#and then its fun to think about the process and why i did the things i did

[sieglinde-freud]

missing the maribelle/tharja family unit today. i think maribelle would be elated to have a daughter. she meets noire for the first time and she goes “do you play chess? violin? ride? drink tea?” and noire goes “no but im really good at throwing up in a bucket” and maribelles like “oh!!!! okay!!!!” i think she finds noire’s talisman persona charming. chrom is like “um maribelle can you please go get your daughter… she’s terrorizing the camp” and she goes “shes harmless! why do you hate women?” and he never speaks on it again. i think tharja needs a kid that will beef with her and i think brady is 100% the guy to do it. i think she looks at him and goes “what is your problem” and he flips her off. she tries to curse him but he spins his staff ninja style deflecting them back at her. he serves tea to his moms but he spits in tharjas and she knows it. and then she drinks it because it pisses him off. brady could come to love her at some point but it will not be easy and it will not come without a lot of work and a lot of arguing and i think i need some more parent/child conflict in this game. awakening gets one f bomb and its hidden in the random tharja brady PC support where he just goes “FUCK YOU” Tharja and Brady attained support level B.

[hauntingofhouses]

i think im gonna take a break from my fic to write my original work instead

[skitskatdacat63]

Some thoughts about my recent drawings since I was very tired when I posted them and I want to talk about them:

First of all, I'm dying bcs me from several months ago said this(after I made Hussar Seb):

Me now: *aggressively researching for hours on end the Austrian Kaiser's imperial regalia in order to draw Emperor Seb and cooing over how cool and interesting and regal everything is*

And I can now say that the Emperor's clothing is indeed slay and I just wasn't researching hard enough. Though then again, here is a comparison of what Charles VI(who baby king Seb is referencing) vs Francis II(emperor at the time of the Napoleonic War):

So like, I can understand my hesitation back then with Francis I being the only emperor I had really seen atp. I know irl the long hair is wigs, but I really do think it suits them!! Seb's in the AU is natural though 🤭

I'm still laughing about how I drew the Golden Fleece insignia:

It is simply a little sheepy 🐑

Here are the original sketches:

I said but I basically just wanted to see if I could draw all my various Sebs throughout the ages and then it was turning out so well that I pulled out my tablet to do it digitally!! It was really fun to do actually. I did them all 3 at the same time so I wouldn't get tired with doing one. Its still always interesting for me to look back at the process:

Rendering is probably my favorite part, especially doing all the gold stuff is a lot of fun :D

Next project: finish the painting of vettonso!!!! Doing chibis is so fun cause I don't have to worry about accuracy as much so yay....can't wait to get back to normal sized people....

[doublekanble]

Hi. Read your fic WHAT THE FUC- (/POS ITS SO GOOD??) BRUH I WENT INTO IT BEING LIKE "oh I'm just curious as to what this'll be, I'm sure it's just like some short self indulgent thing" THEN GOT STABBED LIKE TWELVE TIMES OVER. INSTANT FOLLOW. OH MY GOD.

its actually IS self indulgent! just in the opposite direction! i want him to kiss me so badly but i also want him to hate me until its all he knows its a bit of trouble really

[st4rstudent]

