic stitch because they like how it looks and they keep the stitching exposed. While I agree that it looks good, I dont personally like the exposed stitching. I like people to look at my books and be surprised when I tell them I bound them myself. And making a book that looks professionally done accomplishes that. Also I prefer it over the exposed stitching, ALSO I don't use proper bookbinding thread cuz I do this on a budget with stuff I can get at walmart or already have lying around the house and covering the stitching helps reinforce it. I ultimately decided on the coptic stitch partly because it allows the book to lie flat when open, but also because every article I read on different stitches to use said that it was the most complicated one and I looked at that and was like "pffffttt cant be that hard." And honestly I think I was right. Its pretty straightforward.

So what youre gonna need is some paper. Personally, I like to take those sketchbooks that are bound with tape or glue and pull all the pages out. This way you also get a front and back cover.

Again, every tutorial was telling me to fold the pages with a bone fold, which is nice if you have one, I guess, but I do not, so I used the clip on the side of my mechanical pencil to fold the pages in half. If youre using regular sketch paper then you wanna make some signatures which is a group of 4 to 5 sheets of paper, folded in half, and placed inside each other. But for something thicker like watercolor paper, I just sew each individual sheet on separately.

Next, you're gonna wanna take the hard piece of cardboard at the back of the taped together sketchbook and cut that shit in half. I use an exacto knife but ive also used scissors for this in the past. I do not recommend using scissors. Its possible to do but not worth the hand cramps. And then BOOM you have the covers of your sketchbook.

Another thing most people tell you to use is an awl to punch the holes in the paper. Again, I do not have an awl. Nor do I have the money to buy one. At first, I just punched the holes in with a thumbtack but thumbtacks are tiny and after awhile your fingers start to hurt and you may start to lose your grip on it and its just generally a bad time. But, ya bois got a lot of sewing needles (I kept losing them for awhile there and would give up and buy new ones only to then find the pack I lost. So I have like 3 packs of sewing needles.

Thats not counting the ones my mom has also bought because she's done the same thing) and out of frustration from using the thumbtack I decided to try sticking a sewing needle into one of my mechanical pencils and seeing if it would fit and not just immediately push back in when I tried to use it. And what do you fuckin know?

It worked extremely well and I wish id thought of it sooner. I cut the time spent poking holes into the signatures in half and it doesnt hurt my fingers at all.

Youre also going to need thread, of course. I use embroidery thread cuz thats what I already had. Normally you should go for a thicker thread. Preferably a waxed thread. And most people would recommend using a curved sewing needle. This is the one thing im considering getting for myself at some point. You CAN do it with a straight needle but a curved one would definitely make some aspects of this significantly easier.

Now to start off, you wanna take your string and put it in the needle and fold it in half and tie the ends together and then

You wanna thread the needle through the first signature and then

Pull it up through the bottom of the first hole in the cover and loop it around twice and pull it tight

Then push the needle back into the first hole in the paper

And put it through the next hole in the signature

Then repeat that process til you get to the end of the holes. When you get to the last one start like you did with all the others but after wrapping the thread around the cardboard twice you get the next signature

And push it in through the first hole and back out the second (tbc)

[nihiltism]

since ive been too College to have enough art for any sort of summary im just gonna put a general year end rundown of what i feel i did best on this year!!

i think every year since i figured out that i dont need to use pens to line has just gotten better art wise for me. FUCK lining. pencils are my best friends forever and ever and can do your job better than you ever could. anyway apologies for some of these drawings being crunchier than others, i only recently got a scanner and Cannot be assed to scan my old art for this post rn.

also the first art here is a hatoful boyfriend spoiler. i mean i guess the last one is too but its vaguer i think. anyway. none of these are actually analyses of what i learned with each art im just braining

april 5th-

you guys know this one i REALLY like it. why in the goddamn were my best pieces this year hatoful boyfriend. anyway i uh. hey did you know that i didnt do the notgeki with graphite because i like mixed media. i did it because i have not owned a grey pencil for my some-teen years of drawing ever. i only JUST got a grey pencil like. a couple months ago. i mean im good with graphite i would have done it like that anyway but. yeah. anyway this was abt the height of my beginning hatoful fix and Also indirectly what got me to meet like a bunch of my mutuals here!! i did. not know there was a hatoful community. and because That i actually started using tumblr so!! hey thanks hitori. i need to do more birdform art.

april 15th -

this motherfucker! ill be. completely honest i dont have a lot of feedback for a lot of my graphite art bc ive Been doing this. ok actually yknow what i will say. there is a limit for how dark something can be with graphite and i Very much remember going over the inside of the cloak So Much. this was my pet project during my weekly 3 hour long lecture so god bless it. also i do still like how i did the eye. can i draw eye guys exclusively please.

july 3rd -

not really Art im proud of but!! holy shit i dont design often and i dont hate this!! this is at least in part thanks to my gf. my gf knows how to clothes better than i do so i did ask them for help. also i really need to scan this one. or maybe draw her a new ref. anyway (holds up celine) look at her. look at the silly.

september 6th -

this one was a trade for my friend raicatty and. also something i probably should have scanned. but its fine. anyway this one did teach me something and its To Line Your Damn Pieces Darker. lining with the color that youre going to be coloring in is kind of Asking For Disaster if it overlaps with others and u can. see that. this is a bit imparseable. but its also pretty. and thats all that really matters. a fun fact for when i ever do commissions is that being allowed to use this purpley pink pencil i have will make me really happy. its so pretty.

OERSHRIMP INTERLUDE

OERSHRIMP INTERLUDE

november 13 -

forgive me for including a sketch in this but YOU DONT UNDERSTAND IVE NEVER BEEN ABLE TO DRAW HUMANS. like. NEVER. much less in an actual decent pose. (god bless adorkastock) im So very delighted by this oboromaru and hes!! like!! one of my least favorite characters!! (not to say i dislike him hes just lower). i dont know what happened here!! if this wasnt at the very back of my Sketchbook I Just Put Away Because It Was Falling Apart id say id finish this one later. rip. he and that dark daroach sketch i had there can just vibe i guess.

aaand the big one. december 8th -

things i learned from this one! 1. the scanner did not pick up the red lines very well! 2. scanners are good! 3: NEVER do a full page project again! buuut i do want to say i am like. insanely proud of this one. its the first art ive done i can really say has any sort of Composition and im so delighted that it turned out just as cool as it looked in my head. also this took forever and i could have easily messed it up Multiple times in the process. so god bless.

[penumbrialhexandroga]

I started drawing "when i could first hold a crayon", my mother told me.

Growing up, i was always a quick learner. I learned to read before i was in school, i could always pick things up really easily; my mom would show me a shape and label it and i would get it immediately. I cant remember ever not being able to read.

One of my earliest memories is of being in school, maybe kindergarted on first grade? And they were having us all write down the letters they spoke for a quiz. A classmate leaned over to me and asked me if we were supposed to write the letter or spell the letter? I said "i think spell", thats what i had been doing lol. Later on they told us all that we were supposed to write the letter, not spell it out lol.

"Ay", "Bee", etc. I wish i could go back and read how i spelt it all, 8m interested how i wouldve spelt out "C".

But back to drawing. I cant remember ever not doing it. I was always the "best" artist in my class growing up. I think ive spent far more of my life drawing than socializing. But as ive gotten older i stopped being the best artist for my age. Im at a point now where although im confident in being able to replicate things or my technical skills in being able to make a portrait is pretty good. I always feel like i really struggle creatively.

I remember when i was in maybe 4th grade? And one of my friends/classmates had wanted me to teach her how to deaw a wolf. I was trying to show her how you were supposed to start with simple shapes , just squares and circles, to start the construction of the body, and then you draw the actual more complex form over that and then erase the simple sketch. Obviously not in those words but i realized that she wasnt understanding it, i had shown her what to do but i just remember being in this moment and it was one of those things that you know youll always remember. I can remember being in that room, in the school library at the circular table that must have been on the floor. My back was to the windows and it was an overcast but bright day. I think i must have been wearing a red, short sleeved shirt. My classmate had very light blonde shoulder length hair that flipped out on the ends. She was wearing a pink shirt. I remember she was getting stuck on how you make the more complex form over the guidelines and then erase the guidelines, i tried to show her by having her go along with me step by step but it just felt like there was a block. Like when youre taking a test and you know you dont know the answer vs. When you think you might know the answer and you can logic your way through or come back to it later.

Anyways i cant comprehend how people are so friggin amazing at composing things. I never feel like im a skilled artist until i go back and look through my art or my sketchbook. I love doing gesture drawings and very quick things but i really struggle with making complete compositions. Its something i know i just need to practice to improve at but i can never stick to a single thing for so long! When i do even 10 minute figure drawings it feels like im taking so so long!

Though, thinking i can focus for long enough if i do live figure drawing sessions in a class setting. Its always been easier for me to focus or get things done if im in a classroom setting. I miss school and learning like that so much! I really want to start taking art classes when i can. Or go back to community college.

[caruliaa]

[image description: a digital drawing styled around a sketchbook page with the lyrics " you made a rebel of a careless man's careful daughter you are the best thing thats ever been mine" from the song Mine by Taylor Swift written in dark pink in the center of a light pink page, surrounded by drawn pink hearts and other details such a sparkly tape, stickers of a ladybird and butterfly, a strawberry and a lemon, and rarities and fluttershys cutie marks, orange segments, two pink friendship bracelets and a drawing of two cats. /End description]

HAPPY TWO YEARS OF FRIENDSHIP @legobatmen !!!!!!!!!! 💞🐈🦋🐞🍓🍊🍰

it really so wild to me that two years ago today was when we first became mutuals, both because i cant believe its been so long and because i feel like iv had you in my life for so much longer and i feel like that because you're such a core part of my life. like i really do feel like meeting you have been the best thing that's ever happened to me because in the last two years iv known you you have changed my life for the better in every way, you have brought me so so much joy and brightness and warmth with your company and in knowing you every single day i have known you and i feel like we've been through so much together in the last two years and having you by my side to celebrate the good time and support me through the bad really has just meant more to me than i could ever say you really have just been so important to me through everything and such a warm comforting aspect of my life and ik that ill always have you here for me through whatever i'm going through and like. it really mean so so much to me to have your love and kindness and just your brightness in my life you really are just such a core source of happiness and joy within my life and i still cant believe sometimes even after two years that i have such an incredible friend as you in my life and that you love and care for me so much and i hope you know that ill be here for you to love and care for you too in every way for whats hopefully many, many more years, i love you so so very much my butterfly <3

[meruz]

once again i am answering asks in a big compilation post. included is... gotham, patrick stump, tips about drawing backgrounds, tips about drawing in general, links to my faq, and infinity train

like.... the tv series? No... I’ve drawn dc comics fanart before, though. But it’s been years since I’ve been really into it. I like jumped ship like 10 years ago when the New 52 happened LOL.

AFJHDSLKGH I’m sorry I (probably) won’t do it again??

Actually full disclosure I have a truly cringe amount of p stump drawings/photo studies in my sketchbook right now LOL. He’s just fun to draw... hats, glasses, guitar, a good shape... but I don’t think I’ll rly post those until I can hide them in another big sketchbook pdf.. probably Jan 2022. Stay tuned........ (ominous) 

(ominous preview)

These are all sort of related to backgrounds/painting so I grouped them together even though they’re pretty much entirely separate questions.... ANYWAYS

a) How is it working as a BG artist? Is it hard? What show are you drawing for?

I think you’re the first person to ever ask me about my job! Being a background artist is great. It’s definitely labor intensive but I think that could describe pretty much any art job (If something were rote or easy to automate, you wouldn’t hire an artist to do it) and I hesitate to say whether its harder or easier than any other role in the animation pipeline. Plus, so much of what truly makes a job difficult varies from one production to the next, schedule, working environment, co-workers etc. But I will say that I think while BGs are generally a lot of work on the upfront, I think they’re subject to less scrutiny/revisions than something like character/props/effects design and you don’t have to pitch them to a room like boards. So I guess it’s good if you don’t like to talk to people? LOL

A lot of my previous projects + the show I’ve worked on the longest aren’t public yet so I can’t talk about em (but I assure you if/when the news does break I won’t shut up about it). But I’m currently working on Archer Season 12 LOL. I’m like 90% sure I’m allowed to say that.

b) ~~~THANK YOU!! ~~~

c) What exactly do you like to draw most [in a background]?

@kaitomiury​ Lots of stuff! I really like to draw clutter! Because it’s a great opportunity for environmental storytelling and also you can be kind of messy with it because the sheer mass will supersede any details LOL. 

I like to draw clouds... I like to draw grass but not trees lol,,, I like to draw anything that sells perspective really easily like tiled floors and ceilings, shelves, lamp posts on a street etc.

d) Do you have any tips on how to paint (observational)?

god there’s so much to say. painting is really a whole ass discipline like someone can paint their whole life and still discover new things about it. I guess if you’re really just starting out my best advice is that habit is more important than product. especially with traditional plein air painting, I find that the procedure of going outside and setting up your paints is almost harder than the actual painting. There’s a lot of artists who say “I want to do plein air sometime!!” and then never actually get around to doing it. A lot of people just end up working from google streetview or photos on their computer.

But going outside to paint is a really good challenge because it forces you to make and commit to lighting and composition decisions really quickly. And to work through your mistakes instead of against them via undo button.

My last tip is to check out James Gurney’s youtube channel because hes probably the best and most consistent resource on observational painting out there rn. There’s lots other artists doing the same thing (off the top of my head I know a lot of the Warrior Painters group has people regularly posting plein air stuff and lightbox expo had a Jesse Schmidt lecture abt it last year) but Gurney’s probably the most prolific poster and one of the best at explaining the more technical stuff - his books are great too.

e) Do you have tips for drawing cleanly on heavypaint?

@marigoldfool​ UMM LOL I LIKE ONLY USE THE FILL TOOL so maybe use the fill tool? Fill and rectangle are good for edge control as opposed to the rest of the heavy paint tools which can get sort of muddles. And also I use a stylus so maybe if you’re using your finger, find a stylus that works with your device instead. That’s all I’ve got, frankly I don’t think my drawings are particularly clean lol.

f) Tips on improving backgrounds/scenes making them more dynamic practicing etc?

Ive given some tips about backgrounds/scenes before so I’m not gonna re-tread those but here’s another thing that might be helpful...

I think a good way to approach backgrounds is to think of the specific story or even mood you want to convey with the background first. Thinking “I just need to put something behind this character” is going to lead you to drawing like... a green screen tourist photo backdrop. But if you think “I need this bg to make the characters feel small” or “I need this bg to make the world feel colorful” then it gives you requirements and cues to work off of.

If I know a character needs to feel overwhelmed and small, then I know I need to create environment elements that will cage them in and corner them. If a character needs to feel triumphant/on top of the world then I know I need to let the environment open up around them. etc. If I know my focal point/ where I want to draw attention, I can build the background around that.

Also, backgrounds like figure compositions will have focal points of their own and you can draw attention to it/ the relationship the characters have with the bg element via scale or directionality or color, any number of cues. I think of it almost as a second/third character in a scene.

Not every composition is gonna have something so obvious like this but it helps me to think about these because then the characters feel connected and integrated with the environment.

Some more general art questions

a) Do you have any process/tips to start drawing character/bodies/heads?

I tried to kind of draw something to answer this but honestly this is difficult for me to answer because I don’t think I’m that great at drawing characters LOL. Ok, I think I have two tips.

1) flip your canvas often. A lot about what makes human bodies look correct and believable is symmetry and balance. Even if someone has asymmetrical features, the body will often pull and push in a way to counterbalance it. we often have inherent biases to one side or another like dominant hands dominant eyes etc. you know how right-handed artists will often favor drawing characters facing 45 degrees facing (the artist’s) left? that’s part of it. so viewing your drawing flipped even just to evaluate it helps compensate for that bias and makes you more aware of balance.

2) draw the whole figure often. I feel like a lot of beginner artists (myself included for a long time) defer to just drawing headshots or busts because it’s easier, you dont have to think about posing limbs etc. But drawing a full body allows you to better gauge proportion, perspective, body language, everything that makes a character look believable and grounded.

Like if you (me) have that issue where you draw the head too big and then have to resize it to fit the proportions of the rest of the body, it’s probably because you (I) drew the head first and are treating the body as an afterthought/attachment. Sketching out the whole figure first or even just quick drawing guides for it will help you think of it more holistically. I learned this figure drawing in charcoal at art school LOL.

oh. third mini tip - try to draw people from life often! its the best study. if you can get into a figure drawing/nude drawing class EVEN BETTER and if you have a local college/art space/museum that hosts those for free TREASURE IT AND TAKE ADVANTAGE OF IT, that’s a huge boon that a lot of artists (me again) wish they had. though if youre not so lucky and youre sitting in a park trying to creeper draw people and they keep moving.. don’t let that stop you! that’s good practice because it’s forcing you to work fast to get the important stuff down LOL. its a challenge!

b) I’ve been pretty out of energy and have had no inspiration to draw but I have the desire to. Any advice?

Dude, take a walk or something.... Or a nap? Low energy is going to effect everything else so you gotta hit that problem at its source.

If you’re looking for inspiration though, I’d recommend stuff like watching a movie, reading a book, playing video games etc. Fill up your idea bank with content and then give yourself time/space to gestate it into new concepts. Sometimes looking at other art works but sometimes it can work against you because it’s too close. 

Also something that helps me is remembering that art doesn’t always have to be groundbreaking... like it’s okay to make something shitty and stupid that you don’t post online and only show to your friend. That’s all part of the process imo. If you want to hit a home run you gotta warm up first, right? Sports.

I should probably compile everytime i give tips on stuff like this but that’s getting dangerously close to being a social media artist who makes stupid boiled down art tutorials for clout which is the last thing i want to be... the thing I want to stress is that art is a whole visual language and there are widely agreed upon rules and customs but they exist in large part to be broken. Like there's an infinite number of ways to reach an infinite number of solutions and that’s actually what makes it really cool and personal for both the artist and the viewer. So when you make work you like or you find someone else’s work you like, take a step back and ask yourself what about it speaks for you, what about it works for you, what makes it effective, how to recreate that effect and how to break that effect completely, etc. And have a good time with it or else what’s the point.

for the first 2, I direct you to my FAQ

For the last one, I don’t actually believe I’ve ever addressed artwork as insp for stories/rp but I’ll say here and now yeah go ahead! As long as you’re not making profit or taking credit for my work then I’m normally ok with it. Especially anything thats private and purely recreational, that’s generally 100% green light go. I only ask that if you post it anywhere public that you please credit me.

(and I reserve the right to ask you to take it down if I see it and don’t approve of it’s use but I think that case is pretty rare.)

a) @lemuelzero101 Thank you!!! I haven’t played Life is Strange but actually  that series’ vis dev artist Edouard Caplain is one of my bigger art inspirations lately so that’s a really high compliment lol. And yeah I hope we get 5-8 too...!

b) Thank you for sticking around! I’ve been thinking about Digimon and Infinity Train in tandem lately, actually. They’re a little similar? Enter a dangerous alternate world and have wacky adventures with monsters/inanimate objects that have weird powers... there’s like weird engineers and mechanisms behind the scenes... also frontier literally starts with them getting on a train. Anyways if anyone else followed me for digimon... maybe you’d like Infinity Train? LOL

c) @king-wens-king I’M GLAD MY ART JUST HAS PINOY VIBES LOL I hope you are having a good day too :^)

a, b, c, d) yessss my Watch Infinity Train agenda is working....

e) aw thank you!! i think you should watch infinity train :)

[aliensunflower-fics]

‘Akumatized Marinette’ A funny prompt!

So ive seen a few different fics and posts where Lila convinces the class that Marinette is in fact Mayura and/or is working in some way for Hawkmoth, using such evidence as ‘Marinette’s never been akumatized’ and citing how sometimes Marinette’s attempts to be helpful or friendly or yes her mistakes have resulted in an akuma going after her classmates. Also other evidence like how many akumas the class has had total. But what if Lila could not convince class that Marinette was working with Hawkmoth, desperate to connect Marinette to the supervillain in hopes of plummeting her reputation Lila claims that Marinette is in fact AKUMATIZED hence her villainous actions towards Lila!

Now just follow me here:

What if the class don't believe Lila THAT MUCH. Sure Lila has them convinced that she’s a diplomats daughter and that shes got a million illnesses and physical problems and yes she even has everyone believing that she’s famous and that her and Adrien are a secret item [how scandalous!]. But no one in the class will for a SECOND believe that Marinette is working with Hawkmoth. Lila has tried broaching the subject several times, shes tried leaving ‘hints’ and pointing things out that seem ‘incriminating’ but each and every time she does the class scoff and each of them begin listing a 100 reasons why Marinette is definitely NOT a fan of Hawkmoth and would never work with him.

Frustrated but determined to connect the super villain to Marinette and alienate the girl further Lila seethes and plots. Getting more frustrated each failed attempt and trying to chew off her own sausage hair when people talk about how Marinette would definitely kick Hawkmoth’s ass. Then one day Marinette walks in with a totally new look, she’s cut her hair into a messy pixie cut and is going for a pink punk look. The look gets everyone's attention and the day is spent with everyone complimenting the baker girl [she even gets asked out by a few of the guys in the other classes] frustrated that everyone is paying attention to Marinette instead of herself Lila cant help but make up some big lie about how Marinette assaulted her and stole her money.

The class is justifiably shocked! They have been especially protective of Marinette and her reputation ever since she was expelled and nearly akumatized so more then a few of them start yelling at Lila even Alya who normally sides with Lila due to her belief that her designer friend is jealous is furious at Lila for making an accusation like that! Desperate to recover from the poorly timed and worded lie she’s made Lila thinks fast and comes up with a scheme just crazy enough to work! She claims that obviously it wasn’t ACTUALLY Marinette, no it was the horrible akuma MARIONETTE! The class blinks taken aback but they can’t help but ask what Lila is talking about.

The italian smirks feeling sinister pleasure course through her. She begins weaving her sob story tale! About how Marinette had snuck into one of Adrien and Lila’s photoshoots! Where the poor baker girl saw them *gasp* KISSING! Poor Marinette heartbroken and distraught was akumatized into the horrible monster Marionette! Who stalked Lila home and attacked her! She goes on to claim that the Marinette who was in class today was NOT in fact their good friend rocking a new style and haircut but was instead a vicious akuma after all why do you think Lila was keeping so far away from Marinette all day? She’s TRAUMATIZED after her ordeal and now Marionette the akuma is attending class as if she were Marinette! How terrible could Hawkmoth be to be using their heartbroken friend like this!

The class doesn’t want to believe it, but it makes such perfect sense Marinette WOULD be heartbroken by seeing Adrien the ‘love of her life’ kissing Lila her main rival! And just yesterday Marinette looked completely normal with her cute little pigtails and her signature outfit! She never told any of them she was even GOING to get a haircut! And surely if Marinette was going to make such a big change in her appearance she would have told her bestie Alya right?

But now what is the class to do? Poor Marinette is akumatized and they have no idea what to do or what her object could possibly be! Max, always the logical one concludes that they should simply contact Ladybug and have her help poor Marinette! Lila quickly jumps in claiming she already tried contacting Ladybug OBVIOUSLY since the pair are besties! But that Marionette tricked Ladybug into believing she wasn’t akumatized at all! “No!” Lila laments, “were going to need to take care of this ourselves!”

The class is resolute determined to help poor Marinette without the help of Ladybug who has fallen for Hawkmoth’s most clever trick yet. But Lila is quick to warn them that they MUST be careful after all Marionette is a VERY powerful akuma, they cant know for sure the true extent of her terrible powers or when or WHO she might attack next! Lila fears that it will be poor Adrien or perhaps herself again! Insert fake sobs here. The class vow to protect Lila and Adrien from Marionette, and Alya who believes she’s best equipped for this situation since she IS Rena Rouge takes charge of the situation, they decide that no one is allowed to be alone with Marionette and NONE of them are to let the akuma know that they are on to her! They need to play the long game and figure out what her akumatized object is so that they can snatch it and free Marinette from Hawkmoth’s dastardly clutches!

Lila rejoices believing that she’s finally achieved victory, the class now think that Marinette is a dangerous monster and will isolate her, not to mention Lila now believes she can make up any lie she wants about Marinette and that the class will unquestioningly believe her! She goes home with a pep in her step eagerly plotting for all the lies and perks she can get from this newest lie and decides to eat a whole tub of ice cream to celebrate her cleverness, unaware that she’s just signed the ticket for her defeat.

You see the class LOVE Marinette, she’s their friend, and ‘learning’ that she’s been turned into some sort of monstrous extremely clever akuma is both a suprise and none at all. Later on as they all chat in the newly made text group Max points out how it was obvious that Marinette would become the most dangerous and clever akuma shes the smartest person in class besides himself and extremely creative and resourceful. Rose laments about how hurt Marinette must be and how they simply MUST save her as soon as possible. Alix curses Hawkmoth out and claims that the sick freak was probably TARGETING Marinette for awhile now because of how awesome she is. Nino and Kim cry about how their childhood bff needs them now more then ever! And Alya tells them to get ready because they cant abandon Marinette now that she needs them most!

The next day Lila comes to class ready to spin another tale about how the vicious akuma Marionette destroyed her room last night! And while the class do listen and tell Lila that it sucks that happened they seem noticeably... Distracted. When Marinette walks into the room the class practically explodes, Rose and Juleka INSIST that Marinette sit behind them so they can talk! Everyone has some sweet compliment to give to the baker reminding her about how wonderful she is! Lila’s jaw drops open as her classmates practically rush to hug and touch and talk to what they believe is a horrible monstrous Akuma! And it doesnt end their.

Lila asks Alya to hang out at the mall? She cant her and Nino are going to be on ‘Marionette’ surveillance tracking the akuma to see what shes up to and if she might show her akumatized object! Lila decides to try woo Mylene and Ivan into letting her handle their charities ‘finances’? Mylene starts crying about how the charity was Marinette’s idea before she got akumatized and now she might not even remember how amazing it was when shes eventually de-akumatized Lila cant stand hearing them talk about her enemy and gives up her pursuit of the funds. Lila decides to hang out with Kitty Section? They invited Marionette to every show hoping Luka would notice that she’s an akuma and use his amazing intuition to help free poor poor Marinette!

