#and there's the mechanics of the situation

[omegaversereloaded]

Here with an update about Marah's campaign!

PROOF OF VETTING AND SHARING BY 90-GHOST, A TRUSTED AND BELOVED VETTER ! Her old URL was @/helpfamily

First of all, I want to thank all of you for helping her reach her $50K goal! Mwah mwah mwah kissing your foreheads & whatnot

I have kept in contact with Marah these past few weeks: she is still hungry and terrified, but our support for her makes her feel hopeful! There has been an update to her campaign and goal - please read below:

From the first post I made:

Marah @freepaleatine95 needs our help: She is a computer science student in Gaza who, like many others, has lost many loved ones and suffered greatly this past year. She has reached out to me to make a post in her stead to raise support. You can read about her situation here.

When I made the last post 17 days ago, Marah had raised $35,763. Since then, we've gotten above her initial goal!!! Thank you so much for giving and sharing, she is grateful for you all, and I am too~

$53,460 raised of $70,000 goal

Every amount sent her way counts. Please donate as little as $1 towards her campaign! If you cannot donate directly to her campaign, please send an amount below and I will donate for you!

I don't use this for anything else so I know that any amount sent here will be for her campaign. Thank you for reading!

[yanmuffins]

Hey there

Im actually gonna talk about your other series

I'm super curious for the yandere Batfam dynamic was they find our reader is a vampire, I kinda like the idea of reversing the typical vampire creepiness and instead of us, is the Batfam that really enjoy feeling the reader drinking their blood and each one figure out a way to convince reader.

For example let's say Cassandra manages to figure out which days your instincts are at the strongest so those days she always makes sure it's her turn to stay in the manor to keep guard and make sure you don't escape while the others are doing vigilante stuff

context.

oooooh vampire! reader ask!!! mild spoilers for future fic, gotham by night.

i'm honestly so excited to see where this story will go. this reader will not only have to deal with batfam issues, but also being introduced to a completely new world of vampires and deal with sire issues on top of daddy issues. she's having a great time (not)!

but tbh, i don't think reader would drink the batfam's blood. she would find the idea of feeding on her family extremely gross, and unnecessary, since there's other methods out there. it could be a last-resort thing, if she was starving and close to frenzy, but even then that would be something she would hate to do, as there is a risk of killing them accidentally.

and one of the main conflicts in this fic is yandere! platonic! batfam just not understanding (obviously, since they've never been exposed to it) the richness and intricacies of vampire culture, practices and social dynamics, leading to them to mishandle reader and her new condition as a vampire pretty badly. not only that, but batfam essentially kidnapping reader from her sire (who had also kidanpped her btw) messes up her self-discovery process as a vampire. oh, and a possible masquerade breach! disastrous.

but i can see the batfamily starving reader on purpose, to get her to drink their blood, saying it's safer for her to get used to drinking from her family so she doesn't feel tempted to attack innocent civilians. and she's yelling that that's not how any of this works, but they won't listen. yup, that's diabolical.

you see, this concept pretty much follows v*mpire t*e m*squ*rad* mechanics. and according to established lore, we have a variety of predator types: one of them being bagger, referring to vampires who prefer to consume blood through blood bags instead of live human bodies. this would be convenient for both reader and batfam, but mostly batfam since they could just arrange reader an endless supply of blood bags with ease.

we also have consensualists, who do not feed against their victim's free will (the lines of consent and free will might still be murky, lest they straight up admit they're a vampire looking for blood and won't you please spare some) and sirens, who seduce their victims! i'm not entirely sure which predator type vampire! reader will be, but i'm leaning heavily towards bagger, meaning she doesn't have a preference for biting necks. but who knows?

to be fair, it's a big adjusment for batfam. you were being weird before you got kidnapped (and embraced), and it takes a while and reader almost going into frenzy (aka vampiric reaction to situations of extreme stress, like starvation) for them to find out, holy shit, she's a fucking vampire now! that's what happened! and they can't just... let you go. the situation is complicated. the person who turned you is still out there, and you're unpredictable, and this wouldn't have happened if they just paid more attention to you! so let them keep you safe (captive) and provided for.

ALTERNATIVELY, deviating a bit from the original concept where reader is taken by her sire and then taken by the batfam straight back into captivity, we could have reader being so neglected and ignored in the family that they just don't notice she's been turned, and she gets time to go through a complete change in personality and confidence, and involve herself with the social and political webs of vampire society that wants to establish itself in gotham. it's not drastically different direction for this concept to go, because either way reader will be thrown in the world of darkness (ha), except here the kidnapping happens after she comes contact into it and in the paragraph above it happens before.

reader escapes them either way, cause she's a vampire ofc, and the batfam didn't have enough time and info to prepare and keep reader sufficiently trapped. they'll keep an eye on her, though.

either way, there's room for yandere madness, dark content, neglectful batfamily drama, sociopolitical vampire drama, vampire! reader being cunty, and all that in both ideas, which aren't that different, really.. i'm not sure! sorry for rambling. it's still a work in progress but i'm very excited for it.

[crazy-pages]

Okay but you know what? I've seen a lot of suicide activism, and attended training sessions on how to help people back from the edge, and for godsake my mom is a psychologist and my sister lost both of her best friends to suicide when she was a kid. This isn't exactly a topic I'm unfamiliar with.

And yet this brings up something incredibly obvious which I haven't seen pointed out before. Which is that behavioral modifications which motivate people to stop a maladaptive behavior are very ineffective unless you replace that behavior with something positive that gets the same benefits (in the case of suicide attempts, an undeniable signal that you need help and your situation is unendurable and/or relief from the unenderuable).

This is extremely well known when it comes to substance abuse. Like, it's not enough to just tell somebody to stop drinking. People drink for reasons, from enabling emotional vulnerability to numbing pain to soothing sensory distress to emotional coping, the list goes on. So interventions oriented around just getting people to stop don't work great. You need to remove the need for drinking as a coping mechanism by replacing it with alternative forms of management, ones which aren't just stoicism.

And when possible, this does mean removing the underlying cause of those symptoms. Help someone who's lonely find friends, get someone with an infected tooth dental care, etc. And obviously suicide interventions focus on this. But! There's another component. Which is that you can't just treat the cause, you also actually have to improve the symptom management, even if you can treat the cause.

Because nobody isn't lonely at some point in their lives, people with chronic pain issues can't just fix their pain and they may have flare-ups, people with sensory issues can't just manage their environment - sometimes they have to go to the airport or something. And when somebody has alcohol or other substance abuse as a learned coping mechanism for that which they know works, relapse in the face of external stressors can be a constant looming possibility. You can't just treat the underlying cause, you need to help people develop other release valves for that shit. Even other maladaptive ones, so long as they aren't addictive and aren't as bad as the substance abuse.

And like. Yeah. Holy shit. How did it never occur to me, and how did I either miss or never run into this concept, that you don't just need to handle underlying issues when it comes to suicidal ideation. You need to develop an alternate mechanism for cries for help!

And yeah, that mechanism can be pissing yourself!!

im

[for-those-who-wait]

Hey I think I asked you about your Detroit become human au before a bit ago but I love the idea so much! I know you’re super busy but if you can I would love to see more about it!

