#and there is nothing i love more than a well thought out character

[aventurineswife]

hello~ I was hoping I could make a teensy (hopefully it stays teensy request XP) Dan Heng, Aventurine, Dr Ratio, Jing yuan, Jiaoqiu and AE!Sunday with a s/o or spouse who gets cold very easily but they remain quiet and dont complain abt it out loud to avoid being a bother XPc 🍮♠

Unspoken Warmth

Summary: Your partner notices your quiet endurance of the cold and offers warmth in their unique way, despite your reluctance to show weakness.

Tags: Dan Heng x Reader, Aventurine x Reader, Dr. Ratio x Reader, Jing Yuan x Reader, Jiaoqiu x Reader, Sunday x Reader, Fluff, Comfort, Quiet Intimacy, Cold Weather Care, Protective Characters, Emotional Support, Silent Love, Soft Moments

You never complained about the cold. Not once. The chill of the wind outside the Astral Express had crept into your bones, and while most would have found the drop in temperature unbearable, you kept your discomfort to yourself. Dan Heng, however, was not one to miss the subtle shiver that ran through your body as you sat near the windows, gazing out into the vast, starry void.

He had noticed it before. How you would curl into yourself just a little tighter when the cold crept in, how you would sit with your shoulders drawn in, silently enduring the icy air without a single word of complaint. It wasn’t like you to ask for anything—Dan Heng knew that much. He respected it, perhaps more than you realized.

But that didn’t mean he was blind to it.

One evening, as the train hummed steadily through the vastness of space, he sat beside you, his sharp gaze flicking over the space around you. It had gotten colder, the sort of bite in the air that left no room for doubt. Yet you remained still, your posture ever so slight in your discomfort.

Without saying anything, he stood up and moved toward the cabin's storage. You heard the faint rustle of fabric, and then he returned, holding a thick, dark cloak draped over his arm.

“This should help,” he murmured, his voice soft but firm, as he carefully wrapped the cloak around your shoulders.

The warmth that radiated from the fabric immediately enveloped you, a small relief from the chill that had been gnawing at your skin. You opened your mouth to thank him but caught yourself. He was already back in his seat, his spear resting against the wall beside him. His demeanor hadn't shifted—stoic, calm, as always.

But then, you noticed the subtle change in his expression. His gaze, soft yet insistent, met yours for the briefest of moments. It wasn’t pity, but understanding. You weren’t the only one who carried silent burdens.

“I’ve got your back,” he added quietly, as though reading your thoughts.

And you knew, without needing to say a word, that he would always be there, silently offering warmth when you least expected it.

The cold had arrived swiftly, settling in with the smooth precision of a well-played hand in a game of cards. But unlike the calculated nature of your partner, this sudden chill seemed to have caught you off guard. Your body shivered slightly as the evening air settled over Aventurine’s apartment, the cold creeping into your bones.

You didn’t complain. You never did. Despite the discomfort of your quiet shivers, you simply curled your arms around yourself, hoping the warmth of your own body would be enough to stave off the cold.

But Aventurine—always observant, always attuned to the smallest details—had noticed. His sharp eyes flicked toward you, noting the way you hugged your arms tighter to your chest. He did not ask, he did not speak aloud, but within moments, you felt his presence beside you.

He draped his coat over your shoulders, the fur lining warm against your skin. You blinked in surprise, raising your head to meet his amused, yet tender, smile.

“Never thought I’d see someone like you let the cold win,” he teased gently, though his tone carried no malice.

You couldn’t help but smile in return, though you still said nothing. Aventurine’s smile deepened, as if he understood your reluctance to voice your discomfort.

“Stay warm, my dear.” he whispered, his hand brushing your hair back with a softness that felt almost too tender for the flamboyant strategist.

As he moved to sit down beside you, his cloak still wrapped around your shoulders, you leaned into him, letting the warmth from both his coat and his presence soothe the cold. No words were needed. With Aventurine, you had learned that sometimes, silence was the most profound way to express affection.

The cold was biting, a stark contrast to the usual warmth of the laboratory. You hadn’t said a word about it, of course. You never did. Your pride was too strong, your desire to not be a burden too ingrained in you. But that didn’t stop the creeping chill from seeping into your skin.

Ratio, ever perceptive despite his sharp and often dismissive nature, had noticed the subtle way your shoulders hunched as you worked alongside him. The shivering that danced along your arms hadn’t escaped his sharp eyes.

He did not comment. There was no question in his tone when he moved from the desk to the shelves, his fingers brushing over vials and medical instruments with precise ease. He returned a moment later with a heated compress, offering it to you without so much as a word.

“Place it here.” he instructed, gesturing to your hands.

You blinked at him, surprise momentarily breaking your usual calm demeanor. You hadn’t expected him to notice, much less to care.

Ratio’s eyes met yours—intense, unwavering, yet there was a flicker of something softer behind them. A quiet acknowledgment of your discomfort.

“It’s not weakness,” he added in a rare moment of tenderness. “Sometimes, even the strongest need a little help.”

You didn’t need to speak, but you gave him a small, grateful nod, the warmth from the compress beginning to seep into your body, making the cold feel a little less sharp.

It had become a routine. The cold would set in, and you would remain silent about it. You never asked for his attention, never begged for warmth, but Jing Yuan—calm, calculating, always two steps ahead—had noticed.

The evening had grown cold, and though you tried to remain composed, Jing Yuan’s sharp eyes caught the subtle way you tucked your arms around yourself, the faint shiver that ran through your form.

He didn’t speak a word at first, content to observe from a distance as you tried to maintain your stoic composure. But after a few moments, he stood, slowly walking toward you with the same deliberate pace he always maintained, his golden eyes softening with a quiet understanding.

Without asking, he wrapped a thick blanket around you, his hands brushing over your shoulders as he adjusted it for maximum comfort. His actions were practical, yet there was a gentleness in his touch that spoke volumes.

“You should have said something,” he murmured quietly, his voice carrying no reproach, only a subtle note of care.

You offered a faint smile, though you still didn’t speak, content to let the warmth of the blanket and his presence surround you. Jing Yuan simply nodded, his gaze distant but kind.

“I’m here,” he added softly, his usual authority giving way to something more personal. “Next time, let me know if you’re cold.”

And with that, you knew—without a word—that he would always be there to offer warmth, whether spoken or unspoken.

The cold came as it often did, unannounced and relentless. You tried to ignore it, as you always did, curling up with your thoughts and your work, pretending the biting chill didn’t bother you.

But Jiaoqiu, perceptive as always, saw through your act. His gentle eyes studied you from across the room as he prepared his alchemical concoctions, his hands steady and graceful. When he noticed the subtle tremble of your body, he moved toward you, his expression calm but his intent clear.

Without a word, he produced a thick, soft blanket from one of his cabinets and carefully draped it around your shoulders, ensuring you were warm but not overwhelmed.

“I know you don’t like to ask for help,” he said, his voice low and comforting, “but you don’t need to suffer in silence.”

You met his gaze, and for a moment, the weight of unspoken words hung between you. You hadn’t needed to say anything, yet Jiaoqiu knew exactly what you needed. The warmth from the blanket and his thoughtful gesture melted some of the cold, but it was the warmth of his care that truly made the difference.

And for the first time that day, you let yourself relax, allowing Jiaoqiu’s presence to be the healing you didn’t know you needed.

The cold had always been a silent companion. You never complained about it. You never showed weakness. It wasn’t that you didn’t mind the chill—it was simply a matter of pride. You would endure it silently.

But Sunday, ever the observant leader, had noticed. He saw the way your movements became just a bit stiffer, how your usual calm demeanor seemed to falter as the temperature dropped.

One evening, as you stood near the window of your shared quarters aboard the Astral Express, lost in thought, he approached without a word. You felt the weight of his presence before you heard his soft voice.

“You should’ve said something,” he murmured, his words carrying the authority of a leader, but with the gentleness of someone who truly cared.

Before you could respond, Sunday wrapped his long, elegant coat around you, pulling you gently into his embrace. The warmth of his body, combined with the softness of the fabric, melted the chill in your bones.

“You are not a burden,” he whispered, the quiet conviction in his tone breaking through your usual restraint. “I would have done this sooner if you had let me.”

For the first time, you didn’t feel the need to hide your discomfort. Sunday’s embrace, his warmth, was enough to make you forget the cold, not just around you, but inside as well.

[suplicyy]

Hello!! Can you do tsukki, kuroo, akaashi, kenma, shirabu, suna, and atsumu with a fem reader gf who is an actor and she has to do kiss scenes sometimes and char gets jealous? Tyy!

Also ik this is a lot of characters so take your time :)

— Tags/Genre: Fluff | Fem!Reader | Timeskip

— Characters: Tsukishima, Kuroo, Kenma, Akaashi, Shirabu, Suna and Atsumu.

— Warnings: None!

╰┈➤ Tsukishima Kei

He's definitely one of the most rational on this list, and as much as he tries to look at this situation as normal, he can't help but feel his eyebrows furrow slightly at the idea.