ALRIGHTY SO- (I'm so sane and normal about these toons and cogs I swear) as I said before, personally I really like to think that brian's brain is a motherboard and/or wires/neuron like things covered in a silicone mold that made it shaped like a brain-! It would explain why when he starts getting more and more frustrated during his battle he starts overheating and eventually leading to his brain exploding at the end- (which leads me to believe that mayhaps his wiring needed some extra cooling to help him prevent that, perhaps being the reason why he has a dome head in the first place so that way it could be liquid cooled by being placed inside of- whatever brian has inside of there shchsdhs) which in turn would make the silicone brain a pretty solid idea-!! Keeps all his wiring n electricical brain bits all nice and dry, but also gives him a little flair and from the looks of it, seems like a fairly efficient way to help stop any overheating caused by his emotions or stress- (I mean he literally starts going red with rage, that's gotta be some hot pieces of parts in order to do that even with some cooling factors in place-) but what's really got my gears turning is that if he does have a sort of wiring inside of that brain mold of his, it would basically be the like- in between of cog parts and toon-ish parts-! Assuming that his wiring would help out his processors n act as any neurons should, they would not only help out his thought process (him being the self proclaimed smart man that he is /lh/lh) but it'd also allow him to feel things-!! Neurons are the main units of the brain and nervous system, they help the brain feel any sensory input from the outside, send signals to help the body control motor functions, and in general just relay electrical signals throughout the brain all the time- Which sounds very much close to what the cog equivalent of a brain could also do (and does for brian)-!! I know all the cogs have brains and all their inner bits, but I justshfhs I think it would be really cool if brian's brain had just a little bit more brain-like functions-!! I don't know if I'm making any sense here, but- if he can think, that man can feel too-!! Probably more than the average cog, but he would also probably just decide not to draw much attention to it-!! I know this started out as silly snowglobe dome talk, but in all reality I'm so very interested in the complexities that the cogs and toons have-!!! Doesn't mean I don't think it'd be silly to shake that man around and see what happens, that'd be silly- even more so to bonk him with hammers- BUT I JUSTSHFBS I THINK-!! THE COGS DESERVE SOME MORE THOUGHT INTO HOW THEY COULD ACTUALLY FUNCTION N FEEL THINGS AND WHAT THE INNER WORKINGS OF THEM COULD POSSIBLY LOOK LIKE-! BRAINS HELP SHAPE WHO WE ARE AS PEOPLE… SO I THINK IT'D BE COOL TO UNDERSTAND HOW THAT WOULD WORK WITH THE COGS AS WELL- but yeshdhghs I'm . very sorry that this got so much longer than I intended, but thank you very much for letting me ramble out my thoughts-!! I hope you enjoyed hearing some of my thought process SHCHSDHS

OHHTHIIS IS REALLY GOOD. i never even thought about him possibly having a heightened ability to feel things like touch . i imagine with his brain also moving around, there's probably other pieces in there that would also be shifting which would increase the need for it to be in a somewhat cooled down area.

BUT YEAH . it's all very interesting to think about!

[inkedmyths]

I don't really talk about it but scrolling around today I was reminded that I (inhales) really love characters that are complex and messy and maybe meant well but fucked up and hurt people and their motivations might not be right but make sense given their background and

I know this is SUCH a controversial take on Tumblr.com where we love to reduce characters to 2 dimensional fandom versions but I had to say it

[dandyshucks-moving]

proship ppl don't always like the shit you mentioned. You meant comship lol.

This is the only thing I'm ever going to answer or say about any of this subject on here. This blog is literally just a very silly and self indulgent space where I'm having fun, and I despise this subject in its entirety. The only reason I am answering this is to have something to point to in case it ever comes up again so I don't have to say anything further.

I could not give less of a hoot about the label somebody uses. If you think fiction has no affect on reality, and/or if you think creating (in any form) jerk-off material about kids is even remotely okay or normal, then I need you to leave and block me. Doesn't matter what label you use - just block me so I do not interact with you. I'm not interested in arguing; at the end of the day, underage and incest fiction make me incredibly uncomfortable, and that's reason enough to avoid it.

The reason I specified any label at all in my pinned post is because I think sometimes people skim through pinned posts to find that word specifically so they know if somebody is safe to follow or not. I included it to be easily visible so people will know I'm safe to follow. I'll probably take it out honestly at this point to avoid ... [gestures at this ask] happening again, and if someone can't be bothered to read through the post and see my clearly laid out stance, then that's on them.

[paigemathews]

Whenever I actually sit down and start posting the next gen series, one of the things that I really wanna do is kind of... incorporate reader's choices into it? Not in big ways bc my plan is to write like a full season before I start posting episodes and that can affect it, but like. smaller beats.

One example is that I have an episode idea where there's a big emotional thing for three different characters and our resident empath has a discussion with each of them, but it's reader choice which scene we see. Another one is an episode where it's reader's choice for who gets hit with some kind of emotional puncture and just spews emotions everywhere. It'd be mostly character and relationship scenes for arcs that are already happening, but readers would have the chance to see their favorite or the one that they're most curious about up close on "screen." Not for every episode, but like. maybe once or twice a season or something. Idk, thought it might be interesting.

[teaboot]

I feel like if you're using a lot of disposable plastic bags in your day to day life, you've gotta do something sustainable to make up for it. Like using bamboo toilet paper or eco friendly cat litter or something, yknow

Honestly I exaggerate for comedic effect, while I DO routinely use ziplock bags to hold spaghetti I cook maybe once a month and the bag itself is usually for freezer storage. I actually throw out maybe one bag a week? I DO hate washing plates and tupperware and junk but that usually just means I eat sandwiches without a plate.

I agree though that needless waste should be avoided, and I do avoid it- biodegradable bags and recyclables, empty butter tubs used to store leftovers, etc.

