#and with the ones that never aired here
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hunsa-jars Ā· 1 year ago
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Been binge watching Adventure Time (currently at season 3 ep 14) and aside from having the best time with it, it's kinda cool to see every episode without em being censored
Like
I'm really attached to the dub I grew up with, but a bunch of things were cut out, censored or the episode was straight banned after a while
Victims of the cut outs:
Body horror (for example the Magic Man turning a bird inside out in ep 20 Freak City)
Some instances of barfing
Spitting (for example Finn spitting on Tiffany in My Two Favorite People or Marceline spitting on PB in What Was Missing)
Some scenes of minor violence??
The word sexy (they say it a surprising amount of times)
Some close ups on grotesque faces
The Jake and Death kiss in Death in Bloom-
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crowiin Ā· 1 day ago
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welcome to the world
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erinwantstowrite Ā· 4 months ago
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personally i think the trope of "said something i wasn't supposed to while high on pain meds at the hospital" only works if it's smth actually incomprehensible. down with this trope. that and the whole "speaking out loud but the narrator doesn't know they are" trope. you should legally have to tag that i think. i know this usually happens for characters that would never admit something otherwise but actually there are a billion reasons someone would admit something they wouldn't otherwise. for example: someone else has a bomb-
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tsuchinokoroyale Ā· 1 year ago
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Happy new yearsā€¦ letā€™s stay hydrated together āœØ
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#I didnā€™t end up going to the rave just stayed in with my buddies and had KFC (( Korean fried chicken )) and laughed til we cried so#it was still a wonderful start to the new year šŸ’žšŸ„°šŸ’ž#but the fwb wanted pics of my potential rave look so I figured eh I brought the stuff anyways#and now Iā€™m imagining locking eyes with a stranger on the warm and writhing dance floor#the beat thumps and shakes and rattles the air in our breath as the spotlights dance in the reflections of our held gaze#he pushes his way through the crowd with a singular stare and a wicked smile on his face#I smile and turn my back on him arching myself so he knows I am giving what heā€™s looking for#I take careful steps through the revelry toward the edge where the crowd thins out#I prop myself up on an available stool in a lonely corner of the club as he closes the distance between us#ā€œnow I wonder why you dragged me all the way hereā€ he utters in a playful growl ā€œtrying to get far away from the crowd?ā€#I smile and I nod. ā€œobviously. canā€™t really do what I want with you out thereā€#his eyes perk up and his smile gives away the desire building inside him. ā€œyeah? why donā€™t you show me then.ā€#ā€œI thought youā€™d never askā€ I smirk. I reach down into my pants and pull out my phone#ā€œso this one is blue. heā€™s the oldest but heā€™s sooooo sweet. and thatā€™s Eva. my only girl sheā€™s sassy but she loves swea-ā€ he leaves#whaddahell I say demurely whimpering evenā€¦ whaddahellā€¦#gpoy
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lemongogo Ā· 1 year ago
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sry i dont know what 2 draw anymore T_T . elendira portrait #999
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vaguely-concerned Ā· 1 month ago
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every so often, varric will write a black fox story. not anything fancy or for publication or anything, just for fun and because he knows hawke has a soft spot for them. ("an intrepid hero getting into and out of all kinds of trouble and the merry band of misfits following inseparably in his wake? can't imagine why".) some of them are experimental, some of them are straightforward retellings; they're generally pretty short and quick to do, so he allows himself to play around with form and genre and language more than he does in his professional work. stretching over the span of almost twenty years as they do, they contain some of his favourite pieces of his own writing, and some of the most '...was I huffing lyrium fumes or drunk or both for this one, hawke? what the actual hell is this' pieces. hawke keeps every single one of them. varric speculates that this is either because they're just that sentimental, or possibly that it's for future blackmailing purposes. he usually has one ready for their birthday. they have so much blackmail material on him anyway by this point, he figures, what's one more piece of ammunition going to do one way or the other.
varric finishes one of these black fox tales a couple of nights before he brings rook with him to minrathous ā€” the last one. it's about the very last black fox story, the one where the black fox and his friends all disappear together into the depths of arlathan forest, where those in the know say you can find them to this very day, if you know where to look, or if you ever find yourself in trouble and in need of a helping hand. they'll turn up to aid a traveller in need, and disappear back between the shaded trees again once the day is saved, squabbling all the way, seeking treasures and unlikely quests yet unfound and unimagined.
they say on some days, you can hear them as laughter and friendly bickering on the wind from a couple of clearings over. it's not the end, it's just other adventures, some other place. that's the thing about stories. they're funny that way.
