#and thus introduced me to the series and changed my life forever.

[darkdragon768]

Having a blorbo with anger issues made me think about my past.

I remember, when I was in elementary school, if I didn't like someone I showed that. Someone was celebrating their birthday and the teacher had us stand in line and everyone was supposed to say something nice. Well, except me. I said something like "I wish you an awful day". The teacher scolded me after that. I also made that girl cry due to this.

Another situation. We had a bully in class many didn't like. There was one day where he ended up on the floor and people were standing around him, kicking him and stuff. Now that I think about it, I don't think I joined in and kicked him too, I was just watching and thinking "heck yeah, that's what he deserves!". Some other day I had a fight with this guy tho.

I think that was at the beginning of school. There was a girl I couldn't stand. I remember a time where I pushed her and she accidentally hit her head against a... metal pipe?? and I didn't want to say sorry to her. However, I ended up being on good terms with her? We even became friends???

Then one time in kindergarten I found a cool rock on the ground, picked it up and then decided "actually it isn't that cool" and threw it behind my back accidentally hitting another kid on the head. And I swear this was by accident. This has nothing to do with being pissed but it's something I remember vividly.

I don't remember if my parents ever heard about any of those and scolded me. I know the teachers did tho.

Nowadays I still get pissed off of people but the difference is the actions stay inside my head.

[acesw]

Knowing our Arcanists 14: Druvis III

Welcome to entry fourteen of my series: "Knowing our Arcanists"! This is a series in which I introduce and tell the stories of our fellow characters in Reverse: 1999. For today, we have: Druvis III!

Despite well loved by many, Bluepoch tends to overlook her character ever since we left the first 4 chapters and there's so much potential left behind. After analyzing her, she's one of the characters that left one of the most lasting impressions on me. Lets get started.

Druvis Weyerhauser III is an Irish-American arcanist who was born in the early 20th century on October 23rd. Her arcane skill, inherited from a long and ancient line, allows her to communicate with the wildlife around her and manipulate them to a large extent. Raised in a wealthy family, Druvis has always been familiar with formalities. But at the same time, the woods has always been her calling.

She lived in Ireland throughout most of her childhood. Living with a wealthy and predominantly arcanist family, she grew to love her identity and lineage considering her familiarity with Celtic traditions and sigils. She also read Irish epics and legends growing up.

Its likely that she learned how to do traditional wand-making around this time, using the wood and natural materials around her as a source of power. While strange in style and composition for its time, the powerful arcane conduction became the reason why people commissioned them.

However, her life changed when her mother remarried, and she decided to chase after the "American Dream" during the 20s, where many lesser-known aristocrats migrated to the Americas in hopes to find a respectable footing. Druvis' mother wanted to abandon her traditions, and embrace the "New Age" full of cubism and modern sciences.

The Weyerhaeusers became lumber tycoons who were more adamant in maintaining their wealth and business over honing their arcane skills, leaving Druvis as an outlier among them. She chose to often escape to the woods against her parents wishes, curious and captivated by the whispers of the trees so close to her home. On those nights, away from the banquets, she would listen to the whispers and examine the shape of their growth.

Druvis' defiance and insistence on traditions was often something her mother disapproved of, wanting to raise her daughter as a proper upper class lady, but she never seemed to do anything to stop her entirely. However, she hoped that Druvis would grow out of it and join her in the business.

They were able to buy and profit a portion of the Cascade Range, thus their popularity and their wealth grew immensely from their business. They gained more deals and their stocks increased. This growth remained constant for years, whilst Druvis grew a love for the range for its beautiful flora and fauna. She found the Cascade Range as a place of respite and escape for her, away from the modern society.

In Autumn 1928, stocks began to crash and wealthy families continuously lost their stocks and other earnings. The Weyerhausers lost most of their profits and went bankrupt due to the collapse of the wood supply chain, and her stepfather grew more desperate to replenish those earnings. After selling things like potion formulas, it left him with choosing the last option: to sell and bulldoze the land.

What changed Druvis' life forever was not this, but the unfortunate events that came after. On one night while her parents, their buyers, and workers that were to do the disafforestation. Druvis was also searching for them, wanting to offer a new solution using arcane skills in hopes to persuade her parents away from bulldozing the land.

Yet, the entire forest was ablaze by an unknown suspect, leading to the deaths of 13 people, including Druvis' parents and their buyers. The media swarmed Druvis with questions, which further grew as arcane traces were found at the scene. This led to her being blamed and shunned by the media, leaving her to deal with not only grief but also criticism of her name. Due to this, she disappeared from public eye, mostly grieving alone in the burnt forest and taking the time to pick up on things like wand-making again.

As we know in the main story, in the post-"Storm" era, Druvis was offered a place in the Manus Vindictae through Forget Me Not. They shared a similar grief and Forget Me Not used it to his advantage to take her in and cultivate her vengeful feelings towards what happened to her. She helped the Manus for a time, crafting things like Schneider's gun wand and being a supplier of resources.

It was in Chapter 2 that things turned on its head, where Druvis decided to betray the Manus in favor of the Timekeeper. The Timekeeper offered a new path to help move forward rather than settle in revenge against what can't be changed now. By looking forward to the future, life will grow again from its burnt shells, and bring closure to her grief. She remained loyal to the Timekeeper ever since, forever thankful in taking this new path and now strives to fight for the future ahead of her.

Druvis is a really reserved and respectable woman. Despite having the qualities of a decent upper class lady, she was never one to engage in social interaction. She found more comfort in the forest and even vice versa. She better communicated with the trees than with people, but she can immediately switch to her more presentable demeanor with those around her.

With friends, meanwhile, she finds comfort in talking to them and discussing about things like potion-making. She also becomes very protective of them, doing every means of her power to help them out of situations and problems.

Her practices left her a profound knowledge in arcane materials, and it helped her in creating these powerful potions and wands due to its "unusual" compositions.

She absolutely values her traditions and lineage as someone who can communicate with all the wildlife around her. Druvis practices most of her traditions alone and but will also share it with friends. (e.g. making them Celtic ale) It also helped her learn to be thoughtful and intuitive, taking approaches to understand anything that's in front of her.

Her values also go against modernist and industrialist ideals, since it brings significant damage to the forests. Her experiences led her to have a particular distaste for luxuries, fancy parties, and even her family name due to how it became associated with an aristocratic business. From observing everything, she never understood the "American Dream" because of it; because it changed her mother.

Even with how things turned out in the end, Druvis still loved her. She remembers fondly of how her mother used to read her those Irish epics, and allowed her to learn her practices growing up. She's still absolutely thankful for what her mother left to her, even if she didn't become the aristocratic individual she wanted.

Even then, its time for Druvis to move on, since the future won't wait. She may continue to mourn for what was lost, but she now understands that dwelling on the pains will only hinder her growth. But now, she won't let them affect her anymore, determined to continue fighting with her hope and the future.

[vaxx-jeliie]

ambiguity vs clarity in moriarty the patriot - a stupid and overly specific/excesssive analysis on sherlock and william's relationship and character

william has always been one to fight for what he knows is right - of course, as a man who grew up in the outskirts of society and the social heirarchy, the core of his being relied on the change of the very system that belittles his existence. as early as a young child he already knew that he wanted to abolish the peerage, and he already knew what to do achieve that. once he knew how his adoptive family (mainly the bitch ass kid and mom) would get rid of them, he enacted the first step of his plan - commit the perfect crime to erase themselves of murder, clean up their past, erase their history of living in the slums, and to inherit the title of count (or lord, i'm not sure which lmao). he knew that his social status is important to his plan, thus the first step was to obtain power.

it's a curious thing that mtp's focus was on liam instead of sherly, and to me, a great interpretation of the original sherlock holmes. i will confess that i never read the original books, nor have i watched any series or movies, and my only point of reference being a critique on bbc's sherlock. and from what i watched from the video and read from the comments, bbc's sherlock is not the best adaption of doyle's original work.

the video mainly criticized the lack of faith in the original works and the abysmal characterization of sherlock and moriarty (also mtp is the only adaptation i'm aware of wherein james moriarty are three people instead of one), stating that sherlock's ability to solve cases was not due to his deductive abilities, but due to his insane intelligence. of course sherlock by design is intelligent, but the writers didn't know how to write a clever/intelligent character.

ANYWAY ENOUGH OF THAT LMAO

liam is cunning and somewhat coy, and uses that to his advantage. he plays the charismatic professor, the kind and merciful lord of his estate, which only really amplifies his already strong distaste for the aristocracy. my favorite part about liam is the way that his character brings out the worst of the aristocracy. it's such an interesting aspect of his characterization - to destroy what he hates, he has to bring out that part of the aristocracy. he pretends to be just like the very people he hates, to blend in and to hit where it hurts.

sherly, however, does not have the same burning passion for eating the rich. instead, he prefers a good puzzle to solve, to work his brain muscles. all that sherly wants in life, is someone who is of the same caliber as him. sherly was introduced and immediately set up as the one to kill liam, instead of liam killing him, like in the original sherlock. from the very start, just from how sherly and liam interact, it's safe to say that these two will forever be bound together.

sherly is stubborn when it comes to solving cases - he never relents until the truth is discovered, and he loathes being given the answer without working towards that conclusion himself. this was seen when irene was in the church with albert. he told irene to write his name on paper and put it in the envelope, to which sherly would open whenever he suspects irene has died. even when news of irene dying reached him, he burned the letter. he's stubborn, and even when liam wanted to die by his own hands, sherly was there to prevent that from happening

[trans-yllz]

1, 4, 18, 33? :3

1. what are 3 things you’d say shaped you into who you are?

the extensive and inordinate trauma, at the hands of both other people and myself

my father being so incredibly kind To me and treating me like a human being as a child, thus teaching me how to be kind myself

volunteering at the zoo in high school, an experience that changed my life forever by introducing me to a love for environmental education, and that I will always remember with an incredible fondness and pride

4. what’s an inside joke you have with your family or friends?

I don't know if this counts as an inside joke but my sister and I once had an argument about whether an egg or a rat would win in a fight (her on the eggs side and me on the rats, obviously), which involved a long series of texts that were Just eggs or rats and us reacting to a swath of each others instagram messages with egg and rat emojis, and it still permeates our conversations. you'll never know when one of us will react with an egg or rat and we'll each have to go through the last month's worth of messages adding eggs and rats to things

18. do you believe in ghosts and/or aliens?

hm. I definitely believe in aliens just like. logically. the universe is both infinite and ever expanding, and there are only so many ways that atoms can arrange themselves. there have to at Least be some single called organisms out there. do I believe that intelligent life had made contact with earth? debatable. ghosts... I'd Like to believe in ghosts, and I've had some weird unexplained experiences myself, but the human brain is also crazy and will just make stuff up. if there Are ghosts I don't think it's how people usually portray it, something more like energy being stuck somewhere. I am neither a believer nor a skeptic

33. any hobbies?

hm I like to engage w various forms of media which I would call a hobby! and art is both a hobby and a source of income for me. I like to go out and nature and go camping and stuff which I'm trying to turn into more of an established hobby like going to birding clubs and stuff especially now that I have a car 🤔

[illuminatedquill]

Extracurricular, An Analysis

Oh Ji-soo and Bae Gyu-ri

“Love is the ultimate outlaw. It just won’t adhere to any rules. The most any of us can do is sign on as it’s accomplice.”  - Tom Robbins 

You know the story. You’ve heard it before, right? 

Boy meets girl. 

Girl finds out that boy is running a side protection business for prostitutes. 

Girl decides to blackmail boy into letting her join his business. 

Classic high school criminal shenanigans ensue leading them into more dangerous situations where they are forced to make desperate decisions to stay alive. 

Oh, and they fall in love along the way. 

Oh? You haven’t heard this one before? Then let me introduce you to this delightful kdrama called Extracurricular. 

I watched this one while waiting for the newest Hometown Cha Cha Cha episodes to drop and ended up binging the whole series in two days. There are many remarkable parts of this series: it’s a crime drama, first and foremost, that showcases high school teenagers caught in a cycle of violence and crime, abandoned by the society and adults that are supposed to be protecting them. There are no clear good guys and bad guys in this drama; everyone is cast in shades of grey. Our main leads, Oh Ji-soo and Bae Gyu-ri, run the prostitution business, and are both from broken family backgrounds. Their actions are morally questionable at best, but the top tier performances from Kim Dong Hee (you might remember him from Itaewon Class) and Park Ju Hyun make you cheer for them anyway. You want them to have a happy ending, despite the horrible things they do. The audience is always reminded that despite how clever they are in staying ahead, their actions have consequences, and they’re just high school kids. The drama never pulls it punches. 

But, weirdly enough, it’s also a love story. And that’s the part the really sticks with me until now. (The chemistry between the main leads is absolute dynamite and I could watch ten episodes of them just verbally sparring with each other. They don’t even kiss. They’re that fantastic when together on screen.)

I’m writing this because this is undoubtedly one of my all time favorite kdramas and I have a lot of feelings about our main pairing, Ji-soo and Gyu-ri. I can’t call them a couple (wait, didn’t I just say they fall in love) because their relationship can’t be labelled simply as that. Think of it as something similar to the main leads in My Ahjussi. Two people who should have become soulmates, yet met at the wrong time. 

This kdrama is not particularly happy, and while I do encourage people to watch this, I am warning that the subject matter is extremely dark. If you’re sensitive to scenes depicting sexual assault, graphic violence, or anything in that zip code you’ll want to steer clear. 

Also, I’ll be diving into spoiler territory in this analysis. So if you want to go in clean, then stop reading here. 

Still here? Awesome. Let’s dive deep into the messy, amazing pairing that is Oh Ji-soo and Bae Gyu-ri. First, let’s do a brief character background on our two main leads, starting with Ji-soo. 

Oh Ji-soo is one half of our main pairing and this story starts with him. He lives by himself and has been essentially abandoned by his only parents; his father is a failed businessman who gambles whatever money he acquires on scams and his mother ran away. His apartment is small, sparse, but functional. He owns only a few outfits aside from his school uniform. The only unique item he owns is a pet hermit crab that he takes care of. His life outside of school is non-existent; he has no friends, no one to hang out with and do typical high school teenager activities with. He takes care of himself and lives only for himself and his “dream”: to graduate, attend college, get married, and have kids like a normal person. 

But to do that, he needs a large amount of money. He has no other financial means to do so (his father is largely absent, as is his mother), so he decides, at some point, to start up this protection business for prostitutes. The drama doesn’t go into detail about the how and why he came to this conclusion that this was the best way to make a lot of money in a short amount of time, so you’ll have to suspend your disbelief from the get go. Considering the themes of the story (how youths abandoned by society tend to act out in extreme ways to make it in this world), it’s not hard to believe his desperation would drive him to make such a decision. 

Ji-soo, despite his shady business, is actually a decent person. There’s a streak of humanity that exists inside him that refuses to go out, despite the increasingly dark and bleak events that start to overtake his life. He’s attached to his hermit crab, cares for his “employees” outside of them being tools to make him money, and doesn’t want to see anyone get hurt. He goes above and beyond what’s required to help out people at the risk of his own life (in particular, Gyu-ri, and we’ll get into that shortly). 

What we learn from the first few episodes is that Oh Ji-soo is extremely smart and methodical in how he approaches his life. At school, he is known as a model student - quiet, top of the class in terms of grades, doesn’t draw any attention to himself, always follows along with what the teachers ask of him. Only his homeroom teacher, Mr. Cho, seems to consider his quiet style of existence to be concerning and tries to make him less socially awkward by pairing him up with another student in a new extracurricular club. This leads to the introduction of Bae Gyu-ri, Ji-soo’s longtime crush and future partner-in-crime. 

Meet Bae Gyu-ri, the other half of our dynamic duo. Her introduction into the story kickstarts the entire plot, as one of her earliest actions leads to a domino effect that spells increasing doom and tragedy for our main leads. She messes with Ji-soo’s operation at a critical moment and she spends the rest of the drama doing her best to make up for the consequences that follow. 

In my personal opinion, she is probably the best main female lead I’ve ever seen in a kdrama. Hands down, no other character exists (currently) that rivals her sheer cunning, wit, and badassery. Gyu-ri is Crazy, capital C, and is the chaos to Ji-soo’s control; the fire to his ice. Despite being the direct cause of half the events that happen to Ji-soo in the drama, he can’t help but need her because of what she offers. They make an incredible team. Her competitiveness, her need to win no matter the odds, helps them survive time and time again. 

Gyu-ri is from the opposite end of the spectrum of Ji-soo; he’s dirt poor and she’s insanely rich (always nice to see a reversal of typical kdrama tropes). Her mother and father run a successful entertainment company. Gyu-ri is popular at school, friends with seemingly everybody, pretty, cheerful and gets along well with her teachers. Ji-soo, and the audience, believe from the beginning that she has the perfect life. It’s not hard to believe that she’s just involving herself in Ji-soo’s business because she’s bored and needs an outlet, at first. 

We soon learn otherwise. Gyu-ri has more in common with Ji-soo than he initially realizes, in that they’re both trapped in circumstances beyond their control - it’s just that Gyu-ri’s cage is gilded, whereas his is not. Her parents are strict and have her life planned out for her, all without her consent or input, leaving her feeling frustrated and powerless despite her rich lifestyle. A suicide attempt hasn’t done much to change her parents attitude towards her, only serving to further their control over her life. 

So, when she learns of Ji-soo’s operation she immediately seeks to angle her way into it. First, she tries to rip him off, believing that he’s an evil “pimp” and thus deserves it. But after spending some time with him, she changes her mind last second and decides to help him out instead. 

And, now, let’s get into their relationship, which is one of the best (if not the best) aspect in the entire series. 

I need to be upfront about something: the relationship between Ji-soo and Gyu-ri is not exactly healthy. I wouldn’t describe it as toxic - the circumstances surrounding them aren’t exactly the best environment to encourage open and honest communication - but it’s definitely not what should be considered ideal, especially for young adults, and especially for young adults who are dabbling in crime instead of studying. 

So, why do I love them so much? If you’ve read some of my previous posts, you know that I loathe toxic relationships in kdramas, so I understand if you think I’m coming off as hypocritical here. Why do I like Oh Ji-soo and Bae Gyu-ri when I didn’t like, for example from recent history, (oh boy, here I go again on my Nevertheless BS) Park Jae-eon and Yu Na-bi?

First, Ji-soo and Gyu-ri are way cooler than Jae-eon and Na-bi ever could be. They run a criminal enterprise that involves having a high amount of intelligence, cunning, and daring to do so. Do Jae-eon and Na-bi run a criminal enterprise as a side business? No, they don’t, because they’re boring art students. 

Secondly, Ji-soo and Gyu-ri actually progress in their relationship and change their views as they learn from each other. Now, granted, that progress isn’t towards becoming better versions of each other - quite the opposite. But at least they have progress. Jae-eon and Na-bi stayed in the same stupid cycle for the whole series and then decided that it was better staying that way as opposed to trying for something else. 

Last, but certainly not least, Ji-soo and Gyu-ri are actually interesting to watch for me. The chemistry between Park Ju Hyun and Kim Dong Hee is explosive and they way they spar, exchange looks, and just generally exist around each other on screen is something I can watch forever. I’ve said this before but Han So Hee and Song Kang’s on screen chemistry, outside of their intimate scenes, really didn’t impress me. 

