#and we all take the same role of 'me'

[schnuffel-danny]

YAY im so glad you see my vision with system vlad as well. i think Danny is a system, too, but in a way where it's like... Danny over and over, with small differences, like you're standing between two mirrors and see yourself reflected infinitely- which'll make Danny take longer to realize he's a system, but he'll figure it out eventually.

my thought for vlad is that he's probably in denial about being a system, and likely has a somewhat fictive-heavy system full of vampires. im projecting onto him that he also probably has some intra-system romance happening in there, too.

what do you think your version of vlads system is like? :D i wanna hear!

<3333 I love system headcanons, I think they can be super interesting, considering how varied systems are (tho tbh, idc for non-dissociative folks making system hcs for villains, tends to rub me the wrong way sometimes)

Funny! I headcanon Vlad as having the type of system you described for Danny :,D I'm projecting my own brain onto that old man haha Vlad is just a bunch of smaller Vlads in a trench coat xD Vlad's brain is kind of split between different points in his life, and each aspect is kind of stuck with a few basic traits taken to the extreme... Vlad can't really communicate with his alters, plus he has frequent psychotic episodes, so it's like "Yeah, of course I black out for hours, sometimes months, at a time and hear voices and have arguments with "myself", and have extreme changes in my personality that I only become aware of once I go back through old photos/messages/etc because I genuinely don't remember anything. I'm on antipsychotics for a reason, this is normal." He may be a littel bit stewpid <3 I don't think Vlad even knows he's got some sort of dissociative personality disorder, at most he's able to say he's "a different version of himself sometimes", but he never bothers to examine that further :,) I also think he blames his ghost half for most of it, since his pre-accident memory is pretty messed up, because the accident/hospitalization triggered a pretty intense split in his mind....

[lilianade-comics]

Thinking about how Dani's episode is called Kindred Spirits, which implies that her unique narrative role is to mirror Danny and act as a foil to him, and then the episode is like "Here's some ✨superficial similarities✨. She is now going to leave the plot entirely and be 💖homeless💖"

[teophan]

a fantastic commission from @themetalhiro of my Dungeons & Devil Fruits 5e Sniper Marksman, Vinsmoke “Starfall Gunner” Beretta!

it was an absolute treat to work with you, looking forward to the next opportunity to do so!

[secriden]

Watching Joong's Hurt Me Please MV with the context of how episode 6 ended and how this is likely a song about Fadel's thoughts and feelings about Style after Finding Out, I wanted to take a deeper look at the lyrics.

I have transcribed the English lyrics on Youtube side by side with a fan translated version (credit: bl_zonee on Twitter) just because there's different shades of meaning between them that I find really interesting and I'm curious which one is the more accurate translation or if both are valid, but just give different nuance. (Perhaps a mutual who understands Thai would be willing to give some insight? *u*)

Verse 1 makes a lot of sense to me: Fadel must be wondering how Style could be so cruel ("unkind" / "heartless") because every instance of Style being honest and asking for honesty in return, all of Style's genuine desperation to bare his heart to Fadel in episode 5 and 6, now looks like a calculated, cruel deception.

And after being so afraid to reveal his secret to Style for fear that it would make Style walk away from him, there's a painful irony in Fadel now wishing Style had walked away before. Because the betrayal hurts so much more now that Fadel has given in to his heart.

The chorus is where the nuance between the translations gets interesting.

The Youtube version seems almost like Fadel is taunting Style, putting up a front that he can take the pain Style is dishing out and more. It's like he's hiding behind the bravado of being able to handle the hurt, and even more.

The MV also depicts Style smiling sadistically after slapping Fadel, as if he's enjoying the pain he's inflicting. Meanwhile, Fadel looks up almost in adoration, a strange softness in his eyes at odds with how cruelly he's being treated. The knowledge of Style's betrayal has turned Style into a monster in Fadel's mind, one which he cannot help but to still have soft, affectionate feelings.

But the fan translation sounds much more hurt and accusatory. Fadel is expressing his pain and anguish much more plainly and "you did this to me" is a line that demands responsibility.

