#and we all look at him from a human standpoint

[thecapuletjuliet]

sympathy for the villain except it's just mr. perry from dead poets society

[canonmisogynyvictimstournament]

PROPAGANDA

BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)

1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.

2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks

3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.

Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control

I.E.

Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there

When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)

Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.

They are littl e to no hard feelings at her death beyond ‘good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a ‘good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying

ALEX DEWITT (DC COMICS)

1.) The term “fridging” is literally based on Alex and what happened to her. She was killed off violently by a bad guy trying to get at her boyfriend only a couple issues after she was introduced (making it obvious they only brought her in to kill her off for shock value). Her death did very little to the narrative other than hurt her boyfriend Kyle and was done in an exceedingly horrifying and violent way. (Bad guy came to the door with flowers and threatening note, broke in and attacked her, choking her to death, before [off panel] chopping her body up and sticking it in the refrigerator as a “surprise” for her boyfriend. This obviously is really fucked up and she deserves better and should win this actually (a vote for Alex is a vote for all fridging victims [in spirit])

2.) It doesn’t get much worse than being the character whose death originated the “fridging” trope. In Green Lantern Vol. 3 #54, Kyle Rayner comes home to find that Alexandra, his girlfriend, has been killed by the villain Major Force and stuffed into the refrigerator.

Alexandra DeWitt is the character whose misogynistic treatment coined the term where a character, usually female, is killed off purely to make the main character, usually male, feel bad. Even if there are other characters who have been subjected to similar levels of misogyny, Alexandra DeWitt’s treatment has been essentially immortalized.

3.) I know she’s not going to win but shout out to my home girl, literally the trope namer for women shoved in fridges. All anyone ever knows about her is that she was Kyle’s girlfriend and got murdered for his character development, even though she had plenty of potential to be her own character.

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[evilbihan]

Kuai Liang is not "nice"

This is technically the second part of my character analysis for Kuai Liang, so be sure to check out the first part focusing on Kuai Liang's personality, goals and his relationship with his brothers and Harumi.

This part will focus on how Kuai Liang treats other characters and upon closer inspection, the image of the "sweet wholesome guy everyone adores" that the fandom crafted for him starts to crumble very quickly.

Kitana and Mileena:

Mileena: My bond with Kitana can't be broken. Scorpion: I'd once thought the same of mine with Bi-Han.

Why exactly is Kuai Liang trying to make Mileena doubt Kitana's loyalty to her? We have all seen Kitana's tower ending. She has gone out of her way to secure her sister's reign, she defends Mileena fiercely and is genuinely worried about her. It upsets her to see other members of the court conspiring against her sister. Kitana is nothing but loyal to Mileena, in a way Kuai Liang was never loyal to Bi-Han.

"I'm disappointed in my brother's decisions and therefore everyone else's siblings suck too." That's not a healthy or mature mindset. He's projecting his own family issues onto Mileena and Kitana, who actually share a wholesome bond, and tries to create distrust and dispute where there is none. And why? Out of jealousy? It's hard to tell, but this was uncalled for.

It's particularly awful because Kitana is actually trying to help fix Kuai Liang's relationship with his own brother while it seems Kuai Liang is trying to ruin hers with Mileena.

Kitana: You've broken Kuai Liang's heart. Sub-Zero: It won't be the only part of him I damage.

Kitana: I understand congratulations are in order. Scorpion: How did news of my marriage reach Outworld?

Kitana: Weapons. Soldiers. Whatever you -- Scorpion: I have all that I need to defeat Bi-Han.

She's also offering him her and Outworld's support and is really just being nice to him, yet he never once shows gratitude and even tries to plant doubts about her in her sister's mind behind her back.

Nitara:

Scorpion: If you would only feed on lower species -- Nitara: Humans are a lower species.

"Lower species"? What species exactly is Kuai Liang talking about here? What's his definition of a lower species? Tarkatans? Netherrealmers? One could assume he means animals, but then why doesn't he say so? Instead, he's using a term that's often used in f*cist language. Who or what he's referring to isn't specified either, but it's definitely a questionable choice of words regardless.

Let's be honest, the mindset that there's "lower species" that are not deserving of life, as Kuai Liang basically implies by claiming Nitara should feed on them instead, says quite a lot about the kind of person he is. No matter what he's speaking of here, I still think this is pretty fucked up from any standpoint, especially because Kuai Liang doesn't explicitly say that he's talking about animals.

This is just my opinion, but even if he were to "only" be talking about animals here, I think it's downright wrong to say any animals are a "lower species", given the fact that we very much depend on certain animals for our own survival. Even if we give Kuai Liang the benefit of the doubt, he still sounds incredibly uneducated and ignorant. To not value the life of other creatures is not a good look on him, but then again we've seen how much he values his own brother's life so the bar is quite literally in hell.

Raiden:

Scorpion: Liu Kang's revelation has shaken my faith in him. Raiden: Understandable, given what he chose to hide.

Reptile: Am I right to put faith in Liu Kang? Scorpion: He's always proven worthy of mine.

Oh, has he now?

Kuai Liang is beginning to sound two-faced. He's certainly not conflicted because he still continues to follow Liu Kang and advices others to do the same. He also doesn't openly criticize or doubt Liu Kang like Tomáš and Bi-Han do. But he himself has lost some of his faith in Liu Kang, yet he judges Bi-Han for having done the same thing? Where does any of that make sense?

Bi-Han:

Scorpion: You would shed your brother's blood? Sub-Zero: Because you choose to stand in my way.

The first blood shed was Bi-Han's, not Kuai Liang's, but because Bi-Han doesn't bear a visible scar, no one acknowledges that.

Kuai Liang is once again showing manipulative behavior here. Blaming everything on his brother and pretending he did nothing wrong. Guilt tripping Bi-Han for something he himself has done.

Kuai Liang's actions are not even the biggest problem here. You can somehow justify what he did with him being hurt/angry when he found out about the true circumstances of his father's death. It's the fact that he refuses to take any responsibility for what he did and acts completely innocent although he's anything but, that shows he's not who the fandom makes him out to be.

Even Bi-Han stands by what he does. Kuai Liang can't even own up to his actions.

Liu Kang:

Liu Kang: You allow vengeance to consume you. Scorpion: I should not punish Bi-Han for his crimes?

So, Liu Kang seems concerned with Kuai Liang's thirst for vengeance. What's even more noteworthy is that we have Kuai Liang, a mortal, speak to Liu Kang, a literal god, about punishing someone else as if he's entitled to do so? Should it not be up to Liu Kang to decide whether Bi-Han deserves forgiveness or punishment? Do we need to add a god complex to the list of Kuai Liang's flaws?

There's nothing honorable about vengeance. It's honorable to be the bigger person and to forgive.

As Chinese philosopher Confucius said:

“Love thy neighbour as thyself: Do not do to others what thou wouldst not wish be done to thyself: Forgive injuries. Forgive thy enemy, be reconciled to him, give him assistance, invoke God in his behalf.”

Kuai Liang has none of that honor he claims to value.

Tanya:

Tanya: Liu Kang says we can trust you. Kuai Liang: As long as Outworld's goals don't conflict with Earthrealm's.

Let me translate it: "No, you can't. I'll stop being a reliable ally and might betray you as soon as our interests no longer align." Which is fair enough, he doesn't owe Outworld his loyalty. It's, however, funny that that's exactly what Bi-Han did with Liu Kang/Earthrealm too, but for some reason Kuai Liang is still delusional enough to think he's a more honorable man than his brother?

Kung Lao:

Kung Lao: I bet I could be Shirai Ryu. Scorpion: First, you must learn humility.

Also Scorpion:

Ashrah: I'd do well to follow your example. Scorpion: Then start by studying my kombat.

Quan Chi: Your brother told me of all your weaknesses. Scorpion: A short conversation, sorcerer?

Kuai Liang is a hypocrite who doesn't practice what he preaches. These are just two of many dialogues in which he comes off as overly confident and boastful. He will try to force his own values and ideals onto others but will not uphold them himself. These dialogues are not even the only example of his hypocrisy, but more of that to come later.

Smoke and the Shaolin monks:

Scorpion: Was it worth it, training with the Shaolin? Smoke: Let me show you what I learned.

Yet another example for Kuai Liang's arrogance. "Was it worth it?" What's that even supposed to mean? Admittedly, this might not sound as bad compared to everything else he's said but I invite you to go and listen to this specific intro and pay attention to the tone of his voice. To me, it very much sounds like, as a former Lin Kuei, he thinks there's nothing the monks can teach him and Tomáš anymore and therefore he sees training with them as a waste of time. Overall, Kuai Liang seems to hold little respect for his allies. He might not outright say it, but there's definitely a superiority complex there.

Johnny:

Scorpion: Your mansion was unduly extravagant. Johnny Cage: It came with the megastardom. Package deal.

What gives Kuai Liang the right to judge Johnny for what he does with his money that he's earned from his movies? Judging people and acting like he has the moral high ground over them in any situation is something Kuai Liang does a lot. That alone might not automatically make him a bad person, but it's tasteless and impolite nonetheless.

Johnny Cage: With your skills you'd be a hit, Kuai Liang. Scorpion: Do I look like an entertainer?

Again, if you listen to the actual intro, the distaste in his voice is obvious. He seems to not have much respect for Johnny's profession or for most of his allies' professions, really. Remember his reaction to Tomáš training with the Shaolin monks?

Rain:

Scorpion: Like a dog, you bit the hand that fed you. Rain: You've no right to judge me, Earthrealmer.

He doesn't -- because did Kuai Liang not do the same to Bi-Han? It doesn't matter that Bi-Han chose the wrong side, Kuai Liang's oath was to his grandmaster, not to Earthrealm. Bi-Han broke his oath to Earthrealm and by breaking his own oath to his brother, Kuai Liang is no better. And as I already explained in the first part of my analysis, Kuai Liang always meant to overthrow Bi-Han, even before Bi-Han abandoned his duties to defend Earthrealm. Bi-Han gave in to corruption and became a traitor, Kuai Liang was always a traitor in disguise. Kuai Liang is yet again being a hypocrite in this situation and displays double standards.

Kenshi:

Scorpion: Do not let Sento become a crutch. Kenshi: I could win this fight with or without it.

Does anyone else think this comment sounds a lot like ableism? Who is he to tell a disabled man how to handle his disability? Kenshi is a badass, he's proven that countless of times and he doesn't need Kuai Liang's advice, but Kuai Liang has a habit of acting like he knows better than others.

Bi-Han (again):

Shang Tsung: It was all too simple, pulling your brother's strings. Kuai Liang: It sickens me that he was so easily exploited.

Bi-Han fell victim to Shang Tsung's manipulation, yet here Kuai Liang is, blaming the victim. Meanwhile, Tomáš:

Smoke: I rue the day I ever met you. Quan Chi: No sense dwelling on the past, Tomáš.

Tomáš regrets ever meeting the sorcerers because he rightfully blames the people responsible for this whole mess, Shang Tsung and Quan Chi, not Bi-Han. Kuai Liang is miles away from the same level of emotional maturity Tomáš has.

Scorpion: "Bi-Han's trail has led me to Sun Do." Li Mei: "I'll abide no vigilante justice, Kuai Liang."

Scorpion: If you know where he is, tell me. General Shao: As if I would spill your brother's secrets.

Scorpion: I need help to find Bi-Han. Johnny Cage: Y'know I was only a TV detective, right?

Kuai Liang is making his own family feud everyone else's problem.