Sorry for asking about it again I’m just really interested in it. 😭🙏

No please don't be sorry I love to talk about it whenever I'm not creatively bankrupt!! I'm just sorry it took so long for me to actually think of new stuff to add

I had some of these doodles already prepared but never really finished them up until I came up with a cute little idea

I didn't think of where to put in Flapjack until I remembered that android animals existed, and then I had a brain blast moment where I realized that Hunter can still talk to Flapjack! They are little android buddies, they can interface and talk and be friends!! I think it would also help to make him feel a bit more comfortable with his identity as an android to be able to have his little buddy to have fun private conversations with. Camila introduces them (maybe he had gotten hurt by a previous owner and she found him and let Gus fix him up) and Hunter is a bit tentative about it at first, but Flapjack is adorable and sweet and quickly wins him over

I just now had the idea that Gus, since he's super into android stuff, would probably be a big resource for software and hardware difficulties. Oh, you fell and your arm is working kinda wonky? Call up Gus, he'll crack you open and take a look. The dude doesn't mind in the least, he freaking LOVES going down mechanical and coding rabbit holes to better understand how androids work. I like to think that if Hunter ever got hurt and chose not to accept help because of body/species dysphoria, Gus would be a really good resource for him to try and feel as normal as possible while he's getting fixed. Gus is his brother and he loves him and they're just good to each other okay? Gus would probably crack some jokes or something to get Hunter's mind off it, or infodump about android organs or something (and Hunter would be begrudgingly interested because they are nerds, and Hunter is interested in androids too underneath all the problems he has with deviancy. Like dude they're robots, what's not to love?)

Also some Gus being so over Hunter's "androids can't feel love" phase featuring Vee and Masha being very adorable and very obviously in love :) Hunter is a very silly stupid man. He will find any way to make literally everyone exempt from the terrible rules Philip fed him, except for himself

I'm trying to think of a potential situation that would parallel Hunter's possession, and I think it would probably be basically the same thing that happens in Connor's deviant path (when he deviates and joins the revolution as an ally) where Amanda (a separate AI in his programming that's basically how CyberLife keeps him in check) takes over Connor's programming last minute to try and put a stop to the revolution.

So my current thought is that Philip is basically using Hunter as a trojan horse. His main programming is to act and believe like he's a normal human but similar to Connor, he's basically a sleeper agent without knowing. I imagine that once Hunter gains access to his software (thanks to Vee and Gus), he starts finding programs and files that are labeled as pretty scary things. He shouldn't have to know the most efficient way to shut an android down or incapacitate a human.

If and when Philip finally goes looking for Hunter and sees the first android he's seen in Gravesfield besides Hunter (aka Vee), he's not going to take that well.

I haven't drawn anything for it but so far I'm thinking that he takes control of Hunter's programming, maybe through some taking advantage of his interfacing system, and locks him in his own head a la Connor and Amanda to sic him after Vee and Flapjack (assuming that Philip's main goal, similar to both canons, is to eradicate deviants). It's likely that his friends will try to apprehend him, Vee or Gus will try (and maybe fail a couple times) to delete the programming while Camila deals with Philip. The guy is old and decrepit and Camila would absolutely whoop his ass with the ease of swatting a fly.

Things will be fine; Vee is all good and they manage to delete whatever programming screwed with Hunter's control, but that kid is going to be HELLA anxious about interfacing again from then on since he's afraid of 1) losing his own control and 2) potentially passing the virus onto someone else. It could go two ways at that point: Hunter could either kill Flapjack since Flapjack is technically a deviant android and therefore a target, or we can be nice and let Flapjack live to help him heal from this brand-new trauma.

So yeah hopefully that sates some curiosity! I'm glad you're interested in it because I honestly really love to think of new stuff whenever my brain decides to work hahaha

[thunder-wolf64]

The two slugcats squirmed through tight tunnels and vast open spaces. Sizzle's stomach flip-flops in the lack of gravity; it's a strange sensation, there was no heft to his body, not to anything he touched. He would compare it to falling... but even then, you can still feel wind batting against your fur. The air here was still, the oh so familiar noises of the outside were all replaced by mechanical whirring.

Artificer reached out and snatched one of the small floating creatures from the air. She stuffed it into her mouth, "Eat these, and be quick."

Sizzle reached out as well, his paws grabbing onto the organism as it flashed an aray of bright colors. He but I it it quickly, hoping it wasn't in too much terror. The texture was chewy, with hardly any taste. "What are these?" Sizzle asked, reaching for a few more.

"Food. You can eat it, and you won't die from it." Artificer didn't need to eat anymore, she had already filled her belly with scavenger meat. It sickend Sizzle. But the green slugcat still needed to survive the cycle, he ate his fill and continued through the complex machinery.

Then the two suddenly popped into a different looking room, inhabitanted by something more complex. Similar structures to a slugcat, upright posture and diget-ed paws. But it was attached to wall with cords wrapping around it's metallic skin. It beeped weird noises as it stated at the two slugcats, seemingly annoyed.

Sizzle flinched at the familiar white-eyed-glare. He let his mother move in first, and she did so with confidence, the strange hunk of metal that's been following her around poped into existence and immediately caught the other beings, eyes. A moment later, gravity returned.

Sizzle smacked his face on the warm metal floor groaning as his mother landed safely. He really needed to work on his landings. Before Sizzle could lift himself up, a blaring light enveloped his vision and his ears rang with loud noise, similar to that of an explosion. He was propelled backwards and onto the floor once again. He clutched his head in pain, but there was a sudden clarity to the noise. A voice.

The two slugcats rose to their feet as this... iterator started to speak to the two...

[timeskip i ain't writing the spiel 5P gives Arti]

What a strange thing, Sizzle was having trouble wrapping his head around being in the presence of something god-like. Scavengers were known to exaggerate their stories, but the things they've said about gods in sky boxes suddenly were more believable.

Artificer was taking it in stride. She knew what coming here would give her. And now Sizzle must question the reality of the situation. There's no way his mom could survive slaughtering an entire city. It was impossible. But she seemed entirely confident.

She heard what she needed and waved Sizzle back up to the exit as gravity disappeared once again. She moved out through the pipe, but her son heared a shift in the room. The iterator, Five Pebbles. It made him come to a halt.

"You, green one. I need to mention something to you." His voice echoed in Sizzle's skull.

Sizzle angled his body around to face the iterator. Sure listening was uncomfortable, but his words must be important.

"I have seen pieces of your journey, and you seem to exhibit complex social behavior. So if you can prosses this information, I think you should know it," blue overseers popped up around the room, flashing bright holographic screens, "as much as one animal can lie to another one... well, I don't think you should be lied to."

Sizzle looked on, confused, and the holograms started to project a familiar environment... and a familiar friend.

---

hopefully the writing made up for the art! This is all I got motivation for right now, but I think it should give you guys a kick! Sorry for any typing mistakes, new phone and such.

[aventurineswife]

“I'd do whatever I could do”

Summary: Aventurine undergoes a bizarre transformation, reverting to his child form due to an inexplicable force. In this new, vulnerable state, he is found by Boothill, and you, who instinctively offers comfort and protection. Together, you three form an unlikely family, as Kakavasha, now a child, grapples with his new reality, experiencing innocence and care for the first time. Amid the chaos of the universe, they find brief solace in their newfound bond.