Okay, back to Extracurricular. This relationship, man. It’s all I can think about (other than HomeCha’s Du-sik and Hye-jin, but that’s another post). Ji-soo and Gyu-ri are so good together. 

I’ve noted before that Ji-soo is methodical in how he approaches his life; he plans out everything ahead, and rigs any situation as much as he can in his favor. It’s brilliant, but when a crisis happens, he doesn’t know how to deal with it effectively. He panics and flounders; becomes indecisive at a time when clear, decisive action is required. 

Enter Gyu-ri. She quickly becomes the partner he never knew he needed. When there’s a situation, she becomes invaluable in her quick thinking and wit, coming up with solutions on the fly. It’s not perfect, but it keeps them just one small step ahead of whatever is coming their way. 

The only thing preventing them from becoming unstoppable is the lack of communication and trust they have with each other. A lot of that has to do with how Gyu-ri entered Ji-soo’s business - she blackmailed him first, and, when that failed, she strong armed her way into getting him to accept her help. It’s implied in the drama that Ji-soo has had a crush on Gyu-ri for a while (since ninth grade, I believe) and in the first episode he actually gets the chance to spend time with her outside of school on a sort of quasi-date. 

It goes sideways pretty quickly because of some shenanigans from his business, but not before she gets to know him and says some pretty touching words regarding his situation. Poor guy is head over heels - even after finding out that she’s the one blackmailing him, his feelings are only dampened, not extinguished. When he catches a glimpse of her family’s situation, he gains a deeper understanding of her and why she acts the way she does. Even more importantly, Ji-soo treats her the same after finding out this information which, to someone like Gyu-ri, means more than if he comforted her about it. 

If you want to see a physical representation of how he feels, other than paying attention to his actions, you can see it in him keeping mementos from Gyu-ri. She has an interesting habit of folding bags into origami shapes and giving it to him. Even after the blackmail reveal, you can see that he continues to keep these in a container on his desk. It’s really cute that he keeps these, when it probably doesn’t even matter that much to Gyu-ri. 

Towards the end of the drama, Ji-soo prepares to turn himself in to prevent Gyu-ri from being implicated in the crimes they committed. And it costs him almost everything to protect her. Ji-soo, the quiet, nerdy kid, puts himself on the line time and time again to protect Gyu-ri, knowing that it puts his life and his dream at risk to do so. And all for what? For some girl that he thinks doesn’t even like him in return? 

Well, let’s talk about that. Because I’ve seen some comments that Gyu-ri was only using Ji-soo for her own selfish gain. And I can agree that was how it was at the beginning for her; she definitely was only interested in acquiring money, like Ji-soo was, in order to achieve her own goal of being free from her parents. 

But, oh man, that is not what is motivating her at the end. 

It’s actually pointed out relatively early by some of her friends that it’s obvious that she likes Ji-soo more than he likes her. Understandably Ji-soo is keeping her at arms length from him given the whole recent blackmailing, so it would make sense that it looks that way. 

Further questioning reveals what she likes the most about him: 

“It’s not like I’m crazy about him. He’s fun. And amusing. He’s smart. And there’s a certain charm he has. He also has a wolfish side to him. But he thinks he’s a puppy.” 

- Bae Gyu-ri

But, as she gets to know Ji-soo better, you can certainly see that she starts to fall hard for him. As a cover story for why they hang out so much together during and after school, Gyu-ri states to everyone that they’re dating. The reactions across the school definitely imply that this is a shocking development, which means that Gyu-ri hasn’t dated anyone before. So why Ji-soo other than the reasons she herself states? 

He challenges her, just as she challenges him. Gyu-ri may be the more dynamic, quick thinking of the pair but Ji-soo is every inch her intellectual equal - just in different ways. She doesn’t seem to be the type to be easily impressed, but you can tell that she’s definitely impressed by Ji-soo’s operation and how thoroughly set up it is. When Ji-soo is frustrated at the beginning by his setbacks, he blows up at another student (knocks him out in a crazy punch) and immediately walks over to Gyu-ri afterwards (who saw the whole thing) to inform her that she is now his partner in crime. 

The look in her eyes, and the small smirk she has speaks volumes about her attraction to him in that scene. Smoldering. 

And, oh yes, she’s prone to jealousy. Another classmate, Min-hee, gives Ji-soo a present out of the blue (it was supposed to be for her boyfriend, Ki-tae, but that’s another sub-plot) - all within view of Gyu-ri. It’s hilarious how she tries to brush it off. Later, for plot reasons, Ji-soo has to spend more time with Min-hee which only furthers Gyu-ri’s annoyance. 

And her motivations stop being entirely about the money and more towards helping preserve the dream that she and Ji-soo share about being free. There’s a scene in episode 8 where it’s revealed that, due to a business partnership with a local gang (set up by none other than Gyu-ri herself in a desperate move), Ji-soo would have to drop out of school permanently to work on their behalf. Gyu-ri overhears this and, despite badly needing the gang’s help in sustaining their own business, immediately terminates the partnership. 

All because it would interfere with Ji-soo’s dream. 

Man, if that isn’t love. 

In the following episode, Gyu-ri, and later on Ji-soo, is kidnapped by the same gang in retaliation for terminating their partnership. Ji-soo comes to her rescue but Gyu-ri is already almost free (again, she’s really, really badass) and is demanding that they bring Ji-soo to her instead of running for her life. 

Surviving this latest attempt puts the two in a reflective, vulnerable mood and Gyu-ri asks Ji-soo why he keeps saving her. Ji-soo asks later on why she keeps risking her life to be with him. They don’t say the answer in words but in an almost kiss (yeah, you read that right - almost). 

And then, if you aren’t already convinced, Ji-soo crosses his one last remaining line in an effort to keep Gyu-ri safe; he accidentally pushes a fellow classmate down some steps and, instead of helping her, leaves her to die after grabbing the evidence she has on him and Gyu-ri. 

Extracurricular pulls off quite the magic trick here, hiding this well done love story in the middle of a serious crime drama. 

The real tragedy is that Ji-soo thinks that Gyu-ri views this whole business, and by extension his life, as one big game. It’s something that she takes offense at, visibly becoming upset when he says that. 

But even if that were true, he should be assured since Gyu-ri doesn’t like to lose. 

As they hurtle towards the end and face up to the consequences of their actions, Ji-soo and Gyu-ri undoubtedly lose sight of their original goals and dreams. They do some fairly horrible things to stay alive and ahead of the police who are close on their trail. You can’t really blame them for doing what they did; in the face of a society that has abandoned them, what they’re doing is a logical outcome to gain what they want so desperately and deserve so much: the chance to be free to live like normal, care-free people. 

I can’t say for certain that they achieve that. The drama is serious in consequences and, at the end, the net around them is drawing tighter and tighter. I won’t spoil the ending scene for you, because I highly encourage you watch this drama yourself but I will say this: Ji-soo and Gyu-ri seem stuck in an impossible situation with nowhere to go, and no one to help them, with a clock ticking down towards either death or discovery by the police. 

But, all the same, I’m always the optimist. They’ve gotten through situations like this before and they can certainly do so again. Maybe not as bad as this one, but not too far out of their league. And, like I mentioned before, Gyu-ri doesn’t like to lose. Especially when it comes to Ji-soo. 

Their relationship is truly dangerous, as Ji-soo himself notes. Them being together is the source of their problems; they’re too much alike now, as opposed to the beginning of the drama where he stated that they’re too different. Their love is the kind of love where both of them are willing to burn the whole world down if it means keeping each other safe. 

I’m a real sucker for those kind of love stories. No one’s a hero here. They’re just kids in high school, doing the best with what they know. 

Who are we to judge what is right and wrong? Especially when the one committing the acts are high school kids who don’t know any better and just want to save each other? 

Do we have that right? 

Do they really deserve that punishment? Shouldn’t we be pointing fingers at the society that forced them to act this way? 

Extracurricular really makes you think about that. Is it really so outlandish and terrible what Ji-soo and Gyu-ri do to survive when the adults who are supposed to be protecting them, teaching them better, have failed in their duty? 

Maybe they really did win at the end. Not so much in succeeding in their goals but in gaining something that not even regular people are likely to find - a partner, a soulmate, someone who will stand by you no matter what. 

If you do watch the ending, and are not an optimist like I am, then all I can say is this: whatever happened, they were together at the end. 

They were together. 

[popculturebuffet]

Lilo and Stitch Crossovers: “Morpholomew” (American Dragon Long): Stop Trying to Make Am Drag a Thing (Commisson Done For WeirdKev27)

Hello all you happy people! And welcome to a brand new retrospective/story arc/thing from yours truly, comissoned directly by WeirdKev27. If you’d like to comission your own review or set of reviews like this one, it’s 5 bucks. Just contact me via my ask box or direct messages on this very blog or my discord technicolormuk#6550.

With Shadow Into Light in the books, Kev decided he wanted to comission something not duck related and a bit smaller as a buffer before the next big arc, ALL of three arcs from season 2 of Ducktales, and decided to go with something he suggested to be a while back as a possible future retrospective: The Lilo and Stitch Crossover episodes! 

That’s right for the next three weeks, with TWO reviews this week since I had a spot open up and Kev paid for this one in full and way in advance, we’ll be taking a trip to Hawaii to visit everyone’s faviorte little girl, her best friend/pet/killing machine as they try to find homes for his 625 cousins. 

I loved Lilo and Stitch when I was a kid: Disney admitely got their hooks in me on that one with their cool prequel comics in disney adventures. These comics set up the movie, showing Jumba creating Stitch and the events leading up to both getting captured. The movie did not disapoint with cool character designs, a drop dead gorgeous recreation of Hawaii, and a really heartfelt, heartbreaking and heartpumping story of loss, family, and ving rahmes voicing one of the few heroic child services workers i’ve seen in a medium, a refreshing change of pace. The film is a masterpiece and I really do need to watch it again sometime. 

Given the series was a huge hit and that thsi was before the big lull in the late 2000′s and early 2010′s where Disney refused to make any tv shows based on their movies, a series followed, given a lead in by the direct to video movie Stitch.

The movie set up the basic premise; 624 capsules containing Jumba’s previous experiments, cousins as Stitch calls them, ended up raining over Kauai, awakening when dropped into water or any other liquid. Lilo and Stitch, with help from Jumba, his live in boyfriend Pleakley, her tought but fair sister Nani, and her boyfriend David, who dosen’t show up as much as i’d like but is my boy so he gets a mention here. But anyways our heroes try to reform the various engines of distructoin who all have unique powers and find them their one place they truly belong. 

So yes the show was a Mons-type show clearly captalizing off pokemon.. but the slice of life setting as opposed to the shonen style of most shows following in pokemon’s wake, gave it it’s own unique feel: while our heroes did fight, it was more about shenanigans, adventures and what not with these unique creatures and the purpose is very heartflet: Lilo simply wants to give these guys the same kind of love and support she’s given Stitch and a chance to do good. 

Opposing them is Gantu, the shark bounty hunter from the first film who, now out of a job, is working for Dr. Hamstervile, an imprisoned sceintest and a character I really don’t like that much as he’s not funny or a genuine threat or both and feels like a waste of time. Thankfully he’s not the focus and Gantu is instead partnered with 625, my faviorite Lilo and Stitch character. 625, as the name suggests, is stitch’s immediate prototype.. but unlike Stitch is too lazy and peaceful to be a real threat and isn’t even really a villian despite being on Gantu’s side. He’s busy making samwitches, his calling to the point when he gets a name in the finale movie it’s naturally Ruben, and snarking at gantu. He’s sadly not in this one but hopefully it’s JUST this one. 

As you can tell I liked this show a LOT at the time. I haven’t watched it since, mostly because disney scarely replayed it after it’s run, but it was vibrant, fun and intresting and a nicely laidback and creative take. The fact I came into the franchise with the comics and thus 625, who was introduced there in fact, and had a hunger to know more about the other experiments certainly helped. It was great fun. 

But while I grew up with the show and the four shows it teamed up with, i’ve never seen these episodes before these reviews. I wondered why for years as I caught the tail end of the kim possible one and saw images ocasionally, but never saw them. 

Turns out it’s because in general Season 2 got screwed over. While Season 1 was pushed out the door fast and aired at a rapid pace Season 2.. was portioned out over several years, and the Recess crossover one, the last one aired and the last one i’ll be covering never even got to Disney channel, only airing on ABC kids, DIsney’s saturday morning block at the time I rarely watched. I did watch it’s predecessor one saturday morning though. Good stuff. 

Since I couldn’t find any making of stuff for why these episodes happened, my best guess is DIsney wanted some cross promotion, and the shows used were chosen because they were the most popular at the time and honestly all 4 represent some of disney’s best, with Recess being in heavy reruns at the time, hence i’ts conclusion despite the show being finished before Lilo And Stitch the movie came out, let alone the series. 

So yeah i’m taking this ride for the first time.. but I was happy to. While Kev pays for a lot of my work, I still have to accept the idea.. and this was a great one. It allows me to cover 5 amazing series and gage how much people would want to see reviews of said series on this blog in one fell swoop.

So to kick us off we have American Dragon: Jake Long, a series I waited forever to come to Disney + as I loved it at the time, badly need to rewatch it (Been busy ), and find it genuinely great: It’s a great teen superhero story about the magical protector of new york, with a charming lead, a great setting and horrifcally great villians in the violently racist magic creature hunting huntsclan.. and their top agent who happens to be jake’s love intrest Rose. It’s really excellent and i’m glad it’s now widely avaliable for all to see. I will say ahead that all four shows in this crossover arc are excellent, and were fine choices for this. 

So what happens when an action comedy about a hip hop teenage dragon meets a slice of life show about aliens? Find out under the cut. 

So we open at a fancy hotel where Lilo’s bringing lunch to her sister Nani when she runs into.. Keoni Jameson. 

The second I remembered this kid all the hate just came flooding back, coursing through my veigns. Just pure liquid hatred for this little perosnalitiless little punk. Keoni is Lilo’s crush and local “stupid white audience stand in”. He has no real personality other than “generic cool kid” and “likes skating”, and just sucks the air out of the room anytime he’s in an episode. Keoni is part of a recurring problem in cartoons across the ages, one that’s slowly going away: the bland love intrest. Intorducing a character whose only traits are being cool for the lead to fawn over with usually no intent of either getting the two togehter or just ending it. IT’s annoying, it was in a good chunk of my childhood, I wish it’d stop. I cannot tell you how many shows used this trope. There were exceptions, American Dragon Jake Long actually used it well by not only making Rose a fleshed out character..  but making her jake’s nemisis in their other lives, and thus making things increidbly difficult on both once the truth comes out, with Jake grappling with if he can trust her or not and Rose grappling with the slow relization eveyrthing she was taught her whole life was wrong.

And again I have seen GOOD storylines using this as a tool: Dipper and Wendy ended with her having been aware teh whole time, but simply not knowing how to let him down given the age gap, and Regular Show rebounded the best from it: it turned the stop and start relatoinshpi of Mordecai and Margret’s relationship into a character flaw for him, openly explored it.. and ended up having him work past it and actually date her for a bit. Before she moved away, he got an even better love interest, then they destoryed the relationship in the worst way posisble and I wil lbe getting to that at some point. Some point. 

So yeah even at the time it was done better, hindsight haas only made it worse and it made watching the first few minutes tough because I had to keep pasuing because I hate him so damn much. He just adds NOTHING to the show and is a blank yanwing void from which no good came out of and I was terrified he’d be in the rest of the episode. Thankfully while he drives the plot he’s only in this scene.. but it’s still one more scene than both 625 and Pleakly got. yeah both are missing, as is nani. 

I did uncover one fun fact that made things a bit easier though: The crew ALSO hated Keoni. No really. Disney forced the character on them as they wanted an audience surrogate, and this abomination is what popped out. They DID NOT want him here and likely only used him as mcuh as they did because Disney forced it on them. And Disney would NOT learn from this as Star Vs got saddled with Alphonso and Ferguson soley because of network mandate. The two aren’t TERRIBLE characters but they aren’t great and feel as tacked on as they were. And part of this does fall on the crew: you CAN twist a stupid mandate like this to work well: Joe Murray was asked to add “A female character with a hook”, as in some sort of dumb gimmick to Rocko. He used those words, meant to create a superfical girl power cardboard cutout.. and created the wonderful Dr. Hutchenson, a bright cheery doctor, the series best sidecharacter.. and someone with a hook hand. But I won’t go too hard on them: they probably didn’t have as much room to manuver and the fact Keoni was sitll being shoved into episodes in season 2 tells me they likely had a set number of episodes he had to show up. I’m suprised they didn’t demand they have characters ask “Where’s Keonie?” any time he wasn’t in an episode. He was unecessary and it comes across with a massive chunk of unforutnate implications: that they didn’t think a series with a mostly hawaiann cast would work, that they wanted at least one other “nice” white character to offset myrtle instead of having the only major white character be a bully and antagonist, and that they thought tehir mostly white audience coudln’t enjoy a series without a white character, which as someone who was in the target demo at the time, I call bullshit on. As I said I hated him then, I hate him now and his involvement is the worst aspect of this episode. 

So after Lilo fawns over him for a bit we find out this chonk of wood’s purpose in the episode: to set up the plot. There’s a massive Skate Competition coming to town with the prize being a really cool skateboard.  This plot point itself.. I don’t mind. Jake is a skater, it’s part of his character and one of the things he loves doing in what minsicule spare time he has. And while it was a common trope at the time having a character skateboard really dosen’t harm most works. We’ve gotten great characters like Jake, Jackie Lynn Thomas, Branwen and Ronnie Anne Santiago out of it, and it feels like natural parts of the character, and frankly An Extremley Goofy Movie wouldn’t be NEARLY as awesome without having skateboarding bizzarley attached to the plot via the college x-games. Granted somtimes you get Rocket Power out of the deal but that’s the price you pay for the good stuff. I only regret it’s involved because Keoni has to be there and I had to pause multiple times to get through his scene. He’s just a sampler platter of terrible decisions made in 2000′s cartoons and he irritates me more than this guy. 

And anyone whose read my Loud House reviews can tell you that is a high bar to clear. 

So naturally Lilo wants to enter the Hawiann X-Games to get the board for Keoni. Though I will give the writers credit for having Stitch voice their thoughts and the audiences thoughts by having him take Keoni’s picture and throw it in the garbage. Where he belongs. 

Lilo’s not great at it as they practice.. and said practice naturally ends up waking up a new experiment, 316.. who i’m just going to go ahead and call Morpholomew. Stitch eventually catches him though like many of the experiments he’s not actively malevelolent and is easy enough to get home. 

Jumba gets to his schitck of breaking down what the experiment of the week does: In this case Morpholomew is  a shapeshifter though he has a VERY intresting twist on those powers: while he can naturally morph himself into anything he’s seen or has a picture of, he can do the same to anyone he touches. It dosen’t effect their voices, but otherwise it’s a perfect recreation. 

So Lilo instead of finding him a home right away.. decides to wait until after the compettition because we need him for the plot. 

So at the Skateboard Competittion Lilo tries to enter, but finds she’s too young.. but since she has a picture of Keoni, which is a nice way to use her photo hobby from the movie for plot reasons and thus dosen’t feel like an ass pull. Why Keoni’s not in town to skate is as his dad left because it’d be too crowded.. even though the event is at the resort he owns. 