This said, though, not applicable necessarily for myself but for a lot of others- I feel that it's importat to remember that there are many people who legitimately NEED things like plastic straws, or catheters, or pre-packaged foods

And the idea that that's a moral failing that individuals need to personally make up for when a single billionaire blows out more CO2 in a long weekend than I will in my whole life on a superjet meet-cute in the Bolivian rainforest between humvee drag races funded by the river-polluting textiles plants they planted in a third world country to avoid EPA laws and give an entire village stillbirths and stomach cancer is an idea that those very same bigwigs have spent a LOT of time and money investing in planting in the public psyche.

Like- Glass bottles are infinitely recyclable, so why are so many drinks in plastic now? Loads of drinks manufacturers used to buy them back and clean them for re-use, so why did they stop? If they chose to make something out of a limited and environmentally irresponsible material, why is it my failing to track down a correct process of disposal for them? What if there are none in my area? Do I lobby for more recycling plants in my area? Do I set aside some of my limited time outside the pain factory of my job- which I have more than one of, thanks to rising costs of things just like that drink I just emptied- to properly dispose of this company's waste FOR them?

Say coca-cola just rolled up to your town and started dumping millions of empty plastic bottles in the street, going, "wow, you should really think about building and staffing a recycling depot, it would be really shameful of you to just put these in the trash." When companies purposefully use materials with limited lifespans- because yes, even plastic can only be reused so many times- and tell you it's your own fault if it harms the environment- that's essentially what they're doing, just with more steps.

Yes, its important to be as environmentally concious as we can in our day to day life, but responsible sustainability is not catholicism. We don't get good boy points from our lord and savior Captain Planet every time the average low-income household gathers together to hold hands and repent for a single-use plastic that allows them to access something they need.

Entire families could eat trees and shit dead lithium batteries for years and still not do as much damage to the planet as an average dye plant or braindead celebrity does in a week just for fun, and I'm mad about it

...this went on longer than intended.

TL/DR: DO recycle and minimize waste, but don't beat yourself up over the little waste you can't avoid, and follow the money.

EDIT: Part 2

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[zombiigrll]

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IMMUNE? ⋆｡°✩ carl grimes x immune!reader .ᐟ WORD COUNT .ᐟ ⭑ 2.1K ꩜ .ᐟ WARNINGS ⭑ hurt to comfort?, use of y/n, blood, zombie apocalypse stuff ofc, post-terminus era, references/slight spoilers to twd 5x2 ?? petname (angel - which also did we all collectively agree that carl would call his s/o angel? i see everyone use it i have before too its so cute .ᐟ SUMMARY .ᐟ ⭑ you get bit, but nothing happens. ꩜ .ᐟ A/N .ᐟ ⭑ hey guys... its been a minute... (45 days COUGH COUGH) i am so sorry i have been SO BUSY and i didnt even realize i had this fic almost completely finished in my drafts so i decided why not finally finish it!! (which is also why the ending might be a bit weak because i also have no written anything for 45 days LMAO) my favorite thing about the whole science behind zombisim is all the theories of if you could or couldn't become immune so i wanted to write a little fic because i love... zombie science.. nerd alert!!! ☝️🤓 <- me but also whats a carl grimes/zombie fanfic writer without writing at least one immunity fic!! hope u guys enjoy!!

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everyone knew you were clumsy. you'd always have to be with someone, no matter what. that's how much people worried about you.

there had been plenty of times where you had been close to getting bit, and if you were alone, you would've been bit.

but now, you and your group were back on the road after the prison had fell. you all met up at a terrible place called terminus, and almost died if carol wouldn't have shown up. it was dangerous, and terrifying. but you had carl on your side, as always. he was the person who had saved you so many times. he was like your personal bodyguard.

you guys had eventually ended up at a church with a priest named gabriel. you felt uneasy being there. gabriel seemed, well, unstable. rick saw it too, telling carl to keep his guard up.

but after a while, everyone was inside the church, laughing and having fun.

you spot bob walking outside, which catches your attention instantly. no one else really seemed to notice, so you turned over to carl.

"i'm gonna go outside."

"do you want me to go with?" he asks, immediately sitting up.

"no, it's fine. i think i saw bob go out there. i wanna go check on him." you smile at him, standing up and walking over to where you saw bob go.

but when you stepped out, he was nowhere to be found.