(once he wrote a book for his mother on her deathbed and read it to her through the comfortless and drawn-out hours of the troubled nights, and he burned the book the day she died and never spoke of it again.)
after he finishes the manuscript, he sits with it for a long time in the quiet and the candlelight before he wraps it up properly and sends it off back home to kirkwall. he attaches a note -- a story, to the best of all my stories, the one I'd tell forever if I could. take care of each other while I'm gone. first one to arrive saves seats at the bar, right? happy birthday, and send all my lack of love to the merchant's guild, as always. ā€”Varric
he sends that to hawke. just in case. and then he gets up and he goes to find rook ā€” it's time to get going.
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cjlouwho Ā· 2 months ago
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those stills being from the end of the episode (most likely) when tommy is clearing things up. like at first he's worried and then he's all smiley and giddy because they're in love
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crowleys-hips Ā· 6 months ago
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Icarus' Wings
they say hope can save us, heal us but if all this hope has been a hoax all alongĀ  is living for a hoax living at all? like icarusĀ  clinging onto the wax on his armsĀ  as he sinksĀ  to the bottom of the ocean would you say he survived the fall?
and if i am icarus you are my wings you were made for flying not for carrying the weight of the world youā€™ll want to show me the galaxy as we soar high up above it all in a parallel existenceĀ  where we have alwaysĀ  been one and the same feather to flesh flesh to bone guarding our heartsĀ  and failing
as you grow wearyĀ  from holding my weight my touch scathingĀ  your delicate feathers the ties that bind us dissolveĀ  and you inevitably let go
they say hope can save us, heal us and i really hoped that i could fly but my skin burns with desireĀ  so much filthy desireĀ  it ends up being my own demiseĀ 
tag list under the cut
@wibbly-wobbly-blog @crowleys-bentley-and-plants @phantomram-b00 @charlotte-zophie @crowleys-curl @quoththemaiden @thewibblylever @genderqueer-hippie @celestialcrowley @ineffable-rohese @alwaysbemybae @fearandhatred @roof-of-trees @weasleywrinkles @brokewokebespoke @eybefioro @captainblou @amagnificentobsession @marika-misc @phoen1xr0se @simonezitrone79 @thatqueercookie @tiptopticketyboo @veil-of-lament @celticseawych @nimbusalba @annewind @di-42 @procrastiel @seven-stars-in-his-palm @ineffabildaddy @adverbian @ineffableteeth @fellshish @foolishlovers @ficreader500 @the-stars-are-ineffable @bowtiepastabitch @sabotage-on-mercury @minervas-hand @goodomensafterdark
pls let me know if you wanna get removed (or added, for some reason)
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ineffable-romantics Ā· 1 year ago
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Discuss
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azumasoroshi Ā· 5 days ago
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some of yall gotta lock tf in cuz i was reading a fic today where the author marked their fic as completed when it wasnā€™t and so the first chapter ended on a hella cliffhanger
and one of the comments was like ā€œomg this is so good is there gonna be a part 2??? cuz that is an illegal cliffhangerā€ and the author was like ā€œomg yes thank you thereā€™ll be a part 2!! i only marked it as completed because people avoid unfinished ficsā€
like. should you not mark unfinished fics as completed? yeah no dont do that. should yall motherfuckers ALSO be reading unfinished fics so that this isnā€™t a problem? YEAHHHHH MAYBE
i fucking LOVE reading unfinished fics cuz that means i get to write comments about how much i loved the latest chapter without irrationally worrying that something i say will be disproven in the next already existing chapter LMFAO like itā€™s fun!!! all you gotta do is:
write a short summary of what happened in your bookmarks and note down what chapter itā€™s on out of how many, eg. gojo gets hit with suguru coffee blast meet cute 1/?
