#and yeah. big draws maybes

[diegogtratty]

shower thoughts but big

[barghest-land]

drawings from paleo expedition to dagestan, done right on the trip. sometimes messy when it was cold and rainy, but i won't correct it. i think it's cool to leave it just the way it was done, and not retouch it after. there will be more drawings later, but those will be done from home

[tzarrz]

i listen to fog lake too much

[cccotard]

target practice

[12thbiologist]

what can you do when your five senses are not enough? ... what occurs after revelation and paralysis?

- jeff vandermeer, annihilation

[xxplastic-cubexx]

i cant stress how much joy i get from doodling magneto as A Dramatic Comic Book Villain i cannot even lie to you chat

[b4kuch1n]

red lion wizard !

[nightmarearian]

Done (heavy quotation marks) with monster Ody @evergreen292 ;)

tbh I couldn’t for the life of me pick a color palette I liked And Render it so I gave up on color. Enjoy the half assery.

Tbh I’ve just been call it Ithacan Naga, but it’s objectively it’s a mix of snake, owl/bird, and human. So 🤷.

Tbh the wings are supposed to be white/gray-brown, cause owls & Hermes, while his scales are supposed to be an oscillating scale from sea green-blue to purple-tinted gray. Uhm. Evidently that sorta didn’t happen but also did. So.

The purple/grayer scales are gonna be more around with the feathers and wings.

Those fin colors are. Too blue and too bright but I love the colors themselves so they’re staying for now.

Uhm. That’s it for now, ig. I’m sorta on a timer rn and I’m tired so <3

The writing bit with this is still in the works (😭)

[ministarfruit]

"my oshis graduated" outfit swap

[depressedlochnessmess]

ok yeah yeah voltron in 2023 what else is new

[electrozeistyking]

Hi, I really like making little personalized references for characters I like when I get into things! I do this to figure out how I wanna draw them, and is a recent-ish development that I haven’t done a lot, but I really like character design and thinking about them! So I made some for Siffrin. How fun!

DO NOTE THAT THIS WILL CONTAIN SPOILERS FOR LATER PARTS OF THE GAME. I did obviously tag it as such for the sake of others and it will be further down, but I figured I’d still warn you just in case. <:3

Now, without further ado, here’s “reference one!”

I’m personally gonna be using this in conjunction with Siffrin’s actual reference sheet (which I refer to as “notes” in mine!!) to make sure he look his best! I also wanted to make sure they’re “in line with canon,” yet still in my style and in a way I can be proud of.

Which isn’t that hard, since I’m usually always proud of my own work. I just like my own stuff. <:3

Due to the brim of his hat allegedly being bean-shaped (teehee), I thought it’d be fun if I carried that over to his torso/body. It’s not noticeable with a cloak in the way, nor when Siffrin’s standing straight up. Basically, the bean shape would only be revealed in certain poses.

(Coming up with that also made me say “Whoops! All beans!” out loud about Siffrin, btw.)

Additionally, I like giving characters is their own set of fangs. One character I draw has a gap between them and the rest of their teeth, one has prominent ones to make them more cat like on purpose — and for Siffrin, I decided to give them rounded ones.

I usually make fangs razor sharp, because I really like big ol chompers like that, so them being round is definitely a very unique thing for Siffrin to have. Well, at least at first.

I’m also a really big fan of certain design elements sticking around after something wild happens to characters… which brings us to “reference two.”

Well, if you’re not gonna be able to find any good references for this version of Siffrin, you might as well make your own, right??

The major thing I wanted to do with this Siffrin was to have him still feel like himself, but also give him somewhat of a unique design in comparison — by playing up elements I noticed during this scene.

Making this Siffrin feel as giant as they are was important to me. I went ahead and made their hat, face, hair and cloak longer. Made their shoulders broader, had them hunch over so they’d practically loom over everyone. Trying to appear smaller while still being an obstacle. Wanting everyone to stay here. Wanting their family.

I noticed that a lot of Siffrin’s hair seemed a lot more angular here, so I felt it crucial to use those shapes, but going a couple steps further and using them for his face as well… primarily his mouth and chin, of course. Which meant replacing those rounded fangs I gave him with a full set of sharper ones.