Instead of ostracizing the girl Marinette is now invited to every big event, and is constantly being showered with compliments and love as if the class believes that just loving Marinette enough will be the thing that ‘de-akumatizes’ her. “At least they wont let her anywhere near myself or Adrien.” Lila thinks bitterly as she gets her 5th warning that day that Lila might want to sit out the class going to the movies together with MARIONETTE.

During this time the class has been pulling off various ‘heists’ slowly going through each and every one of Marinette’s belongings to check if its the akumatized object. And I do mean every single belonging. Her sketchbook was ruled out within the first few days same with her signature earrings it was Kim who checked those and it involved a complicated plan involving taking Marinette swimming and having Kim fake a drowning in order to get close enough to ‘Marionette’ to check the studs. Luckily for Tikki, Ondine who was also at the pool decided to save Kim instead and the poor jock got quite flustered when the swimmer performed CPR on him.

Nino and the rest of the boys are the ones tasked with breaking into Marinette’s room while the girl is away on a sleepover with the girls. In order to ‘test’ each object in her room for the source of the akuma. They got a bit too loud and had to make a last minute escape when they heard Tom and Sabine going into fight mode. Poor Nino wasn’t fast enough and was forced to lie through his teeth that he’d been trying to surprise Marinette with a hangout like when they were little kids. [poor kid ended up drinking hot cocoa with Tom and Sabine as they showed off embarrassing baby pictures of Nino and Marinette together]

After about a month or so of shenanigans including a very embarrassing incident involving the entire class accidentally spying on Marinette’s first big date with Luka/Kagami/Felix/Damian [just pick one they are all great ships] and them getting caught red handed thanks to Alix and Kim roughhousing and making a scene at the nice restaurant. And another incident that Alya refers to only as the ‘duck incident’ [Nino can no longer be around birds or feathers] the class is no closer to learning where Marionette’s akumatized object is. And Lila Rossi who thought she’d be bathing in her victory is on the verge of screaming if one more person ignores her!

How does it end? Well maybe the class stage an intervention hoping they can free Marinette with the power of love only for Marinette to fall off of something laughing when she learns what Lila’s big lie was. Maybe Lila finally snaps and screams when she hears the class lament about POOR Marinette for the billionth time. Maybe the class try breaking absolutely everything Marinette owns, Maybe Juleka points out that its kind of weird that Marionette the akuma doesn’t really do... anything? And can change clothes? Can akuma’s do that? No right??? Aren’t their clothes like melded to their body??? Maybe the class finally get Adrien thinking he can ‘fix’ Marinette only for him to very confusedly tell them hes not dating Lila and has never kissed her and what Marinette akumatized??? Maybe The class recruit Luka and Kagami, Marinette’s other friends only for them to have a great laugh at the class before pointing out the literal mountain of things wrong with everything they just said.

Just fun shenanigans and ‘akumatized’ Marinette.

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[uwua3]

Hello! Sunflowers hold a really special meaning for me so when i read the "sunflower dreams" My heart was so happy!! I havent felt this happy in a long time since quarantine started so thank you for taking the time to write it! It really made my day. If i could request a kazunari x reader where they're both artists that would be amazing. Maybe the reader can be a famous anonymous art influencer? Its up to you! Again thank you so much for writing "sunflower dreams" 💜

i’m so happy i could make you smile ‧⁺◟( ᵒ̴̶̷̥́ ·̫ ᵒ̴̶̷̣̥̀ ) it’s messages like these that absolutely make my day! thank you so much for taking your time to even read it, i’m glad to know it touched your heart ♡ i hope you have a good rest of your day—please know all of a3! love you vvv much!!! ｀･ω･)9 i hope this makes your heart happy just like before! thank you, anon, for everything

summary: every time you fell in love, you made a new art piece

author’s note: please smile from this absolutely soft and endearing kazunari fluff! in times like these where negativity is all around us, it’s good to take a break and purposely give yourself happiness. i hope this is a light in your day and makes you experience all the goodness of love! ♡ — concept based on “to all the boys i’ve loved before”

word count: 3,389

music: i like me better – lauv

to everyone i’ve loved before.

🌻🎨 miyoshi kazunari

you created art every time you had a crush so intense, you didn’t know what else to do

no matter how big or small it was, or how long or short it lasted, love is love. even if it was a random stranger you’d never see again or someone you knew for a lifetime, love is love

therefore, there was no exact total. because even if you didn’t remember every single person you’ve made art for, you clearly remembered what it was like experiencing the euphoria of love. the phenomenon of your heart selflessly beating for someone else. the attack of getting hit by cupid’s arrow out of no where. the rush of emotions unlike any other

love was everywhere and you made sure to create something that was a memory of it. that was when you decided to practice art after being unable to recall a person’s face a moment too long

it was your form of a love letter. a picture spoke a thousand words you couldn’t write, and art was the perfect way to convey that. online for everyone to see were your love letters in art form: portraits of everyone you’ve loved

you fell in love again and again, a new art piece posted soon over the years of your life. under the username, to-everyone-ive-loved, a lifelong project was in the works for all of social media to see

unknown to the rest of the world, you were the artist behind the blog “to-everyone-ive-loved” who created portraits from memory

but, you didn’t mean to fall in love with another artist as well

all it took was one comment and you were theirs

it was one of your most recent posts, a finished piece on a stranger you saw. you found yourself in veludo way, the ideal street to find people you’d never forget. after witnessing a sudden street act, only one actor caught your eye that day

you didn’t know his name, but you didn’t need to. you were in love

you immediately rushed home without a second thought, the inspiration and creativity infectious after watching him perform. something about his energy was wildly entertaining and bizarre, like a modern pop song as a person. he was effortlessly trendy, popular, and charismatic just from the few minutes you saw him

the moment he stood up on that street corner like it was a stage, all eyes were on him and he knew it. as you sketched into the day, you remembered the small details clearly. dirty blonde hair with no dark roots in sight, glittering green eyes, wide welcoming smile. he had the face of an actor, that’s for sure

when you posted it right after finishing, you didn’t expect any major attention. on average, your posts got 100 likes or so. while it was an impressive feat, nothing could’ve prepared you for that one comment

kaz-PIKO: i’m in love with your art ♡

as your popularity and fame grew before your very eyes, you clicked on his profile and realized it was him. the actor you had seen earlier at veludo way

you didn’t know what happened, but all you knew was you couldn’t forget this one person, miyoshi kazunari, no matter how hard you tried

no matter where you went, you couldn’t draw anyone else except that boy named kazunari. after scrolling through his entire instablam account, you found out he was an actor for mankai company’s summer troupe. he was a star in his own right, with a stage presence like the spotlight was constantly on him and a heart of gold

this was the first time you ever got so caught up on someone that they didn’t leave your mind. hours became days, and days began becoming a week before you let yourself follow him back

everyone you had ever drawn had never recognized themselves before. it was all because a follower connected the visual similarities between your art and kazunari’s unique traits that kazunari knew you had seen him before

if only he wasn’t a social media influencer with followers reaching the hundreds of thousands. at least, his popularity attracted attention to your profile...

this was a problem, however. because if you couldn’t draw anyone else, what could you do? once again, you stalked kazunari’s blog once again like it was a habit

it was never really a rule to make one love letter per person, but you never had wanted to make another for the same person. until, now

video after video. picture after picture. story after story. you could see kazunari’s face even when you closed your eyes. what about him made you daydream about him constantly? was it his charming voice that could make anyone stop and stare? his intricate piercings that were different every day? his ability to make you feel at home? whatever it was (or maybe it was an accumulation of everything and more), you had to draw kazunari again

when you posted it, you typically didn’t add more to the caption than the date and time. except this time, you felt like all your rules were being broken over someone who had no idea who you were

to-everyone-ive-loved-before: XX/XX/20 (3:33 A.M.) — social butterfly

you watched it upload. it was a piece you had never done before. glowing butterflies of all colors surrounded the center of the masterpiece, a smiling kazunari

hopefully, this would solve whatever feelings you were having and the world would go back to normal. you’d move on, fall in love with someone else, and repeat

it didn’t work, because some time later, you woke up to a comment that made you feel the butterflies in your stomach

kaz-PIKO: like a butterfly, i’ll fly to you, wherever you are~ ☆

and for some reason, you wanted kazunari to find you

you had never felt so motivated to draw before. however, your muse was the same. a beautiful boy named miyoshi kazunari who was slowly capturing your heart without even knowing it. you watched the pages in your sketchbook lessen and lessen. the corners of assignments and napkins and anything in between was covered in doodles. if there was a writing instrument in your hand, something related to kazunari would come out of it

it was a fascination. a fixiation, even. you had only seen one performance before falling in love. was it because kazunari responded that it made you feel like you had a chance?

you wouldn’t admit it, but it was becoming embarrassing with how much you were staring at the few unread messages from kazunari in your dm box. they came in right after you had followed him back, and more arrived when you posted the “social butterfly” piece

what was stopping you from talking to your muse? you knew the answer without thinking: what if these feelings were real?

obsessions and crushes come and go, but... love, love stayed. there wasn’t any possibility you could love someone from afar without knowing anything about them, right?

but, then again... you did know some things about kazunari. you knew kazunari was the best actor of all time, with expressions and gestures the equivalent of art. kazunari was art—in every single way possible. everything about him made you want to draw and draw and draw

you only drew kazunari for a certain time, no matter which stranger crossed your path. people you knew you would’ve sketched simply became passer-bys, and it was all because of kazunari’s sunny smile that you were in love. or, what you thought was love

the more you thought about kazunari’s unread dms, the more you wondered what this was. why did kazunari make you so happy? was this truly the first time you were experiencing... a crush?!

for the first time since that street act, you found yourself in veludo way. while half of you was hoping you’d randomly bump into summer troupe’s moodmaker, the other half was petrified about how kazunari was a real person. a very much popular, recognizable person

it was the weekend, and the burden of university projects was telling you to go back and focus. yet, with a sketchbook in one hand and a pencil tucked behind your ear, you were very much prepared to draw to your heart’s content

as you tried to flip to a clean page, you heard something that made your heart flutter. despite the noise and busy atmosphere of veludo, a distinct laugh was audible above the crowd. when you looked up, your eyes barely registered a deep blue jacket before walking straight into the person

you nearly tumbled to the ground before two hands steadied you, a surprised “whoa!” leaving their mouth before being followed by a gentle laugh. the usual embarrassment didn’t set in until you went to go thank the person, only to stop

oh my god. you had just bumped into miyoshi kazunari, your muse for the past month or so

kazunari grinned, even though it faltered slightly at your wide-eyed expression and awkward silence. he didn’t seem to mind as he adjusted his black top hat, pocketing his phone and confidently meeting your gaze

“i’m so sorry~! i hope you’re okay, i’m kazunari!” kazunari introduced and you realized he didn’t know you were behind to-everyone-ive-loved-before. you quickly adjusted yourself, pretending as if this wasn’t the highlight of your entire week

when you introduced yourself, kazunari’s eyes sparkled with interest as he easily led you into conversation. despite being a bit of a socially awkward artist who preferred being alone over anything else, kazunari was... comfortable. you didn’t feel self-conscious of how you acted, because he readily accepted how you were with a smile

was he like this was everyone or... did he find you to be a work of art, too?

standing off to the side, you finally noticed several members of mankai were advertising their latest play. bright, aesthetically pleasing flyers were being handed out to everyone walking by, and you seemed to look a moment too long before kazunari followed your gaze and suddenly snapped his fingers

“oh! are you interested in theatre?” you really weren’t, but you nodded anyways just to see kazunari’s excitement. he pardoned himself for a moment just to snatch a flyer, returning to show it off with a proud smile

“please come to mankai company’s summer performance!” kazunari’s smile sparkled and before he looked around to see if anyone was watching, he winked. kazunari covered the side of his face that was facing his troupe members, pretending as if you two were sharing some big secret

“plus, i’ll be there. if you come, i’ll make sure to do my very best~” kazunari bargained, even though you already knew he was already planning on wowing the audience with his charisma. you took in his genuine want to impress you and the butterflies came back

“i’ll come.” you agreed without even checking the date or reading anything. now all of you just wanted more & more opportunities as the person kazunari was surprisingly interested in, not as the artist who was basically in love with him

agreeing right away was worth it when kazunari shot you a grateful, blinding smile in return. you stumbled over your words with how taken back you were, but asked anyways, “do you like flowers?”

kazunari’s eyes softened for a moment, his usual energy suddenly gone before returning. he seemed genuinely moved by your question, and you wondered how many flowers it’d take to see him smile again like that

“i do, especially if they’re from you.”

“what kind?”

someone called kazunari’s name, insisting they were going to be late for practice. kazunari shouted back an agreement by telling them to go ahead first, before putting all his attention on you once again

“hibiscus.” meaning delicate beauty

before kazunari could ask for your socials, with his hand already reaching for his phone, you cut him off, hoping your voice wasn’t off

“next week. 7 P.M., mankai theatre. i’ll be there, front row.” you promised and took off, rushing off with a wave as kazunari stared after you for a second before waving back enthusiastically

as you left, kazunari was about to leave before he noticed something on the ground. it was a plain sketchbook, unassuming at first but it was nearly bursting at the binding with how many pages there were

when kazunari picked it up, he was about to flip to the first page before mankai called his name again, impatient this time. kazunari held onto the book and sent one last glance towards your direction before disappearing, hurrying to make sure the director wouldn’t penalize him for being the reason everyone was late

when you arrived home, you instinctually reached for the pencil behind your ear. at the same time, you put your hand in your bag, attempting to feel the familiar edges of your sketchbook

then, after turning your bag inside out and finding nothing, you collapsed onto your desk chair with shock and disbelief

you lost your sketchbook in veludo way the moment you met kazunari. what if he had it?

you drew another piece and stared at your screen, wondering if you should post it. it was kazunari once again with a yellow hibiscus flower behind his ear, the same gentle smile you couldn’t perfectly capture gracing his lips

you typed the caption and backspaced before settling on something that only you and him would know

to-everyone-ive-loved-before: XX/XX/20 (8:01 P.M.) — delicate beauty

you hesitated before deleting the post a second after. maybe, you’d keep some artwork to yourself

kazunari had the sketchbook open next to his bedside, his phone in his hands and your profile open. he could recognize your art style a mile away, and the moment he saw the first sketch after practice, he couldn’t believe it

did this explain why he felt such a natural attraction to you? when you bumped into him, kazunari swore he could see the sparks flying. you made him feel like he was falling in love and you only proved him right when you two talked earlier. he wanted to know everything about you, he wanted to see you again

was this what love at first sight felt like? kazunari giddily typed a message over and over again, the unread messages of his filling his screen

kaz-PIKO: heya!! ★>d(,,･ε´-,,)⌒☆ just wanted to say i LOVE your art fr!!! we should totes collab, you know???

kaz-PIKO: thanks for drawing me btw :0 does this mean you live near veludo? let’s meet up!!!

kaz-PIKO: ,,, i don’t usually say this but, that social butterfly piece was breathtaking. you must really like me, huh? (･ω<)☆ jk haha

kaz-PIKO: no but really, it’s beautiful. thank you, honestly. it made my day, you make me happy ♡

kaz-PIKO: you must be really beautiful, too. i would want to draw you as well. lmk if ur up for that haha

kazunari read back his previous messages, all of them delivered but unopened. he realized how... how open he already was with the anonymous faceless artist, despite never interacting with them

now that he knew what you looked like, it only reassured his intuition that he was rightfully head over heels for you

kazunari typed something before deleting it, closing out of instablam and throwing his phone somewhere on his bed

kaz-PIKO: i was right, you are beautiful. i may have fallen in love, too

some things were better left unsaid. after all, you two had until next week to figure everything out

for the rest of the week, all you and kazunari did were think about the other person. a small part of you was afraid kazunari wasn’t the dream boy you imagined, but he was much more. you noticed he started posting more often and turned his notifications, wanting to be one of the first to see his practice videos and university selfies

you didn’t post any of the art you made of kazunari, making it the longest you hadn’t posted ever. kazunari couldn’t help but refresh your account every now and then, hoping he’d see his face again, as selfish as it was. kazunari wouldn’t know how’d he feel if he saw someone else had your heart

the longer time went on, the more you were certain. every fascination you had with someone was temporary, and you remembered the feeling rather than the person. but, with kazunari, you liked him for who he was. everything kazunari made you feel was new and exciting, but even when that went away, you still liked him

kazunari was your first crush, for real

kazunari liked making people like him. so, your online confession through art wasn’t exactly a surprise. but, yours was different. it was earnest, honest, and everything he didn’t know he was needing

kazunari looked through your sketchbook again and again, tracing over the notes you wrote in the margins and admiring your skill

kazunari liked you, and he was certain he would’ve still liked you even if you weren’t to-everyone-ive-loved-before

when showtime arrived, kazunari was oddly nervous. peeking from behind the red curtain, kazunari could already see you were one of the first sitting front row, just like you said. he had practiced his lines a thousand times and summer was fully prepared, why was he nervous?

before he went on, kazunari ignored the urgency of the mankai staff and quickly texted a message to your profile, hoping you’d at least see the notification this time

kaz-PIKO: i like you, too

(when you felt your phone buzz, you quickly silenced it)

the show moved you to a standing ovation, just like everyone else in the audience. as summer walked out to bow and express their gratitude, you watched kazunari’s eyes search for yours as he tilted his head towards backstage. you nodded, knowing you’d do anything to see this kazunari. actor kazunari, who was on cloud 9 with his performance and glowing from praise

you wanted to see, to experience, to draw, all versions of kazunari

after the applause, you looked around backstage before feeling a hand on your arm, the feeling reminiscent of the first time you bumped into kazunari

“you came.” kazunari breathlessly stated, as if he was surprised. before he could say anything else, you presented him with a bouquet of hibiscus flowers. the same shade of yellow you drew him with

“of course, i wanted to see you again.” you honestly admitted, knowing it made you flustered. kazunari carefully took the flowers before grinning, gently placing then beneath his chin. he looked like a vision, you wish you could’ve asked him to stand still so you could capture this moment forever

“i wanted to see you, too.” kazunari softly said, all the energy of being on stage gone. it was tranquil and peaceful, like you two were the only people in the entire theatre

kazunari took a moment to admire you before realizing something, taking something from behind him and presenting it to you. it was your sketchbook on the bottom, but a smaller version was on top of it, signed in silver sharpie. kazunari’s signature was glittering like his eyes as you took it

“next time, let’s draw together.”

kazunari’s sketchbook was filled with you. anything from small doodles to encouraging messages was found inside, with tens of post-it notes of just thoughts about you. kazunari’s art was colorful and extremely out of the box compared to his usual traditional style. it made you smile

kazunari watched you flip through it, already knowing this was the greatest act of love he could’ve declared this early on. he anticipated for you to reach the end

when you landed on the last page, you saw a note

do you want go on a date with me?

“next time, respond to my dms! that way i don’t have to write everything~!” kazunari teased and you two shared a laugh, knowing everything was going to be okay

“yes.”

“yes...?”

“yes, i’ll respond to your dms. and yes, i’ll go on a date with you.”

eventually, you ended up closing your blog for good. your last post was a picture of you and kazunari, with one caption

to-everyone-ive-loved-before: XX/XX/20 (3:33 P.M.) — to the one boy i love now, i love you

kaz-PIKO: i love you, too ♡

[carnymassacre]

hi dear :)c um um for the questions

4, 6, 9, 16, 18, 19, 20 (but for drawing), 21, 22, 23, 28, 29 (:]c), 40, 58, 59, 68, 93

i'm so sorry if this is too much but also i wish you much fun !

hi sweetheart mwahmwahmwah i will put this under a cut

4. how did your elementary school teachers describe you?

its hard to remember but i remember one of them calling me impulsive, another one called me smart and a pleasure to have in class or something like that

6. pastel, boho, tomboy, preppy, goth, grunge, formal or sportswear?

you know im just gonna say goth lol also what the hell is boho okay i looked it up and its ugly and i dont like it so who cares

9. favorite smell in the summer?

uhhh idk. im gonna say funnel cake and meat on the grill. this is something i smell more in autumn but i also love the smell of fire

16. most comfortable position to sit in?

flat on my stomach with my chin propped up on a blanket pillow ect i also lay on my side often

18. ideal weather?

storm/heavy rain during the day. where it's not pitch black outside but it's certainly darker than it normally would be during that time of day. absolute bliss

19. sleeping position?

when i was younger i slept in a fetal position but nowadays i mostly end up passing out flat on my back with my limbs splayed out however is most comfortable to me at the moment

20. preferred place to write (i.e., in a note book, on your laptop, sketchpad, post-it notes, etc.)?

i always draw digitally on my laptop but very rarely i will break out an old sketchbook and scribble in there there's also a special feeling to drawing on lined notebook paper

21. obsession from childhood?

DINOSAURS AND DRAGONS. my god i devoted my life to dinosaurs i wanted to be a paleontologist i was always looking at the rocks around our area to see if they had fossils in them (i actually did see some fossils twice) i had so many dinosaur books and toys i watched dinosaur movies we went to a place called the science center and looked at their cool ass dinosaur exhibit all the time, and i loved dragons too i had a ton of dragon toys and dragon books i had that dragonology book which was like the literal coolest thing ever to me (its still awesome) and i loved how to train your dragon with all my heart. dragons are some of the first things i remember drawing EVER.

22. role model?

grimharlequin is definitely my biggest inspiration as both an artist and a person. his philosophy of none of his work or interests being "ironic" really speaks to me and his artwork has such a wonderful genuine raw feeling to it. i think hes one of the only artists ive ever seen whos work retains the spirit of artwork drawn in childhood before you have any inhibitions about making your art look "good" or appealing to an audience. its very special to me. i also look up massively to toby fox, sparkleanimal here on tumblr, zun and gerard way

23. strange habits?

i have the ability to put my tongue up and behind my uvula into the flap over your throat and i do that often. why? who fucking knows

28. five songs to describe you?

god okay give me a moment im ogign to try and think about this. 1. love me normally by will wood and the tapeworms 2. lover dearest by marianas trench 3. we will commit wolf murder by of montreal 4. hate me by blue october i dotn fucking know what else im sorry i ithink these are just songs i relate to more than ones that describe me but whatever listen to three cheers for sweet revenge

29. best way to bond with you?

this is a difficult question to answer because its been a long time since any new person was able to form a bond with me but i'd say just, talking about something that we both have an interest in or engaging in it together (for example if theres a certain show we both like then watching it together) games are a good way too actually games are definitely the best way idk why i said any of that other stuff

40. weirdest thing to ever happen at your school?

i barely remember anything from school im sorry

58. four talents you’re proud of having?

oh god i have to invent FOUR entire talents i have um. i guess drawing is a given? i can read japanese easily save for most kanji. i can handle doing really tedious boring shit (like shiny hunting lol) and i suppose if im really interested in something i can soak up information on it like a sponge, i remember memorizing hiragana in a day or two

59. if you were a video game character, what would your catchphrase be?

HAIL SATAN and i just add it to the end of my sentences at random

68. worst flavor of any food or drink you’ve ever tried?

does medicine count? i had mucinex once and it was genuinely the most vile thing to ever touch my tongue

93. nicknames?

my friends used to call me alexander jackson slugman adn i think danny called me ajax once. its hard to make a nickname out of alex

thank you for the ask sweetie

[honeyhan-123]

Say Thank You XIV

Series Summary: Nearly five years have passed since Steve Rogers saves your life without so much as a thank you. When he sees you again by chance, he makes sure that he’ll never let you go and maybe teach you some manners in the process.

Series Warning: This will be a dark!Steve fic with stalking, kidnapping and manipulating as well as non-con and dub-con situations. Please don’t read it if you don’t like that sort of thing.

Chapter Warnings: Smut and I don’t think there’s much else...

Word Count: 3.0k

AN: Whelp some bad thjings are happening soon...

I. New York ~ II. Madrid ~ III. The Apartment ~ IV. The Trip ~ V. The Basement ~ VI. The First Lesson ~ VII. The Waiting Game ~ VIII. The First Attempt ~ IX. The Darkness ~ X. The Truth ~ XI. The Syndrome XII. The Meeting ~ XIII. The Mission

Series Masterlist

My Masterlist

XIV. The Reunion Steve stood staring up at the sky, his jaw a little slack as the spear in his hand was beamed up, flying out of his hand as it followed the two foes. They stood, regaining their breath for some time in silence. No matter how short the fight had been, the opposing side had clearly been taught how to fight by someone skilled. 

‘C’mon guys, we should head back to the jet, we need to get the Vision to Banner, figure out if he can get the mind stone out of him.’ Steve nodded to Sam’s words absentmindedly, his gaze still fixed on the sky, no longer staring at where the alien ship had been but instead on the stars, on how bright they seemed to shine, reminding him a little bit of nights he would spend with Bucky, staying out far later than they should, walking the streets of New York. He hadn’t had a night like that in over seventy years.

‘Steve, come on.’ This time it was Nat trying to pull him from his daze and so he regrettably turned his back on the night sky and followed the others back to the jet that had luckily been parked nearby. 

It was only back on the jet when the lecture began, Natasha closing the bay door and turning to face Wanda. ‘I thought we had a deal. Stay close, check in. Don’t take any chances.’ Wanda’s eyes dipped to her fingers linked with Vision’s, a mix of guilt and shame running through her. 

‘We just wanted time.’ Her words resonated with Steve and he knew that if you and he were in her situation, he would have done the exact same thing. He just wanted all the time with you that he could get. 

‘Where to Cap?’ A swirl of emotions raised up in him, on one hand all he wanted was to get back to New York and to see your face, but on the other hand, he knew he had to do what was best for the team, the world even. 

He knew he was being ridiculous as Bucky would obviously bring you to the compound, but he just wanted to be able to spend the night with you in his own bed before the world was turned on its head. ‘Take us to the compound Sam, I’ll get Bucky and Banner to meet us there.’

‘You sure about that Cap? Ross will probably be there.’

Steve shook his head, scoffing at the idea. ‘No, he’ll probably be in Washington, hiding in some little bunker, trying to get Rhodey to do his dirty work for him.’

 Sam nodded, recognising the truth in his words and powered up the quinjet as Steve pulled out his phone. He needed to call Bucky. 

+

You barely had time to register what Bucky had said before he sprung into action, heading into Steve’s closet and pulling another small duffel bag from inside. ‘Where are your clothes?’ His voice was rough, demanding, and in your current state funding the words he wanted to hear was too much. 