if itā€™s really short atm eg. <2k words 1 chapter, just put like some random word eg. explosion 1/? and you can just relive the experience blindly again when you come back to enjoy it. have fun with this one by the way, ive done some really obscure ass words/memes where i dont know what the hell they have to do with the story when i come back to it and then i read it again and im like OHHH I GET IT NOW. and sometimes i never understand what past me had in mind when writing it which is really funny itā€™s like a time capsule
^pro tip you can also do this for fics that are finished. literally anything. have FUN with your BOOKMARKS theyā€™re so easily customizable and if you get self conscious you can always just make them private lol
subscribe OR just periodically scroll through your bookmarks OR mark it for later OR use original tags to mark it as unfinished or like. literally anything idfk
if you feel like being a real chad and leaving a comment itā€™s super easy too you can just be like omg love x scene that happened in this chapter it was so angsty/cute/crazy/unexpected/insert adjective and i loved it/im rolling on the floor/im dying/im in the ambulance, cant wait for next chapter xoxo heart emoji like itā€™s THAAAT easy. said by someone with dogshit social anxiety and a tendency to overthink every action ive ever made, ITā€™S THAT EASY!!
and like. boom. thatā€™s it. you get new content from fics you love delivered straight to your door!! hello??? even if they never update again are you really gonna mourn the loss of like 10 seconds of your time. cmon youā€™re already on ao3 for hours at a time like. lock INNNNNNN
me personally i get so much fuckin shit in my emails that i canā€™t turn off notifs for. so when i get a notification that some fic i dont even remember updated i get hyped as SHIT because finally some good fucking FOOD!! even if i dont remember it right now i mustā€™ve liked it enough to subscribe to it and i know my taste better than anyone else so it must be good shit lmfaoā€¦and if itā€™s a fic i REMEMBER then itā€™s like YEAHHHHH BABY. do you even comprehend how many times ive checked my phone at the bus stop and gotten a notif from either a fic or author iā€™ve subscribed to and just. instantly start grinning like a maniac because YESSSSSSS
can personally attest that this has happened multiple times from ao3 user hollow_lime_green (Hanatamago) and many other authors. do ittt. brighten up your day. pspspspsp do itttttttttt
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maingh0st Ā· 8 months ago
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i dont think Iā€™ve seen anyone talk about the fact that vivi isnā€™t just half-faeā€”sheā€™s half-redcap
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misfithive Ā· 1 year ago
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LET ME BE THE ONE x Elias x Young Royals
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luckyreds Ā· 15 days ago
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Jealousy ain't a good look on you bucky~šŸ’‹
this song made me think about āœØThemāœØ again. Come to find out I already had one edit half-done with itšŸ¤§
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aro-culture-is Ā· 1 year ago
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Not an Aro-culture-is thing but I do have a question you might be able to answer? Is there an aromantic/asexual term for this: AroAce but if I wasnā€™t I would be gay? It might just be homoplatonic or homoaesthetic but idk if there was a term for it that relates to being AroAce. Thanks! <3
possibly you might vibe with oriented aroace labels, like gay aroace? i'll put this out there for other folks to consider as well, but I feel like oriented terminology sounds the most applicable from my POV.
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wexhappyxfew Ā· 11 days ago
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Shannon please put this on a backburner if you're busy (and I mentioned this in the tags of my last reblog) but in your last Benny/Margie fic you said, "she tumbled in, clinging to Major Cleven's jacket" and a protective Buck being the first one Margie sees is a *need* if you've got the inspiration. -- @softspeirs
KATIE!!!!! @softspeirs it has been a minute since you sent this in (much longer than i intended), BUT, i have since written up my interpretation of this little moment. not only do we get a hint at the friendship between margie and buck (!!!!), but we also get some hints of margie x benny in there, too. enough where benny has his freak-out moment (and equally valid moment). this was honestly so much fun to write - from beginning to end. exploring connections i haven't been able to previously, so thank you so much for that!!! i sincerely hope you enjoy my interpretation of buck cleven!! <3333
heard you the first time
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(a/n): the 'before piece' of this margie harlowe piece, featuring the friendship of margie and buck, a smidge of margie x benny, and the rest of the crew in the stalag, complete with annie bradshaw and bucky egan as rising stars. by far one of my favorite pieces to write and develop and dig into. a bit of a warning for some heavier topics, as margie is clearly going through a difficult mental battle, along with trauma that she has since experienced and gone through. thank you all for reading! please enjoy! :)
The deceptive nature of a war was something one could easily have as hard of a time getting used to; nearly as much as a simple card trick or removal of a mask.
Dealing with the aftermath of such was something no one was inherently ready for.
The fragile form that was Marjorie Harlowe, stumbling in the main gates of the Stalag was something far from the reality Buck Cleven had hoped to see upon Lieutenant Harlowe turning up - better yet, her turning up alive.
