#and who are we to judge
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oxventurequotes · 3 months ago
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ashlyn: is your friend feeling alright? i notice she is not here
happen: she's feeling very well.
happen: she said that your food was disgusting common muck so that's why she's not here.
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ladyylavenderrr · 7 months ago
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I want you all to know that my 13 year old brother keeps making sigma type iMovie edits of various ds9 characters and it makes me fucking hysterical. He doesn’t even watch DS9
Some more edits here
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an-exasperated-hades-kid · 2 months ago
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One of the things that really bothers me in some solangelo fanfics is the way Will is written because authors will literally remove all his flaws and make him perfect. Like give me Will who goes to poke a pimple in tartarus just to check if it potentially has healing properties , give me Will who can unintentionally rude at times by being blunt and not having a filter, give me Will who does not hesitate to share his opinions. Like yes, Will is kind , forgiving, and has a strong sense of justice, is supportive , accepting, will put others needs ( emotional and physical) over his own but he's an audhd teenager with anxiety , self-worth issues and a hero complex. He is also very sassy ( at times ) and can be pretty scary when he needs to be. He is far from perfect, and ppl need to understand that !! His flaws make his character so much more interesting.
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swordmaid · 3 months ago
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thinking about how the bear pit is rlly an amalgamation of brienne’s insecurities and fears - everyone laughing at her (the whole spectacle), making a mockery of her gender and appearance (the pink dress), making a mockery of her physical prowess (wooden sword) then jaime coming down there to protect her and take her away from all of that. that whole ordeal being so significant that in her nightmares she’s hoping and calling for jaime to save her and take her away, and the fact that she even remembers the sound of jaime’s boots hitting the sand when he jumped down the pit for her im so ill
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bread-wizards · 4 months ago
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I actually think Dorian and Orym should fight more.
Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.
The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.
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marypsue · 5 days ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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imnotpoppunk · 9 months ago
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I get emotional thinking about how much it must have meant to Xie Lian to have one of the most influential people in his life confirm that he accepts him even though he's in love with another man (the fact that he's a supreme ghost king is a lil weird but who cares!!)
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musubiki · 9 months ago
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danmarch 🐉💎
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tangents-within-tangents · 4 months ago
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Hot take:
Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch
Emerie does.
Crosshair has an arc for sure yes but it's not that.
I was thinking about this scene:
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and how it got right what this scene kinda didn't:
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(It was so close but then bad writing decided to undercut the moment with a joke rip)
And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.
But take a look at Crosshair's answers in comparison:
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Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:
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Crosshair - Loyalty, Purpose, and Survival
Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:
Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?
Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!
Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.
Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.
He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.
Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.
The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.
Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.
After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):
Crosshair: Republic, Empire... what's the difference.
Crosshair: Orders are orders.
This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.
But what does?
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Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.
Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?
This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die
Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.
Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.
His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:
Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.
This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:
Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.
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then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:
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Crosshair turns against the Empire not because he believes Hunter was right about this:
Hunter: I've seen what the Empire is doing ... You know it's not right.
but because he was right about this:
Hunter: All you'll ever be to them is a number.
Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:
Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.
Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).
There's also a bit of self-destructive guilt:
Crosshair: Omega, don't risk anything for me. I belong in here.
Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.
(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)
But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).
While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:
Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.
Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:
Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.
(note how he says who's giving the orders, not what the orders are)
"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).
Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:
Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.
Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.
There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)
Which brings us back to...
Emerie - Cooperation, Compassion, and Choice
(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)
Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:
Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*
Crosshair: Give me your access card! Emerie: It won’t get you outside!
Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.
Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.
Emerie: You should go back to your room. Crosshair: You mean her cell?
Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.
Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.
We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:
"Remain calm. Cooperate and you might survive."
"Don't make this worse, Crosshair! There is no escape!"
"All of us serve a purpose here."
"The Doctor will inform me, if it's necessary."
"It's best not to ask questions."
"Escape is not possible, Omega. This is for your own good."
She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).
The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:
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Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:
Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?
Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?
These fighting-the-Bystander-Effect conversations parallel these exchanges:
Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.
Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.
which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed
Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.
but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.
Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:
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Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.
Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.
Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***
While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:
Emerie: Because I was wrong about this place. And I'm trying to do the right thing.
Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.
She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).
So, in short, she's showing us how redemption is done right!
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Notes:
*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).
**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means
Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!
***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.
Anyway, thanks for coming to my tedtalk
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nenoname · 5 months ago
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stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff
and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing
like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)
stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context
while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands
ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is
idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok
#stan pines#ford pines#stanley pines#stanford pines#gravity falls#stan twins#as for the 'still on your mind' thing to me its stan literally thinking about bill despite ford resolving to move past it#or alternatively me on my same coin theory obsession lmao#me yelling and screaming at ouroboros being used to link to the axolotl and bill and how ford didn't actually keep it#which brings up even more questions about it reappearing in the shack when stan takes over#of course even if him realising about reincarnation being a thing i think its still way less to deal with than his actual issues#something something a same soul doesnt mean much when he already proved himself a better person a million times over#idk my thoughts on reincarnation as a concept is like eh??? anyway#also completely unrelated but stan writing fanfic means he knows what soos meant when he was talking about stan fics#soos seems like a gen fic writer especially with the ones we got as those promos#the train one where he comes up with a giant backstory for the setting that has nothing to do with the fic bros is super funny#but meanwhile we have stan the canonical smut writer who had to be writing it that summer#would he be a self insert shipper? would he projecting on the duchess instead? is he both???#i have many questions#then again judging from hows theres a wedding scene that he got super emotional over he might just be a shipper????#this has nothing to do with my original post#...or does it cos the axolotl last appears reacting to stan freaking out about count li--#anyway if you think this post is longer than my usual its cos i physically made myself delete most tags and put it in the actual post
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lunabug2004 · 5 months ago
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The fact that Dustin saying "and yet you still have a C in Spanish" is followed pretty closely by the counselor saying "[you have] a C in English and a C- in Spanish" to Max, referring to her depression causing her grades to slip...
I feel like more people should have picked up on Mike's mental health issues (as in, y'know, his depression).
Just saying.
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starboundsingularities · 1 year ago
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what if i told you i actually made more of these
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koroart · 1 year ago
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Eats a bri c k
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fighting-naturalist · 1 year ago
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lesbianshepard · 2 years ago
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I think an underappreciated thing about alexander scaplehorn (tax inspection guy) in TMA is that he was just too open minded and accepting for an avatar of the stranger to have much of an effect at first. he saw the taxidermied corpse of a man possessed by the concept of uncanny valley and was like "This guy says weird things, won't make eye contact, and is surrounded by old taxidermied animals? Ohhhh, yeah my cousin is autistic too. It's really not a big deal, we've all got our quirks. :)" Like he would catch himself getting unnerved by the shop and then chastise himself for being judgmental. King.
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lotusishere · 15 days ago
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I think Sophie, Keefe, and Fitz should play the “we listen and we don’t judge” game. Have all of them take turns sharing all the atrocities they have all committed or thought about and let the games begin.
I’ll give you an example.
Sophie, Keefe and Fitz: We listen and we don’t judge
Sophie: When me and Fitz were arguing about whether or not I wanted to continue doing my matchmaking papers I wanted to slap him.
Fitz: 👁️👄👁️ what? Why-
Keefe: We LISTEN and we DON’T judge.
Fitz: 🧍
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