SPOILERS: At the same time, when Bi-Han will crash Kuai Liang's wedding in the dlc according to leaks, Kuai Liang will "apologize" to those who attended that they got dragged into his war with Bi-Han, once again painting his brother as the villain. Could he be any more duplicitous? I think the main reason why Smoke is not mentioned in any leaks is because the writers might deliberately not want him to be there because the way Kuai Liang acts (wanting to kill Frost, leaving Bi-Han to suffer and die) would go against everything Tomáš believes in and they can't have someone make Scorpion look bad, so they decided to just have Tomáš not be there at all. If that doesn't say it all, I don't know what will.

Kuai Liang:

Scorpion: I won't be consumed by vengeance. Scorpion: How can your father's death not burn you.

You know it's bad when your own alternate self starts judging you and criticizing your ways.

Geras:

Scorpion: I want to see the moment my father died. Geras: You are not ready to receive that knowledge.

I wonder why Geras denied Kuai Liang's request. Is he concerned that actually witnessing the event will make Kuai Liang lose his mind completely and he will make even more of an effort to kill Bi-Han? He surely seems to think Kuai Liang is too unstable to receive that information. But then again, Kuai Liang already wants to kill Bi-Han, he already tried to do it and he already knows what happened. When will he be ready in Geras' opinion? Once he already forgave Bi-Han (which seems like it won't happen at all)? Would that not just reignite his old hatred? Could it be that there's more to the death of Kuai Liang's father than we know? Is there something Geras is trying to hide from Kuai Liang on purpose?

Ashrah:

Ashrah: Bi-Han can be redeemed. Scorpion: I don't see how that's possible.

It sounds a lot like Kuai Liang doesn't want it to be possible. He wants to deny his brother a chance at redemption. He's also once again acting like he knows better than everyone else. It's getting to the point where he seems self-righteous and out of touch with reality.

So, tell me again, after all that, why are we calling Kuai Liang a nice guy?

To conclude this, Kuai Liang only appears "nice" in direct comparison to Bi-Han, not necessarily because he's a better person, he's just the more agreeable one of the two. Take Bi-Han out of the picture and it's plain to see Kuai Liang is really not that nice. I also don't see how Kuai Liang is the poor, traumatized victim that never did anything wrong in his life, as fans like to describe him as. Yes, he suffered as well, but victims can also become aggressors. There are plenty of situations in which that's the case for Kuai Liang. Again, this is not hate or an attempt to completely demonize him, just to show that the fandom has a wrong idea of who Kuai Liang is and what he's like.

[bowtiepastabitch]

Heaven's Not Homophobic in Good Omens, and Why That's Important

I need to preface this with, I am not trying to start a fight or argument and won't tolerate any homophobic or bad faith arguments in response to this. Cool? Cool.

This is in large part inspired by this ask from Neil's blog, which sparked some discourse that I don't want to get involved in but that brought up some analytic questions for me.

He goes on to reblog a question asking about Uriel's taunt specifically, clarifying that "boyfriend in the dark glasses" can just as easily be read/translated from angelic as girlfriend or bosom buddy. The idea is that an angel and a demon "fraternizing" is seriously looked down upon, not that heaven is homophobic. And that's super important.

We see homophobia in both the book and show, of course. Aziraphale is very queer-coded, intentionally and explicitly so, and we see the reaction of other humans to that several times. Sergeant Shadwell, for example, and the kid in the book that calls him the f-slur when he's doing magic at Warlock's birthday party. These are, however, individual human reactions to his coding as a gay man.

I am, personally, not a fan of heaven redemption theories for the show; no hate for people who want that it's just not something I'm interested in. I don't believe that heaven is good with bad leadership, or that God Herself remains as a paragon of virtue. To me, that's not in line with the themes and messages of the show. It's important, however, that heaven doesn't reflect human vices. Heaven can be nasty and selfish and apathetic in its own right without ableism, homophobia, transphobia, or racism. This matters for two reasons.

Firstly, we don't need the -isms and -phobias to be evil or at least ethically impure. In a world where we spend so much time fighting against prejudice and bigotry, our impulse is to see that reflected in characters whose motivations we distrust or who we're intended to dislike. While it's true that that's often the big bad evil in our daily lives, it can really cheapen the malice in fictional evil from a storytelling standpoint. A villain motivated by racism or as an allegory for homophobia can be incredibly compelling, but not every bad guy can be the physical representation of an -ism. Art reflects the reality in which it's crafted, but the complexity of human nature and the evil it's capable of can't be simplified to a dni list.

Secondly, and I think more importantly, is that for Good Omens specifically, this places the responsibility for homophobia on humanity. If you're in this fandom, there's like a 98% chance you've been hurt by religion in some way. For a lot of us, that includes religious homophobia and hate, so it makes sense to want to project that onto the 'religious' structure of Good Omens. It's a story that is, in many ways, about religious trauma and abuse. However, if heaven itself held homophobic values, it would canonize in-universe the idea that heaven and religion itself are responsible for all humanity's -isms and -phobias and absolve humans of any responsibility. Much like Crowley emphasizes repeatedly that the wicked cruelty he takes responsibility for is entirely human-made, we have to accept that heaven can't take the blame for this. To make heaven, the religious authority, homophobic would simply justify religious bigotry from humans. By taking the blame for religious extremism and hatred away from heaven and the religious structure, Good Omens makes it clear that the nastiness of humanity is uniquely and specially human and forces the individual to take responsibility rather than the system. Hell isn't responsible for the Spanish Inquisition, which by the way was religiously motivated if you didn't know, and heaven isn't responsible for Ronald Reagan.

This idea is perhaps more strongly and explicitly expressed in the Good Omens novel, in the scene where Aziraphale briefly possesses a televangelist on live TV. It's comedic, yes, but also serves to demonstrate that human concepts of the apocalypse and religious fervor are deeply incorrect (in gomens universe canon) and condemn exploitation of faith practices. Pratchett and Gaiman weave a great deal of complexity into the way religion and religious values are portrayed in the book, especially in the emphasis on heaven and hell being essentially the same. They're interested in the concept of what it means to be uniquely and unabashedly human, the good and the bad, and part of that is forcing each individual person to bear the brunt of responsibility for their own actions rather than passing it off onto a greater religious authority.

Additionally, from a fan perspective, there's something refreshing about a very queer story where homophobia isn't the primary (or even a side) conflict. The primary narrative of Good Omens isn't that these two man-shaped-beings are gay, it's that they're an angel and a demon. The tension in their romantic arc arises entirely from the larger conflict of heaven and hell, and things like gender and sexuality don't really matter at all. Yes, homophobia and transphobia are very real, present issues in our everyday lives, but they don't have to be central to every story we tell. There's something really soothing about Crowley and Aziraphale being so queer-coded and so clearly enamored with each other without constantly being bombarded with homophobia and hate. It's incredible to see a disabled angel whose use of a mobility aid makes no difference in their role and to see angels and demons using they/them pronouns without being questioned or misgendered. It's all accepted and normalized, and that's the kind of representation that we as queer people deserve.

[lazy-sixteen]

I was thinking about the themes of One Piece, and what differentiated out characters we see as good versus bad, especially in a work that takes a really accepting view of different moral standpoints and values (Coby and SWORDS's justice is very different from Sabo and the RA's justice but they are both presented as good guys we'd want to root for).

So like, why do we root for Luffy following his dream to be Pirate King, but not Teach?

What about hating Crocodile who wanted to create an ideal society free of the WG but not the RA who want something similar for whole the world?

Big Mom who wants to create a place where all sentient are equal and get along versus Koala and/or Otohime who dream of that same thing for humans and fishmen?

I mean the obvious answer is that protagonists and their allies tend to be likeable - they are usually drawn prettier, have less kick the dog moments, and we get more time with them as an audience. They have to be on some level, or no one would read the manga.

But from an in-story perspective, I think its a an under looked facet of Luffy's character, for him chasing his dream is more important than obtaining it. It's why he turns down Rayleigh straight up offering to tell him where Laugh Tale is, and what is on it. What is important to Luffy isn't so much becoming Pirate King, it is being free, having fun, sailing with his friends on the journey to be Pirate King.

It's why he helps Vivi in Alabasta, Cricket in Skypiea, Shirahoshi in Fishmen Island, and the Wano crew in uhh Wano (the journey wouldn't be fun if he'd abandoned his friends to do it)

It's why he takes dangerous detours to places like Little Garden or Sky Island or Punk Hazard(the journey wouldn't be fun if he didn't get to explore)

It's why he risks his life against Arlong for Nami and declares the entire world his enemy for Robin and literally threatens to starve to death to get Sanji back ( the journey wouldn't be fun if he can't do it with his crew by his side)

All of this is why, Luffy isn't afraid of dying either. He can die at any point on his journey to being Pirate King, and feel no regret because the journey itself was the important part.

Compare this to two other D.'s Law and Blackbeard.

Law's also relentlessly pursuing his dream when we meet him (stop Doflamingo to avenge Cora), and he is miserable.

Law in trying to achieve his dream whatever the cost keeps putting himself in situations he hates.

He leaves his beloved crew behind because the mission is basically a suicide run. He cozies up to the Government he hates and hands his heart over to a morally bankrupt mad scientist he's obviously disgusted by. He plans to get Doflamingo in trouble with Kaido, which mean 1) he likely won't get to punch out Mingo himself, 2) there is a high probability of civilians getting caught in the crossfire/dying horribly.

This journey sucks. If Law had died during any point of this he would have been the world's most pissed off ghost.

It's Luffy and the Strawhats busting in and transforming that journey that puts Law on the path to success with his dream and with not being so goddamn miserable.

Like screw Caesar, let;s have Luffy kick his ass and then you fix the children he was experimenting on. Screw playing nice with the government, do what you want and call us your allies instead. Screw Doflamingo, you and Luffy go beat him up and the rest of us will pull his government/crime family down around his ears.

And it works! Law's grumpy and annoyed and cursing Luffy out, but he tells Mingo he believes Luffy can pull out a miracle and looks more at peace watching Doflamingo and Luffy brawl - knowing that he'll die or succeed with his ally/friend - than he ever did with his fool-proof plan.

The journey before destination thing is also why Blackbeard feels like a special type of evil in OP despite there being technically worse/more evil villains, because Blackbeard always prioritizes his dream over how he gets it.

He'll stay in the shadows for 20 years to increase his chances of success (wouldn't it have been more fun to be a captain like he obviously wants?)

He'll kill his crewmate, turn his commander in for a reward, then kill his captain (wouldn't it have been more fun to stay friends, he never indicates he hates/dislikes them?)

He invites strong people - and strong seems to be the only criteria - to join his crew, though tbh their personalities often suck. I don't recall any panel of his crew just hanging out or joking around which even Baroque Works, Buggy's crew, and Kaido's Beast Pirates get (wouldn't it have been more fun to recruit people he can befriend, not just people he can use)

Like obviously Blackbeard feels like the antithesis of Luffy - even though they are both all about chasing their dreams. Luffy's all about the chasing, and Blackbeard only cares about the results.

[picaroroboto]

For the past couple days, I've been unfortunately cursed with thinking about Zenos yae Galvus. I don't even particularly like him - not that I dislike him either, Zenosfuckers you can put your scythes down - but it seems to me like a lot of the fandom either greatly misunderstands him, or doesn't even care to try to understand him, which from an objective standpoint as someone who cares deeply about writing in video games kind of pisses me off. But I'm more pissed about the fact that I'm apparently going to keep thinking about this issue until I actually write a character analysis of him.