Tags: Aventurine x Reader x Boothill, Platonic, Transformation, Family, Unexpected Bonds, Comfort, Childlike Innocence, Humor, Surreal, Reader is called Mother but not implied female. @lavenderlovekakavasha

Warnings: Transformation (age regression), confusion, mild existential themes, emotional tension.

A/N: I'm half asleep while writing this so plz ignore any mistakes 😪

The warm glow of the sunset outside the IPC headquarters bathed the sterile interior in a soft, amber light. Aventurine leaned back in his chair, his fingers tracing the edges of the holographic charts laid out before him. The evening had been unusually quiet—until the unexpected wave of dizziness hit him.

"Not again..." Aventurine muttered under his breath, rubbing his temples as his vision blurred momentarily. He had always been one to trust his luck, but this felt… different. A strange sensation, something he couldn’t place, rolled through him like a tide. His body stiffened, a soft jolt running through his spine.

Before he could even register what was happening, the world around him began to warp. The walls seemed to shift, colors blending, and the floor seemed to fall away from beneath him. He gasped, feeling an overwhelming pull, and in a split second, his adult form began to shrink, his limbs dwindling down to a child’s size. His once confident stance faltered, replaced by a wobbly, unsteady posture.

Aventurine, now no longer the calculated and sophisticated man he had been moments ago, stood frozen in the middle of the room. His attire—elegant, composed—hung awkwardly around his much smaller frame, the fine materials pooling like a blanket on the floor. His golden-rimmed glasses fell from his face, and his typically calm and collected features now bore the unguarded innocence of a child.

The air was thick with confusion. Aventurine’s eyes—now large and wide—darted around in panic. His small hands trembled as he reached up to touch his now-short(?) hair. “What…?” he squeaked in a voice that was much higher than he had ever remembered it being.

Before he could further process what had happened, the door to his office slammed open, and in strode Boothill. The cyborg cowboy, tall and imposing, paused at the threshold when he saw what was unfolding before him. His mechanical eye whirred, analyzing the situation, his black pupils narrowing in confusion.

"Well, ain’t this somethin’," Boothill muttered, taking a step forward. His usual bravado faltered just a little as he looked down at the small, confused child now standing where Aventurine had once been. "Ain't no way I’m seein’ things right now..."

Aventurine—no, Baby Kakavasha—looked up at the towering cowboy. The child’s eyes were wide with fear, but there was also a glimmer of recognition. His lips parted as he searched for words, but none came.

Boothill stared at him for a long moment, his gloved hands hovering near his holstered guns as if unsure what to do next. “What in the galaxy is goin’ on here, kid?”

The air felt thick with tension. Baby Kakavasha took a hesitant step forward, his small voice trembling. “I—I don’t know,” he stammered, struggling with the unfamiliarity of his child’s body. “I didn’t do this. It wasn’t me.”

Boothill scratched his head, his mechanical parts creaking as he did so. “Kid, I ain't got the faintest clue what’s happenin', but one thing’s clear—you ain't lookin' like yourself. You a shape-shifter, or is this some kinda joke?”

“Please,” Kakavasha’s voice was softer now, more fragile than the usual sharp tone he carried as Aventurine. “Can you help me?”

Boothill exhaled slowly, his harsh features softening just a fraction. He wasn’t the sentimental type, but seeing this child—this version of Kakavasha—made his heart tug with an unfamiliar feeling. He took a step forward, crouching down to meet the small child’s gaze. “Alright, kid,” he said with a sigh. “Guess I’m gonna have to step up. I ain't got no clue how this happened, but you're not alone in this.”

Just then, the door to the room slid open again, and you stepped in. Your instincts kicked in immediately, and your brow furrowed at the sight before you. Aventurine, or rather, Baby Kakavasha, looked up at you with wide, uncertain eyes, his small body trembling in confusion.

Without hesitation, you approached him, kneeling beside the child. There was no explanation for why, but an overwhelming urge to protect him, to care for him, surged through you.

“Don’t worry,” you said gently, extending your arms to comfort him. “You’re safe now. I’ll take care of you.”

Boothill, watching the scene unfold, couldn't help but feel a sense of protectiveness welling up in his chest. “Guess that makes me your dad then,” he remarked dryly, scratching his head. “Ain't no way this is normal, but looks like we’re a family now.”

Kakavasha blinked at Boothill, still overwhelmed by the bizarre circumstances. “Father?” he echoed, testing the word on his lips. His expression was a mix of confusion and surprise, but also... curiosity. “You’re... my dad?”

“Yeah, you heard me right. I’m your old man now,” Boothill said with a smirk, though there was a softness in his voice that he didn’t usually show. "Ain't that somethin’, kid?"

Kakavasha took a moment to absorb the idea, his little mind scrambling to make sense of the situation. His usual sharp wit was clouded by the childlike innocence that had taken over his demeanor. “So, uh... does this mean I can have cookies for breakfast now?” he asked, his small voice high-pitched but filled with a strange, hopeful tone.

Boothill blinked. "Well, uh... sure, kid. Why not?" He shook his head in bemusement. "You're supposed to be some kinda stone-cold strategist, and now you're askin' about cookies."

Kakavasha grinned widely, the simplicity of the question almost making the chaos around them feel a little more manageable. “Maybe... maybe we can even get ice cream after dinner!” he added, his face lighting up at the thought.

Boothill snorted, leaning back on his heels. “This whole thing’s a mess, kid, but sure. Ice cream it is.” He shot a glance at you. “You’re okay with that, right? I mean, we're a family now... I think?”

You chuckled softly at the absurdity of it all. "Sure, ice cream sounds good. After all, you’ve got to ease into being a kid again, right?"

Kakavasha looked up at both of you, his expression shifting from bewilderment to something softer, warmer. Despite the situation being entirely out of his control, there was a sense of comfort slowly building in him. Maybe, just maybe, this odd, unexpected family would be able to piece together a bit of stability, even if only for a moment.

“Thank you,” Kakavasha whispered, his voice now tinged with gratitude. “I... I don’t know what happened, but... I feel like I’m not alone anymore.”

Boothill’s face softened, just a little, as he placed a hand on Kakavasha’s small shoulder. “You’re not alone, kid. No matter what happens, we’ve got each other.”

The improbable new family stood there for a moment, in the midst of the swirling chaos, unsure of how or why this all came to be. But for now, Kakavasha was no longer a vengeful adult filled with hatred. He was simply a child, embraced by a new, unlikely mother and a cyborg cowboy who, in this strange turn of fate, had somehow become his father.

And for a brief, fleeting moment, the chaos of the universe outside seemed to fade away as they stood together, a family of three, with Kakavasha’s small hand resting gently in Boothill’s rough palm. The game of life had thrown them a curveball, but for now, they would face it as one.

The dawn would come for them eventually. But for now, they had each other. And cookies. And ice cream.

Very lazily written and not edited lol

Art by @Senlly_2507 on X

[sainttheosylas]

We need waaaaaay more comics about abuse survivors’ rage at realizing no matter how kind or cruel you choose to be to your abuser(s), they were always going to slam the ‘cruelty’ button in every situation and anything else you told yourself about the situation was a bad coping mechanism

[mr-ys-phantasma]

🌙 Moon Phases 🌙

Agatha Harkness X Fem!reader

Word Count: 1493

Chapter 35:

Jen helped keep Lilia focused on the present and not let her mind wander or get distracted by anything that might slow them down.