So while Lilo commits identtity theft, our guest star appears. He’s cool, he’s hot like a frozen son, he’s young and fast he’s the chosen one, people i’m not braggin, i’ts the American Dragon. Jake is here for two reasons: the first is that Grandpa Long got reports of magical creatures out in the open, so naturally they need to look into that. It’s a clever way to get him, along with Grandpa, Fu, Trixie and Spud, over to Hawaii. The Dragon Council would defintely be suspcious hearing about this, and my guess to why they hadn’t sent another dragon over is they simply dont’ have one on the islands. As for why the Huntsclan didn’t get involved in any way, it’s simply too public for them.  With the magical community in new york, they don’t have to worry about exposure because neither side wants it, so neither side can out the other. Here with a bunch of creatures out in the open it runs the risk of the Hunstclan being dragged into the light.. and given the populace dosne’t care about the “magical creatures” alongside them, it would make them look like the monsters they are. 

Spud and Trixie tagging along also makes sense besides “they needed them for the plot”: While they’d obviously want to come to Hawaii, the skate competition is likely Jake’s cover for why he’s there, as well as one for why it’s just him and grandpa going with a couple of his friends so they don’t have to deal with manuvering around jake’s dad. That sad them never TELLING jake’s Dad is it’s own can of worms as it feels cruel, made things harder for jake and there was no real reason not to. At worst he’d want Jake to stop for his own saftey but given ther’es an active threat in  the huntsclan for the first season and a half, NOT helping people would be the right thing and I feel he’s a sensible enough man to understand eventually. 

And it’s stuff like this that already makes this crossover really work for me: they don’t really have to strain to get Jake over there or tell the audience heavily, the blanks fill in themslves. Or I am but that’s because it’s my job and I love doin it. 

So everyone goes off to their corners; Jake to do a few practice runs, Foo Dog to bet on his friend because of course, Trixie and Spud to go to the beach (even though Spud’s terrified of sharks so I question why Trixie needs him for this), and in a delightfully adorable subplot, finds a lady to woo: local fruit stand vendoer and crankly old lady Mrs. Hasagawa. 

I am here for this subplot: While Grandpa not focusing on the mission is weird for him that’s the entire point.. and their just really cute together. He’s smitten with her entirely because he sees her chewing out one of the people running the contest for making her sign too small. And he performs one hell of a romantic gesture by, while everyone’s back is turned, using his dragon fire to make an add for her on the skate ramp itself, and they have a lovely montage of their time together.. which also weirdly includes grandpa using his dragon fire on stage inf ront of everyone which makes no sense for his charcter but is so cute and does feature david I really don’t care. The writers of Lilo and Stitch probably weren’t deeply familiar with the show and likely just wanted a fun gag. Could be wrong there but it’s cute. He continues to act grossly out of character by trying to avoid going home at the end.. but again I find it simply because he’s in love, they have genuine chemstiry and I like to think they stayed in touch and he retired out there at some point once Jake was old enough to handle things himself. This may not be a ship I expected to support going in but I will die for it going out. 

So back to the main plot, Lilo uses Keoni’s body to imitate him which... she’s only loosely called out on and realizes is bad by the end only because she gets stuck in another body. And that’s not even getting into the fact she BREAKS UP WITH KEONI’S GIRLFRIEND. Yes really.. she just does that to get her out of the way. She comes around and realizes she was wrong and tries to fix it which would be fine.. if hte episode didn’t try to cop it out by revealing “Oh she’s not his girlfriend, she’s just someone who keeps telling people that”. It just feels lazy and dumb and a way to keep Lilo’s crush on Keoni for reasons I DO. NOT. GET. But the identity theft is just brushed aside by everyone: Keoni never finds out, and Jake just brushes it off. The real issue is more her trying to bribe keoni into likng her which while something kids need to learn is not the only thing she did wrong here. It feels like they didn’t think all the implications out here and it hampers the episode

Speaking of which as Gantu captures Jake, he sees him transform into dragon mode and assumes he’s the experiment, Jake’s charactization is pretty shallow.  And why yes it DOES feel weird writing sentences about a character with the same name thank you for asking. I wasn’t expecting a deep character piece or anything: This is a guest spot, the writers here are not the same normal ones for American Dragon. That’s fine. The problem.. is that they clearly did not get Jake. Grandpa being partly out of character is half the joke, Trixie actually gets a really nice moment towards the end, and Spud.. is eh. But out of them Jake just feels like a basic character description: He likes hip hop, he likes skateboards, he calls himself Am Drag despite that sounding like a good name for a drag act but a terrible name to shorten your title, he fights.. that’s it. 

While jake is all of that in the main series, he’s also a kind young man who while sometimes irresponsible does the right thing when the chips are down.  He’s someone weighed down by a responsiblity he didn’t ask for, often makes his life more difficult and often finds himself in trouble because his mother and grandfather won’t bother to tell his dad he’s a dragon. Yes that part still bothers me, and I don’t see why we couldn’t just have a superhero show where both parents know. But regardless this just dosen’t feel like Jake , like they just watched the intro and that was it. Jake feels more like a plot device in his own crossover. 

That being said there is some good stuff: The minute Jake realizes some Sci Fi stuff is going on instead of hte normal magic stuff he tells him “The am drag’s show isn’t about sci fi” a nice meta bit and then breaks out. Meanwhile Lilo takes on his form.. and ends up stuck after badly botching her run again, as Gantu finds the real shapeshifter. 

We get the best stretch of the episode from here though: Lilo awkardly tries to play jake and like jake we get a nice meta nod to how diffrent their show is as she’s worried about his belief in magical creatures.. and is startled out of her charade when Foo Dog talks, a really nice bit especially since it’s tame compared to the weirdness he deals with. Spud and Trixie have questions... only for Jake to show up and his agressive behavior leads to the best bit of the episode: Jake Vs Stitch. The catlyst is understandable: jake has no idea why Lilo’s taken his identity and Sttich is just protecting his best friend from harm. The animation is fluid, the fight is fun and quick and uses both’s powers stellarl. Whle “two heroes get into a misunderstanding and then fight” is a well worn cliche at this point, it’s moments like this that show why: you get to see two heroes who in this case never have interacted before or sense, duke it out, why each is special and it’s fun to watch. 

Lilo breaks it up, and admits to the whole thing.. including the whole give Keani the board stuff. While Jake and Spud, being awkard with girls and a loveable moron don’t see the problem with that Trixie gets a moment to shine. As far as I can remember she really didn’t get much on the show proper so it was a nice suprise to see her mentor lilo her, telling her trying to give someone gifts to love you is not okay, she should just be herself all that good stuff. It’s a nice character stuff and tha’ts the kind of character interaction this episode needed more of. 

With the misunderstandings washed away our heroes team up and storm gantu’s ship leading to another great sequence as Stitch rides on Jake’s back while the two keep him busy and Lilo gets turned back, Trixie complimenting her dress “Thanks I have 10 just like it at home”. It’s such a sweet and genuine moment” They head back out and gantu semeingly grabs morpholmew from where they hide.. only to find out when he gets back it’s spud, our adorable little blob monster transforming Gantu into a bunny and our heroes leaving. How does Gantu get out of being a bunny?

But it’s a nice enough gag. So we end the episode. We get another nice gag as grandpa had himself and his lady transformed to try and avoid going home, and Jake is fine with having lost out on the board what matters is he made a friend. Sadly we did not get a followup in ADJL., but spud does name our experiment, Morpholomew. 

We end on Morph getting his home: a costume shop where he gets paid in fried chicken, he was shown to enjoy it throughtout the episode and changes people into things. It’s a nice little button to the episode and one of the funnest parts of the show was figuring out where the experiment would end up at the end. 

Final Thoughts:

This episode is a really mixed bag. There is some good character interactions, two tremendous fight scens and Trixie gets a chance to shine for once if only for a scene or two, and the clashing genres end up making for some great jokes> The shows do go well together as while Lilo and Stitch is more laid back both have slice of life elements. And hasgawa X Grandpa is just oto cute for words. 

The episode is held back by Jake and Lilo’s lackluster characterizatons: Jake is simply the theme song as a character, which in theory is awesome because that theme song slaps but in practice is pretty lame, and Lilo is selfish and irresponsible even for her in a way that dosen’t feel at all convincing. It drags down what’s otherwise a fun crossover and Morpholomew is truly a unique and wonderful experiment. Still if you like either show it’s worth a watch even if you have to suffer through Keoni for it. It’s worth it.. I just wish it was better and hopefully the next 3 will keep the good parts but take out the bad. Granted this was produced last so I could be wrong, but here’s hoping.  Oh this episode also featured Miranda Cosgrove as the girl who claims to be Keoni’s girlfriend. This is also Keoni’s last episode meaning I do NOT have to worry about accidently running into him. Thank fucking christ. 

Next Time On American Dragon Jake Long: Jake’s dad drags him and his friends on a camping trip and Jake ends up encountering the Jersey Devil. Now all they need is a sexy lady devil cake to lure it out... what it worked for the Cake Boss. And yes that happened, Allison Pregler did an episode on that episode. Check it out. 

Next Time On Lilo and Stitch Crossovers: It’s the family, the family, proud familllyyy as the Prouds take a vacation at Peakly and Jumbas bed but not breakfast and we get some kind of squirrel demon for our experiment of the week. We also get Wizard Kelly appearing...

See you at the next rainbow. 

[singledarkshade]

What brought me into writing Legends of Tomorrow fic was because I had seen multiple fics which had Rip Hunter and Rory Williams as the same person, but the explanation of how that was never worked for me. So, I wrote my own version thus beginning my love of writing these crossovers of these two universes. As I am now writing another, this time a sequel to one of my favourites, I thought I would give a full list of the Dr Who/Legend of Tomorrow crossover fics I’ve done so far.

Memory Wipe - In 2012 the Doctor lost Amy and Rory to an Angel, except that wasn't what happened. Now Rip Hunter has managed to come to terms with losing his family and is travelling through time with the Legends to stop time aberrations. But he would really like to know who the redhead is, why he finds her so attractive and why she keeps trying to kill him.

 Mistaken Identity - Rip Hunter is on the run from the agency he created, despite not only being right about the danger he warned them about but also helping them defeat it. In 1941 Rory Williams is grabbed by the Time Bureau off the streets of New York while in the future, on another world, Rip meets a madman with a blue box. Confused by the fact Rip Hunter isn't where he should be, the Doctor decides to investigate finding things and people he didn’t expect.

 Golden Light - Golden light surrounded him...

 Safety - Intercepting a call for help the Doctor, Rory and Amy rescue a woman and her son. Miranda Coburn has no issue accepting the time travel, bigger on the inside box or the advanced technology. But then there is the man who looks almost exactly like her husband...

 Not The Same - “Gideon. We’ve found Rip.” “That was not Captain Hunter.”

 Replaced - Rory Williams and Sara Lance find they've been replaced and their loved ones have no idea who they are. Through pure chance they run into one another and, as the enemy of my enemy is my friend, team up. They need to save the people they love and stop whoever has done this to them but first have to learn to trust one another and work together.

 Magical Mix Up - When Constantine uses a spell to locate Rip, it leads them to a hospital and a nurse called Rory Williams. Taking him back to the Waverider they try to get him to remember who he really is. While Rory's wife Amy is searching for him with the Doctor, they come across an unconscious man in a long brown duster.

 Foster Parents Series

1.      Foster Parents - Rory finds a lost boy who says his dad looks like Rory.

2.      Settling In And New Grandpa - Rory and Amy are now full time parents to Jonas. They introduce him to Brian and soon find the little boy they've taken in is going to keep them on their toes.

3.      Big Sister - Now Jonas has settled in to life with Amy and Rory, they decide it's time for him to meet River.

4.      Meeting The Doctor - Now that Jonas is settled, Amy and Rory decide it's time for him to meet the Doctor and to let the Doctor know about their new circumstances.

5.      Surprise Family - Amy, Rory and Jonas have settled into their new family life. But as Rip's past intrudes on them, Amy and Rory fear that Jonas will be taken from them.

6.      Reunited Family - It's been a year since Amy, Rory and Jonas became a family. The Doctor appears suddenly with news that will change everything for them forever.

Enjoy

[stranger-who-writes-fiction]

♫ Surfing on a soundwave, Swinging through the stars, Take a left at your intestine, Take your second right past mars!

On the Magic School smelly space bus! ♫

SPOILERS for Supergirl: Woman of Tomorrow #2!

This is a comic where, the longer I sit with a particular issue, the more I’m like, ‘yeah. Yeah. YEAH.’

It’s dense in a way that invites the reader to go through it multiple times, and rewards additional readthroughs.

Also, it helps that the art is FREAKING AMAZING.

Seriously. Evely and Lopes should draw and color everything, forever, always.

(I will honestly be shocked if they don’t get an Eisner nom for this book.)

Anyways, all of this to say: Another issue that I enjoyed. It has one of the most genuinely sweet Supergirl moments I’ve seen in the comics in a good long while.

So, if you’re looking for a quick thumbs up/thumbs down rating, thumbs up!

If you’d like some SPECIFICS, though...

THE STORY

King is an evil genius because we don’t pick up where we left off--rather, we start in the midst of the Space Bus journey.

There is technically a Big Action Scene, but I was honestly surprised by how...casually? the story progressed.

Essentially: Kara and Ruthye are forced to travel by bus because 1.) Krem stole Kara’s rocket and 2.) this corner of the universe doesn’t have the right stars, so Kara’s still recovering from being under a red sun for an extended period of time.

The bus makes occasional stops; they encounter a space dragon; Kara takes some Red Kryptonite and saves the day; they eventually arrive on a planet with a yellow sun. 

And again, all of this occurs with a kind of...breezy ease that I was not expecting at all.

I assumed that the space dragon fight would make up the final moments of the issue, after having built up the problem to a point where Kara needed to intervene.

But, noooope. The space dragon happens somewhere in the middle, which helps sell the central idea that this is simply Kara’s life. She’s been there, done that. She’s a badass who takes it all in stride.

But! Important to note! Ruthye still marvels at the sight of Kara taking out the space dragon, as well she should, because:

OH MY GOD. THE aRT.

There’s only so many times I can say, ‘it’s phenomenal, it’s gorgeous, it’s stunning’ before sounding like a broken record.

But it is. It truly is. This is the prettiest monthly book on the stands right now.

(Realizing I’ve been spelling Ruthye wrong this entire time, maybe? IDK. Apologies if I have.)

It’s in the final moments of the book that we learn what transpired after Krem shot Kara and Krypto and fled: Kara managed to get Krypto and Ruthye to a healer, and then passed out for a week. 

Ruthye and Kara recovered, buuuuut...

Krypto is still very near death because the arrow was poisoned.

The healer can’t treat him until he has a sample of the poison.

Which Krem has.

(See where this is going?)

So! Kara regains her powers! Ruthye has a super on her side! KRYPTO’S LIFE HANGS IN THE BALANCE!

Gimme. Issue. 3. STAT.

THE CHARACTERS

Very much enjoyed Ruthye in this issue!

There’s a really tricky balancing act you gotta pull off when writing child characters; you don’t want to just write them as tiny adults, but you also don’t want to be obnoxious or cloying in trying to write ‘true-to-age.’

King gives himself a bit of a cheat, by setting her up as a rock farmer from a...what would you call it. An old-fashioned planet? And thus the kind of character who had to ‘grow up fast’ and behaves more maturely than your typical pre-teen might.

BUT! IMPORTANTLY! This is tempered by placing Ruthye in situations where her (understandable) ignorance is challenged/put to the test. Like, yes, she is mature, and well-spoken, and utterly tenacious, but she’s also out of her depth, and still in need of help and guidance.

(Which is how we get to The Best Scene which I’ll get to in just a sec.)

TL;DR - this issue has really sold me on Ruthye as our POV character and I am officially Invested in the relationship between her and Kara.

Speaking of...

It’s KARA-CTERIZATION TIME!

So, okay. There’s some ‘eh’ stuff in this one, but, BUT!

We got the goods again.

And by ‘goods’ I mean this:

Whatever other nitpicks I have (and I do! Have one! Which I’ll get to!) THIS. This right here! This is Supergirl. This is Kara.

And what a beautiful line to introduce this moment:

“And it began--as most things begin when you’re dealing with Supergirl--with a moment of kindness.”

It’s the same gentle concern we saw in the previous issue, where Kara knelt down to address Ruthye eye-to-eye. 

Here, Kara’s facial expression, and the way she takes Ruthye’s hands and shows her what to do...

It’s just. SO SWEET.

Ahhhhh it’s so good. :D

So good! In fact! That the above scene offsets my one complaint, which is that Kara came off as harsh, IMO, when addressing the bus passengers, looking for Red K. 

Other good stuff from this particular portion of the book: we get Kryptonese (maybe? I think?) And a mention of Kara’s mother being strict about certain things, which is in keeping with the 2000s series version of Alura.

Ruthye also asks if Kara ever tried to avenge the death of her family/culture and she says no; Ruthye says that she heard a lifetime of regret in Kara’s response, which I suppose could be read one of two ways:

1.) That she regrets her choice not to avenge them, or 2.) that she regrets not having the option to avenge them, as there was no one person to punch, no single action that could rectify the destruction of the entire planet.

I personally prefer the second reading.

Which I suppose contradicts the recent-ish “Killers of Krypton” arc, but who knows what is and isn’t canon anymore, honestly. XD

As for the rest of the issue! I found myself thinking of a Grant Morrison interview, actually.

Morrison apparently met a Superman cosplayer at a con and that’s when the character clicked for them: “[The superman cosplayer] was so in the character, but what really got me was the way he was sitting. It was this absolutely relaxed pose with one knee up and the arm bent over, and that’s what broke Superman for me. Suddenly I realized that Superman wouldn’t be a poser, he wouldn’t be a Muscle Beach steroid guy; he’d actually be completely relaxed because nothing could hurt him. He could be so open and friendly to everyone because no one can punch him or hurt him. He can’t get a cold, or be damaged by anything you’re carrying or wearing. For me that was the power of that, whether you want to frame it as magical or not, it actually informed the stories I wanted to write. I felt I understood him in a way I hadn’t until that moment.”

That’s always stuck with me, the idea that Clark would be the most at-ease, chill guy you'd ever talk to.

And THAT, I think, is what we’re seeing here with Kara. That at-ease-ness.

But in a way that is distinct from Clark! In the above quote, it’s clear that Morrison thinks it’s Clark’s powers that are the reason he can be so relaxed and at ease.

But Kara is de-powered here. So why is she so chill?

Because Kara is an alien.

Kara’s in her element, here. She’s used to space travel, she knows the ins-and-outs, she’s not shocked by any of the weird stuff they encounter on their journey. 

Love it. LOVE. IT.

I am SO GLAD that King decided to go with Kara being the wizened mentor, as opposed to the naïve kid learning to be tough. It’s a much more interesting angle, IMO.

Also NO MENTION OF RIVALRY BETWEEN KARA AND CLARK. WOO. LET’S KEEP THIS ROLLIN’.

Alright, last, but certainly not least:

THE GOOD BOY! KRYPTO!