‘They’re downstairs, in the basement. Steve and I-’ it hurt just talking about him, especially when - no matter how innocently- you had just been in bed with his best friend. Guilt swirled in your stomach at the thought. ‘We hadn’t gotten around to moving them upstairs yet.’ Now you questioned whether you would ever be moving them up. 

‘Shit. I can’t get down there, his will just have to do.’ With that Bucky started rifling through Steve’s draws, pulling out the smallest t-shirts he could find. They would inevitably still be far too large for you but you would survive. You recoiled as Bucky chucked a dark blue one at you and the grey trackies you had been wearing earlier before leaving the room. Hastily you changed tops, and pulled the soft pants on, hating how long it had been since you had clean underwear. 

When you were done, you met Bucky on the landing, his own small go-bag over his shoulder and yours in his hand. ‘C’mon, we have to go.’ He grabbed your hand, leading you downstairs and to the front door. You didn’t have time to appreciate the morning sun shining in your eyes, warming your skin, before Bucky led you to a lithe black car. He let go of your hand only to open the boot, chucking the two small bags in before pulling you to the passenger door and holding it open for you. 

You watched as he shut the door behind you and raced around the car, getting in the driver's seat, checking a text on his phone, a frown setting in on his face. ‘We need to make a stop before we go to the compound.’

‘A stop?’

‘Yeah, I need to pick up a friend.’ Bucky didn’t offer anything else before he put the car into drive and sped off, ignoring the speed limit of every street he drove down. 

+

The friend Bucky had needed to pick up turned out to be Dr Banner. Although you had never met, riding in a confined space with the man who had single handedly brought down most of 27th street five years ago previously had you anxious.  Yet as you watched the doctor from the rearview mirror, you realised if anything, he seemed far more anxious than you felt. 

Bucky had been so impossible to read but seeing one of the most powerful avengers, so incredibly worried had you stressed, fearing that the situation was far worse than Bucky had let on. The ride was silent for the most part, barely a word was uttered apart from the brief conversation Bucky and Bruce had about people and places you had no idea about. You stared out the window, watching as the suburban houses drifted further apart, acres of woods popping up as you left the city limits, nearing the infamous Avenger’s Compound. 

You had no idea what to expect as the car pulled to a stop in front of the large structure, your mouth gaping as you took it all in, so consumed by the building that you barely noticed Bucky opening the door for you, grabbing your hand as he led you to the man, guarding the large double doors. 

‘Rhodey.’ Even in your daze you could feel the tension between the two men. 

‘Sergeant Barnes. You do know I have orders to arrest you on sight.’ 

‘Yeah, but you know that I wouldn’t be here if it weren’t urgent.’ The man you assumed to be Rhodey nodded, his eyes flickering to your hand entwined with Bucky’s briefly before drifting over to Bruce. 

‘C’mon in, I’m meant to be having a call with Secretary Ross in five minutes and you should be out of the way for that.’ Bucky nodded his thanks and pulled you along behind him.

Rhodey set you all up in spare bedrooms as you waited, both for the conference call to end and for Steve to return. His eyebrows had shot up when Bucky had recommended you stay in Steve’s old room, not understanding but you had been grateful at the suggestion even though it felt more like a mausoleum than a place of comfort. 

Bucky had left you to take a shower in his spare bedroom just down the hall and you curiously wandered through Steve’s belongings. It was clear that it had been a long time since anyone had been in the room and that Steve clearly hadn’t expected to have been gone for so long whenever he last left the quaint room. But of all his haphazardly discarded belongings, it was a sketchbook and set of charcoal pencils that lay on his desk, almost completely covered by manilla folders that drew your attention. 

Flicking through the heavy pages, you had no idea that Steve had been an artist, he was so clearly talented and for the first time, you wondered what his parents had been like, did his ability come from them? Would his own children be able to capture the New York city skyline so beautifully? 

The subjects of his drawings changed from page to page, sometimes a lifelike drawing of one of his team members danced along the paper, other times it was simple everyday objects like a pair of boxing gloves or a vase of flowers. 

It was only after several minutes of admiring his work that you came across the first drawing of you. You recognised the scene, it was hard not to especially since it had plagued your mind for so long. It was the first time you had met, from his point of view. You looked so helpless on the page, your body covered by the heavy car, glass lying all around you and hastily, you turned the page only to be greeted by another drawing of you, this time of your naked body a sheet covering very little. Every page from then on was similar, they were all coated in drawings of you, sometimes a close up of your face, your eyes, your lips. 

You dropped the sketchbook, nearly tumbling over your own feet as you stepped backwards, mentally doing the math in your mind. Vienna had happened a year ago, nearly two, and you knew after that Steve and his team had had to go awol for refusing to sign the accords. For a sketchbook filled with drawings of you to be lying on a desk in an untouched room made you wonder just how long he had been watching you for. 

+

The minute the jet touched down Steve was jumping from the barely open bay doors, hastily walking across the smooth lawn of the compound. A feeling of homesickness crept over him, longing for the days before the accords when he had been welcome here, when he had truly felt at home. It had been a long two years but the past few minutes hadn’t seemed that bad, not when he had you waiting at home for him. 

As he approached the commons area he saw Rhodey in mid-conversation with Secretary Ross and the rest of his cronies. Steve didn’t have the time or the patience to deal with him right now but he also knew he had to play along for the time being, until he could get back to you. 

‘The world’s on fire and you think all is forgiven?’ Secretary Ross’s hologram mocked him as the rest of the team filed into the briefing room and Steve could barely refrain himself from rolling his eyes at Ross’ incomprehensible pride as he refused to admit just how much he needed the former Avengers right now. 

‘I’m not looking for forgiveness and I’m way past asking permission.’ He stepped forward, going toe to toe with Ross’ hologram. ‘Earth just lost her best defender so we’re here to fight. And if you want to stand in our way, we’ll fight you too.’ A brief silence filled the room, everyone seeming to hold their breath, waiting to see whether Ross would swallow his pride.

‘Arrest them.’ His words were brusk as he turned away, heading back to the table, leaving Steve unsurprised.

‘All over it.’ Rhodey nodded, cutting off the call, remaining perfectly still even as the official court martial came through.

 ‘That’s the court martial. It’s great to see you Cap.’ He stepped forward, clasping Steve’s hand in his own, a smile clear on both men’s faces. 

‘You too Rhodey.’

‘She’s here, Bucky put her in your room.’ Steve nodded, thanking the other man for recognising all he wanted to do right now was see you. He knew the rest of the team was confused, not understanding why Steve had been so impatient to get back, but he would explain later, the flight to Wakanda would take a while. 

The walk through the calming blue hallways filled him with nostalgia as he arrived at his old living quarters. It was set up just as it had been that day he found Bucky and his life had been flipped upside down. There were only minute differences that clearly you had caused, a small duffle bag on his bed, filled with clothes from the house and his sketchbook open on the desk. With a pang, he realised it was open to his drawings of you, meaning that you would have questions. 

The shower was running and being unable to help himself, Steve shed his suit, opening the door and letting some steam come out. Your back was to him as he pulled on the glass door of the shower, his hands wrapping around you, pulling you back against his chest. You screamed as he did so, struggling against his hold but when you twisted around, realising that it was only him, you immediately calmed in his hands, wrapping your own around his shoulders. 

‘Steve! When did you get back?’ Your hands cupped his face, a broad smile on your own as you took him in, thankful that he was finally back.

‘Five minute ago, I just needed to come see you; to come have you before we leave.’

‘Leave? For where?’ 

‘I’ll explain later.’ You nodded, letting his hands trace over your wet skin, down between your legs, swirling in the slick they found there. He pressed himself against your ass, pushing your front against the glass walls. Even though he had barely been gone for two days, you had missed him terribly, your body even more so. He barely needed to brush his fingers over you before your entire body was quivering, desperate for the release he offered. 

Steve didn’t let you cum though, as soon as he could sense the oncoming flutter of your walls, he withdrew, instead guiding his length to your entrance and pushing in, with one forceful thrust. 

‘Fuck, Sweetheart. You have no idea how much I missed you.’ He moaned into your ear, your wet skin slapping together as he moved with a ferocity you hadn’t seen before. His hands reached up, wrapping themselves around each of your wrists and trapping them on either side of your head as his hips flexed, pushing as deep as he possibly could. 

You shuddered against him, your breath fogging up the clear glass as the water heated up even further, seeming to adjust itself to the situation. With each thrust of his hips you feared the glass would break beneath you as the coil inside tightened even further. ‘St-Steve.’ You moaned his name into the fog, feeling the familiar desperation for release. 

‘Please Stevie… Please, I need to - I need to cum.’ A delirious state of mind overtook you, the ability to form coherent sentences gone. 

‘Go on then Sweetheart. Cum for me, milk my cock baby.’ A series of moans escaped your lips as your body obeyed him, a rush flowing through your down to your toes, slipping against the cool ceramic floor. ‘Oh fuck Sweetheart, you’re so good to me.’ You barely had a chance to let out a hazy smile against the glass before he had flipped you around, instantly wrapping his arms underneath your thighs and hitching you up his body, entering you in another second. ‘You look so good like this, dripping wet with a fucked out expression.’ 

The back of your head hit the glass as you lazily wrapped your arms around his shoulders, tangling your fingers in his dark locks, pulling him even closer. Your lips brushed over his, softly grazing the wet hairs of his beard, relishing in the close proximity of him. 

Your clit was overly sensitive from the previous orgasm and as his pelvis brushed against it with every thrust, you felt the coil tighten once again, burning its way through your body. You tried your best to match his thrusts, grinding down on him as he rose up to meet you. His groans reverberated throughout the bathroom, bouncing off of the cool tiles and echoing in your head, driving you closer to the edge. 

‘I’m so close, please baby, please.’ Steve spoke roughly, the words muttered against your ear as he begged, begged you for his release. You smashed your lips to his, kissing him as passionately as you could while your body spasmed underneath his, your walls clenching around him, pulling him in even further. He shuddered against you, his release spilling in, coating your walls. His breath was hot and heavy against your ear as he pulled back from your lips, resting his forehead on the cool glass. ‘Fuck…’ His chest heaved against yours as he slowly let go of your legs, sliding you down his body until your feet could touch the cool tiles. 

You don’t know how long he held you for but when both of your breathing and heart rates had slowed enough, you pulled away, reaching for the shampoo before pouring some into your hands and reaching up to rub it into his hair, soothing his scalp as you did so. His eyes closed in relaxation, a moan of a different kind falling from his lips as you cleaned him. Despite how hard he had tried the past few months not to think too far into the future, Steve couldn’t help himself. His mind drifted back to being a child when his mother would bathe him, soothing him just as you were now and he felt a stir down below. He knew you would be a perfect mother even if you weren’t ready yet. Perhaps you just needed a little push.

When you helped rinse the conditioner from his hair, he was fully hard again, the sound of little feet pattering along hardwood floors echoing in his mind over the sound of the water hitting his skin. He could almost see the child now, a boy first and then maybe a year later to give you some time to adjust, there would be a girl and she would be the spitting image of you, sweet and soft, well tempered and mannered. They felt so real already and Steve knew if he wanted his dreams to become reality there was only one thing to do, so he lined himself up with your entrance, thrusting inside as he picked out names for your future children. 

+

XV. The Battle

Tags will be added in a reblog

Series Masterlist

My Masterlist

[worldserasingandcreatinginmymind]

The Intern | Part Two

Summary: You move to New York to focus on your art but end up working as an intern at Stark Enterprises

Chapter Summary: you get an surprise visit on your day off

Pairing: Tony Stark x Reader

Word Count: 1600 and something (kinda short but i’m already half way through writing part three)

A/N: for the purposes of this story Stark Enterprise is set out like an office building in New York and the story does not follow the same timeline as the movies. Reader does not know Peter is SpiderMan. Also, spelling and grammar is not my strongest skill so please be kind :)

Masterlist   Part One

- - - - -

It had been a week since your meeting with Tony and since then the two of you had become quite good friends. Tony would make sure he came to the desk everyday or found you at lunch with Peter to catch up with you both.  

Today was your first day off in a while and it was much needed. You’d spent the day in your loungewear, doing some painting and listening to old 80’s rock music. In the evening you decided to order pizza, and do some baking while you wait for it to be delivered. You were just getting the ingredients ready when someone knocked at the door. ‘Pizza is early’ you thought as you put down the flour and headed to answer the door. 

“Wow that was quick- oh” you said opening the door surprised to see Tony on the other side. 

“Sorry were you expecting someone?” He asked.

“No no, just thought you were the pizza guy” you laugh awkwardly. 

“No pizza here I’m afraid. Just me. Wanted to check in, see if you’re okay? Didn’t see you in work today”

“It’s was my day off. I’m back in tomorrow”

“Ah right. Good. Well, that’s great then” he turns and goes to leave. 

“Would you like to come in for a drink, and maybe some pizza? Seeing as you came all this way.” You ask, surprising yourself with your sudden confidence. 

“I don't want to intrude..”

“you wouldn’t be. Ive been on my own all day, it would actually be nice to have some company.”

“Thanks” he smiles and walks past you. You shut the door, silently cursing yourself as you realise that your boss, THE Tony Stark, has now seen you in your paint stained loungewear. You follow him into the open plan kitchen/living room of your apartment and wish you’d cleaned up first. Your paints, brushes and sketchbook still all over the coffee table from earlier and the kitchen messy with baking stuff. 

“Sorry about the mess” you apologise, fiddling with the messy bun you’d thrown your hair into this morning, attempting to tidy it up a bit. 

“Don’t worry about it. It’s not that bad”

You raise your eyebrow at him.

“no really, I’ve seen rooms in much worse states than this after some of the parties I used to have back in the day”

You both laugh and Tony walks over to look at one of the paintings hanging on your wall “this is nice” he says pointing at it and you walk over to stand next to him. The painting is of a beach with the sun setting over the ocean, the orange glow reflecting off the waves and ripples in the water. 

“its the beach I used to visit every summer when I was a kid. Some of my favourite memories happened there” you stare at the painting daydreaming about the past. Picnics with your parents, playing fetch with your childhood dog, swimming on really hot days. Tony watches you out the corner of his eye, smiling when he notices the content smile that has appeared on your face. When you suddenly take a breath and snap back into the present he turns his attention back to the painting. 

“this is actually one of the first paintings I ever did-“

“you painted this?” Tony interrupts, turning to look at you and you give him a shy nod. “wow, you have a real talent. When you said before that ‘painting didn’t pay the bills’, I presumed that just meant you weren’t very good”

You burst out laughing his blunt honestly which takes Tony by surprise. 

“no, no what I meant was, the art world is a hard one to get into as an unknown artist. I couldn’t risk waiting around for that big break.”

Tony nods, looking at you thoughtfully.

“can I see some more of your work?” He asks.

“yeah sure, I’ve got some stuff in a folder in my room” you say as you run off toward your bedroom. When you come back out carrying the folder of paintings you notice Tony sitting on the sofa looking through the sketchbook you’d left on your coffee table. 

“these are really good y/n, really I mean that.” He says, turning the pages and you take a seat next to him “you’ll have to paint something for me to hang in my office, that place needs brightening up a bit-“ he stops when he reaches a pencil sketch of Steve Rogers and you feel your whole body cringe. “this guy? really, you drew this guy?”

“what, I, uh..” You stutter “..he’s got a good jaw line. It’s very satisfying to draw” you shrink down into the sofa wishing it would swallow you whole, then theres a knock at the door.

“ah that will be the real pizza guy” you say jumping up to walk to the door but Tony stands in your way.

“no let me get it. You get us some drinks. I’ve been here a full five minutes and you’ve still not got me one” he winks at you and you roll your eyes playfully.

As you get glasses out the cupboard and put them on the counter you notice Tony is acting suspiciously. He walks slowly and carefully toward the door, and takes a long look through the peephole before finally opening the door. You presume he’s just always on high alert because of who he is. Being a high profile business man and one of the best known superheroes must mean he’s used to having dangerous people lurking around every corner. 

After pouring two drinks you move over to the sofa and place the glasses down on the coffee table and hiding your sketchbook under the sofa. Tony appears with the pizza and you quickly move your paints off the table to make space for him to put the box down. 

“thanks for grabbing the pizza, you’ve saved me the embarrassment of anyone else seeing the state of me right now” you say gesturing to your clothes, as he takes a seat next to you and you hand him his drink.

He looks you up and down, shrugs and says “I’ve seen worse” and winks at you. He holds his glass up for you to toast and you hold your glass up too.

“to you, and your weird fascination with Captain America’s chin” he teases you and you shake your head at him.

“I am not toasting to that” you laugh

- - - - -    

An hour later you’d both got through the whole pizza and almost a whole bottle of wine, talking and laughing the whole time as Tony told you about some of the things he used to get up to pre Iron Man. You get up to carry the empty pizza box over to the bin in your kitchen and refill both your glasses. 

“hey what’s for dessert” Tony shouts over to you.

“well I was just about to start making brownies before you arrived”

“I was only kidding about dessert but actually I would kinda love some brownies right now” Tony says, getting up and walking over to join you in the kitchen.

“well I guess we could bake some?” you say half joking but Tony grabs your apron off the hook on the wall and ties it around his waist which makes you laugh.

“what are you laughing at, I'm ready to learn”

“wait, you’ve never made brownies before? Not even as a kid?” You ask in disbelief and Tony shakes his head.

“my family weren’t really into that sort of thing” he shrugged. 

“well then Mr Stark, I am about to change your life” you say, handing him a wooden spoon and he smiles at you. 

Tony mixed together the melted chocolate and butter with the eggs and sugar while you measure out the flour into a bowl. You handed him the flour to add into the mixture but as he poured it in he dropped some of the flour onto the arm of his suit and you laughed covering your mouth with your hand. 

“oh you think thats funny do you?” He says and he takes a hand a handful of flour and chucks it at you, laughing. You gasp and wipe some of the flour off yourself before grabbing a handful and throwing it back at him. He grabs your hand mid air and pulls you slightly but you trip over your own feet and stumble into him. He catches you and the laughter dies down as you both look into each others eyes, faces dangerously close to each other. His eyes flicker down to your lips and he moves in slightly. But then he stops, and lets you go. Clearing his throat and taking a step back. You take a deep breath and brush some flour off yourself. 

“well, uh, this was fun” he says, slightly awkward “but, I should probably be going now”

“yeah, yeah..” you agree walking him to the door “it’s getting late”

He stops at the door and turns around to smile at you.

“thanks for the pizza, and for the baking lesson”

“no problem” you smile “i’ll bring some of the brownies in to work tomorrow” 

“Good night y/n” he says walking out the door

“Good night” 

You close the door behind him and press your forehead against it, replaying what just happened in your head. Did you really just almost kiss your boss? And did he almost kiss you back? Did you overstep your boundaries even inviting him in tonight? Would things be awkward tomorrow? 

You let out a frustrated sigh and go back to the kitchen to finish baking and tidy up the mess from your flour fight. You know there’s no point thinking about it tonight but you also know that you won’t be able to think of anything else. 

Part Three

Taglist: @brownbuble​ 

[ottelis]

"I gave you my life, Eliott," Lucas's voice shatters, splinters.

Eliott replies softly, broken, hollow, "And I gave you mine."

"No," Lucas says, low and dark. "No, you didn't."

.

.

aka: eliott and lucas grow up together, but are separated when eliott is institutionalized in paris after a severe depressive episode. they reunite two years later when eliott is released, but everything has already changed before their eyes.

epigraph. i. ii. iii. iv. v. vi.

06—memory

tw: manic and depressive episodes, internalized homophobia, minor character death, major character death, suicidal thoughts, and a suicide attempt

december 25th, 1965

10:21

caen, france

~

Eliott wakes that Christmas morning feeling happier than he's felt in a long while. It wasn't that he was unhappy before, it was that he felt  lighter  now. But it  is  Christmas, a holiday he's always held close to his heart. He never received many gifts, but the few he received were always meaningful. He loved opening his presents and giving his parents as big of a hug as he can. Christmas was  warmth,  and  love  . It was seeing his mother's eyes light up when he opens his presents. It was hearing his father's soft, kind voice tell him about how they decided to pick that present out for him, and all the things he could do with it. It was the fire gently crackling in the fireplace. It was dinner at the Lallemants' house, sitting with Lucas and talking about the presents they got and what all happened that day. It was Lucas playing Christmas songs on his piano with everyone singing at the top of their lungs around him. It was going to sleep that night feeling perfectly content and full. It was closeness, intimacy, safety. It was  joy .

Eliott makes his way down the stairs, already able to smell the  pain au chocolat  his mother is making. He smiles, breathing in the smell of warm pastry and bitter chocolate. He  knows this will be the best Christmas he's had in a long while.

"Eliott, my boy," his father chuckles. "Merry Christmas!"

Eliott looks over and sees him placing the last of the presents under the Christmas tree. Eliott grins and bounds over to him, giving him a tight hug. "Merry Christmas, Papa."

His father laughs as he hugs him back. "Go tell your mother 'merry Christmas' now, son."

Eliott turns and goes to the kitchen, kissing his mother on the cheek. "Merry Christmas, Maman."

"Merry Christmas, Ellie," she returns, ruffling his hair. "You're awake just on time. Breakfast will be ready in just a second. Then we can open all our presents."

"Great!" Eliott beams, giving her another kiss on the cheek. He steps back as she pulls the  pain au chocolat out of the oven, the pastry golden and steaming. He excitedly takes his place at the table, already piling food onto his plate. His father takes his place, too, chuckling as Eliott shovels food into his mouth.

"Slow down, Eliott, you'll choke," he cautions through his laughter. "We can't have you dying on Christmas day."

Eliott laughs, too, listening to his father and slowing down. He savors the way the  pain au chocolat melts in his mouth, the way the freshly brewed coffee warms his belly, the way his parents talk to each other with so much love and care. 

"I'm happy," he says, not quite blurting it out but not meaning to say it aloud. 

His parents are silent for a moment, but then they both grin. He thinks he sees tears in his mother's eyes, tears of joy. He feels his father pat his hand on his shoulder, and his heart  glows .

"We're happy, too, son," he replies, his voice ever soft and ever kind. "We're a happy family, aren't we?"

Eliott nods, smiling so wide his cheeks are aching. "We are."

They finish their breakfast in a comfortable, almost musical silence. Eliott feels content, almost like he's fuzzy at his edges, like he's bleeding into the world around him but it's welcoming him into its arms. Like he's fading into a background. Like he's living in a picture, but he knows every shade of every color, every shadow and its shape, every face and all its beauty. The world is beautiful, and he  belongs  in it. It could be  his  if he wanted it to be. He could bring everyone he loves along with him. His parents, Lucas. They could be in his picture with him and they could see the world the way he sees it. Wouldn't that be  wonderful ?

Eliott's excitement only grows as they start opening presents. He picks up the gift he can recognize first; a crisp, clean sketchbook. He flips through the blank pages, imagining all the things he could fill it with. He could create a comic book and put all the drawings and dialogue in here, or do a series of portraits or landscapes. He loves new sketchbooks and all the possibilities they hold within them, only waiting to be seen and realized. He goes through it four or five times, listening to the pages shuffle against each other. He doesn't quite pay attention to the presents his parents are opening, but he knows his father got a new pair of pants for work and his mother got a new book that had come out recently. He waits patiently but excitedly for his next turn so he can open his other gift, the one he can't tell what it is just by looking at it.

Finally, it's his turn again, and he notices his parents giving each other a sly, almost ecstatic look. "What are these faces for?" he asks, chuckling.

"This is a really big present, honey," his mother replies, grinning at him. "Your father and I scrounged up just enough money for this one."

Eliott's eyes widen, and he looks back at his father to see if he'll give anything away. He just shrugs, stretching his hand out a little. "You won't know what it is until you open it."

Eliott grins, tearing open the wrapping paper and the small box inside of it. His mouth drops open.

"A camera?" he asks, awed. "Like Arthur has?"

Both his parents nod at him, smiling like he's never seen them smile before.

"But these are so expensive," Eliott continues, shaking his head. "You didn't have to spend so much money on me."

"You were just so excited when Arthur let you take some pictures with his camera," his father replies. "We knew we had to get you one."

Eliott grins, studying the buttons and gears on the camera. He studies the film canister it comes with, too, imagining the same things he imagined with his sketchbook. He looks back up at his parents, opening his arms. He pulls them both into a hug, saying "thank you" almost a million times. His heart is  bursting .

He watches, grinning as his parents open their last present. His father tells his mother to go ahead and open hers with that same sly look he was giving Eliott. His mother smiles, confused, but takes off the wrapping paper and opening the box. Her hands immediately fly to her mouth. 

"This is that dress I saw in that store window months ago," she gasps. "When did you buy this, Eduard?"

His father looks at her with so much  love in his eyes as he replies, "The day after we saw it. I knew you'd look beautiful in it, and I saw how much you loved it."

Eliott looks and sees the dress. It's a light, powder blue that tucks into a royal blue, pleated skirt. It has a crisp, white collar with delicate flowers embroidered on it.

"Go put it on, Maman," he grins. "You'll look so pretty wearing it."

"I'm about to work on what we're bringing to dinner tonight," she dismisses, shaking her head. "I might get stains on it, and it's just so lovely."

"Just try it on, Noémie," his father replies. "You can change when you start cooking."

She smiles, looking back down at the dress. She looks back up, nodding. "Okay. I'll be right back." She takes the dress and runs up the stairs to his parents' room.

"Maman's going to look so beautiful," Eliott says, his heart bursting even more. He thinks it's bleeding into his voice. 

"You should've seen her on our wedding day," his father replies, his voice wistful, reverent. "She hates wearing white, but she was a vision in it that day. I cried as soon as I saw her enter the chapel.  She was the most beautiful woman in the world. She  is the most beautiful woman in the world."

Eliott grins as he listens to his father, close to tears himself. "I want to love somebody the way you love Maman. And I think I want someone to love me the way you love her, too."

"Someone will, my boy," his father reassures him. "We're all meant to love somebody, I think. Something like a soulmate."

"Are you and Maman soulmates?" he asks, his chest stirring at the thought of love being woven into every part of him.

"If you ask Maman, she'll tell you we're not," he sighs, still smiling. "But your mother isn't romantic like that. If you ask  me , yes. A thousand times, yes."

