#and what a better way to bring it back

[talesfromthecrypts]

BG3 Challenge

[1/3] Companions: Astarion

Can we kill them? Please? Pretty please?

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[poorly-drawn-mdzs]

Conceal, don't feel, don't let it show.

[First] Prev <��-> Next

[im-totally-not-an-alien-2]

"Why?"

That one word sent a shock through Danny's system, like he was back in the portal being electrocuted all over again. Still, he knew what was at stake, so even though that look on Tim's face made him want to fall to his knees and explain everything, he knew he couldn't.

Instead, he raised his gun as the portals filling the sky multipled and merged together as the ghost zone tried to absorb their reality. Channeling his inner Dan, he gave Tim a mocking smirk, What? You didn't think all that was real, did you?"

"You...you're lying!"

Danny tilted his head at an angle he knew would look as smug and condescending as possible, and judging by the burst of rage he felt coming from Nightwing a few rooftops over, it worked. "Tim, you know better." He said in Bruce's voice, It was the exact thing Bruce had told them when they were starting thier relationship.

Everyone had disapproved when he had brought his new boyfriend home a few months after meeting at the skatepark. Bruce hated Danny from the get-go, more suspicious of him than he had been with any of the batkids' previous partners.

Danny opened his mouth to mock him more but was quickly cut off by a punch to the face, not by Nightwing, or by Robin, who was still racing towards him at seemingly Mach speeds. Nope. It was Hood, who looked madder than Danny had ever seen him, surprising both Tim and Danny alike.

"You did all of this just to steal our souls and trap us in some weird afterlife dimension as your slaves?!"

Danny had no idea where the slaves thing came from, but it sounds villainous, so Danny's gonna go with it, "Of course!"

[soup-of-the-daisies]

cannot stop thinking about that meta that’s like “voldemort’s ultimate goal was to simply destroy the british wizarding world” because it makes so much sense. tom riddle was a poor, orphaned, assumed muggleborn boy with a (most likely) ‘commoner’ accent and a distaste for humanity who sorted into slytherin, the hogwarts house infamous for being filled with loud rich bigots. tom riddle, with his background, could not have possibly been very popular those first few years of his schooling. tom riddle would’ve loathed the lot of them, all those arrogant, spoiled rich kids boasting about their family line. finding out he was the heir of slytherin would have been both a relief (he has something to fit in) and a jackpot (if they knew, they’d bow before him). and he uses that heritage later, when ‘tom riddle’ has disappeared and a stranger called ‘voldemort’ appears in his place. the fanatics literally kiss his feet.

voldemort is canonically a genius. he would’ve known that non-magical blood doesn’t make you dirty or less talented, because he himself is the prime example of that. espousing the bigoted pureblood agenda was simply the easiest way to gain power over the ones in power—all to send society crumbling to the ground from the inside. he takes over the ministry and ruins it, taking the first steps in tearing down the establishment; he kills regardless of blood, implying he doesn’t give one flying fuck what your heritage is; he tries to destroy the sorting hat, which would render the concept of ‘houses’ void.

personally i think it’s very interesting and appealing to put this interpretation in the context of tomarry/harrymort. i’ve always HC’d that harry will grow tired when he’s older, after he’s saved the wizarding world once (at the expense of his own happiness and well-being) and sees that nothing has changed or will change. that voldemort was a symptom, not the disease. that he and hermione and ron keep struggling, working themselves to the bone to make their world more fair and to suppress and eradicate the rampant underlying bigotry, but that it just won’t take.

and with an older harry, an embittered one, turned caustic and cynical by the very world he once viewed as his sanctuary—i don’t really think their beliefs would differ all that much. they’ve both seen and experienced the injustices. they’re both annoyed and disenchanted. harry will always have a regard for life, and voldemort won’t ever, but if anyone would have a wish to tear society down and build it back up again it’s them both.

[solifelessblog]

There's tragedy at every step of the way

Please reblog, don’t repost :)

[sincerely-sofie]

What if the lamb and narinder swapped places?

BEHOLD: Narilamb but make it vaguely Wind Waker / Ponyo and even more tragic.

[kurthummeldeservesbetter]

So if a Mel and Caitlyn pair up defeats a dictator and wins a war (at least the first part), a Vi and Jayce team up only ever kills kids or fucks up a mission, and l then what does a Jinx and Viktor pair do? What do the other options make?

Here are my ideas, ranking from best outcome to worst or what actually gets done.

Genuinely think a Viktor Mel pair (depending on if they both have some sort of magic) save the world. Both incredibly intelligent. Both caring but can’t be manipulated by emotions easily (influenced is a different story but damn when you’ve got a terminal illness or a dictator mom it’s hard being normal). However I think the arcane writers knew the team up would be too powerful. Also incredibly sexy. If they just had tea together once I think there would be no arcane story to tell.

Cait and Viktor. Not a lot getting done but if we’re thinking season 1 then it’s gonna be so nice and calm. They’re having tea. They’re planning our improvements for Zaun. A harp sings in the distance. They talk about Jayce. Caitlyn asks questions and listens to the answers and vice versa. World peace maybe not achieved but close.