When I tell you I stress-read this entire comic first thing in the morning...XD

And I am STILL stressed. And a little sad that Krypto doesn’t get to go on another space adventure but! This is MIGHTY PREFERABLE to what I *thought* was going to happen, which is that Krypto would die from his injuries, and Kara would likewise be out for revenge. 

Fortunately, that is not the case! 

So like, the stakes?!?! Suddenly sky high. Find that dirtbag Krem and GET THAT POISON BACK TO THE HEALER!!

ART and MISC. STUFF THAT I LOVE

I generally don’t like to post entire pages of a comic, or panels without context, but the...reach? of this blog is extremely limited so. I think we’ll be okay. XD

So, alright! Some moments that I particularly enjoyed!

One of the panels that Mat Lopes shared early on! 

I want this lettered version on a mug.

(Also she looks very ’Grace Kelly-ish’ here.)

Love Kara’s facial expression and her line about space travel being more fun when you can fly.

From the same portion of the book--such a neat detail that Kara keeps her cash in her sleeve!

Another set of panels that I think Tom King shared a few months back.

Love Kara’s little smirk, and the, “I’m wearing a big yellow S on my chest, and a very fashionable red skirt.”

It IS fashionable. WE SUPPORT THE SKIRT, IN THIS HOUSE.

Also the slrrrrrrp. XD

It’s good.

Okay, 1.) VERY COOL SCI-FI DESIGN and 2.) that line is great. “Can you feel it, Ruthye? We’re getting closer. The stars are changing.”

Mmmm, them good cosmic Kara vibes.

Kara’s attitude about the Red K here is fun, like, ‘WELP, sometimes you turn into a monster, sometimes you don’t!’ but again, the line is what gets me.

“Did my hair move?”

“I do not believe so.”

XD

Honestly? I could post the whole comic here. Evely’s vision of ‘public transit, but space’ is just so immediately...not ‘real’, necessarily, because there’s such a fantastical element to it all, but it is fully realized. I think I used the phrase ‘lived-in’ and that’s it--this world feels like it has always existed; every grimy nook and cranny, every rando space bus traveler.

And Mat Lopes’ colors!

There are like, five distinct color palettes at work in this issue, and Lopes handles them all masterfully.

I think my favorite is the...I’ll call it ‘ethereal space aquarium’ lighting in the bus as they view the space dragon.

The glow and the shadows and the blues and pinks...

GGGGGGGGAAAHHHHHHHHHH so goooooooood

So, yeah. :D

I am very much enjoying this weird, wild ride with small, precocious Ruthye and wizened, crusty Kara. XD There’s some stuff that I don’t *love* but my goodness, it could be a lot worse!

Let us end on the beautiful title page:

[jaxsteamblog]

This is where I pick apart the plot and say baseless things

I don’t like figuring out things out, which is why my series is so clunky and takes forever to update, and also why I LOVE crackpot and unsubstantiated theories.

(Not conspiracy theories)

This is specifically about crackpot theories that I applied to one of my fics, so PLEASE feel free to disregard.

I was 21 when I finally saw AtLA and had zero interest in shipping. I just really, REALLY liked the show and talking about it. It was because I started hanging out with another fan and we complained about the plot holes (and the fact that she’s a Zutara shipper from her youth) that I ended up following a very, shall we say, intentional pathway. 

One of the things I didn’t understand about the story, is how we had a character like Iroh. He arguably went through an off screen redemption arc that obliterates Zuko’s. People mock him repeatedly for his in show status compared to how he was as the “Dragon of the West.” The man pushed his soldiers into a 600 DAY SIEGE. He was the crown prince, and we (now) have canon proof of him looking exactly as he should. 

There are a few exceptions to his character, and we can feasibly understand that these points were what the White Lotus used to get him to jump sides.

One is his fondness for his family:

Two is his respect for the spirits.

I want to take a quick detour on something I call: Zuko Is Iroh On Speed Run

IDK if the writers ever had this in mind, but Zuko repeatedly repeats (heh) aspects of Iroh’s off screen life.

First: The Case of the Missing Mom

Azulon looks p cute in Legacy of the Fire Nation right?

I bet he had the ladies at the Academy *ahem*

I don’t think he had any problem getting married, and I bet it was a FANTASTIC match. And by that I mean, he probably got a lot out of it and his wife found out quick that there was nothing good looking INSIDE the man.

She kicks the bucket at some point, and I think this affects Iroh as it pertains to how he views his family.

(I have a separate theory that Azulon had two wives, and that he actually loved Iroh’s mother while Ozai’s mother was a necessity.)

Zuko’s mom disappears and Zuko is profoundly affected by how her absence alters his life. He can no longer trust ANYONE at that moment. (Iroh is not there, his grandfather was okay with him being killed and is now dead, his sister straight up taunted him about his impending execution, and his father was going to go through with it.) It causes him to build walls OH MY GOD IF THE CANON TIMELINE TAKES ~600 DAYS THEN IROH HAD TO DO ANOTHER SIEGE AND SUCCEEDED.

ANYWAY.

Let’s look at the new canon Lu Ten btw:

For a franchise that really likes to whitewash its characters, Lu Ten is looking a little........

....colonial?

I think Iroh fell in love with someone NOT from the main islands of the Fire Nation and Azulon did NOT like that. I think from Lu Ten’s letter, there was some tension at the palace that ramped up the expectations. 

Ursa was forcibly married to Ozai, and we see that Azulon wants to use whatever leverage he can in order to win the war. 

And we get to another Iroh/Zuko dichotomy.

I believe that Iroh buried himself in Spirit lore as a way to ensure a Fire Nation victory. Did his wife introduce him to it? Who knows. But I do think there was some sort of Earth Kingdom connection because I have a strong suspicion that Zhao learned about Wan Shi Tong’s library because Iroh wanted General Shu to find it. 

Similarly, Zuko has disgraced himself in the eyes of HIS father, so he goes off in search of the Avatar to redeem himself. 

They both lose everything and make their choice to change because of these things.

There was a crackpot theory that Koh took Lu Ten’s face (which obviously can’t be now that we have the Legacy book) and that it was Iroh’s meddling that brought Koh over.

So maybe it wasn’t Koh, but what if it was another spirit?

In the show, we have Tui and La, Hei Bai, the Painted Lady, Wan Shi Tong, Fang, and I’m throwing in Yue just because. People calling Zuko “the Blue Spirit” implies that people still expect to see spirits from time to time. 

I think that a spirit DID kill Lu Ten, and that Iroh WAS the one to bring it over. 

We watched what happened with Zuko and Aang.

Now, I think the White Lotus was trying to get to Iroh before Lu Ten’s death. Iroh had seen the Sun Warriors and left them alone. I think Iroh was the one to convince Piandao to take Zuko as a student. I bet Iroh and Jeong Jeong had plenty of talks about the meaning of everything before Jeong Jeong deserted. Between the two of them, I think they convinced the White Lotus to go after the Fire Nation Crown Prince.

Iroh wouldn’t be swayed, though, until after Lu Ten died. He questioned everything; the war, his life, what he was actually fighting for.

On his way home, I think that’s when he heard Azulon had died and Ozai had taken over the throne. 

He had a massive army, clearly loyal for staying that long, why didn’t he take them all they way to the palace doors?

Because Iroh had made the choice to humble himself, seek forgiveness, and joined the White Lotus.

Very similar to what Zuko did. 

Canon Zuko closes the circle on Iroh’s life, ultimately appearing as a wise, beloved figure in LoK that is also missing a wife. 

How does this bring me back to Zutara?

I think the canon ending completely topples the comparison of Iroh and Zuko. Lu Ten was clearly the product of Iroh falling in love with a colonial woman, if not a full blown Earth Kingdom woman. Iroh was meant to be the Fire Lord. Iroh was supposed to be happy.

Zuko is meant to be happily married to his non Fire Nation wife and being Fire Lord, establishing a harmony that recognizes the equal parts of every element. 

Zuko is meant to realize all of Iroh’s hopes and dreams. 

Not clear? They are mirrored, so not a 1:1 and more of like a palindrome.

Iroh earns his fathers ire by falling in love with a colonial/Earth Kingdom woman

Zuko earns his fathers ire by speaking out about the loss of life in war

Iroh attempts to redeem himself by using spirits to conquer Ba Sing Se

Zuko attempts to redeem himself by capturing the Avatar and going home

Iroh succeeds in finding spirits but doesn’t take Ba Sing Se, heads home having changed

Zuko doesn’t succeed in capturing the Avatar but goes home, hasn’t yet changed

Iroh abandons his family to join the group he thinks is doing the right thing

Zuko abandons his family to join the group he thinks is doing the right thing

Iroh works to support the Avatar

Zuko reconnects to the spiritual side of Firebending and the elements to find peace

Iroh speaks out against the war

Zuko falls in love with a Water Tribe woman oh sorry, I mean a Fire Nation lady thus maintaining the status quo.

During the show, we see a lot of seeds Iroh plants in Zuko’s mind blossom later on. Zuko follows in his uncle’s footprints, not ever knowing that’s what he’s doing.

And Iroh didn’t marry someone from the Fire Nation, that’s clearly obvious.

[lothioriien]

richie tozier and his zoomer teen: headcanons

A/N: I tried keeping this as gender neutral as possible, but idk it’s a lil implied that the kid’s a girl. i’m trying to learn how to write gender neutral stuff :”)

By teenager, I mean around 16-17! High school age!!

Enjoy!

Sometime in the early 2000s, famous comedian Richard Tozier went to a party and came home with a woman.

oh yeah they deffo got it on that night

But that was a one night stand kind of thing, and Richie didn’t have any contact with her until about a year later.

He got up the couch one early evening to the ringing of his doorbell, and found a basket and a bag filled with baby food, diapers, and clothes perched on his doorstep

And in the basket? A small child, an apology note from the mother, and a birth certificate with his name listed as the father.

Oh boy did his life completely change after that.

It was him and the child, against the world.

but let’s skip the details on him struggling to take care of an infant first and move on a bit to when the kid’s older.

You, of course, are the baby that was left on his doorstep, and Richie tried to be the best father he could be despite his touring career as a comedian.

He’d bring you to the shows, even if you didn’t understand a thing that went on, though eventually when you’d help him write some material when you were older.

Constantly touring with him as a kid meant you were homeschooled. But that didn’t stop you from having a social life. You’d be friends with a lot of his fellow comedians, and John Mulaney was your ultimate favorite friend of his.

you just loved the very tall and gangly twelve year old looking man named uncle john.

Your academic life though was not too bad. You’re pretty intelligent, but when it came to maths, oh boy.

As a kid, you’d ask Richie constantly about math. He’d hate the school curriculum you had because math was different back when he was younger. He’d always help you, but it was mostly the internet just teaching you both.

You’d introduce him to vines (through iconic vine compilation videos), but mostly because he was so confused with this new language you were speaking.

Eventually he’d say some vines back to you and it’d come off so weird cause he’s a 40 year old white dad. You love him, nonetheless, and appreciate the effort

A lot of your instagram stories or snapchat stories are you filming him as you sing “You are my dad! You’re my dad! Boogie woogie woogie!”

He found it cute at first, where he would smile at you hiding behind your phone and hug you after cause dang he loves his kid so much and would die for you

then later, he’s evidently so annoyed because you do it constantly. As in he takes off his glasses, puts his head in his hands and just sighs so loudly.

When tiktok became the new vine, you were on the app every single day, making it a goal of yours to become tiktok famous.

You’d force your dad to do tiktoks with you

“I love my daddy. he is my superhero”

“Famous relative check!”

BUT THE PERFECT AUDIO

“Don’t look at me like that.” “YOU’RE MY DAD. BOOGIEWOOGIEWOOGIE!”

Gaining some clout because he is a pretty famous comedian 👀

Saying “ok boomer” to him when he’d annoy you

But then he’d clap back by being like “What the fuck Y/N. I was born in 1976, i’m not that old.”

“Yeah but sometimes you think like a boomer.”

“Ok, zoomer.”

“Dad. No. Get out.”

He’s really chill with you swearing. You definitely got that habit from him.

“What the actual fuck, Richard.”

“At least have the fucking decency to call me dad, Y/N.”

He got you into video games at a young age. Every time there was a new console or a new interesting game out, you’d both be up early to go out and get the said console/game.

And in each game you’d play, there would be hilarious commentary.

it’s basically that video with bill hader playing god of war with conan but imagine that and a zoomer’s feral energy combined.

He also got you into becoming a cinephile. Though unlike him, you read the books before watching the movie.

Marathoning a bunch of tv series together and you can never watch any new episode without him. Friday nights were reserved especially for it.

Richie can’t fucking cook for the life of him. Growing up, it was always take out, pizza, instant noodles, or mac and cheese.

He tried learning how to cook, he really did. But it was just so bad that eventually you’d learn how to do it. Then you’d try to teach him how too.

But did he get better as a cook?? Not really.

He once accidentaly set almost the whole kitchen on fire when he tried making pasta when you were 15.

“DAD, YOU WERE SUPPOSED TO PUT WATER IN THE POT FOR PASTA.”

“HOW WAS I SUPPOSED TO KNOW THAT? I JUST WANTED TO DO SOMETHING SPECIAL FOR YOU!”

“I APPRECIATE THE GESTURE BUT PLEASE DON’T EVER TRY TO COOK AGAIN.”

The following morning, he got up and learned how to make pancakes with sausages, bacon, and eggs.

It was damn good, and by far the best thing he ever made.

So his pancakes became a regular thing.

On casual dinner nights at home, he’d let you have a drink with him and be drinking buddies. He taught you how to drink and be safe with drinks (cause we stan a protective father amirite)

Speaking of protective father, he’d be so picky and open about the people you’d date

“Really Y/N? That person? They’re fucking trash and you know it. You deserve better, sweetie.”

“But dad. They’re hot.”

“That’s still a no from me, kiddo.”

Having the most random, yet somehow meaningful conversations with Richie, yet roasting him at the same time.

“Y/N, do you think I would be classified as a papi by people.”

“No. You still wear hawaiian shirts over a t-shirt. You’re too tacky for that. You’re a papa, not a papi.”

But somehow, you also adopt his fashion style?

Cause hawaiian shirts are pretty cool? Very John Deacon ala 80s aesthetic?

And then he roasts you back from the time you called him tacky.

“Respect the drip, Richard.”

Even though you always poke fun at each other, you guys are actually so open with each other and just talk about anything and everything.

Oh no when you first got your period, he was panicking and nearly bought the entire aisle of pads and tampons because he was so clueless

Meeting the Losers Club was exciting and nerve-wracking at the same time. You didn’t know what to expect of them or what they’d expect from you.

You clung to your dad the whole time, watching him reunite with his childhood friends. Each one of them had a look of surprise and confusion the moment they laid their eyes on you.

They found you to be like a mini-me of Richie, as both of you were clad in printed/hawaiian shirts and glasses.

“Jeez, Richie. Why’d you decide to bring a fucking clone of yourself?” asked Eddie.

“That’s my kid, you dumbass! Eddie, this is Y/N.”

“No shit, you have a kid! You got married, dipshit?”

“No, uh, it’s just them and me.”

You decided to butt in jokingly, “Joe was in the picture for a while too,”

“Joe? Who the fuck is Joe?” The minute Eddie asked this, Richie knew what was coming next.

“Joe mama.” Thus receving a high five from your father and a groan from Eddie.

at first, everyone else would not believe Richie ‘Trashmouth’ Tozier had his very own kid, but the minute you started to get comfortable and joke around, it really clicked for them.

“There’s no doubt they’re Richie’s kid. Look at them! They’re basically a carbon copy of him!” Eddie would have exclaimed.

You‘re very liberal and open-minded, supporting the LGBT+ community and such, but you didn’t really know Richie’s stance on it.

Perhaps it was because he’d been surpressing his feelings for a specific boy from his childhood for almost his entire life, and he didn’t really talk about that topic so much.

But when you saw the chemistry between your dad and Uncle Eds, you sensed a little something there on both ends.

always saying a specific vine under your breath when you see them “two bros, chilling in a hot tub, five feet apart cause they’re not gay” (thank you to for this hc)

OKAY UNCLE EDS LIVES IN THIS AND HE’S DEFFO A BIG PART OF YOUR LIFE AFTER ONE SPECIAL TRIP TO DERRY, MAINE.

You’d say the vine so much, Richie eventually heard it and pulled you aside.

“Y/N, I- how did you know?”

“Know what dad?”

It took a little while for him to come up with the proper words to say. How was he gonna break this to you?

“Y/N..honey, I’ve had feelings for your Uncle Eds ever since we were kids. I-i don’t know, it really scared me as a kid to feel that way so I never talked about it. I guess what I’m trying to say is, kiddo, I’m gay.”

“Huh? I thought you were American?”

the man was basically on the verge of tears. He was so tense, he almost forgot to breathe. But the moment you hugged him and told him that it’s okay, that you love him so much, and that you’re so proud of him, he wrapped you in the biggest bear hug and cried. You cried too.

A/N: Imma end it here for now :)

So sorry it took forever!! I hope you enjoyed!!

Let me know if you want a part 2! 🤪

[selfhelpskillss]

Make Him Worship You Review: Should You Read It Through?

While many people turn to others for relationship advice, Self Help Skills would like to read books or watch programs about love and life, then get some lessons for myself. And recently, I have just digested an exciting online program named Make Him Worship You by Michael Fiore. It is beneficial, so I can end up reading this Make Him Worship You review.

Keep reading if you also want your lover to love and respect you more.

About Make Him Worship You Program

Make Him Worship You Michael Fiore

Written by a man – to be exact, an expert in the field of relationship and sexual psychology, the Make Him Worship You program with six modules will tell you, from a male perspective, how to seduce a man and make him crazy for you.

Believe me; the program will entirely change the way you take steps forward in your relationship because you now get a chance to see exactly what might happen in his little mind. Then, he will never see any women more attractive than you.

Some Interesting Information about Michael Fiore

Here is Michael Fiore

Micheal Fiore, as I mentioned above, is an expert in great modern relationships. He describes himself as blunt and funny – and most noticeably honest in giving you advice.

He is the author of various popular books and programs such as “6 Simple Tricks To CRACK THE MAN CODE And Get Any Guy To Open His Heart,” “Make Him Beg To Be Your Boyfriend,” or what we will discuss further here.

Some might even have seen him on “The Rachael Ray” show where he introduced his famous “Text The Romance Back Program” and gave many useful couples techniques.

For now, he is living in Seattle and working hard on the useful program “Make Him Worship You” and his publishing platform “Digital Romance.”

You can have a look then.

The Kind of Make Him Worship You

What is included in the program?

Rather than being a book, I must confirm that “Make Him Worship You” is a program, to be exact – a guide, with six modules in the forms of worksheets, materials, and also videos.

Even more, there are some additional bonuses in the packages that are also very helpful to check out, including:

​When To Sleep with a Man: Exactly for those who wonder what the right time to sleep with the man after the first date is?

Unstoppable Confidence: One of the essential qualities of any dating is confidence, which creates the first impression. Then, in this bonus material, you can hear Michael and the fellow expert Griswald’s candid discussion.

The Good Girl’s Guide to Texting Dirty: The author published one of the best-sellers on Amazon, Text The Romance Back Program. Thus, you can definitely learn some useful texting techniques to blow the mind of any guys.