In both translations, though, the last line ("can't get enough" / "enjoying the pain") gives us a hint that Fadel isn't willing to give Style up even now. Despite the pain, despite feeling as if he's simultaneously burning up and drowning, there's a part of him that still wants this. That still wants Style.

Interestingly, as Fadel sings the last line he begins to visibly struggle against the rope tying him to the chair. The soft look vanishes and in place is a determination and shadow that spells trouble for Style. The shock is wearing off and Fadel is starting to fight back.

Verse 2 is where the agony really hits, for me.

In both versions, Fadel recognises the way Style's love was (maybe still is?) precious to him ("your love feeds my soul" / "your love nourished my heart"). But because Style's love is a lie, it's transformed into a weapon ("poison"). It twists Style's love into a source of "hurt" to Fadel.

Which is why I think both versions have a line where Fadel admits that there's a part of him that wants Style to keep hurting him -- or rather, to keep loving him; because these are the same thing to Fadel now -- ("hurt me, make me feel used" / "the more I was hurt the more I enjoyed it") whilst also remaining accusatory ("the more I loved, the more sorrow/I suffered").

The lines about "nothing left to write about our love" / "our story" also feel very pointed and final. A closing of a chapter; a closing of the possibility of their former, uncomplicated happily ever after. Style has nothing left to write (report) back to his superiors (the police) because Fadel's love is already complete and his deception has reached the inevitable conclusion of Fadel being found out/destroyed.

All this happens while we see Style continuing to threaten Fadel with a golf club and an almost crazed expression of glee juxtaposed with flashes of Fadel and Style in much happier times.

Also the fact that this line comes with this scene where Fadel lets Style kiss him despite “knowing” it’s all a lie *sobs uncontrollably*:

The first chorus comes back once and the music reaches a plateau. We are clearly preparing for a drop or a modulation and we get exactly that (twice!) with the second chorus:

Here, both versions converge: Fadel is angry, he's furious. Style hurt him and he's going to repay all of it and more ("you'll hurt [by much more]" / "you must suffer more than I did"). The lyrics tell us that, while Fadel cannot take back the hurt (take back his love), he can certainly ensure he isn't alone in the suffering (this love will also hurt Style).

It is at this part where my heart sank as I realised that Fadel's "I think I love you" line in episode 6 now takes on a much more sinister tone.

Because I think that discovering Style's betrayal was also what made Fadel realise the truth of his love for Style; the very agony he was in was the sign that Fadel's heart was lost to him. But even as it is true, I also think he still made the choice to ruin Style in the same breath. Because if Style could use Fadel’s love as a weapon then Fadel is going to use it (Fadel’s love) to hurt Style too.

A decision was made in this moment, and everything Fadel does afterwards in this scene is deliberate.

There is, however, one piece of hope:

Despite Fadel's expressed fury, what the MV shows us is Fadel breaking out of his bonds, shoving Style back and punching him once and then:

For all his anger, for all his rage, for all his threats of manifold vengeance, what we see is Fadel pressing close and kissing Style; once on the lips, and once on his chest (heart), all while the lyrics makes space for one last plea:

("don't betray me")

For me, its the way the line is shown together with this direct visual parallel between the ignorant Fadel in the past (left) and the Fadel of the present who has seen through Style's deception (right) that I find particularly compelling. Even now, even at the point of Fadel discovering Style's betrayal, there is still hope for forgiveness.

Because Fadel cannot help himself. Because Style made Fadel's bleeding heart whole again; and it beats, it feels, and despite how much it hurts, what Fadel still wants more than anything else in the world -- desperately and simply -- is Style.

[im-kinno-hello]

and if i made a comic about them making a blog for the weird demon dog they found in the woods just because they are being brainwashed by it and it told them they need to spread the word of what word they don’t even fucking know?

[bread-wizards]

I think that Orym actually does doubt Imogen, but this isn't a thing that is unique to Imogen. Orym doubts all of them to an extent, because paranoia is something he struggles with (and this is continuously reinforced by the story).

