#and then vander shows up and we all know how that ends

[bloodcossmos]

watching arcane s1 again and as I'm finishing act 1 I realized I didn't remember that Vi was gonna give herself up to the Enforcers to protect the others.

oh my fucking god.

[shitpostingsapphic]

Why I don't feel disappointed by Vi's arc, but you might

I usually have pretty strong and polarizing opinions when it comes to my takes on Arcane, but this is one where I wanna open up the discussion a bit more and invite people to my perspective, and it's fine if you don't see it this way.

I think there are two primary reasons why people feel disappointed by the arc of s2 Vi. The first, being that Vi had stronger voiced concerns about the state of Zaun in the first season. The second, being that she spent the whole show wanting to be with her sister and she didn't end up getting that.

Why I actually feel fulfilled in Vi's arc has to do with these two points, and I invite you to sit with what I have to say next.

Both of these parts of Vi have to do with her fatal flaw: her neglect of self.

We know two things based on what the creators have said about the show: the theme of Arcane is the cycle of violence, and the entire show was written together, instead of season 2 being written after season 1 production. From this, I can then ask: what do the creators want to tell their audience about this message, knowing they wrote it all out together, knowing the events of season 2 were very purposeful, using Vi as a conduit for that message?

If violence is a cycle, can one person defy it? No, of course not. At the start of Vi's arc, she wants to be a person that breaks it, though. She wants to change things in Zaun, wants a better life for her sister. As season 1 continues on, she wants to pick up where she left off with Powder without truly processing the gravity of the years between them. She thinks she can hold the world on her shoulders and fix any problem that comes her way. She thinks she can use her fists to make progress, thinks she can physically reach out and create change, but it only contributes to the cycle. And that's not because she's morally in the wrong when she does so, but she doesn't grasp yet that her fists can't fix everything. Vander tries to tell her as such in act 1, and it's a lesson that goes beyond just the literal application.

Vi's tendency to try and fix everything around her leads to her neglect of self. Inevitably, when you try to change things you have no control over, it leaves wounds. It leaves a person feeling like something is deeply wrong with them. And we watch Vi go down this spiral. I actually find myself really brokenhearted watching Vi in the first 2 acts, because I think she represents a lot of us: we see pain and devastation around us, but we don't know what the right thing to do is. We try different tactics and try to fix things and are left wondering why things feel worse than how they started.

I think that's something a lot of viewers could benefit to reflect on: I think in watching a show with strong political messaging, we yearn for a message that tells us the answers to these big problems. Truthfully, most of us don't have a fucking clue what we're doing. We want change but don't know how to see it through. That includes the writers. This isn't a show about the solution to political strife. It's about the cycle of violence. It's about not knowing how to change something that's been continuous throughout history in some form.

If we put ourselves in Vi's shoes, it would eventually take a toll on us to try and change something that isn't within our ability to change. Vi can't fix the problems in Zaun. Vi can't change the way time and distance and pain has warped her sister into someone else. In season 2 act 1, she's still trying to take responsibility for things that are outside of her control. She blames herself for the way Jinx has changed and has to tell herself that the only way to fix it is to end the cycle with her own fists. She teams up with Caitlyn because she's convinced herself it's the only way she can help. She sees how violence has devastated not only Zaun but innocents in Piltover as well, and she feels responsible for it.

BUT SHE IS NOT AT FAULT. And she cannot fix it any more than she could have created it.

Perhaps people may feel Vi's arc is lacking because they wanted to see more of her involvement in the revolution of Zaun. They wanted to see her be able to change the situation with her sister and for them to live happily together. But because of the circumstances surrounding both, for Vi to do so, she would inevitably lean into her fatal flaw. She cannot do either of those things without neglecting herself. That's not who she is.

The whole point of a character arc is for someone to be a changed person from beginning to end. If Vi starts out as someone passionate about enacting change to the point of self-destruction, what would a resolution for a character like that look like?

Vi needs to choose herself. Vi needs to release herself of the responsibility of changing the world. She can't do it. There are ways to contribute to positive change that don't involve putting the world on your shoulders, and Vi has yet to put herself first in any situation. Vi choosing love is how she does it.

Amanda Overton, one of the main writers that contributed to Vi's character and the Caitlyn and Vi dynamic and relationship, said about Vi: "If she has no one left to protect, she would fall in love". If Vi finally lets go of this crutch of hers to protect, to fight, to take responsibility for things that aren't her burden to bear, she would fall in love. She would finally be able to choose something for herself.

This is why I find her arc fulfilling. I feel like it's not an arc we really see a lot. It's not every day we have a character that starts out like the classic anime slash marvel protagonist, and instead of being the person that saves the world, they accept they're not a superhero and it's okay to choose love and personal happiness.

If it applies, and you're reading this, I want you to ask yourself: are you perhaps disappointed with her arc because you expected her to be the superhero? And would you be okay with accepting that she isn't and doesn't need to be? That it would be better for her to choose herself?

[angelltheninth]

When Arcane Men Get Jealous

Pairing: Viktor, Jayce, Ekko, Vander, Silco, Finn, Marcus, Loris, Steb x Fem!Reader

Tags: fluff, jealousy, possessive behavior, being protective, kissing in public, biting, holding hands, public display of affection, canon typical violence, suggestive

Ko-Fi | Rules | Fandoms and Characters | Commissions

A/N: Would die if they were jealous over me. Melt into a puddle. Gone.

When Viktor gets jealous he gets a bit more withdrawn than he usually is. Not that he was ever a social butterfly, however he was always more open and happy to talk when it was with you. So his behavior is odd, he even seems to get quieter whenever you walk into the room. Like he's trying to remove himself from you with silence.

"I am not avoiding you. Look, there has been a lot to do for the past week, I'm sorry if you got a bad impression but I was simply busy. If you want more company, go ask Jayce, or Skye, I'm sure they will be more than happy to entertain you, darling."

Viktor is short with his answers, saying as little as possible to minimize the amount of time he spends talking to you. Not because he doesn't want to talk to you, he loves talking to you, but if he keeps talking there's a chance he might say something he's going to regret. And end up hurting you.

"There you go again with these ridiculous accusations. You won't leave it alone will you? So now it's my fault that your project is running late? I would have been happy to help but someone was too busy talking with... you know what, nevermind. You're right, we both have a lot to do, so let's just drop this conversation and focus on work."

If you keep getting in the way of his work, Viktor will eventually come to a breaking point. Him not being able to work is only adding to his emotions, and he's never been the best at dealing with them. While he doesn't exactly yell at you, it's very rare that he ever raises his voice there's a notable frustration in his words, and pain, fear that you'd leave.

"If I'm being so unreasonable then leave. Go. Have fun. I know it's not idea to be cooped up in the lab all the time. There are so many more things to do out there. if you... want to go with other people I suppose I can't stop you, nor can I stop my own jealousy. How am I being even more unreasonable? I know you wouldn't leave me without talking about it. Look... I do not... want you to leave, working is more fun with you. But am I truly all that you want? Me? This lab? Because you're all I want. All that I can think of."

When Jayce gets jealous he keeps invading your personal space when you're around the person or people he's jealous of. His behavior is nothing innapropriate or pushy. It's just his arm around your waist, just him bringing you that drink you wanted, just him bragging about you a bit too loud and saying how much he loves you.

"You really are great, babe. How in Runterra did I ever find a beauty like you huh? What's that bashfulness for now, I always praise you, and I'm never gonna stop. You're my girl right? I can be a proud boyfriend and talk you up every once in a while."

Physical affection a big deal to Jayce and a way he shows he cares but also a giveaway to his jealousy. He holds your hand longer, his eyes flicker between you and the one he's jealous off, his smile is a bit more nervous when he has to leave you alone. Then there are his kisses, not as gentle, not a little, quick peck on the edge of your lips but a real kiss, lips pressed against yours until you let him know you need air.

"Got a bit carried away there. Ah, sorry, I can't resist you sometimes. All the time. Do you expect me to when you wear lipstick like that? Makes your lips look like they're made to be kissed. By me specifically. I'd kiss you all night long, for the rest of our lives and never get tired of it."

Jayce keeps denying that he's jealous when you bring it up in a teasing way. Logically there's no reason to get jealous, everyone knows your relationship is doing great, in fact you're hardly ever fighting and even when you are it doesn't last too long. How does he turn that part of his brain off? How can he not get jealous when all those people look at you the way he looks at you?

"They're always looking at you. How can you not notice? It's so obvious. You don't notice because... you're only looking at me? That doesn't even make sense! Of course they're looking, you're breathtaking everywhere you go. I just hope that wherever you go, you'll always take me with you, because I want to be by your side forever."

Ekko often jokes about being jealous so you don't pick up on him actually being jealous. A little jealousy is fine but not when it's getting in the way of his missions and operations with his team. He'd been a bit distracted in the past, by one of the Firelights flying too close to you, so he pushed his way between you two.

"It was the formation! Which you would have remembered if you weren't too busy chatting. Come on, Firefly, get your head in this. Otherwise you're gonna make your leader jealous. Wouldn't want that right? What if... what if you get demoted for it? Hey! Ow! I wouldn't demote you, who would listen to all my plans?"

When you have free time together Ekko makes sure to spend as much time with you as possible. If you're together all the time there's less chance that someone else will swoop in and flirt with you. He would never describe his behavior as being clingy, all he wants is to spend free time with his girlfriend. That is perfectly normal behavior.

"What do you say we go out to get some food? We don't have to spend all our time here. Not like the tree is gonna burn down if we're away for a couple of hours right? Besides it's been a while since it was just you and me all alone. Miss being alone with you. Don't you miss it too?"

If the person he's jealous of ever puts you in danger in any way Ekko will go off on them. Harder than he scolded others in the past. He might let some of his jealousy show then, but he storms off, well flies off before you can talk to him. As much as he wants to be alone he also makes room for you on his hoverboard when you float down next to him.

"Shouldn't have went off on them like that. I know, you don't gotta say it, I'll say I'm sorry. Let cool off a bit. You'd think that if they were flirting with you that much they could have been looking out a bit better. I'm always looking out for you. Maybe a bit too much. Sorry if I've been weird about it lately. Would you forgive me if I took you on a romantic hoverboard ride?"

No one wants to piss off a big man like Vander by flirting with his wife. Everyone values their life and their bones too much. But... they stare at you. Quite openly actually. You see it, and you bet he sees it too. He sees everything that's happening at his bar and he won't stand for someone ogling his wife, even if he has to get aggressive about it.

"It's my damn bar, I've got the right to break the table with their heads when they're looking at ya like that. Tell ya what, a lot more people would avoid this place if I started beating up every asshole that looks at ya wrong. Only reason I don't is cause I don't want ya to be mad at me after."

He hasn't banned anyone from his bar in a very long time. Vander knows he tolerates a lot, this is Zaun, and some people don't have the best manners, that's not exactly their fault. But on the other hand if they start something with him then he will finish it. When he tells them to stop looking at you like you like you were one of Babette's workers and they get in his face he will pick them up and throw them out.

"Bastards had it coming. I tried to be nice, then they had to go and call ya names. Ain't no way in hell I'm gonna let anyone insult my wife. Not here, not on the streets, not anywhere. I went there and I wanted to talk to them, tell them to fuck the hell off, they were the ones who started getting violent. So I responded in kind."

Vander calls you over to the bar a bit more often if he sees a particular table is trying to monopolize you. He carries some of the drinks over, the food plates too, or he simply walks up behind you when one of the guys is getting flirty. Seeing his imposing, huge frame behind you, his muscles bulging, is enough to get most to back off you.

"See, darlin', I can talk things out just fine. When people are being smart about it that is. Might have to stop selling so much booze in this place, then they won't be so bold with ya. Ya are a pretty sight, I can't say otherwise. But ya are a pretty sight for me, not them, ain't that right? Mhm. I know, I'm all yer's too."

Silco never ever says he's jealous of anyone. He is the most powerful man in all of Zaun, everyone is scared of him and with good reason. As the Eye of Zaun he knows when people are looking, talking too, and might even try to touch you. Those people are often payed a not so nice visit by his men.

"I did hear about that gang, yes. It's very unfortunate that they don't know how to keep their noses where they don't belong. It's not that big of a loss on our end. There are a hundred people who can do their work, and better. All that matters is that they won't even have to think about not touching you again."

He rarely has to get his own hands dirty when he gets jealous. All it takes is him saying who the target or targets are and he makes them dissapear from Zaun. That doesn't always have to be deadly, but if they're really dumb it is. If Silco feels that you're in some kind of danger then he will keep you close by. He tries to distract you from seeing he's jealous.

"All I'm saying is that we could take a break from work. Sevika and Jinx can handle a week of it. And you and me can lock ourselves up in our home and not come out. The bedroom works perfectly fine too, if you'd rather spend our time in there. And what is it that I'm doing, darling? Jealous? You are an observant one. I wouldn't want you any other way."

The only time Silco will threaten someone in person is if that someone is bold enough to flirt with you in front of them. He can scare people within an inch of their life just by talking to them, he's not just a good businessman, and some people tend to forget that. He has Zaun in the palm of his hand, and everyone in it.

"He did not actually piss himself. Did he actually. Hm, I wasn't look at him anymore to be honest. He was spineless, surprising given he talked to you like he did. Guess he was thinking with his other head a bit too much for his own good. Why are you looking at me that way? Ah, I see. Looks like someone enjoyed watching me put a scumbag into his place a bit too much."

Since Finn isn't someone who would take anything lying down he will be damned before he sees someone coming onto his woman and not do anything about it. He might have a certain charm about him but that doesn't mean he's not ready to makes heads roll the moment when someone crosses any kind of line with you. Imaginary or otherwise.

"Hah, did you see that doll? As soon as I threw one punch he went down. All his buddies ran like rats. Left him all alone there. After all that tough talk and he couldn't even defend himself. Serves him right. He's lucky all I did was break his nose when he flirted with you. I wasn't even that far away."

Finn will make out with you in front of who ever he is jealous of just to prove a point to them. And while he has you moaning, has your head buried against his neck and your body running hot he will look at the other person and stick his tongue out at them, right before making a V with his fingers and putting his tongue between them. He's vulgar but it gets the point across very well.