Sometimes, you will also have an extra Man-Melting Backrub or Make Him Beg to be Your Boyfriend. It is based on the promotion offered by the author.

Anyway, you will never get bored with the program. Sometimes, you can lie on the bed and check online tutorials when you wait for your partner, or you can even put on the earphones and hear Michael Fiore share about his experience and useful relationship techniques.

The Content of The Program

Now, get insight into the main content of the Make Him Worship You program. It is divided into six modules; each focuses on different aspects of your male lover’s romantic psychology. Hence, it is supposed to help you understand him better.

No need to check all the modules in a linear. Rather than that, you can start with any of the following topics you might be interested in.

Introduction and the lies you’ve been told about men

The book starts with correcting the misconceptions and misunderstanding of you about men. Instead, Michael Fiore reveals the opinions about romantic relationships and sexual attractions from the view of men.

In the end, it is more important to accept yourself and some negative expectations so that you can become more self-confident in a relationship.

What men mean by I Love You

To make him worship you, you should never be misled by him. Then, you must know whether your partner really means it when he says, “I love you.” In this part, you can understand how a man delivers a deep feeling.

For example, the man often finds himself hard and confused about his real emotion, so communication is usually tough at the beginning.

The secret emotional life of men

Again, I have to confirm that men have a hard time honestly expressing their feelings as someone said this “Men are an ocean of feeling, but we hardly see no drop out of them.”

Thus, it would be great to see the relationships in the men’s pressures, from his life, work, and even your relationship. Take a masculine man, for instance. Showing any vulnerability and softness is against impressions and characteristics that others often put on him. All of those negative experiences can make them afraid of opening.

Accepting Yourself

The next module is about you.

This is tightly knit with the confidence that I mentioned earlier. Then, you must realize and accept both the good and bad sides of yours regarding life, in general, and romantic relationships, in particular.

After that, it is recommended to have forgiveness on your soul so that you will feel the life much less stressful, and you can also quickly move on to new relationships.

More importantly, you decide whether he is worth it or turns out to be an jerk. Real-life examples are available for your reference. Have your red flags and be ready to kick him out of your life forever if he is not well-worth your time, let alone your love.

Feeding his masculinity

While most women desire to be loved and treasured, most men are ready to give them so. They like to be a provider and also a protector when you need it. Hence, always tap into such desires and make your man more confident about himself.

Excitingly enough, Michael Fiore emphasizes the high-testosterone and some proven techniques that can also help to win over your man. Say, it would help if you increased the intimate touching and hypnotic kissing to build the partner up and drive him to do as you desire.

Communication and getting what you want

Never skip the last module, which includes a series of advisable and actionable communicating strategies to persuade him to follow your desire, even in the most difficult or misunderstanding situations.

We all know that miscommunications or toxic questions can end up a broken couple.

How Much Is The Program?

It is around $37 the latest time I check the official website of the digital “Make Him Worship You.” It is not expensive at all, considering how much time and effort the author put into all resources of the program. Truth be told, the price is just as much as the cost of a chocolate bar, and you can get a secret sauce to your relationship.

In case that you just are not satisfied with the techniques suggested by Michael Fiore, you can request a money-back within 60 days.

No worries.

What I Like and Less Like about “Make Him Worship You”

Positive as the Make Him Worship You program review is, I still have some comments to make the guide more realistic and actionable.

Pros:

Written by a man, especially – an expert in relationships

Easy to follow content with specific examples

Diversified on the presentation methods to avoid boredness

Very affordable to get useful advice from experts

Money-back guarantee, so no worries if it does not work

Five bonuses included in the package to understand him better

Cons:

Cheesy and overly-sober language

Possible inward reflection (it’s hard to admit our mistakes!)

Only the digital version available

Michael Fiore Make Him Worship You Reviews

Want to hear feedback on He Will Worship You reviews from other consumers?

Then, I would like to summary some here.

From Jude Paler

She highly praises the program for its step-by-step guide that is immediately applied to almost any case. Far from being theoretical or philosophical, the advice of Michael Fiore is practical!

From Lakeport Chamber

“Make Him Worship You” program, in the Lakeport Chamber’s opinion, is an online relationship. It is helpful as the title. All techniques are easy to implement, as well.

Last Verdict – My Overall Opinion

The Make Him Worship You review above is shown. Those who claim to Make Him Worship You scam obviously have never read it through yet. In fact, the program has a beneficial content that is broken down in easy-to-follow modules. However, the reader should not be stressed too much about self-reflection and get depressed. Instead, take good care of yourself, win over the male partner, and make him worship you to the end.

Credit by: https://selfhelpskills.net/make-him-worship-you-review/

[cateringisalie]

9 years later and we have at last got a new Eva film and the end of the Rebuild project.

Much was made at the start of Rebuild of the desire to introduce Eva to a new audience. 1.0 more or less leant into its original goal and restaged episodes 1 to 6 of the TV series with a bigger budget, CGI, some more blunt and early reveals and a few weird alterations for the existing fan base. The Angel numbering was off; everyone knows Lilith is stuck in the basement, Seele just default to their monoliths. Kaworu is actively introduced at the tail-end rather than alluded to in the opening titles. As an intro, its fine (though most would agree the equivalent stage of the TV series isn’t really a struggle to cope with either), though a few stylistic and environmental changes lead many to conclude this was a direct sequel to End of Evangelion. 2.0 seemed content to build off of the intro but steer away from the relevant section of episodes – roughly 8 to 17. Recognisable moments like the falling Angel, the corrupted Unit 03 and the ribbon angel and Unit 01’s impossible reactivation share the screen with altered relationship dynamics. Now we get Mari one of the few wholly new characters who gets to open the second film in a wildly dramatic fashion. The key of Nebuchadnezzar (which does at least re-enter proceedings in the final film, but I am even shakier on what it is or used for – even fandom seem to have struggle to explain this as anything other than a blunt drop-in replacement for the Adam embryo in the TV series). And come the end its time for Third Impact already, Shinji altering the world around him to rescue Rei from the depths of an Angel. Kaworu uses an unfamiliar spear to incapacitate Shinji and the preview hints at a story further from the rails than ever. 3.0 is as promised more or less completely divorced from anything Eva had done before. Just not the off-the rails version 2.0 advertised. Some will be quick to note that none of the Rebuild previews have entirely accurately advertised their subsequent instalment; 1.0’s features at least one key scene that never happened (Mistao slapping Ristuko in a seeming allusion to the Sea of Dirac Angel) while even the sequences of animation that did make it look nothing alike. Which is fair, but even then 2.0’s bears absolutely no resemblance to 3.0 and even 3.0’s very strange preview doesn’t really jibe with 3.0+1.0 ultimately. 3.0 is post-post-apocalypse and with a whole 14 years just evaporated between films. There’s a distinct last third of Nadia feel to it. About the only part similar to a former incarnation is Kaworu and Shinji’s relationship which while not even roughly mapping to episode 24 serves the same function; to make Shinji distraught before the climax of this story. But 3.0 is also the point where that initial premise of the series slams headlong into the drift from familiar territory. Where the film is a quantum leap away from the mystery terms and slow reveals. The oddities and confusions pile up given the glimpsed state of the world, the strange gridded moon, the sea of Eva corpses, the strange state of Lilith in the depths of Nerv. An awful lot happened while Shinji was (for reasons no one has explained or seems to care about except me) IN SPACE and the film only ever alludes to the sequence of events occurring between these two films in the broadest of strokes. Which if done a certain way can be compelling though I did not find it to be the case here in the slightest. It’s a huge struggle to build up even a vague idea of what went down and that’s with heavy deferral back to the TV series again. If you’re new, none of this means much of anything. Even mixed media doesn’t help. The reveal there was a limited run manga of events prior to 3.0 had a potential for answers, but upon reading a synopsis... Nope. Helps not even a tiny amount. Also this mixed media attitude is never to be encouraged. So, I didn’t like film 3 much at all. Film 4 does little to not be based on where it left off. Which is a small mercy that it doesn’t effectively toss everything out again and skip further ahead in time. And 3.0+1.0 does at least make use of some of what 2.0 revealed and setup in the spirit of trying to get this into something cohesive. It fails, but it tried. Maybe the points it touches on were the intended direction of the films. Maybe Anno changed his mind on this one. It’s not like Rebuild’s failure to cohere should be a surprise – the title of the film is simply confusing in sequence. Titled neither 4.0 nor 4.44, instead we have the pretty inexplicable 3.0+1.0 which is just annoying to type. Even thematically this doesn’t feel right given its more like 2.0 mushed into 3.0 but I suppose that’s technically film 5 so... Unless, 1.0 here is supposed to mean the original TV series or EoE, which... End of Evangelion figures unexpectedly largely in the film. Could be that its meant to infer some collection of the Eva cast (the original pilots + Mari? The Ikari family + Mari? The pilots from 1.0 (Shinji and Rei) plus the pilots from 3.0 (Asuka and Mari)?). The other part of course, is that the three prior films had titles in the form of [Thing](Not)]Thing]. 3.0+1.0 decides to dispense with this entirely and instead is titled “Thrice Upon a Time”. Nothing like confusing matters (and instead media library ordering) by not only giving the film a title that puts it before the 3rd film (since prior to this cinema releases are .0 and the home media (excepting the first release of 1.0) are triple digits of their instalment number) but also has another reference to three within it. It might be some kind of holy trinity allusion, some play on Third Impact, or an acknowledgement that this is theoretically the third version of events surrounding the end of the world (if you take TV series as 1, EoE as 2, and Rebuild as 3). Also potentially a literary reference about cyclical time and messages from the future which is all well and good and fits into a whole other essay about how Rebuild and FFVII Remake are operating on the same basis and making many of the same mistakes by both trying to be fan-service for the new fans and draw in new ones and do the big fan-moments similarly but diverge wildly off in others. Good start! The final film starts with bombast as per 2 and 3 (and thus focused on Mari) though the setup and point of the action is possibly more confused and less explicable (which is saying something given 3.0 opened with retrieving Unit 01 from space. No, I will continue to complain about not getting this. Yes it was very exciting but why was Unit 01 in space? In a strange crucifix coffin. Anyone at all?) – and only vaguely connected to anything resembling the plot. At least 2.0 and 3.0 had some immediate and long term stakes with a cover for Kaji stealing something and bringing Shinji into the plot. This film opens with a scrounge for spare parts in a red Paris that the tertiary cast make no longer red while Mari fights off a massed horde of Evas while battleships are puppeteered from orbit. It’s all terrible cool and everything, but given at no point do we even begin to understand what is going on or what the stakes even are. Which is a problem with the latter half of the sequence. 2.0 might have started with an Eva vs Angel fight but while there was ambiguity over the situation it at least seemed to lead into the eventual plot. Here we’re getting Eva spare parts for later and a whole dose of new terminology the film has no interest in explaining. Which is par for the course for prior Eva incarnations but again, I feel there was more explanation setting the weirdness up. Here we are reduced to keywords that sound important. The film proper opens with our familiar trio of Eva pilots winding up at a village with their old classmates (which of course, to follow the proliferations of 3 all the way down and also match to Tokyo-3, is in fact, Village 3. The far future sequel to Resident Evil 8 presumably). Who are necessarily now 14 years older than them. Asuka is naked (in a sequence to contrast to 1.0 and 2.0) or in her underwear for far too much of this sequence (and just as creepy as 2.0 got with this) as Shinji struggles in the aftermath of Kaworu’s death, Ayanami (critically not the Rei of 2.0) learns about life (and visits a library with – I’m not kidding – a poster for Sugar Sugar Rune on display. I like to think not many in the audience caught this slightly odd reference). 30 minutes of the film are taken up with Rei being happy and contented with her life while Shinji slowly recovers and re-enters polite society (sulks, throws up at the sight of the DSS collar, is insulted and force-fed). There’s a good case for this section just being an unnecessary time filler, though you don’t need to fill time in a film that is 2 ½ hours. But if it was cut down, perhaps it would have the same strange feeling as 1.0 had where the aftermath of Shinji’s second Angel fight lead was mostly skipped and left that part of 1.0 feeling strangely hasty and actively (and badly) abridged. Maybe that’s just my familiarity with the source material again. There’s still an edge of weirdness in the air on the film hits the 45 minute mark; even prior to this gigantic sections of the land are missing, and some things just float around now (apparently because). Past this mark is where weirdness creeps in; the barriers keeping the village from suffering the fate of Paris – the structures a curious match to the Cocytus facility at the start of 2.0. There are headless Eva copies who roam the landscape. An indicator on Ayanami’s suit runs down. Shinji is advised to talk to his father before he loses the opportunity forever. This one made me laugh, and even Asuka comments that given who Shinji’s father is and what he’s done don’t really make this plausible (or sensible). Ayanami concludes her pastoral life and this stage of the film by transforming back to her original white plug-suit; her AT Field then dissipates and she bursts in a familiar spill of LCL. For such a previously central character, Rei or Ayanami or Lilith will have exceptionally little bearing on the remainder of the film. The plot now kicks in properly as Gendo decides enough is enough and he’s going to be doing some world ending. Our Eva pilots are ready but not the same; we have Asuka, Mari and Shinji. And standing orders for Shinji to be shot if he tries to pilot anything (but given we’re at the end of the world and basically the original plan fails to stop Nerv bringing about the end of the world, that people still try to shoot him is... a little weird and an almost pointless resolution of factors the quaternary cast brought up in 3.0). The entire rest of the film is even more impenetrable and confusing than Kaworu’s sweeping explanations of what happened between films 2 and 3. If 3.0 fumbled the ball on being newcomer friendly 3.0+1.0 actively doesn’t care. Not that familiarity with series helps since so much new terminology is thrown at the audience. The entire cast – literally the entire cast – are not only caught up on but also understand the varying levels of psychological, biological and religious nonsense that Eva has formerly wielded as something almost coherent. You, as audience member, are not privy to a fraction of this understanding and thus left to flail for the remainder of the film making what you can of the maddening breadcrumb trail of exclamations and partial explanations. Shinji is no help here and infuriatingly asks barely a single question about what is going on (thankfully he does prompt Gendo to explain a few things – presumably where even the staff had gotten lost on what was supposedly going on). For existing fans, you might get a sense of it by application of known quantities from the previous incarnations (I pity newcomers struggling to make sense of this). What the Lance of Cassius is a thing introduced abruptly into the series – and contrasted with the Lance of Longinus you can muddle through to get some idea of what was going on. 3.0+1.0 however, decides that even that grip on its story is too much and adds a bunch more unnamed spears. Some of them formed from Lilith. This is a thing of some import apparently, though ultimately is effectively buzzword name-checking. We know who Lilith is in context from both 1.0 and the TV series but how that relates to spear formation is beyond me. And then there’s the part where one of the flying ships (there were four made according to Seele’s plan. Seele, the former sinister puppet-masters, who died in film 3, and if the flying ships were their idea or this stated at all, I had totally forgotten it in the last 9 years (checking wikia seems to indicate no one else knew this either so I feel vindicated). Seele feel an artefact of the old Eva Anno has no time for – EoE had what equated to three groups vying for control of the process of human instrumentality. Seele are adhering to a prophecy of sorts, Gendo is trying to subvert that process for his own ends, and Misato is trying to stop it. In terms of economical story-telling, the distinction between Seele and Gendo’s goals in causing Third Impact are so slim as to be basically zero (few critical differences though), I suspect Seele were deemed unnecessary and shuffled out of proceedings hastily despite their continued name-checking at this late stage) is turned into another spear because if all the spears are used up, the end of the world can’t be averted. You will have to forgive me for failing to notice how and where most of these spears (save three) wound up or what most of that means or why or how or anything. But we have a budget to squander and why not channel the Gurren Lagann energy for action one last time? And there is some action, this presumably part of what a good section of the audience have waited for with baited breath, that thing the TV series so rapidly lost interest in; that EoE staged for narrative cruelty. Smashy giant robot action time! So we get billions of Eva enemies for Asuka and Mari to cut through without problem. They explode and fall away despite exhaustively overwhelming numbers. There is a palpable lack of threat here. A few hitches but nothing the pilots can’t cope with. It’s just empty fan-service, a boast about how much can be rendered into a single frame. We get Asuka, unable to stab critically important Unit 13 (looking distinctly Unit 01-like just with four arms), and then hooking into an odd leftover thread from 2.0. Her accident in the activation test of Unit 03 has left her with a part of herself now more correctly classified as an Angel. And like 2.0 for surprise value, her Eva has special Angel blood injectors to again overcharge her Eva (which seems to be a thing in the latter three films – turn the Eva safety off and go beserk. As if Unit 01 didn’t do that all on its own in the first and second film). And this too fails. But this too is just another moment of important and pretention. Where the audience is meant to gasp at Eva/Angel hybridisation (not that the dividing line between Angles and Evas is ever completely clear (not least Unit 03)), at Asuka revealing herself to be part Angel (as if Kaworu and Rei weren’t established examples). So her Eva bloated and animalistic is... just another moment. We saw this in 2.0 with Mari releasing her limiters. We saw it in 3.0 in almost the same way. The distinction isn’t meaningfully different to the last few times the Evas were let off the leash and became more brutal. And just like the prior times this escalation of Eva body horror, ferocity, blood and over-indulged violence doesn’t actually help the situation. Asuka fails in her task as the Unit 13 counter-attacks. She’s saved by getting pulled out of reality moments before her end. Of course this being narrative, this being Eva; Gendo, the architect of this situation, is three steps ahead. Misato’s flying ship is badly and perhaps critically damaged so Gendo can retrieve the limbless body of Unit 01 formerly powering the flying ship. Shooting Gendo doesn’t work thanks to the key of Nebuchadnezzar (which did... Uh. Something? Kaji noted it as the lost number kept as a spare in 2.0 which implied Angel or Eva or... No I don’t know nor can I make sense of what it’s done to Gendo. Wikia informs me that while it’s never seen on-screen past the one time, its case is in some shots of 3.0. How amazing) and he leaves. And thus, of course, Shinji must get in the f-ing robot once more. But we’re back to the confident, more certain Shinji who 2.0 birthed as we enter the last (but still very long) final stage of the film – and restage End of Evangelion. Curious of course; EoE by turns can feel like a legitimate replacement for the final two TV series episodes or a bleakly, darkly, disturbing and flippant retort to the low-budget metaphysic version of the TV apocalypse. EoE to some has been not so much the intended ending (though buying a complete set of the old Eva in Japan will always net you the 26 original TV episodes, the four amended episodes and EoE), but more a poisoned chalice for the people who wanted a less introspective version of the end of the world and the process of human instrumentality. Anno was free to do what he wanted and veer off the tracks here – he can’t get away from the end of the world – this is integral to Eva’s base concept. 2.0’s glimpse of Second and the starts of Third Impact depict a process completely unfamiliar from the TV series’s version (reading Wikia explains some of 2.0’s imagery but is still bewildering with reference to 3.0+1.0’s reveals). In Rebuild, the end of the world is staged in the space below the strange aftermath of Second Impact, in an anti-universe where humans cannot venture. And yet, we are still clearly revisiting End of Evangelion. Not exactly the same, but a lot of imagery (the symbols in the sky, the gigantic form of Lilith at multiple points, the crucifix explosions across Earth’s surface) – to say nothing of some actual sections of animation – are taken straight from the 1997 film. Those moments and images were haunting and disturbing (the more overtly sexualised imagery has been completely removed). Clearly no matter what was said at the time or in the interim, EoE is in fact how the ending must play out; this is, or has become, what happens externally and internally when these characters attempt to force a next stage of evolution. The End of Evangelion will always be the end. ...just not quite the same. Not least it is missing most of the infamous moments (Shinji in Asuka’s hospital room is notably completely absent). There’s no moment where Shinji strangles Asuka, Komm Susser Tod is missing entire (in favour of something similar sounding but in Japanese), the live-action sequences of the empty cinema or the world without Evas aren’t utilised (though some live action footage is included), Rei betraying Gendo and beginning Third Impact outside his control etc. It's actively absurd to type this, but Lilith – Lilith! – has less character here. Which is so astonishingly absurd given the only depiction of Lilith we get is effectively Rei/Rei was Lilith the entire time, but those introspective sequences hinting at something more involved with Rei or the points Lilith does talk directly to Shinji are gone too. This shouldn’t be a surprise – we are after all missing a Rei character at the climax. Mostly. 3.0+1.0 almost expects you to remember the last time you saw Eva end the world and contrast it to this new version. The EoE imagery, the footage of Lilith descending from the crucifix, the looming figure of Lilith rising as humanity ends. Even something like the sequence of the backsides of cels running backward is reused – this footage also cribbed from EoE and played out on a wall between two characters. The animation breaks down into scratchy storyboards and later degenerates from finished footage down to outlines, animatics, and storyboard. The end of the world is this time around is more heavily meta. Both EoE and the TV episodes “staged” the process of Instrumentality (or parts of it) for Shinji. It occurs in filming spaces and on sets, there’s lighting equipment and dolls as stand-ins. The strange artificiality of pulling back the curtain on the TV or film production, or else the effect of  setting the camera back further than you should for filming a theatrical experience. But even that’s a false layer given a true pull-back would be to people in front of computers or previously drawing key-frames. Here the staging is more blunt still. It begins with an Eva vs Eva fight between Gendo and Shinji in the anti-universe where their brains make sense of the impossible space with artificially staged areas of familiar locations. A fight in a city has a huge sheet as a backdrop and carboard buildings the Evas kick around. They fight in front of Nerv headquarters and in Misato’s kitchen. A blow knocks over a section of scenery and sprawls Shinji in the studio space surrounding the set. A crossroads of sort where Shinji will move on from Gendo to meet with Rei, Kaworu and Asuka. The major difference to EoE is that the end here is much more concerned with Gendo; we dive into his psyche and his past. His isolation and desire for it. This feels extremely confessional for Anno all things considered given Gendo was always previously kept at arm’s length. This feels revealing about the man behind it all, a reflection of the director. He has admitted during production that at his stage of life he is far closer to Gendo than Shinji – I think this is barely obfuscated here. The flashback is more about understanding Gendo and how Yui changed him than anything about Evas or the end of the world. Gendo’s motivation is revealed to be the same as always; this is how he gets to be with Yui again. Odd details catch as this past plays out. And is that Mari in his memories? Mari, who Fuyustuki calls Mary Iscariot upon meeting her and has prepared something for her. Which feels much more like religious buzz words; there’s an obvious implication coached in that selection of a name, but how it actually relates to the story or the circumstances is really unclear. Nor am I clear on what Fuyutsuki prepared. He explodes into LCL like last time too. The process is so close to EoE but the mood is lighter and the reasoning behind the cast a little different. Asuka is part of a clone series – same as Rei. Just without the physical signifiers that Kaworu and Rei exhibit and the prior short-hand for clones in this universe (as noted, their design is intended to invoke lab rats). Nice consistency there. The beach ending from EoE is re-done under a blue sky; Asuka is saved thanks to Shinji and Mari working in concert. Kaworu’s beach meeting with Shinji is restaged, the newer, confident Shinji discussing the circular system that delivers Kaworu into his place at the end of the world. So Eva has happened before, meta-wise or time-wise or dimensionally. Take it as you will, no interpretation is more valid than another. Only that Kaworu remembers them all. It’s happened before and it’s expected to happen again. But Shinji’s different now, so the end of the world is different. Now it’s time to move on; Kaworu is left with Kaji to tend the earth assured the cycle of Eva productions is at an end – both have been dead all this time. Anno’s attitude to his seeming forever association with this one franchise his and his desire to set it down and move on? EoE finished in space; 3.0+1.0 finishes beneath the Antarctic. The idea of Unit 01 living forever as a testament to humanity is no factor at all Shinji intending (and his parents possibly driving) the final riddance of the Evas from reality – none can be allowed to remain. But now, the film takes an odd turn, and as with EoE, there’s the coda. In EoE this was the beach scene. For Rebuild: The sun shines, the sky is blue. An adult Shinji sits in a train station and meets with Mari. She’s older too now; the pair share a kiss and run from the station hand in hand. So. Uh. Yeah. That happened. There’s Kaworu and Rei seemingly alive and well as adults. And Asuka of course. But Shinji winds up with Mari. Mari who knew everything the whole time and might somehow have been part of Gendo’s group at university and known Yui and no, we are not getting any insight into those peculiarities! (or more plausibly it could be Mari’s mother who looks near identical to Mari but... What are we meant to take from this, really?). Mari who met Shinji in a handful of brief moments and has never spent any actual time with him. Mari won the love-triangle! But this is not some simple alternate reality, a different better take world where the cast existed in something resembling our reality; Shinji still wears the exploding DSS collar given to him before rejoining the giant robot fray. Mari effortlessly removes it from his neck. The film ends with a live-action sequence – this is reportedly Anno’s hometown. The world without Evas; we passed the relevant date while 3.0+1.0 was stalled. Shinji made it to 2014, or more plausibly past it in a world without Second Impact. And he’s happy, well-adjusted, and... Not really recognisable as Shinji. Shinji now exists in the present, not the future as he had for so long in pop-culture. But he’s in a different 2021; a world without the pandemic. And that was Rebuild; a project intended as a new introduction to Evangelion that blatantly had its entire core conceit revised at least twice (the 4th film delayed because of Shin Godzilla and then a struggle to write at all) that increasingly and confusingly leant more and more on its famed initial incarnation even as it veered increasingly and erratically away from the familiar sequences. I liked 3.0+1.0 more than 3.0, but can’t help but still bemoan whatever 3.0 was going to be when 2.0 happened. The alternate other sequence. And despite it all, despite the allusions to a repetition of Eva and of this being the break in the chain, even those working on and involved with the film see even this as a definitive end. Even Anno’s not convinced that’s the last word. Eva will come back all over again; naturally – there’s money to be made here, and what’s yet another alternate take to add to the TV series, the manga, the games, the other manga, EoE, Rebuild and so on. Kaworu apparently is indeed doomed to revisit this forever alongside everyone else and also remember that for once he was gifted a true end. An impossible conclusion for modern pop-culture it feels.