Those swords were still hanging above, and everyone doubted would remain there if you kept losing time.

As if the room had heard your thoughts, the ceiling slowly started to go down; bringing the swords closer and closer to you.

"We didn't even put any cards down!" Agatha shouted, glaring at practically anything.

The road was starting to get on her nerves.

"Maybe no cards are as bad as the wrong ones." Billy suggested.

You looked at Lilia again, who seemed for a moment to be lost somewhere else; her mid wandering off to a different memory of the past.

You grabbed both her shoulders and shook her faintly. "Lilia! Focus on me!" You shouted, trying to bring her back to the present. You were not sure what was going on, but now it was neither the time nor the place to question her. "We need your Tarot Expertise"

Wasting no time, Lilia walked towards the table; her eyes immediately falling on the cards both Billy and Agatha had put down.

"Who massacred this spread?" The old witch questioned, making the two culprits point a finger at one another.

You held back a chuckle at the scene, and if you were not racing against time to avoid impalement; you would have definitely enjoyed the moment more.

But alas, your time was ticking, and there wasn't exactly any true indication of how long you had before the trial was over.

"Who's the querent?" Lilia asked next, looking at her coven.

Billy looked around at the women for a moment. "You mean the subject? Me. I guess I'm the queer-ent." He was amused by his own bad joke, but the smile disappeared as quick as it came the moment you slapped the back of his head.

He turned to look at you, one hand placed against the spot you had smacked him; lips parted in a theatrical hurtful expression.

"Now it's not the time for pun jokes," you reminded him, surprising the teenager with the fact that you knew what a pun was in the first place. "Just get your reading so we can get out of here,"

You almost pushed him towards one of the chairs and forced him to sit, as Lilia took the seat across and grabbed the deck before passing it to him.

"The querent shuffles and cuts." She informed as the coven gathered around.

Agatha rolled her eyes. "Lilia, we don't have time for this."

"Shuffles and cuts," she repeated stubbornly. Billy immediately obliged. "Now, please ask your question."

Of course, nothing could go smoothly as Jen and Agatha started to argue again; honestly making you wonder if they also had some sort of former romantic relationship.

Their arguments were not helping with the situation, pressuring Billy more and taking time from the reading.

The two witches continued and dragged Lilia with as tried to defend the rules of the Tarot to Agatha; who clearly had no respect for this particular witchy art.

It was only you who noticed the swords coming down once again, the roof slowly approaching as your end was getting nearer and nearer with each passing second.

"Ladies," you called then out, hoping to stop them while refusing to take your eyes off the swords; fearing if you did, one would kill you in the next second. "Ladies!" You called louder, hoping to be heard above their arguing and the mechanism pulling down the sword covered roof.

Billy was watching all this time, seeing the swords coming down and no one able to help; cause this was on him. At that moment of thrill and worry, at the face of certain death; he dared to ask the one question he had deep within his heart.

The very same question he feared to even think feared to get any answers to.

"Am I William, or am I Billy?" He asked, practically shouting above the noise.

"That's a very good question," Lilia said with a gentle smile, knowing in most detail of his feelings on the topic; considering he did take over the body ofna dead boy and pretended to be someone else's son. "This is the Safe Passage spread," she continued explaining and pulled out the first card. "The first card is you, the Traveller. Next comes What's Missing, the reason for your quest. Here is the Path Behind, wounds suffered, lessons learned. Here is the Path Ahead, a space for growth and discovery. Of course, you will face obstacles preceding a potential windfall. Uou must overcome all to reach your destination."

As Llia explained each card placement on the spread and what would represent depending on the card, Jen, you, and even Agatha were listening intensely; equally drawn by Lilia's words.

Jen was the first to notice that Agatha was actually paying attention for once and did not seem ready to comment, which was odd for her.

"What, no snide remarks?" Jen teased, always in the mood to try and rub some salt on Agatha's wounds and prove her wrong.

Of course, Agatha was not going to make it any easier for her. She kept her chin up. "Made sense to me."

You rolled your eyes, cleared your throat, and moved to stand between the two women. "If you two are done. Time is ticking, and this is Billy's reading, not yours. "

Being called out like that and realizing you were making a valid point, they just mumbled under their breaths, but the two witches did not dare to continue their little quarell.

You looked at Lilia, who nodded faintly in appreciation for stopping the noisy duo from interrupting any further. You replied with a head nod of your own, though you could still not shKs the feeling that something was off.

The Tarot Cards were definitely Lilia's trial, and yet the questions were about Billy's Path. It just didn't click right in your mind, simply because this was not how the trials worked.

Each trial circled around a deep fear for each member, a fear they had to face, and a challenge that needed to be overcome as a coven.

So, if it was Lilia's trial, why was there nothing about her journey in the cards? Why the sudden focus on Billy?

While you were contemplating those questions in your mind, Lilia proceeded to draw two cards for Billy; the Magician and the Sun.

Yet both those cards did not seem to please the trial, for the swords changed and one landed top close to Jen; causing her to grab your upper arm subconsciously as she moved more into your personal space.

That was not something that Agatha liked, evident by her hard glare towards the Potions Witch; envy and jealousy flashing in her blue eyes... when she noticed.

The swords shaking and as she dared to focus on one, she saw it detaching from whatever invisible string was held; heading straight for Lilia.

In a surprising act of selflessness, Agatha tackled Lilia off the chair and to the ground; just as the sword pierced her chair.

An involuntary gasp left your lips, and your hands covered your mouth, eyes wide at the near death experience that you just witnessed. If Agatha had been a second slower or if she hadn't managed to push Lilia down with the first try...

You shook your head, trying not to think about the outcome.

Instead, you simply stood there and watched as Agatha was forced off; Lilia clearly fought her despite the magicless witch trying to explain that she had just saved her life.

Once both women were up again, you passed a hand over your hair; having almost forgotten the odd but rather unique crown of ice on your head.

"Something we did was wrong... there is no other explanation, " you commented, trying to ease your beating heart.

Jen looked at you. "Yeah, but what are we doing wrong?!" She asked, her tone elevated as she was getting equally stressed. "We followed damn Tarot Rules, Lilia doing the reading as is her trial. So what do we do wrong?"

Jen's words seemed to trigger something within Lilia's mind as she started to realise everything. Her time slips, the random flashes she would get a those years... it all slowly started to make sense.

And she finally had an answer.

"Because he is not the Querent," she suddenly said as she sat at the edge of the chair; unbothered by the sword that had almost impaled her and made her one Vlad the Impaler victims. "I am. This is my reading"

And with those words, she stopped shuffling and cut. Her fingers touched the first card, and her mind's eye immediately got a time flash; the name of the card was known to her before she even turned it.

"The Queen of Cups"

Chapter 36

[anamelessfool]

Papa's Metamorphosis

An interactive Adventure (hashtag #papas metamorphosis)

Dedicated to @cowbell-ghuleh and @ryuzatodraws-archive for their bold contributions to Ghost Plush Lore

One morning, as Papa Emeritus IV wakes from anxious dreams, he discovers that in bed he had been changed into a tiny, evil little doll.

