#and though the lyrics aren't completely accurate

[spiltcandycoatedpunkblood]

ghost // kayla king

I know you crossed a bridge that I can't follow

Since the love that you left is all that I get I want you to know that

If I can't be close to you I'll settle for the ghost of you I miss you more than life, yeah And if you can't be next to me Your memory is ecstasy I miss you more than life I miss you more than life

Young blood thinks there's always tomorrow I need more time but time can't be borrowed

[sentienttoastah]

Not all of these are directly vocaloid related and this mostly reflects my own tastes but.

Ryōshū probably listens to the DMCV and Metal Gear Rising: Revengence songs just loud enough that others can hear it if they sit next to her. Agree on the ADO but would also add Butchers Vanity (chef), symaG, Kan Kan and MARETU.

Faust probably is into game OSTs, like the ones for Neir:Automata and the SMT series. Plus blackY, a lil bit of Team Grimoire, and Touhou. As well as general classical sometimes - I feel like she'd prefer instrumentals. Rhythm game ahh music taste when she isn't trying to focus on something (because she is good at them)

Heath would absolutely like vocaloid, but specifically a real sucker for the catchy ones like Mesmerizer and Luka Luka ☆ Night Fever. Listens to jubyphonic for EN covers. Oft falls prey to the 'bopping song/depressing lyrics' phenomenon (just like Sinclair)

Yi Sang likes peaceful sounding songs, like (gestures at Mili) and video game OSTs ,but I I see him liking upbeat ones like La Primavera and I Got It!. He listens to more songs with lyrics after canto 4.

Sinclair likes Tokyo Teddy Bear. Neru, PinoccioP, MARETU, DECO * 27, syudou and generally the most popular Vocaloid artists like a decade ago. Also likes the occasional classical and stuff like Take Me to Church, Partners in Crime and TLT's Discord remix. Listens to Nightcore when he thinks nobody else can hear it (they can). Eminem.

Gregor likes the songs that shops play bc they were popular 5-30 years ago.

Donqui is also a rhythm game fiend but esp likes the ones like Sswwiinnddlleerr or The Big Black where you aren't 100% sure throwing kitchenware down the stairs or putting an orchestra in a centrifuge wasnt at least a part of the process. Loves Fixer anthems/themes (they probably sound like indie horror game fansongs) and anime songs like A Cruel Angel's Thesis, Lifetime Girl Declaration and Lucky Star's Opening. Eurobeat.

Charon does not yet know what Eurobeat is. This is the reason the bus only hits things sometimes.

Wall of text jumpscare 🫵🐟 /pos

oh my gosh limbus headcanons in my inbox let’s go?? I’ll try responding to these erm hold on.

Ryōshū one I absolutely agree with, can’t believe I never considered Butchers Vanity and the MGR:R soundtrack. She would totally listen to loud blaring songs and metal, songs with raw emotions. But maybe also songs with deeper meanings because uh. Art or something.

Faust being a rhythm gamer is just yes.

You worded the Heathcliff vocaloid bit way better than I did. Imagining Heathcliff listening to mesmerizer or Young girl A completely oblivious, yeah. Jubyphonic as a go-to for english covers is very valid. I also think he might like Laufey for the love songs and such, a bit of mitski or joji in there too perhaps.

I’ve personally always imagined Yi Sang liking any song with some kind of deep meaning behind it(trademark) or some story because erm, typical poet behavior. But he definitely would feel intimidated by loud blaring music so he sticks to mellow, slow-paced songs. At times I imagine him liking the Hawaii Part ii album because of the lore(trademark), other times I imagine him listening to funkytown unironically.

Sinclair, he probably even shares a playlist with Heathcliff. Generally agree on this and I think he would be even more secretive about his music taste than Heathcliff. Sinclair being Sinclair. Probably also shares a playlist with Ryōshū due to them hanging out a lot. Take me to church fits really well considering his source material. Also Eminem oh my god…???

Gregor being a Dad oh god… Sounds accurate honestly. I think he would like Army Dreamers by Kate Bush though.

Don checks out. She’s probably really good at certain songs in rhythm games and absolutely terrible in others, no in between. I like to imagine she comes up with her own fixer songs, almost like a disney channel musical movie protagonist. Just randomly starts singing on the spot. Considering that one Don Quixote musical, if it existed somehow in the Project Moon universe she would love it.

Charon….

Yeah that sounds about right for Ishy. For me she listens to sea shanties very often, mostly for the nostalgia. But those really sad sea shanties like Bones in the Ocean, and other stuff by The Longest Johns or other shanty bands. There’s one I found that’s directly telling the story of Moby Dick (as well as the Moby Dick musical) I know it won’t mix very well considering the lore and timeline just like with the Don Quixote one but still.

No worries :D

I have never heard such a specific name for song. I searched it up just now and thank you anon for introducing me to nanahira lol.

But with Hong Lu mentioned I honestly think he wouldn’t know much about pop songs prior to joining Limbus Company, probably from his relatives keeping him sheltered from the outside world. He probably only knew about traditional songs or classical pieces. But being in Limbus Company now he definitely would share similar tastes to Don Quixote, or is probably really open to any kind of music because he’s never heard a lot of it. I think he’d like Bitter Choco Decoration.

Phew that was a lot. Thank you anon for the fun headcanons to read and think about!!

[chatter-crow]

please do. personally went off about the soundtrack the first time i heard it.... it's's . not good (about mean girls)

alright this is a whole lot because holy SHIT i think about this more than I should

! ! This is all my opinion ! !

If you liked it, good for you ig just dont attack me lol

They took every bit of musical theater out of the soundtrack and made it sound like generic pop. Theater kids pay WELL for good stuff, they could have made a lot of money.