"bob?" you called out, walking forward a bit more as you looked around for him. "where'd you go?"

you walked a bit further, leaning your arm on a tree as you looked past further into the distance, searching for any sight of bob.

but, to your luck, you were snuck up on. you heard a growl to your side, where your arm was leaning, and then a pain shot through your forearm.

you let out a loud shriek as you fumbled for your knife, stabbing the walker who was still attached to your arm in the head. you kicked him off, breathing heavily.

you could feel your heart pounding out of your chest.

you glanced down at the walker who was now laying dead on the ground, gripping tightly on your knife as you processed what had just happened. you lifted up your pained, bleeding arm.

"no... no, oh, my god." you dropped your knife and began wiping away the blood that was profusely leaking out of your fresh bite wound. "shit..."

you stared at your arm for a moment, attempting to catch your breath while watching your own blood drip onto the floor beneath you.

the doors to the church busted open, snapping you out of your daze. carl, rick, and michonne stood at the door, staring at you.

carl stepped a bit closer. "what happened? are you okay-" he stopped as he spotted your arm. his face fell flat and his eyes widened.

"it snuck up on me.." you quietly and breathlessly responded, tears falling from your agonized face. "i was looking for bob."

rick runs up to you as he realizes you had been bit. he grabs your arm, his face a bit panicked as he starts speaking. "we have to cut it off."

"no!" you tugged your arm away from his grip, holding your arm from him. "we don't have the stuff for that!"

"stop yelling." rick sternly ordered, putting a comforting hand on your shoulder. "let's go inside. i'm sure gabriel has the stuff for it."

you anxiously nodded, stepping toward the church with carl by your side.

"i'll get gabriel." michonne said, walking towards his office. "find somewhere for her to sit."

you take a seat in one of the rows, still holding your arm tightly.

"what the hell happened?" glenn asks, quickly walking over to the three of you with maggie by his side.

"she got bit." rick runs a hand through his hair. you look to your side and spot carl, just staring blankly, his expression the same as when he first saw your bite just moments before. he was speechless, and afraid.

you held your arm tighter as the pain increased, blood seeping through in between your fingers as you clenched your jaw. your breathing was progressively getting more and more ragged and uneven the more you panicked.

"i don't want you to cut my arm off.." you protested, your voice high pitched and wobbly. you closed your eyes tightly, a few tears falling from your eyes.

"we have to." rick shook his head. "otherwise you'll become one of them."

"i don't care." you sobbed, gripping tighter and tighter onto your arm. "i can't do it. i probably wouldn't survive either way, we don't have proper stuff for it." you could tell it was difficult for them to understand what you were saying through your sobs. "i just want to wait it out."

rick eyes widen, along with everyone else who were crowded around you.

carl finally steps closer, grabbing your other hand tightly. you could spot tears falling from his eyes. "please, y/n. i'll be with you, it'll be okay. please i.. i can't lose you."

you looked up at him through your lashes, pressing your lips together. "i can't, carl. i can't."

...

they had moved you to one of the rooms in the church that had something you could lay on. they tied your wrist to a pole and stood in the room with you.

you could barely keep track of what was happening. you genuinely felt fine, besides the side effects from losing blood.

"can you wrap my arm up..?" you requested. the tickling feeling of your blood dripping down your arm becoming too much, and you also wanted to test if that was what was making you feel sick.

being immune wasn't even a thought in your head yet. but you were just creeped out about not having any of the same side effects that anybody else had when they'd gotten bit. you were sweating, but you weren't feverish, that's just how the weather always was.

"yes, of course." glenn grabbed a thing of gauze out of his bag, going up to you and carefully but tightly wrapping it around the bite. he also grabbed a nearby rag to wipe the access blood that had been dripping off of your arm.

"...thanks." you sighed, looking away from everyone.

they were all just staring, waiting for something to happen. but nothing was. the awkward silence and suspense was killing you. you saw the sun starting to come up through the window, which means it had been quite a few hours since you had gotten bit.

you've seen people last a day, maybe the tiniest bit over a day, but you noticed that they always had obvious symptoms by now. and you still didn't.

you blew a raspberry, looking around the room. ".. i don't feel anything."

"what?" carl squinted in confusion, his voice still a bit brittle from crying. "like, you're numb?"

"no, like.. i don't feel any symptoms of turning." you laughed at how idiotic your sentence probably sounded to everyone.

"so, you're saying you're immune?" carls voice changed from being upset to just pure confusion.

"i don't know." you shrugged, tapping your foot on the hardwood floors. "i seriously don't know what's going on. the only time i felt sick was when it first happened and i saw my blood dripping. i feel fine right now, a little lightheaded, but i think thats from the bloodloss."