It takes him a few moments of bleariness before the full realization; at first his assessment of the ceiling’s height hinted at the possibility that he had fallen to the floor in the night. He is a rough and restless sleeper, even before all the wine last night. He had been celebrating his recent elevation to Frater Imperator with his ghouls and several eager and very flexible Siblings of Sin, and at the time he admitted he is no spring chicken. Right now he feels stiff, out of place. There’s a certain numbness in his limbs that would normally launch him into a panicked web search of symptoms. The blankets have an odd heaviness to them that he struggles with as he attempts to reach for his phone. As he frees himself from the prison of blankets, his hand passes across his face and a cold feeling of terror darts across his body.

He doesn’t have a hand. Well, whatever hand he has now is a stubby stick arm of felt devoid of any grasping mechanism. He swears out loud but his voice doesn’t fill the room the way it used to. It’s small, far away, emitted by minuscule lungs. He tests out the arm again— yes, it is his, and he can flex the end like a mitten. He had never considered mittens to be terrifying before. But there’s a first time for everything.

He sits up and realizes the giant, soft wall behind him is actually his pillow. Somehow he has shrunk down in the night and at once he starts to sweat. Through past 3 AM anxiety web searching he learned that aging came with a small amount of height loss, but not like this. Overnight he’s become smaller than a ghoul chew toy.

He sits up, patting himself. What he’s experiencing has transcended any sort of logic and so he can’t even form a proper string of panicked thoughts. His whole body is soft, ominously squishy and apparently made of cheap black and orange felt. He reaches up to touch the top of his head and someone has left a tiny Santa-like felt hat on his head, as if to mock his predicament. Elf on a shelf? More like dead on this fucking bed. “Porca troia!” Papa swears and flails his stick arms. “What a fiasco!”

He drags himself from his bed and reveals equally stubby felt legs. Papa slept mostly in the nude, but now his delightfully furry body is transmuted into itchy felt and stuffing. His socks must have come off in the night, left under the covers as this curse took its toll on him as he slept. He pats himself again as if this time he would feel actual human flesh but no. His skin is now some sort of polyester suit that suggests clothing but raises a lot of existential questions he didn’t have yesterday.

He’s going to carry on. Maybe right here, right now he’s fucked but hey— he is an optimist when push comes to shove. He runs a magical Satanic Church. Sometimes one has to take the bad with the good. The random evil curses alongside the debauchery. Papa has a lot of friends…but he can’t forget his enemies.

He starts to pace, unnerved by how his new stick legs swing out and land on the mattress. His bed is now a vast mesa of red silk that needs to be crossed. What was he doing last night? There was the party, and the Siblings, and the Ghouls…Sister’s ghost looking annoyed while Papa Nihil snored way too loudly for an incorporeal entity. There was food, lots of juice and wine and juice and wine… but what else? In the back of his mind he has a memory of this rattling, this pounding sound…from where? From who?

Papa reaches the ledge of his bed and looks down at the floor below, shaking his head. He’s looking down into a canyon floor of marble and Oriental rugs. If anyone was going to figure this out, it had to be him. This entire situation is a nightmare at worst, an embarrassment at best. He squishes his body again, and it springs back in a way that bones and muscle don’t. He jumps off the side of the bed, hedging his bets on his entire body being made of stuffing and felt. Maybe it will work. Or maybe he’ll break every bone in his body and shuffle off this mortal coil. He hopes at the very least if this is how he goes, his ghost form won’t be a cursed little doll.

Papa bounces off the floor, gasping in wild panic but unharmed. He rights himself, replacing the stupid hat on his head for some unconscious reason. Maybe to remind himself of how much of a fucking fool he feels like right now. By the door to his bedroom (which is thankfully half open due to his fear of the dark) his rats shuffle and squeak in their cage, hungry for their breakfast. But he can’t reach much, being what he is now. They’ll have to wait while he figures this out.

He needs help, and thankfully there’s a few options.

Your vote contributes to how this story goes. As for the "Other" option I have a right to pick and chose what works for me personally. This story is PG-13.

The polls are 24 hours but I may not post every day.

Please reblog for maximum impact! Let's have fun here.

[oimitocat]

TTANG | OS

bang chan x m!reader

gun wounds + injury + violence + crying + death threats + coping mechanisms

a/n: i have another req. similar so stay tuned

security is on high alert. it’s been a week or so since the death threats have begun. maybe they should have expected it… as many people love you, there is always a few that hate you. it’s the blessing and curse of being famous.

ilogical, you’d say. super stupid. people that have nothing better to do and rile things up.

many (true) fans are defensive.

you and chan have talked about it. how good it feels to know the fans are taking care of them however they can. chan himself always makes sure things go right. he’s checking in with security, with managers. everything.

there is that slight worry. the members don’t exactly talk about it, but you yourself know they think the same as you. what if?

the concert starts and your enjoying yourself. you make contact with jeongin and grin. you fist bump with felix and laugh with minho when jisung makes a mistake. you talk to your fans and simply end up feeling at ease. you put your trust in security and management.

you check up on chan during outfit change.

“see, all good.” you say softly, rubbing his arm.

he nods. he’s pretty serious but you don’t put much mind to it. you trust that at the end of the night he’ll lighten up for real.

sadly, at the end of the night is when everything goes south. felix is talking as the show almost comes to an end. you casually look around at the hundreds of fans watching them- when you here a gunshot. everyone naturally ducks. the fans scream. security runs around. your in ear is suddenly ringing a noise in your ear.

your managers are screaming at all of you to run to backstage. you spin around and run, catching up to chan who, despite the situation, makes sure the other kids are backstage first.

“go!” you shove him, spinning him around at the entrance when the second gunshot is fired.

your bodyguards are barely getting on the platform to guard you and change whatever outcome could happen.

yet, at the third gunshot, you cover chan. your guards don’t make it in time to prevent the situation. your eyes widen when a pain shoots from your upper back. the impact itself sends you forward, stumbling down the flight of stairs. chan screams, so do the kids and staff waiting at the bottom.

a hiss and groan escape your lips when you hit the floor. you force your eyes to open, watching chan run down the stairs to reach for you. it’s so noisy- screams, orders and crying. yet, your ears muffle it out when you finally take your hand away from your chest. you had blood dripping between your fingers. your eyes flit to chan’s wide eyes, his hands grabbing your bloody one.

the pain subsides into numbness. you’re bleeding out on the floor, breathing is hard- then you’re on a stretcher. then you feel yourself drifting in and out of consciousness.

then everything goes black. you can hear for a bit. you wish you could’ve heard chan’s voice instead of the EMT’s yelling out codes and whatnot. soon though, you truly black out.

it’s not a very comfortable sleep. literally felt like you were in a sleep paralysis. by the time you come to some awareness, that’s all you feel. you hear people talk. you feel when you’re moved to a bed. you knew when the lights were on or off. you felt cold sometimes and hot other times.

after who knows how long you actually were out for, you finally open your eyes. your manager gasps and sits up.

not even a few minutes later you’re popular by a couple nurses and a doctor. turns out the bullet hit your from the back breaking a rib and shot through. fatal, apparently.

you beg and ask for them not to tell the members. they already know you’re recovering, just not awake yet. you don’t want visitors.

it’s an agonizing few days. your manager keeps updating you on things. all you want is to be in chan’s arms, really. your body is still sore from the aftermath, but all you really care about is how chan is doing.

you know he’s strong. but you also know how much he can take. this isn’t something light. sometimes you close your eyes and remember how scared he was.

you miss him.