Also, the complete lack of emotion is awful. Stupid With Love is meant to be Cady being absolutely thrilled, on the fucking moon with joy, but she sounds completely apathetic about her feelings for Aaron. Plus, the way they used autotune (esp on Cady) makes it feel like Disney Channel in the worst way possible.

There are some lyrics changes that really bother me. In the orignal Sexy, Karen has a line of 'I expect to run the world in shoes I cannot walk in,' while in the new line is 'Watch me as I run the world in shoes I cannot walk in', which chnages the entire meaning of the lyric from 'Karen thinks its #feminist to assert control over people because she's priveleged' to 'Karen is a girlboss who can do anything cause women are cool and smart' , which in the most respectful is *not* who Karen is as a character. There are more, but I can't name them off the top of my head so,, whatever lol

On casting, I think just about everybody but Cady were cast extremely well. Renee Rapp does such a fantastic job as Regina, really suits the character and knows how to play her. (Makes sense, she played Regina on Broadway).

Auli'i Cravalho pulls off Janis's character pretty well, but I don't think she fully captured the essence of the character. She doesn't really have the bitterness/jadedness that the orginal Janis has and I don't feel like she has the fact the Janis is in fact a mean girl down. This is no shade to her, I feel like it's more the way they rewrote Janis rather than her acting. I do like that they changed Janis's last name to reflect Auli'i's culture though. Nice detail.

Avantika and Jaquel both pulled off their characters perfectly. Avantika really has the right face for Karen, with big doe eyes and whatnot, she can really pull off the effect of being as stupid as Karen is. (That sounds mean, it's really not.) Jaquel did Damien good, and I don't really have a lot to say on his performance other than his voice is fantastic and he has Damien's character down. I do think he got type-cast a *bit* just due to how I've seen him act off screen, but he still did good. He knows his type.

Cady. Hoo boy. She is.. a look.

Angourie Rice is a fine actress on her own, but her vocals just aren't strong enough to keep up when she's surronded by people like Auli'i Cravalho and Renee Rapp, whose careers have been strongly focused on the muscial side of things, with Auli'i playing Moana for Disney and Renee having a music and broadway career alongside her movie career. Angourie just isn't able to compete with them. I'm sure she's a lovely actress on her own but she just doesn't have the muscial expiernce to be leading in a movie-musical.

Also, with representation, I appreciate that they made the cast more diverse, but it bothers me that four of the biggest MAIN CHARACTERS are still white. I can understand keeping Regina blonde because of the constant references to her blonde-ness in the musical, but Gretchen or Aaron absolutely could have been changed.

Hell, I would have loved to see Gretchen played by an asian actress, reconnecting with her culture at the end, since in the original she began to learn japanese or chinese (I don't remember which rn) as a way to connect with her new circle of friends.

On costumes, I don't think they did Janis justice, but I do like the gradual shift they have for Cady in her style and the Plastics are accurate.

I think keeping Janis emo like she was in the orignal movie and the musical would have been better. Artsy styles like hers are more widely excepted by teenagers while emos are mocked and harrassed extremely often, so keeping her emo would have added to her status as a social outcast.

I enjoy how they used social media to change the plot to be more modern, even if it isn't entirely accurate to how teenagers nowadays act. I think they were trying their best and did what they could with what knowledge they had.

I'm mad that they cut Stop, More is Better, Where Do You Belong? and Do This Thing. Stop is a fantastic chance to put the spotlight on Damian (since he has almost no solos COUGH COUGH) in and it could have absolutely been spun to have a more modern take on internet safety.

The plot. Oh my god, the plot. I HATE how they changed Regina being homophobic to Janis to 'oOOOooo Regina made it seem like Janis was an arsonist', which is.. litterally not the point. Homophobia still exists, Tina Fey, and sapphics/lesbians often do face discrimination from other women who claim to be allies. Plus, with calling Regina a lesbian and trying to set up Rejanis in the end? No! That is just not it! Regina is a fucking homophobe. Fight me y'all.

Okay I'm running out of time rn BUT i will be back later to add more onto this ,, thanks for reading through all of this if you did kudos to you

so long yall

[cha0tician]

:3

⚡- Does this OC have any unusual or irrational fears?

📓- So you associate any quotes or lyrics with this OC?

🍁- Favorite season and why?

Snowdrop- What is something your OC loves, and what do they hate?

thank you bestie 😭😭😭

⚡️ unusual / irrational fears : people interpret his aversion to being unmasked as irrational, given that no one at all has seen his face. that they know of. and that's just excessive. he avoids common areas where he'd be expected to unmask, like cafeterias and locker rooms. some people assume his face is disfigured in some way, some think he's just very into his role, some think it's for attention [eddie guerrero, for example, cites this while trying to rip it off of him], and some forget that that's not his face they're looking at [such as regal]

📓quotes / lyrics : so i actually have two playlists for him [and regal], one that's everything that reminds me of them and one that's specifically era accurate. i think the entirety of "i think we're alone now" is Very dragon coded. there's also a lot of "look but don't touch" esque lines across the whole playlist [pagan lovesong, i think i'm paranoid, hologram] so i definitely affiliate that with him even though he's decidedly a very tactile person. look all you want at the mask, you aren't going to touch the real thing

🍁 season : summer. hes loves to go to the beach, especially before he got his very identifiable full arm blackout tattoos. he'll still go and do the gator pose in the water, but probably with big sunglasses on hand just in case anyone gets too close

snowdrop : love / hate. he loves his shitty truck. he doesn't fly anywhere if he can help it, which seems strange to people since he's a dragon, but it's cause he feels more free on the road. he does all the work on it, some jobs more... creative. than others.

and he hates batista. even i'm not sure why. it's on sight with them, all the time. the story depends on who they're telling it to: they were at the wild samoan training center together and were rivals, one botched a move and injured the other in wxw, one stole the other's car and maybe also crashed it, there was a girl, the list is really endless.

like on the list of people he hates its 3) bischoff for being the piece of shit he is to everyone but especially eugene; 2) hunter for his entire personality, brutalizing regal that one time specifically, and again for eugene; 1) batista and he will tell you all about it and then tell you more that contradicts his first statements the following day. the boys have nothing to do with it. the fact he's in evolution has nothing to do with it. it's batista. and its completely mutual.