(I also wanted them to look like they’re too big for Siffrin’s mouth, so two of them — well, four? — will always peek out/fall past their lower lip. It’s like their teeth are not a comfortable fit whatsoever and it makes talking feel weird, but they manage.)

(They stick around after Siffrin “reverts back” or whatever we’re calling it. He never gets his round fangs back, but at least the ones he has now serve as a reminder that he got to the end. Might take some getting used to, though.)

(I also tried making their brows look a bit more angular? Can’t tell if they really come across that way.)

ANYWAY, I THINK I SHOULD STOP HAHAHA. I could go on and on all day, but I got other things to do and I think I’ve already explained enough! Just know that I get a kick out of putting love and care into character thoughts and designs. <:3

[lelelego]

had a dream and drew it :o)

[territorial-utopia]

Happy Halloween!!!

What's more (modernly) traditionally halloweeny than witches, vampires and werewolves- Featuring, as is often the case with my art, my lovely @theshiftingworkshop (as a creature of course) and her character SD-

[lunarharp]

uhh another modern au agott follow-up. They've gotten progressively sillier

[skitskatdacat63]

"From triumph to failure is but one step."

+ the usual

I love when I can include paper sketches in the process gif. It's very satisfying to see it progress from a very vague imagining of what was in my head to the finished project.

+ version without text

My favorite sketch was definitely the one where I actually put in words what it's supposed to convey. I wouldn't usually write that down, cause it's all in my head, but it was useful to do so when sending it to other people. I'll go into it more but here it is just as a teaser:

Lmao first of all, I like how I was teasing "Spanish GP" art, but as per usual, it's just thinly veiled au art. IM SORRY, I'M NOT INTERESTED IN MAKING GENERAL POSTERS, THAT'S NO FUN! So instead you will get weirdly relevant matador au art. I like it a lot though, I was really shocked I was able to draw 3 different Fernandos, I mean even drawing one figure takes a lot out of me, but this was weirdly easy?? I think it's just the effect of not being burnt out anymore, and actually being able to draw with more ease makes me feel like a god.

Okay, so the text: "Fight or Flight?" I'll be honest, I don't even remember why I chose it, literally came to me in a vision 😭 But I think it's fitting with the narrative of this piece. Is it better to keep going on, keep fighting, or better to finally give up, and flee? Not that I even remotely think he should give up, but I feel like sometimes I can sense him pondering this very question. That was the big fear before he announced that he re-signed. Keep fighting and maybe, just maybe, you'll get the chance to finally go up against the bull again. Or accept it's an uphill battle and the fighting is going to keep getting more and more strenous, and maybe it's time to put down the sword. SORRY THIS IS SO ANGSTY FOR WHAT'S SUPPOSED TO BE "yayyyy home race!!!" Please forgive me <3

I. Renault

At some point, someone pointed out to me that I had drawn all other iterations of matador Fernando with a sword, except for Renault Fernando, and that ended up feeling very poignant to me. In a bull fighting match, they really only pull out the sword at the last minute to deliver the killing blow. So I think it's important to never draw this Fernando with a sword, because it shows the unfailing confidence and stability he has at that point. He only needs to pull out the sword at the end, as a formality almost, there's no reason for him to keep his guard up at all times.

II. Ferrari

Meanwhile this Fernando, he's considering his sword like he hasn't had to in the past. He's checking the sharpness, making sure in advance he can do what needs to be done. He's on guard, he feels like he needs to keep up his defenses at all times because he doesn't have that same amount of trust and stability anymore. He knows though he will be up against the (red) bull, at least that's never in question. At least there's the assurance he'll get the chance to fight.

III. Aston

Oh, Aston Fernando....He doesn't know whether to take up his sword or finally put it down for the last time. While at least Ferrari Fernando knows he's on constant guard against the bull, this Fernando doesn't even have that assurance anymore. He feels like he can never put down the sword, just in case he gets the chance to strike the killing blow on the bull, which feels like it's growing more and more unlikely.

Spanish flag: ? Lmao this was meant to be something to celebrate Fernando's home race and it turned very introspective whoops. Also got the Napoleon quote in there hahaha, can't escape it!! Shame though there is no French gp anymore, if so I'd probably draw an unhinged thing for it :,(

[quirkle2]

[zombie au] the image is too big for tumblr i had to cut it in half GVEAUYGV (please for the love of god zoom in)