"look, theres no such thing as being 'immune.'" rick shook his head at your statement. "it might just be.. taking a while to settle in."

"dad, can you have a little faith?" carl turned to rick, glaring slightly at him before turning back at you. "i believe you."

everyone else seemed really skeptical about what was happening, exchanging confused looks with one another.

"we'll keep her in here for a little while, alright? if she still doesn't feel anything by tonight, then we'll untie her." rick sighed, looking down at you. you had been with everyone since the start, being there when carl reunited with rick and everything, so you could sense everyones panic when they first saw you get bit. and now, you could sense their pure confusion. people in our group have gotten bit before, but they'd show signs almost immediately.

"i can stay with her if you guys want to leave." carl said, sitting down right next to you. "i'll let you know if anything happens."

everyone agreed and left the room.

you laughed to yourself, looking over at the door.

"are you okay?" carl asks, looking at you anxiously.

"i'm fine." you turned your head over to look at him. "this is just so fucking weird. and we don't even know where bob went. i'm so confused right now. nothing is making sense." you let out another light laugh, shaking your head in honestly disbelief.

"maybe you're the chosen one." carl laughs, smiling at you. "i really hope you're being honest. i.. i don't think i can handle losing you."

you look at him with a lopsided smile, happy to hear how much he cared. "i wouldn't lie to you about this. i genuinely don't feel sick at all. i mean, i feel gross, but not in a 'i'm dying' way. more in a 'i just got my arm bitten into' way." you tried to make light of the situation, despite being terrified. carls expression stayed a bit worried. "..sorry, not funny. i don't want to lose you either carl. you're the best thing to ever happen to me, you know?"

his concern turned into a smile at your words. he leaned forward and hugged you tightly. all you could do was put your hand on his back, due to your other hand being tied up still.

"i love you." he mumbles into your shoulder.

you laugh, leaning your head on top of his. "i love you too."

...

a while passed, yet you still felt perfectly fine. your arm felt odd though, of course. you had been bitten into after all.

carl stayed by your side, telling you stories and just conversing with you to keep your mind and his off of the whole situation while everyone was out searching for bob.

you moved your arm up to your tied up one, itching at your tight bandages. “i want these off…” you dramatically complained.

“we should probably check on your arm anyways. even if you feel fine, there could still be something messed up with your arm.” carl says as he rotates his body towards your arm, carefully untying your arm looking at you for permission.

you nod, and he proceeds to take the bandage off. the teeth marks had dark bruises and dried blood around them, and your veins were darker and more apparent around the bite. it looked unreal.

you quickly looked away from the wound, shuddering. “holy shit.” you closed your eyes tightly.

you could hear carl stumble over his words as he tried to figure out what to say. “i… it… is it supposed to- um.. look like that?” he let out a nervous laugh, moving his hand to comfort yours.

you returned the nervous laugh, looking back at the bite momentarily. "i don't- i don't think so?"

your body was violently shaking, unsure what to do or what was going on. would you still need to cut your arm off? or would it still be fine, despite looking like that? you knew that you'd have to hide your arm for.. well, ever, if you decided not to cut your arm off. it could cause so many different issues if people outside of your group found out.

carl proceeded to grab anything he could find to clean your wound, as well as new bandages. you two sat in silence as he carefully cleaned your arm, the only sound being your light winces of pain as he applied the antibacterial ointment he luckily found.

he wrapped your arm back up and planted a quick, soft kiss onto your bandaged wound, looking back up at your flustered face with a smile afterward.

your face was hot, and you quickly averted your eyes away from his out of embarrassment.

he put his hand on your cheek and kissed your forehead, then pulled you into a hug right after. "i'm so glad you're okay."

you were shocked, but let out a flustered giggle before returning the hug. "thank you.." your smile kept growing and growing. then, the words "i love you." finally left your mouth.

he broke the hug and looked at you shocked, but then his big smile came back. "i love you, too, angel."