[theimaginatrix27]

A peek Into My Childhood

So I recently (a few weeks ago) discovered that the story tapes/CDs I had as a child about various classical composers were 1. part of the same set, and 2. were available online. I mean I'd suspected the first one, but the second delighted me beyond words. I plan on buying/downloading the whole collection, but I wanna gush about these for a minute, because this is a fandom I didn't think of as such but which I may well have thought of some form of fanfic of back in the day, particularly with regard to a girl who was at that time older than me, who was featured in two of the stories.

But first, here's the general idea of this collection. Each tape centres around the work of a particular classical composer (Bach, Beethoven, Vivaldi, Mozart etc) or in one more recent case is just given a classical soundtrack with medieval overtones (It's a story about unicorns with Merlin and King Arthur in it, it's sweet, I only recently acquired it for the first time). With the composer-centric ones, they then create a work of historical fiction designed to educate the child on the life of said composer in an entertaining way. Usually this takes the form of a low-budget audio drama (I say low-budget because there aren't as many sounds as I'd personally prefer in an audio drama these days), though there are exceptions. One story is told almost completely in letters between a boy and his uncle (Beethoven Lives Upstairs). The music used as a soundtrack for the story is all by the composer it's centred around, and to this day some of the pieces are associated in my brain with scenes from those tapes.

I was enthralled by these story tapes as a child. I listened to them over and over and over. I had a particular love for Mozart's Magic Fantasy, where a young girl falls into the world of the Magic Flute (softened a bit for children), which enchanted me utterly. All the featured songs from the opera got English lyrics to befit the story the tape was telling and it can be a little strange to one who is familiar with the original (I was not. I still loved the Queen of the Night's solo even though she was the villain).

But one story I dearly loved was that of an orphan named Katarina who is sent to Vivaldi's orphanage/school, firstly because Vivaldi was portrayed as such a warm, kind man who loved his music and his girls, and because I got very attached to Katarina. Spoilers for a twenty-something-year-old story tape, a magic violin reveals that she's the missing granddaughter of a duke. The whole story was lovely and even listening back to it a few weeks ago, I was brought nearly to tears by it.

I thought that was the last I'd hear of her, so I was deeply delighted when I found out she got a sequel in the form of the Hallelujah Handel story. My stars, I fucking loved Handel. Not just because he was blind, but his whole vibe. He was a grumpy old man but he loved his music.

Also there was a boy who was selectively mute via trauma and didn't speak, but did sing beautifully. I love Thomas with my whole entire soul (this sequel is set in England, Katarina's grandfather becomes an Italian ambassador to England and of course Katarina goes with).

Anyways I know I had dreams about Katarina, and probably this version of Vivaldi as well because I liked him so much, and there's a small part of me that wants to write a little fic where Katarina returns to Venice after Handel dies at the end of his story (most of which is told in a flashback, like the Vivaldi one). But I don't know how historically accurate these stories are, just that they're not quite accurate, and I gotta google when Vivaldi died and probably blow any plans I may have had out of the water...

(Also if these people did or were associated with anyone who did bad things I don't wanna know. Lemme keep this part of my childhood.)

[ablackburnarts102-02]

Process Blog Four

Reading Responses:

Chapter Eleven of the textbook reading (Becoming a Graphic and Digital Designer: A Guide to Careers in Design, by Steven Heller, pages 186-203) is about understanding change in the world of graphic design. As someone who has grown up with digital media and design, it's interesting to think about it as something new that people would reject, however I can definitely connect the idea to people in my life who reject the use of technologies such as social media. I like how the textbook mentioned that some people considered it, "nothing more than advance production tools," as I think that is the best way to think of digital design. While it makes it more accessible to people without design knowledge, you do still need those skills in order to make something effective that uses digital tools in order to enhance the product rather than relying on it to create the product that otherwise couldn't have been created. The textbook also discussed how there isn't much that graphic design can't improve in some way, which I agree with though it is fun to consider cases where this might not be the case. One such example is furniture that is made to be very visually appealing and artistic, while leaving the function of the piece less than optimal. There have been many chairs designed with beautiful curves and bold colored plastics that are uncomfortable to sit in, as well as tables and shelves with similar traits that aren't flat enough to serve as useful surfaces.

Chapter Twelve of the textbook reading (pages 204-219) is about original and unique design. This chapter begins by tying to describe and define 'eccentrics'. It goes on to say that, "you cannot replicate what they do - nor would you want to," which does not seem to be accurate to the example images that follow within the chapter. Not only do plenty of the works look familiar in style (such as Charles Anderson's poster designs and the art style that Nick Ace directs in 'Chapter 48: Doom Lyrics'), but these 'eccentric' designers are clearly of some renown if they've been interviewed and used as examples in this design textbook. Who wouldn't want to replicate what they do? There is nothing wrong of course with recognizing the unique talents of designers, especially if they might drive and inspire design trends, but I feel as though this explanation of eccentric is off.

Chapter Thirteen of the textbook reading (pages 220-229) is about transitioning and new opportunities. The section at the beginning of the chapter discusses how with the shifting and changing of language, graphics will be able to, "speak deeper than words". I definitely agree with this sentiment, but I think that it's ironic that it feels like a rewording of, "a picture is worth a thousand words," as that simple phrase gets the meaning across very well, especially for originating about one-hundred years ago (found with a quick google search). There's also an argument to be made that graphics tend to depend on cultural and societal symbols, which can be just as prone to change and evolution as language is.