Q: "But, what even is there to analyze with him? Isn't he all about wanting to fight the WoL and nothing else?"

Well, you wouldn't be wrong with saying that. That motivation is at the forefront of his character, and even if you look closer, everything about him comes back to either "violence" or "lack of understanding of others". But there are more meaningful sides to his deceptively simple character. That question of meaning is what I really want to look into - what does his character mean, what symbolic or thematic role does he play in this story?

Q: "Better question: why are you posting this on your art blog/Fate meta sideblog?"

Good question, with a stupid answer: I have all of 6 followers on my FF14 sideblog, and around 150 here. Let's go under the cut so they don't have to read a wall of text, unless they want to.

When you look at and compare FF14's villains, you can see a very clear change, no doubts thanks to the change in main writers. ARR Gaius and Thordan are more or less two-bit villains - Gaius's memeable iconic Praetorium speech gives us insight into how fascists try to justify themselves but little into Gaius's actual personality, while all Thordan gets as far as depth of character is an NPC in a sidequest remarking that he wasn't always a bad person and was probably doing what he thought best for his nation. Nidhogg is a little more understandable, since revenge is a relatable motivation to anyone who's been hurt by others. In Stormblood, Zenos and Yotsuyu are both presented as deserving of pity even as they do terrible things. Come Shadowbringers and Endwalker though, the story takes a greater interest on why villains like Emet-Selch and Elidibus do the things they do, and the player is allowed more options to try to understand them and see how similar they are to the WoL. Hell, Hermes and the Endsinger are barely "villains" at all, with the level of sympathy the story shows them.

What I'm getting to here is that Zenos, with half his arc in Stormblood and the rest in Endwalker, is sort of caught in the middle of this shift. He played the role of the rival character in Stormblood really well, but come Endwalker, he's standing on a stage full of heroes and villains with grand causes and deep motivations, as the guy whose sole motivation is fighting for pleasure.

It seems he's not unaware of this contrast himself - when Jullus confronts him for ruining Garlemald for no good reason, he retorts with "Would you be happier had I a good reason?" Zenos makes no attempt to justify his own actions and doesn't care that his reason seems incomprehensible and unforgivable to others. Yet in that same cutscene Alisaie hits him with the fact that if he keeps living solely for pleasure, he'll die alone. When next we see Zenos, he's alone at the Royal Menagerie waxing philosophical about what he really sought in the battle with the WoL.

See, what really motivates Zenos isn't just the thrill of battle - this guy has gotten Battle High and the joy of human connection confused. Really.

Even before he gets so perturbed by the idea of dying alone, there's other suggestions, like his proposal of friendship to the WoL when they fought in Stormblood, and then later his dying words in which he explains that he never understood others - at his core, he's just lonely. I know there's an official side story that tells it, but you don't need to know the exact details to glean that he had some sort of tragic backstory. Sad, but not a surprise, considering he's the prince of the Garlean Empire, raised to take the throne and continue the Empire's legacy of violence.

At his core, he's a very lonely person, but also a thing of violence, raised using violent methods for the purpose of causing more violence. Violence is how he lives and breathes - the only way he gets any sort of connection with others in a world of hurting and being hurt is the brief connection warriors dueling as equals can sometimes find. Don't deny that this sort of connection exists - FF14 is great at making fights that are both fun and tell a story. Hence, why he goes crazy for the WoL, but also refers to them as "friend". In their fights, he senses (or thinks he senses) similarity between him and them. Beneath all the madness is a pure, genuine joy in seeing the self reflected in the other...but he also instantly gets on the train to projection-town, population Zenos, and assumes the WoL is exactly like him, ignoring or failing to notice that they also fight for deeper meanings. The worst part is, he doesn't even notice that what he's actually seeking in fighting them is connection until Alisaie's aforementioned callout.

So he goes and angsts for a while, then turns into a dragon again and flies across the universe to help us kick the Endsinger's tail feathers, then issues his challenge for that duel he'd been longing for. But what's changed is that he starts with a question - "Such pleasures you sought for their own sake, and for no other reason, is that not so?". Dying after the duel, he's full of questions too: "Was your life a gift or a burden? Did you find fulfillment?" Alisaie's suggestion that he'd die alone actually spurred him to realize what he actually sought in the WoL, and now he's asking all these questions in an attempt to, for the first time in his life, genuinely connect with another human being.

The questions aren't important just because they're a sign of how Zenos has changed in Endwalker - they're actually the thematic heart of Endwalker! ARR may have had "Answers" as it's theme, but EW is the expac of questions. Namely the biggest question of all: What is the meaning of life? Different characters have different answers to that, leading to the grand-scale symbolic conflict being the Endsinger's despair - her belief that there is no meaning in life - versus whatever reasons the WoL chooses to live for, left, as always, up to player interpretation.

When you look deeper, Zenos isn't actually as out-of-place in the symbolic conflict as he first seems. His depressed worldview - that metaphor about drowning in a swamp again - seems to align with the Endsinger's view about life being meaningless. But he aids the WoL in defeating her. In that way he serves as part of the answer to her question about the meaning of life. He may have resented life at times, but he still found meaning in chasing pleasure. Not the strongest or most beautiful reason to deny oblivion, perhaps, but it did enable him to help the WoL triumph. I think of Zenos's philosophy as being connected to the concept of "Amor Fati"...largely because this quote explaining it sounds like something he'd say, or at least agree with on some level:

"and if our soul has trembled with happiness and sounded like a harp string just once, all eternity was needed to produce this one event—and in this single moment of affirmation all eternity was called good, redeemed, justified, and affirmed."

So he does have a meaningful role in Endwalker, as the "Amor Fati" against the Endsinger's "Memento Mori". I think that in this the story shows that his reason for living, while somewhat shallow, is not necessarily a morally wrong thing in and of itself (setting aside for a second all the people he hurt in his pursuit of that). It's just that, since it is a lonely pursuit that denies everything except for his target, it still feels empty. The core of the counterargument against the Endsinger's despair is that both pleasure and fulfillment are necessary to live a meaningful life in a meaningless universe, and that's why Zenos is here in Endwalker. Why he even exists in the story in the first place.

Even if you're one of the people who deeply hates Zenos...well, you probably wouldn't have read this whole thing if you did, but I still think it's important to read into characters you dislike, because every character in a story is written for a reason. Plus, trying to understand even their worst enemies is one of the WoL's key traits as of ShB and EW. With his last breaths, Zenos was trying to understand the WoL too - carrying this understanding of him with you as we move into our next adventures is the least you can do for your "friend".

[katapotato55]

how to make your writing be remembered forever and possibly be well loved.

(incredibly stupid and silly fanfiction line at the end of this post) I know that title is incredibly daunting but listen, its very simple. you ready?

MAKE STRONG CHARACTERS

"but kat! surely its not that simple! " nononono listen. bear with me. I want you to think of your favorite thing. Now ask: what do you remember the most about the thing you love? I will go first:

I love team fortress 2. and guess what: this game has been around since 2007, and was in development hell since before I was even born. The game has been around for 16 fucking years. And guess what? in the strong year of 2023 team fortress 2 Is STILL getting memed about. and do you want to know the crazy part? the character designs to the naked eye are not special at all. ok sure from a designer standpoint, these are very well designed characters made so that you can easily tell who they are based on their silhouette. but from the average joe.... tf2 is iconic but overall it looks ok. it doesn't seem special to a stranger to tf2. look at this completely random and arbitrary example of a game in the same genre:

I don't know shit about the characters in overwatch. Yeah i have a BASIC idea on what their personality is like based on voice lines and some videos i guess... but in-game they just exist. these characters are brightly colored, they have beautiful unique designs, hell they have even more diversity such as robots and people from other cultures! but i don't remember shit about these characters. Maybe I remember the ice lady and tracer, but nothing else. and yeah part of overwatch struggling right now is incompetant development, BUT: The characters in team fortress 2 are SO remember-able because the characters have such a vibrant personality. I am an orange box owner, its been a decade and a half and I am still remembering this game and enjoying art about it.

"but kat! that is a comedy game! Overwatch is a very serious game! are you saying comedy is needed to make a character more noticeable?" no. though I think allowing your characters to lighten up every now and then would humanize them. Not full on goofy, just give them something that makes them likeable. and if you cant do that, you can STILL make a compelling character even though they are mostly seriousness. I have an even more awfully thought out example:

kung fu panda is a masterclass in making a serious comedic movie somehow work. Master Oogway.... he isn't a comedic character at all. Yeah we made memes about him, but ignoring that, he is a wise and resourceful person. He is at calm and has faith in this intuition. there are a lot of characters like this. What makes Oogway stand out is that he is also a little bit kooky and sassy.

this youtube clip sums up what I mean. It is a funny line, it fits the character, and It doesn't ruin the seriousness of the moment. Some of the most successful series in history have something about them that has appealed to people. In my opinion: characters with strong personality and interesting traits is always a good way to ensure your writing is successful. The second most important is the characters bouncing off of each other in terms of their chemistry with each other. There is a reason why I spent years playing the first Destiny game and all of the DLC, but I remember fuck all about the characters. I think I maybe remember the bootleg star lord robot guy.

A writing exercise

here is an exercise to get you in the spirit of character making. step 1- get a random character from a random bit of media. In this case let me bring you master Oogway. Step 2- Get a completely different character from a completely unrelated series. I am going to give you Scout from team fortress 2. step 3- write a random ass thing about them interacting. Think about how the characters would react to each other and why. Think about each characters values in life and think about how they would bond and conflict with each other. Think about characters similar to the character they met in the past and how they reacted then, and if they have never interacted, make something interesting with it. Step 4- keep experimenting. Once you get into the spirit you can apply this to any new character you could want to make anyways thats it byeee- "arent you going to do that ?" do what? "make a writing thing about oogway and scout. " ........

Scout: let's go turtle you got nothing on my speed- Oogway: The one who first resorts to violence shows that he has no more arguments. Scout: that sounds like chicken talk! come on tough guy let me have it- Oogway then proceeds to make scout eat shit before vanishing in a cloud of cherry blossoms and dust from the desert. If this post isn't popular I want you to know my dignity was lost for nothing.

[shakingparadigm]

I always kind of wondered why Hyuna went out of her way to save Mizi in round five out of like anyone else. I originally thought it was just because she was up against Luka but that didn't really make sense because of round 4. You saying that she did it because she personally say herself in Mizi makes everything much more clear!! I was to busy look at the rescue from a more political standpoint against the aliens (which it still is) that from a more emotional one

I felt that too, honestly. When I first saw Mizi's rescue in ROUND 5 I found it confusing that Mizi was singled out as someone worthy of saving. Could Sua have been saved by the rebellion too? Why her and not anyone else? It's not just because she was up against Luka, the green-haired Durian girl went against him in ROUND 4 and there had been no effort to save her. It can't be just be her violent outburst, either, because Till acted out in ROUND 2 (and many instances before that) yet the rebellion remained unmoving.

So out of all people, why was Mizi saved? Since ROUND 5, I've settled on my own interpretation of things.

(The first one is more of my own speculation, while the second is more in line with canon, backed by Hyuna's info from Patreon)

1.) Why doesn't the Human Resistance Force save any other human from ALIEN STAGE? How do they increase their numbers in the first place?