"All these people looking at what's mine. Now, I can't have that right? I love that you're showing off your body, it's a great body, you know how much I love it. But sometimes I want to keep you away from prying eyes. And if I can't the least I can do is give them a show. Make them know I'm the only one who can touch you."

His jacket is a signature part of his outfit, but Finn will let you wear it. Hell, he will walk over and drape it over your shoulders while not even looking at whoever you're talking to. Sometimes they're not worth looking at when he can look at the pretty way you blush as you touch his hand that's lingering on your shoulder.

"Thought you looked a bit cold there. Keep this on all night. Later on I'll help you warm up my way, a much more fun way. Don't even worry about your perfume getting all into this, love having your scent all over me. And by tomorrow you're gonna be wearing all of my marks."

There are a lot of people in the Enforcers who tease Marcus about having such a pretty wife. He knows you're pretty, but he doesn't like that the department is noticing it so much as well. Not that there's any way for him to hide it, or that he wants you to hide it, that would be a real crime.

"I was not pouting. That is so childish. I was glaring at them. Well, they were the ones who stared first. You visit me at work, like that's such a big deal. We're married, honey, I pick you up from work too. Why is it such a big deal here? I think they're just trying to get a rise out of me."

Won't deny that he's feeling jealous or shy away from showing it. When Marcus notices any of his men flirting with you he makes them work extra hard that day, he gives them more paperwork, something that everyone hates there, or assigns them to the toughest jobs that he knows will take them days to complete. He can't help but chuckle when you visit again and they're too tired to flirt with you, they just say hello.

"What do you mean I'm picking on them? Of course not. You know how hard it is to deal with all these extra cases. Someone has to take on a few more. No, the fact that it's the same Enforcers who gave you flowers that one time has nothing to do with it. You think it does? And do you have evidence of this accusation?"

Marcus isn't shy about kissing you in front of the whole department. If that's what it takes to send them all a clear message to back off. It's always perfectly chaste kisses, but he does make sure that everyone hears him say he loves you when you leave. He smirks when eyes turn to him and he wishes them all a good rest of their day.

"Now you call me petty. All of these accusations and you still don't have any evidence. That's not a very good way to have a case. You've been keeping count have you? Oh. You... actually have been keeping count? I'm guilty? Fine, you got me, you got me. Maybe... that was a little petty of me, but I'm not sorry."

Every time Loris is jealous it's almost impossible for him to hide that fact. He's a big guy, nothing about him is easy to his, not even his emotions. And he's loud, so every time he huffs, mumbles something, or grunts you hear it. Your eyes meet and he looks away, his hand grasping yours and running his thumb over the back of your hand.

'They were staring at you a bit too much for my liking, pretty girl. If they were as tough as they pretend they were they should have held their ground more. Proves they were all bark and no bite. People like that really get on my nerves, and then they talk to my girl like she's single."

Loris invites you to have lunch with him quite often, even more often when he gets jealous of someone who works with him. Dealing with them in any other way would be unprofessional of him, and might get him in trouble. This way he gets to avoid that, avoid them, and spend a nice lunch date with you. No matter how you look at it he's the real winner here.

"Looks so good. But if you keep looking at me like that I might get hungry for something else besides the food. Just try shifting the blame on me when you know exactly how you're looking at me right now. I wouldn't risk it at work, but... if you showed up with a few hickeys on your neck it might get the rest of the department to stop flirting with you."

As much as he tries to make his jealousy go away it's not easy. Loris knows he should be an example for others, after all he had been an Enforcer for a long time, he can't just let his emotions get the better of him. Hard to keep those emotions down when they concern you. If nothing else works he will intimidate people. Easy enough for him. But he would rather that be a last resort.

"If he wasn't ready to throw fists and words at me then he shouldn't have thrown flirty words at you. He should be able to back himself up if he's gonna be saying stuff like that. All I did was pick him up and throw him outside. Hey, I might get in a bit of trouble for it, but at least he'll leave you alone from now on. I'd risk my badge for you if I have to, you know that."

Since he is the quiet type Steb shows his emotions and jealousy is one that he works hard to surpress. Every time he notices that someone is standing a little too close to you he walks over and looks at you, lovingly, then he looks at the other person with a glare, a deadly one. All the while he's standing shoulder to shoulder with you.

"Come now, angelfish, they weren't even worth your time. We both know they only had one thing in mind when they were talking to you. I could see it in their eyes. I don't appreciate that they looked at you like that. And I know you don't either. So I felt like I had to step in."

He is very physical with his jealousy. Steb lets his eyes and touches linger a few moments longer when he wants to make a point to someone. While he knows you don't hate it he also doesn't want to come off as too jealous or too possessive over you. You can take care of yourself and he loves that about you, he's watched you put people in their place often, but there are times where he can't hold himself back.

"I could feel your fingers interlocking with mine. You wanted me to stand close to you when they weren't leaving you alone. Would you have raised your voice if I hadn't walked over? It would be amusing to see it. But I think those kisses we shared also sent an equally powerful message. You didn't have to bit me though."

Steb nuzzles his face into the crook of your neck when he's feeling really, really jealous of someone. He makes it look less possessive than it is, pretending like he's overhearing something you have to say, and then pushing himself just a little bit closer. His cold lips make contact with your neck, sending shivers down your body before he brushes your lips with his thumb and leaves with a smirk.

"That ought to be enough. I could have done more but marking you in public might have been a step too far. We can enjoy things like that in private however. I enjoy being close to you in any context, and if it makes others realize you're not looking for anyone because you've already got a man then I enjoy it even more."

[pinspec]

i’ve absolutely loved the way vi’s appearance has been modified throughout this season.

in act 1, she retains her season 1 look, which could be seen as symbolic of an enduring self image of someone who must be unyielding and unchanging, i.e. someone who can protect zaun. this strength was borne of anger and grief surrounding the loss of her family, and her unchanged appearance makes clear that this vision of who vi believes herself to be still prevails. she becomes an enforcer after the attack on the memorial—not because she forsakes zaun, but because she believes she can’t protect anyone from jinx without the badge.

this is also the same hair she had when she first met and worked with caitlyn. we get the impression that she wants to be the same tough fighter who can keep them both afloat, but considering that vi seems most vulnerable in the presence of caitlyn—who causes her to suffer by persuading her to become an enforcer—we know this is futile. this theme is present during their first kiss, where vi almost buckles while caitlyn stands up straight.

then after caitlyn’s betrayal, a drastic change to her appearance occurs. she dyes her hair black and applies black eyeshadow, even black paint, to her face. she paints on a defensive facade to hide how vulnerable she is and her misery over making the wrong choice again and again and again. she tries to seem dangerous by making her rage visible but only ends up making her pain visible. hints of pink show through at the ends of her hair.

then jinx asks her to help her save vander, to overcome her lasting hatred for the hope of reuniting their family, and she actually does. she makes herself vulnerable again, and is rewarded by an unreal reconnection with jinx in the serene surroundings of viktor’s commune. she feels a flicker of hope that they might save their father. vi has the chance to forge a self-image that is not related to loss, and she seeks her younger self: the person who would put herself in harm’s way for her sister without a second thought.

then she bumps into caitlyn, who describes her as “an angry oil slick”. vi doesn’t respond with anger as she usually would—she just lets caitlyn see her. “don’t sugarcoat it, cupcake.” her dyed hair and shadowed eyes become a metamorphic signal. i believe caitlyn senses vi’s changing relationship with anger and is pushed to confront her own. she leaves her vendetta behind and defects.

in episode 8, vi’s hair is reverting back to pink and growing longer.

she goes to a locked up, grieving jinx and immediately opens her cage. vi’s transformation is almost complete; she has overcome the rage that made her reject powder all those years ago and replaced it with the desire to hold her sister even if her sister won’t hold her back.

succumbing to the loss of isha and vander, jinx traps vi in the cell and leaves, but it doesn’t matter. vi has become a force of love, not rage. caitlyn finds her, and reveals that she met vi halfway and allowed her to free jinx. caitlyn, too, has let go of her revenge motive. unlike vi, caitlyn’s appearance hasn’t changed, but she still expresses—through actions, not words—that she won’t let her anger control her any longer. she finally affirms her loyalty to vi. now on the same page, they kiss for a second time.

by the end of the finale, some remnants of vi’s transformation remain: her dark eyeshadow, her longer hair. she has come to terms with the things which she allowed to haunt her for a long time, but she must still learn what to do with her grief. she leans on caitlyn’s shoulder and accepts her support. interestingly, a physical change has at last found caitlyn, who wears an eye patch. after losing her mother at the start of the season she tried to remain unchanged and unwavering, but came to the realisation that her obsessive, grief-fuelled anger was obscuring her vision. her eye patch represents both an altered worldview and a newfound vulnerability; her skilled sharpshooting will definitely be impeded.

arcane teaches its characters that sometimes being vulnerable is not the same as being weak, and that attaining emotional clear-sightedness is a turning point on the path to self actualisation.

[thetardigrape]

Something occurred to me that I find really fascinating about Viktor. He truly has two fatal flaws: ambition and ego.

He is obsessed with his legacy, almost from the point when we meet him: "Do you think it was my life's ambition to be an assistant?" He also mentions legacy when he's talking with Heimerdinger after his hospitalization. He wants to make contributions that matter. He wants to change the world.

But ambition alone isn't enough to push him into the atrocities he ends up committing. He also, very early on, comments on Jayce's ego, but Jayce, remarkably, isn't very egotistical. He might come across that way, but that's because Jayce is a people pleaser, and the people around him are pushing him into the spotlight for their own reasons.

But Viktor thinks he knows better than everyone. He knows better than Jayce how to make hextech work. He knows better than Heimerdinger how to control and wield magic. He has a brief moment of humility when Sky dies, which, ironically, the hex uses to manipulate him to grow his ego even more.

He knows better than those shimmer addicts what they need. He knows better than Singed how to save Vander. He knows better than Jinx what she could do with her skills. He knows better than everyone, and if they would just stop arguing, he could bring true peace and harmony to the world.

And because he thinks he knows better than everyone, he erases everyone's humanity. He removes the parts of them that would argue with him, push back against his actions, or cause any conflict whatsoever. Only harmony is allowed, so if you disagree with him, the part of you that disagrees will simply be removed. Viktor knows what's right. You do not.

This is fascinating, because, to all outward appearances, he's pretty meek and mild. He doesn't raise his voice, he doesn't scoff at people, he doesn't insult them. He just quietly, internally, thinks that they are ignorant and wrong.

And that's why only Jayce could get through to him. Because only Jayce went through the same journey Viktor did while retaining his humility. Jayce never wanted to be in charge. Jayce never wanted to change the world. He just wanted to show everyone the beauty in magic that he saw as a boy—the beauty that was Viktor all along. Jayce never cared about ego or ambition. He didn't want Viktor's legacy. He just wanted his partner back.

[whatdidtheydotomygirljinx]

Jinx just never really liked Vander that much.

One of the things that, to me, seemed like a main theme in Jinx's arc in season 1 was the contrast between her two families, and how her switch from Vander's daughter to Silco's drastically changes the way her personality takes shape.

And I hate that the fandom, and now the show, too, has reduced Silco to an unhealthy influence in Jinx's life, pushing her towards her "bad" side (being Jinx) when, for all his flaws... he gives her a better childhood than she ever had with Vander. The first three episodes of the first season, to me, when I watched them, illustrate quite clearly that Powder feels unhappy in her family life. She is the most mal-adjusted of Vander's kids. Her older brother constantly berates her, and it's quite clearly having a big effect on her self-image. She later takes up the Jinx name and persona once she feels like she has become irredeemable as a person. Her other brother never defends her. Vi is the only one who is there for her, and they care for each other, but at the same time you can see there's still a little insecurity in their relationship. Vi is worried that maybe Powder is indeed too weak, and Powder worries that maybe Vi does indeed see her as a Jinx like her brother does.

And when it comes to Vander... he's just not really all that present in her life. And I don't blame him, the man has four kids to take care of, on top of keeping things running in the Undercity. It's clearly not his intention. But it doesn't change the fact that he's not there for Powder, not as much as she needs. To me, when I watched the first season, it seemed like Vander was a figure that felt far away to Powder, someone that she admired but also feared being completely herself around, and someone that she ultimately wished to be closer to than she actually was. It's worth mentioning that Jinx never says his name post time skip, and he is not a hallucination for her, not until Vi brings him up in the finale. Hell, Claggor is somehow a hallucination for her and he never even speaks. Vander was just not an influential figure in Jinx's life.

I always found the scene at the end of ep3 of s1 fascinating, because Powder never once mourns Vander. She never once cries for him and never once says his name. When she sees his dead body, she becomes shocked and starts crying, but it's not actually what breaks her. What breaks her is Vi's rejection. Had it just been that she accidentally caused the deaths of her brothers and adoptive father, she would not have crumbled mentally. It's Vi's rejection that destroys her. Now, of course, a little girl that cares more about her sister's affection towards her than the lives of her family members is kinda messed up, but that's what makes her character interesting. And we can see that that little girl doesn't go anywhere, as Jinx displays the exact same one-mindness about her sister. Because Jinx and Powder were never really that different, after all.

She is quite clearly placed with her back to Vander's body, that she never turns to, barely looks at, only enough to recognize him and see he's dead, and never says the name of. She's turned towards Vi, calling for Vi, crying because of Vi, and no one else. Heck, Vi had just been crying over his body a few moment ago. Vi is clearly distraught over his death. Vi is devastated, she literally punches her sister and curses her in the exact worst possible way she can, in the way she know it will hurt her sister the most. But Powder... she just honestly dgaf.

So to then hear Jinx say this line in season 2...

...is just straight up jarring. I was pulled out of the story when I heard this. This is Jinx saying this to Vi. This kinda makes it seem like it was Jinx who was most attached to Vander, or at least that she was just as attached to him as Vi was. Which is just not how things seemed in the story at literally any point until this one. And then season 2 continues this way, and somehow makes Jinx seem like the closest daughter to Vander. Flipping Warwick literally acts more attached to Jinx than Vander ever did to Powder. Like literally. Season 1 clearly sets up that Vi is the favorite daughter, and then they just... flip it?? Warwick cares more for Jinx and responds better to her than to Vi. It's actually insane. It's true they sanitized Jinx's character to hell and back this season, but this is a straight-up rewrite. I can't wrap my mind around why they did this. Plus, the entirety of act 2 they set up this weird and pointless arc of Jinx rekindling her relationship with Vander or something... and like literally her story was genuinely never about that.