Technically Jayce helped Cait free Vi and helped cover it up, as well as help her when Caitlyn tried explaining what was going on with Silco. Very even results. Nothing major changing here but typical for people who literally just bring out nothing in each other besides…friendship? Siblings? Idk.

Vi and Viktor would probably get along in the sense of they knew an older Zaun. (At least in comparison to Jinx.) Vi can be pretty gentle and Viktor definitely cares. Battle wise he ain’t gonna do much (the only time he really fought was when it wasn’t a good thing for anyone) but he’s bring the smarts to Vi’s streets. They’re gonna win the battle but it will be tough. Some lives may be lost but it ain’t theirs.

Mel and Vi….Vi does not like politicians. Vi does not like people from Piltover beyond Caitlyn (and maybe Jayce?) They argue the whole time. Nothing bad happens but nothing gets done. It’s mostly Vi’s fault but Mel can’t let it go. It’s been three days and they haven’t left the council room. It ends with the mutual agreement to never meet again.

Technically a Cait/Jinx pair saved Vi (after the commune) and also the conversation they had in the jail was actually civil. Don’t think a whole lot is getting done but a good battle buddies I think. There’s gonna be tension though. Lots of arguing and glares. Caitlyn’s hair is now orange and Jinx lost another finger. Lots more damage than necessary.

Mel and Jinx. Someone is dying. It might not be one of them but it’s definitely someone who shouldn’t be dead. Mel’s level-headedness barely works on Vi and it definitely won’t work on Jinx. She’s never had a younger sister. Jinx knows what buttons to push. The building is on fire.

Jayce and Jinx. Mostly everyone is dead except for Vi and Viktor somehow, or the exact reverse. They haven’t stopped arguing since they met. They just keep slapping each other like cats. Jayce keeps trying to hit her with the hammer but she’s elusive and it’s like a game of wack-a-mole. He kills a kid each time instead. Jinx won’t stop making fun of him. Someone lost a limb at some point.

Jinx and Viktor. Everyone is dead. I would say they are too but no, they’re stuck at the end of the universe with each other. It’s equally both their faults. Viktor deadnames her every time she insults him. She never stops and neither does he. They each have a shrine to their respective loved one and it’s the only places they don’t bother each other. She bleached half his hair. He poured out her nail polish. They fight till the end of time itself. Sometimes they have movie nights where their respective hallucinations (Silco, Sky) join.

[chonkymoth]

My hare-brained theory is that Sean is going to die due to his heart issues, excessive drinking, etc but thanks to Laszlo now having a grasp on how to reanimate the dead...well, you get the idea

[dangeroustaintedflawed]

ppl complain about other girls postin about ed’s n gore like this isn’t tumblr.com

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[gavinette]

It is so incredible to me how Solas and Lavellan have their own code to communicate to each other. Not only explicitly in lines of dialogue, like the elvhen they use in a room full of people just to have their private moment, or the hallelujah cadence they use in certain moments (like when you meet the Inquisitor the second time).

I'm talking about Lost Elf and the music that plays in the "Atonement" romanced ending in Veilguard. Two instruments having a dialogue while time is running. How the tune changes when Lavellan appears in the scene, shifting from the big Dread Wolf vibes to a new arrangement (dialogue?) of the Lost Elf. The music even stops for one second.

I'm obsessing over this little detail, I know, but I think it shows, even if you don't understand Solas or Lavellan body language to each other in the finale, what is happening. They're having the same debate all over again but it is different, the music is telling you it's different. More elements influence it. Lavellan knows better now, the violin is different and it doesn't have this desperate vibe to it.

I always admired Hans Zimmer since I was a little kid and getting to play Veilguard, save Solas from his worst fear and Hans Zimmer taking his time to do something specific for the solavellan ending makes me feel like it was my birthday.

[puhpandas]

I miss u fnaf fandom I miss people having new interesting stuff to talk about like we did with SB and ruin and a large alive fanart and fanfic community and not ok this game had no comprehensible plot and this games plot was already revealed 2 years ago and its still like 6 months or more until it comes out

[poorly-drawn-mdzs]

True love is possible only in the next world. For new people. It it too late for us.

(Redraw for @pakhnokh's DTIYS post!)

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[yuwuta]

I LOVE UR BRAIN SO BAD 😭😭😭 YOU ALWAYS POST THEBBEST HEADCANONS AND THOUGHTS LIKE. WORK HUSBAND GOJO. AND JUST HAVING A WHOLE IMAGINATION OF THE OFFICE W NANAMI AND HIGURUMA AND TOJI I?????? I WANT TO LIVE IN YOUR BRAIN

TEEHEEEE you’re so sweet <33333 the work husband to actual husband to househusband gojo pipeline is so so real to me and the office au that comes with it truly does take up space in my brain, so here’s some more loosely established points 

satoru has been your work husband since you got your first job in undergrad. you two met in your dorms, and became friends, and eventually you thought a job would help with your time management skills, so you got a very low-maintenance position at the front desk of the library. satoru applied right after you and schmoozed the two little old librarians into giving him the same shifts as you. that was probably the first moment satoru knew he was a little bit in love with you—because he had no reason to have a job while in school, but this small change in your schedule made him miss you so much that he was moved to get his very first job, probably ever, just to spend more time with you. 

