#and they're warped into something bloody and brutal (just as he is)

[snowingclouds]

Thinking about how much Tron loved the games in Betrayal before they turned into killing games. Beck participated in games with the garage gang. Do you think their sparring/training ever brought Tron back to the days of the original games? Do you think some small part of him was happy to be fighting again, without the goal of derezzing his opponent?

[justatalkingface]

The 'Great' MHA Read Along, Part Five (Chapters 22-44): The Mandatory Exploitive Tournament Arc

Been awhile, huh? Let's see if I can still pull this off. I'm warning you, this is probably going to have a bit of heft to it.

We start off people trying (and failing) to investigate Shigarki and the Villains and, first off, a couple of things. The whole, 'Quirk Registry' shit? Very X-Men. I'm... kinda mixed feelings on it. It makes sense for a government to try and keep track of this kind of shit, but at the same time it feels like a whole lot, you know? That said... the way the guy in the suit phrased it makes it seem like they only searched for 'Shigaraki/Disintegration' and 'Kurogiri/OP warping' pairings, which seems... dumb. Like, really dumb.

Are they.... are they not going to search for anyone with a similar Quirk? Because it sounds like there are other people with similar Quirks, so... what about them? Oh, this pale haired guy who mutters a lot about how horrible heroes are isn't named Shigaraki, so clearly this isn't the guy? Do some ground work or something, man, bloody hell.

*spits out drink*

Even All-Might thinks Shigaraki is a man-child, lol. Brutal. That said... Vlad goes, 'You mean he's just like a kid with a 'power' or something?!'

And I. My dude. You're just some guy with a power. It feels like some depersonalization of the 'villains' because, yeah, everyone in this story is, in fact, just some rando human, 99.9% of the time with super powers. I don't know, it just feels like that's this really concerning perspective for someone in authority to have.

'I keep forgetting this is an actual school!'

That. That's... actually really concerning? Everyone, literally everyone, from Aizawa, to the students, to the actual author, can't seem to figure out if UA is some military academy meant to pump out child soldiers, or an actual high school meant to prepare children to go into society. And not to belabor the point here, one I've talking about on and off again for awhile, but that's fucked up.

I can't help but get the impression that UA (and presumably every other hero academy) is some military complex, setting up the students to live a life where the only way they know how to live is through violence and trying to be famous, but it's just... pretending to have standards, pretending to care for the kids as anything more than the next generation of... idol-police, or something. The way every school related thing is so out of place, the way their grades are so unimportant... it's very telling.

And like. It's not a bad thing, per say. Morally bad, sure, but from a story telling perspective? For a story like this, the way the heroic's school is morally dubious is actually a really good plot point to work off of. But... that's the problem. It never happens.

If the setting was fucked up enough, it'd be understandable if it wasn't explored, but it's not. I feel like there's some fertile ground to talk about... how heroes don't know how to handle living normal lives. How to cook, clean, do taxes, hIstory (which is, of course, very loaded sort of topic in a more dystopian kind of a set up) and so on. There's no way they have the time and energy to do all the thing a normal kid should do at their age, and as they grow up, and get these dangerous, fucked up jobs? There has to be consequences to that.

And the next line later, they bring up, you know, a bunch of terrorists just attacked the school. Which is, in fact, a serious fucking concern! What does Aizawa say?

'No no, we're only doing because we're so sure we have this shit locked down.'

Spoiler alert: They did not, in fact, have this shit locked down. In the least.

My god, this is so fucked up. It's pretty clear that the fact this is still happening is because UA, and heroics as a whole, honestly, is doing a show of force to try and make all the bad things go away. In all honesty, they're putting these kids lives at risk; the only reason nothing went wrong isn't because 'the school had all its ducks in a row when it comes to crisis control' or what the fuck ever, but because AFO didn't want to do anything. And you know why he doesn't interfere?

Because it's so damn useful for him that they flat out broadcast the details of the students and what their Quirks are!