“what’s with that face?” chan sits up and whips his head around to look at you.

he opens his mouth but nothing comes out. he can’t even stand without stumbling. “y-y/n!”

“you’re supposed to be at the hospital-“ he falls silent when your fingers brush the side of his face.

“i got discharged an hour ago,” you say casually, sitting next to him on the bed. “so, what’s with that face?”

“i was just…” he stares at you. he knows you, so as much as he wants to pry and ask, he knows you’re not up for it. he shrugs, swallowing down his emotions while looking away. “thinking.”

“about me?”

“who else?” he chuckles dryly, “but about everything… i never thought anyone would actually go through with a threat…”

you watch him, “i mean we had talked about it, but experiencing it is different. i’m okay and that’s what matters.”

“but the bullet was for me-“

“it was for any of us.” he looks at you, “okay maybe it was for you. i don’t even know how but i just felt the need to be blocking you and then that happened. jyp already released a statement and like i said, what matter is…” you swallow when you see him wipe away his tears, “is that i’m fine. i’m alive. i’m here.”

there’s a silence that engulfs you. then, you pull him into a hug. “i’m here, chan.”

and he sobs into your chest. after days of holding everything in— his worry, his anger… his love. his fear of you not coming back. of something probably going wrong last minute and you don’t make it- “i love you so much,” he cries.

“i love you just as much,” you tighten your arms around him. “i think me taking that bullet proves it.” you pause when his arms twitch around you, “okay my bad, i shouldn’t joke about it.”

chan sighs, sniffling after. “that’s what i love about you… it makes me happy to know that you’re still you.”

“of course,” you wince a bit as you try to get him onto your lap to cuddle him better. “this is good. i have something to flex during interviews.”

chan snorts, shaking his head. he looks up at you, tears still glimmering in his eyes. you eye him, taking every detail of him. he’s so fragile now. you remember the look of absolute mortification when you were bleeding out on the floor. you lean in and kiss his lips before hugging him again. you bury your face into his neck.

“we’re fine, chan.” you whisper.

he nods, embracing you and closing his eyes.

[lost-romantique]

sorry if this sounds like I'm being petty, but I just had this little discord argument with one of my friends and I just want to hear your thoughts because I drew a blank on how to respond

(Friend's messages)

(My response)

(Friend again)

We just agreed to disagree by this point but I just want to ask what you think about all of this and sorry if I'm bothering you, I just really hate that 'Blitz is terrible' comment tbh

If it makes you feel better, I also disagree with your friend.

I don't see in what way Blitzø’s apology to Fizz was manipulative, actually I don't see how Blitz is manipulative at all, when I feel like he takes the blame for everything. Especially regarding the fire.

The only comfort Blitz allowed himself in that apology was, that comment about his mom, and Blitz has a right to make that comment. He also lost something in that fire.

It's true, I don't think Blitz understands the full extent of trauma Fizz went through. I personally think that if Blitz knew, he'd probably shoot himself.

However, Fizz was able to move on from that trauma, grow, and meet the love of his life... but what about Blitz?

Fizz doesn't understand the pain of having to live with the all consuming guilt of starting that fire.

It's the kind of guilt that consumes you mind, body, and soul.

Everyday of his life, Blitz wakes up every morning knowing he killed his mom, mutilated his best friend, and destroyed the livelihood of his entire circus family. And he reminds himself of that EVERY. SINGLE. DAY.

It's the reason why he's so fucked in the head.

It's the reason why he pushes people away.

It's the reason why he hates himself so much.

Blitz punishes himself everyday for starting that fire, and I don't think your friend understands that.