It's not a 'good' thing that he should never get over, nor is it an immoral character flaw that proves he actually hates Imogen. However it's also not something I think he can get over as long as the threat of having to possibly fight his friends exists.

"I have all the faith in the world in you guys, all of you. And I have also spent time thinking how to neutralize each of you."

[dykedvonte]

A crazy thing about Mouthwashing is that Pony Express lost communication with one of its freighters for months and didn’t send anyone to check.

A genuinely reputable company, or at the very least a decent one, would have sent someone, something out to check after about two weeks of silence. Two months is when the crew start questioning if they are even being looked for which implies they were already expecting it to take a while cause P.E just doesn’t care.

They don’t care about who they hire. They don’t care about the conditions they place their crew in or how safe the safety measures actually are. They just don’t care, made rules and regulations so they can care less and succeed in getting away with it with how little those ideas are discussed.

[carnivalls]

Killing myself a thousand times over. Do I want the setting of Good Intentions to be past based (fantasy greece meets the industrial revolution) or futuristic (fantasy greece meets itself after a stupidly ambiguous amount of years)

[glassesweirdo]

Do you ever think about how Isha had probably been forced into child labor most of her life, if not almost all of it, just to find someone who loves and cares about her so much that only a couple of months was enough time for Isha to decide she would die for her loved ones? Yeah haha me neither.

[amidnightqueery]

I don't hate my job or anything, but man, being a float educator is so fucking thankless

[junewild]

i neeeeeeed a therapist so fucking bad lmfao

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[britneyshakespeare]

you know i'm usually the last person to have strong opinions on movie casting announcements but the idea of jacob elordi playing heathcliff stirs a fiery sense of indignation in my heart

[riosnecktattoo]

DEBORAH ANN WOLL THE WOMAN THAT YOU ARE

[aroaessidhe]

2025 reads / storygraph

The Antlered King

book 2 in the Raven’s Trade duology

slow paced dark fantasy

a herbalist who can talk to nature spirits and resurrect people by trading magical items (or pieces of herself) with a mysterious man in death has spent the last 4 years traveling, staying away from the princess she resurrected numerous times

but when the queen dies the princess is fighting for the crown, and she’s drawn back to the city, and her unhealthy bond with the princess

[todayisafridaynight]

hi snap !! ^_^

in your opinion as the minedai guy, are mine's feelings for daigo reciprocated? or do you think it's more one sided

Its inarguable that daigo genuinely cherished mine as a confidant and a reliable ally. he valued mine not just for his stalwart loyalty, but how despite (or perhaps because of) that loyalty mine was prepared to disagree with daigo and not just be a self-serving yesman only after money or a semblance of power like other members of the tojo; because of mine’s readiness to risk going against daigo despite his position, daigo saw mine as someone who genuinely cared not just for him, but for the tojo clan that meant so much to him

When it comes to romantic feelings though, its never going to be as cut-and-dry as we’d like (unless you’re mine. Unless you’re a raging homosexual like mine.), so i can never- with confidence- say a character has romantic feelings for another (AGAIN. Unless You’re Mine). At the very least, it’s safe to say mine was more explicit about demonstrating that love, or at the very least he was given more chances to show how much he loved daigo, so it’ll always look one-sided going off of what we have so far <- delusional

If we want tho, we can have some fun with the franchise and implications and all. after the events of Y3 via an RGGO story, daigo visits the bar he and mine would frequent. Inside, the bartender brings up a special bottle of alcohol daigo was meant to share with mine, though because mine’s, daigo declines drinking it. Ultimately, he decided the bottle should only be opened if mine was there to share it with him, otherwise it would be pointless

I bring up this moment For Giggles because in Y7, kashiwagi the bartender weaves a similar story during nanba’s drink link. The story goes that he keeps an expensive brand of alcohol on his shelf because he wanted to give the bottle to his lover, though she died before they got the chance to share it and keeps it in honor of her

Obviously, the story’s just a silly front to trick people into coming in- but it is Dually funny considering the parallel to the mine/daigo situation..