(This COULD have been Vi's story. And that might have actually been cool, and made sense. Maybe Vi is the one who finds him, and she is the one who helps him calm down. And then she brings Jinx, and maybe Jinx is terrified because she was never that close to Vander, and then she literally killed him, so seeing him again is the last thing she wants. Maybe VI is the one who tells Jinx that "he was your dad, too", which would make A LOT more sense, and maybe that's the first time that Jinx thinks that oh, yeah, he was... And then maybe they have a cute moment where Vander forgives her. Or maybe she sees the state he's in right now and loses it completely. Or maybe they look at each other and they both see the monster each of them has become. And then maybe Vi looks down at the enforcer uniform she's wearing, and, privately, sees it too. Idk. The things we could have had.)

Silco was actually a good dad to Jinx, in all the ways that Vander wasn't. He gives her all the attention that she never had before. He not only listens to her, but actively asks for her side of the story. He never insults her, and he defends her against Sevika. He trusts her and gives her opportunities to prove she's capable. She goes from being one of four siblings, and getting lost in the shuffle and often ending up feeling forgotten and alone, to being the most important child, always taken into consideration and almost put on a pedestal by her dad (this, like, has to have cured some inner wounds, i think).

Silco understands Jinx better than any other character in the show, and I'm genuinely sad that we didn't get to see any flashback of Jinx growing up with him. Because their relationship was so unique, and so integral to Jinx's character and to the rest of the story, that the fact that we never get to see any other glimpse into their bond is just...

As a final note, I'd also like to add that I dislike when people say that Silco "groomed" Jinx. I think a much more realistic analysis is that he enabled her. And as for all the times he tells Jinx that Vi "betrayed her", that's just a reflection of his own trauma, and also because he fears that if Jinx knew Vi was alive, she would go back to her and leave him (which, considering what goes down in the s1 finale, not an unfounded fear). It's wrong that he does that, but it's not out of malicious intent (also tbh Jinx never really seems to believe him anyway).

And for all the people who say that Silco "turned Jinx into a terrorist" (dumbest people in this fandom fr, im sorry), that's just straight up not true. Powder was already like that. That is quite literally why Silco adopts her. Because he sees that she's like him. Silco would not have taken Powder in if he thought she was just a cute, innocent kid who was orphaned (to, what, raise her for years so that, MAYBE when she's older, she MIGHT be useful to him? when they meet he doesn't know she's the one that caused the explosion, he just knows that she's been abandoned by Vi). This is the kid who thought playing around with explosives was a fun hobby. This is the kid who giggled at the thought of hurting others. This is the kid who already suffered from explosive emotions. This is the kid who saw her father and her brothers dead, because of her, and all she cared about was whether her sister was mad at her because of it. This is the kid who throws herself at the first person she sees, someone who her sister hates, who is the cause of all this destruction, and with an anger that shocks most viewers, declares that Vi is not her sister anymore. She is livid in that one moment.

Powder already had it in her from the beginning. And it's also ok to like a character (and to write one) even if they are not 100% morally pure in every single way under the sun, cause that is quite literally what stories are for.

[animeshotsh]

When I lost you | Young!Silco x Reader

Warnings: Mentions of death - Reader is sick - Silco is still not a gang lord - Silco does not want Reader to try any drug - Italics = memories - ANGST - grammar mistakes -

When Silco was alone in his office, when he knew not even Jinx was around his mind liked to go back in time to see memories of a different time, so different that it almost seemed like these were dreams.

He remembers you well. Your face, your body, your eyes, they never once lied to him. You always showed him your true colors and motivations. You wanted a better place, a future, a good place for the next generation. Stop the undercity of being know as a place of crime.

You wanted so much.

"What's on your mind Sil?" You asked one hand under your chin as you studied him.

Once again Silco was thinking on how...how to improve lives, how could he and Vander make the undercity different?

"Nothing important" He had said "Just thinking on how you look today" He added smirking when you blushed at his words.

"Charming, I hope this does not mean you or Vande did something...because your sweet talking wont work on me"

"Doesnt always?" He asked pulling you on his lap making you laught. He smelled your hair and let out a content sound. He liked this, this moment. He wanted to stop time and be here forever.

The silence was broken by a heavy cought from you, one that made you have to stand up to breath the little air you could.

"Are you alright Love?" Silco asked getting closer making circles on your back as he saw how you nodded still breathing hard.

"Yeah, i may get a flu soon" You had dissmissed with a smile

Silco blamed himself. For how he have acted, faster or different, for not getting you out of the mines.

"(Y/N)..." Silco started seeing how you were having a hard time just walking the stairs, he had noticed how you also seemed to be slower, a side comment Vander had said on how you almost got caught on a recent work.

"Im fine" You responded back, trying to ignore the pain on your chest.

Once you two made it to the top you took a big long breath.

"You are not fine. I can see it, Vander can see it, everybody can see it" Silco said getting more frustrated by you

"Then all of them are wrong" You declared, letting yourself fall on your couch. Your eyes starting to close.

"You cant even stay awake"

"I have done much work in the mines. Im just tired"

"Then stop, I can help you, i can provide for you!!" Silco almost screamed

"You know I cant leave, what if i need the dam job later? No one will take me in. Every job out there is managed by them, i cant just leave"

"You are killing yourself"

Silco groaned at that, he wanted to go back and beat up his younger self. It was like his words had set off a curse.

Because less than a week from that talk you ended leaving the mines after collapsing and almost causing a fatal mistake.

Silco entered your home. He went to your room were he saw you reading a old book, pages yellow.

"I got you some medicine" Silco started getting it out from a bag well hided.

"Silco stop, these are too expensive!!" You said again even since he had started to get you different ones but no one seemed to work.

"Shut up, just try it" Silco said passing it to you who took it making a face.

"Its terrible"

"Well its not supposed to teast good, its supposed to cure you" Silco responded going to your kitchen to heat up some soup.

When he returned you were deep sleep. He hoped that medicine was doing the trick.

Saddly it did not.

Weeks passed and Silco saw how you became more and more weak. Pale like a ghost, eyes no longer shining but almost out of life.

"Im dying" you said to him one afternoon "Im dying and you cant do anything about it so stop beating yourself"

Even now Silco felt like your words reached him.

"No, i cant let you die" Silco said hands rubbing his hair

"Uh, i can try that thing they are selling now..."

"No" Silco had say "Next thing we need is you getting addicted"

You rolled your eyes but did agree.

The soft rain from outside was like odd music, for a couple that was seeing its end.

"I love you" You said taking his hand "Im happy i got to live my life with you"

If Silco had know these were going to be your last words he would have given you a better response. More than "I love you" and more than false promises.

He had become what you asked him not to, and while he was making on his own way a better life for the city a part of him hated himself. Hated that he had somehow betrayed you.

"Im sorry" He whispered to no one. "Im so sorry (Y/N).

[sapphiresaphics]

I’m STILL not done with this because the downplaying of Jinx’s actions vs the exaggeration of Caitlyn’s is really bugging me.

Yes, Caitlyn uses the vents to pump the Grey into the undercity. But she does it in TARGETED strikes. That’s what a “strike force” IS. It’s a small group of soldiers who go in quickly and precisely to attack vulnerable spots.

In this case, Caitlyn and her crew literally use the same vents they’re pumping the Grey through to get in and out of their targeted locations. Meaning Caitlyn isn’t “gassing the undercity” at all. At best she’s filling a single building with the grey while they attack and then filtering it out when they leave.

“Oh but gas dissipates differently in the undercity than in Piltover because piltover is open air and the undercity is close together and tight.”

Cool… that’s definitely a concern. But we never see any negative side effects from these targeted attacks. It’s established multiple times that you can endure the grey for a while, it just makes it harder to breathe. And while there are immediate side effects of it, you won’t develop terminally ill Viktor-like symptoms unless you’re been exposed to it consistently for years.

Everything Caitlyn is doing is to MITIGATE the loss of innocent civilian lives. Heck, they stumble across a guy Jinx has tied upside down on top of a grey exposed vent for god knows how long and the first thing the strike force does is to try and save his life!

Now compare that to what Jinx does IN THE SAME EPISODE. She sets off a bomb that blasts the entirety of Piltover with the grey. Mixing it with the paint is an even greater act of cruelty because that just makes it harder to wash away and get rid of the toxicity of the grey.

Look at how WIDE SPREAD that attack ended up being! Absolutely NOTHING Caitlyn has been doing has affected the undercity on such a scale!

And this attack affects women, children, and the elderly. We are EXPLICITLY shown this.

AND we are shown what happens to the kids afterwards. I understand this is Ambessa using this child to plead her case for Martial Law, but that doesn’t change that this kid still suffered greatly because of Jinx’s actions.’

Now yes, what Caitlyn is doing is still wrong. Nobody is suggesting otherwise. Caitlyn shouldn’t be attacking the undercity at all. But this idea that Caitlyn is somehow akin to a Nazi gassing the poor people is a really disgusting exaggeration of her crimes AND mitigates the ACTUAL terrorist attack by Jinx that DOES hurt innocent civilians.

And a lot of the justification I’ve seen for the hate against Caitlyn using the grey is often speculation based on nothing the show provides us with answers to, or wild assumptions about the physics of this grey’s toxicity.

Oh and one more thing, in relation to Viktor’s illness… just MAYBE consider that one of the reasons his illness spreads more quickly in his body than, say, Sky’s or Vi or Jinx or Vander… is because as a child he spent a lot of his time IN A TOXIC FISSURE CAVE GIVING THE TOXIC PRECURSOR TO SHIMMER TO RIO.

I dunno, just a thought that MAYBE that contributed to his ultimate health decline? Sky is literally swimming in the dirty waters outside the cave and she is fine… Jinx is baptized by Silco in the same dirty water and she’s fine. Vander and Silco both worked in the mines where the grey was most potent and they’re fine. Silco’s eye is only because of being choked out in the dirty toxic water…

I just think people are being VERY SELECTIVE about how they choose to view the ways the grey affects people.

[monabee-draws]

Some TimeBomb Analysis I felt was very heartbreakingly necessary in this trying time:

Ekko comes to realise by being in this world that Jinx was always Powder, in the same way that Vi comes to reconcile the two 'versions' of her, Ekko sees all the ways Jinx's savvy-ness and cunning and brains were always Powder. He gave her up for dead - like his dream of a beautiful Zaun - a long time ago, and painted the mural to show it. But being here with Powder makes him realise he can still have this is he's willing to take her as she is now, flaws and all.

So we all know Ekko is really talking about Jinx in the line "I used to dream the undercity could be like this", but I also think the opposite is true for his last line: "Can we pretend like it's the first time?" is about the kiss, but it's also about this version of reality. It's about Benzo being alive and Powder being Powder. It's about stepping back from his real world for a second to pretend that this is his real world. He was always going to go back, but just like his use of the Z-drive means that he could theoretically re-do and undo all of his mistakes ad infinitum, this is an acknowledgement that this 'redo' is how he wished it has been, and that it isn't real for him at the same time. Because it isn't the final time he will pull the plunger and reset. But he wishes that it was.

3. Jinx has a very difficult relationship with abandonment, obviously. But these lines encapsulate her journey towards accepting that no, actually, the people who love her will always refuse to give her up no matter how much she believes doing so would save them (including Silco and Isha and even Vander since the enforcers come after the kids for the stones she steals.) Never giving up on her empowers both Ekko and Vi in the final hours of the show. Their relationships with Jinx and the strength of that connection in the fullness and acceptance of all of its flaws and history means that they can do and achieve anything. Not giving up on her means not giving up even when everything falls apart around them. It's the crux of Ekko's time travel ability - he will always remember what really happened in all of those loops, he still carries those scars and physical damage, but he keeps trying anyways and that is what saves the world.

4. Jinx is the 'someone worth building for.' Yes, this line is about TimeBomb but it's also very strictly about Jinx. It's about Jinx needing to know that her life also have worth for herself. Her inventions have by and large been built for the sake of others - her toy weapons to impress the others/keep up with them, the canon for Silco. She rebuilds Sevika's arm because she wants to feel useful for someone again. But she doesn't value her own input into the world for her own sake. Ekko isn't asking her to fix the world here, or to make good on her mistakes. There is no 'fixing' or 'undoing' or even 'rewriting' the way Vi wants her too, the way the Zaunites do with her legacy. There is only something new. And her life is worthy purely for whatever creations she adds to the world, regardless of whether they can undo the past. There's something so achy about that coming from the Boy Saviour. He isn't really here to save Jinx from herself - he just wants her to know she can do that saving on her own.

5. Jinx always knew what she needed to do to break the cycle. But she grew up with too many people who never wanted to let go of the past. In the end, we see her airship fly not towards Piltover (in some desperate rewrite of her failed story in Zaun) but away from it. She gets out, she pursues something new, the image loops but moves towards a new trajectory with a different (better) ending, just like Ekko shows her is possible with the Z-drive.

Two sides of the same coin. She leaves Zaun to see something new, and he returns to Zaun to see it in all of its fullness. I think they'll be alright.

[domiiomii]

Sevika is my favorite character but it is hard for me to analyze her because I feel her ending is so unfitting for the rest of her writing and feels so forced it makes me second guess every other thing that was established about her, it is truly sad to me how the conclusion for such an interesting character ends up being imo a lazy way to tie lose ends for the rest of the abandoned Zaun vs. Piltover class war plot line.

I was thinking about this because I found this concept art of how Sevika would use Silco's office as her room after his death and it is so harrowing how for Sevika her entire life was Zaun's liberation.

The thing about her is, unlike Silco who at least had Jinx, she 100% sacrificed her whole personal life for revolution and thus perhaps her compromise to it was even higher than Silco's and then she becomes part of the same system that she spend her whole life fighting against? How do we make any sense of that?

I see Sevika leaving Vander, because of his refusal of fighting against Piltover, as such an important point for her character and I would argue probably the most important we see in establishing who she is, her ideologies and how much she is willing to sacrifice for that dream. Then Act 3 happens and it is such a weird watch for me because clearly the writing was trying to re-establish her as a sort of Vander figure with the whole "we don't hand over our own people" thing (even though I would argue her motivations where ideological while Vander's were personal), her giving a speech on Vander's statue, under his shadow. It feels like an attempt to make her into a "good-zaunite" by making her into a completely de-fanged version of herself and what that ends up meaning is her becoming non-threatening to the status quo and instead becoming part of the system, legitimizing it and therefore protecting it.