Chapter Fourteen of the textbook reading (pages 232-245) is about interactive design. The beginning of the textbook discusses how interactive design leaves much more of an impact on people in today's society, especially since they consume hundreds or thousands of images, posts, videos, etc. every week or even day. I completely agree with this, and I think that it is important to consider how to make things more memorable. Making the target audience a part of the experience is a wonderful way to do this, and as an example part art or design, interacting with fans on social media inspires them to keep reacting and make a more personal connection with a creator. Back to interactive design, I always find the experience of moving through websites with animations that follow the mouse and graphics that shift as you scroll are typically more visually appealing than those without.

Reflection:

The class project that we are currently working on is about making logos for fictional characters. I feel very comfortable doing this project, as I've done logo design for previous digital art and design classes. I was very excited to read the project requirements and see that characters from the movie Beetlejuice were an option. Beetlejuice is one of my favorite movies from my childhood, and I have a preference for the "strange and unusual". Lydia Deetz was my first choice because she is my favorite character from the movie (and one of my favorite characters in general) and because I love Winona Ryder. My second choice was Betelgeuse, because he has a lot of typical imagery that could be used such as his green hair and pinstriped suit. Another reason I chose these two characters is because they are the natural choice to choose if picking characters from Beetlejuice. I started off with thumbnails for Lydia based on just a bit of looking her character up on fan-made wikis just to jog my memory on some traits for her that I could be inspired by. When I moved on to Betelgeuse, I used the sheet provided that was mean to be lined with traits and attributes of the character in order to try and spark ideas to combine them. I then redrew the best of these ideas larger in my sketchbook next to my sketches for Lydia.

So far I have picked favorites for both characters. I chose the raven skull holding a quill for Lydia (to represent her love for poetry and the macabre) and a combination of two for Betelgeuse: the triple "BEETLEJUICE" as well as the beetle headed suit. I have already made the font and many color options for the "BEETLEJUICE" text.

[fallout-lou-begas]

How's the script project like for IKROAH? Is it difficult or quite easy? Did you learn how to write comic book scripts because of IKROAH, or had you done it before? What kind of format do you use? Did you have any advice for people in the writing process of creating a comic book? Sorry if this is a lot of questions at once, but I love getting an idea of an artist's creative process.

Whew! No worries anon, I'm also someone who loves to pick the brains of other peoples' creative processes.

The writing for IKROAH can be divided into two halves: the outline and the script. The outline is a big spreadsheet and it's exactly what it sounds like, and it looks like this, but for all one hundred issues. The outline is complete and I use it tp reference all of my scripting.

The point of this outline was so that I could write the comic before I had to actually write the comic, if that makes sense. It would be extremely foolish for me to try to write all one hundred scripts up-front, especially since so many changes to the outline and overall plot of IKROAH have been made during the writing process (though it seems totally settled now). This lets me strike the perfect balance between planning ahead and knowing what I'm writing toward, and still having some freedom with the direction of each individual script. As the outline goes deeper and deeper and I get to scripts that I haven't written yet, the "synopsis" gets much more detailed as I work in very specific ideas or visions that I have for that issue. They're not set in stone, but it's just stuff I don't want to forget to try by the time I get there.

The scripts, meanwhile, are all just on one big Google Doc that looks like this.

The format of each individual script can vary: sometimes, like for IKROAH #23, I very carefully plan for myself the distinction between text and action. Other times, it's basically all just dialogue, and I let myself figure out the action more so during the composition stage. But basically every comic follows this process:

First draft of the script and dialogue

Thumbnailing of the script as I figure out page composition and paneling

Revisions of the script and dialogue to account for page composition

Digital mock-up of the comic (drawing the panel borders to scale in a digital canvas)

Lettering of the comic (to ensure there's enough room)

Revising the script again because some lines won't fit in speech balloons right or something

Drawing the comic, then inking and scanning and coloring

Further revisions of the script as I letter it and realize some lines just aren't as good and ought to be punched up

The script for each issue is surprisingly fluid and the even though it's usually minor changes, dialogue can go through revisions very well up to the eleventh hour before publishing.

The script master document also contains a complete timelined biography of Agnes Sands' life, and a complete timelined chronology of the events of IKROAH where every single issue is given a date and a "Days Passed Since Issue #1" number for my own private reference. This very rarely manifests in the text of the comic itself but it lets me accurately make references or foreshadowing when I need to.

I would say that the process of writing a comic like this is not as hard as it is time-consuming. This took a lot of work up-front, especially amassing a library of midcentury song lyrics to peruse for stingers on each issue, but now the rest of IKROAH's production is basically on autopilot. It lets me just draw it when I want to without having to worry about writing or direction as much, at least for a while -- the outline is complete, but IKROAH's scripts are only written in full up to issue #50. After that, the're mostly written with a few missing ones up to #78, and then the rest is essentially unwritten except for #98. And of course, like I said, the scripts tend to undergo a lot of revision in the production process of each issue, but this is for the best.

The closest I've come to writing like this in the past is when I hatched an idea for a superhero comic in high school and made a similar outline for all of the issues I had planned, which villains would get introduced when, and so on, but that never came to fruition. The organizational skill remained though, clearly, lol.

And as for advice, my best advice is this:

Don't wait until you're "good enough" to make a comic. You don't need to earn permission from yourself or anyone else to just do it with the skills you already have.

The best way to improve your art and comic-making skills is to just start making a comic. Your art, writing, and process will get better over time.

You only need to be good enough at art to convey your subject matter and express your vision, not to replicate anything photorealistically or perfectly. This is why strong composition and paneling can work much better for a comic than very technically good art itself. Tails Gets Trolled is unironically a good example of this point, as is the art of One (pseudonym of the manga artist behind One Punch Man and Mob Psycho 100).