From Buck's position behind the barbed wire fence, the farthest he'd ever felt from a member of the 100th, despite her being just 50 feet away, at the entrance of the gates, had his blood pumping and his worry spiking off the charts.
There was something about that distant look in her eye as she looked around warily, trying to keep herself up on her own two legs, her clothing in the poorest condition he'd seen any of the women come in with, and a look on her face that evidently displayed whatever horror she had been through and had to both see and witness.
Buck had always kept an eye out for Margie Harlowe ever since they crossed paths before heading out for Greenland - a run in near the bar where groups had gathered and news had spread that an all-female B-17 crew was being immersed into the 100th. She was almost like a younger sibling to him and if anything, allowed him to bring out a looser side of himself than normal.
The group that was coming in now looked worse off than the last groups had been - at least they'd been able to confidently stand on two feet and move their limbs. This group looked beat to a pulp, half-stumbling, half-falling just to keep themselves from looking weak in front of the unfamiliar and unknown. The yelling of names around him was nearly going to send him over the edge as he pushed to the front of the group and braced as the barbed wire came in contact with his form. Pressing forward, the crusher cap on his head tilting side ways, he cupped his hands around his mouth.
"Harlowe!" he yelled, his voice sounding more hoarse than it had in recent days, "Harlowe!" Buck was able to watch, through a strained gaze, as Margie managed to pull her head upwards from the ground and get a glimpse in a general direction of the voice. Just at the sight of him it seemed, she collapsed and Buck's heart leapt into his throat.
"Margie!" Buck yelled, his voice causing others around him to snap shut quietly, his eyes turning to the second set of entrance gates.
Immediately, he was pushing through the layers of people pressing themselves earnestly against the wire and wood, desperate for a look to see if a friend had survived, a comrade that had since fallen from the sky just like the rest of them.
Hurriedly looking over his shoulder as he pushed through the crowd of pilots and American men, he could make out one of the German soldiers standing over her, yelling and spitting, harsh German spilling down upon her - he wanted her to get up. The German kept poking her with the muzzle of the rifle as she lie there.
"Get up." Buck whispered to himself as he pushed through towards the second entrance gate, which slowly opened, allowing the new wave of arrivals to flood inwards, "Get up, Margie, please."
Buck rounded around half of the swinging gate and watched as Margie rolled herself on her side and tried to push upward. She looked exhausted, entirely depleted of herself and who she was; nothing more than the shell of a human with the instinct to survive. It broke Buck's heart to even have to see someone, a human being, like that in this very moment.
"Harlowe!" Buck called as he pushed through the new arrivals, moving past swinging arms and shoulders, side-stepping and keeping his eyes on Margie there on the ground.
"Up! Up!" the German yelled over her as Buck moved closer, "Get up!" In an instant, the German kicked and a blood-curdling scream ripped out of Margie's mouth.
Buck felt himself freeze for a split-second, his entire body growing cold as he watched the German do it again, a weak whimper from Margie to follow as tears trailed down her dirtied and bloodied face, her gaunt cheeks matching the bloodshot tint of her eyes, her hair, once bright and blonde and lush, now short, hap-hazardously cut and filled with scraps of dirt and mud. Buck watched as the German went to kick again, but Buck couldn't take it.
He stepped forward.
"Harlowe!" he yelled, quickly falling to his knees, watching as the German froze there, watching him with wide, stone-cold eyes as Buck's hands made contact with Margie. He noticed her flinch at his touch, her entire body reflecting the pain and the past all at once. Buck lowered his head and watched as Margie's eyes cracked open in fear, her breathing erratic, her body trembling.
"Margie, it's me. It's Buck Cleven." he said quietly, reaching forward to gently move his hand under her head to get her up, "You gotta stand for me."
"B-Buck." she managed out quickly, her hands frantically scrambling for his arms as she let him help her to get herself situated, before clinging to him like a frightened child, weak cries coming from her lips as Buck held her as tight as he possibly could, looking towards the German.
"Move." the German spat, taking a step closer, "Out!" Buck stared back at the German coldly, watching with a steadiness he hadn't been able to scrounge before and bit his tongue, holding back any words that could make the situation worse than it already was.
Buck's mind seemed to feel a million miles away as he began to take on the reality of the situation.
Margie.