In this regard I think that Sevika choosing to follow Silco might be as important as her abandoning Vander. I find their relationship very interesting because they have similar ideologies and Silco is so dependant on Sevika and they both know it, for over 7 years she could have abandoned, betrayed or disposed of him but she didn't because she understood that violence was the only way to liberation and in that path she did all sorts of reprehensible things just like Silco for that ultimate goal again with the understanding that violence was necessary, she chose Silco because she understood that liberation would come through struggle not by manking deals with your oppressors like Vander did... And then just like Vander she ends up doing exactly the same thing, rendering all those years of struggle, all those actions, violence and atrocities meaningless.

And so for me most of what we knew of her character and what was established about her ideology becomes nonsensical when we see how she ended, either you take it as she completely betrayed herself and what she fought for her whole life or she was never the person the writing showed us her to be and just acted without thinking all those years (?). Furthermore we are shown just few episodes before the end how the people of the undercity don't even listen to her, so again it is just confusing how she ends up as a council woman for a city that doesn't even want her.

Ultimately if this was some sort of commentary about how revolutionaries can become sucked into politics and be de-fanged in favor of becoming part of the system rather than fighting it I could accept it even if I didnt like it but with how reactionary and anti-revolutionary s2 is, it just feels more like a "see? violence is never the answer! if you want change just become a diversity hire and change the institutions that oppress you from within!" /sarcasm

[blueraith]

It's wild to me just how badly Vi's arc is misunderstood in S2. The claims I've seen that it was bad because she didn't join up with Ekko to help liberate Zaun or didn't "have enough stuff to do."

Big 'ole S1 Vi analysis under the cut because some "hot" takes seem to forget that Vi's S1 arc even exists.

Like, sorry, but that was never the direction her character was going to go. This was spelled out for us in the very first episode of the show when Vander is giving her that lecture.

"When people look up to you, you don't get to be selfish."

"Whatever happens, it's on you."

This is the first conversation in the show that carries an impactful character building statement. We are effectively being given the start of Vi's character arc verbatim.

She is not allowed to be selfish.

And as S1 Act 1 progresses, and Vi expresses a will to fight, to rebel, to revolt, she is constantly and consistently shut down and discouraged from that way of thinking by her father figure. She's fifteen years old or so, Vander is the only authority figure in her life that she respects. Why wouldn’t she internalize any of this as is, let alone after all the tragedy she's forced to endure at the end of this act?

Then we get to tragedy. Vander tells her two very specific things before and after the showdown with Silco.

"Take care of the family."

"Take care of Powder."

You know. Not, "hey, take over my mantle as Hound of the Underground."

Or "lead Zaun to freedom" or whatever the fuck.

He tells her to look after their family. The people closest to Vi.

And I don't know how many of you are older siblings. Or even older sisters. But I question if some of Vi's most heated critics are either neither of those things or lack any knowledge of sibling dynamics, period. When you are handed this tiny baby from a young age and are told "this is your baby sibling, you have to help take care of them, we won't always be here but they'll always have you" by your parents, that shit sticks with you forever. For better or worse.

If you're parentified on top of that through either circumstance or abuse, then that sentiment turns toxic. Vander, as well-meaning as he is in his talks with Vi, inadvertently presents a pretty black and white viewpoint. When paired with Vi's reaction to his (first) death and learning what Powder did, it becomes even worse.

Think about it. Most people seem to focus solely on Vi's anger issues when she strikes Powder for obvious reasons. But there's this selfishness that Vi temporarily succumbs to when she hits Powder as well. She's not thinking of Powder's emotional state or devastation as she realizes what she's done, Vi is mired in her own grief and anger.

She then walks away from Powder to take a moment to herself and presumably recollect her own composure, also a selfish move.

Now, when I call these actions selfish, I'm not assigning any negative connotations to them. Selfishness is not always a bad thing, putting yourself and your own needs first does not make someone a bad person by default. It can be healthy to take some time for self-care.

The "issue" is that Arcane is a tragedy. The narrative punishes Vi for lashing out and temporarily leaving Powder by having Marcus kidnap her and Silco adopt her sister. Not that Vi even knows that much when it happens. For all she knew, Silco murdered Powder.

So, then Vi spends something like seven years in Stillwater in constant limbo wondering if Powder is even alive. The sheer guilt she must have felt at "failing" to protect her baby sister would have likely been agonizing.

Seven.

Years.

Then she gets out. And all Vi cares about is finding her sister. She doesn't care about the Hexgem besides the fact that it's directly related to Jinx, and Caitlyn lied to her by ommission about it.

She's not trying to retake the Lanes in Vander's name. She only cares about bringing Silco's empire down because of what he did to her family. She wants her sister back first and foremost, she does not care to stick with the Firelights and even leaves Ekko and Cailtyn on the bridge initially to go after Jinx.

It's really her burgeoning feelings for Caitlyn that ever cracks this near obsessive compulsion to chase after her sister. Vi was going to choose Jinx until the point Caitlyn was injured and then the both of them were shot at by Jinx.

Even the moment she falls in love with Caitlyn is tied to her guilt about leaving Powder. The story she tells while they're on Caitlyn’s bed, her obvious grief and guilt over her sister. She's mired in this moment of pain until Caitlyn reaches out to comfort her. Like, Jinx and Caitlyn have always been intertwined in Vi's arc after she meets Caitlyn. There is no overarching thread to connect Vi to any of the political plot points in this story.

Vi's arc is character driven. Always has been. She's motivated by her warring desire to protect those she loves with EVERYTHING she has, and this by now guilty pleasure to finally develop something purely for herself.

It's why she pushes Caitlyn away during the infamous Oil and Water breakup. The class differences she's citing are an excuse, an easy thing she can point at to push Caitlyn away. What's really going on is that she failed to get the Council to decisively act against Silco. She's failed Jinx again in her own mind, he's still out there poisoning her mind, and now she needs to take care of him herself. Caitlyn proved to be a distraction from her goal, and so must be removed.

Even after teaming up with Jayce and then going her own way, Vi does not go after more shimmer factories. She's not rallying the Lanes to revolt with Hextech weaponry in (on) hand. She immediately goes to the Last Drop to challenge Sevika, someone she hates specifically because she'd betrayed Vander. She had every intention to confront Silco right after that.

Then we get the tea party, and Vi has to come to terms with the fact that the sister she loved is fundamentally changed in more ways than one. She's given an ultimatum to choose between her self-imposed duty as an older sister and Caitlyn. The only relationship Vi has ever formed purely for herself.

And she can't do it. It's an impossible choice. Jinx ends up triggered intensely, Caitlyn is struck by indecision and doesn't take the shot because of Vi's pleas, and Jinx goes on to fire that rocket.

Like this is just Season. One. Every single important character moment Vi has is tied to either Jinx, Caitlyn, or both. This is not a new thing S2 did with Vi's character. Her arc was always about how much she was giving to other characters without much thought to herself.

I just don't get how some people expected that to radically change in S2. It was never going to happen. I'll probably make an analysis on S2 Vi as well, but this is already getting very long. It's also a good way to remind some folks that each season of this show does not exist in a vacuum. I've read a lot of takes that seem to just... ignore S1. It's pretty bizarre.

[bwat5-blog]

Vi's Ending

**Spoilers for all of Arcane**

I have written about and discussed Vi in significant detail. However it was pointed out to me recently that her ending is worth its own detailed discussion and I completely agree. For those who have been sticking with me on these, you already know Vi is my favorite character. She means a lot to me, as she does to many of you for various reasons. So before we dive in let me say this:

Vi is NOT the Jinx

Vi is NOT a bad sister

Vi did NOT get Jinx killed

I have written in great detail defending and explaining each of these points, and because of that I will not detail those here. But if you are interested I'd love for you to check out my other posts and share your thoughts! Ultimately I am just another fan, and I am really enjoying celebrating the achievement in story telling this show has become, and its legendary characters.

The End:

At the end of this story, we find Violet, sitting alone, drinking, humming powder's song from the very first moments of the show. She appears deeply in thought and is curled up on herself, only opening up when her beloved Caitlyn joins her. They share a tender moment where Caitlyn asks her if she is still in this fight, to which Vi responds "I am the dirt under your nails cupcake, nothings gonna clean me out" and lays her head on Caitlyn's shoulder allowing herself to relax as Caitlyn smiles softly looking into the fire. This seems to be our last look at the couple outside of the game if Riot is to be believed (money talks people, keep these characters popular and they may listen!), and it has understandably sparked reactions across the board. For myself, I found it bittersweet. Beautiful and hopeful in many ways, but recognizing the weight of what they have survived, and validating the healing they still need. I view it as Vi finally being on the road to peace, just not quite there yet.

The Heart of Zaun:

I have extensively detailed who Vi is in other posts and therefore will spare you the diatribe here. But to properly appreciate and understand why her ending was so meaningful we do have to understand who she is.

"You've got a good heart. Don't ever lose it, no matter how the world tries to break you"- Vander

Vi is not perfect. She impatient, quick to anger, stubborn beyond belief and impulsive. But these are things born of the dark and angry world she has been forced to survive in all her life. At her core, who is she really?

A Daughter

A Sister

A Warrior

A Guardian

What Vi proves time and time again throughout this story is that she is fiercely loyal, loving, and true. She is tough as nails and brave sure. But we also get these beautiful moments of fragility. Moments where her love, her fear and her hope bleed through the mask she keeps up showing us who she is beneath. Other lessons from Vander plays a major role in who she becomes as well:

"When people look up to you, you don't get to be selfish"

"Who are you willing to lose?"

-- Vander

Vi was already trying to care for the kids around her, and had at a young age been through so much trauma and loss. But as any teenager would, she still displayed a lack of understanding about the potential broader consequences of their actions. After her talks with Vander, almost every decision she makes she is trying to protect those she loves, or trying to atone when she feels she has fallen short. Her own happiness becomes her last priority in almost every situation. And her journey to overcome this, to learn that its okay for her to know tenderness, and peace, and love and that those things don't make her unworthy. This is Vi's inner journey.

She deserves the things she fights so hard to give the people she loves. I meant to re-blog it and hope I did, but another user pointed out something I have never considered. When she and Vander are talking on the bridge, and he gives here these lessons, what does she say is the reason she wants to fight? - that she grew up knowing she was less than, but she wants more for her little sister and will bleed to do it. Even at that young age, before experiencing so much of the pain she goes through, she doesn't see herself as deserving of that same defense as everyone else in her life... She believes is meant to be the shield, and never the shielded.. An inspiring and heroic notion on paper, heartbreaking to recognize in a teenage girl who is only just beginning in life.

Back To The End:

Okay, with that refresher lets return to Vi's ending. We see this beautiful, tender moment between Vi and the woman she loves. And sure, on the surface of the moment alone it appears your standard happy ending. Safe, warm, and in the company of the woman she loves. These are all undoubtedly good things. But context matters. No decision in this show, no plot point, no animation, no detail is accidental. So we need to account for the following factors:

They have just survived a truly terrifying battle which no matter the result in terms of life and death ,would be deeply traumatizing

She and the woman she loves have made it through together its true (thank god). On a purely physical level, Caitlyn's heroic willingness to sacrifice a part of her own body to achieve victory has left her forever changed. And Vi's body has become a tapestry of scars from a life time of sacrifice and struggle

Caitlyn and Vi's reconciliation is a controversial topic in the fandom. I feel that it was justified in terms of us being given the necessary pieces to believe it, but rushed (the whole season was). Like if I asked a student to show me his work on a math equation, he got the correct answer, but he could only show me the beginning of each step he took to solve it. Correct, but incomplete. All of that to say this, their scene in the jail cell was beautiful, and it was full of meaning far more than the spicy quality (although god damn who are we kidding), but we are talking about months of time apart, with both of them living through an extremely dark period, all precipitated by an extremely traumatic "breakup". I don't think it's unreasonable to assume they have more to work through and heal from regarding this issue, although thankfully their love for each other remains strong.

The death toll of this battle is seemingly enormous although we are not given an exact number. The impact of this is obvious. And although I agree his character was not perfectly utilized, I saw Loris as the face of the countless faceless citizens of Piltover and Zaun who died in this conflict. His death right in front of Vi happening so quickly, and brutally.

Vander.. Vi had to watch her adopted father die not once, not twice, but three times. The first time after saving her life, the second time after they seemed so close to saving his, and the third time with him very nearly killing her. I'm not a mental health professional but I don't think I need to be in order to suggest this may leave lasting emotional and mental scars on her

Jinx. Vi's crusade for her sister's soul begins the moment she steps out of Stillwater with Caitlyn. The relationship between Vi and Jinx is far too complex and detailed to cover in a bullet point like this, and is one of the pillars upon which this show came to be. I'm not getting into fault or blame or any of that right now, because what it comes down to is this. Vi loves Jinx and fought so.. so hard to BE her sister again. And finally, right at the end when it seems like they are finally going to be okay, she loses Jinx. again (not dead but Vi doesn't know that). And why? because Vi breaks at the sight at the sight of Vander's body and Jinx sacrifices herself to save her. Vi's breakdown is heartbreaking. It its understandable, its realistic, its painful and its human.. But after a life time punishing herself for how she feels she failed her sister.. it hurts to admit the truth that as things stand now, Vi will probably carry the guilt of Jinx's death for the rest of her life.

I know that is all so bleak, and so heavy. And it hurts because you want to see Vi happy. We want to see her and Jinx living as sisters catching up on the time that was stolen from them. We want to see a world where she and Caitlyn are energetic and happy and healed. We want to see Vi in some way acknowledge that in the end, Jinx's sacrifice was not because Vi failed her. It was because Jinx saw that her sister who had always loved and believed in her, needed her this time. That the woman who had always stood for those she loved needed someone to stand for her. So Jinx became the shield Vi never believed she deserved.

That Vi is a bad-ass is never in dispute. We see her fight countless times in defense of those she loves, and do so quite well. Her journey is not to find her strength. It is to recognize that she is worth more than that. She deserves more. And our hope for her is born of the changes we see. As her relationship with Caitlyn evolves, and she sees her belief in her sister finally validated, She comes to understand she has more to offer than the strength of her arms.