"How did you know that?" he asks. "That she was your soulmate? That you loved her?"

"I always knew, Eliott," he answers almost immediately. Then he continues, thoughtful and warm. "I think it's a matter of when I recognized it, called it by its name. And I did that when I heard her sing one time at a choir concert when we were in school. You know she has a beautiful singing voice, but that night, there was this  look in her eyes as she sang. Like she believed every word she was singing. Like she knew she had to sing because she had something to say and she believed it was important. Like she was in love with music and life itself. Then her eyes found me and she smiled and her voice was louder and clearer than it had been before. She was singing to me for the rest of the concert. And I've loved her ever since."

He hears the door to his parents' room open, then, and he hears his mother's footsteps. He sits up, his smile widening. 

"Are you two ready?" she asks, her voice floating excitedly down the stairs.

"Yes!" they both reply, equally as excited. 

She appears at the top of the stairs, her hair pulled up into a bun and her new dress fitting her perfectly. She twirls, the skirt of her dress rippling like the waves. A few strands of hair fall loose from her bun, framing her face. She grins, and it makes her glow.

Eliott's father stands up, rushing up the stairs to meet her and kiss her softly. Her arms drape over his shoulders as she kisses him back, and it reminds Eliott of the movies. A love that overcomes any obstacle that stands in their way, a love so powerful and yet so soft and tender. He grins, warmth filling his chest.

We  are  a happy family.

His parents walk back down the stairs, then his father opens his last present. It's a new watch, one that his mother says wasn't too expensive, but she remembered him complaining that the watch he has now isn't working as well as it used to. He studies it for a moment, its fairly cheap but shining band, the gilded lettering along its face. He latches it onto his wrist, promising to never take it off unless he absolutely has to.

It's well into the afternoon now, so his mother changes out of her new dress and starts working on the side dishes they'll be bringing to dinner at the Lallemants'. She sings an old song she used to listen to during the war, one that reminded her of his father when he was a soldier. Her voice floats all around the house like sunlight, the words she's singing promising to wait in perfect patience, in perfect love, for the man she loves. His father is watching TV, and occasionally staring at his new watch for a while. He smiles, his eyes following the second hand tick, tick, tick by. Then, he'll look up and chuckle at a joke in the show, then he'll look back down at his watch. Eliott has already begun sketching in his new sketchbook, drawing dresses he thinks his mother would look pretty in, ones that would make her smile, ones that made her look like she was an actress in a movie. He doesn't know a thing about designing dresses, but he knows what would make his mother happy. Eliott can't help but think that this was what he meant when he said Christmas is warmth and joy. He can't help but think he's the happiest he's ever been.

Soon, they're all getting dressed for dinner at the Lallemants', as well as the party they always hold afterwards. Eliott's wearing a heavy, almost itchy sweater, but he likes its greenish gray color, and he's worn it the past couple years. He supposes it's a bit of a tradition. His father wears his new pants and one of his newer shirts, and his mother once again considers wearing her new dresses, but decides it's better to be safe than sorry. She still wears a beautiful dress, though, a red one with long sleeves and a hem that nearly touches the floor. They all carry a small plate as they walk over to the Lallemants' talking and laughing and letting the biting winter air carry their voices a little farther than they can reach. Eliott's also cautiously carrying his new camera, ecstatic about showing it to Lucas. He really liked Arthur's camera, too, and Eliott figures it could be special if they both have pictures they've taken saved on film.

His father, the only one with a free hand, knocks on the door as they reach the Lallemants' front porch. Madame Lallemant answers, wearing a rich green button-up shirt and dark slacks. She smiles widely when she sees them, offering to take one of the plates from Eliott's mother. Lucas comes running up to the door, his eyes lighting up when he sees Eliott. Eliott feels his chest warm, feels himself become lighter.

"You're wearing  that  sweater again?" Lucas asks, chuckling. "I don't think it fits you anymore,  mec ."

Eliott shrugs. "Tradition? Besides, you're one to talk. That sweater is new, but it's not as stylish as mine, I think."

Lucas looks down at his sweater, a gray knitted one. "What's wrong with my sweater?" he asks, almost pouting. 

"I'm kidding, Lucas," Eliott chuckles, pulling him into a hug. "It's a nice sweater."

He feels Lucas tense a little bit, but he eases into the hug. "Thanks, Eliott."

"Of course," he replies, hugging Lucas a little tighter. He pulls away after a moment, grinning. "Hey, do you want to see my big present?" he asks excitedly, trying to hide his camera.

"Yeah!" Lucas grins, his smile wavering ever so slightly. But Eliott pretends he didn't notice it.

He shows off his camera, his eyes never leaving Lucas's face. His eyes widen, and his mouth drops open a little. He looks back up at Eliott, stammering and chuckling.

"A film camera?" he asks. "Like Arthur has? Don't these cost an arm and a leg?"

"Maman said they managed to get enough to buy one for me," Eliott replies, his words starting to run together a little bit. "I need to toy around with it a bit and figure out how it works, but once I do I can give you some pointers and you can take some pictures with it."

Lucas's eyes widen even more, his lips spreading into a grin. "Seriously? You'll let me?"

"Of course," Eliott shrugs, as if it were obvious. "You liked Arthur's camera, too, right?"

"Yeah," Lucas replies, nodding. His smile fades a little, and he looks up at Eliott again. "Can I see it?"

"Yeah, here," Eliott smiles, handing it over to him.

Lucas turns it over in his hands, his smile returning as he studies it. "It's so cool."

"I know, right?" Eliott replies. "I can't wait to start taking pictures with it."

"Me, too," Lucas grins, giving it back to him. "Don't let me break it, though."

Eliott shakes his head, laughing. "I think you should be more worried about me breaking it."

"Boys, we're eating!" Madame Lallemant calls, making them jump.

"Coming, Maman!" Lucas responds.

They enter the dining room, where a large, tempting array of food lay set on the table. At the center was a decadent turkey, surrounded by warm slices of bread and steaming plates of vegetables. Lucas and Eliott both look at each other, their eyes wide and stomachs beginning to rumble. Lucas looks away quickly, though, and Eliott thinks he saw his cheeks flushing. They quickly take their seats at the table.

"Eduard," Madame Lallemant says. "Could you say grace?"

"Of course," he smiles. "Bless us, O Lord, and these, Thy gifts, which we are about to receive from Thy bounty. Through Christ, our Lord. Amen."

"Amen," everyone echoes, signing the Cross.

Lucas pulls his hand away rather quickly, and Eliott once again tries to pretend he doesn't notice. He starts picking at his potatoes, listening to the conversation going around the table. Madame Lallemant asks about his father's health, which has been much better recently. His mother asks Madame Lallemant how she's been doing as far as her mental health, and she says that she's been much better, too. His mother asks Lucas if he's shown him his new camera yet, and Lucas smiles politely and says that he's seen it. Lucas and Eliott both get asked about how their semester went, and Lucas has better things to report than Eliott does, but that's how it always was. Lucas was always smarter than Eliott.

Eliott tries to steal glances at Lucas, but he seems distracted, absentminded. Eliott's first thought is that he could be nervous about playing the piano later, but Lucas did that every year, and he was rarely nervous. Then he thought he could be having leftover nerves from exams, but Lucas is acting differently than he does when he's stressed about school. Lucas tends to ramble to himself when he's working through a math or science problem, but he's awfully quiet right now. Eliott feels the need to again pretend he doesn't notice Lucas's behavior, but he knows him too well not to notice every shift in his face or in his mood, even if it's only for a fraction of a second.

He nudges Lucas, who jumps a bit but then turns to look at him. " Ça va? " he mouths.

Lucas nods, giving him a fake smile.

Eliott raises his eyebrows in response, not believing him.

Lucas's smile drops, and he just shrugs. He tears his gaze away from Eliott, staring intently at his food. Eliott feels himself deflate.

Him and Lucas don't talk much throughout dinner, finishing their food long before their parents do. It goes by fairly quickly, though, and Madame Lallemant starts bringing out the  bûche de Noël , like she makes every year. It looks wonderful, like it always does, and when Eliott looks over, Lucas is genuinely smiling. He maintains it mostly while they eat, and Eliott smiles, too, his heart slightly at ease now.

"Lucas," Madame Lallemant says as they finish eating. "Are you ready for your annual concert?"

Lucas perks up, a sense of anxiety almost radiating off of him. But he recovers and smiles, nodding. "I think so."

"Great!" she smiles back. "Let's all go to the piano, then."

Everyone rises from their seats and crosses the room to the piano, Lucas sitting at the bench and Eliott sitting next to him. Their parents stand off to the side, Eliott's father putting his arms around his mother and Madame Lallemant gazing lovingly at her son. 

Lucas takes a deep breath, lets his hands hover over the keys for a moment, then he begins to play. Eliott recognizes the tune immediately: "O Holy Night." Then Lucas starts singing. 

Lucas has always been a singer, but his voice sounds  different . It's softer, warmer, gentle like a candle flame. It fills, it swells, it sweeps. Usually, everyone would sing along, but they're quiet; listening to every note, every change in inflection in his voice. He's never sounded more beautiful. 

Eliott's eyes can't leave Lucas's face, his eyes. He's afraid he'll miss something there. He doesn't know what that something could be, but he feels like he can't miss it for the world. 

Lucas's eyes are filled with  melancholy  , a  longing  . His lips tremble as he sings, as if they can't bear the weight of the words they  want to say, but can't. But then, he takes a breath and his lips spread slowly into a content, peaceful smile. A blush starts bleeding into his cheeks, the tip of his ears. Lucas looks like a star is exploding within his chest, filling him with a thousand wishes and the fires of millennia. It coats his throat, his tongue, coming out sweetly, almost sickly. Eliott wonders what it feels like, tastes like for Lucas. It must be sweet for him, too, the way he's smiling and the way his eyes seem to yearn for more, but is no longer ashamed of it.

Lucas turns his head and looks at him, and he swears the world stops in its tracks. It's like when he would read books under his blanket, with time frozen and the earth silent, but Lucas is here now, too. It's like he somehow sneaked in through some veil, some barrier, and he's found Eliott. He was looking for him. And he found him. Eliott doesn't mind that he's here, either. He's not a character in a story he can take and mold and shape. He's someone he loves, someone he can't change, but someone he also trusts enough to help him keep the universe in perfect balance. Much like the melody Lucas is playing, much like the kindness that seems to drip from his fingers, Eliott knows his universe is safe in Lucas's hands.

Lucas doesn't look away. He lets his hands remember the shape of the melody, his tongue remember the waves of each note, but his eyes stay focused on Eliott. And Eliott can't quite look away. He feels a  burning  fill his chest. He wonders if his heart heard Lucas's crying out and offered to shoulder some of the burden. But as he lets it burn a bit, as he becomes familiar with its heat and the breathing of its flames, he knows there's only one possible name for this fire, this  burning : love.

He remembers his father's story about his mother, how music filled the air—music nurtured by the lungs and hands of two of the most precious people in the universe. How two sets of eyes find each other and can't let go of each other. How the music shifts, how it finally sees a direction, how it finds something to exist for, to be  beautiful for. How everything makes sense, how every twist and turn and knot the strings of fate took just to allow for this single, breathtaking moment. The moment love blooms, the moment its beholder finally sees its gorgeous petals, its sturdy, smooth stem, and suddenly remembers a seed being planted and watching it grow. For the briefest, deepest moment, Eliott's eyes have never been clearer, and his heart has never sung more from within its cage.

Love.

Eliott's breath pauses, realizing just like he is that from this moment on, it will never fade in and out of the air the way it did before. It has found its direction, its purpose, too. His breath now lives and dies for Lucas, sings and falls silent for his voice, his patience, his smile. It finally escapes his mouth, stumbling and shivering but with  joy .

But Lucas looks away, and Eliott's breath peters out, cracked.

Lucas finishes the song, his voice and the plucking of the piano dying out like a hearth, warm and sighing. The blush leaves his face, and he breathes out the embers still left in his lungs. His fire has been snuffed, gently suffocated. The coals in Eliott's chest seem to burn brighter, hotter now that it seems to burn alone.

Eliott's parents and Madame Lallemant begin applauding loudly. Eliott joins in, clapping weakly and putting on a small, brave smile. Madame Lallemant traps her son in a tight, loving hug that Lucas seems to melt into.

"That was beautiful, baby," she coos, kissing his forehead. "I'm so proud of you."

"It's just the Christmas show, Maman," Lucas chuckles. "It wasn't anything that special."

"It was!" she beams, taking the words right out of Eliott's mouth. She pulls away, placing her hands on his shoulders. "You could've performed that on a big stage in front of the entire world and they all would've loved you."

Lucas shakes his head a little as he bows it, his eyes tracing the grain of the piano bench. He's bashful, glowing. He looks back up at Madame Lallemant, shrugging. "Thank you, Maman."

She gives him another kiss on the forehead, taking a step or two back once she sees that he's a little embarrassed. Eliott hears her apologize in the quietest voice, and he sees Lucas tense a little. He sees him shake his head, but he doesn't hear him say anything.

"That really was amazing, Lucas," Eliott's mother says, still clapping lightly. "You really outdid yourself this year."

"I guess I'd better start thinking about what I'll play next year soon," Lucas jokes, still tense. 

"I'm sure that will be amazing, too," Eliott's father replies. "I can't wait to see it."

Lucas nods, turning to Eliott. He relaxes, just a little. "You're quiet, Eliott," he says. "What did you think?"

Eliott sees the clarity in Lucas's eyes, the slight twitch in the corner of his mouth, the way he's wringing his hands. Eliott smiles, trying to put Lucas at ease. "You're surprising. I've known you all these years but you keep surprising me. That was gorgeous, Lucas."

Lucas's nervous smile changes into a shy yet sweet one. Eliott can tell he wants to smile wider, but he doesn't know why Lucas is trying to hold it back. He's beautiful when he smiles all wide and toothy.  He's beautiful.

The fire crackles then roars in his chest, a new life breathing into the flames and helping them grow. 

What is he supposed to do with them?

"Eliott?" Lucas says, his voice quiet, soft. It almost sends a shiver down Eliott's spine. " Ça va? "

Eliott nods, trying to muster the most genuine smile he could. Lucas's smile widens, and Eliott doesn't need to force the genuineness anymore. Lucas's hand, almost in slow motion, travels over to Eliott's shoulder. His fingers seem to hover, but then touch the fabric of Eliott's shoulder gently, as if they were afraid of what would happen if worlds collided. Lucas's hand becomes comfortable, welcome there, and his smile widens again.

The fire is eating Eliott from the inside out.

"Thank you so much again, Madeleine," Eliott's mother says, snapping both Lucas and Eliott out of their little bubble. "I think we're going to head home."

Eliott's smile falls, and Lucas's does, too. They share another look, one that Eliott is sure is filled with longing. He feels another scorch in his chest. They both stand up from the bench, giving each other a hug. Lucas lifts his chin so his head can rest on Eliott's shoulder. Eliott's fingers brush Lucas's hair, but he lets them stay there for a moment.

"Goodnight, Lucas," Eliott whispers, letting his eyes close for a moment. 

"Goodnight, Eliott," Lucas whispers back, his voice soft and warm as ever. Eliott bites his lip to keep from grinning.

Lucas pulls away first, his hand lingering on Eliott's back for the briefest moment. Eliott pulls away, too, giving Lucas another sweet, genuine smile.

He sees his parents giving Madame Lallemant a hug out of the corner of his eyes. He walks over to her as they walk over to Lucas. She grins at him and holds out her arms. He grins back and hugs her.

"Thank you, Madame Lallemant," he tells her. "Everything was wonderful."

"Of course," she replies. "Merry Christmas, Eliott."

"Merry Christmas," he returns as he pulls away.

He glances over his shoulder and his eyes lock with Lucas's again. Lucas has the sweetest, smallest smile on his face as he looks down at the floor. Eliott can see the blush in his cheeks, even with his face turned down.

"Come on, Eliott," his father calls from the front door.

"Coming," he replies, bounding over to them. He swears he feels Lucas's gaze on his back, and he can't help but smile. 

december 26th, 1965

03:00

caen, france

~

Eliott can't sleep. He can't sit still. He can't slow down. He can't think straight. He can't breathe. He's dizzy. He's anxious. He's bursting. He's exhausted. His vision is just out of focus. His heart is beating ever so slightly off rhythm. His hands are shaking. He picks apart the darkness, banishing it and filling it with all the extra thoughts he doesn't have room for in his head. He plays records so quietly he has to hang his head just above the vinyl to hear it, and it's even still too quiet over the scratching and carving of the needle. He's tried drinking tea but he doesn't quite taste it, only burning his tongue on it. He paces his room on his tiptoes, afraid of the floor crumbling beneath him if his heels ever touched the ground. His lips are pulled taut, and he can't quite tell if he's smiling or just holding back every ramble on the tip of his tongue. Everything is bleeding. His thoughts leak into his blood, his blood seeps just beneath his skin, his skin blends into the air. He's fading into the background again. Only this time, the picture he's been trapped in is unfamiliar. He's been developed onto film that was left in the sun too long, or was too old, or not right for the camera. He doesn't know what to do.

My new sketchbook,  he thinks suddenly.  I can start drawing in it.

He grabs it as well as his pencils and tears out the page with the dresses he drew on it, setting it aside. He stares at the new blank page in front of him, trying to decipher any single thought but they move along too quickly for him to make out anything they said. He's chasing his own tail,  thousands of his own tails.

He exhales slowly, methodically, his eyes trailing over to the corner of his room where his lamp sits. He follows the trail of light as it spills onto the floor. He watches it mix like paint with the moonlight filtering through his window, creating a dreamy, purple hue. Then he sees the darkness creeping behind it, slowly inching forward. It attacks slowly. It bleeds. 

Light and dark,  he thinks again, his mind slowing down.  Light can only reach so far. Darkness can only reach so far, too. What happens at the intersection? What happens the moment they collide, at the place where they fragment?

Eliott shifts closer to his lamp, to the light, his hand immediately sweeping over the page, leaving charcoal trails behind. He builds a bridge, each of its stones trying to break through the mortar and war with the others, trying to chip and crack away at each other. He paves a road, the dirt and the leaves lying on top of each other, litters of bodies and skeletons. He grows a forest, each tree with their own unique circumference, their own number of branches and leaves, their own height, their own love for their neighbors. He forms a night sky, dark and inky and suffocating. He authors an opera between the stars and the moon, songs where the lyrics and the melodies are familiar and the characters are beloved friends. He forges a bond between the self his hand creates more so than the self every grain of glass he's seen reflect back at him. He creates a world, at least a corner of it so far, but he  knows something is missing. 

What's missing?  his brain asks him.  Find it. Find it before it slips away. Find it before it gets bored of waiting for you. Find it before you lose it forever. Find it before your world becomes obsolete, before it becomes timeworn, before it's gone. Find it.

Eliott searches his drawing, his room. His eyes are moving too quickly for his brain to catch up now. He swears he feels his pupils enlarge.

Find it find it find it find it find it find it FIND IT!

He shakes his head violently, trying to knock the thoughts out of his skull. He starts tearing through his room. He rips after thousands of sheets of paper, throws his comforter and sheets off his bed, yanks all the books off his bookshelf, turns his lamp on and off until the constant shifting starts hurting his head and eyes. He can't move fast enough. He can't look hard enough. His heart isn't beating fast enough. His brain isn't thinking fast enough. The thing he's looking for is moving too quickly. It's too hard to see. It speaks in a language that Eliott can't understand. He can't find it. He can't  find it  . He can't  breathe .

He shoves his window up to open it, sticking his head out and taking in gulps of the chilly, inky air. Maybe the thing he's looking for is out there somewhere. Maybe it's buried beneath the sand, or hidden in the seafoam, or seeking refuge in the moonlight.

Refuge. Moonlight. The fear of the dark. Lucas.

Eliott leans out of his window a little more, craning his head so he can see Lucas's house. Lucas always had a lamp on in his room, but when Eliott looks, the lamp is off but the main light to his room is on. He's awake.

Lucas's light can only reach so far. His darkness can only reach so far, too.  Our  light and darkness can only reach so far.

Eliott grabs his sketchbook from off his bed, trying his best to sit on his windowsill so the moonlight can guide his hand, so the light from Lucas's room can help him find the missing piece.

No. He  is  the missing piece.

Eliott turns to the next page, snatching scraps of pictures in his mind and pasting them onto his page. He's mostly just shading as darkly as he can, leaving a space in the middle for Lucas, the missing piece.

His brain still won't stop tripping over its own thoughts. His hand still shakes as he draws, smudging the charcoal. But he's beginning to smile. The pictures are becoming a cohesive story. A boy who's afraid of the light, and a boy who's afraid of the dark.  Love  is what happens at the intersection between dark and light.  Love is what happens the moment they collide, at the place where they fragment. Light and dark can only reach so far, but love can reach father, and it can never fall short.

He fills his sketchbook in a few short yet dragging hours. There's scene after scene, opera after opera, bridge after bridge. Eliott starts becoming comfortable with the cool shadows of the dark. Lucas starts becoming comfortable with the warm pools of sunshine. Lucas and Eliott hold hands. They kiss. Their foreheads touch. The sun rises. They don't leave each other. 

The urgency Eliott has felt all night is practically dripping from his sketchbook. It's obvious in the spots where Eliott pressed the graphite down on the page a little harder than he needed to. It was apparent from almost every single line, bowing and curving and staggering. He could see it in the way he drew their hair, a collection of assorted strands all pulling in different directions. He could feel it as he flips through the several pages where Lucas's lips are against his, watching every shift of their lips, their chins, their hands on each other's faces. This sketchbook, this story  is  urgency. The urge to get over fear, the urge to go after what your heart yearns for, the urge to touch and kiss and feel and love and  be loved.

All Eliott can feel right now is  want , anxiety, pins and needles, suspense. Even after filling his sketchbook. Even after drawing out such an elaborate and desperate fantasy, one that he never really considered before. His hand isn't even tired. None of these urges he feels has gone away. He doesn't know how to make them go away. He doesn't know if he's felt anything like this before. He doesn't remember himself ever feeling high as a kite and then suddenly needing to navigate massive gales and thunderstorms. He doesn't know if this is normal. He doesn't know if something is wrong. He just doesn't know.

He watches Lucas's room from his window, hoping it would calm him down. Lucas turned off his light and turned on his lamp a while ago, but the small flicker of light there in his window is comforting, almost. It's playing with the lightening sky, almost encouraging the sun to rise and share its light. Eliott wonders, too, if Lucas sees the light of his lamp appears in his dreams, maybe his nightmares, comforting him in sleep, too. The thought makes Eliott smile, and his anxiety eases just enough that he can watch the sunrise.

He wishes he had another spot in his sketchbook to draw it. He wishes he had another spot in his sketchbook to draw Lucas one more time.

january 9th, 1966

10:17

caen, france

~

"Eliott?" a voice says, gently beckoning Eliott from his dreams.

Eliott opens his eyes, and a familiar, soft face smiles at him, veiled in sunlight.  Lucas . His eyelashes are long and almost blond in the light, his eyes even brighter and bluer than Eliott knows them to be. Even the side of Lucas's face that's shadowed is beautiful. His light still shines through, just enough to break through the darkness. He really is beautiful. Especially when he's soft like this, sweet and happy. But Eliott can't seem to smile as he studies the line of Lucas's nose, the curve of his lips. His heart can't seem to glow and beam like it usually does when Lucas is next to him. 

"Are you okay?" Lucas asks, his face suddenly slacking with concern. 

Eliott isn't sure. His body feels heavy—his eyelids, his chest, his limbs. His mind is foggy, too, almost lethargic. He doesn't feel sick, though. He doesn't feel like he has a fever, and his nose isn't congested. His stomach doesn't feel queasy, either. It's a little hard to breathe, but does that mean he's sick? He shrugs. "I don't know."

Lucas's brow furrows, and there's a knowing look in his eyes. "Do you want me to get your parents?" 

Eliott doesn't know how to respond. He doesn't want to bother his parents when they might be busy, and he doesn't want to make Lucas get them for him. He decides to shake his head. "No, it's okay."

Lucas somehow seems even more worried now, his eyes frantically searching Eliott's face for something they can't find. "Are you sure you're okay, El? You're not sick, are you?" 

"I don't think so," Eliott replies, trying to examine his own body. 

"Try sitting up," Lucas suggests, standing up and sitting back down at the edge of his bed. 

Eliott manages to, slowly but surely. He feels a little dizzy, but he shuts his eyes and regains his bearings. 

"How are you feeling?" Lucas asks. "Just in general?"

"I'm exhausted," Eliott sighs. "I fell asleep before 9 o'clock last night, but I feel like I haven't slept a wink. And my head feels... Cloudy. Dark clouds. Storm clouds, but they haven't let their rain out yet. But it's weighing down my whole body. My arms and legs feel heavy. My chest feels empty, though, like everything inside it withered while I was asleep and there's just ashes left. I don't... I don't feel like myself, Lucas. I feel like I woke up in someone else's body."

Lucas is listening carefully, but he can't hide the worry on his face. He can't hide the way it steals a bit of the light in his eyes, or the way it strikes the smile off his face. Eliott could see it from a million miles away, from another universe, and he thinks seeing it could kill him every time, every place. He doesn't have much strength left to ask him what's wrong, so he can only feel the pain  radiating  off of Lucas, the pain that  he caused.

"You're worried," Eliott manages to say, his voice flat.

"You worry about me all the time," Lucas replies, tearful. "I know you do. Isn't it my turn to worry about you?"

"Who said you needed to wait your turn?" Eliott asks. "Who said you couldn't worry about me?"

Lucas sighs, shaking his head and avoiding eye contact with Eliott. He shrugs as he replies, "I don't know."

Eliott reaches carefully and takes Lucas's hand. Lucas tenses, inhaling sharply, and his eyes flick quickly between Eliott's hand and Eliott's face. He doesn't squeeze Eliott's hand and he tenses even more when Eliott tries to. Eliott sighs, realizing he's crossed a line. He starts to pull his hand away, but Lucas tenses again. He quickly latches onto Eliott's hand, almost desperately. 

"S-sorry," Lucas stammers, letting go of Eliott's hand. 

"You didn't do anything wrong," Eliott replies, shaking his head. "You don't have to apologize."