And don't even get me started on this 'Olympics have fallen out of favor' bullshit. It's a world wide event, and it doesn't matter if the population has... shrunk (? That's what my translation says, anyways. Is this honestly saying that so many people died that the Olympics no longer holds any attraction? I mean.. what? What the fuck? What happened???? Why in the hell is this getting brushed over?! Or is that just a bad translation, and if so what is he saying is the reason the Olympics no longer have any appeal?) or whatever, because that's just... bullshit. That's just bullshit. If super powers happen, and they get at all stabilized and regulated like they are in here, all that's going to happen is that the powers are going to be part of the Olympics, and a lower population count really isn't going to change the fundamental reasons why it's popular in the first place.

Speedster racing, various forms of competitive flying (racing (in all its variations), acrobatics, mid-air dancing, synchronized flying.... flight along has dozens of potential new Olympics sports, easy), something like shot-put hurling but with some kind of projectiles, fire, lasers, whatever? Oh yeah, the Olympics are going to be just fine.

So please, Hori, spare me your obsessive need to make heroics the most important thing EVAH all of the time.

But, wait, there's more! It's not just, the new super Olympics, oh no, this is for their careers. In high school. This is, apparenlty, a make or break moment for the rest of their lives (again, with however that undefined heroics ranking and what not works). How old are they? What, fifteen? 'Here, go do bloodsports, and if you fuck up, you're going to be a menial, loser fry-cook of a wannabe police officer, dressed in brightly colored spandex for the rest of your life, barely making any money, and never getting any real respect or validation for putting your life at risk'.

Oh, I have opinions on the Sports Festival, believe me, I have a lot of opinions, but I'd like to save at least some of these more for when the actual Sports Festival starts, and not, like, five pages into the first chapter out of what, twenty two? We've got the time.

Uraraka! You're an actual character! My, this is nostalgic. I always loved the contrast between her hyper cute-zied design of her and the fact she's down to beat the living shit out of someone at the drop of a hat, and it's nice to have that again.

(Also, she's showing more ability to inspire the class here than Bakugou has shown literally the entire series, no matter how much Hori goes on about his 'charisma' or whatever.)

And then we get into her "impure" motivations to be a hero, (which I've also talked about on occasion), and it's very humanizing, both for Uraraka as a character, and the industry as a whole. It's one of those great set ups Hori ended up dropping on world building, which sucks because it'd be so interesting if he got into the nuts and bolts of the world a bit. I'm not saying we need to see the tax code or anything, but for a series that's about corruption and what not, some more detail would really help pull all of this together.

Ah, Dumb Might. I didn't miss you, except I kind of did because Dumb Might is still better than Useless-Side-Character Might.

Also, can I talk about how stupid it is that Dumb Might is burning his less than an hour's worth of time 'teaching' students again? Because holy fuck that's such a waste it's honestly criminal.

And what the hell is this switch in motivations, here? All Might never mentioned, you know, replacing him is the Symbol of Peace before now. Before this point, the whole reason he chose Izuku is that he'd be worthy user of his power, not, what, replacing him. If Izuku never gained any real fame, but still managed to save a lot of people? Before-this-point All Might would have been fine with that. More than that, he would have been proud of it, proud his successor was humble and chose to focus on doing good rather than fame. Hell, not too long ago it was pointing out by All Might that Izuku wouldn't want to use All Might's fame to benefit himself, to go slow and steady and earn his success rather than relying on fame.

Where the fuck did this come from? What the fuck kind of pressure is he trying to put on this kid?

And then right after that, we see flashes of who All Might used to be with the whole 'don't forget how you felt at the seaside park, that day', bit. Because, like, that's good. That's great! It's real, and deep, and gritty, and I'd love it if it wasn't being use with this set up, because those expectations work in other shonens, but they don't work here. Izuku can't do what All Might did, because he can't stop damn hurting himself. Going Plus Ultra, here, now, for this? It could cause real, serious harm to him for the rest of his life! And for what? To make a good impression?

And if something would call him on that, it could still work, because All Might is canonly shit at taking care of himself, that could, like, close the circle for all of this, bring it together with the two them as shit at at self care as a place to build them improving off of, but for whatever reason, Hori never went all the way on that because he was too damn afraid to commit to it, commit to a story, commit to a theme, commit to a moral.

...Holy shit, how many pages is this? We haven't even gotten to actual Sports Festival yet in the post about the damn Sports Festival.

And now we have this creepy, kind of morbid mob of people filling the hallway to stare at Class 1-A for.... being attacked by terrorists.