Her relationship with Caitlyn: Their love story is so amazing, and complex, and layered. It is far too much to cover as a bullet point in another post like this and I do intend to deep-dive it soon. But in terms of this discussion, I want to stay this. That Vi and Caitlyn have their ups and downs is obvious. Its not that every moment of their time together is an unending parade of joy and romance, that would be not only bad story telling but not realistic. But the best romantic partners are those people who can fall into the flames together and walk out not untouched, but re-forged into something stronger. These two women are a great example of this. There are many important moments in their relationship that greatly effect Vi, but I am going to focus on just one:

Caitlyn Finds Vi in Jinx's Cell:

As I mentioned previously, this scene is so important for so many reasons. For our purposes, we need to remember what leads up to it. Vi immediately goes to rescue Jinx after confronting Caitlyn over her imprisonment, only for Jinx to stun her and leave her in the cell herself (there is so much context and meaning here in terms of Jinx and Vi/Jinx but we are focusing on Caitlyn right now). Then Caitlyn finds her. Alone. In the cell of the woman who killed her mother. Now there are a lot of ways this could go and Vi is clearly expecting the worst. She laments that she always chooses wrong trusting and believing in Jinx, and that this time its cost her everything. Her sister is gone. She assumes Caitlyn will be enraged, and not to mention she is in this incredibly vulnerable state, in a jail cell, after surviving seven years of false imprisonment that started when she was still in her teens. But it doesn't go how she expects.

"Sorry to say, you've grown a bit predictable"

Vi believes that this part of her, this emotional, trusting, vulnerable part of her is always wrong. But Caitlyn reveals just how much she knows that part of Vi. And not only knows, but accepts it, predicted it, and even stepped in to help the woman she loves, putting aside her own hate and bitterness. Its a powerful moment. It shows Vi just how much she is worth to Caitlyn, and it has nothing to do with her fists. Just her heart. And Vi's response to this revelation shows us maybe the first time in the entire story, where given this tiny seed of evidence that she may deserve to be happy, she chooses to let herself be. Right there in that cell with Caitlyn.

Her Relationship With Jinx:

Like Caitlyn, this relationship could only be explored properly through it's own deep dive. So again, I am going to focus on a single moment between these two as evidence of Vi hard earned affirmation of her refusal to quit on those she loves. When Vi goes to break Jinx out of jail, Jinx stuns her and escapes instead, leaving her locked inside. As Vi panics for her sister, Jinx walks away, pleading with Vi to let herself be happy, and to stop looking for her. This of course leads to the incident we just mentioned in which Vi claims she always chooses wrong in trusting her sister. "I really thought she'd help" Vi says to Caitlyn about her sister when Cait arrives. And how does her belief in her sister shake out? Jinx rides in on a war balloon at the head of an under city army, and saves the day... and then later on, saves Vi's very life at what seems to be (We know better) the expense of her own. Vi was right about her sister all along.. its just that some lessons are hard won indeed..

Conclusion:

Vi is an amazing character who has quite frankly, earned her rest. And that's what the end of the show is sharing with us. Vi is warrior. She has fought, and bled, and lost so much, but she has endured. Through her two most important relationships in her life she has found the road to the recovery from the many, many wounds her existence has left on her, and they are still wounds that need healing. There is grief, and pain, and guilt still dwelling in her. But we have seen the seeds of her self-worth beginning to bloom and it is in them that we place our hope for Vi. Because she has an inkling that what Vander told her, the same thing the woman she loves noticed within hours of of meeting her, and the same reason Jinx knew Vi would never give up on her, has always been a far greater power than her ability to do violence.

[geneviveleocardius]

vander and his way of loving you

young vander

vander loves with quiet intensity. he’s not one for grand declarations, but his actions speak volumes. he’ll carry the weight of the world if it means keeping you safe. he’s protective, almost to a fault, but it comes from a place of deep love and fear of losing you. when he’s with you, he softens—his gruffness melts into warmth.

he’s a big guy, and he knows it, so his touches are gentle. he’s always aware of his strength, and he’d never want to hurt you. his love language is a mix of acts of service (fixing things for you, making sure you eat, stepping in when you need help) and physical touch (he always needs to feel you near).

vander’s kisses are slow and deliberate, like he’s savoring every second. when he kisses you, it’s like the rest of the world doesn’t exist. his favorite is pressing soft kisses to your forehead—it’s his way of grounding himself and reminding you how precious you are to him. when he’s feeling playful or cheeky, he’ll kiss your neck or jawline, knowing it’ll make you laugh or shiver.

when he’s desperate—when he’s worried or overwhelmed—his kisses are rougher, his hands gripping your face as though anchoring himself to you.

he keeps it simple and heartfelt: love, darlin’, sweetheart. when he’s teasing or feeling extra warm, he might call you lass with a little smirk.

vander loves holding your waist—it’s the perfect spot for him, close enough to feel you near but not too intrusive. he also loves wrapping an arm around your shoulders, especially when you’re walking together; it’s his way of showing everyone that you’re his.

when you’re sitting together, his hand often ends up resting on your thigh, his thumb absentmindedly tracing little circles. it’s a grounding gesture for him and a quiet way of reassuring you.

he’s obsessed with your hands. for someone so big and tough, your hands remind him of how delicate and beautiful you are. he loves holding them, kissing your knuckles, and marveling at how they fit so perfectly in his own.

vander is slow, patient, and deeply attentive. he’s not just focused on passion—he wants to make you feel loved and cherished in every moment. his size and strength could be intimidating, but he’s so gentle, always checking in with you and ensuring you’re comfortable.

he’s all about eye contact—it’s his way of staying connected to you, of letting you know just how much you mean to him. he whispers soft reassurances, his voice low and raspy: “you’re everything to me, love.”

if you died like vi and powder’s parents

losing you would break vander in a way that nothing else could. he’d carry the guilt forever, blaming himself for not protecting you. it would be the catalyst for his transformation into the vander we see later in arcane—a man willing to sacrifice everything to keep others from suffering the same loss he did.

he’d keep little things of yours—a scarf, a trinket—and visit the place where you fell, talking to you as if you were still there. it’s not uncommon for him to sit in silence, lost in memories of you, his hand curled into a fist as he fights back tears.

if you survived

if you made it out alive, his devotion to you would double. he’d hold you even tighter at night, as if letting go might take you away from him. every decision he makes, every risk he takes, would be filtered through the lens of keeping you safe.

your life together would be one of quiet strength. vander would work hard to create a safe home for you both, building a future even in the chaos of the undercity. he’d find joy in the small things: sharing a drink at the bar, walking through the streets of zaun hand-in-hand, or lying beside you at night, his arms wrapped securely around you.

he’d talk about starting a family one day, though the fear of bringing children into such a dangerous world would weigh heavily on him. still, with you by his side, he’d start to believe that maybe, just maybe, there could be some light in the darkness.

[dilemmars]

⠀⠀⠀⠀⠀⠀“ DIE WITH A SMILE. ”⠀⠀───⠀⠀arcane.

⠀⠀𝖾𝗉𝗂𝗌𝗈𝖽𝖾 𝗍𝗐𝗈.⠀( some mysteries are better left unresolved , 9.6k words. )⠀by dilemmars.

1.⠀⠀ PAIRING⠀⠀:⠀⠀violet x f!reader.

2.⠀⠀GENRES⠀⠀:⠀⠀based on the storyline and universe of arcane ( league of legends tv show )⠀; first love trope, started dating recently, stablished relationship, exes to lovers. basically you and vi were dating before the start of the story, then got separated.

3.⠀⠀WARNINGS⠀⠀:⠀⠀i will add the warnings that the tv show has: slight presence of sex and nudity, foul language, alcohol, drugs and tobacco. moderate scenes of fear and terror. high content of violence and gore. in this second chapter, there's going to be an explicit scene of bullying and violence towards reader, and mentions of prostitution. please do not read if you're uncomfortable with it.

4.⠀⠀AUTHOR 'S NOTE⠀⠀:⠀⠀second chapter out! i don't know why, but i found it kind of difficult to finish it because it took me a while to decide how i was going to approach the first part. and i also feel like it's super repetitive, so i hope you don't find it boring (an di'm sorry if you do! i'll try to write better) :(( then we have more arcane episode 2 content, and a bittersweet end. next chapter will be the end of the first act (and we all know how it goes), i would advice to prepare yourself for some angst. meanwhile, just enjoy 🤍

5.⠀⠀IMPORTANT⠀⠀:⠀⠀this is a work of fiction. i do not own arcane or any content produced or owned bychristian linke, alex yee, riot games or netflix. all rights belong to netflix and the writers of arcane. all plot events and character developments that are not related to the main character's story belong to the writers and creators of the series.

The whisper of the name of Vander, the hound of the underworld, and his fearsome reputation, had drifted through the gaunt streets of Zaun like a famished viper aching for nourishment, but it had also reverberated within the glassed walls of the brothel in which you had grown up. You had first heard it from your mother's lips, like the caress of a feather brushing your skin, when you were too young to remember what had been of the city before him. In your blurred memories, only a chaos of violence and children's games, and then just peace. Like so many secrets huddled under the beds and behind the wardrobes of The Gilded Lily, it was a mystery how Vander had managed to keep that invisible line between the two worlds intact for so long. The only important thing, however, was that it worked.

At the age of twelve, you had come to think that he could be your father. Like many children of prostitutes, you had never met yours. Like many unwanted results of endless nights of work, you hadn't been much more than a mouth to feed that couldn't monetise your stay at the brothel. At least, until you got older. You had spent your days wandering the city in search of mechanisms to fix, wanting to spend as little time as possible under the brothel roof, knowing that your presence was not welcome. Profiting from the rare tastes of the men and women who frequented the many decorated rooms downstairs —and the even wilder fantasies they paid for in the rooms upstairs— your mother had decided to keep you when she learned of the unexpected pregnancy, against the madam's insistent advice and the usual procedure on such occasions. 

During your childhood you had heard too many names whispered in the perpetual night of Zaun, always hidden in the poorly lit corridors of the place, but Vander's had never been one of the feigned moans that used to echo in your head even when you covered your ears. Only once, while your mother was getting ready for one of The Gilded Lily's most important clients, your nimble hands braiding and winding strands of her hair, had she muttered those six letters, in a hurried ‘If you ever find yourself in danger, call on Vander’. She had always become wary, anxiety creeping like a terrifying shiver up her spine, when you had to leave the building without a place to shelter. And on those occasions, after forcing herself to ask you not to return until after the early hours of the morning, you would lose yourself in the alleys of Zaun.

You still remembered that night, when her lips had left a quick kiss on your forehead, a carmine shadow that had remained on your skin until she had smudged it with her thumb, and then you had disappeared from her room, carrying that unknown name in your heart like a secret. It had been no accident that your mother had confided those words to you after seeing you come home with more than one bruise on your face, some nights even more, because she knew he could help you. And her instinct had not failed, because you had remembered his name precisely until you had needed to pronounce it.

Life in the brothel hadn't been so bad once you had familiarised to the overpowering scent of all the perfumes, the chaos of the attic rooms —with clothes of all kinds scattered on the beds, make-up products everywhere— and the unclassifiable noises behind closed doors that became a background melody once you got used to them. Still, and despite the fact that all the women and men who worked there had found it hard to consider you as one of their own, sometimes even treating you more like a pet than a child, you valued your independence too much to waste time getting annoyed looks for being in the way. You had often slipped into the alleyways adjoining the big building, after looking for the moment when the Madam locked herself in her office, and you had walked the dirty streets of the undercity with your head down under your hood.

That had been how you had discovered the tattered shop of the gentle Benzo, the owner of a cave full of treasures, who had grown fond of you. He had given you your first screwdriver, and taught you how to build any mechanism from scratch. He always kept useless pieces of machinery in a box with your name on it, ready for you to pick them up as soon as you could. At first it had been in exchange for you looking after the little boy who had been left outside his door years ago, who was only slightly younger than you, but it had ended up becoming a problem, even if he hadn't been aware of it at the time.

In Zaun people didn't need a reason to sin. It was as easy as breathing the foul oxygen that clung to your skin and poisoned you from the inside, urging you to steal, to fight for money, to kill if you had to. The need made you unpredictable, desperate. And that culture of poverty, applied to children, was lethal to those with fewer possibilities. Applied to you, well, let's just say it had meant a big target painted on your forehead that screamed you were too easy a prey for the most despicable ones.

It had not been the first time you had been attacked thinking you could have something of value in your pockets. You had heard the comments of adults passing by, whispering about the blood that ran through your veins, speculating about the amount of money you would have under your name just because you lived in The Gilded Lily. They had assumed you were the brothel's heiress, always messing around in the city streets with no sense of direction, ignoring the consequences, and you had dressed up in the mask they had woven for you, lifting your chin proudly as you listened to them, wanting to believe that fantasy. Until the first punch had come. Merciless, silent, followed by a low laugh and a threat. You had curled up as overly bold hands roamed your body in search of diamonds, when you could only offer nuts and bolts.

But they had grown even bolder, taking everything you had on you no matter how little it was worth, leaving you with less and less material and more than bruises.

That night they had simply gone overboard, for the fun of it.

You had tried to stifle a chuckle at almost bumping into a customer, too busy making a funny face at Ekko as a goodbye, while sneaking out of the shop door. No sooner had you set foot in the street, the cold air outside invading your lungs almost painfully, than you had received the habitual punch. Swift and heavy against your windpipe, knocking the breath out of you, bending your body forward. One of your attackers had laughed to your right when the bag you had been holding had fallen to the floor, spilling screws and metal pieces onto the cobbled floor, and hadn't even bothered to pick them up. They had finally decided to stop pretending that mugging you was not their goal. 

You had held your hands to your chest, your eyes following a screw rolling a few centimetres, before a second punch landed, straight in your face. A twinge of pain had coursed through you as you felt their fist hit a wound on your cheekbone that hadn't quite healed, and you had frowned, stumbling back. The third, aimed at your jaw, had been the one that had knocked you to the ground.