Blitz has major survivors guilt, and I bet he'd rather be the only casualty from that fire if he could turn back time.

~~~

Also...

*cough*

When Blitz and Fizz were hugging, Blitz was uncomfortable and didn't know how to handle it, so that's why he deflected and made that joke about "making out" it's part of his defense mechanism.

Blitz deflects by making jokes, that's all he knows how to do. It's actually a rather common coping mechanism.

It's one of the reasons why GF was a turning point for Blitz because he never once deflected or made jokes or made light of the situation.

He only plays into the joke and replies to it, but not fully because he calls Moxxie, Millie's husband, giving ownership of Moxxie to Millie. He also says "little" making it pretty clear that he doesn't want to downplay his own feelings towards Stolas.

[mewkwota]

For the character ask meme:

Marvel vs Capom Megaman!

Technically that would just be Classic Mega Man, so we'll go with him!

Send Me a Character

And I will tell you my:

First impression I know who Mega Man was and that there were different ones (I just wasn't sure how or if they were necessarily connected at first, so I drew him and Hub interchangeably but confusedly). I think Rock is cute, but his design was too simple for my tastes.

Something about Smash's additional details clicked so well to me. (MM11 is still not quite there for some reason, so I don't use it.)

Impression now I've always had an interest in robot characters, and after learning more about him, I was somehow able to explore so much with that concept and just Mega Man's character in general. Unsurprisingly, working with him reminded me a lot of Astro Boy and the situations he faces with the innocent mindset of a child and the body of a robot, just not as heavy (I won't talk about the Archie Comics, I stopped following after a while for reasons).

The thing about working with child characters is that they aren't always going to act like older characters, in their words and their emotional responses. On top of that, drawing them is particular too-- their faces, the things they do with their hands, etc.

It leaves a lot to think about, but the thoughts are very welcomed. Kinda like a "put yourself in their shoes" sorta exercise.

So besides the fact that I grew to really love the Mega Man series, with its fun characters and robot designs, I really appreciate the "pureness" of Rock's character. I know he's also a hero with a strong sense of justice, but in the end he's also just a child. A robot child.

Even when compared to the other Mega Mans, Rock is the simplest, purest form of the non-human. His "humanness", while present, differs from X and his complexities despite them both being totally mechanical. Hence why I chose that word "pure".

Though Rock may appear simple, it turns out it's with much meaning. At least to me it does. I have no idea if these words make sense.

Favorite moment This is a Smash thing, but watching the lights of Mega Man's eyes during his fighter reveal is always gonna be so cool.

Idea for a story I made two (ancient) comics that touch on the uncomfortable dynamic between Rock and Dark Pit. I never really clarified it, because I'm still not sure, but Dark Pit's harsh attitude toward Rock were meant to cover for something else.

It's been so long, I don't know if I'll ever return to it. But there's definitely a lot of loose ends I've still left flying around. (Y'know... Like the one with Beck.)

Unpopular opinion I don't really like Rock's MM7/MM8-type proportions. He looks way too tall and way too lanky.

Favorite relationship *Coughs loudly in Captain N*

Favorite headcanon The little depictions that remind you Rock is originally (and still is) a helper robot are very sweet to see.

[asharaks]

minrathous-treviso choice: part one

The choice to save either Minrathous or Treviso, knowing that the other will suffer without your intervention, is actually Great; it’s a strong, bold move that establishes a sense of urgency and the scale of the threat you’re facing, with lasting consequences both for the settings and the companions tied to them. That said. The vision for Minrathous vs Treviso is this: 

First of all there’s a warning before you take the quest that will trigger this plot on completion, telling you to go back and finish everything you want to before taking it because some quests and progression may be unavailable afterwards. Also, tying Davrin’s recruitment to this choice is a mistake — he’s the only Black companion in a game with a pretty racist player base, and a situation in which you Can’t recruit him until you’ve advanced significantly with three other companions disadvantages him further as a companion. Also, he’s a warrior, and the early game doesn’t have any warriors. So instead, Davrin is recruited early (you seek out a Warden as soon as you realise you’re dealing with Blight!), and given a few quests to clear up in the Wetlands, and Harding’s (re-)recruitment is moved back to trigger this scene — she’s an associate of yours who was out gathering information during the early portion of the game, and she’s run into trouble. As a fan favourite returning character, she comes into the game with goodwill that levels the playing field between her and the early game companions, and as a rogue she isn’t mechanically indispensable until her recruitment on higher difficulties since Lucanis is also recruited early. 

When you return with Harding, Lucanis’s and Neve’s calls for help in their hometowns play out as normal, but in deciding where you go, two things are emphasised: 1) you’re splitting up your team of six into equal teams. The choice is not to Only Save One, but to decide who goes where, and which team you place yourself on; and 2) you bear the responsibility for this choice and how it shakes out, moreso than Lucanis and Neve who each insist on protecting their homes, because in Varric’s absence (more on this later) you are the leader, and your team does what You say. The overwhelming nature of the choice is emphasised; there is no way to distribute resources such that everyone is perfectly covered. There’s just too much. 

The key to the choice is that both cities are complicated, often brutally hostile places marked deeply by inequality and oppressive rule, and both cities are the homes of millions of people. As a shadow dragon or a crow, do you have a responsibility to your home town; as the leader of the veilguard, is it fair to place that responsibility over your responsibility to protect All of Thedas against the blighted gods? Is it fair, as someone unattached to either place, to decide on the toss of a coin which millions will suffer and die? At this point, you’ve taken quests in both places, fighting slavers, cultists and magisters in Minrathous and navigating fractured crow rulership, unrest among fledgelings, and the encroachment of the Chantry in Treviso. The cities parallel each other and the problems facing other locations; complicated homes, where people lead complicated lives, towards which any rook can have complicated feelings. 

The quests themselves still each have their blighted dragon, which is still unbeatable here as it flies away at half damage, but they aren’t commanded by their gods — the gods are almost trailing in their wake, Elgar’nan in Minrathous and Ghilain’nan in Treviso. They can be seen here for the first time, enormous, awe-inspiring, and undeniably in blinding agony, infected all the way through with blight. you can’t interact with the gods at all, they don’t even register your presence. But once the dragon fight is over, your work isn’t done — there are longer, more involved quests to finish. In Minrathous the Venatori have staged a coup and the templars have been mobilised en masse to take them; if you don’t intervene, then the city will either fall to the venatori or to the draconian measures they give the magisterium plausible justification to enforce. You have to help Neve and the Dragons shepherd panicking civilians to safety within the Shadow Dragon sanctum (or make it a choice: do you send them to a less secure location and keep the Shadow Dragons secret? or do you guarantee their protection but make the Dragons vulnerable?), destroy Venatori, provide aid for Dorian and Mae in the inner city. In Treviso, the mass outbreak of Blight has pushed the Chantry and the Crows into open conflict, and the city is threatened by Blight and by violence if you don’t get it under control. You have to close locks in the drowned district to contain the Blight in the canals, while fighting back darkspawn and ghouls; help civilians to safety either in ambassadorial buildings, turning to the Qunari presence for help, or in the chantry, which is markedly easier but results in turmoil and distrust in Qunari presence down the line. You find the dagger obtained at the ritual site instrumental in warding off the Blighted dragons and their gods; this is why Rook’s presence is the deciding factor in the outcome for each city.

(next - minrathous-treviso choice part two)

(previous - minrathous)

[sillyfreakx5]

OMG YAY SOMEONE DOING ACTUAL DISCUSSION :D

anyways i agree that transids can most definitely be used in harmful ways!!

in fact, i am quite conscious of the possibility for transids to be harmful, and despite being quite a self destructive person i feel this strange sense of responsibility for my transids to not be detrimental to my wellbeing XD, so i put thought into what transids i identify as and how i go about it

i would love love more discussion of this within the community though!!! (probably need to get off my ass and start it myself ;-;)

ELABORATING, in general, i think there's two main ways of dealing with thought/feeling based problems. there's getting rid of the problem, or working with it and turning it into something positive. (both of those can be the better one, depending on the situation.) transids are GREAT for the second option! if there's thoughts/feelings that you're realistically not gonna get rid of, i find transids to be an excellent coping mechanism. the perspective change you mentioned can be very, very helpful! however, like you said, they can sometimes reinforce negative thoughts/feelings that could have instead been stopped, preventing people from healing.

so yeah, that should be something to take under account before identifying with certain transids. ask oneself it'll be healthy or unhealthy before committing, ya know? and keep in mind that one can always stop identifying as it at any point

also regarding your last paragraph, that's kind of what i find so interesting about transids!! they're so broad and while some transids are very transid specific experiences, there's also ones that cover a wide range of 'normal' experiences. They're basically a framework for viewing yourself through if you get deep enough into them- they're a fascinating method of interpreting one's experiences. (i need to make a post abt this + my three tier model of identity lol)