Lucas shrugs again. He cradles his own hand in his other one, caressing his palm and his knuckles. He traps it in his other hand, holding and squeezing it tightly, as if caging it to keep it from lashing out, reaching for something it shouldn't. "I know," he mumbles unconvincingly. 

"Lie with me, Lucas," Eliott suggests quietly, all of him hoping he's found the way to make Lucas smile again, make the worry melt off his face. "I'm sleepy. And nothing can happen to me if I'm asleep and you're next to me. You won't have to worry about me as much."

Eliott shifts closer to his wall, leaving space for Lucas to lie next to him. Lucas doesn't move, though. He stares at Eliott, incredulous, anxious. He sighs, squeezing his hand over the other again. He studies the empty space, that same longing charging him during his Christmas concert washing over his face. He glances at Eliott, his eyes flicking over every inch of his face. He has the faintest smile on his face as he nods once, lying down next to Eliott. He tries to keep an inch or two of distance between them, but Eliott doesn't mind. Lucas is warm, wide, and deep. His weight is comforting as it presses down on the other side of the mattress, reminding Eliott that he isn't alone. 

"Thank you," Eliott says.

"You're welcome," Lucas returns, his voice soft, quiet.

Eliott falls asleep a moment later, falling into a complete, almost comforting darkness. He doesn't dream. He doesn't feel, for a moment. And when he wakes, the darkness lingers, tinting his vision and staining his muscles. It seems to darken when he realizes that the sun is setting, and that Lucas isn't weighing down the other side of his bed. His weary fingers brush against a piece of paper resting on his pillow. It has his name on it in Lucas's jagged cursive. He unfolds it slowly, taking a deep breath.

  I'm sorry I had to leave. It was getting late, and I didn't want to wake you. And I'm sorry I couldn't say all this earlier. I didn't quite know how to. But as I watched you sleep and as I listened to my brain remind me of all the things that could go wrong, the words finally came to me.

Earlier, when you were talking about how you were feeling, all of it reminded me of Maman. And when she gets like that, she likes to sleep, too. That's why I'm worried. It makes me sound like a bad friend and a bad son, but I don't want you to be like her, Eliott. Every time she gets depressed she seems to lose another piece of herself and I slowly forget about my own mother. I've seen what the depression does to her, and I'm afraid those same things will happen to you. I don't want you to hurt like my Maman has. And I don't want one of the last few good things in my life to slip through my fingers. I don't want to lose you like I've been losing Maman. I don't want to lose everyone I love. Is that selfish of me?

Sorry. I'll let you sleep. Let me know if you need anything. I may not have the words, but I can be there. I'm sorry again that I had to leave. Sleep well, Eliott. I hope your dreams are sweet instead of dark and bitter. I hope this is just a random spell, and not some twisted sign of something much, much worse. I care about you. I know you know that, but I needed to say it, and I have a feeling you need to hear it. I'm sorry again. I'm so, so sorry.

 Eliott must've read it a thousand times trying to process every word, trying to analyze the bigger picture. And every time he feels worse, his guilt opening its jaws and scraping its teeth against his skin. Every time, he keeps seeing the  look on Lucas's face, the darkness in his eyes. Every time, he wishes he could throw off his blankets and run to Lucas's house, asking him if they can talk. But every time, he sinks further into his bed, melting into his sheets and being pinned down by his blankets. 

He shuts his eyes, hoping for all the things Lucas is hoping for, and so, so much more.

april 11th, 1966

18:30

caen, france

~

Lucas watches helplessly as Eliott smiles and laughs so brightly he's convinced the sun isn't setting tonight, but retreating in defeat as it realizes that something brighter burns beneath it. Eliott  is  brighter than the sun—warmer, softer, closer. How  beautiful  the world could be if Eliott became the sun, and how  miserable  Lucas would feel at the same time. But then again, Lucas is still miserable when the sun is sitting right next to him, when the sun is so close he could only stretch his fingers and touch him. Then again, he'll be miserable no matter where the sun is around the world or within the universe. He's miserable because he's in love and he's afraid that he'll never not be. He's miserable because he doesn't know how much more of this he can take—the burning and the blushing, the serenity and the shame. He doesn't know if he can keep coming to the realization that his father was right all along without feeling like he could implode at any moment. He doesn't know if he can muster another prayer without feeling like the first sinner that God couldn't save. He doesn't know how much longer he can try to convince himself that Eliott could love him, too—that he would be willing to face any God-given punishment or hell itself and hold Lucas's hand all along the way. He doesn't know how much longer he can live like this.

"Lucas?" Eliott says, his voice pulling Lucas out of his thoughts and giving him a soft place to land. His face has fallen, drawn slightly taut with concern. "Are you okay? You seem a little distant."

Lucas nods, almost forgetting to smile. "Yeah, I'm okay. Just thinking."

Eliott's smile perks up again. "About?"

"A lot of things," Lucas decides to say, shrugging. He tries to chuckle, but it doesn't come out like he wanted it to. He looks down at his lap, avoiding eye contact with Eliott, but he can still feel his gaze on him.

"Your maman isn't getting bad again, is she?" Eliott asks carefully, his voice quiet.

"No," Lucas answers quickly. "No, she's doing okay right now."

"That's good, but," Eliott replies, sighing. "What's on your mind, then?"

Lucas bites his lip, and he can feel it trembling beneath his teeth. How could he ever say what he's been thinking? How could he ever admit any of that? 

"Lucas," Eliott says again, placing his hand on Lucas's shoulder. "What's wrong?"

"I don't know how to tell you," Lucas replies, trying to fight back the tears filling his eyes.

"Tell me what?" Eliott tries, gently, patiently.

Lucas takes a deep but shaky breath. He shakes his head, closing his eyes. "I can't tell you, Eliott."

"Lucas..." Eliott starts, but his voice trails off. Lucas hears him sigh deeply. "Why not?" he says then, with something in his voice that Lucas has never heard before. Fear?

Lucas doesn't know how to reply. He's afraid that if he starts talking he won't be able to stop until every word that's piled on his tongue and down his throat and in his chest has been set free. He thinks he tastes blood, poison in all those words, and he's afraid, too, that he'll vomit them up and be left with a bitter taste in his mouth. He can't see any scenario where he stays silent, though, and this realization makes more fear bloom in his stomach than anything else. He feels his chest tighten, his lungs squeeze, his heart constrict. His blood runs cold, his fingertips tingle, his head spins. Panic. All he feels is panic.

"Hey, Lucas," Eliott says, his voice much more concerned now. He gently moves Lucas to where he's facing him, and his touch feels like a burn, a scorch. Lucas hears a noise whimper out of his throat, something like a sob or a snivel. He feels like his throat is closing up.

"Lucas, look at me," Eliott says, lightly squeezing Lucas's shoulders. "Look at me."

Lucas musters another mite of courage and lifts his head, his eyes meeting Eliott's. He's spellbound for a moment, watching blue and green and gray mix and bleed into Lucas's favorite color. But there's something like a film over Eliott's eyes, probably concern and worry. Eliott always worries. Lucas has seen Eliott try to hide it sometimes, and he doesn't know if he would prefer if he hid it now or not. But after a moment, the concern melts away and Eliott's eyes soften, fill with kindness. It makes Lucas smile. 

"There you go," Eliott smiles back. "I love it when you smile."

Lucas's smile widens, and the familiar blush colors his cheeks. There's that lingering sense of shame, of course, just beneath his skin and fingernails, but Eliott is stronger than it. His touch is stronger, his voice is stronger,  he  is stronger. Lucas just needs to focus on him, the feeling of his fingertips just barely digging into his skin, the feeling of their knees resting against each other. Maybe if he lets Eliott anchor him, he can stop choking and let all his words spill out. Maybe Eliott won't wiggle free and let himself be whisked away by the ever-changing tide. Maybe he'll stay. Maybe.

Lucas studies Eliott's eyes a moment or two longer, finding every spot where the color changed ever so slightly, finding every spot that shone a bit brighter, finding every perfection and imperfection. He can breathe again, and his words aren't as heavy. He breathes in and out slowly, the last breath he'll take before the long overdue truth he's hidden for so long will be known.

"I don't think I can fall in love with girls, Eliott," he finally,  finally  admits. "That's what's wrong. I think I've been falling in love with boys."

He pauses for a moment, watching Eliott's face carefully. Something lights in his eyes—hope? But his face doesn't change much besides a slight smile tugging on the corner of his lips. He nods at Lucas, urging him to keep talking. 

"It's a sin, I know, but," Lucas continues, almost choking on the word  sin  .

"It's not a sin," Eliott says firmly, shaking his head. 

"It is," Lucas disagrees, his throat closing up. "The Bible says—"

"It's  not  , Lucas," Eliott interrupts, a fire in his eyes and on his tongue. "It's  not  . Do you hear me?"

"How do you know that?" Lucas asks, his chest tightening again. "We don't get to decide what's a sin and what's not a sin. Only God can."

"Because it doesn't make sense!" he almost laughs, incredulous. "And it isn't fair! Especially to you, Lucas! I don't remember you missing a single mass since we were kids. You can quote half the Bible from memory. You know the words to almost every song in the hymnal. You love God and anyone can see it in your eyes. Now all that is obsolete? Just because you like boys? How is that fair? How does that make God a just God? You're not a sinner, Lucas, not like some people at church want you to think you are."

"Then why do I feel like one?" Lucas blurts out, his words trembling. "I've prayed every night, Eliott.  Every night.  After hours of hearing memories of my father and the boys at school calling me a queer, or staring at my ceiling and watching myself fall in love with and marry a girl and having to hear my heart whisper how it could never want something like this, I would pray. And every time, I prayed that all these sinful feelings would just go away and I could be  normal.  That I could prove my father and everyone wrong. I couldn't be a queer. I  couldn't  . The night after Christmas last year I prayed that God would just  kill me  before I let myself give into temptation. That way I had a chance at getting into heaven. Do you understand that, Eliott? I asked God to  kill me  . Why would I do that if it wasn't a sin? Why would I ever lose sleep because I keep listening to the heart beating in my chest and hoping it was just off-rhythm somehow, that it could be fixed somehow? Because I thought it was just blind and can't tell a boy from a girl and that it would open its eyes someday and realize that it was looking in all the wrong places? Why would I do any of that if I didn't think it was wrong or that I would go to hell for it? Why?"

Eliott doesn't reply at first, and the silence is unbearable. Lucas is left to watch Eliott's face, left to scour for any trace of emotion. But his eyes are a little wider, and something like tears are shining in them. His mouth has shrunk to a thin line, and his lower lip is starting to stick out. He shakes his head once, looking off for a moment. Lucas hates the way he needs Eliott to look at him again, the way he needs Eliott to just  say something  . He hates the way he needs Eliott. He feels a tear roll down his cheek, and it's as cold as ice.

Eliott finally looks back at him, and his eyes follow his tear. He lifts his hand, his thumb carefully wiping it away. Slowly, the rest of his hand gently cradles Lucas's face. His hand is soft, warm, familiar. Lucas melts into the touch, leaning into Eliott's hand. His eyes close, and a heavy, relieved sigh escapes his body. Eliott's thumb is tracing Lucas's cheekbone now, and it's so gentle Lucas wonders if anything else in this world could ever hold him so softly, so lovingly. He doesn't want Eliott to stop touching him.

"You can't make it stop, can you?" Eliott asks quietly, placing his other hand on the other side of Lucas's face. "The falling in love?"

"No," Lucas shakes his head. "I can't."

"Well, God made us in His image, didn't He?" Eliott replies. "He made you, Lucas."

"Do you think He made me this way?" Lucas asks, toeing the fine line between hope and fear.

"He shaped you by hand," Eliott answers, his voice the kindest thing Lucas's ever heard. "He's the perfect potter. How could He ever make a mistake with you, Lucas?"

"But if He made me this way," Lucas says, leaning towards fear. "Why would He say that who I am is a sin?"

Eliott sighs, smiling sadly. "I don't know. But He made you, and He made people that are like you, too. He made  me  , too."

Lucas's eyes widen, his heart skipping a beat. "Wh-what do you mean, Eliott?"

"I've realized that my heart is a fickle thing," Eliott replies, smiling softly. "It can fall in love with anybody it wants to."

Lucas feels himself smile. "Even boys?"

Eliott nods, grinning. "Even boys."

Lucas's smile falters the slightest bit as a question comes to his mind. But he doesn't let it weigh him down. He lets it spill. " Can it fall in love with me?"

Eliott's smile softens, the faintest blush staining his cheeks. "It already has."

Lucas's heart doesn't skip a beat this time. It blooms, it flutters, it sighs. His heart doesn't feel wrong right now. It doesn't feel like a well of thick, black ink or a cold, unforgiving stone. Right now, it feels like a garden, the way Lucas has always imagined a heart  should  feel—rich soil to grow from, sweet fruits and hearty vegetables to taste, fragrant flowers to breathe in. Right now, Lucas hopes he can plant a seed in his new garden. He hopes he can nurture it. He hopes it'll inspire him to grow, too. He hopes this can become like the garden his heart is becoming. He hopes, he hopes, he hopes.

Eliott rests his forehead against Lucas's, their noses brushing tenderly against each other. Their lips are a breath apart. Lucas's never kissed anyone before. Let alone a boy. Let alone his best friend. But his heart finally says that the time is right, that the person is right. So—gingerly, delicately—he tilts his head and kisses Eliott.

There's no heat, no hunger. Only the slightest sense of trepidation—the way you cradle the one thing you've always wanted, or the way you sip your morning coffee or evening tea. The way you touch glass, diamonds, gold. It's the fear of the smallest destructions. It's a breath, a blink, a whisper, the ones you wouldn't miss for the world. 

They ease ever so slightly deeper into each other, like the way you ease into a hot bath. The way you wade through the shallow end, the shore, before you trust the waves to hold you, to carry you. Everything is familiar, warm. They know each other better than they know themselves. There's no need to explore, to push and pull. It's like crawling into your bed at night and floating into sleep. It's like coming home. It's like breathing. Nothing has ever been easier. Nothing has ever been more beautiful. Nothing has ever felt more right than this moment.

Eliott mutters against Lucas's lips that he tastes like sleep. Lucas doesn't know what he means, but he smiles. He tells Eliott how he tastes like peace. Eliott doesn't know what he means, but he smiles. They keep kissing, every touch accentuated with a smile, with an almost giddy giggle. They keep kissing, letting the undefinable tastes they've discovered become familiar, become clear and plain. They keep kissing, the world around them stopping for a moment to admire the moment every turn, every revolution has led to. Lucas wishes the world could literally stop in its tracks. He wishes he could be trapped in this moment forever, with Eliott's lips on his and his strong yet elegant hands tangled in his hair. He wishes he could be trapped so he'll know he'll never have to recite a hypocrite's prayer another miserable night. But slowly, the world returns to normal, and time inches forward once again.

Lucas's only wish now is that there'll be countless more moments just like this one—moments where everything is  love.

may 29th, 1966

02:01

caen, france

~

Lucas has held Eliott's hand the entire car ride to the hospital, and Eliott is surprised he hasn't snapped the poor boy's bones in half. But Lucas doesn't seem to wince or flinch. He just squeezes a little tighter when Eliott does and smooths his thumb across Eliott's knuckles. During a particularly dark part of the drive, Lucas kisses his knuckles, one by one. Eliott feels him whisper against the thin, white skin there, feels his lips and his breath. He doesn't know what Lucas said, but the warmth, the care is comforting through it all.

Honey, I need you to get Madeleine to take you to the hospital as soon as she can, okay?  his mother's voice reminds him shakily, sending a chill down his spine.  Papa... He's getting worse.

Eliott closes his eyes, resting his head on Lucas's shoulder. He lets the soft fabric of Lucas's shirt and his sweet, familiar scent drown out every fear creeping across his mind for a moment. He feels Lucas kiss the top of his head, and he says something else, something he can hear this time.

"Everything will be okay," he whispers, his voice quiet and kind. "And I'm here,  mon amour . Always."

Eliott nods, feeling a tear roll down his cheek. He bites his lip, fights to keep more tears from falling. His father will be okay. He has to be. He always has been. It's worse this time, but that doesn't mean he won't get better. He  has to get better. 

But he knows that's not what Lucas means. Everything will be okay when the wounds start to heal, not when his father make a miraculous recovery and they'll get to go home a happy family once again. Everything will be okay when the grief subsides and Eliott learns to smile again, not when his father can breathe a litte easier once again. Everything will be okay after his father can finally rest, not after he survives tonight only to get sick again by the end of the year.  That's  what Lucas means, and  that's what's bringing the tears to Eliott's eyes. 

Suddenly, the car is drifting to a stop.

"Eliott," Lucas says, shaking him gently. "We're here."

Eliott opens his eyes, and he sees the hospital he's visited a thousand times. But like everything else, it's different this time. His father could be dying in there right now, or dead already. He shakes his head, all the tears he's been holding back suddenly spilling over. 

"Eliott?" Lucas says again, his voice brimming with concern. 

"I can't, Lucas," Eliott sobs. "I can't go in there."

Lucas squeezes Eliott's hand tighter, but he doesn't say a word. He sighs, and Eliott doesn't think he could ever forget the way his breath is shaking. 

"I'll go get Noémie," Madame Lallemant says, unbuckling and opening her door. "Stay with him, Lucas." 

As Madame Lallemant walks away, Lucas sighs. Eliott can  feel the pity in his eyes as he studies him. But then he feels Lucas's hand lifting his chin. Their foreheads and noses rest against each other. Eliott is shaking, and he thinks Lucas is, too.

"Eliott, I know this is hard," Lucas begins, stumbling over his words. "But he needs to see you. And you need to see him. And your maman needs you right now, too."

"But what if he's already dead, Lucas?" Eliott chokes out. "What if I walk in there right now and I see Maman crying because he's gone and I was too late? What if I never had the chance to say goodbye? Or what if he is alive right now and I have to watch him die? What if I have to watch  my papa  die? What if he's awake when it happens and he has to feel it happening to him? What if he dies with his eyes open? What if I look at him and I have to see those eyes? What if Maman and I fall asleep and he doesn't, and then we wake up and he's gone? Or what if we all fall asleep and when we wake up he can't? What if I wake up and he's dead and I have to wake Maman up and tell her? What if I wake up to Maman telling me that he's gone?" He trails off, his whole body trembling with the force of his sobs. "Every possible scenario  terrifies me , Lucas. How am I supposed to walk in there knowing that any of them could happen, but that it won't matter because no matter what he's going to die? How are we supposed to live without him? Without Papa?" 

Lucas doesn't respond. Eliott hears him sniffing like he's crying. "I don't know," he finally replies. "But remember what I said? That I'm here. Always. We can just stay together right?"

"They won't let you in his room," Eliott shakes his head. "You and your maman will probably just be in the hallway. You can't be there when I need you most." 

"Maybe…" Lucas stammers. "Maybe they can make an exception. Right?"

Eliott shakes his head again. "That's not how it works, Lucas." 

"Then how can I be there like I promised?" Lucas asks, his voice raised and desperate. "How can I leave you alone like this?" 

"You can be there as much as you can," Eliott replies, still trying to speak through his sobs, his hiccups. "You can hold my hand."

"People will see, Eliott," Lucas mumbles. "They'll know. And so will our parents." 

"I don't care," Eliott croaks. "I don't care if they see or if they know. I want you here. I  need you here." 

Lucas pulls away ever so slightly, his gaze shifting to somewhere off in the distance. Softly, he agrees, "I know." 

"Don't let me go, Lucas," Eliott pleads, gently turning Lucas's head back to him. "Please. Not until you need to." 

Lucas pulls Eliott's hand down and kisses from his wrist up to his palm, his lips and cheeks wet against Eliott's skin with tears. "I won't," he whispers. "I love you, Eliott."

"I love you, too," Eliott returns, letting himself smile. 

"Can I kiss you?" Lucas asks carefully, quietly. 

Eliott answers by pulling Lucas closer, their lips slowly finding each other. The kiss is brief, soft, bitter like salt. It's a wave crashing on the shore, both of them breaking together. 

Eliott pulls away. His lips part but no sob comes out. It's a sigh, but not quite of relief. "I'm ready," he says, nodding. "Just don't let go of my hand." 

"I won't," Lucas shakes his head. "I promise." 

Lucas leads Eliott out of the car, not letting go of his hand like he promised. And when his hand shakes, or when a stray sob makes him tremble, Lucas squeezes a little tighter and maintains the gentle, reassuring pressure. Eliott feels  anchored , supported and carried as they make their way to the hospital entrance, step by step. He needs to hold onto it as long as he can. He needs to memorize every muscle, every curve of Lucas's hand. He can still have him, even when he's not there.

Eliott pauses as they reach the door, halting Lucas in his tracks. Lucas glances at him, concerned yet patient. "I'm here, Eliott," he says, squeezing Eliott's hand a little tighter. "It's okay."

Eliott nods, taking a deep breath. He keeps walking, and Lucas lets him lead. 

Madame Lallemant and Eliott's mother enter the lobby as Eliott and Lucas do, and a flood of emotions fills Eliott's chest. His mother still has tears running down her cheeks, her eyes bloodshot and her face swollen. She grins when she sees him, but her body is overtaken with sobs. She runs up to him, and he lets go of Lucas's hand and envelops her in a hug. He starts crying again, too, burying his face in his mother's shoulder. They hold each other for a few minutes, relief and fear pulling them closer together. 

"How is he?" Eliott asks as he pulls away, the smallest hope that a miracle has happened burning in his chest.

"He's only getting worse, honey," his mother replies, sniffling. "But he's here right now. And he's been asking for you."

Eliott nods, taking a deep breath. "I'll be right there, Maman, I just... I need a minute."

"Okay," she sighs, brushing the hair out of his face. "We'll be in his room."

Madame Lallemant gives Eliott's mother a brief hug, then leads her down the hallway. Eliott watches as they shrink, as they turn and enter what must be his father's room. He takes another deep breath, trying to compose himself. His father can't see him like this. He doesn't want his last memories of him to be the image of his son heartbroken and weeping. He tries to smile, but his lips are wobbling too much to stay steady and genuine. He feels something brushing against his hand, something familiar. He sighs in relief, latching onto Lucas's hand.

"Thank you," he chokes out, turning to face him. "I'm sorry I let go."

"It was your maman, Eliott," Lucas reassures, shaking his head. He takes Eliott's other hand, their fingers interlocking. "And you weren't the one who promised not to let go. I was."

Eliott nods, his thumb absentmindedly tracing the curves of the back of Lucas's hand. "I know."

"I'll hold your hand as we walk down the hallway," Lucas says. "When you're ready. Okay?"

"Okay," Eliott agrees. "Not just yet, though."

Lucas nods, giving him a sweet, patient smile. It falls, though, and Lucas's eyes turn down to the floor. He leans in, their foreheads touching. He's warm, but he's trembling. Eliott rubs his nose against Lucas's lightly, and he sees a ghost of a smile return to his lips. This smile doesn't last long either.

"How are you?" Eliott asks quietly, trying to ignore the pang of guilt that reminds him he should've asked before.

"He's been like a papa to me," Lucas answers, tearful. "He's been a better father than my own papa has, by leaps and bounds. I don't want him to die either, Eliott. And I can't stand seeing you like this either, but... But he's  your  papa, Eliott. Not mine.  Your grief comes first. Not mine."

"You can be sad, too, Lucas," Eliott replies, squeezing Lucas's hands reassuringly. "It's okay."

Lucas nods, a few sobs ripping from his throat. "I'm sorry," he chokes out, letting go of his hands and pulling him into a hug. "I'm so sorry. This isn't fair. You deserve so much better than all this."

Eliott cries with him, their bodies trembling against each other. Eliott kisses the top of Lucas's head, smoothes his hand over his back. He feels Lucas clinging onto his shirt, the fabric bunching up in his hands. Eliott shakes his head then, replying, "Everything will be okay. Like you said. Right?"

"Yeah," he breathes slowly, sniffling. He kisses Eliott's shoulder, right near the dip of his collarbone. He repeats, "Everything will be okay."

They hold each other a moment longer, their tears drying and their breathing evening out. Eliott weaves his hand into Lucas's hair, gently pressing against his skull, hoping it would bring him just a mite of comfort. "I'm ready when you are," he whispers in his ear.

Lucas takes a deep breath. "Okay. I'm ready."

Their hands find each other again before they fully break the hug. They both squeeze, both cling and cherish. They begin their walk down the hallway, their strides matching and the echoes of their footsteps striking the floor harmonizing. With every step, they squeeze a little tighter, breathing becoming a little harder. They see Madame Lallemant standing outside the door, and they watch her get closer, her image becoming clearer. She must've heard them coming. She turns, smiling sadly when she sees them. Her eyes briefly flick down to their clasped hands, but she looks back up at them almost as quickly. 

"He's been asking for you," she tells Eliott quietly.

Eliott nods, his heart sinking as he realizes that this is the moment Lucas will need to let go. He feels Lucas place his other hand on top of Eliott's, caging it in a warm, soft embrace. Lucas gives one last squeeze, then slowly lets go—palm by palm, knuckle by knuckle. There's the slightest moment where their fingertips barely latch onto each other, but the contact is broken both too slowly and too quickly. Eliott's hand feels so much  colder , alone. He curls his fingers into a fist and relaxes slowly, letting the blood flow and the joints loosen. He looks over at Lucas, and he has that same sweet, patient smile on his face. A tear rolls down his cheek, but he quickly wipes it away.

"Thank you , Lucas," Eliott says, his voice clear but quiet.

"You're welcome," Lucas replies, his smile widening. 

Eliott smiles back as much as he can. He takes the deepest breath he can, turning his head forward and walking into his father's room.

He stops just past the door, his heart nearly stopping at the sight. 

His father is paler than he's ever seen him, paler than flour or milk. He's covered in sweat, his hair glued down to his scalp. His lips are blue, almost tinged with purple. His nails are blue, too, and even from where he's standing Eliott can tell that his hands are shaking. His chest trembles uncontrollably as it rises and falls, and his breathing is so shallow and hoarse it doesn't even sound human. His eyes are closed, but they open as Eliott enters. The color is muted, and they're bloodshot, and glazed with an almost milky, shiny film. His father smiles feebly when he sees him, lifting his hand and reaching for him.

