#and then it flips back to the current timeline

[star-crossed-fates]

Even My Damnation Spells Your Name

Chapter 9: I Set the World on Fire and Called It Mourning

Synopsis: In a city of steel and stars, you fall in love with a man the world calls a monster. He looks at you like you’ve haunted every life he’s ever lived. Sylus is danger wrapped in silk, secrets stitched into every glance, every touch, every word spoken like a spell. He’s yours before you even realize what you’re remembering.

Because this isn’t the first time.

Dreams unravel you. Memories not your own. A dragon’s death cry. A kiss beneath bloodied skies. A love too eternal to stay buried. As the past bleeds into the present, you begin to piece together the truth. Some memories burn brighter than the stars, others wound deeper than any blade.

And love, no matter how timeless, always demands a price.

Pairing: Female! MC [Named] x Sylus

Rating: Explicit 18+ [MDNI]

Spoilers: Sylus's myth cards/memories. Please note: memories might be a little different from in-game for story purposes.

Warnings: NSFW, Explicit smut, including various kinks: Praise, degradation talk, first time, CP, DP, anal sex/play, probably some Dragon!Sylus smut, maybe a lot of it. Many, many more that I'm forgetting to list. Consider yourself warned. - Unlikely to be completely canon. - MC is named. Her personality is darker than in the game, far more morally grey. - Switching between MC's memories/dreams/flashbacks and current timeline. - Other love interests will not show up in this. - Some plot, but not super planned out. Basically, this is a "what if the closer they became, the more MC remembers her life with him on Philos.

You’re sparring with Nina in the training room at the Hunter’s Association, blades clashing in a blur of rhythmic chaos. She’s grinning, eyes alight with mischief as she darts in and out of range like a mosquito on espresso.

The training swords may be blunt, but Nina’s wielding hers like she’s trying to settle an old grudge. “You’re sluggish today. Been distracted? Someone brooding and beautiful keeping you up late?”

You duck under her swing. “Sorry, I couldn’t hear you over the sound of your desperation.”

Nina lets out a bark of laughter, stepping back to reset. “Ooooh, the claws come out. Bet you practice your hair flips in the mirror before sparring.”

With a burst of momentum, you vault up, flipping clean over her head. You land with a thud, fling your hair back like a soap opera villain, and bellow dramatically, “The mirror is but a portal to my own magnificence! Tremble before it!”

Nina lets out a scandalized wheeze, spinning to face you with the expression of someone who just found out her cereal was spiked with vodka.

“Okay. First of all? Rude. Second—are you trying to seduce me or duel me?”

You smirk. “Why not both?”

“So. Tell me. Have you sinned yet?” She points her sword at you dramatically. “You know. The horizontal bone zone. The astral tango. The forbidden handshake.”

“NINA.”

She advances, devilish grin growing. “The passion pit. The soul smush. The cha-cha with the curtains drawn.”

“What?!”

Her smile could power a small village. “C’mon! Don’t play coy. I’ve seen the way you look at him. And the way he looks at you like he’s mentally undressing your entire genetic code.”

She taps the flat of her sword against her chin thoughtfully. “Does he bite? Does he growl? Does he chant eldritch poetry into your clavicle while unbuttoning his shirt at the speed of sin?”

Your sword drops to your side like it’s given up. “This is harassment.”

“Just blink twice if he’s got demon stamina. I need to know. For science. For the archives. For my sanity. Is he proportionate?! I need answers. That man looks like a walking Greek tragedy with bonus abs. Don’t be selfish.”

“I will walk into traffic.”

She winks. “Fine, fine. Just answer me this: on a scale of ‘gentle caress’ to ‘I blacked out and woke up fluent in ancient languages,’ how was it?”

The rapid-fire questions cause you to misstep for the first time all match. In your hesitation, Nina strikes. As her blade finds your chest, the sky forgets how to stand still. Blinding pain splits you open. Your spine arches, breath trapped, as if an unseen hand grips all your tendons and yanks. It isn’t the sting of blunted steel. It’s something buried that’s clawing its way back up. Your knees buckle, and you fall as you clutch at your chest, gasping.

The training room wavers, reality’s couplings soften, and its edges liquefy. Nina’s voice fades as the present slips from your grasp.

Time has unspooled without mercy, a slow bleed of years dissolving into one another. How much, you cannot say. You’ve spent centuries, perhaps eons, adrift in a sea of hollow hours, where even the echoes have forgotten their names.

Philos lies like a gaping, rotting wound. It has become a dream bled dry by your two hands. The cities sleep in shattered reverence, their proud spires bowed like penitent saints, draped in vines like mourning veils. The wind stirs the bones of a planet, carrying with it the scent of forgotten history.

You do not grieve. Grief is a ritual for the innocent, and you buried yours beneath the first body. What remains is a memory scorched clean of mercy. Philos is gone, its name smeared in the language of ruin. And you? You were the last one to speak it.

Now, only the animals haunt these broken places—creatures with moon-glass eyes and no memory of fire. They do not flinch from you.

Perhaps they mistake you for a ghost. Perhaps you are.

You lie in the black cathedral, altar to your tragedy, where he lingers as a god-shaped absence carved into every stone. In the breathless hush of that forsaken sanctuary, days bleed into weeks, as still and silent as the tombs beneath. You sleep through the turning of leaves, the thawing of frost, the birth and death of bloom like a ghost in a house that once knew love.

Seasons vanish while you chase echoes of his voice through your mind. He calls your name in dreams, a shadow stitched into your skin, never close enough to touch but never far enough to forget.

Stillness becomes you. Patience becomes penance. But death, cruel thing, forgets your name. You do not hunger. You do not thirst. The body that carries you is no more than a monument of nerves and bone.

You have tried—oh, how you’ve tried—to tear yourself from time’s grip. You’ve thrown your body to the mercy of stone and sky, cast yourself from peaks where gods once breathed thunder. You feel the flesh give way, bones fracture, and sinew undone, but when you wake, the wound is gone. Your body is pristine once more, as though the earth rewrote you in secret.

The mountains turned you blue with cold, but not gone. The deserts blistered your skin, but not your soul. Even the oceans held you like a lover and let you go. You have wept in every language of loss, begged for mercy in the form of oblivion.

The answer is always no.

Death has abandoned you. Your body is a prisoner to its own pulse. So you wait, and wait, caught in a cruel purgatory like a breath held forever.

Whatever once animated this shell—joy, terror, ache—has turned to decay. Your eyelids are drawn like curtains over a stage long abandoned, the actors gone, the lights cold, the audience dust. Not even sorrow lingers.

Only the void remains, watching itself.

Sometimes, in the stillness of those long, endless nights, there is a warm breeze where there should be none that carries his voice. It is a dream only in the way thunder is a whisper. This is the elegy of fate, a collision sewn into the fabric of the cosmos, reaching through time like roots seeking the grave they once bloomed from.

You are a fallen sigil folded in a crescent of grief. Wings rest slack, tail wrapped around you like the memory of warmth you no longer care to seek.

Time slips its noose again. How long has it been? It does not matter anymore. The ground is patient, the air reverent, as if all of nature is holding vigil. You think perhaps the world itself waits in mourning for you to dissolve into the earth and become another forgotten god beneath the dust.

The organ waits in silence, its keys untouched, a graveyard of chords once alive beneath your hands. You stare, hollow-eyed, remembering when your voice could wake the sky.

Those days are gone. Now, your voice has wandered so far from you, it feels as foreign as the name you no longer answer to. The song you once sang for him remains unfinished, like the life you never lived, the love that never reached its final note.

You breathe in the ruinous cold, and at last your voice breaks the silence. The final verse of the Requiem slips from your lips, like a wound that sings as it splits.

“The ashes fall, the stars grow cold,

Beneath the wings of fire’s hold.

By shadows bound, by light betrayed,

A lover’s soul, by sorrow swayed.”

As the final verse dissolves, so does the illusion—of joy, of survival, of self. What’s left behind is not a life, but the outline of one. Your hands find the place where your heart remembers him, before time made a mausoleum of it.

All around you, the quiet tightens, heavy as earth on a coffin lid. There is only one act left to perform, a final plea cast into the void. You’ve tried to unmake yourself through the very thread that once made you whole, but like the earth, it has rejected you.

Your hands do not move, but your soul reaches into the chamber where your strength lies tangled with his. It is a strange communion, fractured but alive, like stars buried beneath the ocean.

As if pulled from the depths, the power explodes in a radiant fury—a swirling dance of dark and light. The sword, a living extension of that ancient, tangled power, slices through flesh and bone with a finality that shatters the stillness.

The pain is immediate, a ferocious torrent of fire and ice crashing through your veins. Your soul unravels, like petals torn from a wilted flower, drifting away, scattered by an unseen breath.

The earth trembles with a dragon’s cry in the distance. It is not just grief; it is a soul stretched to breaking, a heart shattered across lifetimes. The ground beneath you shivers as if the planet mourns his loss, echoing his grief with every tremor.

“I will find you, Sy.”

For the first time in eons, the corners of your lips tremble upward. This is the last gift you will ever give yourself. The world becomes a smear, and you are adrift in the void.

As the darkness claims you, you know—at last—the weight of peace settling where sorrow once ruled.

You blink as the world lurches back into place around you, but it lands crooked.

“Anira?” Nina’s voice cuts through the ringing in your ears.

You cough, the motion wringing pain from deep inside your chest, and press a trembling hand to where the blade struck. “I’m fine, Nina. Just a little… winded.”

She looks at you like she sees the fracture lines beneath your skin. You rise on unsteady feet, every breath a serrated knife being twisted behind your sternum, and still, you swallow it.

The air tastes of memory burnt along its edges, and you try to breathe it away, excusing yourself with a smile that doesn’t reach your eyes.

Nina surveys you for a beat too long, brows knit, her sword hanging loose in her hand. “Yeah… go cool off. You look like you saw a ghost or something.”

You make it to the showers on muscle memory alone, barely registering the weight of the door as it closes behind you. The silence bends around you, leaving nothing but the sound of your own undoing.

Your fingers fumble at your clothes, clumsy with tremor and dread. Beneath your ribs, the ache drones in a mournful thrum. No mark mars the skin, yet the agony suspends there, as if every breath brushes a razor-edge buried lifetimes ago.

Stepping beneath the scalding stream, you let it sear across your skin like atonement. The reverberation of eons spent alone hums through you like a forgotten dirge. Pressing your palm against the wall, you try to swallow the scream balling in your throat.

Still, the anguish persists.

Your fist snaps forward in an abrupt, helpless motion. The tile cracks beneath your knuckles with a brittle shatter, hairline fractures spidering out like timelines split open. The impact hews skin from bone, crimson threading down your wrist like unwelcome truth.

The copper bite of blood floods your mouth before you realize the pressure of your teeth clasped down on your lip. You sought death out, chasing its elusive shadow across every crumbling horizon. You wandered the edges of the world, where life twisted and bent but never broke. You can still feel it, the absence of finality, the hollow space that never filled, no matter how deep you dug.

Tears spill from your eyes before you can summon the strength to deny them. Between the rivulets of scalding water, they are indistinguishable to anyone but yourself. You grind your teeth, jaw locked so tightly it aches, trying to convince yourself it’s only the steam peeling at your edges.

Until a ragged sob cleaves through you and your knees buckle. You crumple against the wall, sliding down until your descent is halted by the floor. Your knees tuck tight to your chest, your body folding inwards—not neatly or gracefully, but like broken wings curling instinctively around a heart that has long since split its sutures.

It feels as though your essence continues to carry the memory of every eon spent wandering through silence, hands outstretched for a home that never came.

You bury your face in the fragile sanctuary of your arms and let the dam break. First, a tremor. Then a quake. The sobs tear free in shuddering waves, the kind of weeping that does not belong to this life but to all the lives before it.

A mourning that tastes of lost centuries, of empty skies, of goodbyes you have never spoken and still carry like splinters beneath your skin.

The water pelts you in endless, numbing sheets, sliding over your trembling frame as you remain curled at the bottom of the stall. You can’t bring yourself to move. You barely register the way your skin has gone pale and pruned, the way your body quivers with a cold that feels more rooted in your marrow than on your flesh.

Somewhere, distantly, you’re aware of Nina hammering on the door, but the sound feels like it’s filtering through a heavy sea. You’re floating deeper, deeper, deeper, the call of the world above losing all meaning.

You don’t answer. You can’t. You’re not sure you’re still stitched properly into your body. Actually, you’re not sure of anything at all.

The next thing you’re aware of is a voice lacing into the static.

“Anira?”

For a breath, you think it’s just another echo conjured by your unlacing mind until the shower curtain shifts aside. Sylus stands there, broad-shouldered and furious with worry, the bathroom light shearing across his vivid red eyes.

He takes one look at you and swears under his breath. The water is off in the next second, Sylus reaching past you with swift, decisive movements. Silence falls except for the ragged sounds of your breathing.

Sylus drops into a crouch, voice still taut with urgency but touched now with the bruised hush of someone afraid to break you further. “Come here, sweetheart.”

You reach for motion, but your body curls tighter, cradling a sorrow it cannot bear to set down. He must sense it because he shifts closer, patience wreathed into every line of him. One hand braces lightly against the back of your head, shielding you from the worst of the cold tile. The other hovers briefly, then rests warm and solid against your shoulder.

His touch is an anchor. Painfully, you drag yourself back down into the shivering, aching vessel of your body. The tremble in your limbs intensifies, but you manage to uncurl the smallest amount. A fractured sob tears out as you finally lurch forward, scrambling for him.

He catches you instantly, pulling you into his chest, and his arms lock around you. With a sweep of his hand, his Evol flares to life, and tendrils of black and crimson energy slither. A towel floats over, summoned from across the room, and he wraps it around you with surprising gentleness. He rubs careful circles along your back and arms, trying to entice warmth back into you.

You burrow closer without thinking, your fingers fisting the fabric of his shirt, your body seeking out the steady beat of him.

He doesn’t ask you to explain. He doesn’t demand anything at all. He just stays there, burning like a lighthouse through the wreckage.

It takes time for you to come back enough to register anything beyond the rise and fall of Sylus’s chest against your cheek.

You feel him shift, hear the low murmur of his voice cutting through the fog, but it’s not meant for you. You pry your eyes open just enough to catch the blurred outline of Nina, hovering anxiously at the threshold of the bathroom. She nods rapidly and vanishes down the hall.

You remain slumped against him, your legs unsteady when he finally coaxes you upright. His Evol flares again, wisps moving like extensions of his will, plucking your discarded clothes from the floor.

Sylus helps you dress with methodical, careful movements. He steadies you with a hand splayed across your spine, grounding you each time you threaten to slip back into the undertow.

Nina returns with your things clutched to her chest. Her eyes are wide and worried, but she doesn’t comment while passing them over to Sylus. He thanks her with a clipped nod and threads his fingers through yours. You follow where he leads, your body moving on instinct, your mind somewhere half-lost between then and now.

The halls are mercifully empty. Somewhere in the haze, you’re aware of Sylus pressing a kiss to the back of your hand before tugging you faster toward the exit. The air outside is cool, the sky caught between late afternoon and the first yawning stretch of evening. He helps you into the passenger seat of his car, turning on the seat warmer and buckling you in.

Shrugging out of his leather jacket, he drapes it over you before cranking the heat full blast. You sink into the seat, shivering under the cocoon of his coat.

The door clicks shut, and with a ripple of scarlet mist, Sylus materializes behind the wheel, urgency woven into every sharp movement as he merges into the city’s restless flow.

For all the hours you’ve drifted in his orbit, you’ve never once seen him hurry—not when bullets cut the air, not when Wanderers tore the ground apart. Seeing it now is like glimpsing a ripple in a reflection that was supposed to be still.

Your voice breaks the quiet, barely tethered to the present. “…Why were you there?”

He spares a glance at you, his mouth flattening into a line. “Nina called me from your phone and said something was wrong. I was in the car before she even finished the sentence.”

You blink slowly. “I’m sorry…” you whisper, guilt bubbling faintly at the edges of your numbness. “It’s barely dusk. You—you should be sleeping.”

At that, Sylus makes an incredulous noise in the back of his throat. “Anira. If you think I give a shit about sleep when you’re hurting, you don’t know me at all,” he scolds with tender reproach.

Your lip wobbles at the sincerity braided into his timbre. You are breaking along fault lines time buried. Without meaning to, words start tumbling from your mouth in broken fragments, hitched between sobs you can’t fully smother.

“I was alone…” you whisper. “For so long. Eons. I—” Each breath shivers loose from your chest, as if the grief is a beast made of storm and teeth, clawing its way up your throat. “I couldn’t… couldn’t bear it anymore. I killed myself.”

Sylus reaches over, gently tightening his fingers around your uninjured hand, a barely there tremble in the strength of his grip.

“There was a church… in the ruin of Philos.” The name slips out so naturally you don’t even realize the significance, or the way Sylus stiffens. “I waited for something that never came. I kept waiting. And waiting…”

A fresh wave of sobs wells up, but you fight to speak through them. Sylus drives faster, weaving through the lattice of the city like he’s racing against something neither of you can see.

The rest of the drive blurs. You must fall asleep at some point or drift close enough that you don’t remember the arrival, because the next thing you know, Sylus is gathering you up into his arms.

You fold against him, body pliant with exhaustion. He carries you into the penthouse, the distant sound of the elevator, the soft chime of the doors.

Somewhere nearby, you hear Luke’s concerned voice, but Sylus is already talking. “Get the chef. Tell him to make some tea.”

He brings you to the bedroom. You blink, disoriented, as he helps you shed your clothes and change into a thick sweater, loose pants, and socks that are too big.

Stillness betrays you; a shudder coils through your frame, spun from the silence where you begged the stars to remember you, and they did not.

You sit on the edge of the bed, staring at nothing, and the words fall out of you before you can catch them. “I killed them all.”

His eyes sharpen as he crouches in front of you, hands braced lightly on your knees. “Who?”

A bright, blood-edged fury coils through your veins. “Everyone,” you snarl. “I killed everyone. They took something from me, and I made them pay in blood.”

The shadows in Sylus’s expression deepen. He helps you gently to your feet and leads you to the living room. You sink into the couch, a pile of blankets already waiting.

Luke appears from the kitchen with a steaming mug of tea and hands it to you. The ceramic is warm against your fingers, grounding you just enough to breathe without sobbing.

Sylus rises and murmurs something to Kieran, voice pitched too low for you to fully catch. You watch him as he talks—tall, composed, dangerous, and tender all at once.

You remember the words you said right before you shattered whatever life you’d once clung to.

I’ll find you, Sy.

Your breath catches in your throat. You stare at Sylus’s back, at the familiar cut of his shoulders, the way he stands like he’s spent lifetimes carrying things too heavy to name.

Testing, you murmur, “Sy?”

Sylus turns immediately. Not sharply. Not confused. Just… immediately, like it’s the most natural thing in the world.

He meets your eyes with that same grave calm he always wears. For a breathless second, he even starts to answer as if nothing is strange about it at all. Then you see it. The subtle catch in his breath. The way his hand flexes where it rests against the back of the couch.

“…Why did you call me that?” He asks, and you can hear the forced neutrality in his tone.

You don’t blink or look away. “Why did you answer to it?”

The weight of the moment sinks between you. You curl tighter around the cup, as if it might shield you from the inevitable.

Somewhere inside, something fragile and half-forgotten stirs.

The way he looked at you that first night. The way he always leaned closer when you were hurting. You think about the dream, about the planet you should not know, and the dragon you promised to find.

You were sure then that even if the stars burned out, even if the worlds turned to dust, you would find your way back to him.

Maybe you already have.

Chapter Masterlist 

A03 [Cross-posted] 

Taglist: @mcdepressed290, @animecrazy76, @harmonyrae, @for-hearthand-home, @redseablooming, @morrigan87, @babyx91

Take care everyone and enjoy! ☺️

[ginalinettiofficial]

reading a nice lovey beautiful fic and then it flashes forward to dramatic shit to come then back to the main timeline. author are u aware that u r giving me ANXIETY ???????

[tiza0925]

okok hear me out but Akaashi dating reader and she has a spit kink 👉🏻👈🏻 you don't have to write anything about it but i would love to hear about it from you! (i love your works sm 💗)

…i think you’ve just woken something inside me, anon 🫠

Intimate | 18+

Warnings/Tags: nsfw, afab/female!reader, praise kink, jealous!reader, dom!Akaashi, raw sex, multiple orgasms, slight dumbification, squirting, pussy slapping, petnames, little bit of choking, overstimulation, creampie, spit kink ♡ SET IN A TIMELINE WHERE ALL CHARACTERS ARE AGED-UP AND OVER 18

Pairing: Akaashi Keiji x Female Reader

MINORS DO NOT INTERACT

You’re not a jealous person, you swear.

Your relationship with Akaashi is the most secure relationship you’ve ever been in—not once has he ever given you a reason to doubt him. 

To not trust him. 

He’s shown you nothing but respect, kindness—god, so much love and patience—ever since you two started dating. 

But—

Your jaw ticks as you watch a random girl get a little too close to him—watching how she laughs a little too much and looks at him with stars in her eyes. 

You can’t blame her, though—you look at him the same way—he’s good-looking and deserves to be appreciated for that. 

But that doesn’t mean it still doesn’t get to you whenever you see other people do it. 

Especially this particular girl who seems to refuse to leave his side ever since you two arrived at Kuroo’s house party. 

Because apparently—she’s close with Bokuto. 

Which means she knows Akaashi. 

But you barely hear Akaashi talk about her so it’s either he doesn’t see her as close as she thinks they are—

Or he’s hiding something from you. 

But that would be ridiculous—it’s Akaashi. 

He wouldn’t.

Right? 

You take a sip from your drink, then you turn to the person who’s currently talking to you—you think her name is Yachi—and you give her a slightly apologetic look as you walk away and straight towards him. 

And the girl that’s seemingly too giddy with whatever Akaashi is saying. 

It’s why you come up to his side with a small smile at the other girl, your arms around his waist, and Akaashi stops mid-sentence to look at you with a slightly concerned look—his one eyebrow raised as he asks in a soft murmur, “You okay?” 

You hum, a small smile threatens to pull at your mouth as he wraps one arm around you, holding you closer, and you nod. “Just tired.” 

He gives your waist a small squeeze, his voice a soft rumble against you. “Wanna go home then?” 

You blink up at him, then you quickly glance at the girl that was talking to him—and you feel a slight bud of satisfaction in your chest when you notice how annoyed she looks—and you nod, blinking up at him all sweetly. “Please?”

You end up in the passenger seat of his car a few moments later—looking out the window—as he drives you two home.

It’s quiet—comfortably so—as you watch light posts and buildings until—

“Are you going to tell me what that was all about?” 

You hear him ask that, his voice calm and quiet, and your eyes widen with surprise as your heart flips. 

You blink, turning to look at him—his eyes remaining on the road ahead—and you frown. “What?” 

“Suddenly wanting to go home and hugging me like that,” Akaashi then turns his head a little to give you a look like he knows something. “What was that about?” 

Oh. 

Was it that obvious how you felt? 

You blink. 

Silent. 

Then you swallow hard, playing dumb as you look away, murmuring, “…I don’t know what you’re talking about.” 

But then you hear him let loose a low, caustic laugh—as if he doesn’t believe you—and you feel his hand, heavy and large on your thigh, with the heat seeping through your pants and skin, as he gives it a small squeeze. “Alright.” 

It’s how you end up with your face stuffed into a pillow, back arched, and ass out the moment you two arrive back home—

“Oh fuck—”

And you’re cumming around a thick cock with your moan getting muffled into the cushion. 

“Look how well you take me,” His voice comes out a low drawl, sounding so nonchalant as if he isn’t fucking you deep into your cunt with a harsh grip around your waist—holding you in place as Akaashi makes you take all of him with your orgasm throbbing through you. 

Your mind goes numb, and you whine when he drags his dick against your G-spot, overstimulating you. 

“Keiji—fuck—please—”

But then he pulls out—leaving you empty and pulsing around nothing—causing a trickle of your juice to leak out, and you let out a sudden cry when Akaashi leaves a harsh slap against your wet pussy with his hand. 

“Turn around.” 

Fuck. 

You listen almost immediately—moving to lay on your back, breathing heavily, and Akaashi smiles down at you from the bridge of his nose, admiring you for just a moment—

Then he’s hooking your legs over his shoulder—and your eyes grow wide when you feel the head of his cock slide over your drooling pussy, bumping your clit that has your head going dizzy, and then—

“Do you think she’d be able to take me as well as you do?”

Then he starts to ask that—in that taunting, calm voice of his—and your cheeks grow hot at the mere mention of that girl, jealousy pricking the edges of your vision and—

You whimper when he pushes his cock back inside you, filling you and making you feel so full as he rolls his hips against yours, building that sweet buzzing ache in your pussy again. 

Akaashi watches the way your cunt swallows him so perfectly—his girth opening you up as you cream all over him—and he wets his lips, his smirk turning lecherous. “You think she’d look this pretty around my cock too, baby?”

He’s not blind.

He can pick up on the small signs of jealousy from you with just a small look, word—even the way you act.

He’s observant—and he clearly didn’t miss the way you were eyeing that girl from earlier.

You suck in a large breath, feeling him in your damn throat as he fucks you languidly, and your voice is breathy when you bite out a response. “Why don’t you go and find out for yourself then.” 

Akaashi leans down and god—you sob out a moan when he nearly bends you in half, shoving his dick so deep into you that your entire body goes limp. 

You’re practically shaking as his lips hover over yours, and his eyes—all half-lidded as he observes you—grow alight with something darker and amused as he hums lowly. “I don’t think I will.” 

He pulls out, the tip of his dick catching your hole, then he immediately thrusts back in with one, harsh slap of his skin against yours—making you gasp as your juices gush out. “Nobody else can get messy like you do, baby.” 

His smirk comes slow and syrupy, his hooded eyes observing you—how your eyes are glossy with tears threatening to spill out—and he goes to pull on your lower lip with his mouth, kissing you so achingly soft despite the harsh fucking. “Nobody else feels this tight around me.” 

You moan against him, your arms numbly wrapping around his neck as you take his cock pushing in and out of you—your pussy swallowing him whole like it needs his dick in there. 

It’s so fucking needy that even when you feel him digging into your lungs with his cock—you still want more of him, that swelling ache in your clit just begging for it.

And god—he gives it to you. 

He fucks you with one hand coming to thumb your sensitive clit—rubbing it in slow circles with your juices coating it until you’re clenching around his cock, squeezing him and throbbing as you cum for a second time. 

“Shit,” Akaashi groans, driving into you as his head gets foggy with lust, and heat overwhelms him as you make a mess on you both—clear liquid squirting out of your poor little pussy with every rock of his hips, and tears finally spill down your cheeks with oversensitivity. 

“Don’t cry, angel,” Akaashi soothes you, his voice throaty and heavy, and his hand that was on your clit comes up to wipe your tears—spreading your fluids all over your face and getting you dirty as he calmly shushes you. “You asked for this.” 

You know. 