*what the fuck.jpeg*

What is wrong with you people?! What the actual hell is wrong with you???

And then Shinso rolls up:

"Wow. Look at these arrogant assholes, so excited about not getting killed. I'm going to declare war on them, because they deserve it for getting all high and mighty."

...

You know, I completely forgot about the epic story of, 'Shinso Hitoshi and his Completely Unmerited Persecution Complex'. I'm sad that I remember that now.

Bakugou: "People's opinions don't matter once your at the top."

Me: *looks at how much people's opinions matter to getting to the top, and staying there*

Me: ...Uh.

Thank you, Kaminari, for pointing out his edgy bullshit is, in fact, actually bullshit, and is only going to make his life more difficult for no reason. I like you as an actual person who does things other than cheerlead for Bakugou.

Izuku. Izuku no, Izuku...! Damn it. Bad Izuku. Bad! Stop getting inspired by the festering waste spewing out of Bakugou's mouth!

Cue all of two panels of the media being absolute assholes only out to make ratings with no redeeming features.

And... here's the actual Sports Festival, god knows how long into this post later!

(if you believe the text editor I just posted all of this into? Well into four pages. ...Even with my generous use of spacing, I think I have a problem.)

..Wait. Wait. Where the hell is this happening?

*does five seconds of research on the wiki*

I'm right. They have a stadium for this. Like, a giant ass sports stadium that exists for this. Only for this. That is used once a year.

At this point, I'm honestly wondering why UA isn't just it's own city. Like, Izuku should have moved here, along with the rest of the students, and all the families and various staff needed to run this just.... live on site. It's not like it'd cost them anything, since they apparently have spare cities sitting around for the kids to trash.

That's... that's actually a really interesting idea? Because it'd be a hero run city, then, which feels like it'd work well into the over commercialized, corrupted state heroics is supposed to be like, their overwhelming level of influence. I don't think that's what Hori was going for, to be clear, I think he has no idea just how much space he's causally put on UA's campus and didn't think through the implications... at all.

Ooh, and here comes Todoroki's characterization.

And... here comes the bloodsport, because that's what all of this is: bloodsport. They're throwing a bunch of teenagers onto this stage, broadcast them to the entire country, and have them fight against each other for fame. This society is so fucked up.

Random Gen Ed kid: Yeah, he placed first in the Heroics Entance Exam.

...Yeah. As fucking stupid as it is that Bakugou somehow placed first, it does make sense the person who place first in the Heroics Entrance Exam would be class representative in a school for heroics. Damn, you're salty, kid, but you're also kinda dumb, not going to lie.

Bakugou: *opens his mouth on live TV*

Bakugou: *vomits diarrhea for the entire country to see*

Izuku: ...Wow, Bakugou's so cool! He's grown up and mature now!

...Izuku. Izuku, buddy, please, stop doing this to yourself.

As yet another thing I've mentioned before, a lot of our views on Bakugou comes from Izuku. Izuku who has, from chapter one, all but worshipped Bakugou. Even when he does things wrong, even when he's actively fighting against him, Izuku can't stop himself from going on and on about how great Bakugou is, how cool and tough and determined he is. Izuku's hero worship of his abuser is sheltering Bakugou's actions from the readers, papering over all of his worst traits with a a transparent facade that he's this glorious figure. It's the narrative going the extra mile to cover his arrogant ass, to make him seem like a rival instead of an bully, someone worthy of respect rather than contempt.

Hmm. I don't want to go too much into the nuts and bolts of the event, I think, since I've done that before, so let's try something else: How Many Times Could This Kill A Literal Child? Where I, you guessed it, count how many times a teenager could have been killed, on national television, in this event.

Count one: The start of the race itself, where... *counts how many kids are in 1-A, multiplies by eleven*... two hundred and twenty kids run forward at the same time, trying to force themselves through the same opening. This shit is why it's illegal to shout fire in a theater, because a stampede like this could get someone trampled to death, or maybe crushed by the sheer weight of the crowd (which is something that happens, someone getting killed by the a crowd of unruly people just... squeezing them on accident).

*stares at Shinso being carried around like a wannabe king instead of using his own damn legs judgingly*

Count Two: Mineta gets bitched slapped by a robotic arm bigger than he is. I don't think I have to get into how that could be fatal.