Well, that's your job, and you're not going to stop loving him and he's not going to stop trusting you because of something that both actors are dealing with professionally.

But even if he doesn't show it (at least that's what he thinks), you know the man you have.

The eye roll when you mention what happened, the drumming of his fingers on the table, and also the short but dry answers he gives you.

He really doesn't want to act like this towards you, after all he loves you, but he really can't help but feel jealous.

And speaking of jealousy, he would NEVER declare it to you out loud, this man is is annoyingly proud until the end.

However, you know very well what he is feeling, since every time you mention the recordings of your current project, he always finds a reason to mock about your romantic partner in the series/film.💀

╰┈➤ Kuroo Tetsurou

Even though he is the more playful type with you, so to speak, he wouldn't mind too much if you had to do something like that.

All the moments you spent together, all the words of love exchanged, every gesture, every look, all of this is enough for Kuroo to know that you love him with all your heart, just as he also loves you very much. <3

So obviously he's going to make some sarcastic comments about how 'I'm definitely a better kisser than this guy' or something like that.

But he wouldn't be worried about things like "maybe she won't love me anymore", for him these are silly thoughts.

He trusts you completely, and knows that you always handle everything that happens on set in a professional manner.

I think you would be more worried about this kiss than Kuroo, so he's the one who has to assure you that he knows how much you love him!!

And even if he assures you that everything is fine, he won't refuse the many compensatory kisses you give to him...🤫

╰┈➤ Kenma Kozume

Kenma is really a calm guy, it's rare for him to lose his temper.

And even in a situation like that, I honestly see him continuing to be the same.😭

It's not that he doesn't mind you kissing another man, after all the first time you told him that, you saw his face contort into an irritated grimace.

But he knows it's just for the recording, so he'd just be a little jealous at first!!

I see him as someone who doesn't share much about his personal life as a streamer, but his subscribers definitely know that you are his girlfriend, after all you are a very famous person too.

So they wouldn't be surprised if, At the beginning of his live, out of nowhere, he announced a film that had just premiered just because you were in it.

"Well, the movie is already in theaters, so watch it! It's pretty cool... except for the kissing part..." he says pretending to be jealous, and then gives a small smile, while showing the movie poster in his hands to the camera.

╰┈➤ Akaashi Keiji

Definitely the calmest and most responsible on the list.😭

There's no way he would be jealous of you, because he knows you both love each other, he trusts you and knows he have nothing to worry about.

Just like Kuroo, you might be more worried about this situation than he is, thinking that it would upset him in some way.

And if you're nervous because it's your first time doing a movie scene like that, Akaashi would definitely calm you down and assure you that you'll do well in the filming!!

He sees how talented you are as an actress, and believes you are capable of completing any type of scene, even though they might make you a little worried.

But he will always be there to support you with whatever you need, comforting you with the sweetest words.

╰┈➤ Kenjiro Shirabu

He would be PISSED💀

I see him as someone who, when he's jealous or upset about something, can't hide it at all.

Whether it's his facial expressions, like a contortion of his face, and a slight pout appearing on his beautiful face... or in his own words.

"...Ew." That was the only comment he made when you showed him the photo of the person you were going to record with...

Even if he gets jealous about this whole situation, he would try not to think about it too much, otherwise he might just stay with a sullen face all day long.

But all you have to do is give him a few kisses and he'll melt right away and forget about it!!

If some of his friends (probably Goshiki and Tendou...😭) asked him if he was jealous of your kissing scene, teasing him, he would probably let another comment slip out.

"Why would I be jealous of someone who doesn't even know how to kiss well?"

╰┈➤ Suna Rintarou

When you talk to him about it, you can be sure that he would immediately pull out his cell phone to research the actor who will do the scene with you.

He didn't say this to you, but he did it in the hope of finding some controversy in which the person is involved, so he can show it to you...🧍‍♂️

Somehow, I see him as someone who is very much in the know about things that happen in the world of celebrities, the internet, etc.

So if he was a well-known actor, I think Suna would recognize him and other movies/series he was in and comment on it for you.

"He has the charisma equivalent to that of a door. Why did they put someone so boring in that role?"

I don't think he would be too jealous, but he is too clingy, so I think he would just cling to you all day while making fun of the situation.

╰┈➤ Atsumu Miya

If you told him that the world would be invaded by aliens and all of humanity would be exterminated, it would be less important for him than hearing that you were going to kiss someone other than him...

He acts in such a dramatic way, it's as if you're actually going to marry the person you're going to do the scene with.

"LET ME DO THE SCENE WITH YOU INSTEAD OF HIM!!" "Tsumu... you are not an actor..." "Huh, I guess now I'll have to give up my career as a volleyball player and become an actor..."

He's the kind of guy who when he's jealous, he crosses his arms while tapping his foot impatiently on the floor, rolling his eyes while huffing in annoyance, waiting for you to pay attention to him.

But despite that, of course he would watch your movie, after all, he wouldn't miss any work his beloved participated in!!

But when the kiss scene came on screen, he would do anything to grab the TV remote and skip that scene, swearing that this scene adds nothing to the film's purpose.😭

— A/N: I'm obsessed with Alien Stage and that's all I can think about...... You guys have no idea, this has completely changed my life (for the worse)😍🤩🥰🤩😍🤩😍

[thenationofzaun]

Thoughts on Act 1 of Arcane Season 2

The positives:

- The animation is fucking incredible.

- Jinx and Sevika teaming up watered my crops and cleansed my skin.

- Underwater goodbye with Jinx and Silco. That scene was made specifically for me.

- Jinx's voice actress continues to be excellent.

- Loved the designs of all the Chembarons. The glimpse we got of the gang wars was also interesting. Unfortunately, too tiny a glimpse. Which brings me to...

The negatives:

- Too many plotlines. They stuffed the season with too much shit which is why each individual plot gets a much shorter screentime than it should. Smeech is introduced and killed in the same episode. Chembarons' gang wars, a huge issue which has repercussions on the entire Undercity, gets only one musical montage before moving on. And this is coming from someone who loved that montage, as well as the song. My favourite on the soundtrack so far. But musical montages shouldn't come at the expense of the story and definitely shouldn't replace the story. There are just way too many music video scenes in general that feel like a way to condense a storyline into the sparknotes version because they don't have the screentime to flesh it out. And they would have the screentime if they cut out all the extra stuffing. Look I'm happy for the League fans who are excited for the Black Rose and all that, but what the hell is it doing in a Piltover/Zaun show. And with zero foreshadowing in Season 1 too. It would definitely be easier to swallow if they had at least hinted at it in the first season. They could have kept Ambessa's beef with this magic cult for a Noxus show. The P/Z narrative has enough to deal with, enough characters to handle already.

- The new side characters are uninteresting and generic. Maddie and the two other enforcers (we don't even know their names after three episodes LMAO) are bland. We know nothing about their characters or personalities. Maddie looks like a rookie, and one of the dudes is an alcoholic, yet they get chosen for an elite strikeforce to capture Jinx? Isha is pretty generic too - the token cute kid that needs protecting. I get the role she will play in Jinx's arc. But that's the problem - she should be a character in her own right, not just a vehicle for someone else's character development. A good example is Mylo. He died for Jinx's arc, but when he was alive he was a distinct character with his own personality. We had a sense of his insecurities, his goals, who he was as a person. Name a single personality trait of Isha and Maddie other than "generically nice person". That's right. You can't.

- Whatever the hell is going on with Viktor. He wakes up from his coma and immediately rejects Jayce so quickly that it was funny. Apparently disapproves of Jayce using the Hexcore to save his life, but then immediately goes to use the Hexcore to save random Undercity people. Bruh. I also don't really like the way the fridged woman from last season seems to be his motivation so far. Nor the way he seems to have no agency in his Machine Herald arc. Instead of Viktor himself believing in transhumanism and mechanizing himself, Jayce does it for him. Instead of Viktor having an ideological drive and wanting a "Glorious Evolution", he is driven by guilt over Sky. Meh. Also he's not even mechanized, instead he's weirdly fleshy?? In a magical way?? More like The Magic Herald :(

- Vi. Her whole character is a mess. Insanely rushed arc which I find unacceptable for one of THE main characters and one of the faces of the show. She and Jinx are supposed to be the leads, their relationship the heart of the story, but so far only Jinx is a well-written fleshed out chaacter with a believable arc. I have too much to say about Vi so I'll expand more on this on another post.