You just didn’t anticipate how intense Akaashi will be to make sure you know that you were being irrational for feeling jealous—to fuck you until you felt all loose and dumb from his dick that you can’t do or say anything but whimper and cry for him. 

God—

You suck in small, gasping breaths as he slides his hand down until he’s rolling his thumb over your bottom lip, and—

And then his pupils grow wide and dark, there’s a small tick at the side of his lips that looks carnal, and your heart leaps into your throat as he forces your mouth open as he presses down onto your lip—your heart thundering in your ears as you watch with shiny eyes, unsure what he plans to do until—

Until he also opens his mouth as well, and your mind grows heady with submission with your tongue out for him, your pussy clenching him so fucking tight as he lets a small, pearly glob of his saliva string down onto your tongue. 

And fuck—he lets out a low groan of approval, making your chest swell at how satisfied he looks as you please him. 

“Swallow.” His voice is so deceptively soft.

But you listen and swallow. 

With no hesitation. 

And it should feel gross with him spitting in your mouth like that—making you feel like some whore under him—

But instead—it does things to you. 

It makes things so much more fucking intimate. 

You keep eye contact with him as your throat bobs with an obedient swallow, your body moving with every thrust of him inside you, and Akaashi can’t help but lean down to kiss you so deeply that you shudder against him—

“Such a good girl for me—shit,” His hand comes to the front of your neck, his calloused fingers wrapping around it and giving it a little squeeze, making you moan as you sloppily kiss him back, your vision growing blurry. 

Then he leans back, hand still on your throat, and his chest rise and falls as he continues to fuck your abused pussy, your fluids making a mess, and he turns his head to brush his lips against your calf. 

“I want you to cum on my cock again, love, you do it so well for me.”

Then he brings his other hand to press on your lower stomach, making you keen with a wet moan—and you feel so fucked out and dumb in the head as another orgasm steadily pulses through you. 

“And say my name when you do, love,” Akaashi breathes out lowly, his dick in your guts as he pushes his hand down a little more, “Because nobody else gets to do that except you.” 

More clear liquid gushes out of you, spraying and squirting all over him as your legs shake with another orgasm for that night—his name on your tongue, making his head spin as he fucks you through it. 

And then he’s spurting out thick loads of his hot cum into your sore pussy, shoving it further into you with every push of his cock inside your walls—making sure you know that only you get to be marked like this by him. 

end.

Masterpost

[ham1lton]

‘good luck, babe’ smau?

IS IT CASUAL NOW?

summary: y/n said no, charles is married and that should be the end of it. or is it?

sequel (?) to good luck, babe!

────── ⋆⋅☼⋅⋆ ──────

liked by nosygal1, charlesyntruther and 367,809 others

ham1ltonshaderoom: enemies turned lovers? married man charles leclerc seen with his former best friend turned foe, yn yln, in london. the two were reportedly very close with her ordering his dinner at the restaurant they were at.

charles had a lavish wedding with his long term girlfriend only eight months ago. is there trouble in paradise? what are we thinking about the photos ham1ltons?

view all comments

user1: yn and charles casually walking around together like they haven’t been enemies for years… be so fr

user2: nah cause what tf does his WIFE think about this???

— user7: i would be throwing dishes rihanna style.

— user2: like okay go fuck your weird bestie decade long situationship!!!! i’m gonna key your car!!!! bitch!!!!

user3: don’t care don’t care charlesyn besties forever <3

user4: drive to survive about to eat this up omg

user5: some of y’all need to touch grass, they were friends before all the drama happened??

user6: oh we’re just PRETENDING like this isn’t weird?? like they haven’t ignored each other for literal YEARS???

user8: i just know charles’ pr team is STRESSED

user9: let’s not forget that they stopped even mentioning each other’s names and now they’re just out in broad daylight like this… something is UP

user10: if my husband was out here with his ex-bestie-turned-enemy-turned-idk-what i’d be calling a lawyer

— user10: for me, bc i’d kill him sorry 🤷🏼‍♀️

user11: yn has been besties with him since forever, y’all are reaching. they were so close back in the day

user12: cheating allegations already flying i fear we are not surviving this one

user13: CHARLESYNNIES WE SURVIVED THE DROUGHT

user14: his wife is either unbothered or currently flipping tables and i need to know which

user15: they’ve done this for years pls let them BREATHE

— user11: like omg if you’re mad at this you would never have survived rookie charlesyn.

user16: the way their whole relationship is a mystery and now this just makes it worse

— user17: sextape next?

— user16: …. WHAT?!

user18: i don’t even know what to think anymore but the timeline is EATINGGG

user19: first enemies now back to being seen in public like nothing happened… yeah something’s going on

user20: charles and yn being the biggest mystery in motorsport history is so on brand

────── ⋆⋅☼⋅⋆ ──────

[astars-things]

Hate and comfort

Lando norris x reader

Summary- where y/n joins quadrant athletes and gets hated on because people only think she got in because Lando is her boyfriend. (Mix of Insta edits, written and tweets, also please lmk if you like me adding the tweets or not, in my inbox or comments )

*I don't own any of these photos they are from pinterest

Liked by @.maxfewtrell @.Landonorris and others

@.Quadrant Please welcome the newest adrenaline junkie to the team Y/n. Y/n has been a part of the Nitro circus for 4 years, pulling off world-class stunts and we can't wait to see what she can bring to the team.

tagged @.Y/n.L/n

view comments

@.Hater Wait so she does flips in the air and we’re calling her an athlete?? be serious.

@.hater2 Nepotism wins again 💅

@.maxfewtrell welcome to the team y/n/n

@.Hater3 I just unsubscribed

@.Y/n.L/n Thank you for signing me 💚

→ @.Hater4 SLUT

You laid in your hotel bed, tears rolling down your face as you read the comments, you have had your fair share of hate. Being a woman in a male-dominated sport you were judged, if you cried you were over sensitive, if you have male friends you're a slut, If you celebrated, you were cocky and the list goes on. But this was different.

What made it all harder was the fact that you were completely alone. Melbourne was another stop on tour with Nitro Circus, just another city, another crowd. You were 10,000 miles away from your family and friends, the people who had stood trackside in the pouring rain just to see you land your first flip. You were 8,000 miles away from Lando, the one person who could make the noise fade with just a look, the only one who knew how to hold you when the world got too loud.

Your relationship had only been going on for about a year, you both had made a decision not to go public, with all his crazy fan girls and the media, it would have just torn you two apart. Seeing all the comments on the new quadrant post made your brain go into overtime with thoughts filling your head 

Was Lando really worth the pain? Do I say anything? 

Just as your head was filling with more thoughts, you heard your phone buzz from where you had just dropped it 

Lando 🧡 Love, I know you are seeing the comments 

Lando 🧡  I wish more than anything i could be there right now just to pull the phone out of your hands and remind you who the fuck you are

Read

You turned your head to the side to read the clock that was beside your hotel bed, and when it read 1 am, you let out a sigh and opened up your F1 app so you could watch the Saudi Arabian race. For the first time that night, you smiled, watching Lando go from p10 to p4. You watched the podium celebration before putting your phone on charge and going to sleep, dreading what you were going to face tomorrow

That morning when you woke up your phone was just flooded with notification and it overwhelmed you, so you messaged your trainer and some of the staff letting them know you were turning off your phone, once the messages were sent you turned off your phone with a heavy sigh and got your head in the game.

You just had to get through practice tonight and the show tomorrow, and just a few more stops of the Australian leg of the tour. Then you can fly back home and be with your family and support system. The ones who didn’t question your worth or weigh your success against who you were dating.

What you didn't know was that Lando was currently on a plane to you. Rushing through the media of the Saudi Arabian Grand Prix. To then fly to Melbourne to hold you. (I know the timeline doesn't make sense, but this is fiction, not real life so just go with it)

Lando had messaged the team asking if they could help surprise you. Lando had given them a rundown of the situation and the plan of action. Luck was on Landos' side tonight, his plane landed an hour before practice was scheduled to finish, which meant he had enough time to quickly get your hotel room card from your trainer, have a shower, get some food for both of you and get some other essentials.

Lando sat on the edge of the hotel bed, waiting for you. Your trainer had sent Lando a message saying you were on your way up to the hotel room. Lando was mentally freaking out he wanted everything to be perfect, he could hear your voice from outside the door and so he stood up holding the flowers he got on his way to the hotel and stood there waiting for you to enter the room

You let out a slow breath, shoulders heavy with exhaustion, your mind already shutting down from the day. The door clicked open, and you pushed it gently, stepping inside. That's when you froze, your mouth wide open from shock, Lando is here like right in front of me, you thought, still not being able to let any words out

His voice was soft. "Hey, love." Before your mind could process what was happening, your body made its way to Lando. He held you with so much love. "I’ve got you," he whispered after a moment, lips brushing the top of your head. "I’m right here. Let it out, love."

Liked by @.Y/n.L/n @.Quadrant and others

@.Landonorris 8,000 miles. 18-hour flight. I would do it 100 times over again just for you...when you love someone as much as I love y/n, you’ll do whatever it takes to show up. I didn't travel across the Indian Ocean just to stay quiet 🧡

We have only been dating for a year, and y/n has been doing Nitro Circus for 4 years. Y/n is not here because of me she’s here because she’s damn good at what she does and I'm happy to be her wag and show the world how amazing she is.

So, to whoever this may concern kindly fuck off with your hate comments!

Tagged @.Y/n.L/n

View comments

@.maxfewtrell Damn y/n you really are lucky Lando wouldn't do that for me 🥲

@.user Lando is really the definition of "if he wanted to he would"

→@.Landonorris damn right I am

@.danielricciardo mate said 🏎️🏁✈️🏃‍♂️‍➡️🫂💥

*liked by @.Y/n.L/n and others

@.Quadrant Say it louder for the haters in the back 🧡

@.McLaren Well said, Lando. We stand with Y/N always.

Lando sat in the stands, with a Nitro hoodie, black jeans, with his white Air Forces on, he had a special surprise just for you, he’d been holding onto since landing in Melbourne. He just needed the perfect moment. Before the show, the team had asked if it was alright to feature him in the crowd during your performance you replied with "yeah sure fuck it"

You had your helmet, full gear on, and adrenaline pulsing through your veins, just waiting for the signal from the staff to announce you and the rest of the dirt bike crew. Once you got the signal, you rode out of the tunnel, riding up the ramp. In one fluid motion, you launched into the air, legs stretched behind you in a perfect Superman pose, landing clean like it was second nature.

The crowd was in chaos with all the cheering. You looked up at the jumbotron to see your boyfriend Lando with his hoodie lifted up to show off the t-shirt he was wearing,

Which was a black t-shirt with "Y/ns' #1 WAG" printed on with white writing, you stopped for a moment, your cheeks going red under your helmet, and soon you let out a little laugh.

Once the show was done, you made your way to the fan zone, quickly signing as much as you could before making your way to where Lando had been standing. Lando picked you up effortlessly, you wrapped your legs around his waist, and wasted no time in pulling him into a kiss

"You were amazing out there," Lando murmured, his voice full of admiration, his arms tight around you. You pulled back just enough to meet his eyes, your lips curling into a soft smile. "Thank you for showing up", You spoke with tears welling up in your eyes

"Like I said in my Instagram post, I would do it 100 times over again just for you", Lando said with nothing but love in his eyes placing another kiss to your lips. This was where you belonged, right here, in his arms

@.Y/n.L/n posted on her story

🎵Lover by Taylor Swift

please reblog and like 🫶

I think this is my favorite fic I've written so far...also, if you would like a pt2 or for me to turn this into an au in the future, please lmk in the comments or my inbox

[helaintoloki]

I am just so obsessed with the idea of Five and Reader's domestic life (without all those doomsday shite) 🫠 so please, if you can, I'd love to read something related to that 🙏🏻

a/n: hi anon sorry for the wait ! i just started the fall semester and haven’t had much time to write but i hope you enjoy this little slice of life -esque fic

warning: basically pure fluff

The dance hall is nearly empty save for the elderly couple rocking back and forth in each other’s arms in front of the stage where the big band plays their last song of the night. Tired busboys and cleanup crew members clear away the tables and sweep up any mess to prepare for the next day of business. Despite the evening coming to a close, you’re in no hurry to leave Five’s arms as he delicately twirls you around the dance floor to one of his favorite songs.

“Ready to call it a night?” He asks with a careful smile after watching your eyes nearly flutter shut for a third time. He knows you well enough to detect when you’ve reached the point of exhaustion, but he also knows you’re not one to ever admit this out of your own volition.

“Tired already, old man?” You counter playfully, but you don’t protest as he begins to lead you off the dance floor and out the doors to your car. Your feet are killing you and you want nothing more than to crawl into bed, and Five is fully aware of your current internal dialogue. He helps you into the car and even slips off your heels for you before taking his place behind the wheel.

“This was nice,” he admits in a soft voice, glancing over at you in the passenger’s seat. Your head is pressed against the cool glass of the window as you watch the city streets pass by, and you let out a gentle hum in response to his comment.

“It’s nice we get to do normal couple things now,” you agree thoughtfully. “No assignments to complete, no world-ending apocalyptic threats to stop, no timelines to fix. Just us getting another chance to relive our twenties again in a world where the moon is still intact.”

“I’m sorry about all that,” Five relents with a tired sigh. If not for him you probably never would have been wrapped up in all that mess in the first place, and he feels partly responsible for the chaotic nature your life had taken on the last few decades.

“Hey,” you call gently, prompting the boy to glance over at your sincere gaze and soft smile, “I wouldn’t change it for the world, you know that. I literally had the chance to, but I decided against it.”

“Don’t remind me,” he scoffs quietly at the memory. The Handler had cornered you once with an enticing deal- a chance to return to your own time in exchange for Five’s whereabouts and his plans to stop the end of the world. She mistakenly underestimated your loyalty to the time traveler, and you had gifted her with a solid right hook in response to her offer. That all felt so long ago to you both now.

The headlights of the car drown your front yard in artificial light as Five finally pulls into the driveway of your humble home. After everything had been set back to normal and the Cleanse had been stopped, you both decided to move out into the suburbs and purchased a lovely little fixer upper in a quiet neighborhood where almost nothing seemed to happen. It was exactly the fresh start you needed, and every time you stepped over the threshold through the front door you felt your heart fill with warmth all over again just like it had the first time Five had carried you inside.

“I think we should get a dog,” you voice aloud for no particular reason as you flip on the lights and shut the door behind you. The house is cozily warm despite your absence, and already you can feel the eagerness rising within you at the thought of crawling into bed.

“A dog?” Five repeats with a raised brow as he hangs his coat on the wall and sets your heels upon the shoe rack next to his own.

“After married people get a house they usually start having kids, or they get a dog,” you explain with a casual wave of your hand as you walk through the hallway and into the kitchen to fix yourself a glass of water. “I think we should get a dog.”

“Not a kid?” Five teases as his fingers playfully poke into your side. You jump at the feeling, and he uses the distraction as an opportunity to steal your glass from you so that he may take a hearty gulp of water before you can protest.

“I don’t think we’re ready for that yet. At least, I’m not. I can hardly handle babysitting Grace and the twins as it is.”

“To be fair, they take after their parents,” Five reminds you with a sarcastic chuckle before handing you your freshly refilled glass of water. “I think our kids would stand a better chance.”

“A Hargreeves child with a y/l/n as their mother?” You retort with a pointed look and uneasy smile. “Not likely. I’d like to remain chaos free for at least another few years before we get to that.”

“I can’t argue with that,” he relents with a sigh before wrapping his arms around you from behind and resting his chin on your shoulder. “We’ve had enough chaos to last us a lifetime. The kids can wait.”

“So we’re getting a dog?”

“We’ll get a dog,” Five chuckles with a careful nod as he presses his lips to your cheek.

“Can we name him Mr. Pennycrumb?”

“Mr. Pennycrumb?” Your husband retorts skeptically, pulling away to analyze your facial features in search of any falsehood or mirth. “Where’d you come up with that?”

“I read it in a comic book once,” you offer with a simple shrug as if it’s the most obvious explanation in the world. Despite how much time he’s spent with you, you still always find a way to surprise him when he least expects it. It’s one of the many things he loves about you, and it’s why your relationship has remained so strong after all this time. It’s hard to reach a stalemate when you’re always keeping him on his toes.

“Of course, what was I thinking,” Five hums thoughtfully as he pulls away from your figure and sets your now empty cup in the sink. “Mr. Pennycrumb it is.”

He presses a kiss to the crown of your head and turns to leave for the bedroom, but your melodious call of his name has him stopping dead in his tracks. You move forward to loosen his tie for him, an adoring smile on your face as you peer up at him through your lashes and quietly voice, “I love you.”

He grins, his gaze soft with a look that is only reserved for you as he presses his lips to your forehead and gifts you a tender hearted kiss. What he ever did to be lucky enough to have someone like you, he’ll never know, but what he does know is that he’ll gladly spend the rest of his time on this earth making you happy with the life you’ve built together.

“I love you too,” he utters reverently before pulling you into his arms once more for another kiss.

[cece693]

Felt not Seen

pairing: loki laufeyson x gender neutral reader tags: blind reader, you don't know loki, he likes it this way, loki feels safe and loved, technically is it lying when avoiding personal questions, fluff, reader forgives easily, doesn't follow any timeline

You can always tell when someone steps into the bookstore. The bells above the door chime, and the floorboards creak—each step as distinct as a page turning in a favorite novel. It’s your little sanctuary—dusty shelves lined with tales you might never see, but whose words you know and love by heart. And that’s how you first met him.

He walked in quietly, the shuffle of his shoes muffled and strangely elegant. Still, you heard the soft crack of the old wood, felt the subtle shift in the air currents, and caught the faint trace of sandalwood and morning frost. There was an undercurrent of tension in his measured footsteps, as though he was unsure if he was meant to be here at all.

“Hello,” you had greeted him, smiling in his direction even though you couldn’t see the details of his face. You might have been unable to see color or form, but you’d always had a knack for sensing expressions—like the surprise or curiosity that reverberates through the air. You felt it then, a light wave of something you interpreted as cautious intrigue.

He’d introduced himself as Luke. Your heart had fluttered—something about the soft lilt of his voice made you shiver, as though each syllable he spoke carried a hidden meaning. That day, he left without purchasing a single book, yet something told you he would come back.

He did.

Over the following weeks, Luke—though you began to suspect that wasn’t his real name—arrived like clockwork. Every Friday afternoon, he would step in, greet you politely, and linger among the shelves. Sometimes he would sit with you behind the counter, flipping through the pages of an old volume while you ran your fingers along your Braille copy of a classic. You’d talk of myths, of gods and kingdoms, of worlds beyond Earth and your own small shop.

You discovered that Luke had a wit as sharp as the letter opener you kept on your counter. He teased you kindly, drawing an easy laugh from your lips. He debated and challenged you, but never in a way that made you feel small. He was a whirlwind in your peaceful existence, and you loved it.

Yet beneath the warmth, you sensed an unspoken tension, a hidden secret. He evaded questions about his life with practiced ease. At first, you told yourself it was fine. Not everyone wants to share everything right away. But as the weeks turned into months, you felt the strain in his voice when he spoke about his past in vague statements. You could almost feel him turning his gaze from you to somewhere far away whenever he talked about “troubled years.”

You never pressed him. You already felt privileged that he chose to spend so much time with you, that he read your favorite passages aloud, that he asked how you navigated the city and listened, truly listened, to your answers. Someone who wanted to understand the way you experienced the world was precious indeed.

And, at some point, the gentle friendship transformed—softly, sweetly—into something more. A hand on your shoulder lingered a beat too long. His voice softened when he said your name. When you admitted you were feeling overwhelmed by the day’s chores, Luke was suddenly there, offering assistance. For a moment, you imagined him as a knight from a dusty fairytale, appearing to whisk you away from your burdens.

The first time he kissed you, it was a tentative brush of lips, loaded with so much affection you couldn’t help but shiver. One kiss became two, turned into three, and then you both lost count. You had never been so grateful to be in the darkness because there, in the hush of your bookshop, it felt like you were the only two souls in the universe. He would speak of love in half-finished sentences. “I never imagined…” or “I don’t deserve this…” Over and over, you told him you believed in him, but you didn’t know why he so firmly believed he was unworthy.

Then one evening, long after the store had closed, the door chime rang unexpectedly. You waited, confused, because Luke had just stepped out to run an errand and promised he’d be back soon. “Is that you, Luke?” you called out.

A deep voice, more resonant and powerful than Luke’s, answered, “Not quite.”

You recognized the man instantly, though not by voice—by presence. He felt like a storm; everything was bigger, more vivid. “I am Thor,” he introduced himself, warmth beneath the thunder in his tone.

“Thor,” you echoed softly, as if trying the name on your tongue.

He explained, in the gentlest way he could, that Luke had a past—one that involved Asgard, a shattered family, and near-cataclysmic deeds on Earth. Thor never once said the name “Loki,” but you realized, in that instant, that “Luke” was just a mask. And it all made sense: Loki, the fallen prince, the trickster, the one who once tried to conquer your world out of vengeance.

Thor, gentle despite his towering presence, placed a comforting hand over yours. “My sibling is no monster. They are flawed, yes, but they deserve to be seen for who they really are. You—” he paused, as if carefully choosing his words, “—you deserve the truth.”

When Loki returned, you were sitting on the shop’s old sofa, hands trembling in your lap. You heard the jingle of the door, slow footsteps, then silence as he sensed something was amiss. “Thor was here,” you said quietly, turning your face toward him even though your eyes could not meet. You tried to maintain some composure, but your voice wavered. “He told me everything.”

It was the first time you heard Loki’s breath catch so audibly. “I—” he started, searching for the right words, the usual silver-tongued trickery failing him. “I just…I couldn’t bear to lose you.” For a long, painful moment, neither of you spoke. You listened to his ragged breathing, felt the swirl of anguish radiating from him in waves. He expected you to condemn him. He expected disgust, hate, or fear.

“Why?” you whispered.

“Because I’ve done many terrible things,” Loki said, and for once, he sounded heartbreakingly earnest. “People view me as a monster—and perhaps I am. The illusions, the betrayal, the attempt to take your world…” His voice broke. “I was so tired of being alone, of being judged. You were the first person who never judged me at all.”

Your heart twisted at his words, sorrow mingling with affection. It wasn’t pity; it was the realization that so much of Loki’s life had been rooted in isolation. You reached out a trembling hand and felt his fingers entwine with yours. “If you want me to leave,” he said brokenly, “I’ll go. I wouldn’t blame you.”

But you shook your head. “No. Stay.” Your voice was gentle, insistent. “I wish you’d told me sooner, but I…I’m not going to pretend this isn’t shocking or complicated. Still, everything we shared, everything I felt…it wasn’t an illusion, was it?”

He tightened his hold on your hand, a hint of desperation there. “It was the only real thing I’ve ever had. You are the only real thing.”

Your next breath brought relief, tears burning at your eyes. Carefully, you lifted your free hand, finding the curve of his cheek. Loki leaned into your touch, as if starved for affection. You traced the lines of his face, memorizing his features by feel—the trembling of his jaw, the softness of his skin, the slight dampness on his lashes.

“I believe you, Loki,” you whispered, your voice fierce in its quiet certainty. “But please let there be no more secrets between us.”

"I promise."

Some days later, Thor returned—this time as a welcomed guest. He found you both behind the bookstore counter, Loki reading poetry aloud to you while you relaxed against his shoulder, your ear pressed to the comforting timbre of his voice. “You two look well,” Thor greeted, a gentle rumble of approval in his tone.

Loki shot him a glare that was more playful than menacing. Even if tension remained between the brothers, a fragile truce had begun. Thor nodded in your direction. “I just wanted to say that I am proud of my sibling. And of you.” He paused, his voice softening. “For seeing what others could not.”

You felt warmth bloom in your chest. So often in your life, you had been told you were at a disadvantage because of your blindness. But you had come to realize you could see people in ways most others couldn’t��beyond their surface. Beyond their illusions. Loki’s fingers curled around yours in a gesture of gratitude and silent devotion. This time, no illusions stood between you. He was himself—flawed, yearning, deeply caring. And you were there, heart open, ready to keep stepping into the unknown with him.

[rinsko]

THAT FUNNY LITTLE GIRL ♡ GOJO SATORU

he hopes this lifetime will be enough to love.

papa! gojo washes his baby’s hair, what could go wrong! jumping thru the timeline, multiple times. sfw, fluff. approx. two thousand word count. he is filled to the brim with love.

“daddy?” his baby calls for him, satoru, who happens to be sitting right beside her bathtub— criss-crossed legs, paying less and less mind to the cold tile floor that’s making his skin shiver, and more on what she has to say.

“yeah baby?” he’s just down the hall, but you’ve begun to pick apart how his voice, with every syllable, sounds so fond when he speaks to her: his very precious girl.

you hear the gentle hum she hums for a quick second, the mumbling, jumbling of her words as she sorts out what she wants to say and then, “why’s the sky blue?”

★ ‎

there’s a bathtub marker in her hand when she asks, the very same ones satoru was so incredibly persistent on buying at your last shopping store run—

“bathtub markers?” he hears the quirk in your eyebrow before he has a chance to see it, holding the pack of eight in his hand like it’s the greatest invention yet.

“yup! we need them!” he stands side by side with his mini me— matching pairs of silly puppy dog eyes appear on their faces and a dramatic pout fixed to both their lips.

he whispers what he thinks you won’t hear, covering his lips behind the palm of his hand as he kneels to her side. “pst…” he hisses comically loud, “we need to say please, sunshine.”

“pease!” no please, (she’s much cuter about this whole ordeal than he is—) she nods her head as she swings her feet back and forth, fluttering without a sound.

could you guess what’s harder than saying no to her? satoru would vote it’s probably saying: goodbye!

your heart aches lovingly, too impossible to resist— “‘toru, it sounds like you want them more than she does.” grabbing the bundle of markers, you flip them to the side, skimming through its directions and their warnings.

“me?!” he says in the least dramatic tone he could possibly mutter, “are you denying our baby of an artistic future?” and then there’s a hand over his face again. he covers the gasping motion he’s currently molded into, “that she’s not destined to be the next picasso?”

“she’s three! how would you know?” funny grins paint over both your faces because it’s a bittersweet thought: her future, who’ll she be and what’ll become of her.

“there’s an artist inside that little heart, i can feel it.” he’s determined to stick to the skit, crossing his arms over his chest and puffing with a promising certainty for it all.

it’s even funnier when he knows he’s won too: when you hand over the markers to your baby’s pudgy fingers, he has that face plastered on. same one as every other time he’s won you over on something hilariously trivial.

“so honey,” focusing, you decide to actively ignore the cutest dimples on the corner of his smile, “what will you draw when you get home today?”

“f’owers” she points at the red marker, “more for you!” an obvious reference to the dozen roses she’s seen on the dinner table.

“you’re so sweet! i know you’ll draw me the prettiest flowers, my love!” you kiss the tip of her nose as tiny pearly whites form a cheeky smile in return— “ahem.” satoru follows slowly behind you both as you begin to stroll down the aisle again.