"Ellie," he rasps, sitting up and then almost immediately falling into an intense coughing fit. The ventilator mask fogs up, almost hiding his father's lips. His mother quickly stands up, placing a hand on his shoulder and wiping his brow with a cloth. She tries to soothe him, but her voice is thin and choppy. She looks over her shoulder at Eliott, biting her lip to keep it from trembling. 

Eliott is frozen, his blood running cold and everything inside of him telling him to run away. He's never seen his father like this. He thought he'd seen him on the verge of death before, but all those times are nothing compared to what he's seeing now. If he weren't moving and talking, he would look like the corpse he's apparently become. Eliott does everything he can to fight back his tears, fight against his fear. He slowly makes his way to the other side of his father's bed, taking his hand. It's freezing, clammy. Eliott flinches, praying that his father won't notice. He takes a deep breath, gathering his strength as he sits down. 

"You're here," his father says, quieter this time. His smile is still weak.

"I'm here, Papa," Eliott replies, forcing a smile. "I'm here now."

"My boy..." he sighs, becoming tearful. "My little Ellie."

Eliott feels a tear roll down his cheek, but he keeps his smile on his face. "I'm here," he chokes out, squeezing his father's hand.

His father looks over at his mother then. "My darling Noémie."

His mother doesn't respond. She kisses his knuckles, the back of his hand. She opens it and holds it to her face. His father weakly, gently wipes away her tears. 

"I love you both," his father mumbles, glancing between them. "So much."

"I love you, too, Papa," Eliott replies, his voice thick with tears. 

"I love you, too, Eduard," his mother smiles.

"I miss you," his father continues, tears rolling down his cheeks. "Miss you already."

Eliott can't keep smiling anymore. He lets his sobs wash over him, lets them push him until he bends, burying his face in his father's bedsheets. He clings to his father's hand like a lifeline. But soon, this hand will never ruffle Eliott's hair again or pat him on his back or his shoulder. This hand will never cradle his mother's face again or help her with the clasp on her necklace or the buttons on her dress. Soon, this hand will grow even colder, and never hold anything again. This hand will soon forever lay on his father's chest, guarding his still, dead heart. This hand will soon wither until it's nothing but old, sick bones. Now is the last time Eliott will ever hold his father's hand while there was still blood running through it, while there was still a living brain to tell it to move and hold and love. Now is the last time Eliott will hold the hand that shaped him, that taught him that kindness and bravery are the same thing, that reminded him that life is the most precious gift that we receive. How can Eliott live without this hand? He holds it in both of his hands, holds it tighter, kisses every inch of it. He bathes it with his tears, washes it with the words he'll never get to say to him. Perhaps his father's bones will remember. Perhaps the memory will echo throughout the earth. Perhaps it'll reach his father somehow. Perhaps it'll reach up to heaven.

"You're a brave, strong boy, Eliott," his father says softly. "Know that you'll learn to miss me and smile at the same time."

Eliott lifts his head and looks up. His father is smiling, wider and a little stronger. He feels his mother place her hand on top of his. She smiles at him, too, ever kind and loving. Eliott smiles back, weakly but genuinely. "Thank you, Papa. Thank you, Maman. Thank you."

The night wears on, time passing gently by as they live in memory, their tongues spilling with echoes of laughter and singing. There's a haze in the room—a pleasant one. One perfumed with love and understanding and joy, stained with flushed faces and swelling hearts. They smile. They cry tears of mirth and joy. They don't let go of each other. They abandon the world outside and only focus on what matters in this moment: their happy family. Eduard, Noémie, and Eliott. Husband, wife, and child. Kindness, empathy, and joy. What more could they ever need? If you had asked Eliott only an hour ago, he would've said more time. But they don't need more time. If this is the time God has given them, why waste it then ask for more? If this is the time God has given them, He knows that it's all they need. He knows that this time that He's made is beautiful, perfect, sacred. God had given them sorrow and grief moments before, but He made way for joy and healing, too. They don't know what will happen once Eliott's father breathes his last breath, but that's time God has set for them in the future. God will protect Eduard Demaury. When it's time, He will take his hand and guide him home. Perhaps He will leave a blessing for Noémie and Eliott, one of comfort and peace. God is kind. God is loving. God will not abandon them. And that's why they have such  joy .

As God prepares to take another one of His children in His arms, the Demaury family falls asleep together for the last time.

may 29th, 1966

06:43

caen, france

~

Outside Lucas's window, the waves hiss against the shore and retreat quickly back into the sea. They slide against each other, the sand clinging onto the water and the water squirming away, foaming in agony The wind is quiet today, suddenly aware of something else that has appeared in the air—a discordant note from a piano, or maybe a misstroke on a typewriter. The moon has faded from the sky for a moment, but the sun is having his turn. He seems to rise a little slower, as if he's afraid of bring this day to pass. He seems to be burning a little hotter, too, as if he were angry or in grief. He roars, rumbles, "This is the storm, this is the war, this is the burning heat. Brave through, my warriors. To be brave is to be lifeless, to be feeble. All I ask is that you remember, still, to be cruel all the while."

Inside Lucas's room, the only light is the rising sun filtering through his window. Its rays shine on clean, pristine pages filled with Eliott's drawings that he studies longingly, his heart heavy in his chest. He hated leaving him there at the hospital, but he thought his sketchbooks would make him feel better. Besides, his mother wanted to leave and get breakfast made and bring it back to the hospital. He left a note for him, too, so Eliott will know where he is and that they'll be back by seven, just in case. He just hopes nothing will happen until they get back. He doesn't want Eliott to be alone when it happens. He wants to be there to hold him, like Eliott did when Lucas's father left that one night. He hopes now, too, that he'll finally have the right words to say to him. Not like last night, not like when he visited Eliott when he couldn't leave his bed for two weeks. He has to be a good friend, a good boyfriend. Eliott needs him. 

Outside, a tap on his window startles him from his thoughts.   Eliott  , he thinks. Monsieur Demaury.

He rushes over and opens his window, a summer breeze sweeping over them. Eliott is standing there, his eyes bleary with tears, his cheeks rosy from the heat, his hand hovered by his mouth with his nails between his teeth. He's trying to stay quiet, hold back the sobs. He's shivering. 

Lucas helps Eliott through the window, making sure he lands softly onto the carpet. He takes Eliott's face in his hands, the question he already knows the answer to getting caught on his tongue. But once Lucas's skin meets Eliott's, all his sobs escape. He throws his arms around Lucas. With a trembling breath, with a hiccup, he confirms the answer Lucas had in his mind: "He's dead, Lucas."

Still, Lucas's heart drops to his feet. He holds Eliott as tightly as he can. He feels his tears soaking through his shirt, feels his body trembling with the force of his sobs. He feels tears of his own wet his cheeks. He doesn't say a word. He lets Eliott cry. He waits for Eliott, patiently, gently.

Once Eliott starts to calm down, Lucas slowly guides him to his bed, laying him down gently. He lies down next to him, pulling him close. Words start to spill out of Eliott's mouth before Lucas could find his own words, the right ones.

"I woke up when I heard something clatter," Eliott starts, his voice thin. "I look up, and I see a nurse staring at Papa. She dropped the clipboard with his chart on it. Then she started yelling for the doctor, asking for a crash cart. And then I looked at him and... His eyes were open, Lucas. There was no color in them. He was looking out the window. He was awake when it happened. He felt all of it. And I was so  afraid  of that, Lucas. We all fell asleep. I thought maybe he would die in his sleep but he didn't. He was awake. I think I screamed when I saw him. And I woke Maman up and I think she screamed, too. The nurse took our hands and led us out of the room as a bunch of people ran into the room. They shut the door behind them, but I could hear them yelling at each other. Then it got quiet. Then the door opened and the doctor told us that they did everything they could but he was dead. He said we could see him, so he took us inside—"

Eliott starts to crumble again, more rivers of tears streaming down his face. "I didn't recognize him. His skin was almost gray. And his lips were so blue. And his eyes were closed. And he was dead."

Lucas holds him tighter, his chest getting sore from holding back his tears. 

"Papa's gone, Lucas," Eliott weeps, clinging to Lucas's shirt. "And he's not coming back. He's dead. After all those times he got sick and he got better he finally got too sick. The doctors finally couldn't save him. There were so many times where I thought he would die but then he didn't and I remember how   happy  I would be. But he's dead. He's really dead this time. We'll have to tell everyone that he's dead and have a funeral and sing his favorite hymns and I'll have to look at him lying in his coffin and then we'll have to bury him by pouring handfuls of dirt over him and say goodbye for what might be forever and—"

"Eliott," Lucas begs, his voice breaking. "It's okay. I'm here, like I promised."

Lucas feels completely helpless as he holds Eliott tighter, his words failing him once again and grief filling his chest. So, he promises him that everything will be okay. No matter how far time stretches away from him, no matter how many tears he sheds, no matter how much it feels like his world is crashing around his ears. He promises him that he's not alone. And a small part of Lucas hopes he isn't lying to him through his teeth.

june 4th, 1966

12:02

caen, france

~

Eliott's hand shakes, the smallest mites of dirt slipping through his fingers. He doesn't want to open his hand and let it all fall onto his father's coffin, reducing him to the dust that he came from. He doesn't want the dirt to keep piling up until his father is completely buried, never to be seen again in this life, on this earth. When he lets go of the dirt in his hand, he'll be letting go of his father. He's not ready to. But the minister is reciting the prayer much more quickly than Eliott hoped he would, the fateful words making their way to the tip of his tongue. So, he takes a deep breath and closes his eyes, hoping it separates him enough from his body that his mind will take over.

"We commend to Almighty God our brother Eduard Demaury, and we commit his body to its resting place: earth to earth, ashes to ashes, dust to dust..."

Eliott opens his eyes, and he sees his hand open and empty, remnants of dust staining the palm of his hand. He sees the small handfuls spread across his father's coffin, the beginning of the end.

"The Lord bless him and keep him, the Lord make His face to shine upon him and be gracious to him, the Lord lift up His countenance upon him and give him peace."

There's a chorus of "amen"s, but Eliott's voice doesn't join it. They recite the Lord's Prayer, but Eliott keeps his silence. He only raises his voice to heaven as the congregation is invited to, as the minister prays over the people. But his voice is weak, broken. His words are nonsensical, desperate rambles. But they drown out the words of the prayers, another countless chorus of "amen"s. It keeps his head bowed, keeps his eyes downward so he doesn't have to see everyone looking at him with such pity. It keeps his eyes away from his mother. He thinks he could die if he looks into her wet eyes for more than a few seconds. He never thought he would see his mother in such pain. So, he keeps his head bowed, says his pointless, powerless prayer. 

He doesn't sing "Lead, Kindly Light." All he can hear is his father singing this hymn in masses and around the house. He can hear his father's voice getting weaker, thinner as the years burn on in his memory. Now, he can't hear his father's voice singing his favorite hymn, and he doesn't know if he can sing it ever again without his father's voice supporting him. His mother doesn't sing, either, too consumed with her tears. He can hear Lucas's voice somewhere behind him, its warm timbre guiding Eliott along every word, every lilt of every note. The hymn seems to drag on. Somewhere, in the back of Eliott's mind, he hopes that the more than familiar melody is realizing that this is the first time his father won't sing it. He hopes that it's mourning, too; weeping and groaning as it tries to accept that it will never be the same again, that it's already changing at the hands of someone else, the hands they can't control. 

Then, all at once, the song ends, and silence crashes over the cemetery and the congregation. Eliott hasn't cried a single tear today, but the deafening ��boom of it leaves him with a lump in his throat and an urge to bite down on the inside of his cheek. He knows that this is the first of many silences. This is the silence after the burial. There will be a silence after every birthday and every anniversary, a silence every time someone mentions his father's name, a silence every time Eliott tells someone he's just met that his father is dead. There will forever be a silence where his father once stood, silence where he once would've spoken and laughed. The weight of his father's absence, the weight of his father's coffin is something he could never forget. But there'll be people wanting to bear a bit of the weight themselves, and there'll be people that will try to fill all those silences. People sharing their own stories of losing their father, or rambling about how they could never even imagine what Eliott went through. People apologizing a thousand times for his loss. People offering him advice and telling him that they're for him if they need him. These silences will be filled with a million good intentions, and that's why Eliott knows that he can't bear hearing it.

This first silence fills quickly. The congregation says their last goodbyes to him and his mother, and most of their words don't quite reach his ears. His mother hugs most of them, so she doesn't cling to him as much as she has the whole funeral. He thinks that's why he hasn't cried yet. He's a rock right now, his mother's rock. But the weight of his mother is becoming too much for him to carry. He loves her with all of his heart, but that doesn't make him strong enough to show it. He loved his father with all his heart, but it wasn't strong enough to save him. So, he stands to the side, nodding vaguely at muddled voices, weakly shaking blurred hands. 

His friends talk to him, too. Manon, Daphné, Alexia, Emma, and Imane all give him a tight, warm hug and give him sweet, genuine smiles. He believes them when they tell him he'll be okay. Basile hugs him so tightly he can't breathe, but he can hear Basile sniffling and see him try and hold back his tears. It's comforting. Arthur and Yann both linger a moment, asking him if he needed anything. He doesn't know how to answer, so he shrugs but thanks them for coming. They both pull him in for a tight hug. Sofiane and Idriss hold him for a while, too, whispering everything he needs to hear in his ear.

The last person he sees is Lucas, after everyone else has already left. He started crying as he played the first hymn during the mass, and Eliott can tell he hasn't really stopped since. He's trapping and squeezing his hand again, only this time he seems close to crushing it and shattering the bones. Eliott steps toward him, carefully placing his hands over Lucas's. He gently breaks them apart, taking them in his own. Lucas's hands are cold, shaking. Eliott wants to steady them, but he can only imagine how cold his own hands are, how much they're trembling. Thunder rumbles above them, the clouds darkening and shards of lightning bursting out of them. Their eyes meet. There are a thousand things hidden in Lucas's eyes—memories they share of Eliott's father, memories of the father he got but didn't deserve, memories of losing both of them so suddenly and when he was so young. And through all of that, what shines through in his eyes is pain, grief, and  understanding . 

The clouds break open, and so does Eliott, washing and cleansing the earth with rain and tears. He falls into Lucas's arms, heaving with his sobs. Lucas holds him tightly, carefully helping him to the ground as he crumbles. He gently rocks him, pulling him closer to his chest to shield him from the rain. All Eliott can hear is Lucas's heartbeat, strong and steady. All he can smell is the rain and the sea salt that always seems to linger on Lucas's skin. All he can feel is Lucas's arms around him, his lips on his forehead, his hairline, the top of his head. All his world consists of now is Lucas, and the world outside is a breath away, but Eliott can't quite breathe right now anyway. His eyes, his nose, his mouth, his lungs all seem to be overflowing with tears, suffocating him more than it ever has before. At least he knows that if he drowns he'll rest in the safest place he knows. At least he knows Lucas will never let him go.

july 20th, 1966

06:00

caen, france

~

Lucas wakes from the first full night of sleep he's had in a month to someone kissing him. He startles a bit at first, but he opens his eyes and sees Eliott's face smiling at him the way he used to before his papa died. Lucas can't see Eliott's eyes they're so squinted, but he  missed  those crinkles by his eyes. 

"Good morning,  mon amour  ," Eliott almost sings, rubbing their noses together.

"Morning, darling," Lucas hums, smiling back sleepily. He pulls Eliott close and kisses him,  melts  into him. He must've had tea before he left his house. The fragrant taste of it is staining his lips, his teeth, his tongue. It makes Lucas smile even more, warmth softening the edges that kept him and Eliott from becoming one person again. He could almost fall asleep again right here, with Eliott's fingers in his hair and on his neck, his lips against Eliott's, their heartbeats embracing each other. He almost does, but Eliott kisses him a little deeper, their noses smushing against each other. He chuckles, pulling away slightly. "You're feeling better?" he asks hopefully, breathlessly.

Eliott nods. "Things are going back to normal," he replies, his voice sweet and melodious. "I'm starting to feel like myself again."

Lucas grins, his heart warming and glowing in his chest. "Really?"

"Mm-hmm," Eliott beams, nodding. "What about you?"

Lucas kisses the tip of Eliott's nose, and somehow it makes him smile even wider. "If you're happy, I'm happy."

Eliott kisses him again, soft and sweet and gentle. Lucas missed kissing Eliott so  much  . He knows the time has never been right to kiss him like this again, but he's felt it starting to come again the past week or two. Eliott's been smiling more, talking more. He's started taking more pictures with his camera, reading books again, laughing at jokes on the TV again. He's been eating again. Not much, but more than he has before. Lucas's been waiting for the right moment for everything to return to normal, but he didn't need to try and see if the moment was right, because Eliott beat him to it. Eliott was the one who kissed him first, and Lucas can kiss him back without worrying about crossing a line.

"I have a big day planned for us today," Eliott says after a moment, sitting up.

"Oh, yeah?" Lucas smiles, sitting up, too.

"Well, 'planned' isn't the best word," Eliott admits, chuckling. "But I have some ideas. Like, we could have breakfast at the bakery and lunch at the bistro. Then run around town and go in all the shops and buy a bunch of stuff."

"I don't have any money, love," Lucas laughs, leaning his head on Eliott's shoulder.

"I'll buy you anything you want," Eliott promises, grinning.

"Promise?" Lucas challenges, raising his eyebrows. 

"Promise," Eliott nods, giggling. He pulls Lucas close, and his face fits perfectly into the crook of his neck. He plants small kisses there, breathes in Eliott's smell, his skin. He closes his eyes, laughing along. Eliott pulls Lucas away so their eyes meet, taking his face in his hands. "Anything for my Lu," he grins.

Lucas goes to kiss Eliott one more time, but Eliott backs away, tousling Lucas's hair. "We have a long day ahead of us," he says. "We have to get started as soon as we can."

Lucas rolls his eyes, but he chuckles. "I'll go get ready." He gives Eliott a kiss on the cheek as he gets out of bed, and the blush on Eliott's cheeks makes him blush, too. The warmth, the fuzziness, carries him to the bathroom where he quickly brushes his teeth. His mother isn't awake as far as he knows as he walks back to his room, but he makes sure to remember to tell her where they'll be before they leave. 

When he opens his door he sees Eliott lying in his bed on his stomach. He grins again when he sees Lucas, almost jumping up and bounding over to him. 

"I was gone for a minute," Lucas giggles as Eliott rubs their noses together again. 

"I missed you," Eliott shrugs, kissing him softly. He smiles, small yet content. "I like your toothpaste."

Lucas's brow furrows, but he chuckles fondly. "Thank you?"

"You're welcome?" Eliott replies teasingly, kissing Lucas's forehead. "Let's get you dressed so we can go."

"Okay," Lucas snickers. "Are we in a hurry?"

"The sun is only up for so long,  mon amour  ," Eliott reminds him. "It's rising right now, and I plan on staying under it as long as we can today."

Lucas's brow furrows again. "Okay."

"When the sun sets we can go back to your house, or maybe we can go to mine," Eliott suggests, taking Lucas's hands. "We can fall asleep in each other's arms tonight and wake up in the same place in the morning. Does that sound good?"

Lucas smiles, blush staining his cheeks a much deeper scarlet. "That sounds amazing."

Eliott tilts Lucas's chin and brings their lips together, Lucas melting once again. Eliott pulls away far too quickly, guiding Lucas towards his closet. Lucas pouts to try and distract him again, but Eliott starts looking through his shirts.

"You should wear this one," Eliott says, holding one up to Lucas.

"It's just a red t-shirt, Ellie," Lucas laughs. "I didn't even know you gave this one back to me however long ago."

"Yeah, but you could wear it with those blue shorts," Eliott replies, grabbing the shorts he's talking about. "It's simple, but you look amazing in anything."

Lucas wishes Eliott would stop making him blush. "Okay. I'll wear them." 

He starts changing into the outfit and putting on his shoes, and Eliott's grin once he's finished makes his heart flutter. Lucas kisses him again, unable to resist the urge. "Ready to go, my love?" Lucas asks softly.

Eliott nods excitedly, almost bouncing. 

"Let me tell Maman we're leaving first," Lucas smiles. "Meet me at the front door." 

Eliott kisses him goodbye, walking out of Lucas's room.

Lucas makes his way to his mother's room, carefully opening her door. She's still asleep. He doesn't want to wake her, so he borrows a sheet of paper from a notebook she keeps by her bed.

 Eliott and I are going to be out for the day. We should be back around dinnertime. 

  He scribbles a little heart beside it, leaving it on top of the notebook. He leaves her room as quietly as he can, closing the door behind him. He grins when he sees Eliott waiting patiently yet excitedly by the front door. Eliott opens it for him, bowing politely. "After you,  mon amour  ."

Lucas blushes again as he bows in return and goes out the door. Eliott leaves, too, then puts his arm around Lucas, pulling him a little closer. Lucas rests his head on Eliott's shoulder, kissing the spot where his collarbone is just barely exposed. He wants to get in one last display of affection before they go into town and have to hide again. He can't deny that it hurts that he can only love Eliott in the dark or behind closed doors, but he can't deny that they need to value and protect their safety as well.

"I'll race you down the street," Eliott proposes, snapping Lucas out of his reverie.

"Like when we were kids?" Lucas replies, grinning. 

"Like when we were kids," Eliott echoes, nodding. "Are you up for a race?"

"You're on," Lucas confirms smugly.

"All right. The race starts  now  !" Eliott shouts, bolting down the street. 

Lucas blinks, stumbling to a running start. "That's not fair! Cheater!" he yells with a laugh.

"Like when we were kids!" Eliott calls back over his shoulder. His laughter bounces off the boiling asphalt and fills the air, becoming the wind that shakes the trees and ruffles Lucas's hair. Lucas could listen to him laugh forever.

He gains speed, quickly whizzing past Eliott. Eliott always found a way to give himself the early advantage, but he was never as fast as Lucas. Eliott always made jokes about Lucas being tiny and "more aerodynamic", and they always made Lucas blush but laugh, too.  

He hears his feet striking the asphalt, then hears Eliott's feet just after. Their footsteps have become echoes of each other. They've become something close to music. This morning, the world will wake up to this noise, and Lucas falters as he wonders if people will hear the same sweet music he's hearing. Their footsteps, Eliott's laughter, Lucas's own heartbeat drumming in his ears. There could never be a more beautiful piece of music, right?

Eliott starts to pull ahead again. "Will I finally beat Lucas Lallemant in a race?" he asks teasingly, out of breath.

Lucas shakes his head, smirking. "Not today." He calls on his last bit of stamina and surges ahead, letting his footfalls propel him forward and forward. He can just see the town in the distance, and just ahead of him is the old, weathered sign that they both designated as the finish line years ago. He slows to a jog as he approaches it, leaning against it and smiling smugly. Eliott isn't too far behind him, though, catching up a few seconds later.

"I was much closer that time," Eliott sighs, trying to catch his breath. 

Lucas rolls his eyes. "Sure you were." 

Eliott tries to respond, but he only huffs, slowly sitting himself down on the ground. 

"Do we need a breather?" Lucas laughs, sitting down next to him. 

Eliott nods, then lies down on his back. "Yes, please."

"You've lost your touch," Lucas points out teasingly, fixing the sweaty hair glued to Eliott's forehead. 

"Shut up," Eliott chuckles, sighing. "Oh, what are we going to do when we get old?"

"Will we be racing down this street when we're 80 years old?" Lucas asks, chuckling softly.

"Maybe we will," Eliott shrugs. "Can't you see us growing old together, though?"

Lucas's heart warms as he considers the thought. He nods, his lips spreading into a grin. "I can."

"I don't think we'll be here, though," Eliott says, reaching to cradle Lucas's face. "We'll be living in Giverny. By Monet's gardens. We'll be secretly married. We'll have this cute, little cottage. We paint together all day and hold each other all night. Your hair will be white and it'll make your eyes look even bluer. You'll still be so beautiful and I'll wonder why you ever settled for someone like me. But we'll be happy. We will have spent almost every second of our lives together but we wouldn't have it any other way. Can't you see it, Lucas?"

There are tears in Lucas's eyes as he nods. "But I think you'll still be beautiful, too, my love. How could you ever not be? I mean, look at you!"

Eliott blushes, running his thumb over Lucas's cheekbone. Gently, he pulls Lucas down towards him. Lucas lets himself fall, closing the space between them with a sweet, passionate kiss. He can't stop smiling, and neither can Eliott. Their teeth knock against each other and Eliott accidentally bites Lucas's lip. He tries to apologize but he starts laughing, pulling Lucas close. The gentle tremble shaking Eliott's body as he giggles is comforting as it starts to ripple through Lucas, too. He can taste blood, but it doesn't matter. He's giggling, too, and it's hard to stop. 

"I love you, Lulu," Eliott says through his laughter, almost wheezing.

"I love you, too, Ellie," Lucas returns, his laughter turning into a content sigh. "I love you, too."

july 20th, 1966

14:16

caen, france

~

Lucas misses holding Eliott's hand already, but more and more people are arriving in town, browsing the shops and eating at the restaurants. It's strangely busy for a Wednesday, but the weather today is much milder than it has been for the past couple of weeks. Nevertheless, the large crowd that only seems to keep growing is making Lucas more nervous than he wants to admit. He's not holding hands with Eliott or being affectionate towards him, but he still feels like people are staring at them, drawing conclusions. He knows he's being paranoid, but he can't deny the turning of his stomach or the racing of his heart.

But when he looks over at Eliott, he looks like he doesn't have a care in the world. He's scanning the crowd with a small smile on his face, and he has a bounce in his step that Lucas can't keep up with. Eliott has always been more easygoing than Lucas, but the fact that he doesn't seem worried at all is frankly confusing to Lucas. With all these people around them, who knows who might notice something, and who knows who might get confrontational or even violent? 

"There's a lot of people here, Eliott," Lucas says, trying to give him a hint that he's uncomfortable. "Maybe we should go home."

"No, not yet," Eliott replies, looking over at Lucas. "There's one more shop I want you to see. They have these clothes that would look great on you. I just need to remember where it is."

"You don't know where it is?" Lucas asks, his worry starting to grow.

"I have a vague idea," Eliott reassures him, though the effort falls flat.

"Do you at least remember what it's called?" Lucas tries, starting to fidget. He clasps one hand over the other, squeezing tightly.

"I'll know it when I see it, Lucas," Eliott responds, chuckling. He points ahead of them at a corner. "I'm pretty sure it's just around there. Don't worry, mon amour."