I don't think it's common at all for the Human Resistance to interfere while ALIEN STAGE is ongoing. They must be well aware that it's one of the most dangerous moves they could ever pull. They can't afford to save every single contestant, and even if they could I still don't think they would've. Many human pets are raised to revere death as some kind of honor. Some of them are just happy enough to die, unfortunately. It's risky to try and convince someone who's loyal to the system to come to your side, as they might resist or rat out the whole rebel operation when pushed. You never know which humans actually want to be saved and which ones wish to live and die in the system.

Written on the walls beside Hyuna's wanted poster are messages by the rebels themselves. (Roughly translated) the one on the left reads:

Recruitment of Human Rebellion

Qualification: All human beings who hate segyein

Provides accomodation / residence / basic food, clothing, shelter

If we continue to live like this, we will die

We are better than your master

The Rebellion relies on humans to come to them, encouraging others to make the conscious decision to save themselves and switch sides. The rebellion can't save just anyone, a human has to prove that they don't want to be a part of the system, they need to show signs.

It makes sense that they didn't save Sua. In front of the cameras, she played her part of "the perfect pet" too well. She showed no signs of resistance and even smiled as she was shot dead.

Though still rebellious, Till had purpose in ROUND 2. Even if they came to save him, he wouldn't budge if it meant leaving Mizi behind. Plus, Till's performances usually call for an increased amount of security and guards to pin him down in case he loses control like they expect him to. Increased risk for a rescue mission that might amount to nothing.

Ivan in ROUND 3 played his part just as perfectly as Sua (it was only during ROUND 6 where Hyuna, most likely spurred on by Mizi's attachment to them and the successful rescue in ROUND 5, decided to push forward with saving both Ivan and Till).

After ROUND 1, Mizi lost everything. She lost her joy, her willingness to participate any further in the competition. Anyone watching ALIEN STAGE can tell just how despaired Mizi is, how she no longer wants to go on because of Sua's death. Furthermore, ROUND 5 was delayed because Mizi refused to participate. Maybe it was within this period of delay that the Rebellion began their plan of action.

Mizi openly showed her despair and refusal to participate in the competition any further, she provided the rebellion with a timeframe to execute the rescue mission, and her violent outburst at the end of ROUND 5 not only further proved her anger and disgust, but also nearly killed her. She needed to be saved at that point.

That's the best way I can try to explain the Resistance's decision for Mizi's rescue from a logical standpoint, but as we know, the true reason for Mizi's rescue is far more personally motivated.

2.) What does Hyuna see in Mizi that reminds her of herself? What drove Hyuna to save her?

Hyuna may have an older, tougher edge, but overall she and Mizi are the most genuinely extroverted and outgoing of the cast (or they were, at least). As children, they both shared a bright and sunny personality that positively affected all the people around them. Even their long hair and the way they styled themselves as children is strikingly similar.

Before Hyunwoo's death and whatever went down in the 49th season of ALIEN STAGE, Hyuna was most likely just as excited to compete as Mizi was. Although their motivations differed, they both shared a love for performing. Cheerful, optimistic, and painfully naive.

Hyuna seemed much more innocent and "pure" back then as well, taking a lonely Luka under her wing and caring for him together with Hyunwoo just as she treated every other child in the Anakt Garden as her little sibling. Hyuna seems to retain this sisterly instinct, shown by taking in more humans into the Human Resistance and looking after them, providing shelter and other basic needs for those who wish for a safe refuge. However, she's much more cautious with who she allows to come close. Hyuna in present is incredibly jaded behind her cheery facade, and has lost all her naiveté. She adopted her righteousness from Hyunwoo, who seemed to hold strong positive beliefs from the beginning while she herself held a more realistic and somewhat pessimistic outlook. Hyuna believes that all humans are inherently selfish, and even the most altruistic of people possess this selfishness in their nature.

Plagued by all the past events and the trauma that heavily affected her way of living, Hyuna allows herself to fall into vices such as smoking and drinking, which she indulges in so often that it's stated as her "likes" on her official profile. These not only serve as a coping mechanism for her past hurt, but also as a way to further distance herself from segyein culture, which prefers their pets to remain prim and proper. Although years have passed, it's apparent that Hyuna still hasn't moved on from the death of her brother. While her intentions for an uprising are for the benefit of all human pets, seemingly altruistic, Hyuna herself states that people are selfish, and she is no exception.

It seems that Hyuna is in pursuit of vengeance or justice. Her motivation for rebelling is fueled not only by her wish for freedom, but also by the urge to make up for Hyunwoo's death. She wants to be freed from the shackles of past, and it is through Mizi that Hyuna hopes to accomplish this.

Mizi, much like Hyuna, has experienced the devastating loss of someone who has been with her for almost her whole life. Someone who meant the world to her is now splayed out on the ground, blood spilling out of their lifeless body. The horror in that wide-eyed stare, paralyzed in shock... It's all too familiar.

To add fuel to the flame, the person who further perpetuates Mizi's misery is Luka, tormenting her with memories of Sua and stepping uncomfortably into her space, leading her like a puppet. It's established that whatever connection Hyuna had with Luka is now cut. She no longer holds a fond protectiveness over him, now viewing him as a threat that must be eliminated or brought to justice, hence the dagger held over his head. Whether or not she can find it within herself to actually bring the dagger down... we'll have to wait and see.

Hyuna sees much of herself in Mizi, and she hoped to console her own pain by saving and helping her, almost as if she were helping another version of herself.

Near the end of All-In, it's Hyuna's turn to become paralyzed at the sight of someone that might as well have been dead to her. Re-entering ALIEN STAGE grounds inevitably presents one with Luka's image, and when Hyuna recalls her memories with him, she freezes up. She and Mizi have now switched places, with Hyuna as the one in need of saving and Mizi as the only one up to the task. When Mizi fired the gun and saved her, Hyuna felt more "healed" than before. She felt a sense of satisfaction and peace due to Mizi's growth and slow but steady recovery.

Hyuna's rescue of Mizi ended up serving the both of them. Mizi learned to stand on her own two feet again and gained strength, while Hyuna was able to put herself at ease.

At present, Hyuna is the person Mizi confides most in. Mizi finds herself similar to Hyuna in many ways, especially after hearing about her past.

[lopposting]

The major question of the story that we are now asking:

Why, exactly, does Carlo never "wake up"?

[long post]

[Spoilers ahead]

Well, simply put - Because he is dead.

OK, that seems like too obvious an answer, but I'll elaborate, and bear with me here. I want to recap some elements first so you know where I'm coming from, but I'm also trying not to completely explain everything because that's way too hard and would be too long.

[Currently, we don't understand everything about the story or its meaning. Because of some of the shrouded nature of the lore and narrative, it leaves much mystery. But from viewing these questions and the story from a thematic standpoint, something unexpected and really cool happened. I found that the story and the lore opened up in reverse.]

The easiest way to explain the plot (in my opinion):

It was my impression that Geppetto never “started” the puppet frenzy. The puppets were NEVER breaking the grand covenant, interpretably they are protecting humans by stopping the spread of the petrification disease, it’s just that everyone in the city was infected by that point. 

Now with the puppets killing everybody in a city where everyone was infected (ergo being the result of the disease) Simon can go around harvesting all that ergo and Geppetto presumably plays him by letting Simon collect the Ergo first, and then sending P to kill him. [again, these details may not be completely accurate, but bear with me here]

Why create P in the first place?

He's made in Carlo's image so to speak because Geppetto hopes that Carlo's spirit will awaken. This is also why P is never bound to the covenant (it seems that not being bound to robot laws makes puppet egos awaken faster, since awakened puppets can break the grand covenant). So that is the two functions of P, to destroy puppets for ergo to harvest and so Carlo's consciousness can restore. I was just guessing that the arm of god was enough to get Carlo to revive, and Carlo's mental spirit reviving would be helpful but not entirely necessary. But for reasons we don't understand, Carlo never does regain consciousness.

Geppetto bitterly tells us that we don't seem to have inherited Carlo's memories. There is no big moment where Pinocchio or Pino or P reawakens, fully, as Carlo. He isn’t treated by the story as him. During the course of the game, P struggles to forge his own identity, to become a real boy, despite starting as a copy of the original. It’s a very fitting parable for the genre identity of a soulslike.

However, there are other successful re-incarnations of people through puppets, namely Sophia at the end of the Rise ending. We ask, for consistency's sake, why are puppet-form Romeo and puppet-form Sophia assumed to have retained their original identities, but not Pino? This is just my personal interpretation of why Carlo just couldn't or doesn't wake up. It isn't really based any lore or deduction from story details, this is from more of a philosophical point of view. And it isn't just the luck of the draw.

I had some initial thoughts about Carlo's failure. Romeo was made with intention of continuing to fight against the disease, as it's told that he "made a deal with the devil". Sophia may have been a special case, as she is a listener (Arlecchino even refers to her as the goddess in the tower), she may have had an ergo identity so strong that her essential self could retain this process. But either way, the implication is that Pino may have been able to recover her not long after that final fight. Look at the nameless puppet. The state of Carlo's body is so poor, that more than not his body seems to have been replaced with puppet parts. I think the implication was that Geppetto had been replacing parts as they rotted away. Maybe he had simply been dead for too long. But again, this isn't exactly why I think he couldn't awaken.

Simon and Geppetto

Lies has two main antagonists, although one isn't completely revealed until the last section. Both Simon and Geppetto are the perpetrators of Krat's destruction, but for what seems like different reasons. Simon is trying to be reborn, and Geppetto is trying to revive his dead son, Carlo. Interpretably, they are both trying to become Gods. Simon by grasping the supernatural, cosmic power of one, and Geppetto by raising the dead. They have destroyed Krat in their attempt to become a god, or more succinctly put, attempting to become God, singular. Geppetto's goal is, in essence, the same as Simon's goal - Because bringing back the dead would make him God.

That's why it seemed all so confusing. Haven't Geppetto and the alchemists already raised the dead, as Pino does at the end of the Rise ending with Sophia? Sophia, Romeo, and Carlo were all afflicted with the disease. Their Ergo were all made into puppets, but there's a minor but important distinction here. Sophia is still alive in her condition and actively suffering, this is the reason why she asks us to end her life. It seems as though Romeo lost his friend to the disease, and then made a "deal with the devil" to continue fighting, this implies being made into the king of puppets. We collected Sophia's ergo while she was alive, which we then used to animate the puppet. So the three of them were afflicted with the petrification disease. Sophia perished, Romeo perished, but Carlo died.

Now if we see the sand memories section of the beach, the stalker's words start to gain some clarity. If Carlo died from an incurable disease that the stalker couldn't prevent, why is she too late? Perhaps the goal was never to "save" Carlo's life. She laments; That she was too late, NOT to "save" him, but for him to be able to be restored. The stalker seemed to understand that whatever procedure needed to be done would be useless past the point of death.

I have to admit that there was something that I thought could override my theory. It seems as though the alchemists already were able to bring back both Champion Victor and The Eldest of the BRB, and from the dead no less. We read from notes in the Grand Exhibition that Victor had caught the disease, died to the despair of his adoring fans, but then miraculously made a comeback somehow stronger than ever. But maybe - he had only appeared to be brought back from the dead to the public, as Victor sought the help of the alchemists. And when it comes to the Eldest in the coffin, I'm wondering if he was actually only mortally wounded, leading the brotherhood to consult with the alchemists. [The way he was carried out by his brothers too (shouldered on either side) isn't typically the way you would expect people would handle a dead person]

Mirroring Sophia, Romeo, and Pinocchio, who were made into puppets: There is Champion Victor, The Eldest, and Nameless Puppet. We can see the former three as Geppetto's method of "cheating" God (cheating Death), and the latter three as alchemists' method. Only "Carlo" has a form in either one - The Nameless Puppet and the player, P. The Nameless puppet appears to share a similar undead quality with Victor and The Eldest of the BRB (including the tubes). We know that the collected Ergo can animate puppets, They are puppeting around their own dead bodies.