“and for daddy,” the coast is clear so you take the chance to stop and spread your arms as wide as you can, “you draw him the biggest, blue sky that matches his eyes!”

she giggles at the dramatics, your stretched out arms and satoru’s loving gaze directed toward you— she mimics these two things. “big sky ‘nd daddy!” and it’s true, your satoru carries the big sky wherever he goes.

★ ‎

“uhmm..” he thinks hard about it, rubbing the nape of his neck, setting his glasses down to the side— how exactly do you explain the color of the sky to a toddler?

he scoots in a little closer now, splashing sounds echoing around while she fidgets with the other toys in the bath, “so, the light from mr. sun is made of all the colors of the rainbow. do you know which ones?”

satoru picks out the markers in the same exact pattern he’s memorized— red, orange, yellow, green in her hand, blue, and the purple that seems the closest to violet.

she doesn’t sound very interested, yet. but you doubt it as long as there’s paddling turtles wound up and clicking across the bubbly water; her attention’s obviously elsewhere.

satoru uncaps the yellow marker first: forming one big, rigid circle against the shower wall that represents the sun— followed by streaks of all the other colors in his hands stretching away from it, representing light.

“like this,” he says, “all the colors of the rainbow.” he returns the green marker she had at first, happily holding onto the object again.

“but ms. earth,” a cake of blue forms as the felt tip rolls around in one spot, “likes blue the best. so, she makes her sky blue.” and with that, your baby blinks up at him like a doll— eyelashes pinched into the perfect curl, and he wonders if he’s only confused her even more.

“oh.” it’s funny how somber-toned she sounds— oh, the same tone you’d use after hearing the most unbelievable truth (or a lie!) the utter shock, the disbelief… that oh.

“just kidding!” he gleams brightly now as she watches. apparently, it had been enough to grab her attention even for the slimmest second.

satoru drops the markers back in the bathtub net where she had placed them, settling within her reach.

“the sky’s blue because daddy’s eyes are blue.”

and if he gleams, his baby does too, “i knew it!”

(he promises to explain himself to you a little later. surely, hopefully, you must forgive him and his little, white lie!)

“oh, you did?” satoru settles his knees as close as he can to the tub now, minimizing all the space he can as he reaches for the shampoo bottle on the edge of the tub, “isn’t my little girl so clever? yes, the smartest!”

she giggles, water splashing around as she moves closer towards her daddy’s arms— completely used to this routine by now, “mm, like papa.”

once he squeezes the bottle, he thinks his heart’s being squeezed too. watching chamomile-scented soap pour onto the palm of his hands, he smiles. “you think i’m clever, sunshine?”

“sometimes.” but she’s off in her own little world again, drawing on the wall with her favorite turtle beside her.

he supposes he will take what he can get.

with a gentle rinse to her hair, satoru begins to form a gentle lather along the crown of her head, “i want to be a clever daddy for you,” he says.

you know it comes with no thought, as if the words have simply fallen out and onto his tongue before they’ve finally reached his head, “a good papa.”

and it’s happened so frequently, he jokes with you about how she must have some sort of technique to pull out the honest truth from anyone— even without trying to.

“you just love her, satoru.”

★ ‎

amidst the grogginess of the morning and eyes closed shut, you tell him that much. it’s all you can grumble out when your firefly of a husband rises before the sun.

he claims it’s early morning clarity— when your mind is filled with everything and nothing. all you can do it spill your heart out. not much you can do to help it.

he loves this part of the day with you.

“i do. a lot.” he says in one lasting breath, just before shifting from being your big spoon to peek over at the baby monitor on his bedside table for the… nth time.

if she didn’t make him feel like his entire life was worth it, maybe he wouldn’t look at her so often. but she does, not even aware of it, with a leg dangling off the bed. plushies used for pillows rather than the pillows themselves.

it doesn’t scare him as much as it used to: the act of loving, and the acting of expressing it— the act of admitting just how much he does.

“she loves you too.”

★ ‎

with the soapy suds spilling over his knuckles, between his fingers and the strands of her hair, satoru notices something new.

he twirls a finger around the ends of her hair, strands strong and smooth— as he realizes they’re starting to curve around the shell of her ear on its own, when he doesn’t remember it doing that before.

and as he lowers his gaze, the soapy lather following along, he sees the longest strands of his baby’s hair are bound to meet the back of her neck. nape, ears and shoulders all meeting someone new.

satoru forgets that time goes by fast, especially when you’re filled with love to spare. “when did you start growing up so fast, sunshine?”

she shrugs.

the strength in his knees give out, landing him right back down onto the tile floor; feet tucked underneath his body. “it’s too fast.” he murmurs so lowly, you can barely catch on to what’s been said.

too fast to watch her go— but don’t say it out loud, satoru doesn’t have the heart to finish or hear the rest.

she’ll be able to say please, even without him asking her to. she’ll be able to pronounce her l’s until she loses her two front teeth. she’ll hold onto his hand, and he’ll hold onto her.

then, it’ll be time for school. and she’ll be leaving his side as a big girl now, with a lunch bag he’s packed and a slipping backpack over her shoulder— yes, inevitably, that’s going to happen too, just as he has before.

and if that’s right around the corner, then so is every other phase, inevitably— and the rest of her life from then on. it’s going to happen one day: where satoru’s baby is no longer a baby and he will have to let her go.

“‘toru.” he turns to you, towel in hand, pressing weight against the wall’s edge. “what’re you weepin’ about now, baby?”

your daughter turns to face him in a heartbeat, curious.

“crying?” voice trembling, he nudges his cheek into his sleeve in attempts to hide any evidence, big hands still in need of rinsing along with her hair. “who’s crying?”

stepping closer, you hang the towel over the hook before sitting right next to his side, “because you never cry, especially at random times.” you poke once at his ribs.

“you’re starting to get me, sweetness.” then, he dips his fingers into the water, bubbly foam parting ways from his skin. it falls down her shoulders when he rinses her off, all done with the bath, and having a little time to play.

you watch him for a while, trying to identify the cause and while trying to make small talk— you mention something without much thought, “her hair has gotten a lot longer now.”

his voice, it’s tinier than you’ve ever expected it to be, “i know…” a sniffle divides his sentence, a proper pause, “she’s growing up so fast.”

“ah… so, that’s what this is about.”

you rest your head over his shoulder, still feeling as in love as ever, “you’re cute, you know that?” he rests his in return. “we still have hundreds of days together.” you watch the way she draws on the wall, enjoying her happiness as if it were your own.

“it doesn’t feel like enough.” he says.

“i don’t think it’ll ever be enough.” no, it never will. “maybe we’re greedy like that, honey.” yes, you know this.

he knows he is. because there’s a bright sun in the blue sky with red roses to bring it all together, just like she promised.

“finished!” she looks back at you two, hands in the air in celebration of her brand new masterpiece being born.

“oh! they’re so pretty!” sweet enthusiasm in your voice, you give her all the attention in the world. “just perfect!”

you begin to ask her the little things, every detail you could think of and she could find an answer to, all while wrapping her in the warm towel you hung up earlier.

satoru’s gotten up from the floor too, taking it all in until she calls for him again, “that’s you, daddy.” she points at the blue on the wall as you carry her back to her room.

his heart screams though he’s no longer crying and he hopes this lifetime will be enough to love.

satoru hears your footsteps trickling further down the hall when your voice resounds again, “come on daddy, we need help picking out today’s pijamas!”

“pease, papa hurry!”

his heart screams though he’s no longer crying as he listens to the water flow down the drain, capturing her first piece of art on his phone, he has very little to say.

but if he had to say it and if his baby asked him to, satoru would confess: “i’m so happy. i’m so happy to love you.”

hello friends! this is a repost from my previous blog, mysugu. in the case you recognize this piece, that is (hopefully) why! thank you for reading this bit, (a second time?) he is so loved.

[easy-there-leftovers]

Magnum Opus (Ch. 1)

When an MIT prodigy on their gap year is contacted by the FBI regarding her potential involvement in a series of murders in Washington D.C., she must now cooperate to uncover how her paintings are mysteriously appearing at the crime scenes.

(Written with Season 1-4 Spencer in mind, but the timeline could be anywhere pre-season 12. No mentions of past cases)

Pairing: Spencer Reid x Fem!Artist! reader|cw: Canon-typical violence|word count: 2k words

Also on Ao3!!

Series Masterlist

While Aaron Hotchner remained vigilant as he drove the black SUV, the constant flipping of Spencer’s case files seemed to be louder than the car’s air conditioning. 

He had directed Morgan and JJ to touch base at the MPDC, and had Rossi and Prentiss survey the crime scene of Jonathan Edwards; the identity of the previously unknown man in the vacant apartment.

This left him with Reid in the passenger seat to conduct an investigation on their only lead so far. 

From the update Garicia had given them, Y/n L/n was a prodigy a year younger than their very own. Having graduated from the Massachusetts Institute of Technology a year ago, she moved to Capitol Park Plaza and Twins Apartments in Washington D.C., and is currently unemployed. Occasionally selling her paintings out of her unit under an anagram of her name.

 But something bothered him.

And it seems like Reid has picked up on it too.

“Do you think Dr. L/n is the unsub?” The unit chief asks.

Spencer hums before answering.

“While we can’t rule it out just yet, the possibility of her being the unsub is totally unlikely. The thing that’s throwing me off is that everything is too convenient. I mean, why would the unsub use something so publicly personal to them as part of their signature? It’s as if she’s overtly incriminating herself.”

Spencer checks back onto the pictures of the victims, then lifts his head up to look at Hotch to continue.

“Based on the way the victims are modeled, an immense amount of care was put into them. All for the purpose of making them look like the subjects in their paintings. Actually, the fixation on changing the bodies’ posture and keeping them clean is typically done out of remorse. But the added elements, like the placement of the paintings, creates an image of an unsub more on the narcissistic side. By creating two 'artworks,' they're prompting the viewer to decide which version of it they prefer. Mocking the original artist in the process.”

“So the paintings were done before the murder?”

“I have no reason to believe otherwise.”

His unit chief sighs and pulls over to the curb. “Well, we’re about to test that belief.” Spencer hurries to take off his seatbelt as Hotch closes the car door with a thud. 

—------

Hotchner nods at Reid as they find themselves in front of the written address Garcia gave them. He lifts his hand to knock firmly on your door, and waits for a response.

A thud from the other side causes both of them to assess each other before Hotch tells Spencer to stay behind him. Gun in hand until something, or someone, comes running at them.

But instead a muffled, “sorry” is heard right after, which causes him to lower his gun.

The door finally opens a crack to reveal a very tired twenty-something woman, some dark pigment or makeup smudged on their lower eye lines as they rubbed at it. She immediately fixed her posture however at the sight of the unexpected visitors. Eyes wide with concern.

“Dr. L/n, I’m Aaron Hotchner with Dr. Spencer Reid of the FBI.” He highlights his statement by showing his badge. “We’d like to ask you some questions.” 

“Oh, um,” The woman blinks rapidly and shakes their head before immediately saying, “Of course,” with a nod and opening the door wide to let them in.

A quirk that does not go unnoticed by Spencer, who observes how different she looks to her more formal ID photos.

—-----

You let the FBI agents into your apartment, but are now suddenly aware of the state of disarray you left it in last night. Not to mention the state you were in. 

You had just woken up and your brain wasn’t quite all there yet. If you had known you’d have guests over, you would have at least put some of your books and papers back onto their shelves rather than on your floor.

“My, uh—” You start, “Apologies! For the room and the um,”

You inhale deeply and gesture to yourself as you try to find the words before settling on an exasperated, “me.”

“No worries, miss. We don’t really call in advance.” You nod at the older man’s explanation vacantly before coming up with a response.

“Would you like anything to drink ?” You move to your fridge to get water to wake you up, and decide that it would be rude not to offer. The two decline, with the younger more busy observing your living room bookcase than the older one that sat on your couch. 

You notice that something must have interested him as he lingers on certain shelves. That section in particular had prints of dissertations you had been meaning to read, or have already read, in clear folders.

You wonder if he found his work there or something before returning with water for yourself. 

“So what can I help you with?”

“Dr. L/n, are you aware of the current string of murders that have been happening as of this year?” 

You blink rapidly again. The question catches you off guard, but you shake your head. 

“I know it’s a bad habit, and that I should, but I don’t really listen to the news.” Feeling your eyebrows quirk, you rub your hands together slowly. Making direct eye contact with Hotch, before looking at the younger man as he takes out a few papers from the folder he was holding.

“Are you familiar with these paintings then?”

 Now that piques your interest.

Dr. Spencer Reid, who sees a flicker of recognition in your eyes when it meets his own, presents various pictures of your artworks in what seems to be dimly lit areas. They’re a little dirty, but otherwise you would recognize them as your own.

 The thought instantly made something in your stomach turn.

“I–” You start, but shake your head subtly again. Unsure of what to say and how to say it next as you stare at the images. “am.” You turn your head to look back up at Spencer who nods thoughtfully.

“Recently, your paintings have been showing up at crime scenes in the D.C. area. Specifically, victims of an organized unsub that seems to be targeting people who accurately resemble the subjects in your work.” If your eyes weren’t wide enough, that bit of information had certainly opened them wider than ever before as you stared up at him.

“That, combined with the concentrated traces of penta-durastalene found in the pigments of the paint used, have led us to suspect your involvement in these murders, Dr. L/n.” You heavily feel the blink of your eyelids and rest your fingers on them to keep them closed before looking back at the two of them.

“I’m sorry,” you smile incredulously. “So you’re telling me that not only has Lunacite been identified on the paintings you’ve found, but that people who look like the personas in my private works actually exist and have since been–” You pinch the bridge of your nose. “Murdered?”

“Well that shouldn’t come as a surprise, they were your muses, weren’t they? You were commissioned?” Hotch is the one who asks and you shake your head with wide eyes.

“I didn’t even know these people existed. They were just– faces I came up with mentally with the visual library I’ve amassed over the years. I don’t really make it a habit to paint from reference. Like I said, they were private.”

“And the chemical?” You thought for a moment before your lips thinned into a line.

“I don’t know what to tell you, Agent Hotchner, but I haven’t touched anything regarding that compound in over a year. I’ve only ever worked on it in my lab on university grounds, and I don’t make a habit of bringing work home.” You scratch the hairs near the base of your hairline.

“More importantly, hundreds of students and lecturers have access to my work, my research, and my lab space. Not to mention the people who might have heard my work through academic conferences.”

You move away from your position near the living room coffee table Spencer placed the pictures on, but picked up one before you did and shook your head.

“Besides, these paintings? No one should know about them, let alone have them. I didn't sell these.” That made Spencer’s brows furrow as he looked at the other photos still on the table.

“Do you have proof?” You stay silent, but then motion for them to follow you to the door of your room.

“Well, for one, I’m sure you’d understand that most people don’t make copies of their artwork traditionally, right? Expenditure of time, work materials, effort, human error, and many other variables. It just isn’t practical nor convenient.” You ramble and look back at them to continue.

“I also don’t make the majority of my art known online. Only a good 30% makes its way to my portfolio, and the others are never to be seen by anyone else.”

“They're studies. They’re made with cheap paints, they’re subjectively not appropriate for commercial use and-–I just wouldn’t be comfortable charging anyone for them.” 

They follow you across the room, and make themselves apparent behind you.

You let out a breath you didn’t know you were holding.

“So if my ‘commissioned paintings’ are currently on D.C. crime scenes, and possibly in MPDC evidence,” You open the door to reveal your studio to the two agents. 

Various paint tubes, books, and brushes littered the floor, table, and boxes. A lone easel was situated near your apartment window, with an unfinished painting on it. And various canvasses, not displayed, but instead kept on tall shelves. Only the differently colored edges indicated that they were ever used.

What surprised them both however, were the same paintings in the pictures staring back at them.

 Some on the walls, some on the floor, but what was most important was that they were in this room, they were clean, and there were more of them.

You turn to look back at them with shaky eyes. “So why are they still here?”

—----

Hotch and Reid stood outside of your apartment door as you cleaned yourself up. Hotch made the call to bring you to the precinct for further investigation and for your own safety, but allowed you to freshen up before leaving with them. Not that he told you about the safety part.

You were hard to read, given your erratic reactions. It unnerved him, but he supposes it comes with the territory of being gifted. You also offered to bring in your paintings and a few other materials for forensics to test, to which while he was suspicious of, was not ungrateful for.

He made a quick call to Garcia to check attendants of any academic conferences you’ve spoken at and if anyone had been more interested than the others. When he was finished, he looked to Reid who was crossing his arms and staring at the carpeted hallway before looking back at him.

“She’s uncomfortable.” He stated plainly.

“Reid, most people would be if they just found out their hobby had been getting people killed.” Hotch said as he kept looking at his phone for anything new from the others.

“There’s certainly that, but I meant her title. ‘Doctor.’” He said in quotes, and Hotch raises his eyebrow at that but allows him to continue anyway with a curt nod.

“I mean, every time we’ve addressed her with her title, she blinks faster. Did you know it’s a common attribute that’s directly related to an increase in heart rate, which is why they’re usually correlated with lying? Initially, you would think that she faked her experience to get those credentials, but given her educational background, she must have not been given an opportunity to be referred to as such for a long time. Also, the gap year she took could’ve only exacerbated any insecurities she might have about her intellectual achievements. Plus, the lack of organization in her own home, while not wildly uncommon amongst people her age, could suggest the sincerity of her belief about compartmentalizing her work and her private life.”

“And what does that tell you?”

As Spencer was supposed to answer, a thud much like the one they heard before they entered earlier was heard again, followed by a similarly muffled, ‘sorry.’

He turns to look back at Hotch again with a small, victorious smile.

“That she doesn’t fit the profile.”

——-

taglist: @littlewolfieposts

[tsukuhoe]

07. when they act this way i know, i got em

walking into a production studio, you’re greeted by a cavernous room with high ceilings and the chatter of a bustling camera n’ film crew. a blonde man in a tailored suit stood in the middle of the set, sitting in front of the camera with softboxes and a photographer. you weren’t even sure when you started staring. it wasn’t deliberate— more like your gaze had wandered, found something beautiful, and refused to move. the man made a perfect model. his sharp, symmetrical features radiate an aura of discipline and grace. his intense, almond-shaped eyes, framed by faintly tired shadows, carry a quiet depth. his tall, lean build, that embodies the perfect silhouette for high-fashion modelling. 

then it hit you. this was the well-known model: kento nanami. other than the fact that you’ve seen him in magazines and on your twitter timeline, his name sounded so familiar.  

nanami lifted his head, his eyes meeting yours. you froze, stomach doing an ungraceful flip. you should’ve looked away. but somehow, you couldn’t. his expression softened, lips parting in a silent question. before he could say anything, a loud holler interrupted the moment. 

“what do you mean, another team is here?! this is studio b, our studio, booked for the entire day!” utahime exclaimed in frustration. 

“funny, because our confirmation says studio b, same day, same time. maybe check with your admin before accusing us.” a man in suit scoffed, clearly annoyed at her. 

“i don’t need to check. i triple-checked with the office last week.” 

“well, unless you have a magic booking system, we’re not leaving. we’re shooting for GQ korea.” tension builds as the respective crews begin to notice the conflict. cameras stopped stuttering, crews stopped chattering. you cautiously walked to where the utahime was and stood beside her. 

“hime, what’s wrong?” you timidly asked, not wanting to provoke your friend any more than she already is. “what’s wrong is that the studio that we booked is being used by the modelling agency of our stupid management!” she snapped, then turning back to the man. “look, i don’t know who you are, but we have a full day’s shoot planned. our shoot can’t wait, so you can take that nasty attitude of yours and—” 

“whoa, whoa, woah! utahime! what’s going on here?” gojo’s voice boomed behind you. “gojo. i do not need you here right now. go meet with toji and the rest of the cast. y/n, please go with him.” utahime gritted teeth at him. she was frustrated and did not need anyone, especially gojo, to interfere with the messy situation. 

“sorry about what’s happening, sweets. i know this is your first time on set for a film…” the white-haired man sighed, leading you to the others. “normally this doesn’t happen on set. i swear, it’s a lot less stressful than this.” 

“it’s fine! utahime seems really upset right now, so i’m more worried about her than the current situation…” 

in front of you sat a tall, lean, and muscular man with a noticeable scar running down the corner of his mouth. toji fushiguro. an actor known for playing in multiple films such as the scream series, breaking bad, resident evil, the john wick series, and many more projects. “whatcha lookin’ at? like what ya see?” he smirked, face smug. 

you pursed your lips, trying your best to smile and appear friendly. heavy tension hung in the air as you opened your mouth to say something. 

“toji.” gojo’s tone dropped, giving him a bitter smile all while trying to mask an irritated glare.

“it’s nice to meet you! i feel honoured being able to work with you for my first—” “mhm.” oh. so it’s going to be like that? toji’s attitude irked you. his cocky attitude and superiority complex. however, you’ll be working with him on set. as much as you wanted to be petty, purposely causing friction with your colleague wouldn’t do any good. be overly kind for no stupid reason. that’ll annoy him, right? as long as it doesn’t seem obvious that you’re trying to vex him, it wouldn’t be bad for your image. operation piss toji fushiguro off is a go.

while gojo and toji were conversing, you looked back to the set. nanami was on his break, sipping a cup of iced water, and having his make up touched up. his gaze was soft, almost searching, but there was a warmth in it— an unspoken curiosity. he smiled, just a little, the kind of smile that makes you feel like you've known someone for much longer than you have. then suddenly you saw him talk with the make up artist, get up from his seat and start walking. towards you. you. 

“excuse me,” he said, his voice calm, but with a hint of amusement. “you’re y/n, yes? y/n l/n?” you nodded, offering a warm smile. “mhm! and you’re kento nanami, right? i’ve seen you on covers and in posts from shoko n’ hime!” he nodded back, returning a gentle smile. however, inside, he was confused. did you not remember him?

“you personally know shoko and utahime?” 

“yes!! i love them with my whole heart! we talk often— with yuki tsukumo! you’ve worked with her, right? for a vogue shooting—” 

“everyone, we finally have things figured out. there was a double booking according to the front desk.” utahime’s voice boomed. “we’ll be filming and taking our promotion poster photos after GQ korea’s sets are done. for now, please practice your lines for the trailer. we are not leaving today until the trailer has been all completely filmed!” 

after the announcement, there was a brief moment of silence between you and nanami, until you broke it. “so… nanami, would you like to give me some tips with posing? since you’re a professional, ya know?” you tucked a strand of hair behind her ear and smiled. 

do you really not remember him?

album bonus tracks: — toji has a reputation to be a pain to work with bts, but his output is really good! — soooo how are we feeling about nanami ^.^ — ive been dying to release this and the next chapter omg! — might update it later 2night

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[adventuringblind]

Keep me Close

Past Jules Bianchi x reader, platonic Charles Leclerc x Reader

Genre: angst

Request: yepyep finally got me some angst things to write

Summary: Charles's new girlfriend can't understand why he's so attached to the reader

Warnings: talks of death, name calling, a table gets flipped

Notes: I definitely didn't cry writing this at one point. Also, no hate to Alex!! I know hardly anything about her, but I know her and Charles are currently together, and it fits the Timeline, so please bear with me.

Masterlist

Your love for Jules was something you find in fairy tales. It was beautiful, and both of you felt connected on a level deeper than anything imaginable.

It started when you were both merely kids. You were six, and he was eight. The two of you had met at the wedding of a mutual friend. Dressed in nice clothing, he'd marched right up to you and claimed to be a knight looking for a princess.

You were inseparable after that. It was like you'd found your soulmate.

When you turned eighteen, Jules had immediately proposed. And when you countered by asking if you were both too young, he said, 'Why waste time when I know I'll love you forever?'"

You'd gotten close with Leclerc family. Specifically with Charles since Jules was named godfather. He spent a great deal of time with you and Jules.

Then 2014. Everyone was sure Jules was going to get a seat with Ferrari. It would be a crime if he didn't.

You remember kissing him, good luck. The last feeling of his lips on your before getting in the car.

You remember telling him to be safe with the rain; that you love him dearly. He replied with his signature wink and an 'I love you more and I always am.'

Then everything stopped. The world seemed to no longer spin. Time refused to move forward as you willed it to go back.

It couldn't be real. There was no way it had happened. You still thought that as you sat at his bedside faithfully for months. There wasn't a world you wanted to live in if it didn't have Jules.

Charles was similarly devastated. He'd lost someone dear to him. The boy spent all his free time sitting with you in the hospital. Even bringing around food that Pascale had made to keep you alive. Something you didn't want to be at that moment.

The bond you'd formed with Charles during this time is hard to explain. There is nothing romantic. He's family despite the age gap not being that large.

He was, and is still, family. You'd promised to still take care of him despite the loss of Jules, and he promised to do the same in his stead.

The start of the 2024bseason brings on an interesting turn of events. Charles had split with his girlfriend before the new year and is now with his new girlfriend Alex.

You like her. She's very sweet as far as you've been told. But there is something there that makes you worry. You just blame the fact that you want the best for Charles.

The first time you met her was at a family dinner. Charles brought Alex with him to introduce her to everyone.

You were actually the first person he introduced her to. You felt honored, but there was something behind her eyes that you couldn't quite pinpoint. But you kept it to yourself and made friendly conversation.

The next time you saw her was when she dropped by the Leclerc family home unannounced. The position she caught you in wasn't a bad one, but it probably didn't look good to her.

Charles had a rough race in Monaco, as per usual, and was laying with his head in your lap while you ran fingers through his hair. It's the same thing Jules had done when Charles was a child after a bad Karting race.

Alex definitely didn't look pleased with you. But she managed to put kn a smile and say hello.

It was awkward. Especially after Charles and her went into another room because you could hear them talking in hushed whispers.

Your fingers find the chain with your wedding ring on it. Your lips press against the cold metal as you hold the ring to your mouth. "I hope I'm doing this right, Jules. It's hard without you here."

The last time you saw Alex was at a birthday party. Your birthday party. Something you don't like having after Jules because he was the one who always made the day special.

Charles is a stubborn man though and decided it was necessary. Partly because this is his way of remembering that you are alive and with them, but it also gives him and excuse to drink and dance.

It wasn't anything massive. Or at least - not a massive as it could have been. There were a good number of people crowded into your Monaco home. The food is good, and the music is better. It definitely felt like a party Jules would have dragged you to in your youth.

It's not long until Charles appears at the door with Alex in tow. He comes to you, and you embrace him as usual. The smile on his face makes everything worth it. despite having to deal with a party for a few hours.

Pierre also finds you and starts up conversation. The three of you fail to notice the fourth becoming increasingly agitated.

A loud crashing sound pulls all of their attention. Alex flipped over the table in her agitation and is now sending chills down your spine with the look on her face.

"Why are you so determined to be some kind of homewrecker! Why can't you just stop being a creep to Charles and let us live in peace!" She screams. It hits your mind like a shadow. The world fades away, and your thoughts are filled with the doubts you have daily.

Tears fill your eyes, and your body goes rigid. "I'm Charles' godmother. Y/N Bianchi. I am no homewrecker." You choke.

Charles and Pierre take a protective step in front of you. "Get out!" Charles' voice drips with venom. Alex looks stunned. She doesn't move even as Charles shouts at her. "Nobody gets to speak like that to my family! Get out!"