Count Three: The army of Zero Pointers who could easily step on someone.

*Momo wondering about how UA can fund this makes me feel very validated, BTW*

Count Four: Todoroki dumping the Zero Pointer on the rest of the competition to block the way, again for obvious reasons. He obviously doesn't meant to, but this kid isn't even looking back. This is both lamp shaded and then dismissed because it happens to the only two people who could shrug that off, but holy shit that could have killed so many of them.

...The cameras are robots. The cameras are robots with AIs that are cheering on the other robots. I- I can't- what?!?

And then everyone can't stop themselves from praising Bakugou for the radical idea of going over a problem instead of blasting through it. Wow, Bakugou. Amazing. Such brains, such smarts.

Count Five: The Fall. Because there's no way that anyone could get themselves killed by. You know. Falling. If I was more generous, I'd say something like, 'There's probably something down there to catch them if they fall', but I'm not terribly impressed by UA's ability to actually keep these kids safe, so that doesn't make me think they'd have thought that through that much.

Grudgingly, I'm going to give a landmines a pass, because they're explicitly supposed to be non-lethal, and them blowing up didn't do any real damage. Burns, maybe, possibly a broken limb, probably some scars, but this count is about people dying. Izuku's pile could have been, maybe, but that's a level of deliberate action on his part big enough that I can't really blame UA, per say.

Eraserhead, on how 1-A has improved: I didn't do anything.

...Well. At least he's honest.

One other thing: I've said before how bullshit All Might telling Izuku to 'fight to win' was, and right here, here's the proof: All Might explicitly going, "I was afraid you'd be too nice to try and beat other people in competitions, but you proved me wrong! I'm so proud!". You know, fighting to win. Like he later says Izuku doesn't for some mysterious reason *cough*, to make him seem at the same level as Bakugou, *cough*. Poor, poor All Might, yet another victim of Bakugou's narrative warping favoritism.

And here we see the management kids going all out in how to sell Izuku and his brand, which is so very fucked up, for them and the people they're 'selling'. I'm aware this is something that celebrities go through, (which is fucked up for them as well, don't get me wrong; I'm an equal opportunity 'this is fucked up' call out-er), but these kids are in high school. The fact that they're doing this, and getting this done to them, in such numbers, in such an early age... yeah. There's no way this could give them lots and lots of long term stress and psychological problems, right?

Meanwhile, as we get to the offical rankings, I think it's time go back over the 'How Many Times Could This Kill A Literal Child?' count... at five. Five times they could have been killed on complete accident.

That is not a good score.

I'm stopping it here because the other events don't have the same problem, but instead of a whole new problem of delibrately pitting them against each other. On live TV. With minimal supervison. Cementoss popping in at the last second in Izuku vs Todoroki, considering how badly Izuku got hurt in the process, does not fill me with a great sense of these fights being well monitored.

*gets an omake chapter*

*Bakugou gets called Izuku's childhood 'friend'. Bitch, please.*

So. Here's a new point: the million point bullshit is... well. Bullshit. It's the snitch in Quiddich all over again, giving the hero something both super import, with an extra layer of difficulty, to drive up the stress and stakes, only kicked up by a million. Making more than the others makes sense, and making it enough to pass by itself is still pretty reasonable, but making it so excessively much has no point other making Izuku feel isolated from his peers and hunted by his classmates.

Also, Mt Lady going on about how 'great' an exercise the second round is is missing the point that this is literally a thing Japanese kids do in school. Literally, this is a game they're playing with Quirks, not some tactical exercise; it's like saying that playing hide and seek makes you great at hunting people down or something. Again, Hori, dial back your constant need to tell us how great the Sports Festival is. Because it isn't. It really, really isn't.

More doses of everything drooling over how great Bakugou is, and how much of a total shit of a human being he is, joy. Mineta and Shouji's teamup is actually pretty damn brilliant, even though it's tainted by how much of a one-dimensional character Mineta is. Iida is getting shown as Izuku's enemy, but honestly it looks more like he's just trying to improve himself more than anything, while acknowledging how competent Izuku is. Not just that he won the first round, or has a lot points but that Izuku, as a person, is the goal he wants to surpass; there's some good shit there, and pretty validating, if Izuku could allow himself to accept it.