- So much nuance and detail is missing. How does Heimerdinger feel about his ex-colleagues being killed? Does he care? Does he feel guilt? Relieved that he wasn't in the chamber when the bombing happened? No clue! Let's have comedy Mission Impossible instead! How does Ekko feel about the Council attack? Does he approve of it? Think Jinx went too far? How does he feel that she even survived their fight to begin with? No clue! Here, have him joking around with a Councilor for a bit (someone whom Ekko logically should despise), then he can talk Science with Jayce and all three get sent to another dimension together. Yay. What does Vi think happened to Ekko? The last time she saw him, he was fighting Jinx to the death to give Vi and Cait time to escape. He could be dead for all she knows and she doesn't give a fuck. Doesn't even think about him nor mention him once. It's like the writers forgot they're childhood friends. What does the entirety of Zaun make of Silco's death? I assume they heard about it from Piltover (who heard about it from Caitlyn), but how do they think it happened? His body is gone and to Zaun it seems he just mysteriously disappeared. Are there conspiracy theories? Conflicting accounts and rumours? So much nuance that would give the world and characters more depth, sacrificed so we can pack in more rushed subplots and music videos.

- Caitlyn "Wifebeater" Kiramman. And Caitvi in general. So far Caitlyn has guilt-tripped Vi, manipulated her into joining the enforcers, insulted her and then physically abused her. After Vi sacrificed everything for Cait, wore a badge she hates for Cait, even let Cait kill her own fucking sister (and only intervened when the random kid got involved). Why should I give a shit about such a one-sided relationship lmao. "B-but Cait's mom is dead so she's sad about it", every other fucking character in this show has dead parents. Half the cast has faced unfathomable amounts of trauma and pain that make Cait's pale in comparison. Nothing justifies her hitting Vi. "B-b-but it's a parallel to when Vi hit Powder", a shit parallel then. Because the circumstances are not even remotely comparable. "God forbid lesbians do anything🤪", give me a break with this corny bullshit. Be serious for a second. I'm not even a Vi fan and I think she deserves better than this mess of a relationship. The power dynamic between them makes it worse. The way Caitlyn is one of the richest people in the city and Vi is broke. The way Caitlyn is highly educated and Vi never went to school and spent her entire teen years locked in a box. Did the writers think about all this when writing their relationship? Keep in mind, Vi met Caitlyn like a week ago. She barely knows this chick. She's been out of prison FOR A WEEK. Where she was physically abused every fucking day. Putting her in a relationship with a cop who hits her would certainly be a choice! Do I have faith this show will handle it with care? Not really, no. They already ignore Vi's prison trauma. Most likely they will make Vi forgive Cait way too easily because "muh mummy muh grief".

[midnightmah07]

"A celebration? Really? Why, aren't you so kind. Thank you, I'll make sure to enjoy myself today."

Voice lines under the cut! • template (warning: I edited a few parts to make it look like my character's RSA dorm)

📚: well, birthday or not there's still a ton of work to do! ... although I guess it wouldn't hurt to relax a tiny bit. Just for today.

📚: my most prized possession? Well, those'd be my books! See, lately I've been reading this wonderful one about a bean stock and an ogre and— ah! S-sorry, I'm rambling too much...

📚: Leona actually gave me something besides a simple "happy birthday" message this year, can you believe it? It's a crochet book cover, he said he got it online... It is really beautiful.

📚: Did you know? Me and my mom used to share a birthday. She used to say I was her birthday gift haha! Oh, how I miss her.

📚: birthdays back home were a mix of emotions to say the least... My sisters and I were never too close so that was always awkward... But my dad always made everything better.

📚: is that— no way, you got a big pudding instead of a cake? Ahahah, why thank you! That's actually really funny, but very creative!

📚: Adeline gave me a really beautiful bouquet of flowers, I'm sure my room will smell even nicer in no time!

📚: I usually like to keep my hair in a bun when I go to sleep. Once I tried using some curlers but it looked weird... My hair is more wavy than curly so... It looked a tad bit strange.

📚: my nightgown? Ah, do you like it? I love sleeping in it, it's rather comfortable! Most women in my country tend to sleep in similar nightgowns.

📚: *yawn* ...hm? Sorry, what was that? I'm still a bit out of it, I slept too late last night... Ah, i-it totally has nothing to do with the new book I've got!!

📚: skincare? Hm... I would like to try it sometime but for now I just use a moisturizer. I care about my appearance, yes, but I've never really paid much mind to my skin in this way.

📚: Poppy gave me a crochet lion plushie... With a scar on his eye. *Sigh* is this to make fun of me or something?

📚: "If you poke Isabelle's dimples you'll have luck for 10 years...?" What sort of rumour is that? Hahah! Oh, goodness... Well, if you want to try, you're welcome to.

📚: what's this old looking note...? Oh, it's from Malleus! It's a happy birthday wish, how thoughtful. I had no idea he knew my birthday though... Is this Adeline's doing?

📚: what a delightful day this has been, and all thanks to everyone here. Thank you very much.

Duo magic:

Isabelle: Thanks for the party, Adeline.

Adeline: Happy birthday, housewarden!

[bengiyo]

Ben’s Big BL Blurb 2: Fall is Finally Here

I am simply too busy with worth, family, other hobbies, and life to write about every show in real time anymore. I’m sorry to all the Stray Thoughts readers who’ve reached out about whether I would pick that back up, and I simply just do not have the time to do them anymore. Instead, I’ll try to do one of these as often as I can to catch up on things.

First, let’s go over some shows I finished recently that I don’t think I wrote much about.

First Note of Love

I was so happy to see Michael back on screen, and I was glad to see that he’s still able to get great chemistry with his co-star. Unfortunately, I don’t think this show was very coherent, so I didn’t get a lot out of it emotionally. It was a pretty inoffensive watch overall, and thus an easy show to put on without having to work through too much. I liked the work between everyone, and Mei Lei was such a fun character. Probably won’t return to this one, though. 

Let Free the Curse of Taekwondo

This is probably the show of the year for me. There’s so much I loved about this show. I loved that the characters had sex, but were neither rewarded nor punished for it; their sex didn’t solve any problems. I also really love how this show explored how childhood trauma expresses in two different kinds of boys, and I love that we got to see a bully reckon with his actions and get closure. I love that this show ended with them being kinda poor, but happy together. I love how messed up they both were about everything. I loved that Juyeong wasn’t stupid, and could read what was going on.

I clearly need to write a separate post to unpack everything I felt in this show.

Let’s move on to what I’m watching currently, in no particular order…starting with the lesbians, and then the worst BLs.

Apple My Love

Genuinely having fun with this GL. I like how quickly most of the drama plays out. It’s giving me quite a bit of secondhand embarrassment, but I like the characterizations in this show. This new production house brought us Knock Knock, Boys! and Monster Next Door this year. We need to keep an eyes on them. 

Haunted Hearts

I’m so fascinated by Oxin Films teaming up with Regal Entertainment. The leads are very attractive, but the cinematography is really boring. I’m trying to stay invested, but it’s kind of a sleepy watch. Also amused that they started airing a ghost romance right after Halloween ended. I’ve kind of moved on emotionally from the season.

My Damn Business

This show could be good, but it’s not. I struggled with episode 5 because our lead looked more relaxed and happier with his senior than the guy he’s getting into a romance with. There’s something missing here in this one, but I can’t exactly put my finger on it. I think it’s primarily a side effect of the short run time, but I think the boss’s interest isn’t landing properly for the employee to respond to. 

Eccentric Romance

This show could be good, but it’s not. Still, I am obsessed with a murder mystery being the primary source of confusion between our leads. I was willing to forgive this show a lot of its rough edges, but it failed to handle the turn from friendship to sexual/romance really well. I feel like our guys just started dating and having sex, and I’m a bit frustrated that they didn’t talk about it really at all, particularly since this show features two different languages spoken on screen. Genuinely looking forward to seeing how this one finishes. 

See Your Love

I’m not sure this show is exactly working that well, but everyone is very pretty and I’m having a decent time watching it. I like the way Shao Peng stands up for himself, and I like that nothing that’s happened has been totally unbelievable or unreasonable (at least with the mains). I’ll be curious how the hard of hearing and deaf viewers respond to this one once it’s complete. 

Love is Like a Poison

This show is actually so funny. I love that Shiba is in his own lawyer genre separate from everyone else, and I really like how the two of these guys have become a team. I’m curious how they manage to resolve the scamming next week, but this has been the most unexpected dynamic of the year. 

Love in the Air: Koi no Yukon

MAME won this year, y’all. We all have complicated feelings about her, but she’s secured a loving adaptation from a Japanese team that’s put solid effort into bringing her characters to life. Every character feels correct compared to their Thai counterpart we saw on screen, and that’s a strong sign that the writing behind MAME’s work is strong, even if we all have issues with the way she tackles certain themes. I’m really impressed with this adaptation, and really like this version of Rain.I also feel like this show is doing a better job blending the forthcoming couple focus shift.

Our Youth

We just got this show, but damn does it feel sharp! I’m always going to be a sucker for a cinephile character, and I’m so compelled by the way Minase is drawn to Hirukawa. The scene in episode 2 where Minase has to leave Hirukawa’s house might be one of the most impressive sequences we’ve had in a while, requiring a great deal of choreography and effort from the actors and the camera crew to pull off, and I’m excited to see how these characters split and then come back together. 