For any kind of long-form work, I highly recommend this short vignette structure. It's more rewarding than making only one page at a time because each issue is still a complete story beat, but it also stops you from basically drowning in the total size of a long-form project. It used to be basically any webcomic on the internet started with totally shit art and you watched the artist get better and better over time, now the Webtoon Industrial Complex has already professional artists putting out extremely polished art from square one. That's bullshit. Reject it. Embrace your amateurism but also your ambition.

Fuck around and find out. Don't be "comic-core," just be on your comic book bullshit.

Read a lot of comics. See how great visual-sequential storytellers accomplish things with pages and panels, and adopt those tricks into your own toolkit. See how they draw things or color things and try to emulate that. One of my favorite ever art teams is the one on the 1980s The Question series, of penciler Denys Cowan, inker Rick Magyar, and colorist Tatjana Wood.

[strangerthings4theories]

I'm sure you already have been thinking about this, but the song that they have in the new trailer is very interesting. (Separate Ways by Journey, for anyone who isn't familiar with it.) I would usually feel silly for looking into a song choice this much, but we are taking about the Duffers here. This may end up pretty long haha.

Though the song is about a romantic love, the words could be used in a familial way as well. The lyrics feel incredibly Billy-centric. As well as about Max and El.

The lyrics in the trailer are:

Here we stand, worlds apart, hearts broken in two

Sleepless nights, losing ground, I'm reaching for you

Billy is very literally worlds apart from the others. Max is broken hearted from the loss of her brother as well as two of her friends moving far away (especially since it seems El had become her best friend.) El is broken hearted over the loss of Hopper and having to leave most of her friends (and Mike.) Billy is likely broken hearted over the loss of his entire world as well as over all the pain he's caused people and feeling like he'll never be able to apologize or become a better person.

Billy is probably doing everything he can to reach out to Max while feeling like they're being pulled further apart from each other as time passes.

They skip a section of the song, then these lyrics are very distorted and in the background:

Some day love will find you

Break those chains that bind you

One night will remind you

How we touched and went out separate ways

This very much makes me think of how El had touched Billy's face and that small amount of compassion broke through the Mind Flayer's hold on him. Imagine what he would be capable of if someone actually showed him love. Someone like Max once she realizes he's not completely gone. The last two lines could also allude to El seeing Billy's mum and recognizing her from when she saw her in Billy's mind.

Other lyrics of interest:

To survive the tide, love divides

This has ocean imagery here, and could mean Billy has to separate from Max in order to save her. Or vice versa. It could also refer to El having to separate from her friends in order to save them, as the trailer seemed to suggest she will.

If he ever hurts you, true love won't desert you

You know I still love you

This really makes me feel that Billy will show up to protect Max from Neil and apologize to her, saying he had done everything because he loves her (and hopefully he realizes intention doesn't matter as much as impact, and changes his ways.)

You'll never walk alone.

I think everyone will realize that even when they feel alone, they aren't. But I think even more so, Billy will realize he doesn't have to be alone anymore. He's been living his whole life taking everything alone, but will come to realize he can ask for help and there are those who will support and protect him.

Other lyrics fit as well but these feel most important.

This is a lovely reading of the song, and imo quite accurate 💖💖 Since the trailer opens with Max reading her letter to Billy, that puts a Billy-esque spin on the song choice.

I really can't add anything. Thank you for writing this!

[ninbayphua]

八三夭 《盗墓笔记》 官方主题曲 《所信非神》 That In Which I Believe In Is Not God - ENG SUBS

So this is the first time I've actually properly translated and subtitled a song 😂 I tried to keep to the original wording as much as I could but there are few places where it's kinda vague or where the wording is just too awkward so I went with meaning or my own interpretation of the lyrics instead. 👀

List of Interpretations

1. 与宿命论个主臣 in a word for word translation would be "debating with Fate who is the master and who is the servant" which basically means they're fighting over superiority.

2. 当自己不死之身 is a really interesting one because 当 has 2 different meanings depending on which intonation is being used and this isn't always clear in songs cuz intonations get kinda murky in singing. Anyways, 'dāng' means to pretend whereas 'dàng' means to pawn. Since I interpreted this song as both from Wu Xie's and Xiao Ge's POV I decided to include both potential interpretation in my subtitling. So it can either mean "pawning my immortality" in Xiao Ge's POV or "pretending I have an immortal body" in Wu Xie's case.

Song Overview (Wu Xie's & Xiao Ge's POV):

Ok I read the song as being from BOTH Wu Xie's and Xiao Ge's POV instead of just one but that's my personal interpretation @thosch3i covered most of Wu Xie's POV and my own interpretation of the lyrics are pretty similar so I'll elaborate from there. This is how the song goes for me:

I give you a look with lost innocence of days past and gone that's tucked away in forgetfulness. (This is without question Wu Xie speaking because of the play on words - Tian Zhen)

Let the sound of raindrops gloss over the unsolved questions, let the sharpest blade be sealed away for safekeeping in this instant when life is at its most peaceful (OK, this could be either Wu Xie or Xiao Ge speaking to the other because both of them have a lot of unsolved questions: Wu Xie still doesn't know what happened to his San Shu and Xiao Ge is still looking for answers to his past. Both Xiao Ge and Wu Xie have been referred to as the sharpest blade of the Nine Gates. In Wu Xie's case, it's when he lost his innocence and became 邪帝 in the Sha Hai era. Xiao Ge was shaped to be a weapon ever since he was a baby stolen from his mother so it goes without saying he is the sharpest blade of the Nine Gates. (There's a saying that Wu Xie ended up becoming like Xiao Ge and Li Cu becoming like Wu Xie during his Tian Zhen era which I think is a pretty accurate reading but a discussion for another time.) Basically, regardless of which of them that's speaking they're telling the other to let go of all the questions tormenting them and sealing away the past and the way they've been conditioned to become a weapon for the Nine Gates and just live peacefully in Rain Village from now on - I'm assuming this is post Sha Hai.