Oh Mei! Mei... actually, I have a post I need to do about the Mei and Izuku dynamic at some point, how they're so designed to work together, but yeah she's fun.

And then Uraraka thinks about how strategic Izuku is being and again, I can't help but contrast this with how things happen later on; even if Izuku never lets himself really feel the respect people have for him, people at this point in time really, honestly seem to respect him, not for his Quirk, but for his brain, his determination, his heroism; it's so well setup for Izuku to stand on his own two feet without OFA and it's some really good stuff. It's a shame Hori gets rid of it.

Hmm. Class B. Class B is... interesting. They're set up as rivals but after this it never goes anywhere, and just leaves us with a bad impression of Monoma, without letting him get a good chance to get past it. I don't like him, honestly, his personality grates at me and he needs to get over himself, but he doesn't deserve the hate he gets from the fandom.

That said, though, the Class A vs Class B victory philosphy is honestly just another example of destroying yourself vs having realistic limits, how All Might and Izuku keep destroying themselves vs everyone else not doing that. The fact Class B is actually thinking ahead is smart, but the series doesn't give them that credit because it's not ambitious enough... even though that runs straight into conflicting with Izuku and his issues.

Hori, fucking commit already. In all honesty, it feels like 1-B should have won over Bakugou and knocked him out of the compition; they planned it out, and played him like a sucker, because he's a bullheaded moron. It's all right there, but right as they win... Eraserhead shows up in the booth and says, 'Yes, you've won, but actually no, because Bakugou need to win anyways. So he is. Because REASONS!' Then All Might gets dragged into that same bullshit just to make it really clear that no, Bakugou is right. Planning? Strategy? That's for losers. Real winners just need to want it hard enough, and no one wants things more than Bakugou!

It would have been better, as a story, and for everyone's character development, if that had happened. Bakugou would have lost to some 'nobodies', Izuku would have gone past him without even validating him with a fight, and Class B and Monoma would have gotten a better chance to show themselves as characters; win win win.

And then Endeavour shows up. Fuck Endeavour. Also that is a man who looks like a serial killer. Dumb Might continues to reign and be completely unable to recognize when someone hates him when he monologues about it right in front of him.

Meanwhile, Bakugou is just... there. For some reason. Why? Why does he need to be there for this? It makes his hissy fit later even worse when you realize he knows why Todoroki doesn't use his fire, and it has literally nothing to do with him. Ignoring him, though, Todoroki and Izuku's moment here is some good stuff, a nice setup for a healthy rivalry based on mutual respect, rather than the toxic mess he has with Bakugou.

Ugh. That cheerleader bullshit. Honestly, it says a lot that they can be told that, 'Aizawa says you need to dress up as cheerleaders', and apparently no one questions this, because of course Aizawa would pull some kind of weird bullshit on them with absolutely no warning at what anyone else would think is the worst possible time.

Midnight being really creepy about how she talks to teenagers, of course, and now... Shinso.

'Consent is for losers' Shinso. 'Everyone is coasting on their Quirks except for me, who only knows how to use my Quirk' Shinso. 'Let me use my Quirk on someone before we even get in the arena so I can blatantly cheat' Shinso. 'No one else has dreams or ambitions' Shinso.

I don't like Shinso. I like the idea of Shinso, sure, but that idea is another one of those paper thing veneers Hori likes to put on his characters, without doing the work to make that match the reality; the only hardship we've seen him go through is his apparent inability to work hard. Like, everyone loves Shinso, in story and out, they can't stop themselves from telling him how great his Quirk is. And you know what? It is. It is a great Quirk.

But Shinso talks like he's had a such a hard time with it, even though he seems to love it, love using it, and the way he acts, like he knows he can go through a career as a hero based only on that Quirk. He's wrong, since he's so out of shape he can't even run, apparently, but he's operating off that assumption at this point, which conflicts with his poor little martyr act.

I want you to look at the iceberg Todoroki makes, and compare it to his efforts against Stain. If he did that against him? That fight would have been over the minute he showed up, and Todoroki ambushed him. This is pretty much our last moments of Todoroki, certified badass, before the nerfs roll in. Savor it, Todoroki fans, because he'll never recover from having to lose against Bakugou.