Smells Like Green Spirit

Let me just say that I need another Abe Alan appearance when he isn’t playing a character doing horrible things to his students. I’ve enjoyed meditating on the 90s with this show and what that era felt like. I’ve liked how the show has tried to focus on how different parents (especially the moms) have responded to their kids coming to terms with themselves. I’ve also really enjoyed the friendship that’s grown between Mishima and Kirino. I’m struggling with Yumeno a lot, because I’m really not a friend of bully romances. Still, I feel like this is one of those shows I’ll remember for a long time because of its focus on the 90s. 

Blue Canvas of Youthful Days

I think @lurkingshan covered reactions to episode 5 and episode 6 better than I could, and I loved @twig-tea giving context for the film history moment in episode 6. I remember screaming into the chat for friends to show up for this when I got to that moment. This show has two great pairs of dynamics going on that mirror well. It’s got such a strong handle on its characters’ motivations and how they would respond to the actions from each other. It’s probably the tightest thing I’m watching now, backed by extremely dialed-in performances. I will be thinking about Qi Lu organizing his potential first kiss with Qin Xiao, and how unapologetic he’s been about the entire affair. He’s being selfish here, but I kinda like it. I’m so thankful that we are somehow still getting this show, because goddamn do the Chinese actors deliver on chemistry sometimes.

Interview With the Vampire Season 2

I finished this with a friend last week, and holy fuck is this show still so, so good. We watch a lot of gay romance because of BL, and I am having so much fun watching the show about gay divorce. I loved the time we spent in Paris, Daniel’s shifting role in the narrative, and the new insights we got into Lestat this season. I will miss Claudia so much, and I have to give a standing ovation to Delainey Hayles stepping into the role of Claudia and doing the damn thing this season. I just love seeing my little fucked up gay people torment each other on screen.

I'm still thinking about Louis and Lestat reuniting in a hurricane after Claudia derided this as yet another chapter in their stormy romance.

Dropped Shows

Unfortunately, everyone can’t win. Some of these shows are just too long for me to keep up with them, and oftentimes I get bored. I’ve currently dropped:

Lovesick 2024 - I may go back. We’ll see

Jack & Joker - It’s just too long, and they just killed Jennie and a kid. I’m good.

Fourever You - I’m bored with Earth always playing this character type.

Pluto - Namtam and Film are beautiful, but this looks too messy right now.

Every You, Every Me - Wasn’t intrigued after episode 1, but the commentary may draw me back.

Kidnap - Ohm is not enough to keep me invested in this show. 

Uncle Unknown - How did they make a 6 minute show feel slow?

I’m genuinely not trying to be harsh to Thai shows out here, but I just do not have the time to keep up with all of them when they’re this long and dragging.

Thanks for stopping by, and let me know if there’s something I missed that I should check out.

[everythingiloveblog]

I have so many things to complain about in ep10, that I have a hard time organizing my thoughts

Other than that, some things have been bothering me about Jack as a character, or rather the choices made for his character. Because they are definitely making some interesting (derogatory) choices with Jack’s character.

I love Jack, he is (was?) the character I’m interested in the most, but I’m starting to think that I will never get the depth(?) I thought I would get from him.

I was definitely on his side during ep7-8, defending him while people had a hard time understanding his point of view, or putting themselves in his shoes. But since ep10, like I said , some things have been bothering me.

One of them is that I noticed that Jack barely has any emotional bond with the characters in the show.

The show did it well with Joke though.

Joke & Grandma: they had so many emotional scenes of talking to each other & supporting each other & doing things for each other that I feel like, at this point, people care more about the bond between Joke & Grandma, than Jack & his own Grandma (or even Joke & Jack)

Joke & Hoy: Hoy has been on Joke’s side since episode 2 if I remember well, always feeling bad for him, understanding that if a rich kid like him is not going back home, there must be a reason, teaching him to drive, asking him his type, etc. And even in this last episode, he was comforting him at the hospital

Joke & Tattoo: Tattoo couldn’t care less about him at first, since he doesn’t like rich people and like, he doesn’t know him anyway. So he betrayed him twice, with barely any remorse, and if his mother had been on his side, he would have been gone with the necklace. But things didn’t go his way and Joke decided to forgive him TWICE, which led to Tattoo being thankful & remorseful. Since then, an emotional bond has been formed

Joke & Arun: well, they started as enemies (with the first group heist of the show), now they are in good terms. Not much going on between them but at the very least, Arun is now part of the 4 Little Pigs, so they are spending time together, getting drunk together & they did that heist together as well

Joke & Toi Ting : they don’t have that many scenes together, but I feel like they always give the big emotional speeches to Toi Ting to Joke (first in ep6 when she cried because she got bullied for being uneducated, and in ep10 twice after her dad left & when Joke was going to leave)

Joke & his father and brother : whether we like it or not, they clearly developed a story of love & forgiveness, etc (I don’t have much to say about this storyline as I don’t like it, but I understand that it’s a cultural thing, as most of the Thai bl I’ve watched did the same thing)

Even Boss & Nang had some interesting conversations with Joke in the show.

Now let’s look at Jack...well, I feel like everything is superficial

Jack & Save: who are they even to each other? They talked like 3 times, and it was nothing very noteworthy. He’s like this random lil bro that he’s close to, and we don’t know why, how or when they got close. So the betrayal feels a bit off, and the reveal was also underwhelming (to me at least)

Jack & Hope: once again, why the beef? No explanation. A few antagonistic interactions at the beginning, then nothing.

Jack & his grandma: we had some scenes, and of course they love and care about each other, but weirdly enough, their emotional bond feel weaker than the one she has with Joke...idk

Jack & Hoy & Tattoo: he was their debt collector, helping them because they couldn’t pay...and that’s it. He’s like the nice neighbourhood big bro. They like him, they respect him. But we don’t see much of it. They barely hang out with Jack. And when they do, Joke is always here. They are giving more Joke’s friends hanging out with Joke’s boyfriend tbh

Jack & Toi Ting: We know that she likes him, she was his eyes in the neighbourhood when he was working, I liked that scene with Jack, Toi Ting and her dad. But again very superficial. Like I said, the big emotional moments with Toi Ting are given to Joke and Jack is on the side so...

Jack & Arun: nothing to say I fear

Jack & Nang : does Jack even know that she exists? Oh yeah, she was at the table during his birthday dinner at Rosé's...does he know who she is?

Jack & Boss: probably one of his most developped relationship...and it’s an abusive one. Like I said in a previous post, Jack got emotionally manipulated by Boss during the 5 years he worked for him, and then ended up being verbally, physically and mentally abused by him, while being used as a pawn to Boss’s quest for power (after almost killing his grandma). All those scenes of Jack closing his fist while talking to Boss better not be for nothing

Jack & Rosé: Well, she liked him, he didn’t, he worked for her while being a potential spouse (forced by Boss). He ended up telling her that he didn’t like her but said they could remain friends...where was that friendship though. Nothing they shared was genuine though...so like idek (I wish there was an actual friendship formed between them actually but oh well)

Jack & his parents: Very surprised about the fact that he NEVER talks about them, ever. I actually thought that Oh (Jennie’s character) dying the same way as his parents would trigger him or something, but no. He thought about them briefly in ep4 (after Joke fixed his little bookshelf corner) but Grandma was the one bringing them up, saying that she misses them.

So...yeah. It’s disappointing really. I feel like there was so much more that could have been done with Jack’s character

And it also might be one of the reasons why it’s easier for the viewers to connect with Joke than Jack

[biblicallyaccuratecrow]

rambling about songs my brain associates with isat (pt. 1)

[woe, spoilers be upon ye!]

i have a 250+ song isat playlist. I am unhealthily obsessed with finding new songs to put in it. Here's a few that make me go absolutely batshit insane.

I've already rambled about this one on my art account a while back, but this song is so insanely loop-coded....

I'm standing on a stage Of fear and self-doubt It's a hollow play, But they'll clap anyway

You could give me any song that has some kind of reference to plays or theatre and I could probably find a way to make it about isat. but specifically this makes me think about twohats and how loop views their place in the world as a performance, a pawn, not even a character but a plot device... yeah

I'm living in an age That calls darkness light Though my language is dead Still the shapes fill my head I'm living in an age Whose name I don't know Though the fear keeps me moving, Still my heart beats so slow

I probably don't have to break this one down for you, but yeah, Island North of Vaugarde, the forgotten language... "still the shapes fill my head" has always in my mind referenced the stars and constellations, and how they're familiar but foreign...

-

thanks to @/ricecaqes and their trust ceremony animatic, this song lives in my head rent free. Even just as a whole this song is SO isat for me. literally from the first fucking lines:

Will I know when I’ve gone too far? Or frozen myself in time? An impossible brain with impossible wants Lost and astray, with impossible thoughts

like. it really can't get much more nail on the head than that?

then you got this:

So cold, I’m freezing Every piece of praise and sign that I’m believed in Solid in a crystal ball It bends the waves of the light to mend the rest of my life

and literally the first time I heard this song i paused it and said, out loud, "OH FUCK." Because. it's act 5 siffrin. Like, the slow descent into despair followed by the determination that the only way to perserve the life and the family they love is to keep them with him, to do the exact same thing the king did...