I feel like the Nameless Puppet tells us in a poetic way that Carlo is gone. My thoughts on this are more abstract. Again, this isn't from a factual analysis, but more of from viewing the Nameless Puppet itself as a metaphor. The Nameless puppet has qualities similar to the other undead bosses, yet the game doesn't describe it like it does Victor and the Eldest. It's not a body. It is a puppet [Human on the outside, mechanical on the inside - the inverse of our protagonist]. And straight in the text, we are told this is "The Nameless Puppet". But we know who Carlo was. His name was Carlo. We split open its head, and there are only cold, mechanical parts, instead of what we in the modern world now regard as the very most essential self (the brain). Because there was nothing to recover, there is no one there. Carlo's spirit had long, long since departed the world.

We are also told through one of the game's narrative devices that the Nameless puppet was the first puppet fitted with the organ. Ostensibly, Carlo's body was being prepared for whatever procedure that needed to take place, but Carlo died before that could happen (perhaps thankfully), and Geppetto pushed forward with his plans anyway, perhaps past the point of no return.

There are two forms of revival and we represent one of them, as in, there was the puppet form of Carlo and the undead form of Carlo. Presumably, the undead form was incredibly destructive, and thus stored away; We are the second try for Carlo's rebirth, this time in the puppet form, but we cannot even wake up without the aid of Sophia.

Lies, God, and the Finality of Death

But doesn't Geppetto actually succeed in one of the endings? Simon fails to become a god, (well, presumably only because we kill him in the process of doing so) and then we confront Geppetto. If we hand over our heart, Geppetto actually does revive Carlo. We see the resurrected Carlo, but with one simple smile we realize this isn't the Carlo the game has been leading us to believe existed. This ending leaves us with distrust and unease rather than a sense of peace and resolution. Simon fails to become a god, and at the bad ending - even if he "wins" - the game makes us wonder if So does Geppetto. No matter what, Carlo could NEVER be truly, and in both senses of the word, honestly, be revived.

[Simon Manus - like Simon Magus, the biblical figure who tries to buy into the supernatural power of God. And Geppetto, of course alluding to the 1883 italian novel The Adventures of Pinocchio - a puppet master, a creator indeed, but of wooden imitations of life, and a poor imitation of God]

So, why I think Carlo could not wake up? Because whatever needed to happen could not be done after the actual point of death, and Sophia and Romeo's hearts were both transferred before they actually died. His spirit had long gone from this world. Krat has methods of eternal life, but these transfers happened while they were still alive. While the alchemists and Geppetto could certainly cheat death (as we maybe even would with modern day medicine), they could not defeat it. Carlo can no longer wake up, Carlo can never wake up again, because he is dead.

[thiriann]

The Ascension and the sexual implications of it

We all remember the post from a few weeks ago that circled here. I didn't go through with the Ascension from a purely game sense "this is clearly evil " standpoint. I didn't really understand why it's evil or even more why it's sexual. Some analyses have floated around here and tumblr that mentioned it's because "vampires are a sexy fantasy". Well, yes but you're getting a vampire either way, aren't you?

I didn't manage to connect the dots until I started looking into possible ways for him to walk in the sun. It seems the only reliable one is a “Wish” spell. But that seems to turn the vampire mortal again. Now, that didn't sit right with me. If Ascension was changing him, this was even more of an "I'll fix him" situation. But I thought, would he even agree? He's so power hungry probably giving up on being a vampire would be the last thing he'd agree on. But the more I thought about it, the more it became clear to me that he actually has a strong dislike for being a vampire. If you tell him his reflection is a small price to pay for vampire powers he answers "To you, maybe." He loves seeing the sun again, all the colors. He can't see or remember his eyes, which if we take into literary view, eyes being the windows to the soul we could say it shows his disconnect with his soul, with his humanity. He absolutely hates the hunger urges that come with vampirism, saying they make him pathetic and it's the worst version of himself. And of course, the sexual part. He hasn't actually seen any perks of vampirism, just that it makes you an object of desire, a thing used only for sex. That is the only side of vampirism he has managed to experience and that is what he connects it with.

The point in the story that clearly connects his vampire nature to sexuality is the talk with the blood merchant. She is a drow, her society already views men as slaves good for one thing. But she doesn't ask him for sex, she asks him for a bite yet it's just as sexual. It shows the player that vampires are sex objects yet again. But whatever is left of him, of his soul and humanity is very separated from his vampire form. He doesn't take being a vampire as an identity but separates himself from it, calling it an affliction, or condition. So why push him further into nature that he doesn't accept or enjoy?

At many points he mentions there's almost nothing left of the man he was, whatever little is left of his soul, etc. He believes he doesn't have much to offer, especially after sex is off the table. That is why it's so important to remove sex from your romantic relationship for him. While obviously, it's a time for healing, it's also a time to actually connect to the person behind the vampire. The person he used to be before he became a sex object.

And that is the same if you choose his spawn romance ending. You pick the man he managed to remain despite everything that happened. That's why his post-scene at the grave is basically a rebirth of him, of his humanity. While the romance post-scene of the Ascension is a rebirth of you. You chose to reduce him to a vampire, to an object, and even went as far as to objectify yourself as well by accepting the vampire nature. And ultimately, that's all that's left of him, the vampire. The person he was is gone completely.

I'd just like to add that a lot of people like to bring up that they let the other characters make their own choices but that's a weak point. Shadowheart's choice is very influenced by your choices/approval and let's not forget she would actually kill Lae'zel if you don't get involved, you literally have to choose if you sell Wyll's soul or not, and Lae'zel would kill you if you don't stop her.

Also, there is the argument that he wants this. And for that, I can only guess based on my speculations, that despite all the power hunger brought from whatever feelings, survival, fear, selfishness -until the very last moment he hadn't made up his mind. He even tells you this before you enter Cazador's chamber. He won't know what he'll do before he faces him. His turmoil is obvious. You can tell him this isn't him, not really. And he responds that it should be, he doesn't want to be pathetic.

The choice for the ascension never was his, as it never was for him. He himself saw no way out, just like when he was under Cazador. And the temptation that was obviously present at the idea of being just like Cazador. The choice there was for you.

For the player, whether it'd be as a lover or a friend.Do you want the man or the vampire?

[evillemons]

NAMJOON’S IDEAL TYPE (RM pt. 1)

~ a manifestation of his ideal girlfriend. Continuation into part 2 and part 3. Masterlist here.

Key words: kind, warm, intelligent, independent, extroverted, chic, passionate, career-oriented.

Her personality:

• Unlike Jungkook and Yoongi who I would see being more open minded when it comes to their relationships, Namjoon would be quite specific with whom he chooses to date.

• A lot of depictions of Namjoon’s girlfriend type her as cold and intimidating, but I mostly disagree. He once said his celebrity crush is Blake Lively, so I see him drawn to someone warm, kindhearted, and friendly, but also self-assured and practical.

• MBTI: ESFJ or ENFJ. A natural leader who is empathetic and compassionate.

• She would be incredibly intelligent, both from an academic and philosophical standpoint. Highly educated with a Master’s or Doctorate degree (he has repeatedly stated that a “sexy mind” is important to him).

• Well-spoken and eloquent. Independent and confident as hell.

• She could have a variety of careers; it could be prestigious such as a doctor or lawyer, but she could also do something more “subtly” influential like health policy or international affairs (or maybe even a highly successful book editor?). I could also see him with another celebrity musician/actor.

• Career-oriented, ambitious, and a hard worker. She would hold a lot of value in her job and have a deep passion for it.

• Naturally kind and humble; qualities they share due to experiences of hardships.

• While not nearly as much as him, she would make a decent amount of money. This would make her independent and self-sufficient.

• She would be quite skilled at whatever she does, including her hobbies and work, due to her high work ethic.

• While kind and good with people, she would not be shy or a pushover. She wouldn’t hesitate to call people out on their bad behavior or stand up for what she believes in.

• Not unlike Namjoon, she wouldn’t want to play games in a relationship. She would be direct and have an all-or-nothing mentality.

• Her hobbies might include creative outlets such as fashion, painting, baking, or visiting museums. I think Namjoon would really enjoy someone who has an appreciation for art in some form.

• She might come off as highly flirtatious due to her friendly nature, but would not get satisfaction out of superficial relationships, nor would she like shallow people.

• High emotional intelligence.

• She might be a little impatient, which is well balanced by Namjoon’s calmness and patience.

• Values respect, equality, and kindness (aka gentleman King Kim Namjoon).

• She wouldn’t be intimidated by his fame. She would see him fully as Kim Namjoon the human rather than a celebrity.

Her looks and sexuality:

• While I don’t see Namjoon as superficial, he would undoubtedly be attracted to someone feminine and “pretty”.

• Very likely to be American (but any Race/Ethnicity). While this is obviously not exclusive, he seems to be very drawn to the American career-woman type. It would be nice if she also spoke Korean, but his English fluency would make it easy for them to communicate regardless.

• She would always be well put together and have a strong understanding of fashion.

• Classic, chic style. She could prefer to wear neutrals and lots of black, but I could also see her loving pops of color and gemstone jewelry.

• Red lipstick. Probably smells nice.

• She might wear glasses at home or when she is working.

• Effortlessly sexy. We all know he is a sucker for a sexy woman.

• Somewhat modest, though. She is thin, but naturally sexy due to slight curves and flirtatious nature.

• I do see him preferring someone very well-kempt. She might do pilates or yoga and be subtly toned. She would also have excellent hygiene.

• Long ass legs to match his own. Average to tall height without surpassing him (5’5-5’9 or 165-175 cm). She would love to wear heels nonetheless.

• She might be the same age as him or older; he would unlikely date someone too much younger unless they are as mature and wise as he is. I think he would find dating someone older than him to be super hot.

• She would either be straight or bisexual with a preference for men (I would like to think he would have no issue with this generally, although he might oversexualize it at first).

• Probably gets hit on a lot a quite attractive woman. Although friendly, she would not indulge men she is not interested in.

• Might have a few fine line tattoos on her arms or back that are unique and personal.

• Maybe some extra ear piercings too, but nothing extreme or out of the ordinary.

• She is an overall attractive, well-put together woman. Her confidence and intelligence may seem intimidating, but her warm and friendly aura acts as a people magnet.

• HOWEVER, Joonie is such a kind and open-minded soul that if he met someone he liked and was compatible with, I think all demographics, looks, etc. would be out the window.

• While he comes off as a little woman-crazy, at the end of the day he just wants a deep and meaningful connection with someone.

[canonmisogynyvictimstournament]

FINALS

PROPAGANDA

BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)

1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.

2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks

3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.

Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control

I.E.

Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there

When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)

Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.