Then she runs. Avoiding the gazes of disapproval.

Charles spins around and places his hands on your shoulders. His eyes scanning your face to assess the damage.

"I'm so sorry that happened. You're amazing. Always have been. And anyone who says differently is a fucking asshole."

Even through the tears, she smiles. Jules couldn't have left her in better hands.

[zutarawasrobbed]

ALTA Live Action Season 1 Initial Thoughts (Spoilers)

I just finished the season, and holy shit!

Quick things that need to be addressed/debunked:

“Sokka is no longer sexist”

I dont know what people were talking about when they talked about Sokka’s “sexism” being removed. It’s still there! But not in the overly exaggerated comical way it was in the original.

In fact, it’s more in line with ancient practices of indigenous tribes where men are seen as protectors and providers while women are expected to nurture. It’s not the same “boys are better than girls” narrative in the original.

Additionally, Suki still beats the fuck out of Sokka and humbled him really quick. They’re super cute by the way. And I love Suki’s “I like my men a little stupid” vibe. She’s great.

“Aang doesn’t run away like the original!”

That is not true. He does run away, but not because he’s trying to get away from the temple but instead to get some air because he feels overwhelmed. He’s more like taking a quick break and planning to come back. It’s not exactly the same, but almost. It also is done in a way where his guilt feels more justified.

“Katara doesn’t talk about her mom anymore like the original”

This is true… BECAUSE THEY SHOW INSTEAD OF TELL. I was honestly not prepared to see the death Kya in such graphic detail and how Katara was in the room hiding when it happened. It’s honestly really sad and more heartbreaking.

Plot:

The timeline seems to be ambiguous compared to the original series where it was “end of current year.” In fact, they repeat “three years” a few times, which makes me think if the series get greenlit for more seasons, it would be over a three year period.

Jet is still villainized but given more nuance and not a simple "good v bad" way like the original.

Zuko’s story about how he got his scar has additional lore that makes him come across as even more selfless and compassionate. The additional context of the platoon he advocated for in the war meeting, becoming his current crew, really added to the story.

Eradicated the nepotism baby plot point with Pakku only training Katara when he finds out he used to date her grandma. Instead, Katara proves herself and ends up teaching the other male fighters the techniques she learned from watching other benders use their elements and mimics them.

This season doesn’t have Aang learning any waterbending, but rather facing his trauma and the consequences of his actions. He get roasted by all his past lives. Which is an interesting choice, but I think it works well in how they executed it.

This season seems to actually be Katara focused and her journey of learning waterbending which I honestly loved because it really hits home the element of “water” being the story of an untrained waterbender learning her element. But, I do think Aang could’ve learned a little bending. It felt a little off.

Katara ends up advocating for all waterbending women and ends up leading an army of both men and women during the siege. She’s really bad ass and is given the title of master without being formally trained by Pakku. She made herself a master.

I think the timeline is a little wonky because of how much they had to fit in with the limited episodes they had.

Kuruk is given respect! I loved that.

June actually seems into Iroh which I thought was a funny but cool way to flip the script from the original.

The relationship between Zuko and Iroh is really beautifully executed. I love the depth they added with flashback scenes and their bond prior to the Agni Kai. It also wasn’t as frustrating watching Iroh and Zuko’s dynamic because Iroh communicated with Zuko in a way he could understand with straight answers rather than seeming to actively sabotage him with cryptic puns and shenanigans like the original.

They changed the love triangle with Yue Hahn and Sokka to be very healthy. They gave Yue autonomy and a choice in her relationship- which- again- is much more in line with indigenous cultures. Also, Hahn and Sokka’s relationship is really supportive and full of respect and no ill will.

They way they handled grief and the realities of war with the loss of life was very well done and really drove home the point that this is a war and these are child soldiers.

There’s a lot more but these are my initial thoughts. Will probably post more later.

Shipping:

Kataang is all but removed. Literally DOA. There is no indication of a crust on either side. It’s painted like a sibling relationship, which is like the original, but this time everyone seems to be on the same page. But, I swear the writers had to have read ZK fics because damn.

They canonized a popular Zutara theory/hc about the cave of two lovers and how the crystals would light up once it went completely dark instead of a “kiss” activating the crystal glow.

Speaking of the Cave of two lovers. They keep the Oma and Shu story with red and blue coloring. Making it come across more as foreshadowing than a direct link to the present tunnel story.

Sokka is put in Aang’s place with Katara in the tunnels and turned it into a story about the love of family and sibling bonds. Aang wasn’t even present.

Zuko and Katara share a meaningful look when they first see each other and continue to have a Katara centric scene followed by a Zuko centric scene and vice versa.

The scarf scene. I will not be elaborating further. If you know, you know.

Zuko and Katara fight scene in the North is epic. He still taunts her with almost the exact same dialogue but it’s so sassy- I love the banter.

Suki and Sokka were really cute and the actors had great chemistry. I think Yue and Sokka was really rushed and didn’t really feel anything about them, honestly. But I attribute that to lack of episodes to develop all that plot.

[lukolabrainrot]

Toronto and Ireland (Part 1)

I observed a shift in L/N's behavior and non-verbal cues by the time they got to Toronto. Their non-verbal cues signaled to me that there was a since of ease and confidence with them BTS. However, I think that looked very different in both locations. Refer to my timeline theories here on my thoughts on what was going on between L/N before Toronto. Below are my thoughts.

Toronto

Let's first address the fact that there was a break between Brazil and Toronto. It was ~2 weeks from what I remember. During the break the following happened:

L went back and liked all of A's posts back to July 2023. Previously, he had only liked her posts up to October/November 2023.

A chopped her hair off

I believe the DM likes from A's mom occurred around this point as well (or during Brazil)

There were some SoHo Farmhouse pics posted by A (I believe?), but no one could confirm if those were current or old photos (as A has a history of posting old photos to insinuate she is with L in real time when she isn't)

There was nothing else though to publicly link L/A during this break (from my understanding, correct me if I am wrong?)

This break is also when the rumored Spain trip between L/N occurred (but there is no evidence this actually occurred)

N was publicly seen at the Mighty Hoopla music festival with her friends the weekend before Toronto

N and L appear to fly into Toronto on separate flights

Alright I am going to throw out something that is purely a theory, regarding A, at that point in time, and now. I've kind of avoided directly talking about my theories on A because I just don't have enough information to confidently analyze what is going on. But with everything that has come out recently, and especially this week, I feel more and more confident on this theory (but again, it's just a theory):

As I mentioned, I firmly believe L/N physically acted on their feelings at points on the tour, and by Brazil, A was FLIPPING OUT because I think she sensed L pulling away. A had been around for a while, and I don't believe there were any firm boundaries/labels set on their relationship, but A had her sights set on riding his coattails and trying to get fame/attention from being in his orbit. She is also DEEPLY insecure and envious of N. Lastly, she is a WILD CARD and had been publicly known about in the fandom for a while. I think there was some overlap between N and A, and L did not want A leaking that s**t. Whyy... because he LOVES N. This is also his bed he made, and he needed to lie in it and clean up his mess. The optics of all of this do not look good for L & N if all of this information got released to the public. I also think that's why the DM comments got scrubbed on the site (which doesn't just happen out of thin air). He needed to start cleaning s**t up if he and N ever want to go public someday.

Therefore, he went back during the break to make up with A and reassure A he wasn't just going to drop her from his orbit (hence things like liking more of her posts so people took notice, and it made it seem they were more serious than previously thought). Tbh, I don't think it was very hard for him to keep her appeased because I honestly don't think this relationship goes any deeper than casual and transactional.

Then L/N became even more obvious about their feelings during Toronto and Ireland imo, and then all hell broke loose at the premiere (because a certain 🐜 was PISSED and getting revenge).

My whole point with all this is this. L was NEVER going to be able to unravel from A during the PR tour because it had already become public that she was connected to L (even if he was already checked out at this point). He was always going to have to officially acknowledge A to the public, let people get use to them as a "unit", and then slowly unravel over a couple of months in a way that satisfied A and didn't encourage her to go rogue (because I think we are getting more and more proof that she DOES go rogue). This included what we have seen between them since the premiere. I firmly believe that A has some information that would eff up L&N being able to confidently go public at some point if they want to without this really messy public narrative (because if L/N ARE indeed working on their relationship, it is probably going to be a little messy no matter what when/if they go public). L is letting A therefore get the attention she wants rn, and trying to stay as publicly unconnected to N as possible. I think he severely underestimated the impact this was all going to have on his career though (at least in the short-term). Do I think this also probably put somewhat of a strain on his relationship with N? Most likely, yes. However, they have known each other for many years, and have gone through a lot together. I don't think N sees A as a threat to her and L in any way, and I think L/N are figuring things out in private. And do I think just because A is still in L's orbit that that means they are super happy and madly in love? Absolutely not. The optics of everything we have seen around L/A since the premiere speak VOLUMES, and that is all I will say on that.

I was fired up about all of this because of the events this week, so I needed to get this off my chest 😅 I think though that everything we have seen between L/A since after Brazil is just another indicator that L/N are serious about each other (if that makes sense). THIS IS JUST A THEORY THOUGH.

And does this all seem messy? Yes. Because the short answer is that it is. Human beings though are messy, and I think unfortunately a lot of this played out on a very public stage, so everyone is trying to figure out what to do now.

Alright, back to Toronto. A lot of people thought the vibes seemed off between L/N, but I disagree. This was the part of the tour where I started coming to the conclusion that there was something BIG going on between L/N BTS (in a good way), that went deeper than just wild sexual chemistry/attraction. Here are my thoughts:

I personally think L/N took time during the break to have some big conversations in private about their future together, in a "normal" setting outside of the tour. I think they came to a conclusion that their feelings were larger than just the show and tour, and that this was going to be one of those BIG relationships for both of them. I think they also had conversations about how A was going to tie into the public narrative after the tour (but I think A hijacked that narrative). But I think L/N were very much on the same page going into Toronto.

I also get this sense that by this point in Toronto, it was getting harder for them to hide what was going on because things were getting more serious, and they were ALL LOVEY DOVEY AND HAPPY BTS. Although I am going to be honest, I don't think they ever hid their feelings for each other very well on the tour (especially L). And this was all kind of new as well. Therefore, I think that's where some of the "awkward" vibes were coming from, but their nonverbal cues didn't read as disconnect to me (like the beginning of Italy did).

I also have a feeling they were EXHAUSTED by this point, and probably so tired of answering the same questions (I swear, I bet they never want to talk about the carriage scene again 😂). I also heard that they might have been sick in Toronto, so all of this might have also played into the shift in energy.

However, a lot of key things happened in Toronto that signaled to me there had been a positive emotional shift between them. I really started to notice the "couple" eyes between them, and N's walls really dropped and the heart eyes were in full force. Toronto had my favorite interview of them during the tour, which I posted here. We got the the thigh rub from N, the beginning of the Ryan Gosling jealousy from L (I believe), L beginning to get more comfortable and silly on interviews (he seemed VERY happy, and a lot more confident by this point, which I found very interesting 🤔), a few instances where L/N would get lost in a moment with each other and forget they were on an interview, N reassuring L that he was her "favorite", and photos and video of L meeting some of N's extended family (and he looked very happy in the video). Also N didn't end up posting a "bf" pic of L (even though she did for Italy, Brazil, and Ireland). Now it could mean nothing (and it's probably just a coincidence), but I just find it interesting (in a good way 🤔). Yes, a lot of this could be chalked up to PR, and some of it probably was. However, most of this just DID NOT read as professional PR to me. It just wasn't.

Lastly, we got THIS pic of them below in Toronto 👀:

I am going to post an article below about body language between couples in photos. I don't agree with all of the article, but it does have some interesting facts/comments. I would highly recommend looking over the article a little, and looking back at the video that had the compilation of them posing at the different tour stops. I know that this was 100% cutesy PR (and I am not trying to imply they were necessarily an "official couple"), but I found it very telling about HOW they chose to pose at each stop. I feel like it spoke VOLUMES about what was going on between them at each stop. I do want to say that we can't 100% know what was going on for them emotionally BTS at each stop, but I do think it gives us a glimpse. Which is why I found this picture PARTICULARLY interesting. It just screams comfort and security (even with the weird lighting lol).

My point with all this is that I think we caught L/N at a big turning point in their relationship at Toronto, which led to some of the awkward energy at times, but not because they were beefing. I think BTS they were really happy, but they knew they had to not let the WHOLE cat out of the bag, so they were trying to kind of put up a little distance. However, they slipped up constantly, and then everything came to a peak, and that's why we got the magic that was the Ireland stops. I'll talk about my thoughts on Ireland in my Part 2 post, because there is a LOT to talk about. 😅

[yetanotherhiddlestoner]

Summary ~ Daryl finds a journal on a supply run and reads it, what will happen when he sees the world through someone else's perspective?  Set in the commonwealth, straying a little from TWD timeline, but hey that the fun thing about fanfics right?

Daryl X Y/N. Words ~ 2449. Warnings ~ None (Photo found on Pinterest) Also I am trying to update I fell hard, you'll fall harder but it wont let me post it :(

The Entries Chapter 1

Daryl wasn't a man who just picked up a book to read it, not these days at least, if he found books for the kids then he would grab it and give it to them, he tries to recall the last time he actually read a book, but while he was looking for supplies, Daryl found a diary, the front looking worse for wear and covered in pink glittery stickers, something that reminded him of Princess and her style, Daryl's curiosity got the better of him and so and he opened it and read the first page. It read.

Entry one~

"This may very well be the last chance that I have to write, my family told me I should be a writer, I guess this is my last chance to ever get a book out there, but if anyone ever reads it, I hope you find comfort within the pages of this journal. My name is Y/N and this is the story about how I survived the apocalypse, or didn't I might be gone by now, in that case if would be a memoir right?"

Daryl shuts the book, placing it in his bag, he goes around gathering what supplies he can find before finally placing his bag on his back, starting up his bike and speeding back to the Commonwealth. Today was a good day for the supply run, he was able to find some medication for the community, canned food and some clothing for the small kids. That night as he lay in bed, he digs into his bag finding the journal, he starts reading it again.  

Entry two~

"I was born in 1989, 21 when the dead started attacking us, currently 26-27 years old although I have no idea if that is even right, I am just guessing the days and months at this point in this world, and I don't know how much time it has been if someone is reading this anyway back to my life story. My mother and father married at a young age, or at least young for them, they had just turned 20, been high school sweethearts, the whole Prom king and queen story line expect this was real life. It didn't take them long to start a family. My brother aka the eldest was born when my mother was 22, then another 2 years later came my other brother, the annoying middle child and then myself with a nice 5-year gap between myself and my second eldest brother."

Daryl flips the page to a collage of photos, ripped or cut to fit onto the pages. In the middle was one clearly done by a professional photographer, you are all sitting on the ground, smiling while looking at the lens, each person has their name on the photo, he looks at you in the photo. front and center, sighing at how happy you looked. Then in the corner is a photo of your parents on their wedding day, followed by photos of each child not long after they were born

"The day the world fell, I can't even remember the date, I was meant to be going to work, but my mother called me and begged for me to stay home, she begged for all of us to stay in our home, she told us all about the videos of people being shot down and them coming back and attacking people, I heard the terror in her voice, my brothers thought she was worrying for no reason, so they left for work. I tried to stop them, but they just wouldn't listen. I watched them walk out that door, hop in their cars and drive away, fearful that they wouldn't come back. I rang my friends, we chatted for a while, scared. We had planned on hanging at mine in the coming days, thinking this was just a temporary thing and that it would be fine within a week. How naive I was thinking the police and the government were going to be protect us.  I was very wrong. I watched as some of my neighbors left, cars packed up, houses left unlocked, pets left to fend for themselves. The street felt quiet, usually the kids would be playing in their lawns, coming home from school talking to their friends, or riding their bikes, now those things were left discarded. I watched the news, it only made my paranoia worse, watching them shoot down what I thought were innocent people at the time, the screams I could hear outside my door had me on high alert. My father never came home that night. He was away on business, he was meant to be coming home that day, I can only assume he is now dead. When my mother came home, she rushed us to get all the supplies and weapons we had, mostly kitchen knives, loaded them into the car, we waited for my father, constantly calling his cell phone and workmates but no-one answered, the longer we waited, the worse it got. During the night, I heard screams from down the street, saw neighbors running for their lives getting attacked, the screams as their friends chewed into their flesh, and then coming back. That night my family and I hid upstairs in one room, no lights, no noises nothing just praying we would make it through. 

Sunrise came and with it did us leaving our family home, the concrete covered in blood splatters, the groans of the dead coming out of the yards towards us, as I hopped into the car I gave the house one last look the one that I was born and raised in. In that moment the life I had known was gone. I have no idea if my friends were alive and if they are I hope they are well. That night, we tried sleeping in our car, taking turns at driving out of the city and further in land, my mother says we would be safe, away from the ones who can kill us. I doubted it though. We could see the cities being bombed from our car, the flame lighting up the horizon."

Daryl flips the page. His fingers glide over the page of photos once more, he notices that is your style, you write and then you put photos. He likes it, he likes that you are a real person, that had a real life, real friends.  Entry three~ "We drove for what feels like days, we pass the undead, we even ignore the hitchhikers, we can't risk taking on the wrong people my brother says. I've seen children biters, that is what we have come to call them, it breaks my heart. I had always wanted to be a mother but now I don't see kids in my life, not if my life is constantly running from the undead or living in fear."

Daryl keeps reading, finding himself more intrigued with each line. Another page, another photo of you and your friends, of you and a dog, he can assume might be a pet of yours once. You started drawing things you have seen on your travels; he takes in the details of each piece of art. You have a knack for art, a lot better then himself he tells himself. Another glimpse into your life. Another thing her learnt about you.

Entry four~ "The days pass in a blur now, it's been months since shit hit the fan. I think it might be coming up to winter, the air is cooler, a nice bite to it at night. I lost my brother to a biter; he was out trying to find more supplies when the dead came out of nowhere, he tried to fight them off. He managed to get away and spend his last few moments with us, his body bloodied and bitten. I watched as he turned, his eyes glossing over, the snapping of his teeth as he reached out for our mother who was crying for him to stop, I didn't think I just acted, my knife plunging into his skull, he was my first biter I had to put down, we buried him in a field under a tree. Our mother hasn't been the same since, she barely says a word these days. We lost our car, ran outta petrol, lost most of our things, I managed to save the one thing I need in my life, my photos, my memories in the one bag I don't ever want to lose" At the bottom of the page is a Polaroid of yourself."

Daryl notices the tally on the bottom of the page. Later on in the journal he would see the numbers go up each time, you didn't write about them but you kept track.

Biter - 1 Human-0 Animals -2

And then a photo of the makeshift grave you buried your brother in. His date of birth and just the year 2010 at the end.  "I know it may seem silly to whoever is reading this but as long as I got a camera, batteries and film, I'll keep taking photos, documenting what I survive through, until I can no longer find the supplies. I'll keep doing this until I am no longer able to. It is the only thing that makes me sane, it makes this world feel to real"

Entry five~ "I know death comes to all, but I didn't think my own mother would end it herself. I should have seen the signs, she stopped eating, stopped speaking, stopped living, day by day the life drained from her eyes, I think ever since we left, each day has made her realize that things were not going to get better. My brother and I buried her as best we could then we headed back out into the world, on foot for miles, tonight our home is a service station, not really safe, we are holed up in office, being as quiet as possible, we have raided the shelves for food and water, if we lucky we might get another day to rest here and then we will keep moving. I doubt we will make it to the mountains, it is too far to travel by foot."

He sees the cut-out photo of you and your mother, noting how much you look like her, you have her hair and facial features. His fingers move over the photo, he feels sorry for you, he knows how to feel to lose a loved one. You look so happy in this photo, the world can be cruel.

Entry six~ "I tried, I tried so hard to stop him, I screamed at him, begged him. But he didn't listen. Now I am all alone in the world I wasn't born for. My brother, the eldest, always looking out for me, we got stuck in a rundown house, he used himself as a diversion. He screamed at me to run, to get out. I grabbed my bag and ran, the last thing I saw as I turned back was him being over ran by them and screaming for to keep running, don't look back and that he loved me. My brother was a person who rarely said the L word, so hearing his last words as that made me run harder, until my chest burned. I have found a small tree house in the woods, I am guessing it was a child's secret hideaway, built by their parent's or at least that is what I am telling myself while I cry for the lost of my family, for tonight it is my sanctuary.  I have no idea how I am going to live alone; do I find a group? Do I try to live alone? I am scared, I haven't felt like this since day one. I have no idea what tomorrow brings, I have limited water, limited food and a couple weapons." Daryl continues reading the journal well into the night, when he glances at the clock its almost 2am in the morning, he decides to close the journal for the night, placing it on his nightstand. 

When he picks up the journal again, he can't believe how much he has read in a short time.

Entry 17~ "Found a library today, took out the undead inside, found a book on edible foods in the wild and how to survive out here. I am hoping they come in handy as my rations are almost out, also found a book to keep me entertained."

Biter-16 Human -2 Animal-8 Entry 18~ "I miss them." Daryl reads those three little words and feels a pang in his heart.

Entry 19~ "Today I snapped. A biter came out from behind a corner and in a second, I saw my life just die away. I beat that thing into a bloody pulp, smashing its head over and over, while tears formed into my eyes. Am I losing what little humanity I have left? Is being alone making me into an animal?"

Daryl grimaces at the photo of the now dead walker that you took. He wonders why you took that? Why would you want a photo of something that broke you? He has had his fair share of kills, yet he never truly wants to remember them.

Entry 20~ "Found a creek near the road I was walking, I have learnt how to filter dirty water, at least I have something to drink now, I just need to find food and a place to rest for the night. I have no idea really which direction I am going; I have to learn all this now."

Biter-36 Human -2 Animal-14

Entry 21~ "I am nearing the end of the book, the pages filled with the stories I have written, photos I have taken, I have truly lost track of time, the days, the months everything is mashed into one big never-ending nightmare. I fight for my life daily, it is exhausting. I think my next stop for me is the next town 30 miles away. For now I leave this journal here, for anyone, if there is anyone left out there that is. Please take care of my photos, my life story, it may not be anything these days."  The last words written hurts Daryl a little. "I truly don't want to die. But I don't know if I am strong enough to live."

And your signature style is a photo of you, he guessing you took it the day you finished the journal, you look sad, alone. He just wanted to hug you and tell you it's going to be alright.

[fumifooms]

Kabru party analysis - Trust, and codependence vs emotional unavailability

I flip flopped on calling this a masterpost a lot, but looking back, yeah. While I do compile every fact I can about the party and its characters a significant part of this is interpretation, extrapolation and speculation enough that it's an analysis more than compilation at this point. Feel free to skim, skip around, whatever makes the experience more enjoyable and useful. I’ll also try and compile parallels they have with their Laios party counterpart, since them being foils and ‘shadow version’ of sorts to our main party is a big part of their fun fact meta, I am however most interested in analyzing them as their own characters- and as a whole together as an entity & narrative device. I did end up getting into narrative and thematic analysis for the main story... Mostly the Kabru & conclusion segments though.

But ultimately the goal of this post is mostly to analyze their relationships with each other because I think that’s the messy interesting part of their group, beyond just being a kabru party facts list.

Table of contents:

Kabru + party timeline

Rin

Holm

Daya

Mickbell

Kuro

Relationships and overall dynamic

Do they matter at all to the story?

For easy finding if anyone wants to do a focused reread, the main chapters featuring the Kabru party are 10, 15, 31 and 32, and then with chapter 45 everyone but Kabru (and Rin) stops appearing until the final battle.

Kabru of Utaya & his party

What to say about Kabru that hasn’t already been said, how to summarize him as perfectly and concisely as possible… I don’t think I can reasonably do him full justice here! This is an analysis about his party and not just him so I don’t want to spend forever here. Unlike every other character in his party Kabru is a main character of Dungeon Meshi so plenty of analyses around, meanwhile information can be hard to find and string together for the rest of them or the party as a whole. This isn’t a deep dive on Kabru but a summary, I’ll go over his timeline, goals and general attitude.

This'll be critical for later, but notice here that this means Kabru's party formed 2 years before the story happens. We get no indication of whether or not party members have changed much or little over those years, even if the party overall seems somewhat incompetent. Kabru's profile says that despite his skills, his lack of experience makes him a mediocre party leader and we do have that inexperience with monsters and dungeons, from what we see in canon. It's partly due to his foster mother training him intensively in combat against humans but seemingly not monsters or dungeon survivals, and partly from what we see with canon's framig because Kabru has no interest in monsters- You know and understand what you love better than what you hate, so Kabru is good at fighting humans and Laios is good at fighting monsters. The party does have rather good chemistry in action, with Kabru orchestrating everyone with commands, but they still end up being defeated as often as not, and despite Mickbell's warnings Kabru pushes to go to a dungeon floor lower than he thinks they can handle with their current ressources, for example. Laios' party at the start of canon were broke, but it's only because their money got lost in the dungeon and (chap 28) the bank would take too long to get their tokens back & take money out to save Falin- meanwhile Mickbell talks about being in the red just because of their current unfruitful dive, meaning they aren't as successful and have tighter finances overall. We see the party hanging out in taverns off-work (though not unlike Laios' very occasionally does as well) and things like Kabru meeting Dia's fiance and the party visiting Kabru's room, so they mayy be paralelling how it's said Laios' party hung out very little outside of work? They don't seem much closer for it, though.

One other thing to note is that Utaya is not necessarily his birthplace/hometown? The details are unclear, the adventurer's Bible does refer to it as his birthplace twice, but it's also mentioned several times that his mother was "chasen out", even in the original japanese. It sounds like leaving a town to me, but it could be that they were only driven out to their house and moved to a different part of town...? Either way, his mother was "chased out of home" after he was born beause of his blue eyes. Of course, Utaya is where the dungeon overflow tragedy happened when he was 6-7 years old, so it's the town Kabru and his mom were living in, one way or another. It's also mentioned kobolds lived near Utaya, explaining him speaking some kobold, which kobolds also implies the region had conflict beyond the dungeon overflow considering what Kabru says about kobolds in the kobold page.

Her mom having been "chased out of home" over him and then working hard as a single mother to support both him and herself is likely to have made him feel like a burden, which may have influenced his selflessness: the way he's hardworking, the way he neglects himself, the way he keeps others at arm's lenght (maybe thinking getting closer to him would do them no good)*, the way he can be very quiet and a great listener, gauging others' needs- the same way he was his mom's venting outlet when very young whenever she got drunk. *I explore this possibility more in this kabrin brainstorm post. The insecurity of being an incubus/monster, especially with how Kabru did see people transforming into monsters in Utaya- A very interesting recurring angle for him.

Let's be clear, as Kabru shows again and again his goal was 1) to pierce the mysteries of the dungeon, and 2) ensure that if anyone defeats the current dungeon lord that they won't accelerate the process of the dungeon overflowing or use the power for evil, essentially that the dungeon's power won't fall into the wrong hands, which includes him thinking the canaries shouldn't get the final say in how to handle it all. His goal/plan of becoming dungeon lord himself was to take care of both of these in one go.