[emeraldoodles]

Long Grindeldore Fics

Here’s a list of Grindeldore Fics that are longer. I tried to pick only fics over 10k or are going to be over 10k in the future.

Zwischen Immer und Nie (Between Always and Never) by sudowoodo

Words: 38563

Albus smiled and tossed the manuscript back on the table. "It's the rest I don't agree with. I simply cannot get behind that American rule."

Gellert laughed loudly. "You wish to marry a Muggle, Albus? There is something you're not telling me, yes?"

Albus tipped his head sideways, growing weary of his friend always missing the point. "Oh, I don't know. I feel some sympathy with those who are not allowed to love freely." Gellert's gaze became fixed on the floor before his eyes roamed up to take in Albus' face. Albus placed his hands on his stomach and sighed gently. "I can only imagine what it's like not having the freedom to walk hand in hand with my love, or marry them, or kiss them in the street."

There was a long pause. Then, seriously, "What are you talking about, Albus?"

"I think you know."

-A summer of 1899. Has  a Victorian feel with themes of homophobia. There’s a cry scene that got to me. I like how Ariana and Alberforth are written.-

Hold on by OUATgirl

Words: 26,631

After their famous duel in 1945, Albus Dumbledore decides to give his old friend another chance. Instead of being held in Nurmengard, Gellert Grindelwald will serve his time under the watchful eyes of the new hero of the wizarding world. But Albus cannot plan everything, and things might be more difficult than he anticipated

-I like how Dumbledore was written. Very cute and slow. Writer is currently working on a sequel-

same apartment, roommate's gone by Anonymous

Words: 10,176

After nearly five decades of imprisonment, Gellert Grindelwald was ready to break free.

-Very funny, but it is serious too. Gellert takes over the mind of Lockhart because there ain’t nothing there.-

Defence Professor Wohl by DarthKrande, NeverBeyondRedemption

Words: 54,421

Gilderoy Lockhart landed himself in St Mungo's after his 'Cornish Pixies' class. Where can a headmaster now find another Defence teacher, one who's knowledgeable beyond doubt, willing to face the curse on the position, and available to start in a few days? In Nurmengard, that's where.

-I really like the beginning of this fic, the ending dragged after chapter 18, but that’s probably because the later chapters focus on Harry.-

rummaging for answers in the pages by kittysorceress

Words: 37,620

It is the summer of 1899 and Albus Dumbledore is ready to venture into the great wizarding unknown. Instead, he finds himself at a dead end, keeping house for his siblings in Godric's Hollow. Bored. Lonely. Wasted.

That is, until he meets his equal.

-A collection of Albus's journal entries from the summer of 1899, detailing his adventures and the innermost workings of his mind, from the mundane to the sublime.-

So Many Chances Unseen by The_Marron

Words : 32,043

Dumbledore wants to die, Severus Snape doesn't want him to, and there is also an ex-Dark Lord trying to get his ex back. Maybe.

-This is broken up into 5 parts that total the word count. Is completed. Albus is an ass and I loved it! Slow burn with old men. Loved the ending! Wish this is how the books ended.-

Thirty-Five Owls by Letterblade

Words:11,284

Being a correspondence between Albus P.W.B. Dumbledore, Grand Sorcerer, Supreme Mugwump, etc., and the prisoner Gellert Grindelwald, of some decades in length.

-Gellert and Ablus are penpals? Kinda. It’s sweet, it’s angry and it’s sad. It’s Grindeldore in a nutshell.-

Extreme Incantations by meanwhiletimely

Words: 10,043

Gellert makes a discovery in Albus's bookshelves that results in a revelation.

-Very much smut, but with a plot… no maybe just a point? Dark magic sex during 1899. Bottom Gellert.-

My hands in yours by FrozenBrownie

Words: 21,452

A student of Hogwarts, died in Albus Dumbledore’s arms. What impact this unnecessary death of a child (again) would have on him, on England, on Hogwarts, neither the watching centaurs nor that desperate wizard with his wrists in unconnected metal chains could have foreseen. There was a man, of course, who did, roused in his sleep from the agitation of his husband over a thousand miles away. And thus, a story different from the one that could have come to pass began.

-Albus is shackled and leaves his life to find Gellert.I’m a sucker for fics about magic restriction shackles. Several parts.-

Happily Ever After, Being an Account of a Victorian Fairy Tale in Five Parts by azurish

Words: 10,281

When you’re hunting down the stuff of fairy tales, you shouldn’t be surprised when your own life turns into a fairy tale. In a universe in which Ariana wasn’t killed, Albus and Gellert attempt to track down the Hallows. Gellert knows that Albus is in love with him, and it’s convenient to indulge him – but that’s all there is to it. Right?

-Albus and Gellert go on their journey for the Hallows and have been traveling for a while together. Gellet is a piece of shit and Albus is dumb (stop just putting on unknown jewelry!)-

His Majesty's dragon by FrozenBrownie

Words: 18,369

Used in Open Combat – Dragon Corps in short. Albus’ magical power, ability and control apparently were up to the required standard to be considered for the training program for Aviators. Of course he had had no intention to go into the military whatsoever, but then, Gellert Grindelwald had stumbled into his life. Oh, how they had loved one another, fiercely, fiery, distructive -

-Dragon riders and set in 1759. Is a series. Writer working on 2nd part.-

Let Perpetual Light by tehtarik

Words: 65,726

In the village of Godric's Hollow, the Dumbledore family is falling apart. Kendra Dumbledore is dead under mysterious circumstances, and Albus is the unwilling guardian to his wayward brother Aberforth, and Ariana, their mad sister in the attic. But everything changes with the arrival of Gellert Grindelwald, violently charming juvenile delinquent with an obsession for the fabled Deathly Hallows.

-Ariana is a main character. Summer of 1899.-

Nurmengard by red_camellia

Words: 12,002

After Grindelwald's defeat in 1945 he is put in Nurmengard, unable to move on and haunted by memories of their past Dumbledore begins visiting Grindelwald. "But whenever Dumbledore was there, it was like looking into the Mirror. They both looked at each other and yet, did not see each other."

-A melancholy fic. Albus keeps visiting Nurmengard years after the battle of 1945.-

Shadows Die Twice by Phytine (Taouret)

Words: 68,922

Albus Dumbledore, after having been expelled from Hogwarts, has no choice but to go to Durmstrang in order to finish his education. There, he meets a very charming boy, Gellert Grindelwald and, despite the warnings, decides to befriend him.

What Albus doesn’t know is that Durmstrang is the Devil’s territory. Before he can understand what is happening, he gets caught in a dangerous web. The unconscious prey has fallen.

But there is one thing that Grindelwald hasn’t taken into account: Dumbledore is no man to be taken down easily and, the monster is never far away in a wounded heart.

-Do you want a really fuck up Albus and just as equally fucked up Gellert? This is your fic. Warning, includes rape, abusive relationship, blood fetish, chocking. Not completed.-

Phoenix Tears by PrincessElectra

Words: 46,739

The summer of 1899 ends with less destruction and heartbreak, but love is not a victory march and the darkness is still a seductive temptress. Albus Dumbledore/Gellert Grindelwald.

“It is not in the stars to hold our destiny but in ourselves. I refuse to accept that there is any future where the world is better place with us apart.”

-Gellert decides to stay with Albus but he can’t quite give up on his old goals Lots of fluff.-

liminality by verivala

Words: 7,981

Instead of killing Albus, Gellert imprisons him. Neither of them have a good time.

Grindelwald Wins AU

-Still being written. Gellert is trying to cage Albus and Albus is trying to escape, if only mentally. It does have darker themes like mind control, magic restrict, twisted love.-

The Trial of Albus Dumbledore by Aurora_xx

Words: 51,613

Albus Dumbledore has to attend a disciplinary hearing for withholding invaluable information about Gellert Grindelwald, deliberate misdirection and performing a blood pact with the person who currently represents the biggest threat to the wizard community.

Unknowingly, he takes Veritaserum before.

-Albus is held trial and forced to speak the whole truth.-

The Glass House by Skurf, TheMoonGuardian (moonchampion)

Words: 24,327

Brightest student of Hogwarts's 1899 graduating class, Albus Dumbledore was about to set off to travel the world. He was going to revolutionize the Wizarding World. Then Ariana Dumbledore killed her mother in a fit of uncontrollable magic, and he was sent back home to be her caretaker.

He was 18, resentful, and utterly miserable. Until Bathilda Bagshot introduced him to her alluring nephew, Gellert Grindelwald.

(The one where Ariana doesn't die, and the boys take her along on their quest to find the Elder Wand.)

-I almost feel bad putting this on the list, because it looks to forever be incomplete. But the bantering between Albus and Gellert is just too enjoyable not to include.-

Never Too Careful by DrSalazar2U

Words: 29,694

"So that, when my mother died, and I was left the responsibility of a damaged sister and a wayward brother, I returned to my village in anger and bitterness. Trapped and wasted, I thought! And then, of course,

he came..." 

Gellert presents a life changing opportunity, but Albus quickly learns that when it comes to eternal glory, one can never be too careful.

-Lot of smut, but there is still a plot. But lots of summer sex. I like how Ariana and Abeforth are written.-

[phoenix-downer]

This may seem like a random question but is there a difference between a "wayfinder" and a Paopu Fruit? In the context of Sokai it seems to be aimed towards being more Romantic but when it comes to the Wayfinder trio it's aimed at it (the wayfinfer) being more like a friendship thing, People say that a Wayfinder is like a spiritual Paopu Fruit and that the whole sharing of the Paopu Fruit is a "platonic thing", I believe otherwise (I mean Sokai is canon right) what are your thoughts on this?

This is a really interesting question, thanks for asking! It actually touches on how cultural exchange works in real life, so I find it really fascinating. This is my own interpretation of how things went, of course, but I think it’s well-supported by the series.

The original legend of the paopu fruit from Destiny Islands is romantic. It is framed in romantic terms, and Selphie even tells us it is romantic. The dialogue she has on Destiny Islands with Sora tells us as much: 

“Hey, Sora, have you heard about the legendary power of the paopu fruit?"— talking to Sora about the Paopu Fruit.

”They say if you share it with someone you really care for… it binds you together forever and ever through eternity! It’s so romantic. I gotta try it sometime.“— talking about the Paopu fruit.

As far as we know, Selphie is native to Destiny Islands in the KH universe, so she has a pretty good idea of her home world’s culture, legends, and stories. And Sora clearly cares a lot about possibly losing the race to Riku, because it might mean missing out on the chance to share the paopu fruit with Kairi. It’s still clearly bothering him afterwards as well, which is why he goes to the cave and draws him sharing his fruit with Kairi:

(Screenshot from here).

She, of course, finds the drawing and completes it by drawing her sharing her paopu fruit with Sora: 

(Screenshots from here)

Now, as what often happens when new concepts, celebrations, etc. are introduced to new places, they tend to be adapted to the new culture instead of taken wholesale from the original culture. For example, when Christmas made the jump from the West to Japan, it kept the gift-giving aspect of the holiday but changed other things (Christmas is a romantic holiday in Japan, for example, as they already have a big family-centric holiday: New Year’s). New traditions were also created, such as eating fried chicken (turkey is not native to Japan, and chicken is easier to get a hold of). Valentine’s Day also changed when it made the jump from the West to Japan; instead of men giving their SOs gifts, it’s women who give chocolates to the men, and a whole new holiday was created (White Day) for men to return the favor with gifts a month later. 

How does this come into play with the KH universe? Well, The Land of Departure is a different world from Destiny Islands, so I think it’s safe to say they have their own cultures, customs, etc. This is at least hinted at in the names of the characters; while Sora, Kairi, and Riku all have Japanese names and hail from Destiny Islands, Terra, Aqua, and Ventus are not from Destiny Islands and all have Latin names. The Pixar consultants for KH3 encouraged the KH team to keep Sora’s mannerisms in line with Japanese mannerisms, but they suggested the KH team change the Toy Story characters to use more American body language. 

So there are little hints like this that different worlds have their own customs, cultures, names, etc. And thus the paopu fruit legend could have crossed cultures and worlds and changed along the way, much like cultural exchange and adaptation happens in real life. It doesn’t surprise me at all that the version of the legend of the paopu fruit Aqua heard is platonic in nature; it simply changed enough by the time it reached The Land of Departure that it holds a different significance to people from that world than it does for the people from the paopu fruit’s world of origin, Destiny Islands. Again, we see how Christmas went from a family-based holiday in the West to a romantic holiday in Japan; it’s easy to see how the reverse could happen as well. 