My death, my life, it's not up to the ghosts and gods to intervene (Honestly, this can be either Wu Xie or Xiao Ge depending. Both are very stubborn and don't believe in leaving things up to fate.)

a wait of ten years, I've long since stopped smiling, stopped crying, stopped feeling pain, challenging fate to see who is superior (This could be Xiao Ge but I read it as more Wu Xie because of Qin Hao's line in Sha Hai when Hei Ye said "I still feel a bit of pain from time to time" and Wu Xie just straight up said "I've stopped feeling pain a long time ago".)

Pawning my immortality / Pretending I have an immortal body, to leave for you a gateway of life, this life was not in vain. (This is probably my favourite line of the song because is so freakin beautifully written? The reason there's an either or translation for the line I've explained above so we're just gonna do meta here. OK so in Xiao Ge's POV he went to guard the Bronze Gates in Wu Xie's stead to protect him so he could live a happy life. Essentially he is exchanging his immortality for Wu Xie's life because it was initially Wu Xie's fate to guard the Bronze Gates and he'd probably die in the process. Xiao Ge's immortality for Wu Xie having a life of happiness and innocence is worth it to him. He is using his immortality in exchange for a way for Wu Xie to live by going behind those gates. Remember that line: 用我一生换你十年天真无邪 my life in exchange for ten years of your innocence? That's basically what I think they're referring to. The reversed applies. It's Xiao Ge's responsibility to keep the Wang clan in check. Since Xiao Ge sacrificed himself so Wu Xie could live the life he wanted, Wu Xie decided to do the same for Xiao Ge by getting rid of the Wangs completely so Xiao Ge could be free to live the life he wanted when he exited the gates. Wu Xie wasn't trained like Xiao Ge nor did he have an immortal body like the Zhangs or had their self healing and magical qilin blood but he will pretend that he has all of those and take on the Wangs , wiping them out to give Xiao Ge a way out of being used by the Nine Gates again when he exits the gates, giving him a chance to live the life he wants. Even if he knows he could potentially die doing this, it's still worth it to him. Remember that line after Xiao Ge's: 只愿尽我一世无邪换你百载浅笑无忧 emptying all of my entire life's innocence in exchange for a hundred years of your easy smiles and lack of worries? That's what I think the song is referring to.)

Not even for a day in my entire life have I ever believed in ghosts or gods, but I spent ten years believing in one person. Even if the world is too cold, there is still your lingering warmth in my heart, I'll still rush into the journey, no matter how unfathomable the wasteland or perilous the path, never questioning whether it's fortune or calamity. Honestly, in my entire life, I've never believed in gods, only believed in them. (This can be both Xiao Ge and Wu Xie because the only person Xiao Ge believes in is Wu Xie - and Pang Zi. Vice versa, the only person Wu Xie believes in is Xiao Ge - and Pang Zi. None of them believe in fate or ghosts or gods but they believe in each other and only each other. Wu Xie is Xiao Ge's only connection in the world - thus the lingering warmth in my hear bit - and I'm pretty sure Xiao Ge also holds a special spot in Wu Xie's heart during the Sha Hai era when he becomes a hardened man. We see that flash of Tian Zhen softness when he's talking to Li Cu about Xiao Ge and Pang Zi. He even admits at the time that he has an obsession: to pick up Xiao Ge when he exits the Bronze Gates and take him home. Also, PingXie is constantly rushing head first into danger for one another? Even Pang Zi made a comment on this in Ultimate Note after the sword gifting ceremony that when Xiao Ge lost his memories, Wu Xie accompanies him on his journey and helps him look for his lost memories; when Wu Xie is in danger or gets into trouble in his obsessive search for answers and his San Shu, Xiao Ge comes to his rescue. Even in Reunion, Xiao Ge says he'll follow Wu Xie on his journey to Thunder City in search of answers and his San Shu. Neither of them ever question whether it is fortune or calamity that will befall them on these journeys. They'll go through hell fire and high waters for each other regardless of consequences.)

Exchanging gazes, in it are new sprouts of innocence, all old hatred tossed and tucked away in forgetfulness. (Xiao Ge talking about Wu Xie - post Sha Hai, now that Xiao Ge is back and Wu Xie isn't emo anymore, we see a bit of his Tian Zhen coming back, Xiao Ge can probably see it too. The edges aren't gone but there are now some softness growing back. There are new sprouts of innocence in Wu Xie's eyes again.)

But there are still spirits to drink together, and extra cigarettes enough to share, if there's us and the rest of our lives, then it is the greatest of good dreams. That in which I believe in is not a god. Entrusting my life and soul to you with a smile on the wretched battlefield, even the gods of death themselves must submit under the sword, the world has too many uncertainties, only this is the sole surety. But even the sharpest blade is also mere flesh and blood, I wish to give him affection and to let him rest and recuperate. (This can be either Wu Xie or Xiao Ge referring to their retired life in Rain Village that having just us - the iron triangle - as well as the rest of our lives then it's the best dream come true they could wish for. Also, Wu Xie and Xiao Ge's only belief is in each other but neither sees the other as a god. Wu Xie is unarguably human and Wu Xie sees Xiao Ge as human instead of a weapon or a god so it works both ways. Both Wu Xie and Xiao Ge are considered to be the sharpest blades of the Nine Gates with a tendency to go against fate and death. In Xiao Ge's case even death must bow its head under his sword and abide by his rule whereas in Wu Xie's case he himself is the sword so to speak and that he has defied death so many times as well as planned the death of the Wangs that in a way, death is under his control and has to do this bidding. I think it's also referring to the saying 麒麟一笑，阎王绕道；天真一笑，麒麟开道 when the qilin - a.k.a Xiao Ge - smiles even the lord of the underworld will make a detour to avoid his path; a smile of innocence - when Tian Zhen a.k.a Wu Xie smiles - the qilin clears the way. Not sure if this was in the original books or if it's just a comment made by fans online or by NPSS during interviews but it's pretty legit interpretation in my opinion. PingXie is each other's only constant in a world of uncertainties and they see the other as a human, not a god or weapon/blade to be used for the Nine Gates. I think after Sha Hai when Xiao Ge exits the Bronze Gates both are so wounded and scarred that they want to do is to give the other affection and for them to rest and recuperate from what they've suffered in those 10 years and more.)