─────────────────── ⋆⋅☆⋅⋆ ────────────────────

[felassan]

David Gaider on Dorian, under a cut for length:

"Now this is a fun one. It's no big secret I have a lot of feelings about Dorian, not least of which because he was my first (and only) gay male companion. There's a lot more to him than that, of course (as there should be), and it was quite a trip. So let's go! Now, DAI is a story all its own, but I'm sticking to the characters. In this case, back at the beginning, the writers were going to try something new: we were going to let the artists take a more active role in the companion creation process. Why? Because not doing so had caused a lot of problems. See, here's the thing: writers and artists speak two different languages. When talking about characters, we talk about their story. Who they are. What they want. We'd write up these briefs, huge and full of information... but it was never the information the artists needed. They wanted visual cues. I don't mean describing their appearance. Sure, we'd usually provide that, especially if there was a story case to be made, but often the artists vetoed us on appearance stuff anyhow so meh. No, I mean they looked for visual language while we tended to only talk about who the characters *were*. What would happen is they'd hone in on something visual in our write-up not intended to be a focus. The first write-up for Anders in DA2, for instance, mentioned he was "haggard" after his journey... and the first concept we got was this pale, shriveled man. "What... is this?" "YOU SAID HAGGARD!" 😅"

"That was the other trick: sometimes when we DID try to be more descriptive, we had to be extra cautious because the words could be interpreted very differently. You encounter this recording VO, too. A VO note says "hysterical" and you *meant* "really upset" but the actor read "scream like a banshee" Thus this caused problems, like I said. The artists would struggle, sometimes conjuring details just to give the character *something* but which would change the character... and, to us, the character was created. Done. We were already invested, probably already writing them. Something had to give. So this time we wrote a bunch of character briefs - but short. One paragraph. We stuck to vibes and the *emotions* we wanted the concepts to evoke. And we didn't name them. They got titles like "Slick Con Man" or "Ice Queen", so we wouldn't get too attached. Then we handed these off to the artists. And it worked nicely. The ones that just weren't inspiring we'd discard, no problem. The others had juice... and the artists felt free to play and offer lots of variations because we weren't set on anything yet. A lot of times, what they produced ended up inspiring US. It was a neat back-and-forth."

"This is what led to Dorian, in fact. He came from a short write-up entitled "Rock Star Mage" and it really boiled down to "I'm cool and I know I'm cool, so take that you cretins". And just like that, the first sketches (by Casper Konefal, I think? I bet I'm wrong) were all amazing. Instant fire. Me: "He looks kind of like... Freddie Mercury?" Him: "Is that bad?" Me: "NO ARE YOU KIDDING THIS IS AMAZING" Plus there was a monkey. Sadly, we had to lose the monkey. There were iterations to come, but this was really where Dorian was born: Tevinter mage, noble, savant, and too cool for school."

"When did he become gay? Not right away. Like I said elsewhere, we didn't talk romance and sexuality until after the concepts were more in place. But as we were brainstorming about why this hot shot mage left Tevinter, the idea DID come up that maybe it was because he was gay. Not directly, however. Homophobia isn't really a thing in Thedas, after all, so at first blush I didn't think that could work. "Rich kid gets kicked out of the house for being gay" wasn't a trope I wanted to explore. But, then again, magister families in Tevinter are *obsessed* with the appearance of perfection, so...? Any deviation from the "norm" is considered scandal-worthy. It said weakness. It said you couldn't control your house. Now... THAT had real promise. The writing pit discussed it a lot. So I think it's fair to say that the gay fairy was already circling Dorian even before we got to the romance talk. I think it's also fair to say that the rest of the team realized I low-key wanted to write him, because when everyone started calling dibs, who was left standing for me? (I pick last, remember.) I gleefully snatched him up and got to work... ...about six months later. I was very busy at the time. 😅 That late start meant I had to design and write VERY quickly. And I did. Somehow, though, this one... it came easily. "Catty gay man" isn't digging very deep, no surprise to anyone who knows me, and it had an extra layer of being so fun because Dorian was confident. He sparred verbally. I loved it."

"There was more to it, however. The conflict between Dorian and his father... ugh, how do I say this? Let's be clear: Dorian's story is not MY story, but it's also not far off. I wrote the entire confrontation scene in one go. After I was done, I probably cried harder than I ever have in my life. 🫠 I was unsure whether it was any good, however. I just didn't feel objective. I passed it over to Cori May - my friend but also Dorian's editor - and asked her to please tell me and be honest. She read it. She walked into my office after, tears streaming down her face, and just nodded. "It's good." Here's the thing. Not everyone is going to agree with this, but: I don't think a writer NEEDS to be a minority in order to write a minority. Sometimes those characters should simply exist, and we want them to. But if that character's story is ABOUT their experience as a minority? That's different. Dorian's story didn't need to revolve around his sexuality - and, honestly, it only did so as a tangent to his family issue, but they're so bound together it's probably irrelevant to split them - but my writing him meant it could be. It allowed me to SAY something. That felt good. It felt right. Ramon Tikaram came on board after a lengthy casting process (so many British Indian accents, oh god). I sat in on a few recording sessions... the confrontation scene, though? Ramon: *says line* Me: (curled up on a nearby sofa in fetal position) *shaky thumbs up* Caroline: "Yep. Great work, Ramon!""