They are littl e to no hard feelings at her death beyond ‘good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a ‘good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying

CORDELIA CHASE (BUFFY THE VAMPIRE SLAYER/ANGEL THE SERIES) (CW: Pregnancy)

1.) (downs an entire bottle of vodka and slams it back on the table) SO. CORDY. Cordy started off as a supporting character in Buffy the Vampire Slayer. At the start she was your typical high school mean girl character, but as the show went on we got to see more depth to her character: her insecurities, her courage, her capacity for incredible acts of kindness. Then after the third season she moved into the show’s spin off, Angel, where from the beginning she was basically the show’s secondary protagonist. Her and Angel were the two mainstays of the show’s main cast, she gets the most episodes centered on her out of all the characters aside from Angel (and yes, I’ve checked), and we really got to see her grow from a very shallow and self-centered and kind of mean person to a true hero who was prepared to give up any chance at a normal life to fight the good fight while still never losing the basic core of her character. There were some… questionable moments like the episode where she gets mystically pregnant with demon babies and things got a bit iffy like halfway through season 3 where the writers seemed to run out of ideas for what to do with her outside of sticking her in this romance drama/love triangle situation with the main character but overall, pretty good stuff right? THEN SEASON 4 HAPPENED. In season 4 she gets stripped of literally all agency and spends pretty much the entire season possessed by an evil higher power, and while possessed she sleeps with Angel’s teenage son (who BY THE WAY she had helped raise as a baby before he got speed-grown-up into a teenager it was a whole thing don’t worry about it) and gets pregnant with like. the physical manifestation of the higher power that’s possessing her. it’s about as bad and stupid as it sounds and also is like the third time cordy’s got mystically pregnant in this show and like the fourth mystical pregnancy storyline overall (you will be hearing more on that note in other submissions I’m so sorry). after giving birth she goes into a coma, in which she remains for the rest of season 4 and the first half of season 5. SPEAKING OF WHICH DON’T THINK SEASON 5 IS GETTING OFF SCOT FREE HERE. yeah so in season 5 the show just FULLY starts trying to erase cordy’s existence. she gets mentioned ONCE in the first episode and then never again until halfway through the season where she wakes up, helps out Angel for a bit and encourages him in his fight against evil, and then goes quietly into that good night and dies so it can be all sad and tragic. I’d call it the worst fridging of all time but even THAT feels generous because the whole point of fridging is killing off a female character so a man can be sad, and after Cordy dies basically no one’s even sad about it because the show immediately goes back to pretending she never existed. she is not mentioned ONCE in the two episodes after she dies. in the whole stretch of time between her death and the end of the season she gets mentioned exactly four times. again, I counted. anyway the fun twist to all of this is that all of this happened because the actress who played cordy got pregnant before season 4 and joss whedon was so pissed off about this affecting his plans for the show that he decided to completely fuck over her character and then fire her and write her out of the show. so cordy’s a victim of both writing AND real life misogyny!! good times!!

2.) OH SO MANY THINGS they menaced by giving her terrible hair cuts, making her seem like she’d get together with the guy she loves (and who loves her back) but instead she was killed and when she was brought back, she got possessed by an evil entity who used her body to give birth to itself. afterwards she was in a long coma and died. her character was so throughoutly assassinated

3.) She got demonically pregnant TWICE - there was this real sense of a womb/ability to get pregnant as like, a place for evil to get in. She got positioned as femme fatale and evil mother. The actress basically got fired for being pregnant, and when she agreed to come back for a single final episode she specifically said they could do anything but kill off the character. Guess what happened

[halfagone]

Kryptonians and Ectoplasm

I have... SuperPham thoughts. I mentioned this on Discord the other day, and it went somewhere along the lines of this:

In an AU where Danny is biologically Lois and Clark's son, that means the radiation of the portal turning on, killing him, and bringing him back to life is likely a concentrated version of how Clark came back to life due to exposure to enough ultraviolet rays or ion radiation. He essentially has the ability to photosynthesize like a flower, and in this essay I will-

And well, that's all I had at the time. So here's the essay:

The Ghost Zone could very easily be translated to the Phantom Zone in the crossover. However, in many main forms of DC media, Kryptonians such as Dru-Zod and his allies were sent to the Phantom Zone as a punishment for their crimes, effectively cutting them off from their powers. Which means it's likely not ectoplasm that's substituting for the ultraviolet rays of a yellow star, but the process of opening the portal.

Even if looking beyond a half-Kryptonian Danny AU, there can be a lot of applications to this. And taking a look at Superman lore gives some clues to how we can further integrate this into DPxDC.

FULL DISCLOSURE: I am not a scientist, be it physicist or biologist. This brain child was born from pure imagination and unlimited access to scientific articles.

For those that might be less familiar with this timeline, the period in which Superman dies and is seen replaced by four other Superman (one of which is Superboy, or Kon-El, the clone to Kal-El and Lex Luthor) is known as "Reign of the Supermen" and consists of a number of comics.

I won't get into the specifics of all these Supermen, but Clark comes back to life after roughly six months. [Taken from the DCAMU movie "Reign of the Supermen", in which the prologue reveals that the battle to the death between Superman and Doomsday was 6 months ago.]

So it took roughly 6 months for Clark to fully recover. Yet for Danny it took, probably, 5 seconds for the whole thing to be said and done. Which could possibly explain why he's so powerful, beyond the mixture of ectoplasm in his system for this AU.

On the other, other hand, there are many headcanons surrounding how ectoplasm functions on a more scientific standpoint. One of my personal headcanons is that ectoplasm feeds on the electromagnetic waves that humans emit through emotions. The stronger the emotion, the more ectoplasm pools together. Hence, when a person dies, all that ectoplasm pooling together and imprinting on said ectoplasm creates a ghost. [This headcanon is first discussed in chapter 28 of LL's Ascent.]

But we've already established that Kryptonians can be revived through ion radiation. So what is ion radiation? In simple terms, ion radiation is "a type of energy released by atoms that travels in the form of electromagnetic waves (gamma or X-rays) or particles (neutrons, beta or alpha)." But... didn't we just say that ectoplasm likely isn't the reason Superman came back to life? Especially since the Phantom Zone hampers Kryptonians' powers?

That is very true, and if you think about it, this would mean ectoplasm and Kryptonian biology exhibit a lot of the same characteristics. What would be the difference then? Ectoplasm retains the electromagnetic waves, hence how it maintains ghosts' personalities and memories.

However, hampering with these electromagnetic waves could explain why ghosts lose themselves over time, and might give headway to how anti-ecto weapons harm ghosts. But that is a topic that requires more research, and will have to be left for another day.

So ectoplasm retains electromagnetic waves, what about Kryptonians? They can't do the same. Once they are cut off from sunlight, or any form of ultraviolet rays, their powers go with it. Common headcanons for ghosts determine that they can go for some time without continually feeding on ectoplasm, although they gradually grow weaker the longer they go without a source.

But ectoplasm does not emit electromagnetic waves of their own. Perhaps ghosts could filter their ectoplasm and make this possible, maybe that's how they give people the creeps when they intrude on their territory. But otherwise, plain old ectoplasm won't do this. But do you know who does emit electromagnetic waves, according to this logic?

Kryptonians do.

Their emotions emit these waves, and when traveling to the Phantom/Ghost Zone, that would mean all the ectoplasm around them would feed on their emotions. Unfortunately, there is no source of sunlight in the Ghost Zone, which means not only are they cut off from a main source of nutrition, they are constantly being leeched off on from ectoplasm.

This could mean that going to the Ghost Zone, for a Kryptonian, might just be a death sentence. Which makes Dru-Zod's exile to the Phantom/Ghost Zone that much more grim and cruel. We know from the Flashpoint Paradox timeline that Kryptonians will slowly wither away and quite possibly die without any source of ultraviolet rays.

So what would this mean for a half-Kryptonian Danny AU? Well for one, it would explain why Danny is so powerful. His dual nature as half-Kryptonian and a halfa means that all the weaknesses he has from his Kryptonian biology is canceled out by his nature as a halfa, and vice versa.

This wouldn't entirely strip Danny of weaknesses. In some ways it could even compound his weaknesses depending on what's used against him.

Yet it's still something very interesting and tasty to think about. And provides a lot of possibilities for future plot points or alternate universes.

[apocalypticvalraven]

Delicious in Dungeon in The Kitchen

So... I was struck by the thought that I kinda wish some food nerd would go through the Dungeon Meshi dishes and analyze them and sort of give a "this is the real world thing they're making" run down.

And then I realized I'm a food nerd that can do research.

So.

We're gonna try this out, starting with Volume 1. I don't promise that I know everything about cooking. I don't promise I'll always be able to make the thing I'm looking at (I am broke, and I don't have my own kitchen). But I can at least look at a dish and figure out what they're doing and how to replicate it, at least sorta.

Dungeon Meshi Volume 1-- Huge Scorpion and Walking Mushroom Hot Pot

The two main components of this dish are the Huge Scorpion and Walking Mushroom.

Walking Mushroom

Looking at the images in the manga, Walking Mushroom seems to just... be a mushroom that can walk around. There are no organs, the interior seems pretty uniform in substance...

Like, literally, that's exactly what sliced mushrooms look like. Senshi cuts the mushroom into ~4" strips (judging by their size next to the small cabbage-like vegetable, and comparing those plants to his hand in the image of him gathering them. I am assuming dwarf hands are roughly the same size as human hands).

There's a variety of edible mushroom that is probably as close as we're going to get to the size of a Walking Mushroom, growing a cap up to 3' wide, but it seems to only grow in termite mounds in a very specific part of the African continent (please forgive my USAmerican, White education leading me to not being able to identify the specific region), so... if you can get that at all, it's probably crazy expensive (as it should be, unless you're literally getting it from the mounds or local markets yourself). Portobello or similar large culinary mushrooms are probably just fine. The Mushroom Feet are literally just mushrooms, so no worries there.

Huge Scorpion

Ok, so... there is a difference between arachnids and crustaceans. As a start, arachnids have book lungs and crustaceans have gills. Arachnid guts are different from crustacean guts, just because of environment. Hell, crustacean limbs grow differently from arachnid limbs.

That said, everything I see in Dungeon Meshi implies that, from a culinary standpoint, Huge Scorpion is a crustacean-

So, really, it's just a big lobster. Take a lobster, cut off its legs, antennae, and the tail fluke, and you're going to see something that looks pretty similar to the huge scorpion in Dungeon Meshi.

Seaweed

Next is seaweed, which... is just a thing, but also kind of an imprecise term, I think. Basically, "seaweed" just refers to any marine algae that is multicellular and macroscopic (big enough to see). Arctic Moss seems to be a real thing which refers to a couple things- the aquatic moss Calliergon giganteum and the terrestrial lichen in the genus of Cladonia, which includes Reindeer Lichen.

Reindeer lichen is edible, in a number of ways, but it's also not seaweed. So we look at Calliergon giganteum. I cannot get an answer as to whether this particular variety of moss is edible. So... fuck it, say Senshi used Reindeer Lichen, at least we know that's edible.

"Star Jelly" is... I don't know. The main result I find when googling it is that it's the sort of general term for various slimes that show up on lawns and other vegetation, etc. Which means it could be anything from amphibian spawning jelly to who the fuck knows what.

However, one thing it could be is a cyanobacteria known as Fat Choy, a commonly used "vegetable" in Chinese Cuisine:

Looks like jelly? Yep. Looks weird enough that you might imagine it comes from a star? Yep. Edible? Yes!

(I mean, maybe don't eat a ton of it, or get it from irreputable sources. At least some Fat Choy contains a toxic amino acid which may or may not have negative health effects, but I'm not a doctor, so all I'm saying is "be aware of this." It's an expensive delicacy, which means that it is a particularly lucrative target for counterfeiters, and China does not have strong, or strongly enforced, food safety laws).

The Hard Stuff

So that leaves "Invertatoes" and "Dried Slime."

Neither of which seem to have a good direct analogue to the real world. Well... sorta.