Do you also see your future starting with the farthest part? Live your life to close the space between the end and start And when it’s hard, do you hang onto any chance That you might be in control? That you’re the one who owns

For one, once you reach the end of act 2, you're constantly aware of the head housemaiden being as far as you can go, and then you're planning around it the entire time.

And then, you have. siffrin grasping for any kind of control they can have over the situation, desperately. and failing repeatedly because they simultaneously think that they are undeserving of getting what they ultimately want... yeah...

i won't go into the rest of the lyrics because honestly it's pretty well covered by the animatic but. yeah trust ceremony my sweet beloved.

-

rest in peace siffrin no middle no last name, you would have loved the mountain goats.

yeah uh. this one is also pretty high up on songs that make me go "damn that's siffrin alright".

I am this great, unstable mass of blood and foam And no one in her right mind would make my home her home My heart's an autoclave

i think for me it's the idea of siffrin feeling like they're nothing, and even if they are something or someone, they are bad, worse than bad, worthless. also referencing homesickness.... yeah...

When I try to open up to you I get completely lost Houses swallowed by the earth, windows thick with frost And I reach deep down within, but the pathways twist and turn And there's no light anywhere, and nothing left to burn

I mean, this one is also pretty self-evident. siffrin losing hope while being stuck in the house... wanting to connect with the party but being completely uncapable of doing so out of the sheer terror of being left behind... act 5, with the house literally warping...

I dreamt that I was perched atop a throne of human skulls On a cliff above the ocean, howling wind and shrieking seagulls And the dream went on forever, one single static frame Sometimes you want to go where everybody knows your name

siffrin feels responsible for the loops, every aspect of them. their deaths, their party-member's deaths, their failures, everything. and in the end, all they really wanted was for someone to truly see them? to have a family, to not be left behind and forgotten by the world.... the importance of names and siffrin's name in particular in the story also makes this hit home for me.

-

for brevity's sake i'll just start with these three- if people are interested in hearing me justify my insane music choices i'll probably do more.... for now, see ya!

[fortuneforsaken-if]

What is a King to a God, and what is a God to a non-believer?

DEMO ☥ PINTEREST

This game is geared for mature audiences and as such is strictly 18+.

Ancient shackles bind you to the mortal realm, a soul severed from a home lost to the sands of time. A curse on you, a blessing for those who take command; Who wouldn't like to own a God?

You're the highly revered deity of fortune. Or you were, five thousand and eighty-two years ago. Now you're nothing but a glorified plaything to one of the most powerful families in the world. Every demand you must fulfill, no matter how vile or self-serving. The illusion of choice is all but shattered, there's nothing you can do to change it.

Or is there?

It takes a simple thing for something to shift. A fragment from the past, an ageless, flickering hum of power that unfurls the hands of fate and unearths buried sparks of hope. No one would've thought that an ancient sherd would hold the first hint to your freedom, a warm, familiar sensation of your soul locked in a tomb somewhere where no mortal has stepped in well over five thousand years.

Let's hope the decay doesn't take you before you find your way back home.

☥ FEATURES ☥

Two separate sides to customization; The one mortals perceive, and your true form. Choose names, appearances, gender, pronouns, sexuality, romantic orientation, and more.

Shape the personality that starts to re-emerge after being dulled for the better part of history. Reconnect with yourself, and get in touch with memories and feelings you lost so long ago.

Experience a character-driven story full of twists and turns that eventually determine how each of the three endings play out.

Romance one (or two) potential love interests from a cast of characters; A shunned archaeologist, a primordial God, the reincarnation of a priestess, or the mysterious man you can't quite place. Or don't, it's up to you.

And last but not least: Don't let the decay reach your heart. Every change of fortune has consequences, and mindfulness is encouraged. This game does have bad endings.

☥ CAST OF CHARACTERS ☥

Zain/Zaina Tharset ∆ M or F, 28

"You're my birthright, and I'd sooner have you dead than let you make a fool out of me."

Z is your charge. Loud, obnoxious, and entitled; They don't care about your feelings or protests. Every desire that leaves them only serves them alone, and it's on brand for most of the charges you've had before. In simple terms, Z is not a good person, and the more time you serve under them, the less you believe they have any redeeming qualities.

Like everyone in the family, Z has warm brown skin with golden undertones, and eyes in light shades of brown. Their hair is naturally curly and shaved on the sides, leaving a strip of hair on the top and back, like a fashionable mohawk. Zaina's hair reaches the middle of her shoulder blades, while Zain's stops at the nape of his neck.

Being bound to them is painful, but you have no choice. Trying to retrieve your soul will be an ordeal, and it might not be worth the agony.

Rami Tharset ∆ M, 28, RO

"Just because the world has forgotten you, forgotten them, doesn't mean I will."

Rami is the twin brother of your current charge. Kind and humble, it's difficult to imagine him a part of the Tharset family on count of how different he is from that pit of vipers. He keeps to himself, usually holed away in a library or study where he digs into the history of, well, you. Or the ancient world you came from. This has caused the rest of the archeological community to shun him, the name of your old empire nothing more than a myth and a glorified fairy tale.

Rami shares his family's warm brown skin tone, and the black curly hair that's usually a messy mop that sits on top of his head, unstyled and naturally chaotic. It reaches just the stop of his ears, and is shaved in the back. Light brown eyes that are quite blurry without his glasses, but the gold-tinted pilot-framed lenses fit him nicely.

He's one of the few friendly faces you face in the Tharset circle, and you curse your misfortune that you couldn't have him as a charge instead.

Maluset ∆ M, N/A, RO

"For all I am, all I have controlled, still I could not keep you safe. Forgive me, old friend."

The God of the Night, and everything that you have left of an age and life long forgotten. While the rest of your pantheon faded one by one, he remained. You've always known Maluset as a calm presence, a steadfast and unperturbed God that never let himself be shaken, by mortals or his siblings.

While Mal prefers manifesting as his animal motif - a jackal made of black marble and eyes like consolidated galaxies - he does have a human form too. If he must appear mortal, his skin takes the color of what the mortals of your time had; bronzed, medium brown with a golden undertone. His hair would be jet black and curly, medium length, and he likes it naturally tousled by the winds. If necessary, he'll let his eyes appear dark brown in color, but he prefers the starlit skies in them instead.

He's been a constant in your life, at least until he disappeared three centuries ago. You know he's still out there since the realm where you take shelter is his, and it hasn't yet disappeared.

Rory Ewing ∆ F, 23, RO

"I can't remember, but your face, it stirs something in my heart. Why? Who was I to you?"

Rory is a new acquaintance to you, but there's something very familiar about her. She might just be a student now, her curiosity bringing her close to you, but you can feel an old connection whenever she's close by. Her voice reminds you of prayers long ago, even if her modern vernacular is closer to 'damn, that shit's the bomb' than hymns sung in your praise. Then again, reincarnation has a way of changing people.

It doesn't, however, change appearances. Back in your day, Rory's vessel was a traveler from the north; Her skin was light beige, rosy in its undertones. Her hair was thick and a subdued red, woven into an intricate braid that hung over her shoulder, reaching her midriff. Her eyes were also uncommon to you; pale green, vibrant but ghostly.

She doesn't remember you, and maybe that's for the best. Her new self is a stark contrast to who she was, and you don't think she'd enjoy the idea of donning priestess garb over the punk-rockish getup she wears now.

Taz Arian ∆ M, 34, RO

"Funny, isn't it? How some people seem familiar, even when they shouldn't be."

Taz is... Someone. He appears out of nowhere to join your journey, his knowledge of old ruins and tombs handy but somewhat worrying when he shouldn't even be able to see you. There's a strange thrum of power coming from him whenever he speaks, and you swear you've met him before, but where? It might be easier to find out if he didn't deflect and flirt his way out of things, but it does help with mortals that can't see you.

His appearance is nothing extraordinary; Dark brown hair that's held up in a bun, and you could assume it reaches his shoulders when loose, the loose curls pulling it a tad shorter. His eyes are light in color, almost golden in the right light, glinting with mischief. His skin is weathered, and golden bronze in color, with an intricate tattoo of an eagle spanning across his chest. He also sports a short beard, which gives him a rogueish look.

There is something about him that tugs at your memories, but you can't catch that thread of remembrance for long enough to recall him. Still, he doesn't seem to mind and resorts to teasing you instead.

[httpskuzuu]

Fault

i wrote this while watching apocalipsisminecraft :D

Anyway, I'm not very good at writing dialogues, so I hope it's okay

Yandere!Dazai x Reader

English is not my mother tongue, sorry for the mistakes

summary: you deal with the silent treatment after an argument.

tw: angst¿, toxic relationship, manipulation

The silence is simply punishing, it always was. Your body was intact, balled up on your bed, but your mind wasn't as lucky. The silent treatment was a problem, one that hurt more than you'd like to admit, but your still-wet cheeks gave you away.