"Dorian's sexuality isn't all he's about, but that's certainly how some viewed it. When the character was announced in 2014, his being gay was mentioned as the last of a number of points, and the instant response from some gamers was to act as if we'd called a press conference just to say THAT. 🙄 It was annoying. Still is. Overall, however, the reaction to Dorian was very positive. The number of straight men who said they romanced him still pleases me. The number of fans who privately contacted me who'd been through conversion therapy, some who said Dorian helped them survive? Well. Gosh. 😭 I did write him for Trespasser - though I hear that a late scope cut meant every conversation had been chopped by 1/3rd or more, and that meant a lot of nuance lost. Which is sad, if true, because it sounds like the result of that left some Dorian romancers a bit cold. Such is how game dev rolls. 😔 If you need more proof of how it was hard for me to let go of him, a short story I wrote after Trespasser came out where Dorian has a bit of closure with his dead father: medium.com/@davidgaider... So yeah. He'll always be my boi. And I'll always be thankful Bio gave me this opportunity. ❤️"

[source thread]

User: "I'm not going to lie, it's hard to take my mind off Dorian almost having a monkey." David Gaider: "If by “almost” you mean there was a picture of a monkey that the concept artist put there as a whim, and which would almost certainly have taken more cinematics and modeling time to put in than we could ever afford… then yes. 😉" [source]

[meanbossart]

Ask Compilation: Blondes, feet, bowl-cut guardian lady.

He did not, they never had sex. But he was in love with her.

For sure. I think she struck him more like a teenager with the black hair and bangs, after the change (both visual and in attitude) she became a far more mature AND attractive person in his eyes.

PFFT, well, if you're saying they meet ALL of the criteria, I assume you mean both in looks and personality and hence be damn near his soulmate. DU drow could overlook weird feet (and a lot of other things, actually) if he were in love with the person in question. He would probably gently request they take better care of them, though.

Nothing special there, I'm afraid! He just has human-like skin - perhaps a little on the oily side but completely within the bounds of normality.

He runs a little hot, if that's anything. Oh! His hair is shockingly soft.

Correct! DU drow only (arguably) looks like a drow. He doesn't have their usual bone structure, height, or associated magical proclivities. He has some dark vision but its nowhere near as good as a drow's either.

I don't necessarily think all Bhaalspawn are the same way, but the Dark Urge IS quite different from the previous game's iterations. DU isn't simply Bhaal's child conceived with a partner, he's a piece of the god that supposedly slobbed off and grew legs and a face, pretty much. So yes, I do think that the Dark Urge at least is it's own unique thing.

The reason why he looks like a drow, is because he was placed in the Underdark upon creation. The metaphor I always use here is that if you place something infantile in a biome that is alien to it, it may try to adapt to it's environment to survive as it develops, to different degrees of success. This is why DU drow looks the way he does.

[MORE UNDER THE CUT]

You're welcome!

I've received a few snippets here that you can find through the #gift art tag! There is also the fic I'm in the process of writing called A Novel Experience on AO3.

It was just something I was compelled to do when I first drew him! The facial scars felt like they should lead into something else so I just made up a pattern on the spot, minus a tiny tweak here or there, it has stuck basically unchanged. All and any lore relating to the scars came later.

I get a lot of sweet messages but "thanks for your man's penis size" has to be one of my favorites. Thank you!

HELLO!

Thank you so much for the kind message! And that sounds like a fun dream, I love that your Tav got jealous of the attention ASTARION was receiving instead of mad that he had to share in the first place LOL

DU drow is desperately monogamous. He doesn't care what other people do with their lives but he's very much a "one and done" kind of person.

He would be willingly to participate in a threeway/have group sex with a partner, assuming the rules and regulations of said encounter were laid out clearly before or at least mutually understood between them. He would never want to see these people again after the fact though.

She does not, naturally I had no idea that this character was going to turn into anything when i made him, so I just... Made a lady. And since she was supposed to be a "guardian" I gave her a Joan of Arc type of look.

I've occasionally thought about changing this, but... Y'know, sometimes you don't need lore to be that in-depth, LOL.

The emperor gave everyone else a nondescript hottie he assumed they would trust, DU drow just got the same treatment. She's not even DU drow's type but definitely someone he would be compelled to take seriously yet not feel threatened by - so ultimately, her design does make sense.