"Don't call me that here," Lucas almost hisses, trying to keep his voice down. "There's too many people."

"It's okay, Lu," Eliott says again, emphasizing every syllable. "Everything's okay."

They turn the corner, and there seems to be significantly fewer people in this part of town. Lucas feels himself relax a little, let out a sigh of relief.

"See?" Eliott smiles. "Everything's okay."

"Everything's okay," Lucas repeats, nodding and managing a smile.

"I can see it!" Eliott grins, starting to jog down the street.

"Eliott, slow down!" Lucas calls after him, laughing.

Eliott stops by a shop halfway down the street, holding the door open. Lucas slows down, quickly trying to catch his breath. He smiles and nods at Eliott then enters the store. His mouth drops open as he sees displays of shirts with outrageous patterns and pants in colors Lucas never thought should be worn on people's bodies. He chuckles, looking back at Eliott over his shoulder. "I would look great in these?" he asks, waving his arm vaguely at the clothes.

"I know it's a little gaudy," Eliott shrugs, smiling almost bashfully. "But there's some things here I think you'll really like. Just give it a chance. It might surprise you."

Lucas sighs, nodding. "Okay. Lead the way, I guess." 

Eliott grins, bounding over to the first rack of clothes he sees. He scans through them, occasionally looking up at Lucas then back down at a piece of clothing. The first thing he pulls out is a navy blue shirt with a red and green paisley pattern that makes Lucas bite his lip to keep from laughing. Eliott notices, though, tilting his head to the side.

"What's wrong with it?" Eliott asks, holding it up to Lucas's chest. "I think it would look really good on you. It's blue, so it'll make your eyes look even prettier."

"I'll have to try it on," Lucas shrugs, chuckling. He feels a blush burning in his cheeks. "We could have a little fashion show in my room when we get back."

Eliott's eyes light up, and his grin spreads even wider on his face. "I love that idea. So, you'll give it a shot?"

"I'll give it a shot," Lucas agrees, nodding. 

Eliott jumps, his eyes sparkling and squinting. Lucas grins, too, his heart warming again. The old Eliott is coming back. He's standing in front of him, smiling so hard Lucas feels his own cheeks hurt. The old Eliott is coming back!

Eliott shows him several shirts and pants and shorts that he would never wear in a million years, but they all make Eliott smile, so Lucas agrees to them. He doesn't know when something else might happen to take his smile away. He wants that smile to stay on Eliott's face as long as it can, and if he can help it stay, he'll do whatever he can to do so. 

"Lucas!" Eliott gasps, pulling two things off the rack. They're two blue and white striped two-piece sets, a button-up shirt and shorts. One looks like Lucas's size and one looks like Eliott's size. "We could match!" he proposes, grinning like an idiot while he waits for Lucas's response.

Lucas, unfortunately, is speechless. He lets out a laugh, shrugging. Dumbly, he replies, "I love it."

"Perfect!" Eliott almost squeals, adding them to the stack of clothes he's carrying in his other arm.

"Hey, Eliott," Lucas says, noticing him struggling with the weight. "We should probably go ahead and check out. I mean, do you even have the money for all this stuff?"

"Of course I do," Eliott replies, adjusting his stack. "I promised I'd buy you anything you wanted. And this is getting pretty heavy."

"Here, I'll take it," Lucas offers, giving Eliott a smile. Eliott smiles back at him, carefully placing the stack in his arms. Lucas stumbles a little, huffing. "Yeah, let's go."

Eliott giggles as he helps Lucas to the register, the clothes clattering loudly on the counter.

"So sorry," Lucas apologizes, breathless. 

"Oh, don't worry," the cashier replies, whose nametag says 'Lucille.' She has short, brown hair and kind eyes, maybe only a year or two older than them. "I end up buying too many clothes here, too, and I work here," she adds with a smile. "So, I completely understand."

As she rings up their items, Lucas looks over and sees Eliott pulling out a large bundle of money from his pocket. His eyes widen as he sees him pull out 10 and 20 franc notes and hand them to Lucille. 

"Here's your change," she smiles, placing notes and coins in his hand. "Thank you so much for shopping with us!"

Eliott waves her a quick goodbye as he takes their bag of clothes. Lucas waves goodbye, too, then rushes to catch back up with Eliott.

"Where'd you get all that money, Eliott?" he asks, trying to keep his voice down.

"Maman," Eliott replies a little too quickly.

"She has that much money lying around?" Lucas questions, his brow furrowing. 

"We have a jar at home," Eliott answers, his words almost stumbling over each other. "We put money it to have just in case something happens. And I promised you I would buy you anything you wanted, so I took some money from it for today."

"Does your maman know?" he presses, hoping he'll get the answer he wants.

"Of course she does," Eliott confirms, shrugging. "I'll put whatever I have leftover back in the jar. Everything's okay. Right?"

Lucas nods, unconvinced. "Right."

"Good," Eliott nods. "Let's get home."

Lucas sighs as an uneasiness he can't ignore settles beneath his skin. Still, he walks beside Eliott. They walk down the same road they raced on this morning and countless times throughout the years. They don't talk very much, but Lucas keeps catching Eliott staring at him. He blushes, like always, but his unease gets worse every time.

"You're beautiful, Lucas," Eliott says at one point, smiling sweetly. "You know that?"

Lucas lets himself smile. "You tell me all the time," he chuckles, shrugging.

"I mean it," Eliott replies, his voice soft but confident. "You... You seemed a little upset so I thought I would tell you."

"I'm not upset," Lucas shakes his head, sighing. "All the money freaked me out I guess."

"You didn't think I stole it, did you?" Eliott asks quietly, his brow furrowed.

"No, no," Lucas answers quickly. "No, but... I wasn't really thinking anything, I... I don't know."

"No, it's okay, Lucas," Eliott dismisses, smiling weakly. "Just know that I didn't rob a bank or anything, okay?"

"I know," Lucas smiles back, nodding. Silence passes, and Lucas's smile widens as he has an idea to make Eliott smile a little wider, too. "Am I the most beautiful person you've ever seen?"

Lucas's plan works. Eliott chuckles, nodding. "Yes, Lucas. You're the most beautiful person I've ever seen."

"More beautiful than Yann?" Lucas teases. "Arthur? Idriss? Sofiane?"

"Yes, Lucas," Eliott laughs. "More beautiful than Yann, Arthur, Idriss, and Sofiane."

"What about the girls?" Lucas presses, Eliott's smile widening even more.

"You're more beautiful than all of them, too," Eliott nods. "You're the man of my dreams."

Lucas feels his cheeks get red hot. "What was that?"

Eliott stops, holding Lucas's face in his hands. "You're the man of my dreams, Lucas Lallemant," he repeats, his voice spilling like honey.

Lucas kisses him as he says his name, his worry beginning to melt away. "You're pretty great, too, Eliott Demaury," Lucas smirks once they pull away.

Eliott rolls his eyes, putting his arm around Lucas. Lucas nuzzles his face into Eliott's neck, breathing him in as they walk down the last stretch of street before their houses. 

"Maman isn't home," Lucas says as he looks up, noticing her car isn't in the driveway. "Maybe she's getting groceries."

"Do you wanna wait until she gets back to try on all your new clothes?" Eliott asks, gently shaking the bag from the store.

"I think so, actually," Lucas nods. "But we can try on our matching outfits if you want." 

"Yes!" Eliott grins, nodding eagerly. He starts running down the driveway, dragging Lucas behind him. Lucas yelps at the yank on his arm, but dissolves into chuckles. 

"Someone's excited," Lucas comments teasingly as they enter through the front door. His words are cut off as he's pushed against the wall and Eliott's lips are suddenly on his. He hears the bag crash onto the floor as he kisses Eliott back, weaving his hands into his hair. He giggles as they break for a moment. "Very excited," he breathes, grinning.

Eliott picks up the bag and Lucas takes his hand, guiding him to his room. He shuts the door behind them just in case, leaning against it and breathing out a content sigh. He looks over at Eliott, who's sitting on his bed, and their eyes meet. Eliott grins, his head tilting ever so slightly. Lucas grins back, walking over to him. He looks in the bag and pulls out their matching outfits, unable to hold back his laugh this time. It's adorable, really, and Lucas never thought he would buy matching outfits with his boyfriend, especially when his boyfriend ends up being his best friend.

Eliott laughs, too, grabbing his outfit from Lucas's hand. "We'll wear this on our wedding day."

Lucas smiles, remembering their conversation from this morning. "Will the wedding be in Giverny, too?"

Eliott nods vigorously. "It'll be at midnight, when the moon is all silvery on the water. It'll just be the two of us. And the officiant, of course."

Lucas sits by Eliott on the bed, starting to blush again. "Who'll officiate?"  he asks, waiting to cling onto every word of Eliott's answer.

"For some reason, in my head, I see the girl at the register," Eliott replies, almost giggling. "Because if she didn't say anything when we bought these, I'm sure she won't mind marrying us. What was her name? Lucy?"

"Lucille, I think," Lucas corrects, then shrugs. "You were close, though."

"Lucille will officiate," Eliott nods, starting to fidget with stray strands of Lucas's hair. "I can see us kissing as husbands until the sun rises and people see us."

"What do they do?" Lucas asks, the thought starting to wipe the smile off of his face. "When they see us?"

"See, they get outrageously jealous because they know they'll never have a love like ours," Eliott answers, a shine Lucas doesn't recognize filling his eyes. "They'll never break into every parallel universe and fill all of them with their love like we do. So, they come at us with pitchforks and torches and chase after us, cursing our names and the love we have and spitting on us until we're soaking wet. But, we get away. We outrun them because we're so much stronger than them. They're sweating buckets and they can't quite catch their breaths, but we're fine. We barely broke a sweat and breathing is easier than it has been before. We look over our shoulders as we keep running, and we smile."

Lucas isn't sure how to respond. If Eliott's words were stumbling over each other before, they're bleeding into each other now. They're a thousand colors mixing until they form a brown, muddy puddle, until they're almost indecipherable as distinct sentences and thoughts. He's never really heard Eliott talk like this before. Like he would explode if he didn't get all his words out. He manages a smile, shrugging dumbly. "What do we do after that?" he asks weakly.

"We keep running," Eliott replies, as if it were obvious. "What if all those people start chasing us again? Are we supposed to wait there like sitting ducks, only running again when they're right on our tails? No. We keep running. We're holding each other's hands like we always do, and we push each other forward. If we run faster, we could move the whole earth until it's night again and we can hide like we did on our wedding night. We can't hide in the dark forever, but we have each other, and we'll have each other forever, and that's enough. That's more than enough. In fact, as we keep running every morning, and as we keep hiding every night, we don't need water and food to survive anymore. We just need each other. That's all we need to survive. That's all we need to keep our hearts beating. And we run faster and faster until every grain of soil in the world has kissed our feet, until we've traveled the whole world. Before we know it, the whole world is whispering about Lucas and Eliott. They call us something cheesy and cliched like the Fleet-footed Lovers or something, but we don't mind. They talk about how they want a love as powerful as ours. They go around looking for their other Fleet-footed Lover. People propose using those words. 'Will you be my Fleet-footed Lover?' The whole world will know about us, Lucas. And they won't care that we're two boys in love. We'll make all of them realize that the love between two boys is even more powerful than a love between a boy and a girl. We'll change the world, mon amour. We'll build a new one with our feet, with our clasped hands, and as people have babies and raise them, they'll tell them about the Creators. They'll talk about us. Lucas and Eliott. The Fleet-footed Lovers. We'll create a whole new world, and it'll ripple through all of our parallel universes. We will do this. We will."

Lucas almost doesn't recognize Eliott. Everything about him is wide. His grin, his too bright eyes, his hair pointing frantically in every direction. He's a hole, opening up and looking to swallow up whatever gets too close to him. He's gaping, yawning, his chest a cavern Lucas feels too anxious to traverse alone. His words, his illusions of grandeur were enough to send all the dissipated worry back into the pit of Lucas's stomach, but this face, this body in front of him makes it sink even further, nearly reaching his toes. Lucas feels his mouth go dry, feels his throat close up. 

"Wh-what about our cottage?" he chokes out, taking Eliott's hand in his. "What about painting all day and holding each other all night? Can we not do that anymore? Are we too busy becoming these epic, legendary lovers?"

"No, we'll still do all those things, mon amour," Eliott smiles reassuringly, using his free hand to cradle Lucas's face. "Once we change the world. Once it's ours. We'll have our cottage. We'll have all our paintings and art supplies. We'll have our bed. We'll still only need each other to survive. In fact, we'll live. Live unlike anyone else has before. We'll be the first of many things, the fathers of many things. I know we will."

Lucas musters a smile, leaning into Eliott's touch and closing his eyes. He remembers all the time he used Eliott's touch to ground himself, only to realize now that he's trying to use his own touch to ground Eliott. He places his other hand on top of Eliott's, running his thumb over the back of his hand. He hears something inside him say, wherever you are, come back to me. His chest tightens at the idea of thinking such a thing, and the idea that right now the answer to his prayer is all he wants.

"Hey," Eliott says softly, Lucas opening his eyes slowly. "Maybe we can start by trying these outfits on?" 

Lucas nods, barely widening his smile. He waits for Eliott to climb out of bed before doing the same. He watches him carefully, as much as he hates to admit it, noticing how all his muscles seem to be wrapped around a spring, how his feet seem to just know that they can fly so they try to help him take off. He noticed all these things before, but not in the way he does now. Maybe that should've been some sort of warning sign, a red flag. He takes a deep breath and gets off his bed, starting to take off his clothes. He notices Eliott is stripped down to his boxers and has his back turned, so he takes a step toward him.

"No, Lu, you can't look at me yet," Eliott says just over his shoulder. "Turn around and let me know when you're changed, okay?"

Lucas obeys, facing his window. "Okay." He takes off his shirt and shorts, trying to get changed as quickly as he can. He tries to watch the waves, though they're fairly distant from his window. They're calm, breathing slowly against the shore. He tries to match his breathing to theirs as he works up the courage to tell Eliott to turn around. In, out. In, out.

"Turn around," he manages to say, turning around himself. 

Eliott's eyes light up even more as he laughs delightedly. "You look amazing, mon amour!" he grins, his eyes scanning his body. The outfit suits Eliott really well, too, but it doesn't make Lucas smile like it probably would have under different circumstances. Eliott takes a step forward and pulls Lucas close, kissing him.

Lucas tries not to seem hesitant as he kisses him back, muttering against his lips, "You look amazing, too, my love."

"Not as amazing as you," Eliott counters, deepening the kiss. Lucas stumbles a bit, but Eliott helps him regain his balance. Lucas opens his eyes, noticing that Eliott is looking out his window. "We should go swimming," Eliott smiles, looking over at Lucas. "The sun isn't going down anytime soon. We have time."

Lucas bites his lip, his worry turning his stomach. He doesn't think it's a good idea, though he can't explain why. He tries to think of some sort of excuse, hopefully one that will convince Eliott to stay here in his room. He shrugs, fidgets with the collar of Eliott's shirt. "I don't know," he starts, trying to make his lie as smooth and believable as possible. "It's been a long day, I'm pretty tired. I don't feel like swimming."

"Come on, Lucas," Eliott encourages, taking his face in his hands. "It's beautiful outside, and the sea is calm. It's a perfect day for swimming!"

"I don't know, Ellie," he replies, dumbly. "We can swim another day, can't we? We could go tomorrow. I'd rather stay here with you and kiss you and let you hold me."

"We'll do all that later, Lucas," Eliott shakes his head. "Remember what we agreed to? We'll relax when the sun goes down."

Lucas nods, but doesn't know how to respond. Eliott tilts his head so he's looking up at him.

"Would it make you feel better if I said we'll only stay out there for a few minutes?" Eliott asks, moving his hand to caress Lucas's cheek. "How about thirty minutes?"

Lucas sighs deeply, unconvinced but knowing that Eliott is persistent right now. He nods reluctantly, forcing a smile. "Okay."

Eliott grins, kissing Lucas again deeply. "Let's go!" he says once he pulls away. He takes Lucas's hand and leads him out of his room, out of his house, and down towards the beach. Occasionally, Eliott will look at Lucas over his shoulder, and every time Lucas loses another piece of recognition. Every time, it gets a little harder for Lucas to fake his smile. Every time, he feels a little more strongly that he needs to let go of Eliott's hand. Every time, his worry and his dread tighten his stomach and his chest, send bits of ice into his bloodstream. Every time, Lucas finds himself more and more lost in some strange cosmos. 

As they reach the shore, Eliott sweeps Lucas off his feet, carrying him into the water as if he were his bride. Lucas starts panicking, but before he can find words to say, Eliott throws him in the water. He resurfaces quickly, spitting out water and trying to catch his breath. He hears Eliott laughing, and when his eyes clear, he sees him doubled over. A strange sense of betrayal fills him, a despondence. The waves gently lap against him trying to push him towards Eliott, but he feels frozen. 

"Ça va, mon amour?" Eliott asks, his voice rising above the lull of the waves. 

"Ça va?" Lucas replies, confusing Eliott.

"What do you mean?" he asks, tilting his head. 

"Ça va?" Lucas repeats, taking a careful step towards Eliott. 

"Ça va," Eliott answers, nodding. He chuckles, shrugging. "Why wouldn't I be well when I'm with you?"

"You're not yourself, my love," Lucas says quietly, afraid of Eliott's reply but unable to hold back his tongue. 

"Of course I'm myself," Eliott shakes his head, scoffing. "Who else could I be?"

"I don't know," Lucas admits, shrugging helplessly. "You're different."

"Are you still upset about the money?" Eliott asks, his brow furrowed. "I told you, I—"

"It's not the money, Eliott," Lucas sighs, shaking his head. "Did you hear yourself in my room just now? Rambling about how we'll change the entire fabric of our world as we know it?

"We will, don't you think?" Eliott replies, taking Lucas's hands.

"By running until our feet bleed?" Lucas asks, his voice rising. "The world isn't ready to see us yet, and I'm not ready to run yet, either. Maybe at some point I will, but not now, my love."

"I never said we had to run now," Eliott shrugs, laughing. "I never said we had to get married in Giverny tomorrow. I never said you needed to rush and do something you're not ready for."

Lucas sighs, closing his eyes. He feels Eliott envelop him in his arms, feels his warm lips against his forehead. It doesn't ease his mind, nor his stomach or his chest. It doesn't do anything. 

"I want to go home," Lucas whispers, suddenly on the verge of tears. "I want you to hold me like this in my bed."

"Okay," Eliott whispers back. "Before we go, can I kiss you?"

Lucas nods weakly, letting Eliott gently push him away while he waits for their lips to meet each other once again. Eliott kisses him, slowly and softly, just the way he needs it. It eases everything—just a little, but enough. 

"I'll take you home now,   mon amour," Eliott whispers, smiling against Lucas's lips.

"Merci," Lucas breathes, kissing Eliott quickly.

He feels Eliott take his hand and gently guide him forward. He keeps his eyes closed, tries to focus on the memory of Eliott's lips on his.

From behind him, he hears a wave, large and roaring. He opens his eyes then, looking over his shoulder. It's approaching them rapidly, growing taller and taller until it starts to tower over them. Lucas's heart nearly stops, and his feet are planted to the sand below. He feels Eliott's hand slip away from his, hears him stumble and ripple the water. Before Lucas can start running, the wave crashes over him, pulling him in all directions until he's too disoriented to swim back up. He sees wave after wave crash just above him, all of them merciless and pushing him further and further down.

Once, just once, there's a gap between the waves, and Lucas breaks through, finally breathing air. With the one gulp he gets, he cries Eliott's name.

Another wave crashes over him, and another, and another, forcing him down and under and down and under.

Lucas drowns.

july 20th, 1966

16:22

caen, france

~

Eliott stumbles forward, tripping on the muddy sand beneath him. He hears a wave crash behind him, and he feels it spray lightly against his back. He isn't holding Lucas's hand anymore. He whirls around, but Lucas is nowhere to be seen. 

"Lucas!" he calls, panic edging into his voice. He scans the water, waiting for him to stand back up and return to the shore. But he doesn't.

"Eliott!"  

Lucas's voice is strangled, desperate, a bloodcurdling cry. His hand is just visible as it reaches up into the air. His voice and his hand are drowned out by the sound of the waves; the crashing, the frothing.  Lucas is drowned out by the waves, burying him and pushing him deeper and deeper into the water.

Eliott's heartbeat lurches to a stop as he stands there, helpless, waiting for Lucas to resurface. Wave after wave crashes by, growing and breathing and looming before him. He can't see Lucas anywhere.

"Lucas!"   Eliott cries at the top of his lungs, swimming desperately towards where he last saw him. He beats back against the waves beating against him, his muscles becoming sore and salt filling his mouth and stinging his eyes. He spits out water, blinks it away, pushes past the burn exploding all over his body. One thought fills his mind, his heart.

I need to get to Lucas.

He keeps swimming, looking for Lucas, breaking through every wave that gets in his way.

Lucas's name fills him, becoming louder, stronger than all his aching muscles, his aching lungs. 

I need to get to Lucas.

It feels like an eternity has passed when Eliott spots something in the water—a flash of golden skin, a wet mess of brown hair. Eliott's heart skips a beat, and he's filled with a new strength. He swims as hard and as quickly as he can, finally,  finally reaching Lucas. He tries his best to tread water as he gathers Lucas in his arms. His eyes are closed, but Eliott doesn't have time to try and wake him up. He quickly positions Lucas on his back, trying his best to keep him secure.

He lets the waves push him forward, closer and closer to shore. He focuses on keeping his grip on Lucas, keeping them both afloat. He sighs in relief when he feels his feet touch the ocean floor, trudging through the muddy sand with trembling but desperate and hopeful legs. He keeps walking until the sand becomes dry, until the waves are just noises behind them.

Eliott falls to his knees, the exhaustion finally weighing on him. He repositions Lucas to where he's cradling him in his arms. 

"Lucas? Lucas," Eliott stammers, breathless. "Can you hear me? Open your eyes."

Eliott doesn't think he heard him. His eyes stay closed. Eliott places a hand on Lucas's cheek, but he doesn't lean into his touch. He tries to push his hand gently against Lucas's face, but his head lolls to the other side. He runs his thumb down his cheekbone and along his jaw, and he can feel his cool skin growing colder by the second. Realization socks Eliott in the jaw. Familiarity lingers, spreading to all his limbs and traveling across every synapse in his brain. 

"Lucas," Eliott tries again, unable to hide the fear bleeding into his voice. "Lucas, please. Can you hear me?"

Eliott rests his forehead against Lucas's, rubs their noses together, desperately kisses him. Still no response. Eliott shakes his head, pure panic flooding over him.

"No..." Eliott chokes out, his hand drifting down to Lucas's chest. It's not rising or falling, and despite all his searching, he can't find Lucas's heartbeat. He looks up at Lucas's face again, and he can  see the color draining from it. He looks the same way his father did. Ghostly, almost not real. A shadow, a small flicker of light that's out of focus. "Not you. Not you, too. Not you. Not you. Not you, please."

Tears start running down his cheeks as he lays Lucas down on the sand. His brain turns off, and he feels as if he's watching himself press down on Lucas's chest with all his weight, watching himself breathe as much air into his lungs as he can. He begs Lucas to wake up and open his eyes and  live  , begs his lungs to open and empty and  fill  , begs his heart to stir and drum and  beat . He begs the love of his life not to die, not to leave him, not to be lost to the waves. His desperation is stronger, growing out of his body and reaching out to anyone that could help him.

Another eternity passes by of Eliott nearly crushing Lucas's still, hollow chest, of Eliott feeling Lucas's cold, silent lips against his. There's been an ache pooling down his arms, and he can't ignore the strain anymore, nor the pangs in his lungs. As he goes to give Lucas more rescue breaths, his arms buckle and he collapses just on top of Lucas. He rests his forehead against his, exhausted. He exhales deeply, Lucas's name spilling out of his trembling mouth and falling on deaf ears. He takes Lucas's face in both of his hands and musters another mite of strength, giving him as many more rescue breaths as he can manage.

Eliott pulls away after he gives the last breath he possibly can, his eyes closing. There's only silence for a fraction of a moment, but it spreads and stretches itself out, looking to every other moment in time for direction, for answers. It searches and searches, its body swelling and close to bursting. As it takes its last breath, Eliott's heart whimpers, whispers to it,  begging .

Please. Please let it be enough to save him.

Eliott's eyes fly open when he hears Lucas choking, coughing. He sits up, quickly turning Lucas onto his side. New rivers of tears stream down his face as he hears Lucas take labored gulps of breath, sees his chest rising and falling again. His heart swells as he hears Lucas breathing more easily, the hoarse, shallow breaths becoming deeper, fuller.

"Eliott..." Lucas mumbles after a moment, his voice weak.

A sob rips from Eliott's throat as he pulls Lucas close and clings to him. "I'm here,  mon amour  ," he whispers in his ear. He peppers his face with kisses, threads his fingers through his hair. "  You're here," Eliott breathes, joy bubbling from his chest with a giddy giggle. 

"I'm here," Lucas rasps. Eliott can feel him smiling feebly. He sighs, and his breath tingles down Eliott's neck. It's enough to make Eliott feel like he could explode from sheer relief. Lucas is  breathing again. He can feel their chests breathing together, and he can just barely feel Lucas's heart murmuring there, too. It's slow, weak, but it's there. It'll gain strength every day. It'll heal. Maybe it'll love even more than it has before.

"I'm so happy you're here,  mon amour ," Eliott sighs, kissing Lucas's forehead. "I'm so happy you're okay."

july 20th, 1966

23:32

caen, france

~

Eliott can't sit still as he sits outside Lucas's hospital room, waiting for the doctor to finish more tests. He hasn't seen him since they arrived at the hospital. They were separated almost immediately, Lucas being taken to a room to have his vitals taken and some initial tests being performed. Eliott was told to stay in the lobby, where someone placed a warm, soft blanket around him and a nurse kindly guided him as he recalled what happened to Lucas. It's been nearly seven hours, which another nurse told him is a potential turning point for drowning victims. They either stay stable because they were able to get adequate life support, or they start taking a turn for the worst. They won't let Eliott see him until they're sure that the former happens, or that they'll be able to get him stable if it's the latter. 