Another omake, which seems like foreshadowing about Hori deals with women characters: bringing up a good characterization, or valid idea (do women heroes need sexiness to do their jobs?), before throwing it away to fall for the same tropes that he was making a stand against just a minute ago (women getting in a cat fight, which apparently gets really explicit, all of this on a TV before Mineta, Hori's avatar of his own horniness).

Then, as if to prove my point, we get Bakugou vs Uraraka where, like Class B before her, she does everything right, gets the win... and then gets it taken away at the last minute by idiotic bullshit pulled out of nowhere (since when could Bakugou make a blast like that? Why does he need those bomb gauntlets if he can do that?) because Bakugou isn't allowed to lose. And then Eraserhead, Hori's mouthpiece, shouts down the crowd, and us, when we think bad thoughts about it because that isn't allowed either; we need to love Bakugou.

Bakugou respects women! ...Just as much as he respects everyone else. That is to say, he doesn't. Hell, he doesn't respect her enough to think Uraraka planned her own fight! He just gets one line for one second that makes it seem like he respects her, but of course once that moments gone it's back to the normal level of complete disrespect. That's totally character growth right there, one second of acting different before returning right back to standard behavior.

So... Izuku vs Todoroki. I like the fight, it's very dramatic, very cool, but... stop to think about it a second, and about a minute in, Izuku's entire ass hand is broken. That is not OK. Why are they letting it go on? It's simultaneously a great fight, but a seemingly awkward implementation of Izuku having a Quirk, because so much of this arc is built off of him not using a Quirk, not having it. This fight only works with it, though. And it's cool, don't get me wrong, but it's shallow at the same time because of the Quirk, because Izuku has to go Plus Ultra, has to go past his limits. Instead of accepting a more reasonable win, he has to win, period, and he doesn't have the power for that.

There's this awkward conflict here between the story's various narratives, between Izuku needing to suffer, and struggle, and break himself, and his more grounded planning and actions, and you can see Hori's old, better planned out ideas getting replaced with newer, less thought out ones. It's honestly kind of a theme for this arc in it's own right.

Flaws aside, though, the fight is gripping, and it's a great setup for Todoroki, a great starting point in making him an important character, in giving him growth. Shame Hori ends up throwing all that away literally the next fight.

Well, before that happens, let's talk the one two punch of, 1, Izuku having done himself permanent, life long damage, which nobody thought to stop, and 2, the sheer, unmitigated clusterfuck of Recovery Girl going, 'I'm not going to treat wounds like these'.

So. If Izuku breaks anything... well. She's not going to treat that. I guess he has to walk around with a broken finger/hand/arm, without any medical attention whatsoever? Well. I certainly don't see any problems with that.

Then we get Bakugou, who canonly has problems using his Quirk for extended periods of time, outlasting someone by using his Quirk for extended periods of time, before going on to fight someone who uses cold, his canon weakness, and ignoring how it should completely neutralize his Quirk to overpower it, through what I can only call his sheer, narrative warping concentration of favoritism.

On what happens after he wins... I've seen people say that he doesn't mean to attack Todoroki, just try to wake him up, but looking at that scene: he's holding Todoroki's body up with one hand as if to shake him, sure, but it's the other hand that's the problem. The way he's holding it is, for his Quirk, an offensive pose, making it ready to attack his target. I'll give him the benefit of the doubt (against my own opinion) and say it's not proof positive that he was about to attack, but there's no getting around that Bakugou had himself perfectly set up to hit Todoroki, full blast, while he was unconscious. Even if it's the more innocent explanation, that feels like something that should have disqualified him because... that's really concerning. That feels a step away from him threatening victims he thinks should have stood up for themselves or something; it's not heroic, in the slightest. The fact they had to knock him out, presumably for Todoroki's own safety, says enough about how bad that is.

The fact that the ending comment is basiclly lamenting from his perspective, that this 'isn't what he wanted' is... certainly a choice. He won, but, gasp! The person with long held issues in using his full power that long predate him didn't use his full power! The poor baby!