He's been at this for years and he's seen a lot of things firsthand when he was 6, so already when he first confronts the canaries at the Island governor's he explains the stages of degradation of a dungeon quite well, he has his own theories that turn out accurate, but he's made them while being barred from most information on dungeons, which the elven monarchy controls access to. Goal 2 is always the main point, but goal 1 is important in order to be able to do it efficiently. Once this, goal 1, is achieved and Kabru learns about the demon through Mithrun, he becomes solely focused on goal 2 again (whereas the On Floor 1 chapters ended with him breaking alliance wth the canaries to demand answer) to ensure the demon stays under control and to stop the current (and possible next) dungeon lord. And then, well, the meeting at Thistle's house happens. Defeating the dungeon then at the beginning of canon was half-cover, a simple unsuspicious way to present his goals, half-goal 1 which would also take care of goal 2 by Kabru himself becoming the dungeon lord, as said. The canaries show up so he indulges in goal 1 while carefully teetering on being an obstacle to the canaries and helping them, and then it's right back to goal 2 with renewed determination together after he and Mithrun fall down into the dungeon and Mithrun spills everything. He doesn't trust Laios as dungeon lord, but he also doesn't trust the elves having the sole duty of managing dungeons.

It becomes this sort of tug of war of distrust, of who does he trust less to ally against, who does he trust more to ally with, which side to take once it's clear his own side isn't viable alone- he ends up somewhat playing double agent covertly through the story, but ultimately he ends up more or less trusting everyone and playing double agent openly with the final battle, quote unquote having faith in humanity & others, which he'd been cynical about for so long, finding red flags in everyone. But yes yes backing up again, he came to trust Mithrun during the six days in the dungeon together, but not the rest of the canaries and when they meet up again he's still on bad terms with them, we see it at Thistle's house where he tried obfuscating Laios' party's secret and pinned Mithrun to keep him from chasing after them, preferring for the ball to be in their court and for Mithrun not to go kamikaze mode.

His interest in Laios also extended to Falin, their party was quite capable and was more or less next in line to beat the dungeon, but since she died and Laios went into it on a shocking desperate mission, Laios becomes a focus of his as they make very quick progress. No one dungeon diving ever went beyond the big doors guarded by the gargoyles, but Laios' party passes through them just a little after Kabru and Mithrun team up.

All these deeper thoughts were largely unknown to his party members before the story.

He’s secretive and often cold with his party. Even Rin, presumably the closest friend he has, the one who’s devoting herself to specifically following and helping him (while the others also seem to admire him and partly follow him to put him on the dunlord throne, they have their own reasons too), is left in the dark with an arm of distance kept between them. Kabru first reveals he's been keeping an eye on the Touden's party during the sea serpent 2 chapter for example, and goes into it a little more during the Toshiro-Laios parties meetup chapters.

Although, it might be more appropriate to say that rather the party members aren't really listening. Kabru spoke about his goal to keep the toudens away from the dungeon lord title here, has a whole speech about influence and power falling into the wrong hands, and their reaction is "we know, only you is fit to be dungeon lord!" when that's never been the actual core of the matter, the point. It was the red herring being set up yes, that that was only what kabru wanted, but ultimately looking back he's always had that guardian type motivation more than leader, being a judge and executioner more than a king on a throne, he wants to support what's good and dismantle what's bad, so it suits him to have become a politician in the end instead of the ultimate chief. That also goes into his arc- him learning that sharing duties and goals is good, that he doesn't have to do everything alone and fully trusting others when teaming up can be beneficial, that he alone doesn't have to be the sole voice, that his shouldn't be the sole choice to be made about matters or courses of action. So going back to the topic- another instance of his explanations being dismissed is in this convo with Rin above- Again he talks about dungeons and reveals hints about his true goals, yet after all of this Rin literally only goes "hmm" and silence falls, and then she says she's hungry. Wether she was contemplative or uninterested, the change of topic is rather quick and unceremonious. And this is the person who'd know best about his motivations too, knowing his past well.

And maybe this phenomenon is also why he gets peeved at Rin here and silently chides her. In a "she should know how to think this through by now, she should've taken a second to observe and remember how we do things, she should think deeper about the true important matters" way etc etc. What are we doing this for, what do you take me for? This kind of righteousness is detrimental rather than helpful and strategic, Rin.

I place both Laios and Mithrun to be very important to Kabru's character and arc, and with Mithrun a significant part of the puzzle imo must have been that Mithrun listened, easily understood. Mithrun understood the gravity and danger of dungeons, was even similarly a victim of one. Where everyone else shallowly misunderstands or dimisses what he says about dungeons and his goals, they're very understandable and familiar to Mithrun, and such bumps don't happen with him. Mithrun isn't playing the social game the same way as others, he just dishes out whatever blunt straight to the bottom of the matter points, he skips the social dance Kabru often gets so hang up on, in a way that helps kabru communicate with him honestly rather than hinder, especially since Mithrun is still quite good at reading between lines. This could be a good part of why they take to each other rather quickly and team up, each other's rationale and plans feel intuitive to the other and they find someone else traumatized by the dungeon, someone who understands, understands not only what he's talking about but also what must be done, the ruthlessness needed. And Laios comes to ultimately balance this out, not invalidating their wants and needs but showing there are other ways to proceed, other people to trust, even when they don't intuitively understand them.

And on that note I want to talk about Kabru and laios' confrontation. I've already said that his "Laios obsession" is about his dungeon goals and that's very straightforward, and it only got to this point because Laios previously dodged his every attempt at closeup info gathering and still now he can't get a read or grip on him. BUT while some think Kabru's "I just wanted to be friends with you" is just a bullshit he made up on the spot complete lie, I don't think so. We see Kabru cycle through some explanations, angles and speeches he has like scripts, like one of them on the second page is close to this. And we know they're like scripts because that's what he said and how he spoke with his party, the backstory talk, the framing, it's all how he presented it to others as well. But he knows none will work on laios, Laios pushes him like Mithrun to go offscript, to find new approaches and communicate in ways that are more vulnerable and uncomfortable. And Kabru has trouble finding that angle that'll work with Laios, because he doesn't know Laios well enough, and that's what he wants, too, it feels so frustrating and vulnerable not understanding him. As his desperation mounts it sort of just slips out- I wanted to be friends with you. Childish, simple, inappropriate for the grave context and very embarrassing. And he immediately freezes and backpedals- BUT Laios endlessly dunks on the very idea that it could be true and that sets kabru off- after which he unloads a more personal perspective of how it was like chasing after him. And I think that's what it is, it's not a lie but it's a bit of an oversimplification- Not the full reason, but a part of it. Kabru wanted them to get to know each other better and get along, for him not to have to kill Laios, a want he still clings onto even when stakes are rising. He says it all himself here, explains his statement after Laios all but laughs in his face in disbelief. I think this scene and the slip-up shows that Kabru does have a desire for connection, that even when he's all calculating and manipulative with his business mode on, there's that desire under it all. And with Laios, well, what better excuse is there to be interested in someone that so conveniently is at the center of his plans and goals for the dungeon? Meeting practicality and genuine interest makes for this- I don't think that's unique to Laios perse, I do think Kabru is interested in people in general like he himself puts it in contrast with the touden siblings who don't, but with Laios the difference is the utter onesidedness of it, the brick wall of social cues he doesn't know how to approach but both needs and wants to. Repressing a desire for social connections, being bound by it despite wanting to not need them, is a common theme in Dungeon Meshi! And I think this fits into that. It's in the grabbing of Laios' arm too. Yes it's from despair, from the situation and from not being heard out, but that despair hides a desire, and it's a desire both to fix everything and to be seen and heard finally. And you could theorize it's his time with Mithrun that made him help realize here that yes there's some truth to wanting to be friends with Laios, and learn to seize the opportunity, to chase it not just through mind games but also try honesty, bluntness...

His arc with Laios (and with Mithrun) is a lot about teaming up imo, his party disappears and accomplished little because he never fully opened up to them, but when push came to shove and he was thrown into teaming up with someone (Mithrun) unfamiliar with no pretenses possible in an urgent situation he slowly gained trust for him, he learns that trust can be valuable even through the risk, enough that by the time he has to make his ultimate choice of going against Laios and even killing, vs helping him and letting him do his own plan, conflicted as he is Kabru still chooses to defend Laios from Lycion and have some faith- and this despite having his own opinion dismissed by Laios in the scene we just looked at. He is putting faith in Laios to have the weight of that world he was carrying alone for years put into someone else's hands, upon their choices, despite it meaning everything to him. Dungeon Meshi is a loooot about community and unity, about reaching each other halfway to have understanding and accomplish things together, better, and Kabru's arc very much is about that whole thing. Laios decides to go with his own gut instead of agreeing with Kabru's pleading, and there's much to say about that, but ultimately I see it as Kabru being forced to reckon with having to put full trust in another person's judgement yes, terrifying and risky, but sometimes it'll pay off. Seeking to understand each other earnestly IS good, and it's only after all pretenses are out the window that things start to look up, compromise shows willingness to do that.

So like. Mithrun's half of kabru's storyline is about being understood, getting some of that social connecting need he's been neglecting and showing how genuineness pays off, meanwhile Laios' half is about understanding others, seeing the flaws in how he approaches others. How do you expect people to understand you if you aren't earnest with them, Laios asks? Lycion hammers it home too, being the one to expose Kabru having been fake with Laios and trying being very blunt and direct with Laios. With Mithrun he learns to socialize without playing 4d mind chess again, it's easy with him befause he's so uninterested in respecting social conventions anymore and is so blunt and honest, and with Laios he learns to apply that. Mithrun is his parallel and Laios is his contrast.

Okay this was the story arc bit now getting back to a character analysis focus. Kabru is interested in anthropology in general, with a genuine interest in learning about people and languages & helping people at large. He's concerned with the greater good and "preventing Utaya from happening again", not because he himself doesn't feel safe but because he wants to prevent tragedies in the world, tragedies that affect others the way he's been before. Kabru is individualistic in the sense that he takes everything upon himself, doesn't readily trust others with decisions, but he's also incredibly selfless. He's dedicating his life to investigating dungeons and stopping their meltdowns, thinking someone else than the elves must get involved, he has personal reasons to be motivated to stop the demon but unlike Mithrun it's not out of revenge but out of a concern for others' wellbeing, while Mithrun's motivations are stuck in the past Kabru's are in the future's. In his determined pursuit of his goals he neglects his own needs and wellbeing- Due to his upbringing with the sheltering Milsiril, Kabru has a hard time even doing basic care tasks like cleaning and cooking, if it wasn't for his landlord doing the cleaning of his rented room for him it'd be very messy, bottles laying around because he drinks alcohol to help with insomnia regularly for one. Dungeon diving isn't all that profitable, especially being Kabru's party, and it's unsafe, and it's uncomfortable, and not exactly well seen- He's not enriching himself either in wealth or status, and yet Kabru his spending his every day and every ressource researching about dungeon diving parties on the Island to keep an eye out for possible future dungeon lords, making influential connections like the shadow governor, and of course dungeon diving itself. He even puts it himself, that he'd rather die in a dungeon in pain than stay at Milsiril's, and it's very important to remember that unlike Laios Kabru hates dungeons- He loathes monsters, is terrified of them and the threat the dungeons make, and doesn't even seem to have true curiosity or interest for dungeons' workings beyond how to stop them from causing harm- his dedication to dungeon diving is solely in relation to his mission. While I'm sure he does find some interactions fulfilling here and there, he also keeps himself from connecting with others, treating relationships either as tools (like drinking is to him) or situations to people please and focus on helping fix their issues like with Dia's fiance, sinking a lot of time into it and not opening up himself, gaining nothing from it except maybe some loyalty and reputation, a sense of satisfaction and a sense of having done a good thing.

The end very much justifies the means with him. He's one of the more politically conscious and few greater good caring people of the cast but he's not without bias, his talking about kobolds for one... more on that in the kabru & Kuro section. He's not blinded by ideas of good and evil since he has no problems with greyer areas if the ultimate result is good- but he can be blinded by laser focus somewhat. His fear over Laios- while clearly not unfounded since kui herself stated that at the beginning of serialization she really thought Laios would become a demon king as dungeon lord in the end- makes him take rash decisions, where if it wasn't for people reviving and saving his party again and again and again, Kabru would never have even met Laios. See, again the theme that he can't achieve his goals alone even if he tries. He doesn't want to share burdens and plans, refuses help sometimes, but he does rely on it like everyone else, and ultimately I think that's what his arc is about like we covered- from being so distant with his party to opening up with mithrun and ultimately, in his kill Laios vs trust Laios dilemma he picked trust.

I do think growing up with Milsiril shaped him into who he became a lot, not only because he had access to knowledge with her ressources and her teaching yes, but most importantly imo he learned to manage an emotionally needy adult. It's mentioned his dead mother would sometimes vent to him when drunk, and it's different but similar to Milsiril being a sensitive recluse hermit who jumps from tears to anger in the blink of an eye, with emotional manipulation whether intentional or not, guilt tripping for even small things like which home cuisine he picks to talk about. Kabru grew used to having to anticipate and pacify or counter Milsiril's moods, to push through the wails and downright threats to be able to make a point and be heard like when saying he wishes to go into dungeons, and she seems to overburden her kids with the task of managing her emotional stability like I implied. She doesn't have friends except literally maybe just Helki her employee, she likes dolls and interacting with her kids and that's all that we see, so she seems emotionally dependent on her kids and esp Kabru imo. So like with how he operates in the present, he learned to "manipulate for good", what words tend to set people off, what ways to phrase things make pills easier to swallow, what face is most pleasing and soothing, what gestures are too much and what gestures are too little. Daily life and ineracting at home with his foster family became a visual novel with right and wrong answers and for smooth days he needs to be a good kid. Milsiril & Kabru is a topic for another day but I do have a lot to say. I do want it to be kept in mind here that Kabru's opinion that it's impossible for elves to see eye to eye with shortlived races is explicitly linked to his experience with Milsiril, as written in his Adventurer's bible pages. This coming up is definitelyyy a headcanon though but since [Helki is the only friend adjacent relationship we know milsiril has] and their relationship is master & servant there's grounds to theorize about how much kabru interacted with him too- how much Kabru saw Milsiril and Helki interact, his only father adjacent figure you could even say... As @room-surprise puts it, growing up in that house watching Milsiril and Helki and himself he learned that life is not to eat or be eaten but instead "to use or be used". Having grown elsewhere than the rigid elven kingdom first, that place with its tons of social etiquette rules and hierarchy, helped him be more critical of that society even as he observed how it worked and how he could work it, his original home may have not been much more welcoming, but sometimes difference is all that's needed to start comparing and realizing how systems are built, and not innate or unchangeable. I think being thrown into it rather than born into it shaped how Kabru perceived it. Psychology also helped him deal with his own trauma imo- in the incubus & parasitic bee comic it seems rationalizing the people from his hometown's superstitions helps him make his peace about it, makes it feel less personal, more distant- it's not my great aunt thinking I ruined my mom's life by being born, it's the human instinct and phenomenon of people being scared of what they don't understand, like a child with pale blue eyes. People being scared by what they don't understand, hm, it really always goes back to this in Dungeon Meshi doesn't it.

I think it's needless to say at this point but it's obvious Kabru is a character very affected by trauma. Faced with monsters, which've ravaged his home in the blink of an eye, he shakes and hesitates. He gets flashbacks when thinking about eating monsters. Wild topic swing but believe it or not there's a recurring "is it ptsd or autism" debate that often happens with characters, including L from Death Note for example, and Kabru has had this phenomenon in a niche of the fandom too. As one myself I do heavily relate to Kabru in the lens of him being an overachiever masked autistic, who unconsciously was drawn to learning psychology out of a need to do so and used to approach social interactions as a more scripted and logical affair than intuitive, and that was in part due to trauma yes- but autism and social-based trauma that pushed you to overcompensate and overachieve is, well... There's a causal link there yes, and it's a tendency that does happen with autism, especially in its afab presentation. And Kabru having ptsd is pretty much undeniable, so then, both? Personally I would claim kabru suffered not only the trauma of Utaya being destroyed but also social trauma living through being feared and hated by villagers and then taken in by elves and being constantly talked over- again different but similar to Rin's own experience and trauma. Truth is Kabru not being autistic doesn't change all that much from the "Laios caught his eye because he doesn't mask well and Kabru has to teach him about it he has to tell him that's illegal and look out for him" magnetism theory because that's also what ptsd does, someone with ptsd depending on the trauma also can become very scripted and nervous about skirting from it. Autism just gives it a more personal lens, where it's not only trauma but just who you are, always feeling a bit apart from everyone else in a fundamental way. In the end what autism and ptsd share in situations like this is that they treat social situations like a survival game, no fun included. This isn't the kabru is autistic analysis that's another topic plus many exist already I bet, but yes just know that these are common and coherent readings that can give a good lens for his behavior or obsessive tendencies.

Last tangent last tangent- but words are Kabru's main weapon right, knowledge is Kabru's main warfare method. Being in a society and with a parental guardian who doesn't put weight into your opinions and wants, speaking and being listened to is hard, and Kabru learned to play the game and dance the dance until he could make connections anywhere. It's of course relevant with how he dealt with Misilril and just how he continues to approach problems and matters now too, it's a way to be, a defense mechanism too, again like Rin's. It's interesting to note that it's Milsiril who taught him a lot, which he mentions is what he's grateful for her for most, teaching him and training him- and isn't that very in line with how Milsiril also felt spoken over and rejected by elven society as well, how she despises elven society even. Almost as if knowledge is a tool when you're devalued and pushed down in a society- Something that was important for Milsiril to teavh to him, which also fits nicely in with Kabru teaching Kuro the common tongue later on too. Milsiril's approach to the game of hierarchy was to keep her head down and obey orders until she could retire living rich as a hermit and foster parent, though, and that's emblematic of where they differ too- Kabru wants to be proactive, do more prevention with dungeons to have less damage control to do, even if you have to throw yourself into danger, even if you have to seek it out, so he makes connections and builds influence and goes dungeon diving. Milsiril wants to go away from trouble, leave to be safer, avoid danger, in life like in work, so she decides to live away from wider society to deal with her trauma and social anxiety, and so she retires and doesn't understand why Kabru would ever want to go near a dungeon again. Words are Kabru's main weapon but ultimately he drops arms and shed this attitude for open communication instead... 😌

I've started doing more analyses with enneagrams, I'll link back here when I make my first enneagram character analysis feature with Laios but in the meantime, sorry if you know nothing about it... If I had to call one for Kabru right now, 5w6/6w5 and 163 for tritype? Which would somewhat complement my reading of Laios as a 4w5 478, being his contrary in the action center 1 vs 8 which is the center that dictates how you judge/approach others/interactions, and the order being that the socialization center is the facet that's most important to Kabru vs what's least important to Laios. Inversely what's most important to Laios and least important to Kabru is the heart center aka how you judge yourself, your relationship with your own self-importance, Laios is very concerned with his own identity and interests and flees oppressive places that make him need to conform too much meanwhile Kabru is to himself only a tool for his greater goal and is ready to sacrifice individuality and his own comfort for it. But hey why would Kabru be 6w5 but still have 1 has his most important type in his 163 tritype? Well 6 is the desire for stability, security, and 1 is the high strict standard & concern for what's right vs wrong. I would consider 6 as his more important type because it's that desire that shaped his 1 importance given to morality, justice, good on a wider scale, etc, especially as someone marginalized where moral policies naturally benefit more people, often especially those devalued ykwim? Bettering the country with policies is right and also benefits him, he thinks everyone should have stability and safety, that it's the most important thing for everyone, but it presents as a 1 way to deal with that issue.

I think an important recurrent theme you can notice here too is onesided and unbalanced relationships. Kabru had the role of significant emotional support to both parental figures he had in his life, when as a child you're the one supposed to emotionally unload and the parents are supposed to take on them and manage the both of you, and it's made him be stuck into that mode sort of by default, letting others open themselves to you as much as they want but not opening up in turn, being more detached and unemotional- and of course, that's what's needed when you need to fix things, when you have to make sure everything is taken care of. It's the approach he takes both for his life and for relationships, so he shuts out his own emotions and pushes himself for others and for the world. He likes knowing, but not being known, because that's not supposed to be his role or purpose. He knows how burdening that can be. It does make the reversal of Laios being interested in Laios actively and Laios being uninterested in Kabru himself interesting. I don't know Kabru knows himself all that well, it's always about others so he doesn't take nearly as much time pondering his own wants, I think that plays into the "I wanted to be friends" too. It's how he's so able to get Dia's fiance to emotionally unload on him and vent over a couple hours and so at ease with it- he's used to it. Ah and even with Rin! He was specifically asked to befriend Rin as a kid, a very heavily traumatized girl- he was asked this because he's a shortlived race kid like her and nice, was asked this by his foster mother for the canaries' sake- he was literally put into that emotional support situation there too.

I am not mentioning every parallel & contrast he has with Laios I don't wanna be here all day!! But hey where Kabru had his town ravaged by monsters as a child and has always holds importance for having community, Laios fantasized about monsters tavaged his town because he hated his community, for one. In this precise scenario, Laios saw flaws and he immediately wanted to give up on that community, meanwhile Kabru saw flaws and wanted to fix them- Well, mostly, since Kabru did give up on relations with elves for a good while, and both end up amending those beliefs and seeking to make a better society within the golden kingdom together.

Here is my very quickest Kabru analysis apparently 😭😭 I NEED to get dragged offstage this can't go on- Idk man I still haven't gotten THE ANGLE with Kabru's narrative in the story I still can't see one thread that makes everything seamlessly connect together like it usually happens with Dunmeshi for me, but there's so much going on here about typical dunmeshi themes like authenticity, balancing considering others & your own needs and connecting...... But my biggest impression after my first read that still lingers now is that Kabru was in good part there to embody that people are a tapestry and that we're like an ecosystem, you can't carry the weight of the world alone because you are not alone and humans are creatures that accomplish feats through being social, like how Kabru couldn't have defeated the monster without Laios' help, Laios couldn't have gotten this far without Kabru's interference. Again it's all comes to that final battle where everyone, different as they may be, come together to fight on the same side, to save their collective world... And the guy everyone believed in least being the one on who all hope and faith and trust is placed in the last desperate shot at winning. Idk man!!! What are we doing here go touch grass breathe in the breeze hug your loved ones what a joy it is to be alive and human!! Take example on Kabru and love yourself. Because you're human and he loves humans I mean- don't actually take notes on self-love from Kabru that would not go well I feel. But yeah like to me Kabru's party gives me a nudge of what direction I should go in to figure out what his portion of the story is getting at, the importance of Kabru's party then becomes showing the state of his relationships at the start of the story before things get shaken up, as contrast and a reference point...

Rinsha Fana

OKAYYY here we are. Not everything is about you Kabru! <- said with Rin's voice (it really truly actually is lol)

I've already done an incomplete analysis of her here, please look at it for Rin pictures & material, but basically her sour and strict attitude seems to be a defense mechanism she can't fully control, like how she tends to frown when she wants to smile. Kabru's words about it are somewhat dubious to be sure, we don't have a guidebook on "when is Rin truly angry and when is she just smiling upside down :) ", but it is notable that Kabru does have a point with that, from what we see.

Her nagging attitude is part of that defense mechanism- As explicitly stated several times, her main purpose in following Kabru is that she's worried he'd get himself into trouble without her. Not unjustified, since he has trouble even cleaning and eating well, and then he gets all wrapped up with the canaries during canon, but yes according to Rin he's too smart and reckless for his own good. This may be why he sees her as a big sister figure, she nitpicks every little thing but at the end of the day her support is unconditional and she'll stand with you whenever you need her. Sort of like a big sister, she gives tough love but ultimately just wants you to be healthy and to take your pain away.

She had a very difficult upbringing, seen as a heretic to burn at the stake in her early childhood then treated like an animal when growing up with the elves. Her parents had an unaligned religion and its practices are tied to how she learned magic, which is why her family was reported to the canaries as dark magic users, but not in time for them to arrive before the townspeople killed her parents. Where with the elves Kabru learned to people please in order to gain more agency and safety when he grew up seen as a pet, Rin learned to be irreproachable and stand her ground when she grew up treated as an animal. The townspeople in Kabru's hometown sought to break up his home and chase out his family, and they may have threatened heavily for all that we know, but Kabru was able to keep his love for humans and belief that humanity is good, the trauma he has is of monsters killing people during the dungeon overflow- Rin's trauma is townspeople burning her house down and lynching her family until she was the only survivor. She sees others as a threat, and not without reason.

Both Rin and Kabru wear masks socially. They go in opposite ways though, Rin oversells her toughness to tell people not to mess with her, she makes herself closed off and intimidating, meanwhile Kabru is more of a chameleon but mainly, he makes himself seem open and appeasing, unthreatening to be trusted and liked more.

She was sent into shock and suffered through severe trauma especially since the people who collected her amidst all this, the canaries, are very ill equipped to deal with emotionally/mentally fragile people, especially shortlived race kids. Because of this whole situation she has some contempt for those who had it "easier", like mages who went to magic school instead of having to self-teach like Rin did. And some of this is disdain that where she had to study everything on her own others have teachers to guide them through it all, a sense of superiority, but imo it's also doubtlessly a defense mechanism, an anti magic-elitism where she sneers at them before they can sneer at her. Before they can call her uncultured, she calls them talentless. Counter before they can even strike. Defense mechanism. In the main story, we hear of this tension Rin has about academy mages with how she speaks of Marcille and her spells- specifically she's rude about Marcille's protection charm/ward and says something about how the one who did it was definitely an academy mage because the spell is too by the book in chapter 32- and this is what I mean, she takes issue with how strict about rules and spells they are, how much they conform, because her own background is being severely mistreated and sotracized for being an unaligned unconventional mage, for doing magic outside of these rules and books. Interestingly, we also see in chapter 10 though that she looks down on people she sees as not successful or capable, saying that they'll definitely defeat the mad mage and "we won't be hand-to-mouth adventurers like you people", perhaps from trauma too- wishing to put a distance between the group she'd normally be categorized with and who she wants to become, or having felt mocked by the guy who talked to them before by having been related to them, because she's so on guard and bad faith always. We don't really know the details of Rin's time with the elves, escept that she was "minded like an animal". We don't even know where she stayed, even, just that Milsiril couldn't take her in because her house was already full. Where did she stay, then? Some shitty orphanage? I like to think she stayed with the canaries as "an impounded article" until she became an adult and left with Kabru, explaining even more her attitude since she'd have all the military influence, and further proving the point that any success she earns was self-made, that anything she knows she had to teach berself because her environment never gave her opportunities. But yes wherever it was, we can only assume that it was close enough to Milsiril's mansion or easily accessible, because Kabru and Rin continues seeing each other. It seems like at first, they would have made trips just in order to have Kabru befriend Rin until she could talk. They may have continued through letters eventully too if they couldn't meet. Hust a lot of uncertainty on every ground, all we know is Rin and Kabru became important to each other.