It hurt you that Dazai ignored you. You had tried to distract yourself in a thousand ways these days: you went out with your friends (the few you had left), spent the days away from home, concentrated on your hobbies. Nothing seemed to work, it's as if Dazai had planted a seed in your psyche that keeps growing and growing, every day his silence was getting worse.

You can't win an argument because this is what happens, talking or complaining about Osamu's toxic behavior would only ensure you that wordless jail. You had every right to complain! Because of him you lost many friends, he distanced you from them in a way that made you only realize it when it was too late, after you had already cut the total bond with them and they didn't want to see you again.

You don't blame them either, if a friend had a toxic boyfriend and ignored you for him all day, not letting help them, you would be angry too. They have been very patient because they know the details of your life with Dazai well, but everyone has limits.

Now you are alone, even Dazai doesn't seem to love you.

You try to hold back your tears at that thought, but it is impossible, you can only cover your mouth with your hand to hide your sobs. That's one of the things you had tried to avoid, if Dazai really loved you he wouldn't do this to you.

He knows of your suffering and yet he continues to treat you as if you were a ghost, you can't help but doubt his feelings for you. You think that maybe you are just a sadistic desire of his, that he only wants to pretend to love you and then leave you abandoned like a toy. Yes, you are just that, his toy.

There's not much to complain about either, you're aware of your situation and yet here you are, by his side. It's not that you wouldn't have tried to leave him, you did once, but he came back to beg your forgiveness and you simply couldn't refuse. You become weak with just one look from him.

And that cycle was always repeating itself. Whenever there was a fight big enough to overshadow your love for Osamu, he was the one who apologized. You wished it was like that this time too, but it's not.

Know what, fuck it, who needs friends anyway? You need Dazai, it hurts not being together with him. It eats you up inside with anger and shame for letting yourself fall for his manipulation, but what else are you going to do? You're not going to keep crying in bed until you fall asleep.

You head towards the living room where you know for sure that Dazai is, watching TV. He doesn't even turn to look at you even though you are sure he heard your footsteps.

“Osamu.” Saying his name is a mixture of pain and love that infiltrates your brain. Sometimes you wish you had never met him, but you think better of it when you remember that he is the only one who loves you. Who else could love you with your attitude?

He still does not respond and a look of sadness invades you, you try to remove it, but it comes back each time. Finally you give up, Dazai already knows how weak and useless you are and knows well your character, so you allow yourself to cry.

You don't hesitate to lie on his body and hug him while you try to form a sentence, any sentence, but only incoherent sobs come out.

You don't see Osamu's reaction, you just wish he was as affected as you are. He wraps his arms around you and kisses the crown of your head lovingly. You missed him so much, you don't even know how you managed to survive these days without his love and touch. “What is it, Belladonna?”

You press your face against his chest as shame clutches tightly at your throat. He mocks you even your current state and that is like a stab in the heart, you feel the pain in every detail.

“You hate me, you hate me.” Stifled meaningless sobs come out of your mouth, but still Osamu manages to hear them.

“And why would you say such a stupid thing?”

“You were ignoring me! If you really loved me you wouldn't do that.”

“So now I'm the bad guy.” His tone of voice changes to a more distant one and his hug loses strength. In response you can only hug him tighter, afraid that, if you loosen his arms a little, he will leave you alone again. “You didn't try to talk to me either.”

You raise your gaze, an indignant one, which is accompanied by furrowed eyebrows. You want to look annoyed, but you just look pathetic.

“That's because you always do the same thing! We fight and you stop talking to me!” Pain trickles through your words, but Dazai doesn't seem to care enough to comfort you. “What am I going to humiliate myself for when I know you're going to ignore me?”

"Oh, poor little Belladonna, always the victim of the story." His condescending voice makes you feel like an idiot, you come to think that you really are. "Didn't you ever think I just needed space? Come on, you're so clingy and I was just trying to protect you from getting hurt.”

Seeing your puzzled expression, he can only laugh.

“Well of course you haven't thought about it. That cute little head of yours is good for nothing but victimization.”

“I- I'm sorry, I didn't know you felt this way...” Your voice trembles and his words linger in your mind. Maybe it's all your fault after all, you've never tried to put yourself in the opposite shoes and that makes you feel like the biggest useless.

The award for the worst partner in the world should be given to you, you think.

Dazai has no reaction at first, looking at you with those cold eyes, but they soften after a few seconds. He can't resist you after all.

Osamu's warm arms squeeze you again, you almost cry with joy thanks to how nice it feels to be held like that.

"It's okay, my sweet." Osamu ends up whispering near your ear, which sends a pleasurable shiver throughout your body. “Let me show you how much I love you now.”

and if I make a second part nsfw? 👀

[ominus-potato]

Rebound search- cut scene

In the latest part of the pining Mario series, there was a scene I began to write where Mario and Mr Puzzles would go to the movie and accidentally hold hands and all that junk. However, I decided to cut it out because it wasted too much time and was mostly a whole load of nothing.