Even a lifetime as a god, there can also be a moment, a minute of being an ordinary human. (Wu Xie referring to Xiao Ge that even though he has lived as a god for his entire life, there are still brief moments where he too can be an ordinary human. Xiao Ge is just an ordinary human, just like Wu Xie and Pang Zi.)

Anyways, sorry about the long post but that's about it I think. I'll add on if I ever think about anything in the future. Hope this post was helpful 😂

[ghostly-thorn]

I'm back

Hey guys

It's been a while. Sorry If I've been unresponsive, but these 12 hours shifts really have been the death of me. Most of the time I end up working an extra hour, if not more. I live an hour away from the hospitals and trains aren't so common.

So yeah, it does wear me out. The good news though is that after 2 12 hour shifts in a row, I tend to have 2 to 3 days off, which means more free time for writing.

I'll be honest though, I haven't touched my WIP since... erm... March? Been stuck at some key moment of the story where I'm trying to clash "jolly happy music" with a dark and gritty moment. Some may have seen my latest posts talking about a horror scene, and also Sonia's encounter. But of course my dumb ass mind decided to use the track "We will be heroes" from Pokémon, which "lyrically" speaking is accurate, but the tone is completely off. Thus, I'm struggling to find words to fit the clashing theme here

and no, I won't discard this track cause it's really important lore-wise

So yeah, back to square one

I hope y'all are doing well. I miss you. And I love you

Dearly, Ghostly-Thorn

(Here's a commission from tmwolf93 for the upcoming chapter. I won't say more, try and come up with theories ;-) )

[himboholhorse-moving]

1 2 4 7 8 9 13 18 20 26 27 29 30 32 39 40 41 43/44 45 46 49 51 53 55 56 57 59 63 65 that is. so many dghsdghsdgv I'm sorry I just see an ask meme and go crazy aaaa go stupid aaaa. You can just answer whichever u like from those!! also 69(nice): you seem rly nice and funny from your 🅱️osts and I appreciate u... I hope you can find better irl friends who aren't trash

HDSKFJKS I completely understand but lucky for u I LOVE to talk !!

1) How are you?

Pretty good, actually!! Which is a nice change of pace. I went to Walmart with some friends yesterday and got a few things, baked a family recipe that my friends LOVE, and finally did my laundry (it’s been a couple weeks we love depression and executive dysfunction dfhkjsfd). I went to Cracker Barrel with some friends and earlier and played a 4-way game of Tetris after. :3c

2) Post a picture of yourself.

Here you go !!

4) What is your entire name?

Sierra Alexis and my last name is something constantly misspelled so I’ll give you the name of a historical figure whose name is a letter off from mine: George B. McClellan, to whom I may or may not be related because last name variations are fuckin’ WEIRD.

7) Your zodiac/horoscope and if you think it fits your personality.

I’m a Capricorn sun and moon, and Libra rising !! And from what I’ve read on Twitter from various astrologers, like Milkstrology, I LOVE her, I’d say it’s pretty accurate with my personality!! I like to say Capricorn’s aren’t cold bitches but, I Have A Tendency To Be One !!

8) What did you do on your last birthday?

God what DID I do on my last birthday… it was in January, so like, I SHOULD remember… OH I went to IHOP with my friends !! I share a birthday with another friend and I got a JoJo notebook and something called a Fuggler! They’re stuffed animals more or less but designed to be “ugly.” I got one that looks like Philadelphia Flyers mascot Gritty because I LOVE Gritty… he’s so fun and funky.

9) What is one thing you’d like to accomplish before your next birthday?

Get all my requests in my inbox over on my writing blog done KJHFDJKSF it’s been a few months and life has been. Hectic to say the least.

13) If you could change your eye color, would you?

There’s so much weird as hell brown-eye-phobia so like… I think blue eyes would be pretty neat. OR PURPLE… give me some unnatural eye colors pls...

18) Do you have any tattoos?

Not yet!! I’m going to get one the next time I go back home for break. :3c And I have a few ideas for other ones!! I wanna get a big-ass “Dragon Age: Origins” tattoo that’s the dragon on the cover on my thigh. I also wanna get a DA2 and “Inquisition” tattoo… and the Joestar birthmark… too many ideas… 

20) Left or right handed?

Right-handed !! I could have been left-handed or ambidextrous if I broke my arm AFTER I started kindergarten, but alas that was before.

26) Something you are working on right now:

This !! But also the script for my next podcast episode that I record on uhhh Monday I think. Should probably figure that one out dsjfjhsf

27) Do you have any “rules” about food?

I answered that in the last ask !!

29) What would you say is your best quality?

I also answered this in the last ask !!

30) What do you think you’re really good at?

Writing, I’d say! And memorizing trivia about the stuff I’m super into. If it’s stuff pertaining to “M*A*S*H” or old movies or TV shows or actors or specific historical events, I will know that shit FOR LIFE. Don’t ask me to do math pls thank u

32) What talent do you wish you’d been born with?