Margie Harlowe was barely alive in his arms and he needed to get away from this German before they were both dead and more importantly, get her to a bed, to a quiet room, filled with people who'd fight the end of the war just to keep her alive.
Benny DeMarco.
Buck's heart clenched at the thought, knowing Benny was already mulling things over with others making conclusions about it all. How Margie had been thought to be as good as dead just 24 hours ago, when it had been over two weeks since a new Silver Bullets arrival. He couldn't imagine the horror on the rest of the mens' faces, nor Bradshaw, Farley or Carlisle. He could imagine Annie Bradshaw - hot on his heels, going through hell and high water, causing a storm to blow up - he knew she'd have someone's head if it weren't for the fact they were prisoners in a camp made specifically for them.
Annie Bradshaw was going to lose it - and the fact Buck was even struggling to maintain composure was a sure sign.
"Margie, we gotta move, you gotta keep yourself awake." Buck whispered quietly, moving his eyes in the direction of the second gate, "Keep moving."
"Buck." whimpered Margie, her tiny fists balled in his jacket as her legs flopped about, her limbs depleted, any energy she had once had gone. God, it scared him beyond compare seeing one of the Silver Bullets women like this - so far from the person they once were.
"I'm here Margie, I'm here." Buck said as they passed the second gate and he started for the bunkhouse, "You gotta keep your eyes open."
"Buck." Margie managed again - his name, she kept repeating it over and over - like convincing herself this was real, that he was real. He placed his hand on her side of her head, pushing it against his inner shoulder to stabilize.
"Buck," Margie managed, her voice pained, "t-they hit me, Buck. They h-hit me all over." Buck's blood ran cold at her words, legs nearly stuttering to a stop as she said those words.
One could take a few guesses as to what had transpired before Margie Harlowe had arrived, but with her current state, Buck's heart fell. And it fell right to his feet, causing his grip to loosen and his mind to twist. He stopped with Margie there curled into his side and looked down at her, grimacing and whimpering into his side, trying to stay on two shaky legs.
Anger hit him first - anger for her, with the Germans, with this war, with how the Germans had left her, her current state and condition.
Guilt coursed next - he would never be able to protect them all - all the 100th, all the Silver Bullets crew, the very people in this group of people here now. 1943 and a stalemate for the war and nothing would ever seem to change.
"It hurts. So much." Margie whispered, her voice cracking, "Everywhere." Buck couldn't take it.
"Margie." muttered Buck, getting a better grasp on Margie, "We gotta keep moving, Margie, get you in the bunkhouse. Where it's safe. Safe, alright?" A weak whimper seemed to escape her lips as she curled against him, as if to hide away in whatever comfort him and his heavy overcoat could provide.
Oh Annie Bradshaw was going to lose her mind.
Coming upon the bunkhouse, Buck felt Margie's grip on his coat and arms tighten as she looked upwards at the building.
"No," she whispered, shaking her head frantically, shoving at his arms, as if to try and break free, "no, no, no, NO." Pulling herself out of his grasp, she flopped onto the ground weakly, before moving to curl into a ball.
"Margie-" Buck started, scrambling to crouch beside her on the ground, where dirt now had smeared upon the clothes hanging off her body and her dirtied, bloodied face, "Margie, you'll be safe."
"No, I can't." whimpered Margie, writhing like a wounded animal, "I can't, please don't make me." She looked up at him with barely opened eyes, peering at him through glossy tears and bruised cheeks, her lip quivering, hands grasping at the Earth to grab hold.
"No one in there will hurt you, alright, Margie?" Buck said, placing a hand on the side of her face gently, bracing as she flinched at the touch, "Annie's there, Farley and Carlisle, too. We got a whole crew of our guys in there." Margie continued to shake but grew quiet instead.
"I promise you, nothing in there will hurt you." Buck repeated, watching as recognition attempted to flicker in her gaze. Buck's mind began to race a little.
"Let me help you up, okay?" he asked her quietly. She stared at him, flush to the ground like dead weight.
"I can't let them know what they did to me." Margie whispered softly, her voice trembling, "I can't let them know."
"Who's they?" Buck asked her quietly back, ignoring the looks of others passing by, their lingering gazes catching on them here on the ground.
"Them." Margie whispered, "Those people that held me captive until the Germans came for me. Caught me like a wild animal, tied me up to a wall and left me with nothing but darkness and the cold." Margie's eyes welled with tears. "You can't let them know."