Anyway, here is that cut scene:

~~~~~~~~~~~~~~~~~~

Mario thought to himself for a moment before his face lit up with an idea. He turned to Puzzles.

"Hey! We don't-a need to base today on some silly romance movies. The people in them are clearly stupid and boring if those are the type of locations they meet their true love." He gestured to the notepad for emphasis, "We should pick somewhere entirely new! Somewhere that no silly romance character has ever met their love interest."

Mr Puzzles looked at Mario with curiosity; a confused smile appearing on his screen.

"Okay then... did you have anywhere in mind?" He asked.

Mario froze. His mind went blank and his face buffering as he tried to think of at least ONE place they could go to meet someone.

Meeting someone. That was the goal of this whole thing wasn't it? Mario knew this and he wasn't intending on skewing from Mr Puzzles' plan; but so far, his feelings for the TV hadn't changed in the slightest. If anything, they had only grown stronger! Going shopping, having lunch, spending time alone-  just the two of them, talking, laughing... Mario was having an amazing time with Mr Puzzles.

The Italian turned to take in the sight of the TV standing in front of him, looking down at him expectantly.

"Well? Where do you suggest we go?" He asked again.

Mario snapped out of his thoughts and stammered.

"Uhh... w-we should go..."

The, already small, logical side of his mind desperately tried to think of a place where he could actually meet someone new. Somewhere that would allow him to finally move on from the TV and see him as nothing more than a friend. That would be the healthy thing for him to do.

Unfortunately, Mario was anything BUT healthy.

He was just too tempted by the prospect of him and Puzzles spending more time together! Selfish as it may be, he didn't want to move on. At least, not right now. Mario just wanted to enjoy what little time he had alone with Mr Puzzles. Even if it was just platonic.

"W-we should go to the movie theatre!!" Mario declared with false confidence.

Mr Puzzles gave him an odd look, tilting his head slightly as he stared at the Italian, dumbfounded.

"Why would we go there? The whole point of a movie theatre is to sit in silence and not talk to anyone. That doesn't seem like a great place to meet someone."

Mario looked around nervously as he tried to come up with some sort of half-assed explanation as to why the movie theatre was actually a great place for meeting new people!

"Well, err- Mario thinks the movies will be a good place to go because... Mario really likes TV! We already know this and the movie theatre is really just one big TV screen that everyone watches! Plus, there's food which Mario also likes so that means that whoever is at the movie theatre has lots-a in common with Mario!"

Mario gave Puzzles a nervous smile, hoping that he wouldn't detect the uncertainty in his tone or notice the sweat beading at his forehead.

Puzzles' eyes narrowed as he looked down at the shorter man, seemingly trying to read his expression. A deafening silence fell over them before eventually, Mr Puzzles spoke up.

"Alright then..." he said cautiously.

Mario's face lit up and without thinking, he grabbed Mr Puzzles' hand and began to lead him to the movies.

Only once they had arrived did Mario properly register the fact that he and Puzzles had their fingers intertwined. He hurriedly let go, stuffing his hands into his pockets as he looked away, a light blush on his cheeks.

Once he had calmed down Mario cleared his throat, "Uh... so what movie would you like to see?" He asked, smiling nervously at the taller man.

Puzzles glanced down at him and let out a huff.

"Mario, we're not here for the leisure of seeing a movie. Look around! See who's here on their own and what they're going to watch. Then simply buy us tickets to the same movie." Puzzles explained.

He looked around, trying to wean out anyone who was there alone. His attention darted to the digital ticket booth where a man had just began selecting a movie. Puzzles grinned, grabbing Mario by his shoulders and spinning him in the direction of the man.

"There! See? There's someone. Go over to him, talk to him, then get us tickets to the same movie. I'll get us some snacks."

Mario was unsure as he looked between Puzzles and the stranger he was supposed to approach. Was this really the best way to go about this?

"Mario doesn't think that-"

"Just trust me Mario. This is going to be your best chance at meeting someone at the movies." He crouched down to Mario's level, looking him in the eyes with that screen; and Mario thought it was just oh so pretty.

"You want to move on from your feelings don't you?"

The question was meant to be rhetorical. Mario knew this. But as he stared deeply into Mr Puzzles' hypnotic screen, he found himself getting lost in the bright colours and captivating shapes. The question repeated in his mind as he mindlessly gazed into Puzzles' digital eyes.

Does he want to move on?

Mario wasn't sure anymore. These feelings were so confusing. One minute he hated them, the next, he was eternally grateful to have them. One minute he wanted to do nothing but wallow in a ball of self pity, then he'd be enthusiastically following Puzzles to the ends of the earth. The love he held for the TV had been putting him through hell these past few months but now, being alone with the man, Mario had just forgotten about all of the pain and anguish he felt over him. And all he could think about was how good it felt to be in his presence.

"Well I'm afraid this is going to be your best chance of moving on."

Puzzles voice snapped Mario out of his daydream and brought him back to reality. He blinked, slightly dazed before sighing.

"Okay..." he said.

Mr Puzzles smiled and stood up, making his way to the snacks whilst Mario watched him leave. He eyes remained fixed if the TV man for just a moment before he turned around to go and buy their tickets.

As Mario approached the digital ticket booth, he saw that the man Mr Puzzles had spotted earlier was finishing off his purchase. Mario hopped over his shoulder to get a peek at which movie he was here to see.

Lady and the Tramp

Mario mentally scoffed. Of course. Rerun day. Every so often, the cinema reran old movies decades after they first aired. It was stupid in Mario's opinion but what did he know?

Mario pushed aside his opinions and instead mentally prepared himself to talk to the man in front of him. This is what Puzzles asked him to do after all.

The Italian took a deep breath and was about to make conversation with the stranger before he was suddenly met with an overpowering stench. Mario shut his mouth instantly and scrunched his face in displeasure.

This guy STANK!

My god did he even know what a shower was??? Mario probably wasn't one to judge but that didn't stop him. There was no way he was going to talk to this stinky loser.

Eventually, the guy left and Mario bought two tickets for Lady and the Tramp. Even if he wasn't planning on talking to that guy, the movie could be pretty good! He just needed to make sure he got seats that were far away from him.

[tiktowafel]

personal lore dump for Shihai Kuroiro!! (where i'm probably a little mean to him but it's out of love guys i swear)

verrry late for his birthday but it's here!! :] love this kid. so many thoughts about him to share

i'll just start with the part that i find the most important - the core of his character, to me, is that he is not what he says he is and not what he desperately tries to convince himself and everyone else that he is.

i'm mostly basing this off of how ultra analysis gives him one of the two lowest wits scores in his class (as shown above) despite the fact that he calls himself "the scheming hero" and spends half his joint training match dramatically talking about trickery and psychological traps - while i like to ignore canon sometimes, this little piece of information is something i could never disregard. it's so endearing to me, plus him apparently trying really hard to seem way cooler than he actually is fits with the chuunibyou archetype he's supposed to represent.

severe headcanon territory & a generally slightly lengthy textpost under the read more lol

now, why do i hc he's that way in the first place? well, basically: his whole life he's admired underground heroes very strongly and ended up developing this very idealized mental picture of the perfect underground hero - a mysterious lonely mastermind who hides in the shadows and avoids the spotlight, quietly pulling all the strings and relying on plans and schemes instead of a powerful quirk and flashy moves. but despite all the dirty tricks they're capable of, their heart is in the right place - in fact in a way their motivations are far more noble than those of all the popular celebrity heroes, because they don't care about fame or recognition, they act out of a genuine want to do good. this is what Kuroiro aspires to be and what he bases his entire persona on, pretty much.

and that's because this is also the only kind of hero he could ever identify with - he was always an odd, withdrawn kid who had trouble making friends. he couldn't see himself in all those shiny charismatic always-in-the-spotlight heroes that everyone else seemed to love. so when he learned about underground heroes, he fell in love instantly and decided this is who he wanted to be, over time forming this perfect underground hero image to set as his goal.

except, again, a lot of traits possessed by this ideal of a hero aren't really in line with what Kuroiro himself actually is. he's nowhere this badass. he's nowhere this smart. he kinda sucks at this whole scheming thing actually! he's sneaky, sure, that's by nature of his quirk - but his schemes are way less elaborate than he likes to make them seem, most of the time they're just ways for himself to catch people off guard. he doesn't have the multi-step coordination-based planning capablity of Kendo or Tokage, the adaptability of Honenuki or the sheer sophistication of Monoma (note that almost all of 1-b's plan during joint training match 2 was invented by Kendo and Kuroiro's only strategic contribution was tricking 1-a into thinking he was gonna target Tokoyami so he could ambush Aoyama instead - which is something yeah but still nothing particularly complicated). and he hates that about himself, because intelligence is something that he values and admires so so much - so he exaggerates his strategic prowess a lot, with his hero title and dramatic speeches and all, and does everything in his power not to be perceived as stupid (often failing miserably). it's out of insecurity.

he's also not that much of a lone wolf, either. he does have a strong tendency to isolate himself from others, which is partially because he's convinced himself that he's destined to walk a lonely path in life & content with it (what's a better way of coping with your childhood loneliness than romanticizing it) and partially because the fact that he's constantly putting up a facade does by itself kinda prevent him from forming proper relationships, BUT he's not really happy this way. he's introverted but ultimately not meant to be alone. he does need friends! and he does wish for a romantic relationship, too! but, of course, he sucks at managing those feelings, as we can judge by his interactions with Kinoko and his general incapability of normally talking to girls mentioned in ultra analysis.

i actually really like that he has a crush on Kinoko specifically because it plays really well into everything that i said earlier in this post! remember that something he admires a lot about underground heroes is that they don't care about fame and recognition, and therefore in his view have the most genuine motivations? i like to believe that odd as it is, he actually has a very strong moral compass and greatly values selflessness. so, imagine how he feels when he learns that Kinoko, whom he already has a crush on because she's cute and she's nice to him and she has a really cool quirk (something something mushrooms like darkness so they must be meant to be), wants to be an idol hero. bro's devastated. those people are the epitome of modern hero society's shallowness and superficiality, and she wants to be one! she apparently wants to spend her precious time doing silly little dance routines and shaking people's hands at conventions instead of dedicating it all to proper hero work! and Kuroiro still has a crush on her! that witch...!

and you see, Kinoko isn't actually a shallow person. what motivates her to become and idol hero isn't selfishness (refer to my old Kinoko headcanon list - some things in there are a tiny bit outdated but my headcanon on why she wants to be an idol is still the same!). except Kuroiro doesn't get to know that at first so he remains bewildered and conflicted for quite some time - and i just think that's funny y'know? he eventually learns more about her (second hand, they don't directly talk to each other much, in canon i think Kinoko doesn't even pay much attention to him in general 😭) and starts to change his mind, probably falling even harder in the process - but still the whole thing is complete disaster on his side. he was always shy around her, now there's also... all this, no wonder he can't talk to her at all!!

so, to sum it up: Kuroiro is intense, he's surprisingly idealistic, he's tragically insecure, and he has some very rigid ideas about himself and the world around him that he probably needs to let go of. he's just a mess of a teenager with a lot of to figure out - and he does figure it out, he does get his happy ending eventually! (a conversation with Kinoko, among other things, is something that definitely would be a crucial part in his,, character arc, i guess? and y'know what, while i do really like them as a couple, i think them just getting to talk things out is a "happy ending" regardless of whether they end up together)