We actually know little of Rin and Kabru's pre-canon relationship, but we know that Rin was taken in by the elves some time after Kabru was, after her parents were killed by townsfolk and report them as black mages to the canaries, who arrived too late to be able to tell, so just took Rin in and...... Well we know very little of how she was treated, too, even where she was kept, just that Milsiril couldn't take her in and that they "minded her like an animal". We know that Kabru wanted and wants to "get her away from the elves somehow", something he doesn't say about the other kids living with Milsiril and explains his reason as being because Rin has bad experience with the elves, but it's unsure how Kabru left home and how Rin came to go with him. Because of that quote of his though it's likely he invited her along when he left, and she followed. But it's not confirmed, for all we know Kabru could have only invited her after 2 years after leaving when he founded his party. It's obvious Rin holds no love for living with the elves anyways, but we don't know how much freedom she had- it was hard for Kabru to be allowed to leave because he was coddled, notably only leaving 2 years after he reached in-world adulthood despite having first voiced his want to leave when he was a kid, but meanwhile I like to think Rin left very easily because no one cared, she was something that took up space and food where she wasn't wanted or needed, an obsolete "impounded article". She was catatonic when she was first taken in, but it's likely things were cleared up once she was able to talk that no, her family wasn't practicing black magic, and then the canaries just didn't know where to send her because she had no home or family anymore. But then, if she could leave whenever she wanted why wouldn't she have left earlier? Probably precisely because of Kabru too, because she didn't want to leave him. She loves him, and they're more or less the only friend each other had, so she couldn't just leave him behind and try to build a life without him, similarly to how he couldn't do that either. She stayed for Kabru and she left for Kabru.

I made another little post speculating more about her life with the elves and the possible impact of Flamela here if you're interested, as well as elaborating on her abandonment issues and the importance of Kabru to her.

Rin does seem to believe in Kabru's cause, in making him dugeon lord and that being important, but her main motivation is still pretty clearly that she's doing this for Kabru because it's Kabru. She doesn’t seem to really know why or what, just that it should be ‘someone who deserves it’ that beats the dungeon and becomes dungeon lord, and her first lines show her determined to prove everyone they can beat the dungeon. Like stated, her main motivation is she wants to make sure Kabru's safe and out of trouble, so hey why not put the "heretic" magic she learned to use and become his offense mage, why not use it to manage a feat so big and desired (defeating the dungeon) that everyone will have to admit she and her art are worthy of respect, to prove to everyone she can make it with her own skills and own unconventional knowledge. Her magic, the last remnant of her family. Her house burned down with everything she possessed, and she's said to have little attachment to her culture due to having been an immigrant on top of everything else, so the memories and knowledge they've taught her, the lessons they instilled in her and the person they tried to shape her to be, that's all that's left of them. She never speaks of them, at all, likely due to the whole heay childhood trauma thing, so we don't really know her feelings on well, everything, beyond that it was traumatic. We don't know what her relationship with her parents was like. She's a very closed off person. That's another contrast we can point out with Kabru, Rin flees her pre-canaries past and never brings up her family, has little attachment to places she's lived in or her culture, but Kabru is fixated on remembering, brings up his mother and culture whenever he can like in the halloween local sweets extra, has made the tragedy of Utaya at the center of his entire life mission. Rin and Kabru really are contrasts of each other in how they deal with trauma I think, whereas they both become very guarded in very different ways I think this highlights how simlar he may have felt with Mithrun, the both of them having become obsessed with their trauma and eradicating the cause of it which happened to be the same thing, having become workaholics and consumed over it.

She's in love with Kabru, but the way I see it it doesn't seem like she's particularly pursuing him romantically. I do think Kabru's occasional flirting with her gives her needless hope, but I don't think getting with him is either her goal in following him or her plan, I think she's content just following him to taking care of him selflessly, even when she knows he can be a womanizer and dishonest asshat, albeit she'll complain every step of the way yes. Again, unintentional big sister attitude.

Post-canon, she keeps in touch with Kabru and becomes a pharmacist, presumably living in Merini but there's no mention of the location, we just know she's kept touch because of a post-canon extra with Laios and Kabru. Her new profession supports that 1) Rin likes caring after others and 2) Rin never had an interest for anything about dungeon diving in itself. It's also ironic, since she was a offensive mage and didn't do healing.

Contrasts with Marcille, where to start... Marcille is optimist and rather open and Rin is pessimist and fully closed off, Marcille is social and smiles a lot and Rin is the reverse. Both of them have a caring mom friend attitude, but Marcille is more gentle and coddling about it whereas with Rin it's pure tough love, both of them do this to a often stifling degree (Falin, Izutsumi, Kabru). There's the contrast in their appearances too, and how Marcille dresses practically but Rin is more flashy, with an... Ambitious skirt cut? They're both elegant but in different ways, they're both very bold in fights, and stubborn and loud in their beliefs. Marcille was a more or less sheltered girl who learned magic in an academy while Rin learned on her own at the cost of blood and sweat. Both of them seem to have grown up in towns rather than cities, a more rural setting, since there were large fields and chickens roaming where Marcille lived and the little we see and know of Rin's town makes it seem closed on itself. They were presumably lonely growing up, Marcille had no peers because of her irregular aging and spent her time absorbed in novels, where Rin because of her family and culture/race was mistreated and avoided and it seems she spent a lot of her time focusing on learning things instead, perhaps paralleling novels with textbooks even in young age. Marcille lost one parent of natural causes and was traumatized by it to the point it became at the center of her life mission, and Rin lost both parents to murder and was traumatized by it to the point she avoids thinking and talking about it ever again. Both of them seek to learn, use and even create unconventional magic eyond the rules set by people. Both of them have cat energy, thank you for coming to my ted talk

Holm

Holm is actually rather mysterious. The biggest thing to notice here is that Holm has been to elven jail before, because his research was too close to dark magic. We have no idea of what his research was about at all, we have no details and little clear hints. He's a man of theorics though, it shows in how he talks about magic and spirits, and with his christmas gift exchange gift it shows how nurturing living things with magic really is something he enjoys and has interest in. It's not a lot to go off of, especially since we know canaries are trigger happy when it comes to dark magic, both arresting people who had minor brushes with it or that seem suspicious without any confirmed crime, and with elves exaggerating people's crimes so they become a canary for manpower. Who knows, maybe he is dungeon diving to try and subtly do research at the same time, but the way we get no hints of that and he just keeps working as a spirit user post-canon makes me think it's just work to him. He never mentions researching or seems to be studying something in the dungeon so it doesn’t sound like that was significant part of his reason for dungeon diving. So he had his run-in with authorities and decided to live more simply from thereon. But that could also just be because of the nature of dark/ancient magic and how it more or less poofed from the world after the demon left, too. With the truth revealed and ancient magic unavailable to channel anymore, research becomes less needed and viable. I doubt Kabru knows about his past. Again, much like Laios' party pre-canon, what got them together is work before anything else, with the added bonus of Kabru spinning an important narrative about conquering the dungeon to become dungeon lord.

His chill laidback, more passive and calm attitude makes him feel more vague and mysterious too, hard to get a good grip on, but he’s also the most mature and put together of the group. Very mellow. He's not quiet to the point of seeming asocial like Dia somewhat does, he just seems... Average, in the extra about his sister for example. And good at keeping secrets. His skeleton in the closest is the jail thing and that's that, seems like it put an end to his researching career and he’s now settled for being a spirits magic user as a job which brought him to dungeon dive. Nope sir prison isn't worth it I'm keeping myself into trouble from now on. What job can I do now though, my specialization is spirits arts... Dungeon diver, okay sure. It could be theorized that his usual attitude + his secret are a persona of sorts, where he keeps himself largely hidden and keeps people at an arm's distance. It's pointed out he freezes in the face of conflict- it shows he dislikes fighting, even being worried for the spirits he makes fight, and that makes me think even more that dungeon diving wouldn't have been his first choice. It could also be a good part of why he's so laidback and quiet then, passive. He dislikes conflict, so he avoids being in the spotlight also helpful skill to have when you've had run-ins with the law, and he has such the nice guy reputation that Mickbell doesn't think twice about crashing at his place in the middle of the night- and sure enough Holm lets him in and practically serves him. You could think him a doormat, but we see with the comic of him & his sister that he's very capable of being mad and agitated and go more on the offensive in a social situation, but yes he has that helpless -panics and wails while all his coworkers does things around him against his will- energy that's pretty sopping wet cat. He seems chill and cool but oh no he was actually the stressed overworked protagonist of a sitcom movie. My condolences for your life Holm. In general he's also a decently judgemental person, and although casually and often with a smile he has no problem "telling it like it is", calling out Mickbell's treatment of Kuro and talking about how Kabru can't clean for shit, how he'd "be willing to do anything to achieve his goals" and is too people pleasing, etc. He's confident in himself, and pretty set in his beliefs though we see him debate and compromise with Kabru.

His sister is the only personal relationship we see him have, but it's stated. She must live on the island too, considering Kabru visits her. The Island isn't exactly a place you're typically born in, so it's interesting to wonder what it means that both Holm and his sister would have moved there. Did their parents disown him after he got arrested over his research? There's nothing to say they did, but nothing that hints they didn't either, honestly, so Holm is a bit of a blank slate backstory wise as well. We know his religion's very important to him too though, and it affects his diet. His spirits are very dear to him and it's mentioned for example that he's raised his undine since basically the spirit equivalent of a baby, so it's implied he's been raising spirits for a long time. If his social life doesn't seem to be thriving, his spirits are definitely filling some of his social & connection needs as pets would. He does both healing and offense.

His contrast with the Laios party would be Falin since they're both healers lowkey doormats who notice the flaws in the people around them but don't act on them and prefer being passive and take upon themselves. They both love nature and were pushed by capitalism and rigid structures that prioritize conformity into work they aren't passionate about. The most important thing in Holm's life seems to be his spirits, and the most important thing in Falin's life are her loved ones, I'd say his enneagram is 592 while Falin's hmm, 926.

I ramble more about Holm in this kabuholm post and compile more of his moments, but it's more speculation than analysis, it's a take on him essentially. My personal verdict is- king of staying in his lane. He's here for work and he keeps his thoughts to himself to speak when it's necessary, he's not afraid of letting people have it outside of that though. The separation of professional and personal life is not going to great with his coworker occasionally imposing on his home lol. Reflecting his maturity, he lets others handle themselves and only steps in when he's needed. Hm, sounds like someone else doesn't it?

Daya

First things first: Daya or Dia? You'll probably have noticed I use Dia, and the reason is pretty simple: Daya/Dia is a nickname. Her official name is Diamond, but the shortening is always used instead- Diamond we have an official spelling for, the nickname we do not. Since it's in katakana (da-ya) and a fantasy world, translations call her Daya, but that's the same pronounciation as the "dia" in "diamond", and isn't it logical for her nickname to just be a shorter version of her actual name? We do know that Kui translates names to katakana being mindful of their pronounciation and not just spelling, like how Tims in Chilchuck tims is written as timzu. Yenpress the official english translator has messed up character names before and this even after official spellings came out, like Mikbell and Sissel, but notablyxthe anime english translation has also gone with Daya. But so, yes, I call her Dia, but of course there's no right or wrong here and by going against official translations I'm making things harder than they need to be. It's just...... Hard to unsee.......

Daya is very underrated for having such an interesting background! She was esentially raised in a cult? The "dungeon keepers". That protects dungeons, in that they keep people from going into it. She never knew why it was an important thing to do, and never questioned it, but as readers at the end of canon we now can imagine that they kept people from going into dungeons so that there would not be new dungeon lords and dungeons would not overflow. Ultimately, Dia fled her home and community because she refused the notion of marrying an older relative to have a child. There's a mistranslation from Yenpress that Namari is from the same tribe as Namari, when the original japanese sentence is just about how they're both from the same race- both dwarves.

No wonder with this background that she "has a slightly otherworldly air". She's very stonefaced and hard to read, but with the focus on duty and discipline she had growing up it's easy to see how she'd have become a somewhat emotionally constipated person in this way. She fell in love with someone of her choosing and is intent on marrying him, contrasting with the man she was ordered to marry back home. It's with a renewed interest in understanding what the life she'd spent so long upholding was about that she went back to work with dungeons as a dungeon diver, in her own words with the goal of understanding what they were protecting. In this way, it seems the marriage order was truly the thing that made everything snap and finally caused her to shake up her life, to look back and start questioning everything- and now she's free, she chooses what to do with herself and who to be with. It's said she loves her husband, and her husband seems very attached to her as well. Somewhat paralleling Chilchuck and his wife, we can imagine how nervewracking it must be to be the spouse of a dungeon diver, who faces death for a living. Dia is very independent and disaffected on top of it, so we see that her fiance feels insecure and even doubts she may cheat on him with Kabru. This insecurity is born from feeling like Dia doesn't need him- and so may leave him in the future. He feels neglected, and Dia probably doesn't show him love and how much he's valued in a way that he sees or satisfies him. That said, her fiance after a couple of cups and an hour with Kabru is shiwn to be very open and emotional, which would presumably complement her well. Dia seems unemotional but she does have her bouts of strong emoting, whether it be distrust, worry, frustration or even wonder- That said, she's not the greatest conversationalist around and I can definitely see her not really understanding how love, care affection and attention, is supposed to look like- Again, she grew up in an extreme social environment.

She's bold and fierce, confident, and notably very very strong. With training from a young age not only in discipline but in fighting she's a warrior born and raised. These are considered tomboyish traits, but I do like how Kabru and the adventurer's bible calls her a lady- she shows wonder at the treasure insects too! She's not disinterested in oretty things, or anything of the sort. We just have little window into her interests, since her life centers around work so much. She also calls out Mickbell for his mistreatment of Kuro, but also does nothing about it. She's quiet and is most often seen closing up the tail end of the psrty looking around for threats while they're on the move. She's quieter than Holm and also more standoffish. The queen of staying in her lane, if you ask me. We'll be talking more about it in the relationships section but you can already see this very interesting party dynamic forming of Rin and Mickbell having their nose all up in others' business while Dia and Holm are very permissive and quiet even while kabrin and mickuro look insane from an outside perspective. Who knows what normal looks like to Dia, though. She disliked Namari because her father made things rocky for dwarves on the Island for a while, so that can show how critical she can be and how her value of not sticking her neck out and staying put & not rocking the boat manifest/the why of it. Like in her home community we can imagine, you have a role in society and being overly disruptive can ruin things for everyone including yourself- even if the one who did the mistake was your parent the fault befalls on your whole family. Very strict hierarchy based outlook on society and community I think... It's interesting that despite of having been a victim of such behaviors herself, part of those faulty lessons stuck with her and she upholds much of the same fallacies.

All of this is very interesting foundation for a character, but yes not much else is developed on Dia and that's wher her story starts and ends- I'll make a diaholm post eventually that delves into her themes of freedom and emotional wallbricking but that's about it from me. I like to think that she likes her husband, but rushed into marriage- that going from a life where everything was structured and decided for her by others to having nothing but choice, from the prospect of marrying an old relative to anyone she chooses, she sort of picked the first guy she liked and made a move on her. Pure speculation, because I like exploring the side effects her upbringing would have had and this sort of detached attitude she has, with some typa off attachment style...

Fun facts: if the modern au christmas gift exchange extra is to be believed, Dia enjoys reading and has some books of her own. In a Daydream Hour she's drawn with Holm out of their work uniforms but she still has a sword at her hip, which may mean she carries a weapon with her even just around town. She has two younger siblings that she never mentions and we presume she left behind at home.

Mickbell Tomas

Okay okay okay now the true insanity may begin! Please refer to this post to see Mickbell's profile pages. Also see the bath comic for another great show of his character! I cannot make a mickbell collage for this there is no pic page umm ummmm additional compilation here.

Despite being an adult of 22 years old, even older than Kuro both literally and developmentally, Mickbell often acts rather juvenile. He tends to be very black and white, he wanted to steal the corpse retrievers’ stuff and was mad when Kabru didn’t allow it, he thinks Kuro talking to others will make Kuro leave him. He's judgemental (exhibit A: comic about Rin smiling) and critical (esp with Kabru). All means justify the end (him having fun, becoming rich) but if others do something wrong efficiency or annoying behavior wise you better believe he'll voice it. He’s very expressive, both in body language and words, swinging his arms as he walks and jumping and stomping the ground in anger. He also has a mischievous streak. He’s casual with touch, touchy feely if you will, and clings to Kuro a lot, both for safety and because he simply likes to. Cough cough separation anxiety and abandonment issues. He knows how to be serious however, especially when it comes to money or risky situations. He does his job well and does it conscientiously. In many ways he's similar to Fleki, if Fleki was more dedicated on the job. He may be very layered, and manipulative when he wants to be, but he seems to value in others the same type of directness that he has with emoting and interacting with others, as seen with his distaste for Rin being a tsundere. He's blunt and straightforward (whenever he isn't with Kuro or scamming), and in that way it seems those are values of his, which may be why he does usually gets along best with Rin, especially on the job.

He has loose ethics and likes to goof around but is otherwise often highstrung, reflecting Kabru's "relax a little" view of him. He's serious on the job- a contrast you can especially notice in the christmas exchange special. He had to steal and do scams to survive, again the christmas special shows he's good with money and making deals- mischievous and full of himself when he has to sell stuff and quick to flee when he smells trouble, but very focused when it comes to calculating costs and revenue.

Again, despite all his troublemaker toddler behavior Mickbell is surprisingly serious! It's still undeniable that he has capital i Issues, from being very uncaring about how others may see him and developing this "it's us vs the world" mentality with Kuro, to how emotional, exaggeratingly expressive and impulsive he is- in a way that lacks emotional regulation skills I'd even say, to what he says when something displeases him like "she'd be a lot cuter if she smiled more" about Rin after she doesn't laugh at his jokes... This all seems to point towards Mickbell having pretty bad emotional intelligence. You could even easily call him stunted. He doesn't seem very self-aware, his manipulation of Kuro is not something he can do solely unconsciously but it is genuinely debatable how much he knows he cares about Kuro, how much he's aware of what he feels & why, why he says what he says and does what he does. What would he do if you told him that trying to manipulate Kuro into thinking that everyone except Mickbell wants him in shackles and in pain and wanting to have a house and a nice domestic normal life with him is sort of mutually exclusive? I don't think he thinks about the wider picture like that, I think it'd cause some dissonance a bit. He thinks ahead when it comes to finance, but socially he seems to very much live in the moment, not really trying to anticipate how much others will appreciate his input or behavior or thinking about how he'll keep up the charade 2 years down the line. He wants to hustle his way out of being homeless, but in many ways he still has the mentality he had to have for running scams and surviving on the streets at his lowest, one day at a time, succeed this step so you can then succeed the next. In his mind he's constantly making charisma rolls on Kuro and he needs to not fail them.

Don't you worry Mickbell & Kuro is getting a whole section, buuut with Mickbell and Kuro both, character analysis is inseparable from analysis of the two's relationship. The ethics and circumstances of Mickbell working Kuro for peanuts are surprisingoy complex- because that is how Mickbell sees their dynamic, but Kuro sees it completely differently and assigns himself full agency in wanting to stay. Kuro obviously wants to follow Mickbell, and that’s what Mickbell takes advantage of unknowingly, what he thinks is Kuro’s helplessness. What I find much more alarming is Mickbell’s need to control not only Kuro's economical and social life but every aspect of his life. He’s not only overcontrolling, paranoid that someone will want to steal him away from him (both for Kuro’s sake but very transparently desperate to not allow Kuro to leave him as well- will get expanded on), but he also wants to isolate him. It’s no coincidence Kuro has no friends apart from Mickbell- the closest thing would be Kabru and even with him, communication can be difficult and Mickbell does interfere. It's not Mickbell's fault there is a language barrier, but it is Mickbell's fault that Kuro has amassed so few tools in navigating the world without Mickbell, but it is his fault that Kuro feels like he can't tell him he's learning common with Kabru, and it is Mickbell's canonical intent to render Kuro just that, powerless enough to need him- again I cannot overstate how it is straight up said and confirmed in the Adventurer's Bible that Mickbell mistreats Kuro the way he does because he's scared Kuro would/will leave him. Mickbell sees their relationship as employer-employee while Kuro sees it more as guardian & guy who needs to have one, but it is also said that Mickbell sees Kuro as family, and I do think that makes sense, and I do think it can't be overstated how on a deeper level it's Mickbell who needs Kuro, and that Kuro is Mickbell's absolute most important person in the world- his only person in the world, even, in many ways.

"Until he met Kuro, Mickbell was all alone in the world, so he seems to see him as family."

Mickbell is desperate for stable relationships, both seen with his clutch on Kuro and his wanting a house to settle in. Or I suppose, relationship singular, he seems very ride or die on the idea that Mickbell and Kuro are the only thing each other needs, he never seems to particularly try or want to befriend others, is a bit clammed up on himself. Distrustful, assumes bad faith, especially as we see with the half-foot union. Perhaps because he's never felt a sense of community where helping each other out of good will was a thing, survival made everything transactional living on the streets, so he has a hard time having good faith with organizations like unions, and this notion of relationships being transactional would have also shaped why he would frame his and kuro's relationship that way, as employer-employee. Not to say he doesn’t like socializing though, we see him work a room all self-satisfied and tell jokes in an extra comic, and he gets peeved when Rin doesn’t laugh at his jokes, he does like getting general social approval. As he isolates Kuro he also willingly isolates himself, and is ready to burn bridges or opportunities for him.

He's sleazy! Debate about egg or chicken all you want, but I think Mickbell running scams definitely shows in how manipulative he is in relationships as well. With the christmas gift exchange thing we see that he can do scams the straightforward way, selling an item to be much more than it us for an inflated price, but it is specifically said that Mickbell doesn't have half-foot pride the same way Chilchuck does and has no problem using his race to "curry favor", so I would think he's done the emotional manipulation kind of scamming as well, acting like a child in need or such. "If you can use something, you should" is stated to be his motto. Because in a life like his you don't have a lot, you seize the opportunities you get because it's a matter of survival and there's no ace up your sleeve dirty enough to justify not taking advantage of it. All this to say- Mickbell's most iconic scene is arguably his short interaction with Kuro here, and it's extremely blatant manipulation. The anime even ups this with the teary eyes and voice acting- the borderline tears followed by a grin shows just how conscious and intensive his manipulating really can get. Again there's a transactional lens he sees relationships through I think- and that plays into Mickbel scamifying his relationships up... Which in the end I do think he feels scummy over. Simply because, chaining someone to you like that is not something you do if you think you're lovable- if you're all that, if you're great and likable and worthy of unconditional love. That man can't believe in that, he can't believe in his life partner of many years choosing to stay if that didn't happen to be his only viable option. Mickbell lives in fear of being abandoned and it's in good part because the world has taught him he's not valuable on his own.

I think Mickbell lives in fear!! And I think that's deeply interesting. Makes sense for someone with such an harsh extreme upbringing as him to be hypervigilant, with food like with money the way he is with the party, he keeps grudges, both in his backstory extra comic and during canon. He lives in fear and distrust and all these little ways he knows toxmake himself feel more powerful than he is. And I think it's so, so interesting how when he finally accepted Kuro following him, inventing something about him becoming his bodyguard, it was because Mickbell just witnessed Kuro kill and maim a man and he was shaking, so afraid but also accustomed enough to violence and needing to bullshit his way through situations to tell Kuro things like "I'm your master" and for Kuro to just go along with it. Mickbell's is the art of faking it till you make it. Mickbell was afraid of Kuro then, and I do think Mickbell was scared of the idea of what this kobold man stranger could do if he decided that Mickbell wasn't his master after all, until his attachment grew and keeping the charade going was less out of a need for Kuro not to hurt him and more out of a need for Kuro not to leave him. So the fear of retribution because he did not know Kuro became a fear of abandonment when he did learn to know and love him- Kuro leaving him alone, the very thing he desired the firt time they met and Kuro followed him after Mickbell freed him. And this is why I made this web weaving about them this makes me ill good god. He lives in fear of being "found out" by Kuro in a way, for this scam of a relationship to be discovered so he only gets tangled up in his manipulation more and more to keep it going as the stakes keep rising and rising because Mickbell is only more invested with time- and he fears that Kuro would realize it one day but he also fears others will expose him, a big part of why he monitors what others say to Kuro, why he wants to be there whenever Kabru talks with him, why he's so scared at the slightest conversation had out of his hearing range. But! Part of it I'd say is also genuine fear that they could take advantage of Kuro, perhaps because due to his own taking advantage of Kuro and how readily the kobold accepts it Mickbell sees Kuro as a particularly vulnerable person, that he could get tricked by anyone, and let's remember that Mickbell met Kuro in a slave trader's cage- Mickbell's fear of others "taking Kuro away from him" is a double edged sword, it's 'them turning Kuro against Mickbell' but it's also what he always says about Kabru or others trying to 'kidnap' Kuro, what he says about how the half-foot guild wouldn't like his bond with Kuro and take him away from Mickbell. He's drunk his own koolaid in many ways. Separation anxiety and abandonment issues!!!!! Distrust at the world and feeling like he can never have nice things or be safe!!! And this plays suuuuuch a role in Mickbell's dream of having a house I think. Because a house is safe- a house means routine, means a place you can stay in and be protected by, is there a more emblematic symbol of stability and safety? In a house Mickbell is shielded from others' gaze and judgement, he's sheltered from the rain and he can keep food inside, he doesn't have to sleep with one eye open to not be attacked or have his things stolen through the night anymore, no there are four walls and it's warm and he and Kuro can live a peaceful life unbothered, away from the rest of the world that seeks them harm and wants them separated. Which hey that could parallel surprisingly deeply Chilchuck's feelings about a house actually, a house and family as something he has but that can be lost and destroyed- both in people leaving and in nightmares of home invasion.

But like Mickbell telling Kuro to stop snarling and growling because it's scary is such a good and fascinating example of this. How much of it is "it scares me" and how much of it is "you're damaging your own reputation, I'm scared of how people will react if you look too beastly and dangerous and what they might do to you- to us"? And this is especially true because Mickbell knows that kobolds are discriminated and how- for these years they've known each other Mickbell has been the one being the middleman between Kuro and the whole world- he's the one securing board and room for the both of them, noticing how people treat them and what they whisper about them, he's the one who gets told "this bathhouse doesn't allow kobolds" and he's the one who decides to leave and visit every bathhouse until they find one who does allow kobolds, becayse he's not taking a bath without Kuro. Mickbell is sticking with Kuro. They are ride or die for EACH OTHER not just oneway. Mickbell washes Kuro, he did that first time after they met each other and Kuro was a ghastly sight and very stinky, and he does now too, Mickbell patiently explains to Kuro how everything works, and when Kuro messes up something like getting Mickbell wet from shaking off water Mickbell gets mad but offers no punishment except chiding. In the bath comic, we see Mickbell spend HOURS brushing Kuro after his bath. There is immense care put into Kuro from Mickbell's end, as well.

"Now you're the cleanest dog in the whole wide world. No one can look down on you."