This does not mean that the new version of the legend of the paopu fruit The Land of Departure has means that the version Destiny Islands has ceases to exist or is no longer relevant any more than Japan’s new Christmas traditions mean the West’s various Christmas traditions are no longer valid or relevant. It’s just two different ways of celebrating a holiday with a common origin. The meaning of the legend depends on the culture, and for Sora and Kairi, who grew up on Destiny Islands, the fruit is romantic in nature. For Aqua, it’s a sign of friendship. The common factor is the idea of bonds and connection; the Destiny Islands legend focuses on romantic bonds and connections, whereas The Land of Departure focuses on platonic bonds and connections.

Hope that makes sense, and thank you for the ask!

[wonderfulworldofmichaelford]

Psycho Analysis: Yzma

I feel like there’s no sense in introducing this one. You know her. I’ve seen all the gif sets, the quotes, the images, the memes… it’s safe to say most every person on the internet is intimately acquainted with The Emperor’s New Groove’s geriatric villainess, Yzma. So, let’s just cut to the chase and talk about why Yzma is a fantastic villain, shall we?

Motivation/Goals: Yzma’s goal is pretty simple and yet also infinitely understandable. She wants to take over the kingdom from Kuzco because, after years of being treated like garbage by the snotty little emperor she likely helped raise, he’s just firing her because she’s old and ugly. Like, it is TRUE, but it’s still incredibly tacky and rude. It’s not hard to empathize with her at least a little bit as she goes to poison the snotty, miserable emperor, though it really does become harder to side with her as the movie goes on and she continues to berate her poor manservant Kronk.

Performance: The legendary Eartha Kitt of Adam West’s Batman and My Life as a Teenage Robot fame gave Yzma exactly the voice she needed to instantly ingrain herself in your memory forever. Kitt was absolutely not afraid to ham it up, and combined with the character design and animation, it makes Yzma a delightfully over-the-top figure that is easy to love to hate. Even better, she has insanely good chemistry with Patrick Warburton as Kronk, and the two play off each other extremely well, leading to Yzma being part of a good 95% of the movie’s funniest scenes. It helps that, while she is definitely very funny, she is more often the straight man reacting to the insanity her compatriot brings to the table, a dark mirror to Kuzco and Pacha’s relationship… well, comparatively dark. These two are a couple of goobers after all. What I think really helps is that, despite being the straight man in a general sense, Yzma is still probably one of the most insane villains in Disney’s filmography, as in literally unhinged, so she is as able to generate laughs as anyone else.

Final Fate: Yzma’s attempts to kill Kuzco backfire spectacularly, and instead of succeeding in any way, shape, or form, she ends up turning herself into a cute little kitty. It’s a marked improvement, honestly. How she changed back to normal for the TV series, who can say? By all accounts it doesn’t make sense. Just don’t think too hard about it, it’s a comedy after all.

Best Scene: Considering how the entire climax of the film is an absolute cavalcade of comedy, we could go with that. Or we could go with her attempts to poison Kuzco at dinner. Or we could go with her interactions with Pacha’s family. The “problem” with Yzma that every scene with her is so great that it’s hard to single out any single one moment as outstanding, because all of them are pretty much on the same level. She’s remarkably consistent with how great she is.

Best Quote: It’s really hard for me to pick just one line (which is something I tend to say a lot, but I mostly talk about good villains on here, so cut me some slack), but I think the combination of the delivery and just how great Kitt’s voice was really helps make her brainstorming ways to kill Kuzco a legendary moment:

“Ah, how should I do it? Oh, I know. I'll turn him into a flea. A harmless little flea. And then I'll put that flea in a box, and then I'll put that box inside of another box, and then I'll mail that box to myself! And when it arrives, AH HA HA HA! I'LL SMASH IT WITH A HAMMER!!! It's brilliant, brilliant, BRILLIANT, I tell you! Genius, I say!”

The laugh is really what sells it, honestly.

Final Thoughts & Score: Yzma is probably the single greatest Disney villain who doesn’t totally follow the Renaissance villain format post-Renaissance, with only Turbo really being a contender for the crown. What I mean is this: the Renaissance set a serious precedent for animated movie villains going forward. They had to be hammy, have huge personalities, and get their own song. Ratigan was something of a prototype, and then Ursula went and set the standard. Sure, there were exceptions in the Renaissance – Hades is great but got no song, and Ratcliffe is… Ratcliffe, and he has a song – but for the most part the best Disney villains had a clear style. Ursula, Gaston, Frollo, Scar, all of them are some of Disney’s best and all of them stick to these rules.

Yzma came early in the post-Renaissance era so it would make sense for her to fit the bill entirely while they were still experimenting with new styles, but because of the tumultuous production of The Emperor’s New Groove, she ended up keeping the ham while having her villain song cut. And yes, this is a damn shame, since Eartha Kitt was a fantastic singer and the song’s not half bad, but I think the movie as a whole and Yzma herself work better without music. She’s just so funny with how she reacts to and interacts with things throughout the movie, I just don’t think she really NEEDS music to really push her over the top in terms of quality. Like, let me put it this way: I think, without “Be Prepared,” Scar would probably not be quite as impressive. I think with a villain song, Jafar would have been even cooler. Yzma? She’s pretty much perfect the way she is.

I debated a long time on what score to give her, but I frankly think she does deserve a 10/10. I almost gave her a 9 on the basis that she didn’t have a song, but her overall performance combined with my realization she didn’t need her song to be great made me decide to reward her with the highest marks. However, there is one criticism I have that I think stands: she would not nearly be s funny if not for the presence of her faithful lackey. So let’s talk about him, shall we?

Psycho Analysis: Kronk

I put this one to a vote, and it turns out that a lot of people consider Kronk a villain. I guess if we’re being technical he is an antagonist, but a villain? Kronk is pretty much the least evil villain out there. Still, it’s pretty impossible to deny that he’s not exactly a good guy when he’s complicit in an assassination attempt. Kronk’s a bit of a morally gray figure for much of the film.

He’s also, without a doubt, the funniest character in the film.

Motivation/Goals: See Yzma above. He’s just her lackey, so he doesn’t have much in terms of goals of his own. He does, however, have a conscience, as well as numerous skills including some serious culinary skills, including knowledge of fry cook lingo.

Performance: This is one of the roles that really put Patrick Warburton on the map, alongside Joe Swanson in Family Guy. And if I’m being honest, this is the definitive Patrick Warburton role in animation. Kronk is just an absolute delight to watch, since he’s basically the lovable idiot character perfected. He’s a ditz, but he does have a lot of skill in some interesting niche areas, he’s not truly good or evil and has a moral code, he’s very quotable and funny in a pretty natural way… Kronk has got it all! And it’s all thanks to Warburton injecting that Patrick Warbuton-ness we’ve all come to love from his performances. 

Final Fate: Of course Kronk gets redeemed in the end. The dude is the biggest softie on the planet. Maybe Yzma should have thought twice before insulting his spinach puffs.

Best Scene: Kronk has a similar problem to Yzma, where every single scene he’s in is incredibly perfect, but unlike Yzma, there is one scene that really narrows things down and gives you the perfect summation of Kronk as a character: the scene where he is attempting to dispose of Kuzco’s body, does his own theme music, argues with his shoulder angel and shoulder devil, and then ends up saving Kuzco, thus allowing the rest of the plot to happen.

Best Quote: Unlike Yzma, there is no way I could possibly narrow down Kronk’s best quote. Whichever one is your favorite, you’re right. That’s the best one. Everything out of his mouth is gold.

Final Thoughts & Score: Kronk is a very interesting lesson when it comes to Psycho Analysis because, while he is certainly antagonistic, and certainly is a great character, he’s not a great villain, which is what these reviews are for. Like, he is easily the best part of the movie, he is hilarious, his chemistry with Yzma is undeniable, and this is Warburton’s definitive vocal performance in animation… but it doesn’t make Kronk a good villain so much as it makes him a good character. Like there’s no way I can give him below an 8/10, because again, still an antagonistic role, but he can’t score much higher because his personality is just so legitimately NICE that calling him a villain seems really weird (which is why I put it to a vote in the first place).

I really can’t stress enough how much I love Kronk; he’s like in my top 10 favorite Disney characters. But when it comes to villains, I really don’t think he’d make the cut, because even when he is doing something bad it comes off more as misguided loyalty to Yzma than an actual desire to do bad. It’s really telling that it’s the most petty of things that makes him drop Yzma like a hot potato: Kronk was never really a villain, he was a good guy who made poor life choices and had a toxic friend influence. He didn’t really have a character arc where he became a better person like Kuzco did, although Kronk’s ultimate turn to the side of good does somewhat mirror Kuzco’s; he simply realized that the friend in his life he devoted his time to was an awful person and decided to leave her behind, and when all is said and done, that just leaves a big, buff nice guy who likes to cook. And that makes Kronk a truly great, funny, and lovable character.

It just doesn’t make him a great villain.

[popculturebuffet]

New X-Men Xtrospective Part 2: Germ Free Generation (Annual, #117-120)

Hello all you happy mutants! And welcome back to my look one of my faviorite runs of one of my faviorite super teams by one of my faviorite comic book writers!

For those of you just joining us.. it’s been a while. I did the first instalment of this retrospective back in early January as a present to my friend for christmas, as he had never read E is for Extinctoin and what with this run being vital to the current, utterly brilliant Krakoa era of X-Men. But with both Black History Month and Valentine’s day, February had no real room for this one and march ended up being just as crammed with me doing essentially the entire della arc of ducktales in one month. I didn’t mean for this retrospective to get pushed so far back, but since I gave up doing weekly coverage of Final Space I had some room on the schedule so this retrospective is back with a vengance with two entries this month and hopefully at least one a month afterword to keep it at a decent clip. 

Last time I covered the background of this run and didn’t really find much for the issues after, so I won’t have to spend as much time on background. 

So since i’ts been a few months, a refresher is probably in order

PREVIOUSLY, ON X-MEN:  Our merry mutants enterted a marvelous new era. As Charles redidciated to the dream with new equipment and a new uniforms our hero encounter a new villian: The Mysterious Cassandra Nova, a powerful telepath who used an uwitting patsy from the trask family and a defucnt sentinel factory to slaughter the mutant nation of Genosha, killing 16 million mutants in the most horrific act of genocide against mutants ever known. And the fact there has been more than one genocide against mutant kind MIGHT, just MIGHT be the reason they blackmailed for peace with life saving drugs instead of helping willingly and freely in the current comics. Just maybe. 

Cassandra was captured by the X-Men soon after but escaped and nearly got a hold of Cerebra only to be stopped thanks to a combination of former enemy, genoshan resident at the time of the genocide, and that bitch Emma Frost who snapped her neck and Charles himself who uncharacteristically shot Cassandra in the head. That night Charles took a bold step over that would change the X-Men forever and told the world on live tv:

While all of this was going on we got caught up on the team’s personal struggles, currently consisting of Cyclops, Jean Grey, Beast and Wolverine with Emma joining as of the issue we’re about to cover. Beast is grappling with a secondary mutation that makes him look like Aslan, the jesus of narnia and all lions. Meanwhile Scott and Jean are grappling with their non existant sex life as Cyclops possesion by Apocalypse shortly before this story has severely rattled him and caused him to close himself off emotionally. 

So that’s where we pick up. Our heroes are now no longer hiden saftely in the shadows from a world that hates and fear them but are out front and center with the world watching. And we’ll see both how that helps their cause and how it puts them directly in the cross hairs under the cut.  Content Warning: This review discusses Transphobia and a scene involving a school shooting. If either of these are a trigger for you or something you do not want to read about  please skip this part of the retrospective for your own well being. Thank you and have a lovely day. 

The Man From Room X:

We have three stories today: an annual that introduces our final team member and the main villians of our next arc, a one off that moves the main plot for the first 12 issues along, and a three part arc about said villains.  Before we get into the Annual, I have to talk about it’s weird gimmick: The issue is entirely sideways. I don’t mean it’s bad though some parts are problematic I mean when bought it’d be on it’s side and in my trade I have to flip the whole thing over on it’s side to read it. It’s just a .. weird choice. Not the weirdest thing about this issue somehow but not unexpected from Grant as they like to play with the formula. 

We open in said Room X, a location in China where a mutant named Xorn is kept and showed off to a mysterious group of dickweeds in suits representing “Mr. Sublime”.  His jailer, General Aao Jun,, shows him off as most bad guys would : By undoing his helmet and thus disntegrating two innocent children just by looking at them. Sublime says they have a deal. 

Meanwhile also in China the X-Men are there for a funeral and Emma and Scott trade insulting questions back in forth: She mocks him about his lack of sex with Jean lately and he brings up her criminal past. As for why Emma’s still with the x-men.. it’s out of pragmatisim. WIth Genosha gone, the x-men are the saftest faction to throw in with. 

As for why the X-Men are in China, Charles has rapidly expanded his operations now he’s public by setting up X-Corps, a multinational humantarian aid organization dedicated to helping mutants in need wherever they sprout up. He’s set up offices in Hong Kong, Amsterdam, Mumbai and Melborne. 

He’s also half assed it, at least for the Hong Kong office and only gave them two employees: Domino, who those of you not as familiar with the comics may remember from deadpool and Risque.. who I honestly had never heard of before New X-Men and frequently forget existed. I just looked her up for the first time and she’s a minor mutant who was an associate of X-Force and Warpath’s love intrest. She could compress matter causing it to implode. My assumption here is that Morrison simply picked a minor mutant at random for the job. 

But yeah naturally with only two mutants charged with, according to domino “All of asia” went horribly and the x-men are there for Risque’s funeral and to find out what happened. Unsuprisingly it’s tied into our cold open: Risque had found evidence of a mutant trafficking operation and died fighting them off and Dom is naturally f eeling in over her head since said operation involves the chinese goverment, who according to her exccute most mutants at birth and John Sublime and his cult. 

We soon see a press confrence from this asshole and find out what his deal is: Sublime is the head of the U-Men, a group that belivies they are a “third species” of mutants trapped in human bodies that deserve to have the surgery to make them into mutants, and thus wear weird suits until the world is pure and allows them to have surgery for it. 

Yeahhhh this.. this is really fucking uncomfortable and is going to be present throughout today’s piece so let’s just go ahead and rip that band-aid off:  The U-Men come off as HIGHLY transphobic. They use terms similar to trans people call themselves trans species and are trapped inside a body they don’t belong in. It’s VERY uncomfortable to read as a result and something that hadn’t really sunk into till thsi reading but once it had.. oh god does this not age well. 

The one thing that keeps this from runing the run and Grant Morrison as a whole for me.. is that I do not think for one second it was intentional. Grant themself is genderqueer, nonbinary and a cross dresser. None of this means they CAN’T be prejudice, being Queer does not magically make you immune to being prejudiced. But before this Grant had the genderqueer sentient street Danny the Street over in doom patrol and a trans main character in his book the invisibles, Lord Fanny. And given New X-Men’s biggest flaw as a whole is clumsy early 2000′s unforutnate implications such as a good chunk of the things about Cyclops affair with Emma, we’ll get to that at the right time, Angel in the next arc and Dust, who was introduced as from afganastan wearing an outfit not seen in the country and speaking a language not spoken in the country. Grant didn’t make these mistakes TWICE, it’s why I still have respect for them, and this won’t be the first or last comic i’ve forgiven for being stupid for it’s time. But I will still call Grant out when I see it. Just because I respect an author just because they changed my life does not mean I won’t call them out when they fuck up. And if they prove to be truly vile, have harmed someone or what have you I will cut them the fuck out of my life. I’ve done it with JK Rowling, Warren Ellis, Brad Jones and Joss Whedon. I would do it with Grant if I truly belivied they were transphobic and instead didn’t just write something very stupid without thinking the metaphor through 20 years ago. 

So anyway back to the comic book bollocks as Wolvie and Dominio prepare for an infiltration and flirt a bunch. We also find out Jun is a mutant himself with a power only Grant could dream up: his skin, hair and what have you that falls off him turns into a naked golem for a bit before expiring. And if you hadn’t read this issue before reading this review, yes that actually happened. While the first arc had a BIT of Grant’s trademark batshit insanity, the series REALLY starts to pick it up from here: This issue has a mutant with functioning star for a head, a poorly thought out bucnh of sci fi new age organ theives, and a general whose power is “makes naked clones out of his dandruff”. Oh and his fondest wish?

I just... I don’t know how to respond to that. I don’t know how you respond to an old man’s weird murder fetish that he tells a somehow even creepier cult leader while said cult leader is paying him to buy a star man, and their both surronded by the creepy old guy’s skin golems that weirdly look like mudokons. Look i’ve  read Grant’s entire utterly bonkers run on doom patrol. I’ve seen a man who looks like a question mark use a bicycle that makes everyone high like their on LSD for president. And THIS is what breaks me. 

So while.. THIS is going on, Dom and Wolverine plan to do it all night long on the professor’s credit card, no really he gives all his professors carte blanch to use school fun, and inflitrate, Dom through the elvator this horrorshow just took place in and Wolvie james bond style. Also I gotta say I REALLY love how Morrison writes Domino. She’s wittiy, entertaining and her power is as awesome as always, super luck if you didn’t know. It’s a real shame he didn’t add her to the team: She wasn’t on any other x-teams, with X-Force having been rebranded into X-Statix by this point. She would’ve been a fun addition to the cast. 

Naturally wolverine is found out.. but that was the entire plan, for him to serve as a distraction then cut his way to domino while she steals something from the vault. As for the rest of the X-Men, Cyclops, Beast and Emma are all downstairs in the parking garage and find a secret entrance. Jean is not on this trip and that’s a major plot point for this run. This is where Risque died.. and it only get’s worse when Hank goes inside, finding a bug like child, basically htink a giant caterpillar but with tons of human arms inttead of legs with her wings cut off. 

Thankfully as Logan and Dom escape above, the U-Men are dumb enough to storm down bellow.. and while they incapacitate beast with some launched tiny knives, designed to incapcicate but leave them in tact for harvest, Emma beats the shit out of them and get the info out as only she can....

Granted she could’ve just turned back to normal and used her telepathy.. but what fun would that be? Plus they have blockers and you know CUT UP A FUCKING CHILD. SO yeah fuck them, let emma have her fun. 

Thanks to her they find out the U-Men are a front for illegal organ harvest, and while they can’t prove sublimes attached Emma suggests killing him.  Good idea but Scott suggests the lighter approach and we find out what Dom stole, a key, something Emma can psychcially scan. She warns it might take her a bit to get something.. only to be flooded instantly and we find out who the man in the box was. Shen Xorn... i’ll let emma tell you more herself. 

It’s stuff like this why, despite some serious flaws like the U-Men debacle and some stuff to come, some I mentioned above other that’s just with the plot that i love this run. Morrison just gets how to really tell an x-men story and the real tragedy of being a mutant. That just for being diffrent, you get shut out, or in this case thrown into a box when you could’ve and should’ve been something more. As emma turns herself to diamond to deal with the psychic backlash, Beast has some solemn words to share. 