OH and by the way: i'm not saying that he's like, going against himself at all times! he's not an actual master schemer or a complete lone wolf but a lot of things about how he acts are perfectly genuine. his affinity for all things dark is genuine, his interest in taboos is genuine, and his love for theatrics is also genuine! in that matter, it's actually not a phase lol he's just like that :] would be blasphemous to say otherwise, that's what we all love him for..!

aaand this concludes my little essay about one of my favorite 1b kids!! the picture of him that i have in my head is very clear, that's why he's the first character that i chose to write this kind of post about - i'm just pretty confident about the hcs i have for him haha. i'm also thinking about writing a more lighthearted list of hcs to complete the vision (ya know, like the good ol days) because there's STILL so much that i haven't shared since it didn't fit this post - so stay tuned for that if you enjoyed this!! see you next month probably

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.

[iguessitsjustme]

We've had Maya for 3 episodes and I haven't hated her for a single one of them. In fact, my love of Maya just grows each episode. She's such a fascinating contrast to Kohei. Especially when it comes to being able to specifically hear Taichi's loud voice.

For Kohei, it's a comfort. Cause it's something he can hear. But for Maya, it's jarring. She can hear so little that it's outside the norm for her to be able to hear someone and Taichi is something different because she can hear him.

Maya has kind of hidden herself away inside the comfort of her hearing loss and Taichi simply speaking forces her out of that. Which is uncomfortable. And she is already forced into being uncomfortable by living in a hearing people's world. So it's jarring when the one constant she has to cling on to (even if it is literally the cause of her discomfort) is disrupted.

Maya is starting to be faced with the truth that Taichi is a good person. She might not like him, and she doesn't need to like him. But that's why she is telling Kohei that he is going to be abandoned once Taichi finds someone else. Because she fully believes that Taichi, while good, will leave because she believes being with her and Kohei is a struggle. But Taichi, above all else, is adaptable. Which is why he is able to see the flaws in his (new/future) boss's logic about accessibility for one group taking away from another group.

But Maya doesn't see these moments. Maya just knows that Kohei favors Taichi despite the messy notes, almost crashing into them, and what she perceives as Taichi taking advantage of Kohei by having Kohei bring him lunch. Maya never gets the see the intention behind the good things that Taichi does, she only ever sees the execution. So I can't fault her for wanting to look out for her friend. Even if her execution is flawed too.

And I think that's my point. All of them, not just Maya, are flawed. Taichi isn't perfect because he helped Kohei and brought him back into the world. Taichi is lovable and he's wonderful and he is doing his best. Taichi is genuinely a very, very good person. But he is flawed. His notes are messy. But he's trying. Kohei is trying. And Maya is trying too. But just because they all approach things differently, doesn't mean that one is a villain. And I cannot hate Maya for being different.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[orchid-n-petals]

So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.

The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.

You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.

And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.

Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".

His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.

But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.

Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.

And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.

I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.

He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.

He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.

He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.

He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.

But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.

I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.

Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.

I don't know, I just have a lot of thoughts about his character.

[thedrotter]

Re:Kinder Fun Facts of the day☺️!!! Have you ever wondered who talks the most from the main cast in Re:Kinder?? Well, I did😊. Today I'll be answering this question with some graphs and as a bonus telling you what words each character uses the most! I will warn you, this will be a bit long and I don't know how to be less verbose so, yeah!!!

First, I've made some basic rules as to what I counted regarding how much the characters speak. Not all lines really count as speaking, after all.

Any of the incoherent screaming lines don't count. There's a lot of screaming since the characters die a lot (as expected for a horror RPG game), but I don't really count that as speaking unless they're saying proper words. In that same vein, I didn't really count any of the panting or sniffing and such that are conveyed through words. Again, I don't really see that as a character actively speaking their thoughts!

If I cannot tell who a line belongs to, I will not give it to anyone. This happens for certain lines, so I felt this rule was important.

I won't be counting repetitions of the same line if it's on a variation of the same scene. This may sound a bit strange, but when a character dies, the game goes on to the same next scene it would regardless (unless the scene that follows it is an ending), with variations and new lines here and there to account for the dead character, but a lot will be reused and placed in the exact same beats it normally would have been in originally. So, this rule is here for that. Oh, and also the scenes with bits of Yuuichi's backstory that appear in Shunsuke's head won't be counted twice, because some appear twice line by line.

Of course, the "..." lines won't count. I am so sorry Aya!!!!😞

Now that the ground rules have been set, there's just one thing I want to mention. Though I will count all the total lines for Takumi and Yuuichi like any other character, I just want to mention that first I will have two separate counts for them! Takumi | Takumiel and Yuuichi | Yuuichi's Heart respectively.

Takumiel is separate because I was curious about how much Takumi spoke as an archangel compared to when he was alive. Yuuichi's Heart is because he speaks so much he feels notable enough to be given his own division, even if he and Yuuichi at the end of the day are one person

(I count the silly mind telepathy where Shunsuke is being directly spoken to [and being told things normal Yuu would avoid saying at that point] and the comical theater as Yuuichi's Heart. I clarify in case one assumes he only starts being counted the moment he's directly labelled as Yuuichi's Heart. Any line that can't be distinguished between Yuuichi's Heart and Yuuichi will be given to Yuuichi by default.)

With nothing else to be clarified let's get to the numbers!!!😊😊

First, the line counts with Takumiel and Yuuichi's Heart counted individually!! Here are the rankings:

Shunsuke (With a lead of 535 lines over second place!!)

Yuuichi

Rei

Yuuichi's Heart

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

You may be thinking— woah, does Shunsuke really speak that much?! You could say that, for a good chunk of those lines are from how he describes interactable points around the map and his inner thoughts, so they aren't all exactly said out loud. The benefit of being the protagonist, I suppose ww

Funny enough, Yuuichi's Heart has almost as many lines as Yuuichi does for not having that much time in the game, being on the higher end between the characters that don't get the benefit of being a protagonist (lol)!

Admittedly I had expected for Rei and Hiroto to have a more similar amount of lines given their nearly equal amount of presence, but for what it is Rei surpassed Hiroto by 51 lines! I also had expected for Takumiel to speak a little bit more than Takumi but turns out the opposite is true.

While the lack of lines of Takumi and Takumiel are to be expected due to their short time on the game, what stands out is Aya not even reaching triple digits between her other peers who are in there for most of the game. This is because a good chunk of Aya's lines in game are silence!^^" And thus weren't counted. If ellipses were a word, she surely would have reached triple digits, but unfortunately they're not.

Now the line count with combined sums of Takumi | Takumiel and Yuuichi | Yuuichi's Heart!!!

In here, the ranking isn't affected, with Yuuichi remaining second place and Takumi being last place. But the disparity of everyone's numbers compared to Takumi's feels a bit more clear to see when Takumiel isn't individually counted.

With Yuuichi's line counts combined, Shunsuke remains 318 lines ahead of him, but it also means Yuuichi has a 59% the amount of Shunsuke's lines; and impressive feat for someone who doesn't get the benefit of being the point of view for everything you press... Although he does also have an upper hand over everyone by essentially being the plot of this game ww

But maybe line counts do not suffice to tell how much a character speaks. Yes, Shunsuke has a bunch of lines from everything he interacts with, but is it really reliable to say he speaks all that much in all those lines? A good chunk of those could easily have 3 words each! So with this in mind, let's do a word count.

Even in a word count, Shunsuke has the lead, having a lead of 2,247 words over second place. But we'll see about that when we combine Yuuichi's numbers. Anyway, here's the ranking!

Shunsuke

Yuuichi's Heart

Yuuichi

Rei

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

This time, Yuuichi's Heart is the one at second place!!! It's pretty funny that he speaks more than his physical counterpart ww. I genuinely didnt think he'd out yap himself that way when I chose to count for him individually 😭!!! He has a lead of 63 words over himself, but a lead nonetheless.

In here, Rei and Hiroto are more even than in the line counts, with the difference seeming more minimal when put into words. But it also showcases that despite Rei having more lines than Yuuichi's Heart in the line count, those only get to have a bit over half of the amount of words he talks (To be fair he does get to infodump a lot in his section of the game).

And here's the combined word count!!! Suddenly Shunsuke's lead is only by a mere 55 words! So Yuuichi speaks about as much as he does with 318 less lines.

I must admit that I genuinely did not expect it to be that close. When I chose to count the lines for when you interact with things for Shunsuke, I thought he was granted to speak an absurd amount more than anyone else. But turns out that Yuuichi speaks about the same amount out loud when most of Shunsuke's are his own thoughts ww. But it does make sense! He is still the plot of this game.

So, after all those charts, here's the average/middle point of lines and words for characters to have, because why not, it's fun.

Average Line Count (YH and Takumiel counted individually): 197 lines

Average Line Count (When combined): 247 lines

Average Word Count (YH and Takumiel counted individually): 1,333 words

Average Word Count (When combined): 1,666 words

So there it is. That's how much the characters in Re:Kinder speak!

But wait!!! I am not done. I will share with you an additional fun fact... Did you ever want to know what word each of these characters said the most?! This one will be quicker, I do promise.

When it came to counting these words I did not count stop words, that being common words that are used all the time by everyone in English. "I, you, me, the, to, a, my, your, yes, no"... Words like that! Otherwise everyone would have one of those as their most said word and it'd be rather boring to look at. With that said, here are the words these characters say the most!

Shunsuke: Yuuichi - said 40 times! (this genuinely confused me so much im sorry he uses interjections so much I had expected it to be something like "huh" or "um" but no i dont know how this passed by me as i was rounding up all the lines he says or proofreading or writing all of those lines WHAT?!?! its been two days and it still takes me out)

Ryou: Shunsuke - Said 14 times

Sayaka: Murderer - Said 7 times (All in one sentence!)

Takumi | Takumiel (counted in one for how little he speaks.): Takumiel - Said 3 times (That name is so important, he said it thrice.)

Aya: Sorry - Said 5 times

Rei: Hell, gonna, look, Yuuchi - said 8 times (Most of the repeated words she says are stop words for she doesn't tend to speak about the same things repeatedly.)

Hiroto: Shunsuke - Said 17 times

Yuuichi (separate from YH): Problem - Said 17 times

Yuuichi's Heart: Mama - Said 24 times

Yuuichi (Overall): Mama - Said 31 times

So that is finally it. That is the fun fact of today.😊😊 Use this to woe your friends at parties!!!

I am aware Mami speaks about enough to be counted in, but this is pretty time consuming to do and I'm not sure anyone is invested on her enough to count her in. But if there's enough curiosity regarding that, I'll try counting her in. But for now this suffices.☺️ Thanks for reading!