But hey, where did Mickbell learn "people leave"? That he’s unlovable and no one would stay for him? It’s a common fear that could be from anywhere honestly, whether insecurity alone or a very specific experience- but we do have trails we can follow... Mickbell lived in the slums of Kahka Brud, which he may have been birn in or interestingly enough since Kahka Brud is seen as a city of opportunities might have moved there. First of all, we have to wonder how he got into the streets in the first place. His relatives are listed as "unknown", but well, as a rule of thumb everyone has parents. Not even Kuro has "unknown" listed in his relatives section, and he's had cut contact with them for a long time by canon. What we know about the "relatives" section of Adventurer's Bible profiles is that it only lists living relatives, for example Marcille only has her mother listed, her father isn't listed as deceased and her step-father isn't listed there, meanwhile Kabru only has Milsiril listed, not his mother or even his father (which we don't know the status of, but Kabru doesn't know him either since he left when he was born). So what does this mean for Mickbell's relatives? Either he doesn't know what family he has, or he doesn't know if they're alive. It's not unlike how Kabru's name is stated as unknown, which either means he was renamed Kabru or that Kabru doesn't know just a part of it, like his last name- perhaps forgotten due to trauma, or his mother never told him due to their disowning them.

It could mean he was abandoned on the streets before he could remember so he doesn't know of any parent or caretaker they had, or it could be a lot of things. I do want to point out that both Mickbell and Kuro have "permanently out of contact" with their siblings, but Kuro still has his siblings listed on his profile, not "unknown". Since we get this info I do think Mickbell knew his sister, and I think it all lends itself to the "he doesn't know if they're alive" theory more. I mean, so much could have happened! But I think it's pretty safe to assume that Mickbell and his sister were on the streets together, until they were separated. Due to her messy hair and dead inside look I used to like to think she fell sick and as the older brother it fell on him to take care of both their needs and he couldn't manage to heal her before she died- or they were separated or something happened and he had to assume the worst. But something like some big event making them flee on their separate ways and then fail to see each other again, some other tragedy that made him part from her without knowing of her state... Or my favorite: one day she disappeared. Maybe he told her to stay there while he went to steal some food and he came back and she wasn't there, maybe one night she didn't come back to the alley where they always slept and she never did again, just. Did something happen to her? Was there an accident and she died in some ditch somewhere? Did someone kidnap her? Did she just leave him behind? He doesn't know. He doesn't know and he never will and he can't get an answer. And not having closure is almost worse than suspecting she's dead, or even if he knew it for certain. Because there's always a doubt. There'll always be that he doesn't understand what happened. There'll always remain that knowledge that things can just suddenly disappear one day, it'll be a normal day until it isn't, that people can leave, that everyone he's ever had (and there weren't many) HAVE left they're GONE and he's ALONE, and there'll always be that knowledge that Mickbell couldn't protect his little sister, couldn't even know she was in danger that time, if she was. Again in a way there's that parallel with Chilchuck where Chilchuck is very muh someone worried about the people he cares about's safety and has a protector role the best he can, and Mickbell usually is the one getting protected but he is very possessive and overprotective of Kuro, the one person he has. And just. Waughhhh. Idk if I'll make another post about Mickbell backstory speculation or his sister now if unprompted but for the record I like to call his sister Yukibelle/bella. Yuki because it means snow like deathly pale sickly skin, and it's a 4 letter japanese name, which being 4 letters 2 syllables suits half-foot names aaand most importantly, since Kuro isn't Kuro's real name and it just means "black" in japanese I like to think esp because of the language barrier taht that's just what Mickbell named him. And having no parents imo Mickbell would have named his sister, or even renamed her if she did have a name to spite whoever abandoned them...... In big brother fashion he likes to call her Yuckbelle. Ickybell and Yuckbelle the sublings ever. I was the one who chose your name so I can't make fun of it? Haha try again!........ I need to cope somehow guys. Having lived in the streets with the highest degree of life or death survival on the daily it's also easy to speculate Mickbell had other hardships and trauma like, say, selling his body and to people who are less than ideal. Just saying!! A lot of things you can resdy into his backstory that further explain or explore aspects of his character.

Unlike Chilchuck "I will never fight" Tims, Mickbell actually never fights. Like at all. Ever. His skills are clinging, cowering and getting covered, and giving orders. Both Chilchuck and Mickbell can be both mature and immature, but Chilchuck tends to embody maturity within the narrative and Mickbell is usually much more remembered as immature. Enneagram 6w7 (wants stability and simple pleasures & freedom on the side), same as Chilchuck. 6 is the fear of being without support and that's exactly what Kuro offers..... Very 8 as well, there's a case to be made about him being 683 like Chilchuck but I could see him be more of a 2 or 4 too. God he wants to be loved so bad. He's also quite tall but never mentions a diet to not set off traps, which may be because his diet is already poor. To me he seems like he doesn't care for culture at all having lived in survival on the fringe of society, similarly to him not having much half-foot pride, but he does smile as a dwarf so dwarves being the ideal body type still seems to be something he's in line with.

Post-canon, he opens a variety store with Kuro, and it's said his relationship with Kuro stays unbalanced. We don't know where it was opened, if they stayed in Melini or went back to Kahka Brud- but since Mickbell's dream is to specifically get a house in Kahka Brud's best neighborhoods and it's where he lived before on the streets, it seems to make sense house in Kahka Brud would still be his goal and to set up shop there. Not that we get an update on the house funds, the post-canon blurb is still in the near future after canon so their futures are still very much left open.

Kuro

Please refer to this post to see Kuro's profile pages.

Mickbell is so tragedy coded but Kuro is honestly... Like he's vibing. He has normalized the abuse (emotional manipulation & isolating the target both so that they need you for stability and emotional supoort + control their life and relationships are literally abuse tactics come on guys) but so much so that it appears both to Kuro and to us like that abuse has little grip on him, we see that he has more agency than we'd assumed. Kuro allows Mickbell to lower his quality of life way too much for sure, partly because Mickbell plays the part of vulnerable lil guy well, but what's so funny is that where Mickbell thinks he's being a mastermind all "🥺I was the one to save you from the streets, without me you'd be lost!! Everyone else wants you suffering, better stick with me!!😊" Kuro literally explains their relationship with "he's so pathetic and anxious, he needs me there :(" - which lends a whole new look to how pokerfaced Kuro always is when Mickbell is giving him his manipulative drivel lol. It flips the dynamic Mickbell was presenting because where Mickbell tries so hard to force their relationship to be that Kuro needs him, Kuro correctly identifies that it's Mickbell who needs Kuro- even more than for safety and financial reasons, because of emotional ones. So where it felt like their relationship was one where Kuro was fully tricked in that Kuro can only live by Mickbell's side for his own sake, Kuro wants to stay for Mickbell's sake and is well aware of Mickbell's issues and wants to help as a therapy dog would?? He doesn't care about the money or the food, he cares about Mickbell. The irony of it all is that Kuro could have left anytime, but stayed for Mickbell all along. It's easy then to assume that Kuro has it all figured out after reading the secret study session comic but that's also oversimplifying. Kuro seems emotionally intelligent in many ways- but sort of lacks sense in how it should be applied and how things should be, I guess is how I would put it? I still call their relationship abusive because it still is, Mickbell still isolates Kuro and manipulation is still the intent of a lot of what he says and does with him, and "well I know very well they're shitty but they need me" is a common dynamic irl in abusive and toxic relationships too, but it still reframes their relationship a lot to know that Kuro is not at the stage of "Mickbell is always right about everything and I'll follow him to the ends of the world because of it" but at the "this anxious miserable boy needs me and it's my duty to protect him". Mickbell is running a manipulation onemanshow against himself and Kuro is taking another path entirely, he has an immunity called language barrier lmao. /hj Kuro is hiding things from him Mick has no clue about, that he's having nightly study sessions with Kabru, but he's not hiding this out of a sense of fear but out of care.

Their relationship is based on misunderstandings and lack of communication, and that's due to a lot of things both the language barrier thing and how they tend to run with their own interpretations of things (Mickbell thinking he knows why Kuro stays, Kuro thinking MICKBELL IS A KID WHEN MICK IS OLDER THAN HIM). Kabru himself thinks that when Kuro becomes fluent in common and the two can truly speak together is when they'll really become fruends. It's a hopeful outlook! But it makes sense, because again their relationship is based on miscommunication, Mickbell is afraid Kuro only stays because he has to because Kuro can't reassure him that he cares for Mick, and Kuro only has part of the picture because they can't talk it out, so giving them the tools to truly be able to talk and understand each other fully would completely flip the dynamic. It's truly interesting how they only have each other, but even in their relationship they're both very isolated.

"I don't want to make him anxious if I can help it. He's still a kid, but he's been through a lot of rough stuff. I'd like to be somebody he can feel relaxed around."

So yes, Kuro explicitly thinks of Mickbell as a child he must protect and watch over, care for! He has a more mentor way to talk about it, but it's easy to assume Kuro sees Mickbell as family too. Especially since he has a lot of siblings, many younger! He has a bit of a protective instinct and thinks he should be a protector, simply because Mickbell needs him, not for other more grand or personal reasons. He takes upon himself, both duties and in general for everything, he can't talk with others but that's fine, he's a dungeon diver who gets worked hard and even fights and that's fine by him, he just takes upon himself incessantly, like with Mickbell he sort of shrugs and says it is how it is.

Kuro still thinking of Mickbell as a kid has interesting implications. During the main story Mickbell is 22 and Kuro is 18- how many years could they really have spent together? He left his hometown to see more of the world and was kidnapped at a port, so we could assume he left home after coming of age at 13. He was kidnapped at a port and was part of slave market on the eastern continent, where kobolds are rarer and thus probably more profitable, so it makes sense that he'd have gotten sent to the eastern continent straight away. Just travelling the sea can take a while- the world map makes me think the sea between the western and eastern continent is of Atlantic Sea size, which irl can take a little under a week to travel through at a good pace, but with the lack of navigation technologies compared to today if you're less sure of where to go it can be more around a month. Unlikely for Kuro to have spent all that long in a cage on a boat then, but where it could get messier is once he's on the eastern continent. Mickbell freed Kuro from the guy who was holding him in a cage calling him a demihuman trader rather than an owner, so Kuro wouldn't have gotten sold yet? Or traded between different slave merchants, I wouldn't be surprised if he changed hands a couple times without having been ever sold to a customer really. It's said that the Island has a slave market for example so there seems to be large demand in many places and for it not to be done in secrecy really. But their meeting happens in Kahka Brud let's remember- which is a city with a big economical growth and market & sompopulation due to the dungeon cluster there, so it'd make sense for Kuro to have been sent there straight. Kuro was obviously mistreated, shown to stink and likely starved not unlike Izutsumi's experience caged in a freak show, but he's not bony enough for me to really be able to give a time estimation of neglect and starvation with his looks alone. This is a lot just to say "Well if we assume he left home at 13 and was enslaved soon after leaving home, and the process of getting to Kahka Brud could have taken a month at fastest, he could theoretically known Mickbell since then". During canon they're both on the Island rather than Kahka Brud, but we have nothing to be able to tell when Kuro and Mickbell came to the Island, just that they came together and that he was probably hired when Kabru formed a party 2 years before canon. We can try to compare him with Chilchuck- Canon happens in year 514, but Chilchuck came to the island five years ago, when he formed the half-foot union. Comapring them is relevant because Chilchuck comes from Kahka Brud too, again the place with a cluster of dungeons, so Chilchuck and Mickbell choosing to come to the Island for dungeon diving prospects shows the same attitude that the Kahka Brud dungeons are already all pillaged and overworked and to seek dungeons elsewhere. And who knows, maybe Mickbell didn't really choose to become an adventurer, maybe it was just about fleeing Kahka Brud since that was where he stole and did scams, but dungeon diving does seem to be a desperate man's job in many ways so it makes sense either way. The way Mickbell talks about Chilchuck, I don't get the feeling Mickbell's been on the island for longer/as long as Chilchuck and for longer than the half-foot union's existed, which makes sense if we go by the "maximum 5 years ago" theory of Mickbell and Kuro's meeting. They likely stuck around Kahka Brud for a while before deciding to go for it and move to the Island. So I guess, we can shoot to say that they knew each other for a maximum of five years but a minimum of two? I like to think Kuro spent at least a couple of months enslaved and so I'd put my own estimate at around 3-4 years, which is already a lot if you're them. A looot of time to bond with the only person in your life.

It's a bit odd, usually in a character who's been stolen away from their home a goal of theirs would be to go see their family again, but Kuro never brings up anything like that. Whether that means his homelife wasn't great, or that he feels closure enough just continuing to travel as he wanted, or even that he more or less forgot because of the trauma, who knows truly. You'll notice his stated dream is to travel with Mickbell, which ironically is directly incompatible with Mickbell's dream of settling down and getting a house with Kuro to live in. Since he was kidnapped by slave traders at a port in his original continent, we can surmise Kuro always had a taste for travel. Kuro isn't even his real name, Yodan is! His detachment from his homeland, family and cukture is very interesting. He has no problem just leaving it all behind indifinitely.

So yes Kuro isn't his actual name- so "Kuro", meaning "black" in japanese must have been a nickname given to him, and I bet it was Mickbell. Being a half-foot and a kobold who can't understand each other, the language barrier made Mickbell just start referring to him by the color of his fur. Kuro never mentions his real name so it doesn't seem he particularly cares- which is a wider point about Kuro actually, that he seems to be very laidback and laissez-faire type, unbothered and passive. Things are how they are and he goes along with it. He's not a confrontational person but he also trusts his guts when someone like Izutsumi feels off. He never questions Mickbell. When Kabru inquires about him and Mickbell, Kuro goes "oh don't worry about it it's nothing tbh". Which is also in line with how it's stated Kuro doesn't give a rat's ass about honor or wealth, he doesn't really seem to have a moral compass as much as "Mickbell is what matters to me so only what Mickbell wants and thinks matters", he follows Mickbell's orders with blind devotion when it comes to work or what they decide to do with their lives and that's just well with him. This reminds me of Falin a lot, the way I perceive them. Just utter devotion to their loved ones without really caring for what's morally right or wrong- because love is the priority and loved ones' wellbeing and happiness are all that truly matter, and sacrificing themselves and their own agency to make that happen. Kuro overlooks his own needs because he prioritizes others', Mickbell's. I think his views on relationships and what’s normal are very skewed. That said, Kabru calls Kuro overprotective too, and I think Kuro can be very stubborn as well, and as we see with the comic where Kabru and him talk about Izutsumi's smell he's perfectly able to have strong opinions, he's not only the stoic type. Kuro's very coddling with Mickbell, and while I do think he's a nice guy I definitely think Mickbell is an exception where that's pushed to the extreme for Kuro, Kuro's fixated on Mickbell just as much as Mickbell is fixated on Kuro. Codependence has never been truer a word gdbdgd. Kuro is rather polite and conscientious, in a regular conversation you'd think he very well-adjusted, he's smart and very observant, not just aided by his nose but with how aptly he notices psychological aspects of Mickbell for example, he's eager to learn and hardworking.

Kuro's biggest interest and dream is referred to be travelling, he left home to do just that before he was ever kidnapped already so it's not even an acquired taste from being encaged. And that fits well with Kuro just following the flow imo, Kuro's wants like Mickbell are small pleasures in life like that, just walking around and seeing new sights... Mickbell wants food and a roof over his head and Kuro wants food and freedom. Ironically, their wishes are directly contradictory- Mickbell wants to live in a house with Kuro and Kuro wants to travel around with Mickbell, Mickbell even has his dream of a specific neighborhood. But it is very notable that both their dreams mention the other, whatever it is they end up doing they want to do it together. Post-canon, he opens a variety store with Kuro, and it's said his relationship with Kuro stays unbalanced. We don't know where it was opened, if they stayed in Melini or went back to Kahka Brud- but since Mickbell's dream is to specifically get a house in Kahka Brud's best neighborhoods and it's where he lived before on the streets, it seems to make sense house in Kahka Brud would still be his goal and to set up shop there. Not that we get an update on the house funds, the post-canon blurb is still in the near future after canon so their futures are still very much left open. Just wait until Kuro learns common...! That'll solve everything........!

I tried to go extensively into his parallels with Toshiro and Izutsumi here. Hmm 7w6? Noo 7w8 actually god... Too real... Get me out of here the Mickbell and Kuro double whammy is making me need a smoke. Soooo many characters in Dunmeshi have this theme of learning to live for yourself be comfortable in your skin and get in touch with your needs and desires more Kuro!!

Relationships

: Overlook

Ok THIS is the fun part. So I made this chart as sort of a summary- we'll especially be looking at the personal bonds and work besties relationships through sections, but that's not to say those dynamics are the only things going on. I tried to keep only the basics and essentials, but you could also totally have added a Kuro to Kabru arrow mentioning how Kabru is teaching him common, or one from Mickbell to Holm about how Mickbell crashes at Holm's place occasioanllu. I made the purple lines based on what we see in canon, but it’s totally possible that Rin also judges Mickbell and Kuro, and that Holm and Dia judge Kabru & Rin as well, even though I don’t really think so, not particularly.

And that's what I’m getting at here: their party has a lot hanging in the air that everyone is more or less aware of but don’t truly acknowledge aloud, don't speak about or resolve. Holm and Dia needle Mickbell about his treatment of Kuro but don’t actually do anything or push, Kabru tries to help by teaching Kuro common but seems to be content "meddling" in only small subtle ways over time like that doing just what he can, concludes that the relationship mess goes bot hways and decide to just keep an eye on it quietly, meanwhile Mickbell seems tired of seeing Rin and Kabru bicker over her crush when Kabru teases and they argue, but doesn’t think to have a tal kabout whatever the fuck it is they have going on- it’s routine, it’s just how things are. It's commonplace- so their serious accusations about Mickbell are mentioned a grand total of twice and that's that, and only Mickbell out of everyone acknowledges aloud that Rin and Kabru have a weird thing going on and that Rin is weirdly deoted to Kabru/loves him implicitly. Everyone is much more ready to comment on Kuro & Mickbell than Rin & Kabru- which, absolutely deserved yes, but are what Kabru and Rin have not intensely weird behavior. Would you not get a headache trying to understand what's going on there and listening to their flirting and scolding and arguments on the regular. Do they never get "this needs to stop"? No, only Mickbell? Okay

Made this lil collage above but it's notable that the whole party throws casual jabs at Kabru all the time also, whether about how he can't take care of himself or how obsessed or weird he can be. Although everyone has respect and trust for kabru, they're also all fairly comfortable criticizing him. We see this in the shapeshifter "what if" comic too- his party members often find KAbru too extreme and overly dedicated, but ultimately trust him and follow his lead. Dia keeps her nose out of things but beyond hater duo Mickbell & Rin, even Holm comments regularly on his people pleasing and bad cleaning and organisation habits. Paralleling the Laios hater duo of Marcille and Chilchuck in the main party, Rin and Mickbell are especially critical and harsh on Kabru, here's a short and incomplete compilation to illustrate the point. Do they do fuckall about it though? No not really.

Everyone at some point or other shows concern for Kuro, it shows they don’t default to treating him as furniture or a tool after a long time of working together, they value him, but there’s always a third party barrier through which they have to interact, Mickbell- except for Kabru who can communicate with him on Kuro's own territory and have alone time with. But no one except Kabru and Mickbell even try to talk to/with Kuro, and you could also easily argue Kuro is not fully humanized, there's how no one except Mickbell worried for Kuro here for example.

I want you to imagine being Dia or Holm. I want you to imagine what it must take for there to be not one but two insane dynamics in your party amongst your coworkers, with who your job is so to camp with for weeks at a time, and not even blink at it anymore. I want you to imagine being kind and queen of staying in your lane and having these two obvious codependent situationships amongst your coworkers and just go "if I don't acknowledge this things are gonna go more smoothly". Save them get them out of there. Just the occasional long suffering sigh and "Mickbell that's not right :/" and yes, your job here is done.

You really start seeing this pattern looking closer where their party are fraught with interpersonal drama. The will-they-won't-they casanova leader & his angry tsundere childhood friend and Mickbell and his "employee" he exploits and isolates from the wider world??????? Truth of their relationship aside as we've discussed, this is how people around them perceive their dynamics and the optics are insane (/negative hello). The true doom of Kabru's party is all this interpersonal drama going on??? The very thing Chilchuck fears about parties lol, HOW has this party not imploded on itself yet. And personally I think that's a good part of what they contrast with the main party about- Where Kabru's party failed, Laios' party succeeded because they talked their differences out, they challenged each other on topics they disagree on and argued, instead of always just brushing everything under the rug. The reason canon happens at all is becase under the emergency of the situation Laios decides to be vulnerable and come clean about his interest in monster cuisine after all, and yes judgement and racism is rampant at first, but they reach an understanding through open communication. Meanwile, Kabru's party doing social 8d chess.......... Just keep on making passive aggressive comments forever see where it gets you.

This party also has a running theme with unabalanced and onesided relationships, and emotional dependence/burdening. It feels weird for it to be so weirdly intricately developed and consistent even though it does nothing in the main story- except for strengthening the whole diverse living cast thing which is important to the lesson and theme of people coming together despite differences is good, and like, "you can't judge others' relationships and sitations without knowing them" you know, but. It's here man it's here and present and too loud for me to unsee. Rin is dependent on Kabru and there's an argument to be made about the reverse being true as well even if Kabru is emotionally unavailable, and then there's the codependent Mickbell & Kuro mess, and even Dia and her fiance are faced with some unbalanced relationship and emotional unavailability. So our lineup is kabrin, mickuro, Dia & fiance and Holm who has a barely breathing social life. I suppose the latter's not uncommn though, the same can be said with most of Laios' party including Namari and Toshiro.... But good lord. This combined with how Dia & Holm get along together the best does make the party dynamic really funny though in a vacuum, everyone's going razy with intense tea meanwhile Dia and Holm the quiet judgers who glance at each other like do you see this shit. You are the only one normal here. (One has researched illegal magic and the other grew up in a cult.)

To me it's also really interesting Kabru hiring Mickbell and Kuro especially. Kabru is someone who works off reputation a lot, he has his homegrown informant web called gossip buddies and whatnot, and we know that while he's willing to go to questionable lengths for his beliefs, he has a pretty strong sense of right and wrong where stealing from people who ripped you off and repeatedly led you to death was a no-no. With all the shit Mickbell is catching even now about his slave- ehem, business partner, I doubt Mickbell would have seemed anywhere squeaky clean. Kabru hired a pretty blatant morally loose person who has stolen and scammed- and I think that's very interesting. Was Kabru desperate for party members? Maybe with Dia and Holm, believing in his cause was important-? No no, it's more likely the other way around- only desperate adventurers (or the ones who specifically want Kabru as their party member) stick to being in his party, with all the failures it experiences. Mickbell and Kuro are the only on who don't express loyalty to Kabru, so maybe Kabru's party was the only party willing to hire him- especially if he and Kuro are a package deal where they both get paid. And there's how Mickbell isn't affiliated with the half-foot guild too! Which means no work protections for him but also no salary cut? But yes yes, especially with the way he treated the corpse retrievers you'd think he wouldn't want anyone shifty on his side, but there's also the side of Kabru that loves to help others out, both on a societal and an interpersonal level- and I like to think that despite Mickbell obviously being from a rougher crowd he not only saw the two of them for the skilled people they are but also just, saw they were in a tough spot and wanted to offer a chance y'know? I had a convo about that once where I asked my Kabru expert friend what they thought about Kabru's grasp on socioeconomics and helping out people who are in tough situations for circumstances beyond their control, because you'd think Kabru would be understanding but then with the corpse retrievers, who seem Not Well Off and are comprised by many mixed races individuals like a half-dwarf and a half-gnome........ Helki and Mickbell are alike in many ways and it's interesting to think that may have played a part... Kabru seeing this disheveled obviously sketchy down on his luck Mickbell and being reminded of the only father figure he's ever had in his life, another blonde smartass with a ponytail, an ex-convict from a rough criminal background… And wanting to hire him to help him have a chance to get out of that place lowkey... I'M JUST SPITBALLING!!!!

Anyways so getting back to the crux of the matter, this is how the party naturally divides up with each other, the same kind of way Laios & Senshi and Marcille & Chilchuck did especially early on.

But the interesting thing is that Kabru keeps everyone at a distance, Rin included, so how does it divide up when Kabru and Rin aren’t interacting? She stays alone? Nope, oddly enough she seems to gravitate towards Mickbell. And the reverse is true- which makes sense since his partner isn’t a good conversationalist. Mickbell doesn’t really see Kuro as an equal, Kuro is his beloved fool he's tricking on the daily in his mind after all, so he doesn't seek out Kuro for opinions, because unlike Rin Kuro isn't a peer. In the page on the right notice the second panel, everyone gives each other a silent glance and this summarizes the dynamics here really well. Kabru is telling his plan of keeping going and this is everyone's moment to agree or disagree. Holm and Dia look to each other, more neutral. Rin and Mickbell look to each other, seeming more displeased, and Kuro looks to Mickbell. In that second of gauging each other's feelings through a glance, their resolve and opinion gets steeled and everyone tells their feelings after, Mickbell and Rin more reluctant. On the left you can see who sits next to who, who walks next to who in the party formation- Rin is always right next to KAbru but Mickbell is at her side, with Holm following without attracting much attention to himself and Daya closing the group on the lookout for threats. Mickbell & Kuro and Rin & Kabru as actual friends impotant in each other's lives tend to duo up, meanwhile Dia & Holm and Mickbell & Rin are more like "each other's favorite coworker" than actual friends, so Holm and Dia don't even necessarily stick together, at the risk of being third wheels. In fact the christmas gift exchange is a good character writing moment with everyone, if you want to look at their gifts and reactions.

So yes this explains how I divided up the chart, the duos are Rin & Kabru bond, Mickbell & Kuro bond, Mickbell & Rin coworker besties, Dia & Holm coworker besties.

Rin & Kabru

I made a rather in depth post on their relationship recently, specifically trying to nail down whether or not Kabru could have/had romantic or ambiguous feelings for her beyond/instead of "big sister":

It's a good look at it that covers most of the matter and has much, much more pictures than I could otherwise put here, so I'm allowing myself to go over this section faster here and summarize things.