"Who know?"
"Them." Margie whispered. She either wasn't making sense or Buck's mind was going, but all he knew was that she needed to get inside and he needed to keep her talking.
"Let me help you stand." Buck said again and Margie, this time nodded. Buck reached out, grabbing her frail arms, and slowly pulled her to her feet, placing her promptly upwards, before wrapping an arm around her form and nodding to the bunkhouse.
"I promise you'll be safe in here," he repeated to her quietly, "I swear to you." Margie looked up at him, with such a profound fear and sadness in her eyes that he felt his heart rate begin to pick up.
"C'mon." Buck said quietly, slowly nudging her forward. As they moved up the steps, Margie began to cry from beside him, each painful little breakage of emotion that slipped out of her, causing his insides to twist in a sickening way.
What had happened to her?
Moving down the hall to their room, Margie began to slip from his grasp, her legs giving out from under her as she clung to his coat and his form, her shaky body nearly bumping into every bit of wall as they moved.
As they came to their door, Margie holding onto him like life or death, Annie Bradshaw came over the threshold. And her eyes immediately went to the sobbing Margie Harlowe hanging off of him. Buck saw a glint of anger flash through Annie's gaze, something he had grown accustomed to after a few officer outings and conversations at the flying club. But then there was grief and sadness and something else he was sure he'd never fully be able to grasp.
Before Annie came to them, she leaned back over her shoulder and yelled back into the room.
"Someone get some warm water and a towel! Get some soup going, open up a bed!" Annie called, before looking forward again, her face growing with horror by the second.
"Wait, what's going on?" Brady's voice called from inside, as other sets of eyes began to appear, looking their way or moving to look through the doorway.
"It's Margie-" Buck began to hear people say, bodies bustling and beginning to move, the glimpse of a frozen Kennedy somewhere by the stove as she stared, numb and with tears in her eyes.
"What happened?" Annie asked as she stepped forward and slowly looked to peer at Margie's eyes.
"I don't know." Buck managed out, swallowing as Margie's grip tightened.
"Margie? It's me, Annie." Annie said, reaching forward to place a hand on her flight engineer's back only to be met with Margie flinching and beginning to cry again.
"You can't make me." Margie cried out, causing heads from inside to turn and look towards the door, "You can't make me go in there!" Annie met Buck's gaze; he felt helpless in all the ways there could be. He was half keeping Margie standing and trying to usher her in the room. She was in near hysterics, with no one having a clue what had happened and simply being in need of the ones who cared for her most. And she didn't want it.
"You'll be safe in here, Margie, it's Annie. Annie Bradshaw." Annie said quietly and desperately, keeping her voice low.
"They're in there," whimpered Margie, shoving her face into Buck's coat as he kept a firm grip on her tattered A2, "they're in there, I know it." Annie looked to Buck again who clenched his jaw before keeping a steady hand on Margie's back.
"Margie, you have to go in the room," Buck said, "you'll be safe."
"No, please, don't make me do it!"
"Who is they?" Annie asked quietly and Margie froze. Her body shuttered, as if preparing to scream, but instead she looked over at Annie with wide, bloodshot eyes.
"They tried to kill me, they were trying to kill me-"
"Hey, hey, hey, what's going on over here?" a voice called from down the hall. Buck looked away from Annie and found Bucky and Benny coming down the hall, some potatoes in hand, confused looks on their faces.
"If anyone tried to kill anyone here, I'll-" Bucky stopped mid-sentence, just as Benny came up beside him with a content look on his face only to freeze, "Margie."
For a moment, it was completely silent as they all stood there. Buck watched Benny the most - the way his face dropped completely, his eyes immediately all over Margie - her clothes, her scrunched face, the tears on her cheeks, the mud plastered upon her clothing, the blood. Buck saw it building on Benny's face - the anger. His blood boiling.
"Benny-" Buck started, only to watch Benny grit his teeth, eyes flaring wide, the potatoes in his hands slamming to the ground.
"What the fuck is going-"
"DeMarco." Annie snapped, stepping forward, placing a hand on Buck's arm, "You need to calm down." Annie dropped her voice. "She's terrified." Benny stared at Annie, his eyes darting over Annie's shoulder again only to refocus again.
"What the hell happened to her." he said, more of a statement, rather than a question, his eyes blazing to Buck, who stared at him. Benny was going to start losing it. Margie's grip was tightening.