Invertatoes seems to refer to the plants. The name calls to mind potatoes, and potatoes do indeed grow in the ground and are starchy. It's probably fair to just use any kind of starchy tuber as the "invertatoes." Maybe cassava, since those are large enough that it's at least somewhat believable that "Fantasy Land Cassava" could look like that (although that doesn't fit the "these are normal plants that grow upside down" unless we're being really generous).

The problem is that it's sort of implied that the cabbage-like vegetable seen in the hot pot comes from the same plant, and everything from a potato plant other than the potato itself is toxic. They also don't look like that.

I literally don't know what those cabbage/lettuce-like leafy vegetables are. They're not seaweed, because the two varieties called out definitely don't look like that. They're not, so far as I can tell, the greens of any kind of starchy tuber--

EXCEPT.

So, I was taking one last look at tubers to see if I could find something that seemed to match, and I think Invertatoes could be likened to something similar to chicory. Particularly endives. I never knew endives were related to chicory (ie, "that thing that I'm aware is popular as a coffee substitute in the South, but I don't have much desire to try it, and I wonder if it even has caffeine..."), but, apparently, yeah. Endives are a member of the chicory genus.

So, yeah, lets say that Invertatoes are a sort of fantasy plant similar to the various members of the chicory genus. The trunk can be replicated with chicory root, and the leaves with endives.

That leaves Dried Slime. Dried Slime makes up the noodles in the hot pot, which implies that the noodles are gelatinous, and probably low in gluten. Senshi's explanation of the slime makes me want to think of it as a macro-unicellular lifeform, but... I'm not sure that's accurate.

While it's definitely not an accurate way to describe a jellyfish, I could definitely see a non-biologist describing jellyfish in a way similar to the way Senshi describes the slime. I could also see some fantasy terrestrial jellyfish thing hunting in a similar manner to the slime. Moreover, there are edible varieties of jellyfish, and they're processed in a manner very similar to what Senshi describes for processing slimes. And one way of preparing edible jellyfish is to thinly slice it into noodles.

Hot Pots

I... think this is using a very specifically Japanese sense of "hot pot" (which makes sense), because in Japan, hot pot can refer to a dish called nabemono, while in general, hot pot refers to a particular kind of dining in China where you get a pot full of boiling stock/broth and a bunch of raw ingredients, and you put the stuff you want into the broth at the table. Nabemono is more of "put a bunch of stuff in a pot, and cook it. Serve it boiling." Which is to say, it's soup.

Senshi puts the scorpion meat and mushroom into a pot on its own, and lets it start boiling-

Then, while it's boiling, he goes and finds other ingredients, coming back with the invertatoes and the slime. The two are prepared simply-

Seasoning isn't included in the ingredients, but I can understand this as a choice for presentation. We do see Senshi add something to the broth after tasting it, and I think it's fair to assume it's one of soy sauce, mirin, fish sauce, or similar. I think it's actually really interesting that we see Senshi add seasoning, but we're not told what it is-

Because... that's cooking. You can follow a recipe, but ultimately, you need to taste your cooking and make your own decisions. Senshi lets the soup cook, tastes the broth, decides it needs something, and gives it a bit of time to let the flavors meld before serving it up.

Dungeon Meshi Lobster and Mushroom Hot Pot

So, we're looking at something like this for the "Huge Scorpion and Walking Mushroom Hot Pot"--

Lobster- ~5 lbs or more (a 1 lb lobster yields about 4 oz of actual meat, which is a single serving), cut into large slices

Portobello- 2 mushrooms large diced, 2 left whole with the caps scored

Reindeer Lichen and Fat Choy- to taste

Chicory Roots- ~1 cup, diced

Endive greens- ~2 cups

Jellyfish, thin sliced- as much as you like

Add lobster and mushrooms to water, and allow to boil. While it comes to a boil, prepare the other ingredients, then add to the water. Let the soup come to a full boil, then reduce heat and simmer for 15 minutes to an hour (can simmer longer, but this will affect the texture of the ingredients. Longer simmering will result in more melding of flavors, but also degraded solid parts).

Taste the broth. It will likely need salt and acid, which could come in a variety of forms, such as kosher salt and lemon juice, soy sauce and mirin/rice vinegar, oyster/fish sauce, or something else. Go with your gut and your taste buds..

[anemonelovesfiction]

Kinktober 18- Mirror Sex

Rotxo x human fem reader

Warnings ⚠️: Fingering mostly, Insecure reader (just slightly angsty I guess?)

Translation Station

Olo’eyktan: Clan leader

Tsahik: Clan spiritual leader

Marui: home

Syulang: flower

Yawntutsyìp: darling

Word Count: 4.1K

Becoming one with the Metkayina wasn’t hard, there were slight differences between them and the Omatikaya, but that was from a human standpoint. The expectations of the Na’Vi- the Sully’s- were different, hence their harsher orientation. But there were times where we could chat and get caught up over everything that happened, mainly with Kiri, it helped being the same age and having similar interests.

She’d helped me get used to their new way of living and even spilled the gossip on whatever was happening around us. But most importantly she’d told me about the bullying they’d experienced around the son of the Olo’eyktan. I’d refused to become an easy target for him, especially since I was human myself, so I often beat him to the punch and called myself out or made comments about our ‘incapabilities’ before he could.

“Don’t let go of the-“ Lo’ak stated as I attempted to hold on to the net before it started slipping in my hands, burning my palms. The pulling never stopping and I’d been forced to let go, placing my burning hands into the water to cool them down, I wasn’t expecting the fish to fight back or even being strong enough to do so.

“Are you okay?” Neteyam asks as he walks over to check my hands, lifting them out of the water, carefully running his thumb over the reddened mark. I could hear Ao’nung sucking his teeth, he often did this whenever I messed up, pissed him off, or showed up to work with them.

“I get it. I’m weak and you can’t trust me to do anything.” I rolled my eyes and take my hands from Neteyam’s while glaring at the teal boy. He makes a face and appears to have wanted to say something before glancing over at his best friend- and adopted brother- before turning his head and furrowing his brows like a child.

“Do they hurt?” Rotxo manages to take my gaze away from the rude teal boy and I give a soft smile, shaking my head, but turning to look away from him just as quick.

“I’ll be fine, gotta stay useful for you guys.” I say and hope it comes off as a joke but after a while of having to say these things I started to believe them, not even bothering to put on a playful smile on my face.

“We should probably try again.” I stated and lean into the water, picking the net up, and feeling a hand hold my wrist before the net slips out of my grasp.

“Go see the Tsahik.” The nicer of the two boys stated, this was the first time his stare reached my soul, the objection died in my throat and I simply nodded, walking off but still hearing the boys start to argue. I couldn’t make out exactly what was said as they talked too quickly but I didn’t want to turn around and get caught in the middle of it.

“How are your hands?” Kiri asks once I’d finally sat next to them. Eclipse was due soon and we were supposed to have met for dinner, I resist the urge to roll my eyes, I knew she’d find out because of Lo’ak’s big mouth.

“They’re fine, did Lo’ak run his big mouth to you again?” The question was rhetorical although Neteyam could have also mentioned it.

“No.” She answered truthfully and I sit by her, a bewildered expression glued to my face, the question was rhetorical until she said that. I raised a brow but she only offers a smile, she knew something I didn’t and I hated when she did that, I suck my teeth.

“What?” I asked her.

“You’ll see.” She says ominously and it irked me when she acted all mystical.

Most of dinner went by normally and everyone was busy having their side conversations, we typically talked as a family on our way back to the marui and into the night as we lied on our mats, it was always nice to hear how everyones day went, but I was about ready to sleep myself. I’m not excited to have to fish again tomorrow but I knew I had to pull my weight.

“Hey,” A teal body sits next to me just before I found it in myself to leave for bed, I was tempted to call it an early night and let Jake and Neytiri know I’d be going to the marui, but it appears life had other plans for me.

“Hello,” I respond toward the nice boy, I had a bad habit of using their monickers instead of their names in my head. Ever since Kiri and I talked about what had happened to them, she often used the little nicknames for me to keep track of her story, and I continued using those nicknames to describe them.

“How are your hands?” He asks and peers over as if wanting to look at them, I had no idea why I found myself showing him my bandaged palms. I’d been given some kind of salve to help with the burning sensation mixed with something for swelling, the thinnest of bandages placed right on top to help my skin absorb it.

“They’re fine.” I responded as I look down at my hands, I’d trained myself to never look the bully in the eye, and ended up losing my confidence for silently challenging Spider and the rest of the Sully’s with my eyes as well, I had a hard time looking directly into anyone’s eyes anymore.

“I’d like to show you something, if you’d allow me to, of course.” He stated calmly, I didn’t feel a sense of urgency to agree either, he had kept it pretty nice and open for me and it made me smile internally. I always wondered just how close Ao’nung and Rotxo had been considering they both seem completely different.

“Uhm-“ I look back over to notice the Tsahik had sat down at some point with her husband and they conversed with Jake and Neytiri.

At some point of the conversation Tsireya and Ao’nung had joined between Lo’ak and Kiri, Spider sitting between Kiri and Lo’ak, closing off the circle and excluding myself, whether that was accidental or on purpose I’d kick his ass later for it, he hadn’t been sitting there before.

“You do not have to-“ His tone sounded as of it held slight disappointment and I found myself staring right into his honey green colored eyes, tempted to make the boy feel better, and embarrassing myself with how abruptly I’d stopped him.

“No, no.” I stated rather quickly, eyes widening at my reaction, before looking away from his eyes with a blush dusting my cheeks. “I don’t mind, I can go.”

“Okay, come on.” He holds his hand out for me to grab and I eye it suspiciously, him and Tsireya had been the only ones to not make fun of my extra finger, but it still made me wish to have hands like theirs. I hesitate before grabbing his hand and he smiles, standing himself up and waiting for me to follow his lead, I look between our hands and his eyes before settling my other hand on the ground to help me stand up.

It doesn’t take long before we escape the prying eyes of most people. Some stared at us as we walked away and it was funny to watch how many of them failed to be discreet about it, I knew everyone was nosey, but a lot of them were too comfortable showcasing it. I laughed internally, they thought something was going to happen and it wasn’t.

“What do you need to show me?” I asked as I finally come within his home and notice a gigantic glass-like object hung on the wall of his marui, how he managed to do that I was unsure but I could see my reflection and looked away again, turning to face him.

“I wanted to show you,” He starts while placing a hand on my shoulder lightly, pressing against it to turn me, my brows almost kiss in confusion but allow his hand to turn me around. I still face the ground but keep my ear on alert for the rest of his explanation.

“Yourself, through my eyes.” He stated and I turn my head back to look at him, wondering what he meant, before feeling my chin being redirected at the mirror, never once having caught a glimpse of his face, until I looked through the mirror at it, already catching his eyes on me.

“Wha-what do you mean?” My furrowed brows could already tell him I had no idea what he meant and he just smiled at me. He settles himself down onto his knees and we’re almost the same height, if by almost I meant a full head taller than myself.

“I do not like when you say negative things about yourself.” He stated and the confusion starts again, was he just going to compliment me? Even before being the way I was I never accepted compliments well.

“I’m just beating Ao’nung to the punch line.” I laugh lightly, not really how I would have laughed had I actually found it funny, his lips thin in disappointment.

“Why do you feel the need to do that?” He asks, eyes still on mine, and I could feel my throat becoming dry, making sure to thickly swallow whatever saliva I could gather.

“N-no reason?” I asked pathetically, but my answer was honest, I had no real reason to have started saying those things. I guess I got in my head about Kiri’s story and figured the only way to prevent the bully- Ao’nung- from making fun of me or a reason to hate me was to say what I felt he would say in that moment.