Then we get to the award ceremony where they... chain him up? Why!? If the doesn't want the damn award, don't give it to him; they let those guys earlier give up when they felt they didn't deserve it, why is Bakugou different? It feels like it's Hori tying him up here, against Bakugou's own will, and characterization, to give him that win just so he can win, but also to forcefully set up Bakugou's own importance with the League later. It's ham handed. It's probably child abuse. It's stupid.

It's fucked up all the way down, is what I'm saying.

Then All Might shows up, and fucks up his entrance timing because he's not allowed to win anymore, of course, and then forces that medal on Bakugou.

Uuuugh.

Last couple of panels, though, are pretty nice: we build up Uraraka's character, get the next arc set up, set up Izuku (fucking finally) getting away to use his own damn power, and develop Todoroki a bit.

A nice little cherry on top of the shit sundae.

[canmom]

l'aventure de canmom à annecy - épisode DEUX - dimanche

was a good first day of annecy. tomorrow I'll hopefully have a chance to get pictures off the camera and illustrate properly, but for a quick writeup...

today the festival events began halfway through the day, so I went for a little wander around the city in the morning! I visited the Palace de l'îsle, which is the building you're likely to see in every photo of annecy, at the fork in the river.

here's a photo of a photo and a drawing, which is all i have on my phone:

it's a pretty storied building, variously operating as a mint, a courthouse, and a prison. in the modern day, its lower floors are mostly devoted to the history of the building, while the upper floors are something like an industrial history of Annecy itself, which is not just a pretty old slice of medieval Europe to bait the tourists, but also was in the years from the French revolution up through the 20th century something of an industrial hub, hosting a loooong list of factories.

next stop was the castle! this castle sits on a hill overlooking the city, and it has been home to a variety of nobles, all of whom added bits, resulting in what the sign describes as 'architectural inconsistency'. i was hoping for more history but instead I mostly found art! lots of grand landscapes - I don't know enough art history to place them but from around the late 1800s. they were, frankly, bloody impressive, and I think I could learn a lot about composition, lighting, brushwork etc.... the top floor of the castle was devoted to contemporary artworks, so generally much more conceptual pieces - acrylic panels that cast shadows of bones, fingernails embedded in sandstone, that kind of thing. I'll fully admit this isn't really my scene so I didn't really get it, but I also didn't really have time to look around more since it was movie time!

this year the theme is Portugese animation, meaning there are seven entire programming blocks dedicated to Portugese stuff. accordingly, the first set movies I got to see was a collection of Portugese animated films by a duo called Abi Feijó and Regina Pessoa - who were in fact there in person, though since they addressed us in French I only got snatches of what they said. In any case, their work is super bold and dramatic.

the film that brought them together, and probably my favourite, was Os salteadores (1993) [The Outlaws] in which two passengers in a taxi discuss the partisans who fled Franco into Portugal during the Spanish civil war. The driver reveals that he ended up commanded to drive a truck with five captured partisans to the Spanish border. A comical scene in which the guards, afraid to untie the men, have to help them piss by hand turns very brutal when the men are executed by firing squad the moment they're turned over. The driver is haunted by this story years later. It's an intense film, full of strong chiaroscuro texture and inventive warps and perspective shifts - something they keep up throughout their other films.

my other faves from this block include Clandestino (2000) [Stowaway] in which a nameless stowaway makes a perilous journey along a rope to shore, menaced by his vivid imagination, and Tragic Story With Happy Ending (2005), a cryptically metaphorical story in which a girl has a deafeningly loud heartbeat and a yearning to fly as a bird. You know, that bird autism. She kinda maybe either becomes a bird or kills herself at the end! There is something quite funny about how this block is subtitled 'a happy story' - indeed the two do seem very happy to have found such a fulfilling creative outlet but all their stories are super dark! all were tremendously well made though and I hope I'll be able to run an animation night on them soon.

at this screening I was sat next to a guy called Diego, who handed me a list of Brazilian and South American animation, and was quite surprised I think that I could name two Brazilian animated films and even show him the long article I'd written on it x3 anyway thanks to him I've got lots of stuff to cover for next time we do Brazil!

after that it started raining pretty hard and didn't let up all evening. the upside is that the rain brings out a lot of pretty colours. the downside is that, expecting last year's brilliantly sunny weather, I totally neglected to bring a coat.