As time has gone on, the relief and joy Eliott felt initially has faded. He may have been able to bring Lucas back, but now they're waiting helplessly for something to go wrong, desperately hoping for some miraculous recovery. Eliott can't stomach the thought that he might've brought Lucas back only for him to suffer even more for hours and reach the same fate he did before. Yet it still circles his mind, tangling on itself before it forms a knot that squeezes his brain tight. 

Suddenly, the door opens and Eliott rises to his feet, anxiety blooming in his stomach. The doctor comes out, stopping in front of Eliott.

"He's stable," he reports. "We think you got to him sooner than you thought. We'll keep him here overnight, just in case, and we'll keep him on oxygen and fluids until he has his strength back up. He should be well enough to be released by tomorrow evening at the latest. I'm almost tempted to call this a miracle."

Eliott sighs in relief, nodding.

"Would you like to see him?" the doctor asks with an inviting smile. "He's been asking for you all night." 

Eliott grins, his heart warming. "Yes, please," he laughs. "I can't thank you enough."

"There's no need," the doctor smiles. He claps his hand on Eliott's shoulder, then walks down the hallway. 

Eliott takes a deep breath as he enters Lucas's room, unable to hold back his grin when he finally sees him. 

Lucas has a ventilator mask on his face, but it can't hide his smile when he sees Eliott. He weakly holds out his hand, and Eliott bounds over to him, giving as good of a hug as he can. 

"I was so worried," Eliott whispers, kissing Lucas's ear. 

"I know," Lucas whispers back feebly. Then he says, a little louder, "Come here, Maman." 

"No, it's okay," she replies. Eliott looks back and sees her in the corner. She's smiling but there's this deep  sadness in her eyes, shining and dark. It strikes Eliott deep in his chest somehow, filling him with even more guilt than he had before. She nods, forcing a smile. "I'll leave you two alone." 

"Maman," Lucas starts, his voice dying in his throat as she leaves the room. 

"Does she know?" Lucas asks quietly after a moment. 

"I didn't have the heart to tell her," Eliott replies. "But, earlier, they asked me about the bruises on your chest and your rib. So, they must've asked her, too."

Lucas sighs shakily, closing his eyes. 

"I'm sorry," Eliott chokes out. "I didn't know how to say it."

"It's okay," Lucas replies, shaking his head. "I'm... worried."

Eliott doesn't know what to say. He's frozen by his guilt, consumed by his anxiety. He watches Lucas, listens to him breathe. He looks at Eliott, then, his eyes bleary and unreadable.

"Lie with me, Eliott," he whispers, his voice strained. He holds out his hand weakly again, and Eliott feels tears filling his eyes. But, he carefully climbs into the bed with Lucas, resting his head on his chest. The fabric of his gown is warm but rough and thin, and Eliott can just barely see Lucas's bruises through it. They're a greenish brown, and the color creeps across his skin in thin lines, like veins.

"I'm not hurting you, am I?" Eliott asks, lifting his head a bit.

"No," Lucas mumbles. "Painkillers are working."

Eliott sighs in relief, setting his back down. He closes his eyes and listens closely, carefully Lucas's heartbeat is a little stronger, but still hard to hear. His breathing is slow, deep, still shaky. Eliott thinks he hears Lucas's blood humming through his veins, too. The more he listens, the more he remembers the way Lucas's chest used to sound, and the more he realizes Lucas shouldn't be here right now. He never should've made Lucas go to the beach with him. He should've let Lucas stay home because he was tired. Lucas's lungs should never have filled with seawater, and his eyes should never have closed, and his heart should never have stopped beating. It doesn't matter that Lucas is alive again. He never should've died in the first place. He never should've been a breath away from heaven.

The more he listens, the more he realizes that this is all his fault. He remembers over and over Lucas's hand slipping out of his grasp. The moment everything went wrong. 

"Lucas," Eliott begins, taking a deep breath before he continues, gathering the courage he needs to ask the question and hear the answer. "What did dying feel like?"

Lucas doesn't reply at first. He inhales sharply, exhales shakily. His hand drifts lazily through Eliott's hair for a moment, tugging gently. "Awful," he finally says, his voice barely above a whisper. "Painful. Horrifying. Dark. All I could do... was think about you. And Maman. The last time I said I love you. The last time I said goodbye."

Eliott doesn't respond quickly, either. The guilt deepens, darkens.

"It would've killed Maman," Lucas continues, tears rolling down his cheeks. "It's killing her..." he trails off as he starts coughing, gasping for air.

Eliott sits up, panicked, pressing the ventilator mask against Lucas's face. "Breathe, Lucas, breathe," he begs. "Breathe, please."

Lucas squeezes his eyes shut, trying to breathe as slowly and deeply as he can. His chest starts to rise and fall much more steadily after a moment, but there are still tears rolling down his cheeks. Eliott wipes them away gently, fighting back his own tears.

"Maman," Lucas sniffles, his voice so hoarse Eliott doesn't recognize it.

"Don't talk, Lucas," Eliott says, trying to keep his voice steady and kind. "You'll strain yourself. You need to focus on breathing right now, okay? Just breathe. You're  alive  , Lucas. You're okay. Your maman will be okay. She loves you  so much, Lucas. You're her baby boy, remember?"

Lucas nods, trying his best to smile. 

"She has her baby boy back," Eliott continues, managing a smile. "She just has to deal with the fact that she almost lost you. She's grieving, right now. I'm grieving, too. But everything will be okay. You're getting better. You're getting stronger. You'll be good as new soon. We all need time to heal, you especially."

"I love you, Ellie," Lucas smiles weakly, gently caressing Eliott's cheek. His eyes start to droop. He mumbles quietly, "I'm tired."

"I love you, too, Lulu," Eliott returns, kissing the palm of Lucas's hand. "Get some sleep."

"Goodnight," Lucas whispers, closing his eyes. Eliott moves Lucas's hand from his cheek and places it on his stomach. He rests his head on Lucas's chest again, listening to the weak trickle of his heartbeat. He waits until he feels Lucas's breaths even out. He looks up and sees Lucas's beautiful, sleeping face. Most of the color has returned, and his eyelids are fluttering ever so slightly. He's the most beautiful person Eliott's ever seen, and he's been able to call him his. But he held Lucas's hand and led him to his death, letting him go and leaving him to his own devices when the waves came. He let Lucas die. He breathed life into him again, but that didn't change the fact that his hand is the one that held Lucas by his throat and  squeezed until his body went limp. It wasn't the water. It wasn't the waves. It was Eliott.

Awful. Painful. Horrifying. Dark.

My fault.

He needs to leave. He needs to go home. He'll call his Maman. Or maybe Madame Lallemant could take him home. He just needs to leave. He can't look at Lucas a minute longer without feeling like he could explode.

He carefully climbs out of Lucas's bed, but thankfully he doesn't stir. Before he leaves, he kisses Lucas's forehead. His lips linger for a moment, feeling warmth there,  life . He smells the sea salt lingering in Lucas's hair, his skin, sighing as he pulls away. He gently cradles Lucas's face in his hand. Lucas smiles, but doesn't wake.

"I'm so sorry,  mon amour ," Eliott whispers feebly, his voice thick with tears. "I'm so sorry."

july 22nd, 1966

04:09

caen, france

~

Everything is cold. The tears on Eliott's cheeks, the rough, wooden floor against his cheek, the air around him, the blood coursing through his veins. He can't even remember what warmth feels like. No, warmth feels like Lucas's touch, sounds like Lucas's voice, tastes like Lucas's lips. But he doesn't deserve warmth anymore. Lucas gave it to him so selflessly, so kindly, so tenderly. All Eliott has ever done is hurt him. He's the cold to Lucas's warmth, the ice to his fire. He's no good for him. He'll only hold Lucas back, keep him cool when he needs to burn bright and faithful. 

They've been best friends their whole lives. They've loved each other their whole lives. Why is it just now that Eliott is realizing that everything could've been a mistake? Why is it only now that he's realizing that something was wrong between them, something that doomed them from the start? 

You're not yourself, my love

"I'm not myself," Eliott mutters beneath his breath, singing along with the memory of Lucas's voice.

You're different

"I'm different."

Something's wrong. He'd taken the money from the jar without telling his mother that morning. He'd sneaked into her room and carefully taken it out, shoving it in his pocket and put the jar back. He'd lied to Lucas about it when he asked where he'd gotten the money. It was a half-truth, really, but the fact that he ever hid anything is wrong. The whole day, his heart beat so fast he couldn't keep up with it. He felt he had no other choice but to follow it. It told him to shower Lucas in love and attention and gifts. It told him that he feels good around Lucas so he should stay with him as long as he can. It was that same anxiety he felt at Christmas, but it fixated on Lucas because it eased whenever he was around. He should've known something was wrong, then, too. Falling in love with Lucas, filling a whole sketchbook with some romantic tale of them falling in love. The other day, he let himself ramble on about Giverny and running across the earth because that same anxiety was eating at him, so he entertained another fantasy. He keeps relying on figment, on Lucas, on what he considers safe, on what he holds dear. 

Then there's the few times when he's been so fatigued and despondent he can barely lift his head from his pillow. That dreary day in January, that long and gray month after his father died. Lucas knew something was terribly wrong in January. Why didn't Eliott know, too, deep down? And anyone would've been depressed after losing a parent, but Eliott legitimately never thought he would be happy again. He didn't eat. He only slept, hoping he would have good dreams so he would have something to hold onto and hope for. He barely spoke a word. He didn't draw. He didn't read. He didn't take pictures. He barely breathed. He barely did anything besides exist and hope that he's wrong and he'll find the strength to smile again. Lucas had warned him depression would kill him slowly, softly, as if it were lulling him to some eternal sleep he secretly longs for. He didn't listen. He read the words on the page, but he didn't take them to heart like he should have. He neglected Lucas. He neglected his mother. He neglected himself. But somehow, the depression eased only to send him off the deep end again, only this time, he was flying instead of sinking. No, he wasn't flying. He was falling. He was falling until he hit the water again and started to drown again.

Is this a cycle his mind is starting to subject himself to? Something's wrong. Something's wrong. He can't deny it anymore, but he doesn't know how to acknowledge and address it, either. What do you do when you're suddenly aware that a poison is entering your system, that a virus is plaguing you and you know that you'll never be able to find the antidote, the cure? Let yourself die?

Eliott's tears begin to dry. He sits up slowly, his mind calming and centering itself on a single memory.

Awful. Painful. Horrifying. Dark.

Eliott gets on his feet, a sense of calm washing over him. He walks over to his desk, sitting at his chair and pulling out two sheets of paper and a pen.

His hand is surprisingly steady as he writes two letters, two apologies. The words come to him as easily as breathing, as easily as a trickle of water down a stream. He folds both sheets of paper neatly, nearly perfectly. He takes them and leaves his room.

He enters his mother's room quietly, where she's sleeping soundly, peacefully in her bed. He leaves a letter with her name on it on her bedside table.

"Goodnight, Maman," he whispers. "Sweet dreams."

He walks down the stairs, and they thankfully don't creak. The front door doesn't groan against its hinges, either.

The grass is soft and quiet beneath his feet as he walks to Lucas's house. The moon is fading, beginning to hide her face. The stars are blinking out.

He approaches Lucas's window, hoping he can open it from the outside. He can barely see Lucas sleeping in his bed in the corner. Ever so carefully, the window opens, and he leaves Lucas's letter on his window sill. 

"Goodnight, mon amour," he whispers. "Sweet dreams."

He walks past the spot where the grass ends, down the white, pearly sand, stopping at the shore. The remnants of crashed waves lapping at his feet.

He takes a deep breath, and walks forward.

july 22nd, 1966

05:44

caen, france

~

Lucas wakes with a start, sharp pain erupting in his side as he sits up. He squeezes his eyes shut, exhaling slowly as he waits for the pain to pass. As he opens his eyes, he notices that his window is slightly open, and that there's a piece of paper resting there. He doesn't remember it being there before, and who would leave a letter on Lucas's window sill. Eliott? But Eliott knows that he can tap on Lucas's window if he needs him. A sense of dread he can't explain settles in his stomach, telling him to get out of bed and read the letter.

He takes another deep breath, bracing himself for the pain as he climbs out of bed. He manages to get to his window without much pain, but his dread intensifies with every step, morphing into unease then apprehension then anxiety. 

He picks it up and sees his name written in Eliott's handwriting. His heart starts to race as he unfolds it, as he sees the calm, neat handwriting etched onto the paper. He begins to read, silently praying that he's worrying about nothing. 

 My dearest Lucas,

I'm sorry I wasn't there when you were discharged from the hospital. Whenever I looked at you, all I could see was you when I pulled you to shore. I can't get your face out of my mind. All I can hear is your silence. And all I could think about was how this was all my fault. I could never express how much I regret everything that happened that day. I regret kissing you awake that morning and racing you down the street and buying you clothes and helping you brave the waves. I regret even waking up that morning. I should've just slept all day like I had been for a month, but for the first time since Papa died, I woke up and I wanted to face the day. And I wanted to face it with you. That was selfish of me. And you paid the price for it. You were completely innocent,  mon amour , but you were the one that suffered.

I can't stop thinking about what you said at the hospital the other night, when I asked you what dying felt like. I can't imagine it. It's a pain so few people can say they've felt, but  you  can, Lucas. And that kills me. You shouldn't know what the most permanent thing that a person can go through is like. Not when you're so young. Not when you had so much light in your eyes. But you did, and that's my fault. No one can deny that. When I get to heaven and I'm judged, God will tell me that I let you die and I'll be condemned for that. I deserve it. I deserve every punishment available to me. I don't deserve your forgiveness, though I hope that someday I'll be able to receive it. Maybe in some other life, some other universe.

I've loved you my whole life and yet it wasn't enough to stop me from hurting you. I've hurt everyone close to us. Our Mamans, our friends, everyone. The weight of what I've done is wearing on all of you, when it should only be my burden to carry. So, I'm taking that burden away. I'm letting the waves swallow me up. I'll know what you went through. I'll understand. I'll die and I'll never hurt you again. You can heal. You can start to breathe easier again and your heartbeat will become familiar to you again. My life is a small price to pay for yours. 

When you wake up, when you read this, I'll be sinking to the ocean floor. I'll be painting the ocean the same color as your eyes, and I'll be singing your name until it reaches the waves and they carry it, over and over until the ocean runs dry. I can't imagine doing anything else in my final moments.

I love you, Lucas. And thank you for loving me, too. 

  The letter flutters to the floor from Lucas's hand, its ruffling accompanying the fleeting of a thousand images in his mind. The weight of Eliott's body in his arms, the crack of his ribs as Lucas presses down on his chest, drops of water resting peacefully on his eyelashes, Lucas kissing him for the last time but his lips are cold and still, Madame Demaury screaming when she sees her son, Lucas's fingers hovering over piano keys at Eliott's funeral, a gravestone next to Monsieur Demaury's, thousands and thousands of flowers wilting there, thousands and thousands of tears dripping from Lucas's eyes. 

Lucas throws open his window and climbs out, ignoring his screaming rib and running as fast as he can to the shore. He remembers his own words, the ones that inspired Eliott to take his own life. Pain. Panic. Darkness. Eliott doesn't deserve to feel what Lucas felt. No one does. No one should ever experience something so horrible Lucas believes that a just God could never have designed it for every last one of His children. Eliott deserves it the least. It's not his fault. He never could've known that the water would darken and tremble and scream. It's not his fault. It never could've been and it never will be.

Lucas should have told him when he had the chance. His voice was weak and it hurt to talk, but he could've told Eliott somehow. It's not your fault, my love, please don't ever think that any of this was your fault.

The sun is about to rise, and the world is stained a light, hazy blue. Lucas can see a shadow in the distance, just barely, walking into the water. It has to be Eliott. It has to mean that Lucas isn't too late. It has to mean that he can save Eliott back. Lucas tries to run faster, but his pain is becoming too great to ignore and push through.

"Eliott!" he cries, hoping he can hear him. 

He's closer now, right on the edge where the sand is damp and crumbling. He can see Eliott, still walking forward. He can only see his head, and it's quickly disappearing. No. He can't be disappearing. He has to turn around and swim back. He has to come back to Lucas and Lucas has to hold him again. He can't drown. He can't die. He's just within Lucas's reach, but he's starting to slip through.

"ELIOTT!" Lucas screams, his voice echoing off the air, the water, the sky. His rib feels like it's shattered and he can't breathe anymore, but Eliott  turns around  . He starts running towards Lucas, letting the waves carry him forward until he's falling into his arms. Eliott's body shakes, his sobs come out in wheezes and hiccups, and Lucas holds him tightly, carefully guiding him away from the water.

"I'm so sorry," Eliott chokes out. "I'm so, so sorry."

Lucas doesn't think he can cry, even though his best friend was practically minutes away from death. He remembers all the tears Eliott cried when he woke up, all the kisses he left all over his face, how tightly he held him, but Lucas knows he can't react the same way. Something is stopping him, something that's stirring in his chest and closing his throat. Lucas feels himself begin to shake, too, so he holds Eliott a little tighter.

"You're safe now, my love," Lucas manages to say. "I'm here."

"Eliott?" Madame Demaury's voice calls out. Lucas looks over his shoulder and sees her running towards them. He must've woken her up when he called Eliott's name.

"Maman?" Eliott says quietly, pulling away. "Maman!"

Eliott starts running towards Madame Demaury, calling for her. Lucas watches him fall into her arms, watches her take his face in her hands and ask him what's wrong. She starts guiding him towards their car, leaving Lucas alone on the edge of the shore. That  something  he felt earlier starts swelling in his chest as he watches them drive away, and he finally has a name for it:  anger  . It's a boiling, a scorching, a burning in his throat and in his stomach.

Eliott just tried to kill himself. His only goodbye was a  note  that he left on Lucas's window. He thought his punishment for saving Lucas should be dying himself. An eye for an eye, a tooth for a tooth, a son for a son. He thought he was committing some act of holy vengeance, divine justice. He thought taking himself away from all of them was the solution, the  only  solution that existed. He thought it was all his fault, but by killing himself, he would've shifted the blame to Lucas. He saved himself and he saved Lucas, but Lucas couldn't save Eliott. How could he ever consider letting Lucas live with that sort of guilt? How could he think he was lifting the weight off his shoulders when he would be adding his own dead weight instead? How could he be so  selfish  ? How could he lack such compassion, such love that they agreed that they shared? How could he leave Lucas in the dark, then thrust more of it on him? How could he leave so many words hanging in the air? Words that were said but never listened to, words that they can never say now? Words that Lucas wishes he could take back, words that he wishes he should've said more often. But it's too late. Eliott is gone. He doesn't know where Madame Demaury is taking Eliott, or what will happen to him now, but for Lucas, he's gone. Eliott left Lucas. It doesn't matter if he thought it was for the best, or if he thought he was doing it out of love and care for Lucas. His intentions didn't matter. His actions did. And he  abandoned  Lucas.

Maybe Lucas was always right. Him and Eliott were both born sinners, but they both had a chance to ignore their nature, to a live a pure and Christlike life. They both gave into their desires, listened to the voice chanting in their hearts and not the one whispering to their souls. They sinned, so they must be punished. Their worlds are imploding on themselves because God had warned them so many times about who they could be and what they could do, but they didn't listen. Maybe this is all a part of God's will. Maybe He's trying to keep them apart so they don't make the same mistakes over and over again. Maybe Lucas was supposed to die, but Eliott somehow managed to defy heaven and save him. Maybe God scrambled and decided Eliott needed to die, but Lucas has defied heaven now, too. Maybe whatever happens to them now is God's plan "C" and they don't need to meddle anymore. Maybe they need to let things be. Maybe Lucas is ready to let Eliott go.

Sunlight starts to peak from the horizon, golden and hazy. It's warm, soft, but it doesn't dampen his anger. He can't breathe. His chest feels like it's on fire. He swears he still feels Eliott's touch brushing against his skin, familiar but cold now. But he knows he feels guilt, knows that Eliott can never touch him that way again. Yet all his thoughts revolve around Eliott, and it makes him want to tear his brain out of his skull. Maybe that would be the only he could ever truly forget Eliott. He starts pulling on his hair, grinding his teeth. Hot, bitter tears pool in his eyes.

He rips open his throat, breaks open his chest, cracks open his skull and  screams  , his voice faltering as he crumbles to his knees. 

[meruz]

Hey I can't find this in your FAQ so sorry if it's been asked before! Your traditional art is so stunning and vibrant, would you happen to have any brand recommendations for people trying to get into painting? Maybe specific gouche paint, brushes, papers etc. Thank you so much and have a nice day!

no one has ever asked me this before because this is like the first time ive started putting traditional art on my blog! LOL umm to be honest I’m very far from pro on this front, most of my knowledge comes from a handful of classes I didn’t pay a lot of attention to and lots of youtube videos but here’s my recommendations:

Paint

A lot of my paints are winsor newton designer’s gouache because this is what my teachers made me buy when I was a freshman at art school LOL. it’s definitely kind of pricey, I think it’s like $10.99 for a tube which I was NOT a fan of as a college student and is still not my favorite thing now. But they’re overall worth the price if you really want solid, high quality opaque paints. Though I’ve heard their student grade winton paints are decent as well?

I’ve heard less good things about brands like reeves and artist loft... but I think turner is alright? m.graham is supposedly great.

I also bought a set of holbein acryla gouache when it was discounted on amazon a while ago and have found it very solid. One thing you have to know about acryla gouache is that it uses a binder more like acrylic paint (hence the name acryla). Paints are made out of pigment + binder and most gouache is essentially watercolor but with extra pigment/chalk to make it opaque - the binder is water soluble so these paints can be reactivated with water. Acryla gouache is NOT water soluble when dry and it dries pretty fast so it’s overall less flexible. But other than that you can pretty much treat it like any other gouache and I find they keep a little better too, less likely to get gunky or stiff.

All paint brands have a handful of starter packs which are slightly discounted but if you want to build your own starting palette I’d say get a warm and cool tint of all the primaries, get a lot of white (working with gouache somehow involves a lot of mixing with white lol), and get a brown, maybe like burnt sienna or raw umber for underpaintings. No need to get a black, mixing darks builds character, looks better, and having one out of the tube can become a crutch. If you find a white watercolor paint tube that’s cheaper you can buy that instead of a gouache white. Again, they have pretty much the same make-up. And white paints are generally opaque enough that the composition between gouache/watercolor shouldn’t matter too much.

I’ve never used a block tray of gouache. Like those paints that come in little blocks in a tray? I know there's a bunch out there but I’ve never used them and I don’t know anyone else who does so I have no opinion on them.

Brushes

I’ve been kind of exploring this myself. I recently bought a cheap set of flat brushes off amazon LOL and I like them a lot?

Theyre probably not The Best or anything but I found flat brushes suit gouache plein air painting really well because its suits the kind of color blocking shapes I want to make. Also these had the right handle length to fit in my painting bag. That’s like the main reason I chose them tbh.

Honestly a lot of my art supplies philosophy is “give it a whirl with whatever you have lying around and when it feels like you're missing something specific keep an eye out for when that stuff goes on sale”

Paper

GOTTA BE HONEST I’m using cheapo paper. Because I’m making these paintings half for study and half to give my parents something to hang in the living room.

You can actually see some of them curling in on themselves here lol. If you’ve seen the sketchbook I’m holding in any of my pics of paintings it’s one of the canson mixed media books.

and its FINE... I wouldn’t necessarily recommend it lol.. I like that the texture is very fine but it doesn’t hold a lot of water and definitely distorts. Also I keep ripping off the surface with painters tape but that might just be on me. Oh buy artist tape. Just because its so satisfying to have clean edges.

I’m using painters tape instead of artist tape because I found it in the basement but if youre buying supplies buy artist tape because it’ll be kinder to your paper. 

SPEAKING OF PAPER.

I guess anything heavyweight for watercolor/mixed media will be fine? some people like a lot of texture but if you’re painting small you might want to avoid it and pick hot press over cold press. Honestly I feel like a lot of this is going to depend on what your specific needs are.. how big do you want the paper to be.. do you want a sketchbook or would you rather carry around loose paper... etc. Maybe go to an art store and touch all their paper. I feel like its easier to understand sizes and texture when you’re seeing it physically.

When I go on a trip, I normally bring a softcover heavyweight stillman & birn sketchbook because I tend to obliterate metal spiral books in my bag LOL. Also I don’t rip any pages out of my travel sketchbooks so I don’t need perforation or anything. Also they go on sale a lot in the art store I go to haha. I havent used gouache extensively in it but it takes inkwash/maker pretty well.

On the higher end, I personally haven’t used it that much but my friends who do traditional illustration professionally swear by arches watercolor paper. It comes in lots of different sizes.

Whatever you use, if you really want it to lie flat you’re gonna want to soak and stretch it on a board but I don’t bother with that because I am lazy.

Palette

You didn’t ask about palette but I’m taking the opportunity to be a shill because I personally use a sta-wet palette and I LOVE it.

One of the biggest frustrations about gouache for me was how quickly it dries after it leaves the tube. And even if you can reawaken it with water its not quite the same? and consistency is SO important when it comes to applying gouache so I don’t want to be over-watering my paint.. ugh. Anyways, I don’t have to worry about that with the sta-wet palette and really its been a game changer for me. sta-wet is a brand name but there are a bunch of other wet palettes not by masterson that I’m sure are just as good. I mean, it’s just a box with a sponge basically, that can’t be hard to replicate.

The only thing - and I personally have not had this issue but I have friends who have - is that if you leave it wet for too long it could grow mold? or a mouldy smell? Just wash your palette with soap and don’t leave it for weeks on end and it should be fine.

If you’re not feeling a palette that’s always moist, the best palette I used in school was a simple glass palette. you can buy one I guess but it’s so easy to DIY, I think the way we did it in school is getting a piece of glass and mdf from the hardware store cut the same size and then duct taped them together on the sides so it wouldn’t be sharp.

costs like nothing.

what else...get a palette knife if you like to mix paints? and like to save paints... mixing with the brush means you lose paint in your brush in the mixing process so a knife is a good way to maximize that process. I don’t use it much but sometime if I have to mix a lot of one color I’ll pull it out of my bag.

I don’t know anything about easels, I sit on the dirty ground like a gremlin when I paint.

Ok yeah that’s all the supplies tips I have. hope some of it was helpful! always try to save money with art supplies, I think. Especially if you’re just starting out - it’s less stressful to use cheap supplies too lol. Good luck! Happy painting!