“Hmm.” Rotxo hums but it didn’t seem to be about my terrible explanation.

“Has anyone told you to stop?” He asks with genuine curiosity twinkling in his eyes and I seem transfixed on them, unable to look away, tempted to turn to face him again, eyes turning toward my left before he speaks up.

“Look at me through the mirror.” He stated so sternly that my eyes fly back toward the mirror, giving him a slight nod, showing I understood that he needed me to look through the mirror and nowhere else.

“Well?” He raises a brow and I feel weirdly warm, he had asked a question beforehand and he needed an answer, I draw in a breath and answer.

“Kiri and ‘Teyam said to stop.” I admit and feel relieved having been able to answer his question.

“I’m telling you right now, it needs to stop.”

I just stare at the man on his knee’s beside me, his body was comically large compared to mine, yet found myself compelled by him at the same time, allowing myself to nod along toward his words as he stares at me expectantly.

“I need to hear you say you won’t say those things anymore.” His voice was stern, his facial expression was stern, my legs felt like jelly.

“Or what?” I raise a brow in interest and he thins his lips once more, I had no idea what had caused me to defiantly say that, but I had, and it upset him.

Although we didn’t stand face to face with the mirror, I could see some emotion swim through his eyes. I could feel myself turning my body getting ready to say something smart, before seeing him shuffle and end up in a seated position, scooting further back on the floor of his marui, and dragging me down with him, landing on my bum and kind of in his lap. His legs were outstretched beside mine, allowing me space but keeping an arm wrapped around my belly to keep me seated.

“Rotxo-“ I begin to protest but am cut off by his gruff voice.

“Say it.” He demands.

The tone of his voice makes it harder for me to want to turn around, so I look back toward his eyes, fury swimming through them. He was waiting for me to say what he wanted me to say, but this was ridiculous, right?

“I- I won’t sa-say those things a-nymore.” I find myself stuttering as I struggle to get through the phrase and am tempted to look down but I would have missed the sweet smile tugging at his lips, my heart started beating erratically and I wanted to see him smile more often.

“Is that all?” I asked trying to appear bored and wondering if I could go back toward my marui I shared with the Sully’s but he shakes his head.

“No, syulang, we’re just getting started.” He whispers in my ear and I gasp, shocked at how I had reacted, turning my face and end up smashing my lips on his, he backs up quickly.

“That was meant for your cheek.” He stated as if he too had been shocked, glad to know he wasn’t planning this, but I let out a nervous laugh.

“Yeah why would anyone want to kiss me?” I asked mid-laugh only to finish with my own lips thinned as a frown forms, eyes widened slightly, as if I had just been caught red-handed saying something I wasn’t supposed to. His own brows furrowed in slight frustration, he is looking directly into my eyes -through the stupid mirror- and I can’t find it in myself to look away.

“Maybe something other than intimidation will get you to stop saying those stupid comments.” He grumbles placing one hand on my hip, the other trailing down my jaw, taking a hold of it semi harshly. It doesn’t hurt but I wince at the action, he turns my face toward his and I can practically see the frustration permeating off his body.

“Like what?” I wanted to smack myself after those words left my mouth. A smirk painted his features, as if he was waiting for me to challenge him, I’d never seen him smirk, just the bully, but I liked it a lot better when Rotxo did it.

“Keep your eyes on the mirror. Do not turn your head for a second or I stop. And when I ask, you will say only good things about yourself, yes?” He isn’t really asking, it was rhetorical, but I nodded either way, feeling my lungs ache for a breath which I feel is granted to me once he lets go of my chin. My head snaps back to look at the mirror and I catch his eyes.

“Can you tell me something you like?” He asks and I resist the urge to groan at his sparkling eyes, shaking my head and I could feel the frown tugging on his lips, not because I didn’t like anything about myself, I could feel the heat starting to travel down south and I didn’t want to embarrass myself in front of this gentle giant.

“I like your eyes,” I felt my breath escape me after I stated that and he chuckles, kissing my temple again, his hand had slid off my chin earlier but was placed on my chest, ready to grab my chin for attention, but I wanted his hand to wrap around my throat and choke me.

“I meant about yourself.” He smiles, the hand on my hip gently stroking that side of my body, not dipping below my tewng or above my beaded top.

“I can’t think.” I admit and the hand on my side stops moving but I that wasn’t the hand I was needing to move, my chest felt heavy and I could feel my heart continuing to thump against the ribcage, I know he could too.

“Your eyes are beautiful, especially when they catch the sun just right, they look like they glow.” He stated and it feels like all breath is knocked loose from my lungs.

“Your nose is different and adorable. Your lips are full and plump, I often wonder how they’d feel against mine.” He stated in my ear again, shit.

“Rotxo, what?” I cut myself off as I feel his lips trailing my jawline. I need him to stop for a second, but a second is all it takes for him to turn my face toward his once more, planting a soft kiss on my mouth and feeling the heat coming off his lips and onto mine. I whine at the loss of heat on my lips, having felt my face move back toward the mirror on its own, just to find myself capturing his eyes with mine, my breath hitches and I can see his smile.

“Now you say something.”

“I like you.” I blurt out as I attempt catching my breath and his smile is wider now.

“I mean about you, silly girl.” The hand on my chest slides down between my breasts and I moan at the slight feeling of the beads sliding against my nipples, feeling ashamed at how overly sensitive I was at the moment.

“I like when you touch me,” I let the words fly out, I knew I wasn’t answering his questions but being around him as he caresses my body like its a fuckin’ fiddle wasn’t going to help me say anything less embarrassing.

“Hmm, yeah? I like touching you too.” He digs his lips onto my neck and plants kisses there and it causes me to gasp.

“Please,” I throw the word out there, not even sure what I was begging for, but wanting him to continue pushing whatever agenda he had planned, I just needed to feel his hands on me.

“Not until you say something you like about yourself.” He’s a persistent man, thats for sure.

“I like myself, I do,” I attempt to plead with him and he chuckles, bringing his eyes up to meet mine. I knew I looked as pathetic as I sounded, but seeing him look back at me was worth it.

“Of course you do, yawntutsyìp, but I need an honest answer.” He explains and I let our a short frustrated grunt.

“M-my hair, I like my hair,” I answer honestly. My hair was pretty to me, I could put it up easily, I could braid it beautifully, it was long, its the reason I was particular about who cut it.

“I like the length, I like how shiny it is, its the thing I take care of the most.”

Just then I felt a hand caress my hair gently and felt my spine shudder at the sensation. I was also particular about who got to touch my hair but his touches were gentle, caring, soft, he could definitely touch my hair anytime he wanted.

“I can tell,” He smiles and places a kiss right on the back of my head, right where my hair was. “I always wanted to run my hands through it.” He comments sweetly.

“Please touch me,” I stated pathetically to feel his hand stroking my belly gently.

“What else, syulang?” He asks and I feel like I’m about to lose it, but just as quickly think on my feet, feeling accomplished in my answer.

“M-my legs,” I admit.

“They’re long, hel-helps me swim.” I stutter and feel his intense stare on me, but my eyes were closed, until he pinched my thigh with the hand that had been on my hip. I opened them just as quick as the pinch had come.

“Eyes on me, pretty girl.” He stated but doesn’t allow himself to kiss on my neck or jawline, I pout slightly, I liked feeling his lips on me.

“Why are you pouting?” He asks as a hand comes up from my belly and underneath my beaded top, my breath hitches as he cups my left breast, feeling its weight in his hand and allowing his thumb to stroke up against my nipple, my gasp clearly audible as his ears flick at the sound, standing at attention to focus on me, my cheeks heating up.

“Answer.” He reminds me and I moan lightly as a response.

“Need you,” I admit with a whine. He seems pleased with this answer and smiles once more.

“What do you want me to do, pretty girl?” He asks and I felt dizzy, his second hand caressing my thigh from where he’d pinched it while lazily running his thumb over my nipple again.

“Everything,” I mumble and feel my eyes closing again to enjoy the feeling of his hands coming closer toward the spot I needed it most. “Please,” I beg again, moving my hips slightly.

“What do you like about me?” He asks so quietly I almost miss the question, my eyes find his and a lazy smile spreads through my face. He’d placed his hand overtop my loincloth and stopped moving it.

“Your eyes,” I stated in one breath, continuing, knowing that wasn’t enough. “They’re honey-green and make you look so handsome, like a pretty boy.” I mumble and his face softens sweetly, hand pushing my loincloth to the side, thumb pressing between my lips and applying gentle pressure on my engorged clit, rubbing small circles on the already slick covered bud.

“Ro,” I sigh happily and close my eyes, biting my lip, feeling his caresses, only to feel him stop all motions, reminding myself to open my eyes.

“Good girl.” He praises and I whine.

“You promise you’ll stop saying those bad things, right?” He asks and I nod.

“Good girl.” He repeats and kisses the side of my neck and I find it easy to move my head to the side to accommodate him. He also wastes no time sliding a finger in, a long moan leaving my lips as be continues paying close attention toward my bundle of nerves, my thigh shaking.

How is it that he’d just started all of this hard work but managed to get me soaked by doing minimal shit, the man had only started kissing my neck when I became a mess for him, holy fuck.

“Oh shit,” I let the English phrase slide out as he picks up speed.

“Can you take another finger?” He asks and I hesitate to answer.

“Just wanna make you feel good, pretty girl, can you?” He asks again and I nod.

“Put them all in, fuck,” I mutter in-between moans as he sticks a second one in and I feel full. The feeling of his fingers settling in my cunt had me feeling hot all over.

“Look at yourself yawne.” I look up and see his fingers shoving themselves deep inside my pussy, slick covering his entire hand, and I’d failed to notice I was moving my hips to match his thrusts.

I could feel my hands squeezing flesh and realize I’d grasped his beautifully thick tattooed thighs in the palms of my hand, hence the slight burning sensation. I let out a gutteral moan and watch him smirk in the mirror just to insert his third finger, scissoring his fingers to stretch and I couldn’t hold myself back.

“Ro, I’m close, so close.” I try grounding myself by squeezing his thighs but feel like I’m on the edge of a cliff and feel the need to jump without a parachute.

“Be a good girl and come for me, syulang, I want you to drench my hand in your juices so I can taste you before shoving my hot, thick cock inside of you.” His voice had deepened a bit as he said that, I could feel my cunt squeezing his fingers.

“Let go for me, pretty girl.” He begs sweetly and its as if he coaxed the come out if me, my walls fluttering as I came, a pitched moan leaving my lips as I stare at my gaping pussy greedily clamp down around his digits. I kept my eyes down low and couldn’t find it in myself to look away, mesmerized by the workings of his fingers inside of me as I kept coming.

My labored breathing was hard to try and calm down after the events that had unfolded. His hand had already been covered in my juices, but at this instant, it was dripping. He could only pull his fingers out, I hissed at the feeling, and watched him through the mirror, bringing his hand up toward his mouth, closing his lips around his fingers and letting his eyes shit as a moan rumbles through him. I could only bite my lip as I felt another wave of heat awaken within me.

“You’ve taken cock before, right pretty girl?” He asks as his dry hand reached over to untie the knot that held his loincloth together. No hostile tone in his voice and I nod at his question once more.

“Good,” He seems to smirk again while settling himself on his knees, cock hanging low, it curved downward and seemed pretty fucking hefty.

“Same rules as before, syulang, keep your eyes on the mirror, if you don’t, I stop.”