You had collapsed, gasping for air, curling into yourself on the cold floor, dazed. Your body had pulsed, your heart pounding, and you could only think that if you stayed still long enough, they would leave you alone. With your back pressed against the wall of Benzo's building, your ragged breaths had hit your forearms with every inhale, your arms protecting your face. But far from hearing their laughter fade down the alley, the silence had granted you a moment's peace before you were kicked in the pit of your stomach, a breathy and quiet pant spilling from between your lips.

You had drawn your knees even tighter to your chest, sobbing, and tensed your muscles, fighting against the weakening pain. You hadn't been able to tell if you were crying, thick tears sliding down your face, or if it was blood, but after a few seconds you hadn't cared. You had wanted it to be over as soon as possible, even if it meant being knocked unconscious. You'd had no idea how many there were, their voices, distorted by your fear and their amusement, shimmering in a mocking tone. You had closed your eyes as you had felt another kick to your ribs, and had cowered against the wall, wishing you were dead.

But then you had remembered your mother's words. Soft and crystalline in your memory, just as fearful as your voice when they gushed from your chest like salt water desperate to leave your lungs after a shipwreck, ‘I know Vander!’

The hand of one of them had paused against your shoulder at the broken sound, and you had frowned, praying that his name was threat enough to make them go away.

‘Do you?’ they had asked you, the poorly disguised fear in their voice feeling like a breath of fresh air.

‘Yes!’ you had replied, glancing out from behind your arms, breathing heavily. ‘And he's going to go after you if you don't stop!’

You hadn't let doubt creep into your gaze, even though you knew you hadn't offered a very confident view of yourself, cornered by three boys older than you in the middle of the street. The one who had prepared to unleash another kick had taken a step back, clenching his hands into tight fists, as if afraid of the consequences. But before you could even begin to get up, ready to run away, the one who had positioned himself on the opposite wall had slowly approached you, a crooked smile painting his face.

‘Do you actually believe her?’ he had muttered, crouching down in front of you, his venomous breath slipping fear into your bones, grabbing your hair so he could pull you  face to face with him. 

‘Why would Vander waste his time with someone like you?’ he had uttered, his eyes flashing with rage. You had dropped your gaze, trying to look away from him, wondering if you were paying for a crime someone else had committed, if the hatred in his eyes was really directed at you, who hadn't done anything, or if you were just the wrong person at the worst time. 

‘I,’ you had stuttered, and the curve in his lips had widened, ’I'm not...’

‘Do you genuinely think he would come to save you?’ he had insisted, tightening his grip on your hair, forcing you to look at him, and you had closed your eyes angrily, the emptiness in your chest cracking at his words, seeping doubt into your heart. ‘I don't think so.’

You had held your breath, expecting to receive a final strike, for the three of them to retaliate against you, but his crouching body had tensed over yours as the shop door had burst open, his blonde hair caressing his neck. Your chest had deflated, knowing that a stranger would not prevent the attack from getting worse, and you had simply waited for him to leave.

‘Well, I do,’ the man had murmured, and you had turned your head to look at him, surprised that he had intervened. The light from Benzo's had spilled onto the cobblestone floor above his large figure, his shadow lengthening over when he had stepped forward. ‘Leave the girl alone, Deck.’

The breath had caught in your throat, shooting a flash of pain into your ribs. No one had ever stood up for you. You had narrowed your eyes, trying to catch a glimpse of the man's face, but had only been able to hear the disbelieving snort of the boy in front of you as he addressed the stranger.

‘Do you really know her, Vander?’

You had then opened your eyes wide, Deck's annoyance a reflection of the surprise in your gaze, but you had remained silent. Whatever happened would be your fault, simply for tempting fate in such a way.

‘Does it really matter?’ he had replied, all darkness and gravelly voice, and you had seen him pull a match from his pocket, lighting it with a quick flick against the wall, the fire illuminating his rugged features. He had rested the pipe between his lips as Deck decided what decision to make, and you had heard him let out a soft hum as the blond had raised his hand in a quick gesture, releasing you to the floor.

You had leaned your head against the wall, protecting yourself, as the boy had hovered over you to get up. You had expected one last punch, a warning for the next time he found you and Vander wasn't around. But he had done nothing, walking away with his friends in the shadows of the streets. Then you had clutched your hands to your chest, letting a faint whimper slide down your throat, sobbing, and you had rested a hand on the cold stones of the ground to try to get up.

But then the pain had shot up through your abdomen like an electrified circuit, your legs failing under your own weight, and you had collapsed to the ground. You had thought it was not worth staying, not when the consequences of daring to involve Vander could be worse than what you had already received, but he had stood beside you, his gaze lost in the distance, waiting for them to be gone for good.

‘Thank you,’ you had murmured, taking a breath of air. Perhaps sweet words would soften him in case he decided to punish you in some way for mentioning his name.

The whisper of your voice had seemed to bring him back to reality, his body turning towards you, and he had made the attempt to move closer, stopping short when he saw the way your body was pressed against the wall behind you, completely tense. He had withdrawn his pipe from his mouth, the smoke spiralling upwards, and frowned. If you hadn't been so busy running away, you would have been able to make out the glint of insecurity in his gaze.

‘Hey, little one,’ he had uttered, advancing towards you in short, painfully slow steps, as if confronting a wounded animal, ’I'm not going to hurt you.’

You had looked up, your cheeks broken in tears, your shoulders shaking, and you had seen the way his eyebrows had risen in a convex curve, his lips pulling into a coy smile that had been intended to soothe you. And then you'd felt his hand on your arm, his palm sliding its rough calluses against your skin, and you'd frozen, pausing for a moment before remembering that it was Vander. Vander. If your mother trusted him —and she trusted very few people— you could afford to put your faith in him until he proved to you that you could trust him too.

‘You don't have to worry,’ you had told him, huddling against the cool surface of the wall, trying to muster a smile that would keep him from asking too many questions.

‘You sound like it's not the first time this happens,’ he had observed, crouching down in front of you, pushing your long hair away from in front of your face so that he could assess your injuries.

The absence of a reply had been your response, and answer enough to his assumptions. Of course it had happened before, hence why they felt so comfortable attacking you in such a public place. It had happened before, to a lesser extent. Before, in dark alleys. Before, maybe starting with a slap. And with each time you had offered no resistance the harassment had continued, more times, more pressure, more pain.

‘Come here,’ he had sighed, leaving the pipe between his lips and sliding his hand down your back, under your knees, to take you in his arms. You had let him lift you up, your hair cascading, and sighed against his chest, resting your cheek with your eyes closed. At least you would have enjoyed a quiet moment before you had to find a place to spend the night, the brothel doors closed to you until your mother finished with all the customers who came in asking for her.

You had been forbidden to disturb her, because if the Madam lost money, no matter how young you were, it would be you who would have to take her place to compensate for the absence of income.

But then you'd realised that Vander had been walking back towards Benzo's shop, and you'd frowned at the dull light of the lamps left on over the counter. You'd felt his flexed arms straining to keep you from falling as you'd started to squirm, ignoring the phantom fists that had pounded all over your body, ‘Easy, easy, kid.’

‘Vander?’ you'd heard Benzo, appearing behind the front desk with a grease-filled cloth in his hands, ‘I thought you'd already left. Who...?’

‘Deck and a couple of boys were harassing this little girl,’ Vander had explained, leaving you sitting on the stained surface of the counter, his hands gentle but firm on your shoulders to keep you from running away, and you'd winced when you'd heard Benzo mutter your name in surprise.

And then Vander had repeated it, looking at you, and you'd felt too vulnerable.

‘’M not little,' you'd muttered, deflating, crossing your arms over your chest with a stubborn snort, “and I'm fine.”

‘You're certainly not okay,’ Vander had replied, and you'd known his heart had decided to protect you against all odds in the way he'd uttered it, as if rage was consuming him. ‘And it's not the first time this has happened.’

‘Does your mother know about this?’ Benzo had asked you, pulling out a clean rag from under the counter, grabbing one of his bottles of alcohol. You had slid your gaze around the shop instead of answering, knowing that Ekko had to be somewhere, eavesdropping. You hadn't wanted him to see you like this.

‘What do you know about her?’ Vander had asked, setting the pipe down next to the bottle before taking the cloth in his hands and wetting it, making an effort to remain calm as he ran the fabric over your bruised skin, the cool air of his gentle breaths soothing the stinging of the wound slightly.

‘She's Raven's daughter,’ the shop owner had replied, and you had shuddered under the weight of his words.

‘Raven,’ Vander had repeated, and you had raised your eyes at the tone of his voice, far from the lust that used to accompany your mother's name every time someone said it. It held a past, just as it had done with Benzo when you had revealed to him who you were.

‘She was the one who told me to call for you if I needed help,’ you had hastened to add, hoping it was the right thing to say.

Vander's gaze had softened as he listened to you, nodding absently, ‘Of course she told you.’

You'd watched him relax his shoulders, his gaze fogged with memories, as he'd bent down to continue cleaning the cuts on your face, his hand resting on your cheek, his rag a caress on your skin, and you caught every movement, wishing you could replicate the care with which he'd treated you if you ever needed to treat someone's wounds. Then he had instructed you to pull your shirt up a little so he could assess the bruises on your ribs, without touching you at any point, and he had remained respectful even as he moved to place a bandage over the injury to your knee, trying not to tear the starred fishnet stockings you had put on that morning.

‘Your mom's right, you know?’ he had announced, once he had finished, his thumb undoing the dry trails your tears had left on your cheeks. ‘If you're ever in danger, you can come to me.’

His eyes had met yours in the grim glow of the room, the shadows on his face heavy on his skin, and you had flashed a mischievous smile, lighting up your dry lips. The whisper of Vander's name, the hound of the underworld, had roamed the filthy streets of your city like a hungry predator, and even reverberated between the sinful mouths of the prostitutes you had grown up with, but it had never sounded better than when it had left your lips that night. Loud, broken, crying out for help. Reflecting a desperation you felt in every bone, knowing it could save you from a doomed fate.

And no one had pronounced yours better than he had, stopping at every letter, giving it the attention you had never received. He had fixed something deeply flawed in you, proving that you weren't alone in that cursed city. After that night, your mother had never feared for you again. Vander had sworn to protect you, inviting you to the back of his bar when his kids weren't home to teach you how to defend yourself. And the next time someone had threatened to try to assault you, you'd been the first to punch.

It had not been hard, because Vander was a great fighter. And his adopted children had helped him develop the patience necessary to be a good teacher. Throughout your time with him, the whispers of his name had become quieter, dimming his legendary reputation and turning him more cautious. Sevika had told you it had been the riots he had led, the suffering he had seen in the eyes of his children for the consequences he had provoked. Perhaps you did not remember what the city had been before him, but the enforcers' apprehension towards the inhabitants of Zaun was proof enough that the fine line that had once existed between Piltover and the underground had begun to dissipate.

Especially after the unsuccessful incursion that Vi and the rest had pulled off the day before.

You had felt guilty, at first, worry lurking in the shadows as soon as they had failed to show up at the appointed time. And the emptiness in your chest had grown by the minute, uncertainty eating you alive, as you tried to keep your hands busy to avoid conjuring up dire possibilities. Then you had been flooded with relief, seeing them appear, all four seemingly well. And after the tense conversation with Vander, before Vi distracted you with her kisses, you had felt confused, a swirl of uneasiness growing inside you.

Even that morning, when you woke up, you were still restless. You had awakened to the soothing weight of Vi's sleeping body draped over yours, Powder finishing one of her projects in absolute silence in the bed next beside you. It had to be late, though it was hard to tell with the permanent ashen sky over the city, but the day before they had returned so full of adrenaline that they hadn't realised how tired they were until they had collapsed onto their mattresses. It was only natural, after such an intense day, that you had woken up at lunchtime.

You had carefully slipped out from under the covers, leaning on the edge of the bed to do a little stretching for your ankle. You'd been doing it for almost three weeks, but that morning was the first time that rolling your foot backwards hadn't made it stutter in pain, and your heart leapt in your chest at the realisation. It probably had something to do with the fact that you'd spent most of the day sitting, not really moving much, though you hated having to agree with Vander on that one.

Nevertheless, when Vi had proposed spending the afternoon in the abandoned basement you had turned into your meeting place, a couple of streets away from The Last Drop, you couldn't help but ask to join them. And Vi couldn't help but agree, giving in to your pout. With the cane Vander had made for you under one arm, and Claggor providing support under the other, you had walked steadily over the cobblestone streets of the undercity, making your way into the large playroom.

Vi had gone straight to her boxing ground, her body restless with pent-up energy and the need to always be ready to defend you all, and the rest of you had scattered around the room, looking for something to entertain yourselves with. You had let Claggor help you practise fencing footwork, slowly and surely, so as not to lose practice while you were injured. At least until you realised that Powder had taken refuge among the cables and mechanisms of the firing field, and then you hopped up on the counter to make sure you didn't miss anything.

Watching Powder shoot was always a delight, especially after a cocky Mylo didn't hit a single one, and you loved to referee. You had considered shooting as a valid method of defence when your first few weeks of boxing training had left your knuckles raw and too slow to heal, so you weren't bad at it. And although you had never stopped boxing —your name was written next to Vi's on the leaderboard— you had eventually developed a taste for sword fighting. Wooden or bronze swords, of course, because no one really trusted a sixteen-year-old girl with a weapon.

Just as the gun you held in your hands, checking that no one had tampered with its mechanism, had blank ammunition, fun enough to practice with but completely harmless. Thanks to Powder's colourful dyes, the only problem was how long it took for the paint stain to come out if you were shot.

‘Remind me why we bother with this dump,’ uttered Mylo, checking the gun as soon as you handed it back to him while curving your lips into an enigmatic smile, knowing that he was wary of your nimble hands.

‘Vander said to lay low,’ Vi replied, and you looked her way at the sound of her voice, swinging your legs from the table that separated the shooting field from the rest of the room. She was at the other end, in front of the boxing machine you had helped her fix a few years ago, and she paused her punches for a moment to respond, wiping the sweat from her brow with the outside of her forearm. ‘Enforcers never come down here, so this is as good a place as any.’

You nodded, forming a gesture of concern, but glanced behind the table to check on Powder. Her blue hair was moving to the rhythm of a tune that played only in her head, giving the finishing touches to the machinery that made the dummies on the shooting field move on simple rails, all of them painted menacingly and fluorescently by her, and you didn't bother to stifle a smile as you realised how quickly she was learning all the tricks you were teaching her.