the next two screenings were also in Bonlieu Petite Salle - maybe Pathé isn't open yet. anyway, the other theme this year is animation and dance. This block focused on "using materials and the concept of shock". It was indeed pretty shocking. The coolest one I think was Ossa (2016) directed by Dario Imbrogno, a stop motion piece about a constantly shifting puppet where the armatures, lights and camera were all part of the performance. actually i can straight up embed this one off yt!

with the theme being dance, many of these were more non-narrative pieces, and all were without dialogue. which is not to say there were no stories to be seen! The Triangle Affair by Estonian director Andres Tenusaar was a pretty out-there one, depicting a world of hand-headed people where everyone moves in groups of 2-3. a window cleaner flirts with cleaners inside (there's a whole recurring bird poop cum visual metaphor); he's joined with a group of... prisoners? in stripey pyjamas, overhead lines carry bicycles around, a taxi driver talks to tram drivers, then some birds who are attempting to divide up the world with chalk are interrupted by cats; the birds trick the cats into jumping onto the windowcleaner causing all the aforementioned characters to fall off the building and die. that's the best i can describe it. i think the audio of this one might have damaged the bonlieu sound system because there were weird pops every so often after that.

there was an AI one - The Crow by Glenn Marshall from the UK. basically the director filmed themselves dancing and fed it into an AI that transformed it into images of crows. it got the most tepid applause of any film I saw today by far - and honestly it was not a very interesting film.

Chrysalis by Damien Serban and Yann Bertrand used a kinda cool looking decimate effect to portray the jerky motions of a butoh dance, including a cool sequence where the dancer's heartbeat becomes visible in the sand, but unfortunately it was way too long and outstayed its welcome.

then we get to Hipopotamy directed by Piotr Dumala from Poland. this one... hmmm. not sure how I feel! I assumed the idea was something based on greek myth, because it seemed like something the Greeks would come up with, but actually the idea is to portray humans acting like hippos do. including sexual assaults!

basically a group of naked men approach a group of naked women who are caring for their kids. the first man approaches and tries to fuck one of the women, who kills him with a rock. then the rest of the men run in and things get quite violent. the camera doesn't dwell or linger on the sexual assault but it's sure onscreen! anyway most of the kids are killed, and when the men come back, the women this time go to them willingly - except for one, who watches from deeper water, her child still alive.

i put this one in the genres of 'naked people do stuff' and 'what if humans did animal stuff'. it's funny that I've been doing this long enough now to start recognising that kind of pattern. i usually do like films to be pretty graphic, and this one was undeniably technically really well drawn and shot, it just was a lot to take in in the theatre there.

after the dance it was time for more Portugal stuff! this time we had films by the BAP animation collective. these were varied. by far the best ones were the three codirected by David Doutel and Vasco Sá, namely Soot (2014), Augur (2018) and Garrano (2022). Each of these depicts a moment of intense emotional drama - a man recalling how his brother died on a railway, a cattle farmer trying to handle his mystic cousin and prize bull as winter closes in, an abused boy and a garrano horse in an arson incident. These guys' eye for lighting, composition and texture is extraordinary, and these films are full of fantastic animated acting in a semi-realist style and incredibly strong sound design. I loved all three.

The other three films in this block were more abstract in general. Purbleboy is full of inventive animation, but I found its trans allegory kind of clumsy. The Sounds From The Drawers is a neat musical stop motion piece using a huge variety of objects. Drop by Drop was initially described as being about desertification, but I think they actually meant desertion, since it's about the last four inhabitants of a largely abandoned village, unified by the image of the Careto, a festival character who's like a kind of masked demon guy - the guy introducing these films demonstrated to us how the masked men sidle up to women and dance to 'initiate the sexual encounter' or something like that. In this case though he was not having sex, just gathering up the four inhabitants on a floating island as they lament the situation. I didn't really connect with this one, honestly.

After that... I had sushi, and tried to get into the opening ceremony, but no luck. I did get to chat with some animators and students and we all ended up going to Café des Artes in a big group, so I got to have a nice chat with some Americans, all sheltering under the canopy! I showed some people the Little Witch film and they liked it, so that's definitely a shot in the arm.

tomorrow the festival really gets going. I can't wait.