---

That's all I have the energy for tonight folks, as always thank you for the many encouraging and sweet messages you send me, I'm sorry I can't reply to all of them! 😭

Have yourselves a great week!

[yan-randomfandom]

Hiii baby! Can I request Jinx, Cait and if you do Maddie (all separately) w/ a gf who is dose very crafty/homemade makeovers?

Hear me out- why spend money on a cut & color, new piercing, nails ect when your hg can do it for you herself?? (I just grew up poor and had to learn😭😭)

Jinx, Caitlyn, & Maddie with a crafty girlfriend headcanons!!

a/n: omg its so nice that you rose up & learned em😭 such a fun request! this one is written before act 3

I didn't proofread or edit so please feel free to point out anything that's bothering you 😭

also this might be ooc.... im so sorry if it is😔

Let's go and start with ...

🌀

Jinx

Jinx has an established style with her neon painted nails, twin braids, inventions, and everything in her possession. An endearing fashion sense, even if some think it looks ridiculous lmaooo

With Jinx being an artisan and artist herself, you both find being creative a common ground in your relationship!

Makeovers anytime, anywhere. No need to find professionals when you have your girlfriend right here! It's a give and take relationship for sure. I imagine it'd be so fun and full of laughs 😩

Also I think you guys will inspire each other back and forth lolol

Having an art block and you don't like it? Ask the other for help!

And if you're both having art blocks? Well, Jinx will take you out on vastly different spots until you find what you're looking for. It's a great way to bond, and sightseeing is nice (⁠´⁠ε⁠｀⁠ ⁠)

When you're exploring new styles, and you aren't doing it on Jinx, she would love to simply watch you work. It has some sort of calming effect on her, especially if you're rambling while doing it.

If she sees something of your art that she likes, she might just copy you in her style! Kind of like how Jinx did that makeup when she was in Vi's apartment or something

Although don't be surprised if you wake up and see your face horrendously painted in the morning 😔

You can't even revenge because she sleeps with one eye open, I fear

☄️

Caitlyn

MAN. I feel like you'd have to beg Caitlyn for even the simplest makeovers. She looks so plain rn (in the style way) or am I just blind 😭

You suppose it makes sense. She looks so perfect and you keep giving compliments. Like, why is she so pretty?? There's just so many possibilities you can do with her appearance!!

But, sadly, she doesn't let you give her makeovers much. Not that she doesn't like your work, she respects it and adores it, but arts isn't exactly her thing.

I think make-up of any kind would probably feel uncomfortable for her. Plus it would be a hassle to remove it, she would say.

What you can do is give her hair a trim. A perfect line, as much as possible. She comes to you when her hair feels longer, or more damaged, than usual. Granted, it can be boring, but you're just glad you're doing something for her.

Another thing is that you can choose outfits for her. You can doll her up anytime as long as you don't take too long picking combinations!

If she has time, she'll probably let you paint her nails. Make sure she doesn't regret it, or else she might never let you again.

She'd buy anything you want, by the way. Money isn't a problem for her. So you technically have unlimited supplies, thank goodness, 'cause sometimes they can be so expensive.

You jokingly tell her that even if you break up, if she ever changes her mind about getting something, she'll come to you. Absolute dibs on Caitlyn!!

🍯

Maddie

I feel like Maddie has never really delved into bodily artworks, since she spent most of her time studying about laws and stuff.

Like,, do we agree on the motion that she cut her hair so she doesn't have to deal with it 😭 Less weight during missions too

So when her amazing girlfriend happens to be passionate about creatives? Oh, boy, she's going to be filled with curiosity.

She'll allow you to do anything you want to her, as long as it isn't permanent. In fact, she's super enthusiastic about it, always trusting the process and seeing the result.

You're so creative that it's impressive!! Even if it isn't your best work, she always finds a way to praise you 😭

She'd love to watch you work as well, but she's not exactly the quiet type 🥲

Expect a whole bunch of questions. "What's that for?" "Why are you putting that?" "Ooh, that technique looks complicated. How—"

One of your quality time is definitely you trying to teach her new things. Let her paint your nails, do your hair, and anything that can make you both happy.

If you make clips or whatnot, you definitely try to overload her fluffy hair with decoration. You try different hairstyles possible with that length of hers.

Sometimes, you catch her playing around with your make-up alone. It almost always ends with you fixing it up for her 😭

you, showing your new haircut (it looks horrible): yoooo isn't this so rizzing

jinx: hell yeah

caitlyn: you are not going out like that. go get your unnecessary amount of hair extensions and choose from there

maddie: hell yeah