‘Oh, what's the matter, Mylo?’ you heard Claggor say behind you. ‘You worried Powder's gonna beat you again?’

You glanced quickly towards him, wanting to know his answer, a chuckle slipping quietly from your throat, and you widened your smile as you saw him frown, clearly feeling attacked, ‘Hey, if she didn't keep fixing these things, I wouldn't keep missing.’

‘Suure,’ you muttered, scrunching up your nose playfully, resting your hands on the table and leaning back slightly.

‘It's true!’ he tried to defend himself, pointing his threatening finger at you. But before you could answer him, ready to start one of your teasing wars, Powder leapt to his feet, the cables of the mechanism in her hands.

With a sharp gaze fixed on Mylo, a wolfish grin curving her lips, she connected the ends, the lights going out behind her back once the greenish substance that started the game ran along the connected wires. You raised your hand as soon as she slid past you to stand next to Mylo, and Powder high-fived you enthusiastically, letting out a small giggle as you said, ‘That's my girl!

You turned slightly, watching the different figures glow in the shadows, and narrowed your eyes, focusing on all the targets. You weren't sure if Mylo would be able to hit any of them, but it was going to be difficult. Powder had been fiddling with the setup system so she could increase the difficulty level because she was getting better and better at it. Sometimes she would come to you on the rooftop of The Last Drop, where you usually hung out with your girlfriend, to ask your advice when she reached a point where she didn't know how to proceed. And you would always hold her hand and tell her everything you knew.

You had no idea how fast the game was set that afternoon, but you knew you were going to have a good time. You pulled your legs up onto the counter, crossing them so you could massage your ankle absentmindedly, and you didn't see Mylo getting ready to shoot. The first sound caught you by surprise, startling you, and you saw the pink ball of ammunition pass by the target without even brushing it. 

‘You guys know I wouldn't take you on a job you couldn't handle, right?’ mumbled Vi, and suddenly all your attention was focused on her, who had finished her boxing session and was taking off her gloves in an exasperated gesture.

‘Are you kidding?’ replied Mylo, his eyes riveted on the fluorescent dolls, and you didn't get to witness him continuing to shoot relentlessly, though you did hear him. ‘Maybe just don't take Powder next time.’

You couldn't even roll your eyes at his words, the satisfied hum of Claggor letting you know that, as you'd hoped, Mylo hadn't hit a single one. You stared at Vi, at the way her chest rose and fell after hitting the hard cushions of the boxing machine for so long, the perspiration covering the edges of her shirt, the unsure gleam in her eyes.

You heard Powder take Mylo's position in front of the firing area, you felt the warmth of her body next to yours as she prepared to shoot, and you heard every breathy sound she let escape between her lips before each bullet, but you didn't need to look at her. She wasn't going to miss. She never did. Mylo provided her with enough motivation not to.

What worried you was that the night before Vi hadn't wanted to tell you how she really felt. She never kept anything from you —you were both open books to each other. But you knew that the conversation she'd had with her father had awakened something in her. Something dormant, of course, because Vi had always felt that fire inside her when it came to protecting her people, but something you couldn't quite put your finger on. And that, added to the certain consequences the explosion had been caused in Piltover, kept you anxious about what the future would bring.

You rested a hand on Powder's shoulder as soon as she finished, a proud smile tugging at your lips as she looked up at you with satisfaction shining in her eyes, and you planted a kiss on her forehead under Mylo's bitter gaze, who had to put up with Claggor's teasing remarks. And as soon as Powder ran to the slot machine leaning against the wall, you jumped down, ignoring the two boys to walk slowly towards your girlfriend.

You rested your arms on the banister that separated the area where the boxing machine was located from the rest of the room, smiling softly at her, and reached out a hand to slide it down her forearm. Her eyes turned gentle under your attention, intertwining her fingers with yours, and you fixed your gaze on the bandages around her wrists and knuckles, trying to fix those spots where they had come loose with your other hand. Vi crouched down beside you to make your job easier, and sighed heavily.

‘We'll talk, right?’ you asked, your tone calm and collected. You weren't accusing her, you simply wanted to know that everything was okay.

But her reply was drowned out by the sound of shattering glass, your eyes widening, and you turned hurriedly as the glass that had held up for so many years shattered into pieces, a man's body slamming through it. He ended up unconscious a few steps away from you, while a group of Enforcers glared at you, analysing you with disdain, from the street. You all stood for a few seconds in complete silence, paralysed, until you heard the low, menacing voice of one of the topside cops announce, ‘Search them’.

It took you a heartbeat to cross the room, as fast as your ankle would allow, and position yourself in front of Powder with one hand resting on her arm. They advanced slowly, the glass cracking under their boots, while you raised your hands. They had nothing on your friends, it was impossible. They were simply making a routine round, asking easy questions, in case anyone knew anything about the explosion at Piltover. If you lied, calmly resisting their provocations, they would be gone in no time, and you could go home.

‘Go ahead, idiots,’ said Mylo, looking up and down at the Enforcer in front of him. ‘We got nothing.’

And then it all happened too fast. You didn't see Vi gesture to Claggor, but you knew it was she who had instructed him to pull the lever. The room was suddenly plunged into darkness, the fluorescent colours glowing from the shooting range dummies and the monkey doodle Powder had designed years ago and painted in the floor the only illumination, and Powder grabbed your hand to help you slide over the counter, both of you fleeing between the dummies.

You had no idea if the others were following you, to look back being too risky, just that you did your best to grind your teeth every time you stepped on your run and your ankle twitched to the side that hurt the most. Your breath caught in your throat when you felt a hand on your spine, and you stifled a scream, but Powder let go of your hand, sprinting towards the back door, and you let yourself be caught in his arms when you realised it was Claggor at your back.

Mylo was on the other side, running after Powder to get outside, and as you looked back you saw Vi close the door behind her and block it with your cane. You threw your arms around Claggor's shoulders to make yourself as small as possible, easying the task of running with you down the alley, and you all followed Vi, trusting that she would know which way to disappear. But then she stopped dead in her tracks, the suddenness of it causing you to fall to the ground, when she saw two Enforcers attacking a citizen. They stopped too, looking at you, and you felt Mylo's hands on your shoulders, helping you to your feet, as they ran to you. You saw the panic in Vi's eyes as you made eye contact with her.

You had screwed up. Big time.

The silence of the street was interrupted by your quickened breaths, but also by a loud whistling sound that drew your attention upwards. An old metal ladder creaked towards you as you heard Ekko mutter an ‘Over here!’ and you only had time to process his presence when Vi grabbed your hips and propelled you upwards. You clung on as best you could, scrambling upwards, grabbing Ekko's hand to pull yourself onto the wooden bridge that spanned between two houses, and stood beside him to help pull the rest up.

Mylo grabbed your arm, jumping to your side and pulling Ekko by the shoulders to run away, Claggor following soon after. Your heart stopped when you saw one of the Enforcers trying to climb after Powder, and you grabbed Vi at full speed so the kid could get to safety.

You paused for a moment once Vi had broken the ladder, preventing them from following you, taking a deep breath in the great pipes that connected Zaun's poorer neighbourhoods, and you held on to the wall, limping, as Powder walked alongside his sister. They had been discovered. The Piltover police now knew that it was four children from the undercity who had allegedly caused the explosion, and they were not going to stop until they had them punished. You had to tell Vander, and that was perhaps what scared you the most.

If an adult had to know about it, things's were getting way too serious.

The Last Drop was usually packed on any given weeknight, the music playing muffled under the constant murmur of conversation, and Vander always behind the bar, serving beer to all his customers. That night there were many more people, but the walls of the bar wailed in the silence that permeated the atmosphere, broken only by the cold voice of Sevika, who seemed to be holding back her temper.

‘We should hit them back,’ she said, leaving a loud thump on the wooden table. ‘We've got the numbers to beat them.’

Before her words, many of the attendees at the impromptu meeting Vander had organised murmured their approval, ‘Yeah! Let's teach them what it means to mess with us!’

You, leaning in the shadows, always relegated to the sidelines with the rest of the kids, listened with your heart in your mouth, knowing that the tension in the air went far beyond the occasional dispute that Vander had to resolve. Youall had confessed everything that had happened as soon as you arrived at the place, Vander's eyes shadowed by what you said, and he had no choice but to announce it to the rest of the Lanes' inhabitants.

Now he was leaning against the counter, on the wrong side of it, and Benzo was standing next to him, folding his arms, as serious as the bar owner. He pulled a match from his pocket, as you had seen him do countless times since you had met him, and lit his pipe calmly, creating anticipation among those around him.

‘You sure that's what you want?’ he asked, the smoke spiralling through the air, knowing what answer he was going to get. ‘We crossed that bridge once before, and we all know how that ended.’

It had been a long time ago, when the streets had whispered his name in awe. Your mother had ended up telling you the story.

‘You're just protecting your kids,’ protested a man you didn't know, frowning. And it hurt you to hear it, because you knew it was partly true.

‘I'm protecting our people,’ he replied, quickly, stoking his pipe as if he meant to attack someone. ‘I'd do the same for any of you,’ he continued, looking around at the rest of those present. ‘We look out for each other. It's the way it's always been. This will blow over, we just need to stand together’.

‘The Vander I knew, the one who built the underground,’ Sevika interjected, anger trembling in her voice, ’would not be afraid to fight.’

Vander took two steps towards her, standing face to face, ‘Do I look afraid?’

‘No,’ she replied, calm but menacing, ‘you look weak.’

Without waiting for an answer, she whistled, the sound attracting the attention of her people, and turned around, her coat floating behind her, some of those beside her following her outside. You sighed, knowing that Sevika was the only one who could dare stand up to Vander, and crossed your arms, leaning against the back wall. The conversation would die once she was no longer willing to fuel it.

‘Why isn't he doing anything?’ muttered Claggor, looking almost apologetic.

‘We kicked the Enforcers‘ butts with just the four of us,’ Powder replied, angrily, her scowl making her look even more adorable than usual. ‘Imagine what the whole of the Lanes could do.’

‘Jeez, even Powder wants to fight,’ exclaimed Mylo, opening the door leading down into the hall.

‘So why aren't we?’ protested Vi, exasperated.

You remained silent, as did Ekko, leaning against your arm, and sighed again. Claggor followed Mylo once he went downstairs to lie on the couch. You put your arm around Ekko's shoulders, caressing his hair, and noticed how unusually quiet he had been. Vi also noticed, raising an eyebrow in his direction, ‘Spill it Ekko’.

‘Huh, oh, okay,’ he stammered, and it made you frown. You knew Ekko was an expert at finding out secrets, but often conversations between adults made little sense to you. It was rare that he had any information about Piltover at all. ‘Well, um, Vander's got a deal with the Enforcers.’

‘What deal?’ you asked, exchanging a glance with Vi.

But Ekko shrugged. 

You sighed a third time, drawing a smile from both of them, and ended up laughing too, covering your mouth with one hand. It was wrong to look so happy when something so serious had just happened just a few feet away, but it was also a way of dealing with it. Your heart was pounding as if you were on the edge of a cliff, on the verge of an event that could turn out to be catastrophic, but you just wanted a moment of peace. 

You pulled your pocket watch out of your waistcoat as Ekko walked past you to meet Powder downstairs, and checked the time. You knew that if no client showed up unannounced, your mother would have a free moment in a few minutes. You hadn't been in the brothel for almost three days, so it could be a good time to stop by and stay for a bit.

You looked at Vi, deciding what to do next.

‘I might sleep over at my Mom's tonight,’ you commented, pouting.

She nodded, taking your hands in hers, ‘We'll be fine.’

‘I know,’ you replied, moving closer to her and leaving a fleeting kiss on her lips. ‘They're always safe with you.’

She kissed you back in the shadows, burying her bandaged hand in your hair, and stifled an annoyed huff when she had to pull away from you. She leaned her forehead against yours, biting her lip, and then let you go, disappearing up the stairs. They could do with a rest, you knew. Better a quiet night, and face the problems the next day.

You walked through the streets of Zaun, hair hastily pulled back in a bun, but at a slow pace, when you left the bar. You tried to rotate your ankle every few steps, grimacing when it hurt but determined to make the effort to walk without limping. When you reached the entrance to The Gilded Lily you dodged some drunken clients, sneaking up the stairs until you reached your mother's room. You kept your ear to the door, listening for any sound that might indicate you couldn't stay there.

When only your mother's sweet voice sounded, humming a made-up melody, and you knew she was alone, you tapped the surface of the door twice before stepping inside. Your mother's gaze lit up as she recognised you, rising from her vanity chair to hug you, ‘Hi, baby!’

‘Hi, Mom,’ you smiled back, taking refuge in her arms.

‘Did you come to get those pieces you left behind last week?’ she asked, after kissing your cheek and sitting back down, taking the lipstick stick between her slender fingers.

‘What pieces?’ you asked, and frowned as you followed the direction she pointed as she continued to prepare herself, wiggling her fingers absently.

Your mother's wardrobe. Raven was one of the prostitutes who got the most clients —the one who made Madam win more money among her girls— and that had earned her some privileges at the brothel. In addition to being able to raise you, to allow you to grow up in her room and not have anyone complain when they had to take care of you, she was also allowed to have the only room with a built-in wardrobe in the building, apart from the owner's. When you were little, you used to hide there quite often. Since you couldn't fit anymore, you only kept your clothes and a big box with projects you were working on.

But you didn't remember leaving any behind the last time you spent the night there.

You opened the heavy doors, and it felt like getting another hug from your mother. All the clothes she had stuffed in there, with exotic silk kimonos, long linen dresses and velvety nightgowns, smelled like the cheap fruity cologne you had once gotten her on the black market in town, and then kept getting because she had loved it. You smiled when you saw the chaos of fabrics jumbled among all the shelves, and bent down to open the drawer where you kept your things. 

Inside was a jumble of metal, tools, multiple loose papers with drafts of diagrams and a complex mechanism wrapped in a rag. Your eyes widened in surprise when you remembered that you had indeed left the invention hidden there, and you pulled it out at full speed, sitting cross-legged on the floor and checking what you had left to do the last time. You didn't notice the way your mother was looking at you through the mirror, admiring the way you were working, so focused on the gears in your hands.