"We don't know," Annie said, glancing up at Bucky who was now looking into the bunkroom, meeting the eyes of Kennedy, "but raising our voices and arguing is not going to help in any way, shape or form, so I highly suggest every one of you shuts your mouth." Annie met each of their eyes before looking back to Margie again.
"We can settle her in my bunk." Annie said quietly, before looking towards Margie again, "Hey, Margie, you ready to get some warm soup?" Margie was quiet standing there curled into his jacket, quivering, he could feel her trembling.
Buck took a slow glance at Benny, watching as the Captain's shoulders rose up and down in a pounding fashion, evidently upset and angered all at once, his emotions in a multitude of directions.
Captain Benny DeMarco wasn't one to lose his temper like this it seemed. But, in this moment, Buck could take two guesses as to the fact it was about to happen.
"I can't." Margie managed out, her voice hoarse, throat sounding raw with emotion and tears to follow, "Please, I can't, they're in there." The group went quiet around her, as Buck glanced upwards to Bessie who had come forward with a hot towel, Hambone behind her with a spoon, Brady appearing with a blanket. What had to hurt the most was that these were all people standing around her now that had cared for Margie for months before this. Some for years. Yet, they were almost unrecognizable.
"That's it-" Benny started, before starting to turn, unclenching his jaw and pointing towards the door, his footsteps becoming quick.
"Benny-" Bucky started, but was quickly cut off.
"What the fuck did you do to her!" Benny yelled, his footsteps beginning to move down the hall, his voice echoing off the sodden wood, Buck's eardrums ringing with a clammer.
"Benny, lower your goddamn voice!" Bucky called to him, moving from the group, forcefully grabbing Benny's shoulder and pushing it back, "You're gonna freak her out more!"
"They did something to her, Bucky, they did something to her and scared the shit out of her and-"
"Listen, you gotta calm the fuck down-" Bucky started in. Buck turned his head slowly away from the rumbling scene and looked to Margie, landlocked onto his jacket still. The hour was desperate.
"Don't tell me to calm down-"
"You get any louder and you're going to freak her out even more, ya hear?!"
"You two have to shut up." Annie yelled, raising her voice the loudest he'd ever heard her do so, "If you need to be yelling so much, go find a different wall to bark up, okay? We don't have time to listen to you two right now." Both Bucky and Benny stopped, staring each other down.
"Don't go making more problems." Bucky said calmly as Benny stared coldly.
"Then they gotta stop doing stuff that make me want to." Benny answered, narrowing his gaze. Buck slowly turned his gaze back to Margie and watched as Annie slowly placed a hand against her cheek, gazing into her eyes in the most calming and present way. To let her know she wasn't alone and that these were people that cared for her. Right here.
"It'll be okay, you can stay in my bunk," Annie said quietly, before glancing at Buck, "I can take it from here." Buck nodded, watching as Annie took hold of Margie's hands, taking them into her own before Margie was latching onto Annie, trembling and shaking, eyes unfocused, as Annie led the two of them into the room.
He watched, like a stagnant figure, as Brady came forward, wrapping a blanket around Margie's shoulders before guiding her over towards where Annie bunked out, disappearing from his line of sight.
Buck set his eyes on Benny, now looking towards the doorway where Margie had disappeared into, his eyes a mixture of contempt, torment and sadness. Bucky was still there, standing in front of Benny, hands on the Captain's shoulders, as if letting go would unleash the chaos Benny was still holding back.
"Bennyā€¦." Buck said closing the space between him and the two of them, coming up on Bucky's side to look at the Captain's face, "calm yourself down before you go walking in there, okay?" Benny watched Buck, his gaze narrowed, jaw clenched, shoulders and neck filled with a tight tension.
People that had been peering out of other bunkrooms to see the commotion, were now turning away, moving to leave out the door, or going back to minding their business. It was relatively quiet and calm. And for once, silent. Buck continued watching Benny.
"She's freaked out enough as it is," Bucky started, "did you hear what she was saying-"
"I heard every goddamn word she was saying, what happened to her?" Benny said quickly, leaning forward towards Bucky, "I'm gonna kill whoever did that to her-"
"Benny." Buck said, reaching forward to place a hand on the man's shoulder, "We'll figure that all out. But for now. What you gotta focus on? Calming down. You gotta keep it in your mind - Margie is here and she's alive. Albeit, we wish in a better situation. But she's here, with us, safe for the moment and alive." Buck watched him. "You freaking out won't help us out anymore. And scaring her further isn't going to do us any good." Benny looked helplessly towards the door again before looking back at Buck.