That night Scott rests in his bedroom while presumibly hearing some truly horrific and sexy things next door while talking to jean before clocking out.. only for Emma to head in in a sexy dress with champagne. What happened? Well we won’t know for sure for most of the run. 

The next day the U-Men prepare to load and we get some scrap of what the idea was supposed to be: John talks to Ao Jun about his procedures. We see wings crudely sewen to his back and his throat implaants hurting “But one day I will fly”. THe IDEA is their supposed to be lunatics, people who envy mutantkind but don’t actually respect their culture or their sense of personhood. It’s not the worst idea and had Grant not used trans termnology for htis, it would’ve been a great one. I think he INTENDED for them to be coopting the idea of being trans and what not to maks their true intentions.. which is problematic due to debates like the ones on bathrooms where a lot of transphobic asshats make the bad faith argument a bunch of people are going to pretend to be trans to assault people. 

We’re.. we;’re not even to the main storyarc yet. 

But things soon go wrong as Xorn’s starhead starts to collapse into a black hole, with no solution as the x-men took the key to his helmet.. and assault the compound. Turns out the star collapse thing is Jun’s revenge on humanity for lockig him down here and he gets his neck snapped.  Scott has a solution though.. and it’s stuff like this why I fucking love Scott Summers and get annoyed when people call him “boring”: He realizes Xorn is comitting sucicide.. so he’s going to talk him out of it. Not just for everyone else but he deserves to live. And while Emma points out only logan among htem knows chinese and she can’t get through to Xorns’ head due to the way his brain works, Scott has a simple workaround: Use the nearest chineses speaker to teach Scott chinese. So.. with that he talks to Xorn. 

And that my friend is Scott Summers. A man who faced with powerful man whose given up, whose lost all hope... convinces him he can still go on. That living’s better than dying.. and that it does get better. The issue closes with Xorn basking in the sunlight for the first time in decades while Domino sweats having an extremley powerful unknown mutant out in the world. Scott’s already thought of that.. and signed him up with the x-men. Granted it won’t be until our next article that he actually fully joins the team, but w’ell get to that next time. 

This issue is great... while the U-Men stuff is pretty bad and isn’t going to get better, the tale of xorn is excitiong, Aao Jun is an intresting antagonist and the sideways gimmick suprisingly works. So now we’ve finshed our apitizer let’s get on to the main course. 

Danger Rooms:

We open in well.. the Danger Room with Beast training a new student. 

This is Beak. Beak is my faviorite character Morrison came up with and one of my faviorite X-Characters. Beak is a bird like boy who can fly, it’s just a struggle and due to looking diffrent and not having the most impressive power has very low self esteem. It’s also part of something Morrison took a concerted effort to do: introduce more mutants with genuinely odd apperances and drawbacks. Like we saw with Ugly John last time and Aao Jun in the previous issue, Morriosn really likes adding weird mutants but he also uses it to give a genuine downside to being one. While this isn’t NEW to x-men, Morriosn upped the scale and number of characters like this with weird powers and apperances. We see a bunch of human passing ones too but the backgrounds just jammed with all sorts of unique designs and students. It’s also the point where the school became far more crowded like the movies, a good call on my part both to help those coming in from the movies, and to help sell the mutant baby boom going on. After all it wouldn’t make sense if the school was just about 5-7 students and a bunch of grown adults doing superhero stuff like usual would it.

But we get to see that Hank is a good teacher, as he reminds the boy that he’s getting better and won’t be an x-man overnight, and worries about him to the professor, wanting the boy not to slip through the cracks, figuratively, and not to feel like an outcast.. especaily here. But Hank dosen’t feel blue for long, metaphorically he was blue long before he became the lion minus the witch and the wardrobe, as he has a date to night.. and so does Charles. 

Or rather he did.. his girlfriend trish, a long time love intrest of his and a reporter.. breaks up with him. Over voice mail. While in washington. And the reasons she gives are not great

Yes Hank’s transformation is radical.. but not only was it not his choice... she’s being a coward, sending the message it’s okay to dump someone because hteir a mutant or because they happen tobe diffrent and that efffects your career. Again it’s moments like this that make the run soar over the more awkward bits. 

Meanwhile Logan’s off doing logan stuff, i.e. gazing at a deer. Wow. Jean followed him. Both notice a space ship: Despite recently outing himself as a mutant, leading to an increased number of students and a bunch of rioting morons at the gates, Charles has decided NOW’S a good time to take a vacation to the Shiar empire. As for why Jean’s really out here, her marriage to Scott isn’t doing so good and while Logan encourages her to stay it’s just not that simple: Her telekenisis is coming back, stronger than ever. She feels the most alive she’s been while he’s shutting her out and feeling his deadest. She tries to turn to logan for comfort but he shuts her down. Just wait two decades jean... he’ll open up to a threesome. In all seriousness though having Jean try and come onto Logan .. will backfire slightly on later storylines. But we’ll get to that eventually. 

In the basement Hank is studying Cassandra or rather a virtual version of her since her body is naturally in storage. And he’s found out something disturbing: She’s Charles Genetic Twin.. oh and it gets way worse. The Professor’s weird behavior? Barely staffing the hong kong office, leaving suddenly with rioters t the gates, outing himself? About that...

Cassandra tourtures Hank with the possiblity he’s devovling and then tries to mind controlli him into cleaning himself with his diploma when Beak enters. The good news is this allows hank to shake off her control and tackle her, showing off why hank mccoy is fucking awesome in the process. 

That is the Hank McCoy I know, love.. and miss dearly. The one we’ll probably never get back sadly after what others did and what Percy’s had to do to reconclie with all they did. 

Unfortunately beak being around means cassandra can force him to beat beast into a coma with his bat. She plans to tear Charles dream down around him and make him watch.. and cryptically says he tried to kill her. She then cheerfully leaves Jean in charge.. and talks about just how much damage one could do with an entire interstellar empire in the wrong hands....

This issue is also excellent and sets up the next two arcs nicely while giving us a nice peak in hank’s head. Great stuff. The artist also hid the word sex in a lot of the images see if you can find them. 

Germ Free Generation Issue 1: 

So now we get into our main story for today. This story and the one before it were drawn by Ethan Van Sciver whose a talented artist.. but also highly contrversial for being a conservative. I myself.. don’t know what he’s said or did, though calling himself “Canceld Superstar’ on twitter really isn’t a good sign. So I really can’t comment on it but I also know someone would mention it if I didn’t bring it up and if you know what he did please enlighten me. 

So we open with a school shooter who also scooped out a guys eyes and is part of the U-Men. He get shot by the swat team while making his speech> it’s an effective opening but one that’s become more uncomfortable to read with each passing day due to school shootings going up and up in number. And mass shootings in general and I... I need a second. I need something to relax me

Thank you Stoopy. Your doing Odd’s Work. 

So the news reports on this and we soon see how Jean watches the news.. by using Cerebra to read the minds of every person on the planet. Neat. Everyone’s talking about them. We also get a hint for later as we hear on the suicide of one martha johanson who wrote the note in her own blood. She’ll be important later.... and I mean that both in the context of this retrospective and for the fact she’ll go on to be part of x-men in perpetuity. 

This is also where another great concept of Morrison’s pops up: Mutant culture. After all mutants are a minority, they should have their own culture. It’s something Hickman’s era has taken and ran with, but it’s a damn good idea and one that it shoudln’t of taken almost 20 years for someone else to use given Decimation was undone way back around 2012 in Avengers Vs X-Men, aka that event half hte articles on the mcu around the fox sale used as either their image for the article or asked about happneing. And yes that is a pet peeve of mine: while I do think like Civil War AVX could use a movie version to make it better, I don’t think it’s an event that could be done right away and would have to be almost entirely redone anyway given the context for AvX is entirely couched in decimation i.e. something NO ONE wants in any x-adaptation. 

So it turns out while watching the news in a next level way Jean is also talking to Logan. “Stay out of my personal fantasies”. Yeah I .. I don’t think your ready for a hairy canadian dry humping a transformer.. specifically killbison. And yes.. that is an actual transformer and why yes, I have been waiting to bring him up. 

And he is , and I am not making any of this up, part of a group of decpticons known as the breastforce. Your life is better for knowing that and you are welcome. 

Anyway as you’d imagine a genocidal old woman in her brothers’ body leaving the X-Men to fend for themselves after having a teenager bludgeon one into a coma after publicly outing them with a rabid bunch of bigoted morons at the gates has not gone great. Henry is still out and despite the short staffing Jean needs logan to stay where he is as he’s close to an emerging mutant and within range to go get her. 

Emma of course has never been so fucking irate in her whole life and is plotting various forms of psychic tourture with the help of her proteges the Stepford Cucokoo, 5 teenage mutants who functoin best as a unit and are easily some of MOrrison’s most prominent additions to the x-cast. Unlike a lot of the x-kids, they’ve been featured prominently in every era of x-men after this including the current one. 

Jean decides for a less “Make them hate us even more” approach, but no less pissed off, opening the gates and going out directly to chew out the assembled bigoted morons, pointing out the ones carrying “Mutants Go Home!” signs are especailly dumb as this IS her home. And while she dosen’t point this part out, it’ the same for all of them: most of the mutants are either adults who choose to live here, teenagers who along with their parents choose to live here, or in the majority teens who have no where else to go due to either being abandoned by their families or it being way to dangerous for said families for them to stay due to bigoted assholes like the ones holding mutants go home signs. 

A member of the press asks if she’s willing to talk to the media and she refutes most of his bullshit allegations: He asks if their building an army, she and Scott respond they are not and are simply educating mutants and protecting them. When he counters with the fact their living weapons and wearing uniforms... she counters with the fact she’s wearing them to protect herself, rightfully, from people like her, and the x-men are an aid orginzation going where needed to protect the world and while asshole points out no one apointed them.. jean shuts him down by pointing out there are no mutants in goverment and a genocide just happened, so someone has to do the job. Another random asshole tries to pipe up with “Genosha declared war on us” and Emma senses this is just going to go round and round and round and simply presses the assembled mob’s “bliss buttons” in their brains to knock them out. Non violent but honestly warranted: A dangerous part of bigoted assholes is they’l bring up racist bullshit to try and couch it like an actual conversation. None of these complaints really hold water if you looked at the x-men’s history for more than 5 minutes. Yes Charles is training them to fight and yes hte ingial class was an army but every class since has only been trained for self defense: they still got into adventures and what not, but it was usually by their own choice or because they were thrust into them by circumstance. Xaviers is exactly what jean said and endudgling these morons, while good on paper, only makes them seem legit. 

Jean retreats to the infirmary where she’s on the verge of breaking down from the sheer weight of everything. Cyclops proves that despite not being the best husband right now... he still loves his wife, offering to go look into Sublime with Emma and hoping Hank wakes up. Turns out his mind for now is a big blank room.

So she can’t get any info off his skull, and neither of the two think what happened with Beak adds up. Something is up here. Their also coming down with colds which will be important later. And just as important.. Magneto is becoming a symbol among people and merch sales with his image are on the rise.  We then get this. 

So Jean is trying to be a supportive, honest wife, and while the questions incredibly insulting.. his answer is equally so. Spoilers, as mentioned we do get an answer long after this.. and they did not. So Jean is wrong to be suspcious, at this point, but is at least trying to be polite about it and gave him the benifit of the doubt.. and Scott basically said he slept with her without actually saying it despite not having to. You could’ve said “no we did not have sex, we simply talked all night”. It’s not ENTIRELY better given the horrible state of their relationship right now, but it’s still better than HEAVILY implying he rocked her body to the break of dawn for no damn reason. 

So we meet our next major addition to the cast Angel Salvador, an abused teen who is a mutant.. and whose abusive and molesting step dad beats her and throws her out over this. The scene’s a bit overdone, coming off like an after school special.. but it’s what happens AFTER that’s truly heartwrenching. 

A poor scared teenager clutching herself, finding herself homeless alone and desperatly wishing she wasn’t what she was. It’s just a striking image and shows how well Grant uses the mutant metaphor. I could easily see myself in that position had my parents not been good peopl and had I come out far sooner as bi. The idea of desperatly hoping your not what you are simply becaus eof what hell it brings, despite all the joy it can bring too. . it’s heartbreaking to hear. 

Naturally though things don’t get much better as the next morning the U-Men have found her, calling her a freak and successfully kidnapping her.. if only because while she uses acid spit to escape, she flies into a power line. 

We then get Sublimes meeting with Emma and Scott and a BETTER use of teh u-men as while Grant made the horrible mistake of calling them “transpecies”, seriously what the fuck were you thinking, the way sublime frames it here is a MUCH better, much less accidently bigoted concept. 

The idea isn’t bad: A group of humans jealous of the mutants powers, blatantly ignoring the horrible downsides and mountain of persecution that comes with being one. Grant just made the mistake of couching in in Trans metaphors, clearly trying to have the U-Men steal from Trans People too as a way to make themselves seem legit. And I say if you want superpowers.. fine.. wanting to be a superhero or a mutant is fine, the issue with the U-Men is their copoting a culture, trying to be part of mutantkind without having any of the drawbacks and by actively butchering them. It’s why the concept HAS shown up elsewhere; it’s not TERRIBLE, Grant just made a bad creative choice that’s only gotten worse as Transphobia has ramped up further and further. 

Sublime denies it when our heroes bring up Hong Kong.. but naturally he’s simply just keeping them talking long enough to bring out his trump cards, an army of u-men and a brain in a jar he uses to incapacitate them.. and announces his plan to use the school as an organ farm for his third species. 

Meanwhile Logan finds the U-Men in their truck preparing to rip angel apart.. and given he snikit’s soon after.. i’ts very clear whose REALLY about to get ripped apart. 

Germ Free Generation Part 2: 

Part two begins wth Sublime monologoging about how Mutantkind are just cattle to them and reveals the brain is martha’s, her sucicide having been faked and her brain currently being controlled to use as a weapon. 

So while Johnny monlogues we find out what happened with Wolverine last issue he didn’t cut up the guys yet as they fired their little flichete guns at him... it was about as useful and effective as you’d expect and the massacre you were expecting occurs. Though in a nice bit of reality the fact wolverine’s soaked in blood and just killed a bunch of blood shockingly does not make the already frighttend teen feel he’s safe and she spits acid on him. Logan pours some stuff on the acid, figuring rightly a black ops murder farmacy would have something to counteract it and tells her she’s safe now .. and tells the guy behind him not to try it. He’s stupid and does anyway and likely gets a claw to the head off panel. 

They go to a diner to eat and find a local asshole who threatens them with a shot gun to leave once angel uses her power to digest and goes on a rant about how he snapped his own son’s neck to prevent him being born a freak. Just.. fucking hell this arc is not good for my depression. We get some more angst from Angel and whiel her dialouge is not the best, i’ts a too bit mark millar flavored edgelordy for my taste and if I wanted that i’d go read Ultimates or Ultimate X-Me, her pain is real and Logan helps her through it. 

Back at the Mansion the U-Men are on their way to strike, whlie Jean unaware continues to buckle under the weight of all the shit she’s had to deal with, feeling SOMETHING is making them weak with the colds and something worse is going on and thus tries going to Beak’s mind instead and gently helps talk him through it, showing her grace and empathy.. and in return finding out Charles was the one responsible. The alarms flair up and Jean tries calling the police now that’s an option.. but it goes exactly how you’d expect. 

Also a second artist took over for this issue and the next Igor Kordey. He’s fine, but not nearly as good as Quitely or Van Sciver and it shows. Meanwhile Beast awakens and heads for the body drawer with Cassandra’s body, and professor’s mind in it. 

However Jean’s finally had enough and got her second wind. She’s outgunned, outmanned and left to her own devices. And she’s fucking fed up with it. She steels herself and assembles the students. This is obviously a last resort.. but some of them can defend themselves and their going to need to. But today they won’t be learning.. they’ll be teaching and as the U-Men call them defensless Jeans simply asks “Are you sure about that?”

Germ Free Generation Part 3:

So we come to the finale of this arc. Angel is once again an ungreatful brat to logan and he opts to just leave her there if sh’es going to be like that pointing out being a mutant sucks, it’s going to keep sucking.. and she needs to deal with it instead of lashing out at him and herself over it. 

We get back to the U-Men, one of whom is utterly flabergasted they want to him to cut of Cyclops head... only for Emma to awaken.. and take back her regular form meaning she has her telepathy back. The only reason they were able to get her ealier is she was in diamond mode which is stronger but lacks that, a nice way to check and ballance her new powers. She quickly takes them out and disables Martha. 

Back at the school we get one of Jean’s definting moments for me and a true chance to show how badass she can be. Before this while Morrison wrote her well, and his version’s still my favoirite, she didn’t really get to do much and was motly in the background. This arc has been her time in the limelight, having trouble grappling with all the stress of running this place by herself.. and emerging from it stronger, more capable and ready to kick some racist weirdo ass. She tries a few diffrent tactics first, having a mutant with a voice power project it to make them think their san invisible army and having the cuckoos fuck with their heads but when both fail, Jean REALLY gets to show off. Thier blade ammo gets turned into a cool looking 3 dimensioinal shape with her telekneisis, and in a cool moment and a wise use of something gross makes the only one of them with useable powers throw up, before issuing a badass boast, wreathed in flames all while she crumples their guns into uselessness. and tears open their suits. 

Bad ass.. and logan and Angel arrive just in time for the cecendo as hte u-men flee in terror

The Phoenix has been Reborn. Jean Grey has risen from the ashes and returned to full power. 

Meanwhile Sublime is pankcing.. and it gets worse when Emma shows up, fully enraged after all of this and has some words for him. 

Iconic. Emma prepares to drop him out of a building but Scott rightly tries to get her to back off, pointing out the pr nightmare it’d create and the fact that they have enough evidence ot shut him down. Martha however has other ideas and gets him to let go of his own accord, falling to his death.. but given he’d aranged a stunt for the press apparently this gives our heroes deniability and Martha her revenge. 

So we end this three parter as Jean revels in her new power, and Beast returns with an announcment:

Final Thoughts for Germ Free Generation:  This arc is pretty good if forgetable. The struggle of Jean to run the school herself and her rising from the ashes of her own pain at the end with the power of the phoenix at the end is fantastic, finally both giving her a chance to shine.. and a worrying sign for her friends given what her phoenix force copy whose memories she has a copy of, long story, did is awesome. The other parts are okay and ehhhhhhhhh though. Scott and Emma’s investigation into the u-men while having a really good climax, is pretty standard x-men stuff, and Wolverin’es trek with angel is just okay with Angel being highly intolerable during this arc, with Morrison trying a bit TOO hard to make her a “realistic” teen instead coming off as horribly unplesant. She’s supposed to just be lashing out but comes off obnxious as a result. That said this arc does furhter a lot of Morrisons best idea and introduce more, and is a great setup for our next arc, which we’ll get to in two weeks. Soooo

Next Time On X-Men: We find out just what the hell Cassandra Nova is, what her plans are, and what happened with her and charles as our heroes come down with a cold as the might of the shiar empire bears down on them. It’s IMperial in two weeks. 

Next Time ON This BLog: Speaking of long Delayed Projects, I finally return to The Life and Times of Scrooge McDuck as a young Scrooge starts his prospecting career, learning the ins and outs from a rich new mentor, and finding the price tag striking it rich comes with. Raid a copper hill with me tommorow. 

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