he wasn’t bad at his library receptionist job, but he technically wasn’t good at it, either. if a student asked him for a laptop charger or to check out a book or something, he could do that, but anything else he’d just smile and say, “oh, you’ve gotta ask the pretty girl right there about that, she knows way more than me,” and bat his eyelashes at you. except, then, when you did need to get up to grab something for someone, satoru would just spring up instead, and tell you he’s got it. it’s like… he was incapable of helping anybody else unless he got to flirt with you, and then help you out to help them out……… strange boy 

anyways, satoru makes it a habit to assist you through your student jobs throughout undergrad, and then follows you to the same law school and repeats the process there. (also not to elle woods-ify him a bit but his father heavily questions him going to law school btw because satoru has never showed any interest in working, let alone following in his footsteps to be a lawyer, and now he’s going to law school? his mom is a bit sharper though, because when satoru tells his parents he’s going to the same law school as you, she just smiles and sips her tea and wonders if her son has already made a trip to their family jeweler). 

the firm is large, but the floor you work on is a pretty close knit group. there’s hiromi’s office at the tail end, which is the largest because he’s managing partner and he practically lives in there. on the other end, both you and nanami have decently sized offices. satoru doesn’t like hiromi at first because he thinks he’s mean. then satoru watches him play a little prank on kento, and suddenly the two of them are best friends. it would be a surprisingly wholesome friendship if their common denominator wasn’t irritating kento, and acting as guard dogs for you. 

kento’s office used to be just the bare necessities—law books, his degree, basic furniture, maybe a fancy paperweight, until satoru got his hands on it and decked it out. which is not something kento asked for, nor he thinks is necessary, but that doesn’t stop satoru from continually adding little trinkets and decorations and art to his office to make it livelier. when kento first meets you, he’s surprised when you tell him satoru gojo is going to be your secretary because kento interned for satoru’s father for two summers during law school, but when kento sees you and satoru together for the first time, it answers all of his questions. satoru couldn’t be more of a lovesick fool if he tried. 

listen the ex-convict to single father to janitor to lawyer toji pipeline is so real to me. while toji is working as a janitor at the firm, satoru slips once and then jokes that toji shines the floors too aggressively on purpose to make him slip, toji tells him to fuck off and he can sue for harassment. they truly don’t like each other at first, but once satoru steals toji’s masterkey to get into your office one night after you’re gone to leave flowers, and handle some paperwork to lighten your load in the morning, toji is sort of impressed. he still almost hits him with a broomstick, but even someone as gruff as him can see that satoru had pure intentions. toji is a lot of things, but he’s not immune to or devoid of love or passion. so, eventually he and satoru develop a weird sort of banter and respect for each other. one day someone actually tries to accuse toji of not putting the wet floor sign down and how it’s gonna be a lawsuit because some lowlife janitor fucked up his $3000 suit. satoru catches the argument as he’s heading upstairs and recognized the schmuck as the stuck up lawyer on the other side of kento’s case. satoru’s ready to jump in, but toji’s displaying an impressive amount of physical restraint and legal knowledge that when the dust is all settled, satoru asks him if he ever considered being a lawyer. toji laughs at it at first, but after a month of serious consideration (and megumi becoming a college freshman), he figures it can’t be all that bad. and turns out, toji’s a half-decent lawyer—once you’ve spent so much of your life skirting (or blatantly breaking) the law, you become pretty good at getting people out or around it, too. and with his life experience, he’s a pretty good judge of character; so when it comes time to lock up the bad ones, toji makes sure they get the maximum sentence.

except he has a bad habit of sending out emails with “URGENT: NEEDS ATTN” in the subject, which prompts you, kento, and hiromi to rush to his office, just to see toji with his feet up on his desk tell you that, “the emergency is i hate the opposing counsel, and now that i work on this side of the law i’d really like to not kill him, so somebody else should take this case.” 

anyways back to work husband secretary satoru. he pulls you out of boring meetings under the guise of an urgency, just for him to admit that the emergency is that he missed you, and you two were gonna be late for your lunch reservation. because he’s actually a licensed attorney, he can actually carry out duties an associate otherwise would, which saves you a lot of time and trouble; and it means that satoru gets to work even more closely with you, which is always an upside for him. sometimes you ask him to hand you documents and instead he just hands you his hand. and then pretends to blush and preen like a schoolgirl which always draws way too much attention to the two of you, but there’s no way to stop him either. he takes your coat off of your shoulders when you arrive in the morning, and helps you put it back on in the evening. when you tell him you’re looking for an apartment closer to the firm, he has eight places lined up for viewing, and one surprise at the end which happens to be the other vacant penthouse suite in his apartment building; which, conveniently, would make you satoru’s neighbor. he claims that it’ll be just like in college, but it certainly doesn’t feel that way when you finally move in and satoru can now loudly and proudly proclaim, “see you at home!” in the halls at work now.