I wish I was able to do stuff with music. That was never really in my blood, despite all the music classes they make you take in elementary school. I just never learned how to memorize or read sheet music. :/ I would have loved to play violin, tho… my friend plays and she says I would have been a good cellist.

39) Do you sleep with a stuffed toy?

YES… have for years. I still have my Care Bear from when I was 5, Gritty as mentioned above, a plush of my school’s mascot, and a little Fugo !! He’s so tiny.

40) What do you think about the most?

Everything and constantly and all at once. But the past really because I can never let stuff go and even the small things I mess up on haunt me forever… Wish that wasn’t the case but it is !!

41) Share two habits:

Biting my nails and having a very specific routine in which I get ready when I wake up. Like, I’ve gotta go brush my hair before I put my important cards in my left pocket, then put on my silver bracelet, then my beaded bracelet, then my earbuds in my right pocket, then put my earrings in. I HAVE to do it in that order…

And other oddities that include, like, if I need to go around something I HAVE to follow the urge to go one way and not the other, lest I feel the need to go back and fix it. And then which foot goes first before I reach a crack in the sidewalk, or up or down a curb, etc.

43) What are your career goals?

If I can just make people happy or get some kind of joy out of the things I do, I’d call that enough. :)

44) What is your ideal career?

Mmm, either a film historian or a film professor !! Preferably at the college I’m at right now but wherever the wind takes me, I’ll go! Or a Twitch streamer or YouTuber, it really depends on my mood jdhfjskf

45) Is your life anything like it was two years ago?

It was pretty much the same !! Freshman year was pretty lively, I didn’t have a job on campus yet though, or my podcast. Everything else is basically the same!

46) Do you replay things that have happened in your head?

CONSTANTLY… good or bad it’ll play back over and over and over again.

49) Do you have any phobias?

HOO BOY, DO I… fear of heights; fear of insects/bugs/arachnids/bees/wasps; I have a strong dislike of the number 13 but I don’t know if it’s a phobia, I just. REALLY hate it; the unknown, more or less what lurks somewhere beyond where I can see. Not so much a fear of the dark with that one, just what could BE in it.

51) Are you allergic to anything? If so, what?

I answered this in my last ask, as well!

53) Ever come close to death?

Two or three times, maybe? Two of them involved what’s called a laryngospasm, typically it can happen when your sick, which is what happened to me both times. Basically your throat just closes up on your for a hot minute and you can’t breathe. The first time I genuinely thought I was going to die (and my dad still sent me to school that day… HOE), the second time I was also sick and was losing/had lost my voice DURING A JOB RETREAT and it happened in the middle of the night so that was funny sitting there gasping for breath in the pitch dark.

At the FIRST retreat I went on for that job, you had to take pictures as part of a scavenger hunt, and the place used to be an old military fort, so there were still the old bunkers there. We had to take one on top of it and I was taking the picture, and it’s a wide shot so I go to take a step back but before I do I look behind me. If I hadn’t I would have fallen a good 10-15 feet down onto solid Civil War-era bunker concrete. I’d consider that being a “close to death” moment because I really could have died!

55) A random fact about yourself:

I have a half-brother !! My sis and I finally found him after her 23andMe results came back (which she decided to do despite us being like THE GOVERNMENT WILL COLLECT OUR DATA) and we didn’t think our mom would be happy she found him but she was !! My sis might reach out and contact him, she just wanted our mom’s permission first to do it.

56) What are three things most people don’t know about you?

Well, that I have a half-brother. I don’t mention it a lot. Aside from y’all on here and my sister, most everyone else doesn’t know I’m nonbinary! Everyone else knows I’m bi though lmao. And that there were times I’d stretch or bend the truth or lie about something just to impress someone else. It’s a… Bad Habit. Another thing is that most people don’t know I like coffee? Like I need to put a shit ton of creamer in with it because I’m a Bitch, but yeah.

57) An unknown fact about your life:

I wouldn’t call this an “unknown” fact but I’d used to go to work with my dad every now and again when he worked at the Home Depot and he was assistant manager. I’d either chill in the back room which was an office he shared with two other guys, or walk around the store with him. I had my own apron, too, which was my name with “Mini Mac” next to it, “Mac” being my dad’s nickname and something easier to say than my last name. I actually helped a few customers out so I wonder if I should have gotten paid for that despite being like, ages 9-13 when I’d go jshfkjd

And I guess I technically tested video games as a kid? Basically, when my dad was stationed at Fort Knox, they’d get demos of video games that hadn’t come out yet to test I suppose? and I still have a few somewhere. He’d hand them off to me and I’d play them so there’s that.

59) Five weird things that you like:

Eating globs of wasabi for no reason.

Scaring my friends also for no reason.

I wouldn’t say using cotton swabs to get wax out of your ears because it feels good is weird, just more medically inadvisable if anything.

When I was younger I’d like to floss really hard because the slight pain from it felt good. Young me was a #Freaque KJHDFJJDHF

I don’t know if being fond of alphabetizing and reorganizing things is considered weird but I LOVE doing that.

63) A quote you try to live by:

“It matters not how strait the gate, / How charged with punishments the scroll; / I am the master of my fate: / I am the captain of my soul.” It’s from the poem “Invictus” and the last two lines are what I’m getting tattooed !!

65) Weird things you do when you’re alone:

Practice the “Lucky Star” dance. I GOT THE LYRICS DOWN… JUST NEED TO DO THE DANCE NOW…

69) Leave me a compliment:

“you seem rly nice and funny from your 🅱️osts and I appreciate u... I hope you can find better irl friends who aren't trash”

Anon pls 🥺 I do my best to be nice but my friend really do test me sometimes... my feelings bounce back n forth like if they do something my feelings can switch to angry or like, hate, and then if they do something nice I’ll like them again. It sucks but ! I just take it one day at a time. Anon I care for u 💜💜💜