people identifying as transID aren't doing this to mock your experiences. they're doing this BECAUSE THEY FEEL THAT WAY, and they have the right to talk about their experiences

[aztarion]

Give me some fun facts about Soledad rn or I’ll do something…dunno what yet…

im sorry i took so long getting to this T_T thank you for asking!!! this went off-road many times with me overthinking it i just couldn't save it but hopefully it's still readable, i tried to do a mix of character and meta while not repeating anything from prev asks and then it kind of morphed into a weird bio lmao

her full name is Solona ‘Sol’ ‘Soledad’ Castillo; born 1/11/72 and raised in soledad, california, until her parents moved to sierra vista, arizona. died embraced 1/11/98, so forever 26 (and chronologically a fresh 48 during the events of Night Road).

by that time in 2020 her mom and dad have both passed and her older brother is 52; he runs their dad’s mechanical repair workshop there. she absolutely still does the sad little drive-by late at night every couple of months if she's in the area on a job (surgical mask on and hood up of course). i hc that julian, while keeping an occasional spying eye on her during the 10 yr absence, also looks out for her brother and sends business his way unbeknown to her lol

she ended up 3/3 fully blood bonded to julian in the beginning while they worked for the cam, and julian was 2/3 bonded to her. his “wasn't it romantic?” comment -- yeah literally too romantic, get back to work and feed the big underground nosferatu both of you 😤 i like that headcanon personally as another reason why he would cut contact so suddenly with sol when they were in a relationship — to break the bond on both sides; he could obsess strictly over 2100X and her desires would be completely her own again

another headcanon i'm sorry... after the diablerie of aila and the intense guilt that came with the act, plus julian (her sire) abandoning her and essentially straining and forcing their bond to fade, she gains the bulimia derangement. i paired that with the siren predator type lmfao. so very um dramatic all around when shes having a bad night. she restricts to bagged blood for like ten years working as a courier and just resigns herself to being perpetually dour and unsatisfied. i like to write her easygoing and much more lively when she's with julian during their work for the local camarilla, like the reality of her new condition hasn’t really sank in because omg julian's sooo fun and woah this world is crazy but at least julian's here he's gonna change everything or something (she believed in his vision and ideals even if she didn't fully grasp the scope at that time -- like she was on board at least. bless her she had 2 intelligence). she then becomes very muted pre-night road while the bond fades and the uglier, lonelier facets of being a vampire surface; having to pull together an independent undead existence for herself, trying to control her beast while feeding exclusively on bagged blood as job payment, then a little more tearing at the seams upon arriving in tucson during night road (resentment, guilt, anger, desire, longing, hunger for something that won't have a plastic aftertaste, all rushing back and blurring together at once; not so good a grasp on those when she’s been keeping herself numb and isolated and constantly on the move for a decade). behind everything she is desperate for connection

she has a good control on her beast thanks to that (monastic? lmao) decade (and high willpower/composure/resolve), until returning to tucson and stirring aila’s presence; the strange link to lettow, julian showing up, old memories and feelings that aren't even always her own now gathering on this very carefully crafted veneer like plaque. also suddenly having a ghoul and her own assets to worry about kind of freaks her out due to her own existential uncertainty and not really trusting herself. not even really knowing who she is. and she really likes elena right off the bat; she usually puts herself in more danger as to not risk her ghoul in the exact situations one would find themselves needing a damn ghoul in — she is literally the worst kindred ever in terms of priorities and self-preservation

speaking of her beast, it's very much that of a scorpion or snake… yes blunt-object-to-the-back-of-the-head-symbolism with some of her tattoos 😭 she stays lowkey, tries not to put herself under circumstances that would provoke or overly strain it, can keep it in check relatively well due to avid practice being a loner control freak, but when it snaps it's like an inland taipan. actually one of my fav moments playing with her in night road: so she chooses to continue feeding on blood bags in tucson, but when she finally had the opportunity to indulge with her predator type and a live target in dallas, she fucking got a critical success and killed them T_T this was after impulsively kissing julian back at the apartment d'espine allows you to stay at while in the area too. real in-character off-the-rails moment rip

i mentioned before but under the composed exterior she tries to present, she intensely seeks connection to something or someone. unfortunately the way she sees it: lettow is drawn to her because of the remnants of aila lingering within her -- also she literally ate his girlfriend, she's still not ok with that even if he forgives her because of course i gave my vampire oc morals and a guilty conscience (meanwhile cobie is eating people whole like twice a day); julian has no issue using her for whatever despite his affections, and elena is literally blood bonded to her, which sol is constantly thinking about elena's feelings and best interests — its a little bit of a sore spot for past reasons...

she gets on well with dove and begrudgingly really likes carlos (they absolutely cuss eachother out in very aggressive spanish one minute but he will pass her the roach the next) and she simped so bad for invidia caul — i think sol’s type is just a combo of super intelligence + willingness to engage in unethical experimentation lmfao. she's like omg noooo i don't understand wtf you're saying and that's sexy to me also your actions make me feel bad and are very ‘end-justifies-the-kind-of-morally-bankrupt-means’ but i cannot deny if they work out the ‘end’ would be really beneficial to kine and kindred... woe… hashtag conflicted and a little turned on. but she's very drawn to people who are idealistic or driven in an inherent ‘i want to help then i'll have purpose’ way. also the thrill. omg im just psychoanalysing her at this point sorry. this bitch would easily be indoctrinated into a cult is what it all boils down to + the extreme loyalty means she'd probably end up the cult leader's right-hand arm man his everything his confidant his best friend his silly rabbit 🤦‍♀️

also a follower in the streets but more of a leader in the sheets who said that

ok random stuff... she has those brown eyes that when she was human would glare almost red-orange when caught in straight sunlight; super deep chestnut, it only comes through under certain fluorescents these nights

very thick long hair; naturally has a kink/wave to it, quickly prone to returning to that state even when straightened, esp in the southwest's heat. usually loose when in tucson or dressing up, or braided ponytail on the road/job which i am so afraid to draw

nails are sharp like mini claws unless she’s specifically clipped them after rousing. they extend obscenely when she pops protean. i need to draw her fangs but they’re feline/kittenish: weirdly long and thin like staple punches, and again when she pops protean they extend like a snakes

her character color scheme runs warm-dark: black, brown, ochre, sienna, umber, burnt orange, deep shades of red, and maybe some random olive. style-wise it’s a mixed bag of practical minimalist and sleek; street and active wear, the occasional gold-ruby-emerald or leopard print dolce & gabbana-esque gaudy accent. very feminine on top; skin tight, low cut, corseted or cropped, paired with something oversized; men’s beaten-soft leather jackets, vintage driving jackets, or blazers. pants go either way: form fitting or baggy and belted depending on whatever silhouette she wants to cut. think of like the swaggiest 70s cuban drug lord/80s gangster restyled on 90s supermodel Naomi Campbell or something. with formal-wear i really like her in off-shoulder stuff. i try to draw her tattoos more in art bc it makes her more fun to look at but as a courier she wears driving gloves and long pants/boots to cover them up, and baseball caps or large sunglasses (yes at night. loser) to keep herself mostly unidentifiable

THANK YOU FOR ASKING ABOUT MY BLORBO!!!! :'3

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[thegalleonsnest]

The Bugsnax Card Game is Here!!

I finally got my copies in yesterday, and decided to do an overview of the cards and show them off in a sort of unboxing kind of thing.

The box is pretty big! But the inside is nicely compact with 3 decks holding everything in the game: Bugsnax cards, Trap cards, the Grumpus decks! Some of them are spread out between each pile to make sure everything fits evenly (Found Cromdo's deck in the snax deck pile lol).

All of the cards are very high quality, and full of charm! We already got a glimpse of them in the digital print and play set that got sent out a few months back, but having it all in person feels really cool, I almost don't wanna use them lol.

All of the Grumpus cards are genuinely so much fun to look at, and they all play in unique ways that really changes how much you approach a given situation. Some are built around risk vs reward like Cromdo, or countering another player's deck. Some play somewhat more friendly with others while also using it as a way to help yourself like Filbo and Eggabell. There's a good amount of a variety between the decks that I really appreciate and makes you noticed just how much these abilities actually play around the game's rules and mechanics.

I also was expecting there to be at least copies of bugsnax cards specifically, but no, there's only one of each surprisingly. Not that there needed to be copies considering how big the deck is as a whole, so it keeps you on your toes on who will show up. (side note: Flapjackarak is the only bugsnax in the game to featuring the ability "whirlwind" which isn't even mentioned in the "Keyword Reference" page on the manual, I thought that was neat.)

The decks are separated between basic and advanced/expert decks. Obviously to provide accessibility to beginners and the younger crowd. The game also operates on slightly different rule sets depending if your using the advance decks or have more than 4 players. Which is pretty cool! An average session with the basic decks takes about 30 minutes, but playing with the advance decks and more players, could take up to 60 minutes. But your choice to follow those rules or make your own. (I know I will, I've got several ideas for how make different and new rule sets and game modes)