You didn't even notice the clock hand ticking, too focused on the artefact you had designed a few months ago, changing parts you thought you had misplaced, modifying data in the designs you had spread out on the floor. You became again the child you had once been, hiding in your mother's wardrobe with heavy headphones that isolated any noise from the outside, oblivious to reality. Since you had met Vander's children, you had kept most of your gadgets in the workshop they had let you keep in their house, but going back to work on the floor of your mother's room felt like coming home.

You remained in that state of abstraction until you felt your mother's lips pressed against your temple in a warm kiss.

‘Imma go downstairs, baby,’ she said, and you just nodded.

She was going to have a quiet night, then. Whenever Raven appeared downstairs it was always to relax and flirt with curious first or second-time visitors to The Gilded Lily, too shy to wander into one of the upstairs rooms. You were glad. As your mother got older she didn't lose beauty, let alone charm, but she got much more tired. She deserved more time to rest.

You remained working on the small portable radio until your back began to complain, and you had to get up to stretch a little. 

And then you heard it. A soft, stifled sound coming from the window. You frowned, leaving the device on the cloth it had been wrapped in, and walked across the room. Of the two panes of glazed glass that served as shutters, one could not be opened because you had nailed it against the frame years ago, so that you could place a made up air-purifier box on that side of the sill and allow your mother to get cleaner air from outside.

As you opened the other, however, and looked down, you caught a glimpse of your girlfriend's pink hair camouflaged under her hood, ready to throw another pebble to get your attention. You smiled at the sight of her, motioned for her to wait there, and crossed the carpet as quickly as you could. You paused for a moment as you reached the door, and retraced your steps to pick up the almost finished radio and tuck it into one of the pockets of your cargo trousers, but you headed back out into the hallway, descending the stairs of the brothel by sliding down the banister, as you had done so often when you were younger.

As soon as you stepped onto the street you walked the few metres between the entrance and the alley around the corner, and walked towards Vi with a smile tugging at your lips. She had been leaning against the wall, her hands in the pockets of her slacks, but she pulled them out to wrap them around your hips as soon as she had you close enough.

‘You couldn't wait until tomorrow to see me, couldn't you, pretty girl?’ you asked, grinning against her lips.

‘I wanted to see you before I went to sleep,’ she whispered, her gaze downcast, her fingers playing with your belt buckles.

‘Hey, did something happen?’ you asked, worry swirling in your chest, sliding your hands up to cup her cheeks, your thumbs caressing her freckled skin.

‘The enforcers came,’ she replied, her muffled voice sending shivers down your spine.

‘My God,’ your hands tightened against her face, and you frowned. ‘Are you all okay?’

‘Yeah, yeah, nothing bad happened,’ she said, trying to reassure you. ‘Vander managed to warn us in time for us to hide.’

But her explanation failed to calm you in the slightest. Vi looked pale, almost sickly, as if whatever had happened had scared her to death. You felt the nervous twitch of her fingers at the waistband of your trousers, fiddling with the fabric almost anxiously, and a void opened ravenously in your throat. You didn't like seeing her like that. It was unnatural, not being able to enjoy her jokes and her teasing remarks, that the gleam in her eyes didn't greet you when you looked at her, and that her stiff shoulders seemed to slump under the weight of a responsibility that wasn't hers.

‘Listen,’ you began, trying to make eye contact with her, ’we'll be alright, okay?’

‘I know, I promised,’ she replied, leaning against the touch of your palm.

‘I already know we'll be alright,’ you added, stubbornly. ‘What I mean is, it'll all pass. We'll go on with our lives as before, because the enforcers will get tired of looking around, and we'll hide great, yeah? I can promise you that.’

‘Oh, yeah?’

‘Uh-huh,’ you nodded, memorising every detail of her face. ‘I'll find a place to hide Powder, and I'll help her practise to make her little bombs work. I'll show her what I do to make my inventions work. And I'll tie Mylo to a chair so he doesn't screw up anything. I wouldn't worry so much about Claggor. And you can come to the roof of the Lily, and do some boxing with me. We'll steal food from Madam.’

‘Wow, you've got it all figured out, huh?’ she finally smiled, sighing.

‘You know I'll always want you to have the option of stepping back when it all gets too much,’ you whispered to her.

‘I know,’ he replied, leaning her forehead against yours. ‘I'm glad I have you. I'm glad Powder has you.’

‘Don't be silly, I'll never leave you’ you replied, shaking your head slightly, your eyes closed. ‘Besides, Powder has you, she doesn't really need me.’

‘Pow-Pow's my little sister,’ she explained, her breath brushing against your skin, ‘she needs the other girl in the group so she can have some time away from me. She adores you, I'm glad she has that.’

‘Well, I know for a fact she looks up to you a lot, so...’ you replied, sliding your head down to rest on her shoulder, remaining hugged against the brothel wall. ‘She still needs you. She will always need you.’

Silence swirled around you, and you felt a soft hum exhaled between Vi's lips.

‘Besides, I'm working on a radio that will allow us to spy on the enforcers,’ you announced, leaning in.

‘Yeah?’

‘Yeah,’ you confirmed, pulling it out of your pocket. It was a small metal box, which fit in your hand. ‘Wait until I press the button and say something nice.’

You connected the two loose wires, and the radio started up with a soft buzz. You frowned as you tried to remember which was the button that recorded and which was the one that played back, and finally pressed the one you had painted blue. Both were buttons you had taken from your mother's old clothes, and Vi smiled as she realised. You nudged her arm to get her to start talking.

‘I love you, cupcake,’ she whispered, and you covered your mouth with your hand so she wouldn't see you blush. ‘You'll always be my girl.’

You stopped recording, shaking your head, but didn't say a word, pressing the second button. Vi's voice echoed between you, somewhat canned, repeating word for word what she had just said. When you looked up, Vi already had her eyes on you, delighted.

‘This is awesome, cupcake,’ she murmured, her voice watery.

‘Oh, don't be like that,’ you reproached, checking the device. ‘It still needs improvement.’

‘You're a genius,’ she attacked again, sliding her hands up and down your back.

You put the radio back in your pocket, embarrassed.

‘You could add it to the mechanical crow you have at home,’ she proposed, clinging to you, ‘so you could spy even more closely, and no one would notice.’’

You opened your eyes wide in amazement, and patted her on the shoulder, ‘That is genius!’

Her giggles echoed through the alley, and you swooned against her body, ‘I need to write that down as soon as possible,’ you said, dead serious, ‘I'll stop by The Last Drop tomorrow to see if it would be possible to implement the radio into the design I have done.

‘I love you, cupcake,’ she repeated, and you grabbed her by the the collar of her sleeveless hoodie, bringing your lips together in a kiss.

‘I love you too, pretty girl,’ you replied, pulling away from her. And then you added, a little louder, just to tease, ‘I love youu, Violet!’

You kissed her goodbye with another peck, resting your hand on the wall behind her head, and let her lips move over yours, hungrily, for a few more minutes. But when Vi moved her leg between yours, her mouth sliding down your neck, and your heart began to pound in your throat, you decided to stop once more.

‘You should go get some rest, Vi, baby,’ you whispered, your breath hitching.

‘I love you,’ she whispered again, and you melted against her, ’I love you, I love you, I love you, I love you.’

‘I love you too, my love,’ you sighed, as she parted her lips from your skin, ’but it's getting late.’

You felt her hand slide down your abdomen, up to your chest, and you held your breath. But she simply pulled your pocket watch out of its pocket, glancing at the time. Her shoulders tensed again, leaving the watch in your hand, and she murmured a soft, ‘Yeah, it's pretty late.’

‘See you tomorrow,’ you whispered, taking a step back.

She made an affirmative noise, peeling away from the wall, and you turned to head back to the brothel. With your girlfriend's voice stored in your radio, you climbed the stairs, adrenaline coursing through your system, barely aware of the pain in your ankle, and dropped to the floor as soon as you reached your mother's room, picking up a blank sheet of paper to begin designing a new model of your robot.

It wasn't until a few minutes later that your heart began to race again, when Raven came in quietly, and you were startled by her stealth.

‘What did you go out for?’ she asked you, taking off her black lace jacket.

‘Oh, Vi came to see me,’ you replied, pausing your pencil over the paper. Your mother knew who she was and what relationship you had, you weren't worried about what she could say.

‘That's weird,’ she uttered, your heartbeat quickening in your mouth, ‘she usually never comes. I thought something bad had happened.’

And then your heart stopped for a moment. Something bad had happened. The enforcers had discovered them. But Vi's gaze had remained opaque the whole time she'd been with you, and though it had seemed to you that she was still frightened by what had happened, perhaps you'd misinterpreted it. You knew those grey eyes better than you knew yourself. She had been scared about what was going to happen.

‘Do you think she would do something foolish to protect her family?’ you asked your mother.

‘Oh, baby,’ she murmured, a drop of sadness spilling over her face, ’she'd do anything to make sure you're okay, just like you would for her.’

You closed your eyes for a moment, frowning, angry that you hadn't noticed sooner.

When you opened them, you stood up and walked out of The Gilded Lily, determined to find Vi.

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[reboundttv]

Another one of these posts? Yeah sure why not.

So I know that there's a sort of, tongue in cheek joke about how the AU that Ekko ends up in, is WAY better because Vi is dead. That's a big one that people love to harp on: "oh Vi is dead in this universe and everything is okay HMMMMMMM how INTERESTING perhaps VI was the jinx after all HMMMMMM"

and like. no. shut up.

Because there are (no less than) TWO specific canon divergences that we are aware of in S2E7 that contribute to the way the cities are in that universe. The first is, obviously, that Violet dies in the heist in S1E1.

As an aside, I 100% agree with/believe the wiki entry that says that Vi and Caitlyn are soulmates in every universe, which means that Caitlyn probably also died in the Hextech explosion.

So Vi (and Caitlyn) dies and Hextech doesn't get developed. Neither Jayce nor Viktor are shown in this universe, so one or both of them are dead (Jayce likely via suicide if he wasn't imprisoned or exiled, and Viktor because he doesn't ascend to be Super Jesus with the Hexcore).

But there is another, less obvious one that gets a fair bit of screentime but isn't really like, touched on. And that is:

ZAUNDADS.

Silco and Vander are cool with each other. That's really important. It means that either:

They didn't fight because Silco found the note from Vander (S2E6), OR

They DID fight, but stopped themselves before they did something they regretted.

See, because in the main universe, neither of those things happen. Silco nearly gets drowned and gets bunch of sump water all up in his face, so he becomes dependent on Shimmer to keep the bacteria in his eye from killing him. He would assumedly lean on Singed to iterate on the formula, which is why he becomes the kingpin and rules over the Chembarons. The production of Shimmer, and its propagation through the streets of Zaun, contributes to things being arguably EVEN WORSE for the Zaunites.

But in the AU universe, he doesn't need Shimmer. I would argue that Singed is probably still on some fuckshit, but isn't helping anyone make Shimmer or chemtanks. This means that a lot of the industrial waste and runoff that's a byproduct of Shimmer production is also not there. Zaun isn't just better off because there's no Hextech, but also because there's no Shimmer.

Now, I'm gonna point a third thing out and I'mma use big ass letters so you can't miss it:

PILTOVER STILL DOES NOT SEE ZAUN AS EQUALS.

The heist still happens in this universe, which means that Vi and the other kids are still adopted by Vander. Which means that bridge riots or something similar still happened. There is still inequity and injustice in this universe; it's just not as dire as it is in the main one. They're still talking about Piltover like "yo fuck those guys" but it's less "they're hunting us for sport and killing us in the streets" and more "we're gonna show 'em up in this STEM contest that we're doing."

They're basically farther along in the "things will get better" timeframe than the main one is after S2E9.

[generisydtoo]

Thinking about Vi physically closing up when her thoughts start going down a dark path of guilt and self-blame, and Caitlyn being the one to pull her out of it, literally opening Vi’s eyes….

Also thinking about Caitlyn’s actions and words in these scenes. Towards the beginning of the first scene, she says “What happened to her, it’s not your fault”(s1e8). Vi opens up about Powder, finishing with “Then a real monster showed up, and I just ran away. I left her.” In response, Caitlyn caresses Vi’s face, which I read as her reassuring Vi of these words, and just wanting to provide comfort.

This act of comfort means a lot, considering Vi’s time in prison was full of the opposite— punching the walls and hurting her fists, getting into fights, and being beaten by the guards, all the while she blamed herself for what happened to her family, especially Powder falling into Silco’s hands (Vander’s words, “Whatever happens, it’s on you”(S1e1) were brewing in her head for 7 years, and when she got out); it was a hellish combo of self-blame and physical and mental pain. So for Vi to be vulnerable after so long, and be met with positive reassurance and comfort after so long likely meant a lot to her.

In the s2e8 scene, Vi’s thoughts go down that dark path self blame and guilt. (We also see her punch the wall when Jinx leaves, and the wounds on her knuckles when Cait arrives at the cell). I think people forget, sometimes, her saying “I choose wrong every time, and because of it, I lost everyone” wasn’t just referring to her releasing Jinx. She tries to do the right thing (or the thing she perceives as the right/ok), and it backfires. Leading Powder and the others on that mission to Jayce’s apartment, turning herself in to Grayson, leading the mission to save Vander, telling Cait to hold the shot, joining the enforcer strike team, etc— all things she did with good intentions that ended in tragedy. As the viewers, we know that while Vi is responsible for her actions, the horrible outcomes weren’t completely her fault, especially the things that were out of her control (Ekko and Caitlyn even tell her this in S1), but Vander’s words that “whatever happens is on you”(s1e1) have been cemented in her mind for years (along with being parentified at a young age).

In response, Cait says “Do you think I needed all the guards at the Hexgates?” letting Vi know she let Jinx escape, and choosing Vi over her quest for revenge on Jinx (which is a great change from S2 Act 1. Tell a friend to tell a friend: our usual Caitlyn is baaack!). Of course to Vi, this is a large act of love, considering Jinx is her sister, and was the top priority for the majority of her life; Vi would give her life to protect her sister (which we’ve seen).

(Side note: I noticed both of these moments happen in the eighth episode of their respective seasons…..Something about 8 being the number of infinity and balance…Thinking abt Caitlyn and Vi and their infinite love and how they balance each other out…)