"She'll be okay," Bucky said quietly, patting Benny's shoulder, "you got Annie Bradshaw in there ready to tear the eye sockets outta someone it seems. Margie's in good hands."
"Yeah," Buck agreed, a small smile on his face, "she looked ready to go out there and let someone have it." Benny managed a slight smile on his face, the worry and concern that had been hidden by anger, beginning to emerge on his features. Buck could tell Benny was at a bit of a loss for words other than expletives, along with feelings he couldn't quite reel in.
"I shouldn't have lost my temper-"
"Benny," Buck said quietly, offering a slight smile, "just go in there, do what you can to help. We'll all make sure she feels safe and comfortable, okay? She's here now." Benny nodded at his words before letting out a deep breath.
"I'm real sorry again-"
"Benny." Bucky said leaning forward a smile on his face, voice low, "Pick up your goddamn potatoes, shut your mouth and get in there." Benny couldn't seem to help but manage a small smile at those words, dropping is head before glancing upwards at Bucky with a smile.
"Yes, sir, alright?" Benny said, before turning, gathering up his potatoes and pausing by the door. Buck watched as he took a deep breath, before stepping inside. Buck grew quiet beside Bucky, eyes still trained on where Benny had been standing before entering, before Bucky nudged his shoulder.
"What the hell do you think they did to her?" Bucky asked him, his gaze narrowed, eyes set on the doorway and his face like a stone. Buck glanced his way and set his jaw firmly.
"We'll let her rest, get herself back in order. Give her time." Buck said, "But I don't knowā€¦..whatever happened, clearly it was enough to convince her that it's still happening." Bucky let out a low whistle and righted his feet before crossing his arms and leaning up against the opposite wall of Buck.
"You think they did something to her?" Bucky asked, tilting his head, anger pooling in his eyes, "I think Benny was onto something, I could shove their heads right down into the dirt-"
"Bucky." Buck said, shifting his weight as he watched him, "Now, you're sounding just as bad as Benny."
"You see the look on her face?" Bucky asked him, "They touch any one of those women, and they're dead." Buck knew there was no use arguing, especially when truer words had never been spoken and rightfully shut his mouth.
"C'mon," Buck said, nodding his head towards the door, "she needs us." Bucky slowly pushed up from the wall before following towards the bunkhouse doorway.
"I swear to God, Buck." Bucky said pausing to look at him, jaw clenched.
"If one of those officers comes in and messes with any one of us, you'll have their head," Buck said, a slight upturn of a grin on his face. Bucky watched him. Buck gave him a pat on the shoulder and a smirk.
"I heard you the first time."
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oceansquill Ā· 2 months ago
Text
Okay, someone uploaded the ~10 minute dream portion of the podcast - I'll link it in the comments. Here's a summary
the main story:
Starts with Phil saying that when the "their nda's are done they can talk shit now" jokes were going on, he said that when he retired he'd give context to the "imagine taking credit..." tweet
Tommy says he'd "never been in an argument with anyone before" so he was really stressed at the time
at the time tommy was in a call with eryn, jack, tubbo, and freddie and they were egging him on
from tommy's pov, dream got really personal so tommy wasn't sure if he was serious or not
Tommy contacted phil for help, phil decided to find out
other stuff:
tommy joked about there being red flags, jack and phil agreed - jack claimed he had a bad feeling from the start
the infamous part of it was "I vowed never to be horrible to dream again" "it's not worth it, it makes me too sad"
apparently jack was aggravated by dream one week into the smp and figured he was a bad person from then on (also said dream doesn't like him and was clear about that - corroborated by tommy)
jack gives dream credit for giving him the dsmp opportunity and "individual acts of kindness" but thinks that he takes ownership of other peoples' works because he helped (and doesn't like him because of that)
at the end jack said the words came out harsher than intended, he just really does not like dream
jack said if there were dream fans in the patreons he thinks they're "fighters" and says hats off to them
tommy says he done with all the behind the scenes drama so he only works with like 4 people now
phil says he has no animosity towards dream, just disdain for a lot of things he's done behind the scenes
jack says he'd be civil to dream if he saw him
says he feels bad airing "all that out online"
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