Their relationship is obviously very onesided and... Needy, for a lack of a better word, because Rin is clingy and Kabru is probably her one friend in her life currently- but it's always been that way anyways hasn't it, did she have anyone else at the elves' too, did she have any in the village she grew up in that hated her family so much they killed them? She's overbearing and hovers over his shoulder for mistakes when they're together, but her reason for doing so is out of worry for Kabru, that because of his ambitious and self-neglectful tendencies he'll get himself into trouble, and she's not wrong about that! Kabru holds himself on his own currently, but it's not hard to see a future where he slowly descends into neglecting himself more and more in his focus on his work, but no currently he's still able to endear his landlord into cleaning his room for him and to put himself to sleep with alcohol. The relationship is onesided because Rin's always the one pushing and Kabru never truly opens up, but their relationship does have push and pull too- Kabru does pull sometimes. It isn't like Kuro simply passively enabling Mickbell's issues and bad behaviors, but in many ways encouraging them. Kabru flirts with her. He jokes and he teases in ways that come dangerously close to acknowledging aloud she has feelings for it, and never turning her down despite it being clear to us he has no intent on ever reciprocating them- He leads her on, whatever his intent is. And I go into possibilities of how and why in the separate post a lot, but overall I'd say that it's because he does need her back in a way too. It's that repressed desire for connection that rears its head with Laios and even Mithrun too. Maybe they're an ill-fitting match, but it's what he has, the friend he's had for the longest- Like I like to say, seeing Rin as his best friend is so sad and tragic but it’s also not wrong. From what we see she’s the closest to him, which is sad to think about. How can a guy’s social life be so thriving yet down in the dumps truly. She completely relies on him for purpose in her state in canon and dumps her emotions and issues on him, but he does play with her back and avoids his emotions and needs through her too. He has the uer hand in their dynamic, was even the one to ask Rin to come along with him when they left the elven kingdom. She's a fixture in his life, she's a safety net, she's someone who'll love him unconditionally, who even if he mistreats her a bit he knows she'll stick with him. He sees her as a big sister, after all. He knows her tough love is love. Does he give her jokes to latch onto as his way to keep her in check, or to make sure she'll want to keep following him? He can't bear to bare himself to anyone, but if it's Rin, she knows infinitely well how Kabru isn't perfect, constantly reminds him of that, and where in every other relationship he tries to be or has people believing he is perfect, with her he can be a little rotten, a little inconsiderate- and idk idk man. I don't think there's really a conclusion we can get to with them, but a lot of their dynamic feels just very. Mutually unhealthy. Like self-harm almost.

And like, look at the picture of them dancing below! Just it alone implies a dynamic already. They balance each other out somewhat, because they're severe about different things, Kabru encourages her to let loose socially but Rin keeps him from getting too full of himself in his own corner, because she always keeps calling out to him specifically, to the Kabru she knows and that he knows she knows- though maybe doubts sometimes. They both keep each other from being too caught up in themselves- but both of them are also frowning here. They also enable each other in very bad ways imo and inadvertently push each other into their bad habits, nagging Kabru makes him retreat into his shell even more and approach their relationship calculatingly or even coldly knowing of her feelings for him, and getting all the attention from Kabru in a way she doesn't want- because she can tell he still has his walls up- makes her more frustrated and it's all just a bad cycle of feeding each other to continue just as the status quo is. Rin nags him so Kabru throws her a bone so Rin nags him etc. But they're also genuinely dear to each other, maybe more iut of memories than because of the present, so they can't really let go of each other. Fucking doom tango fr

My take on Rin being particularly severe on Kabru, beyond just being worried that any mistake has a dangerous cost for people like them, is that like. She knows Kabru, from way back, and she sees his persona, how he tries to be perfect for others and caters to everyone's needs except his own, how he keeps himself hidden like that. And she doesn't wang Kabru the persona, just Kabru the person, the man she loves- and he's trying to be perfect but it's futile, and it just makes him more cardboard cutout, he's being fake and it just makes her so angry how he keeps his distance with her, so at every turn she tells him when he's not perfect, at every turn she reminds him of his flaws, as if to say, "you can't be perfect, just stop". And every flirt he sends her way during the story makes her madder because again she knows it's just empty air to toy with her, so she scolds harder. Like I don't think she's a self-aware person in general, so I think she mostly just feels this as sadness completely masked with anger that drives her foward and makes her impulsively say things, and she thinks what she says is right and she's being righteous, but also there's just this gaping void in her at the state of things, there's frustration whenever she sees Kabru smile a plastic smile at others all the time, and she doesn't know why. And the only worse thing is to have that plastic smile targeted at her- but it makes whenever he offers her more genuine unprompted attention all the more precious, like in the comic about her smiling.

They kept in touch post-canon! But it seems inevitable to me that the change in their lives made them grow a bit more distant, not working together all the time anymore. Rin figures Kabru is being taken care of by now, being a part of the royal court, and goes to pursue her own ventures, but they're still friends and that shows with Kabru inviting her to the castle. Rin can't help herself but to visit him once in a while to see if he's still breathing I bet- I do think she has a bit of a "only I don't get fooled by you (especially when you say you're fine)" way to think about him and their rekationship, a big of why she'd say the "Don't think everyone's going to fall for you". Anyways, it is fun to theorize Rin might be a pharmacist often hired by the castle hehe, but yes yes that's all we get info wise. Here's to hoping she mellows out some

Mickbell & Kuro

So, their relationship is more messed up than Kabru and Rin's, but it's less up in the air/free grounds for interpretation, much more directly explained. Their character profiles & extra pages alone give a really good look at their relationship and both their perspectives of it: Kuro's family that Mickbell has to find ways to chain to himself or he feels insecure, Mickbell to Kuro is a vulnerable kid that he chooses to look after and go the extra mile of being mindful & considerate of said insecurities. I already talked about it a lot in the Mickbell & Kuro sections, and the post I linked above has a longer but more compact analysis of them- but yes yes I'll still cover the essential and the new here. I said it earlier but Mickbell needs Kuro more than Kuro needs Mickbell- Kuro is like the entirety of Mickbell's emotional regulation 'skills' lol, where Kuro needs Mickbell in a material sense where Kuro wouldn't be able to communicate well with others or go far without money and Mickbell, Mickbell needs Kuro because otherwise he'd be shattered- not to say that Kuro isn't also very useful to have around for his muscles. Both of them are very physically and mentally vunerable both, the pyramid of maslow is not being met on any level eesh. Kuro needs a compass and Mickbell needs an anchor, both of them needed a purpose in the day to day life of survival and both chose each other for that- protect Mickbell, and buy a house with Kuro. The human mind thrives off of goals, desires. Again this thing with compass & anchor is very reminiscent of Falin with Kuro, the way she centered her life around others, so much so that when she was a mentally compromised chimera she defaulted to that way of being with Thistle. But they're in that spot very similar to them where one is especially very mentally vulnerable and easy to control whereas the other is very physically vulnerable if the other were to decide they've had enough and go murder mode on him. It's the dog loving the chain on its collar.

How long have they known each other? Who knows, but I estimated it between 2 to 5 years, between when Kuro became an adult and when Kabru formed a party- but even those are just guesses. I also think he named Kuro, since Kuro's name is actually Yodan and "kuro" simply means "black" in japanese, with the language barrier Mickbell wouldhave just started nicknaming him by the color of his fur.

It’s important to remember how they started: Mickbell saving Kuro and Kuro saving Mickbell, Mickbell freeing Kuro out of spite which made Kuro follow him and then Kuro saving Mickbell by maiming the guy who had kept him in a cage and was threatening Mickbell, prompting Mickbell to suggest hiring him (while being broke) as a bodyguard, half out of fear half out of seizing opportunities? And we'll get to that but this is a good way to understand why they're both so "It's us vs the world", they both came from a similar situation surviving in the slums together but even before that they had the same man for enemy, Mick helped Kuro out and Kuro helped Mick out in turn, and they stuck together. So that’s the origins of Kuro being "his employee" that he’s working for peanuts, it’s less disingenuous and eager than we’d expect, the attachment Mickbell formed to Kuro was over time, eventually associating Kuro with both safety and companionship. Meanwhile Kuro seemed ride or die very early, being saved helped I’m sure, but remembering that Kuro thinks of Mickbell as a child to protect also helps frame why Kuro would be so ready to devote himself to guarding him- seeing a small vulnerable "kid" in all this danger, constantly surrounded by threats and famine. So in the end, a big factor for their relationship is that they can’t communicate for shit. For several reasons including language barrier, overly controlling and dehumanizing behavior/abuse tactics backfiring- and emotional constipation. They both have preconceived notions and they both just.... Don't really know each other. I don't think Mickbell even knows his name- Kuro thinks he's a kid! They don't know each other, but they also know each other in the way of familiarity, in the form of having spent years inseparable glued to each other. Mickbell doesn't know Kuro's name and Kuro doesn't know Kuro's age, they don't know the other have siblings they have cut contact with and they don't know each other's dreams, they've never had an actual conversation especially on equal grounds, but also they know each other's mannerisms. They know each other's favorite foods. They know the sound of each other laughing and crying and the feeling of each other's warmth. They know each other but they also don't know each other at all!!!!! Crazy crazyyyy dynamic.

The "it's us vs the world" is so so strong with them especially from Mickbell's end, and can you blame him? Can you blame him when he's been kicked down like a dog all his life and he sees that in Kuro too? And perhaps no one else can ever understand Mickbell and know and stay with him like Kuro does, even when they can't even have actual conversations. This is it for Mickbell, Kuro is all he'll ever get in his mind and he's intent on never letting go, he's all he'll ever get and us all he wants and he cannot, will not, ever, let him go.

And the whole snarling-growling thing is very interesting too, especially since that's contrasted with Kabru (scroll down here for pictures). Mickbell has little experience with kobolds beside Kuro but also his first impression of Kuro was seeing him bite and maim a man to death. Kabru has experience with kobolds from his homeland where they're seen as more serious threat than cute doggy people, where there was fighting and rumors and presumably contact too since Kabru learned some of kobold language and he was only 6, AND Kabru has trauma with monsters and beasts in general. When Kuro growls, Mickbell goes "hey I told you to stop growling that's scary :/", and Kabru goes "Kuro, what's wrong?". And this is sooo so fascinating to me. Part of this already is again the language barrier, Kabru can ask Kuro to comfortably explain the issue where Mick cannot (he could still try though since Kuro can still speak some albeit broken common), so with Mickbell Kuro only has body language that doesn't come naturally to non-kobolds to communicate with- but Mickbell dismisses it as regularly as he doesn't. Part of it for Mickbell is having been on the other side of Kuro when angry, having seen how scary he can be and afraid himself- but then why? Does Mickbell still get scared of Kuro when he snarls and acts like that, the way a lot of us flinch when someone gets mad and yells? Does Kuro feel more unpredictable then, and that's scary for many reasons? Or maybe it's because he's scared of the way others see Kuro, that others will dehumanize Kuro if he emotes in ways like this. From where they come living on the streets, looking wrong at the wrong guy can cost a lot, so Mickbell may have extra developed a sense of keeping your head down at the right times and not provoking when risky- and he can't fully control Kuro so when that choice is out of his hands things feel a lot more shaky. Of course though in any case, growling or no growling Mickbell sticks with Kuro, keeps holding onto him when he snarls, it never crosses his mind to step away from Kuro or leave him behind, consequences or uncertainty be damned. Just, the justified concern mixing with the unhealthy possessiveness and controlling, the genuine fear... It represents their wider relationship pretty well in just one example.

He fucking sticks with Kuro with the baths!! Many bathhouses don't accept kobolds but Mickbell tirelessly keeps looking for one who will, Mickbell and Kuro are a PACKAGE DEAL and it stays that way even when it's inconvenient for Mickbell. Mickbell washes Kuro and spends hours brushing him afterwards with immense care and patience, there's effort there on his end too there is consideration and love!! They are sooooo ride or die!!!! "Now you're the cleanest dog in the whole wild world, no one can look down on you"!!!!!!

They have incompatible dreams of the future, Mickbell wants to settle down in a house and Kuro wants to travel, both want to do it together. My thing with Mick & Kuro post-canon is the only ways I see it develop and go down is: 1) Kuro becomes able to easily converse with him and their relationship changes with a lot of rough bumps but slowly and surely towards something better and/or 2) Kuro leaves to travel here and there while Mick manages the house, they’re still in a life partnership but they’re ok being apart for a while now. Mickbell learns that leaving doesn’t mean there’s no coming back and to live beyond each other ykyk <3 But while Kabru himself is hopeful that when Kuro becomes fluent in common Mickbell and Kuro can "really become friends", their post-canon blurbs break our hopes for a near future resolution, specifying that Mickbell "still works Kuro hard". They open a variety store together! I like to call it Mick & Kuro's knick knacks <3 Does Mickbell still keep his prices and product descriptions dangerously close to being scammy? Possible! He's earned it though he has his own store brooo his own building his own business... I know that shit got him emotional We do see that Kuro gets him to be healthier slowly but surely though- in the last chapters we see him push Mickbell implicitly towards the half-foot guild! Kuro is protective but not possessive and he encourages Mickbell to get out of his shell, reflecting how he talks about Mickbell as someone needing support and gentle care & understanding- he was being real about noticing his issues and wanting him to become happier.

Once upon a time back in my early days of shipping mickrin I entertained the thought Mickbell's attachment to Mickbell may have a romantic nature mixed in as well, whether it'd be "genuine" or maladaptive's too complex for me to say- but what was funny is that even in that case to me nothing changed. I think that in a world where Mickbell likes Kuro romantically, he would neverrr ever make a move because he'd be too terrified Kuro would dislike it and leave- so instead it just gets lashed out in different ways and he vents & seeks that out in other people kinda hoping it'd be Kuro or whatever. Kuro's too precious to risk is the thing. "It's us vs the world" and if Kuro leaves then is when he would be truly alone- like I mention in the Mickbell & Kuro I linked I think Mickbell is very afraid of change. It's why I think the possible future of Kuro learning to talk common well would be rockier than we'd assume at first- and I think in that fear of change is the fear of changing the nature of their relationship and lowkey even the fear of deepening it- What if Kuro starts actually understanding what Mickbell always says and decides Mickbell is stupid and unlikable after all? What if Kuro starts talking and Mickbell doesn't like what he says? What would Mickbell do if Kuro started being more inquisitive, asking more questions and requesting more things? Mickbell is terrified of Kuro having agency and it's for a reason!! Mickbell lowkey dehumanizes Kuro as a possession sometimes because that's less scary, because Kuro being a full person with his own wants and thoughts detached from Mickbell is scary!!

Mickbell needs to be Kuro's whole world- because if Kuro got a taste of the rest of the world, everything else there is beside him- beyond him-, then how could Mickbell possibly compete with that? How could Kuro choose Mickbell over the world? And the irony of it all the thing that gets me choked up is that along it was never a competition, the world has always been Kuro's love, travelling is his main interest, and he wants to travel it with Mickbell- The world is wonderful and Mickbell's presence doesn't take away from it but enriches it, makes the world even more valuable and treasured and life more enjoyable and full and god. God!!!!!

So yes these are insane coworkers to have and this is the dynamic that has Dia and Holm side-eye Mickbell and ask him when he's planning to free his house elf. Imagine having a group project in school and these dudes are in your group.

Rin & Mickbell

The hater duo, no 1!!!! Dia & Holm is the second one but they can't hope to match these two's intensity and hater aura. This is our moment to breathe we're getting back into Kuro & Mickbell madnedd after

I compile their most relevant interactions here, and you can also see a small compilation of them combining their hater powers on Kabru here. There'S a lot of things that make them really fun to pair up, like how they're easily the top 2 most unpleasant bitter Kabru party members and how they like each other best anyways lol, or how they're both in a codependent situationship- and they both have similar defense mechanisms of most things getting filtered through anger, but what's especially interesting is how they're different in the worst way, in Rin's codependent relationship she's the one who gives and devotes herself, the self-sacrificial one, and in Mickbell's codependent relationship he's the one who takes and takes, the self-centered one.

That's already me getting lost in the sauce though because these two are just coworkers and that ends there- in fact with the tavern comic about Rin smiling we see that they get along much more at work than outside of it. I think why they get along is exactly that blunt and critical nature of theirs- Neither hesitate or bother with politeness or little games to say what they have on their mind and when something's a bad idea- it's why with even just a "you see this shit?" glance at each other they get steeled and soothed into reluctantly agreeing with Kabru, "Well, if Mickbell/Rin is okay going along with Kabru's plan, it must be fine after all... Not that we won't shoot him with laser beams with our eyes". Like I said earlier even though Mickbell can be manipulative, but he emotes very strongly and openly and is very blunt as a rule, he seems to value in others the same type of directness that he has with emoting and interacting, as seen with his distaste for Rin being a tsundere in the same tavern comic. You could reach and theorize his distaste in Rin acting all happy because Kabru complimented her, despite her still being very sour, is also from a feeling that she's being easily manipulated, which could be interesting... But yes yes, and similarly Rin is drawn towards someone who is similarly severe with high standards and who's very cautious with plans and money, and with her distaste for Kabru's own playing around and fake politeness it's interesting to think she'd find someone who's authentic to the point of being unabashedly unpleasant refreshing. So yes yes, they're united in haterism, and they look to each other for opinions, and they sit together, and when they meet Laios' party with Toshiro's Mickbell tugs on her (the only other who took a hard stance on wanting the "thieves" to pay) dress to go "hey you see these bastards?", and when Rin casts waterwalk on the party it feels very familiar- which shows still how much familiarity the party has developed together. They don't get together to have a laugh or have fun, but they seem to be each other's favorite coworker and be often on the same wavelength, easily understand each other's thoughts from even just a glance.

You can feasibly theorize Mickbell has a crush on Rin and is jealous of Kabru for it, considering he's always hanging around Rin when it isn't Kuro, how he hangs onto her on the regular, when he sighs seeing Rin and Kabru argue because Kabru flirted, when he's always on Kabru's case, when he's the only one who brings up Rin & Kabru's relationship, when he gets frustrated she doesn't laugh at his jokes and says she woud be much cuter and more charming if she smiled more- which we see Mickbell beam at. Misogynistic energy? Yes. No one said Mickbell hasn't some incel tendencies in him lol. I don't think that's the intent though and all these things can be easily explained by other stuff, but all of these together make it a coherent angle, if you so wish for it. Mickbell lashing out at those he likes because he's insecure when he doesn't have their full attention who'd have thunk! The mickrin manifesto is coming another dayyyy though I can't get more sidetracked

Kuro & Kabru

I already went into some things a bit like Kabru's reaction to Kuro growling despite his trauma wit hbeasts and experience with kobolds' nastier side, and I have a post where I let myself ramble about the two of them here- I'm sorryyyyy I'm sorry everything is so interconnected I can't not repeat myself and link stuff!! But once again I'll cover the bases here- In a non shippy light but also the original post is 90% parallels and analysis too

So their relationship is really interesting in many many ways. Kabru is teaching Kuro to speak and write common in secret, which shows many things already. In the party he's by far the most considerate and caring of Kuro, we see him listen to Kuro's worries about Izutsumi also. We see him ask Kuro about his opinions, for Kuro that's revolutionary, we see him take Kuro's concerns seriously and extensively talk about them and he accommodates with talking kobold as well. For being the one with monster & demihuman trauma, he's the one who humanizes Kuro the most- perhaps because it forces him to take Kuro seriously and keep in mind the whole of him, not only appearances or behavior, in an hypervigilance and "I know what you are" way, if that makes sense?? We see Kabru's urge to spend time to give a voice to the voiceless, to help this one dude, his coworker living in questionable circumstances. And all of this, again, despite his trauma, despite him saying it's best to assume communication with demihumans is impossible in the kobold extra!!! Do see the irony!! And many say that Kabru only said that because it was the Touden siblings and he wanted to say anything to make them think twice about blindly approaching the "cool cute desert dog people", but even if that's fully the case I still think it's interesting that he'd be willing to throw demihumans he spent his early childhood coexisting with under the bus like that- in a way.

He's giving Kuro knowledge... Teaching him like Milsiril once did- the thing he himself most grateful to her for. From one disempowered person to the other he's teaching societal survival skills. He's tutoring Kuro on his own best weapon: words. And he does this in secret, with no laurels and no reward, at night on the regular. I think their dynamic really goes to show just how much Kabru cares about others, how even though he sees Kuro as more "photorealistic" and less cartoony than the others, both because he knows the dangers of kobols and he takes them more seriously- and inadvertently emphasing on the beastly animal side taking away the endearing exaggerated features..... Even then, he's so so very considerate, and kind, and he cares, and how much he wants the world to be better and equal and for everyone to live well. And this shows in how the nightly sessions are also a way he gets to interact with Kuro away from Mickbell's eyes- This is where Kabru inquires about their relationship and learns about Kuro's vision of things. Whenever Mickbell steps in Kabru immediately folds, makes himself as non-threatening and unimposing to Mickbell as possible and steps away without resistance to ease his worries, but when he's away Kabru and Kuro can actually talk. And Kuro does open up to him, and hearing his thoughts Kabru learns about them andconcludes that both of them are overprotective over the other- He sees that the issue and the overattachment isn't oneway, and acts in kind. Kabru keeps an eye on them, as seen also with the end of the extra about Izutsumi's scent, helping in the ways he can, subtly through acts like helping Kuro learn common so one day he and Mickbell may talk.

Kabru is likely the closest thing to a friend Kuro has currently, beyond Mickbell. Which is crazy to think about!! But also man I want you to imagine them having their late night study sessions, talking about their home the western continent together for a bit. Kabru gets to talk about the desserts he couldn't talk about in the elven kingdom and Kuro recognizes them, in just talking about the weather they find so much commonplace, in traditions and myths and habits and ways to be- And maybe from where he's from Kuro's heard of the evil eye as well, knows that tallmen with blue eyes are rare and seen as bad omens, disowned and chased out of cities, but Kuro offers no judgement and so Kabru offers none in return. Like their arrows towards each other are "kobold" from Kabru to Kuro and "he speaks my language", and that's so crazy!!!! That's so little but that's so crazy!! And I truly cannot handle typing these thoughts again so just scroll down here but my god my god!! The heartwrenching isolation of them.

Ah yes- there's also something to say about how only he and Mickbell don't follow Kabru with any solid sense of loyalty! Everyone else praises Kabru's cause and says they're there for him to achieve it, but Mickbell stays quiet on that lol and almost walks out at one point- and then Kuro very straightforwardly says that he'll follow Mickbell whatever he decides- As much as Mickbell is Kuro's "employer" Mickbell is Kuro's leader, Kabru might be the team coordinator in his eyes and he does respect him, but the only cemented in loyalty he has is to Mickbell. Ironically, he's also the one who rates him as a party leader best! At a high 95% score. Which still shows just how much Kuro likes and respects Kabru... And also might show how low his standards are, since the party keeps dying under his lead- Kuro hasn't had great impressions of bosses and workers' rights after all- like with people's behaviors and living conditions and whatnot he has bare minimums standards, a very low bar, like him thinking of Kabru as "The guy who speaks my language!" something that should be so normal, being able to communicate with someone in a language you're comfortable and fluent in, has become something exceptional and precious.

Kabru & Mickbell

Okay this one is sooo interestingly layered. So there's a lot that goes into Mickbell's onesided beef with Kabru- I can try to summarize it as that Kabru seems effortlessly charismatic.

Part of it is as Mickbell puts it here and here, that he's afraid Kabru will steal Kuro away somehow (and that's without knowing about their study sessions). Kabru is so charismatic and likable, and kind something that as we se Mickbell tends to approach with suspicion- nothing in this world's free. Believing that Kuro only stays with Mickbell because he has to and that Mickbell successfully fools him, it's not hard to see him being afraid of Kabru "telling Kuro stuff" that'll convince Kuro or turn him against Mickbell, "he's a smooth talker, don't let him kidnap you"! It's again that belief that Kuro is easily fooled mixed with Mickbell's belief that no one could choose him over others if they had option- who wouldn't go for the cool and handsome charismatic witty tallman? Even his fave coworker who's just as severe as him is all wrapped up around his finger after all. And then there might be more general jealousy at work, about Kabru being an ideal with all these qualities and how well off he seems despite being broke too, Mickbell possesses so few qualities and his party leader that he finds incompetent on top of everything else just has "every quality given to him on a silver platter" or whatever resenting drivel Mickbell would think up. And then yes there's as I put it, the incompetence- Kabru and Mickbell think & operate in very different ways, Mickbell is very direct while Kabru is very indirect, Mickbell is very practical while Kabru is very guided by ideals- they have very different conceptions of "the end justifies the means", very different goals of self-serving vs greater good. They have different morals and views on retribution with the corpse retrievers, he's the one who pushes most against Kabru's plan of keeping going into the dungeon even after things go wrong and so he's the one who gets his concerns dismissed by Mickbell most, alongside Rin. Like with Rin he seems to see Kabu as reckless and as someone who takes things too lightly, which as someone who takes his job very seriously is frustrating, and like with Holm and Dia too he seems well aware of his flaws with people and his "fakeness", which doesn't endear him lol. Also someone stubborn- which from someone stubborn to another is always a sign of a great war incoming lmao.

And I do want to reiterate the beef is onesided!! Kabru is maybe even the most charitable and patient with Mickbell. As much as Holm let him and Kuro crash for a night, Kabru was the one to give him the money to go to a bathhouse. You can see his look of concern at stinky Mickbell in the first panel lol.

Again I'll share this comp of Mickbell and Rin being on his case, to see some examples! And my personal favorite:

And notice the Dia-Holm sideglance in the next-to-last panel. Is it a "he spitting some truth rn" or a "Ahh Kabru is on his corny shit again"? Wouldn't you like to know lmfao

Daya & Holm

You looove to be unbothered and uninvolved in the love square happening. The hate triangle if you will (Kuro isn't involved in that one he dgaf). You looove to just give professional opinions on the party's plans and that's it, you love keeping things to yourself and being a quiet pillar of the party rather than anything showy or flashy. I just love their side-eyes I just love making them quietly judge everyone especially togther, "you are my partner in sanity" fr.

Even together they don't have that strong a bond, like with Rin & Mickbell it starts and ends with their work dynamic pretty much. Still, consistently over and over again when the party divides itself into subgroups naturally, these two gravitate towards each other. As above a Daydream Hour shows them hanging out (off-work considering their outfits?) and points out that they're the party members "closest in age", 58 and 76 respectively, the oldest beside them is Rin at 24. Developmentally, with just proportionally comparing their lifespan to tallman's and calculating in kind Dia would be 23 while Holm is 30, so this thing about being closest in age seem to be about them both being longlived races, thus having a more similar sense of time and outlook on the world for it. They do seem to be all around the most mature and well adjusted of the group- although those appearances can for sure hide some deep flaws we just haven't been able to truly notice.

OTHERS?

These are the ones I felt were worth commenting on but they all have litle dynamics between each other, with Mickbell & Daya the least probably, for example if you want Holm & kabru thoughts I made a ship post about them and compiled most of their interactions. Like, I do like to summarize Holm @ kabru as "i won't talk about it but damn you live like this??". Holm @ most of the party actually lol. Holm has bigger fish to fry anyways, like Mickbell, who already outranks Kabru there and then crashes at his house on top of it. Holm and Rin often team up to talk about magic, when shopping or when Kabru asks something.

Daya and Holm have less strong & deep dynamics because they have less ties, simple as, they keep themselves less entangled in what's pretty much office life- yes they're willing to risk their lives to dungeon dive with th party, but that's as with any adventurer, as with everyone desperate and unstable enough to have it as their main job. Rin is tied to Kabru so that gives her importance, but Mickbell and Kuro have each other so it gives the party dynamic around them a lot of layers already, their personal lives are more shown during canon and extra because of it, meanwhile Holm and Daya both keep to themselves much more and their personal lives are only hinted at in extras, they don't have drama on the regular in front of the rest of the party the way the others do lmao.

Conclusion

Kabru’s party is in a bit of a weird spot in the main story- I think we can agree they’re characters that feel largely forgotten by the story after a point, and don’t matter all that much. I do think they have a narrative purpose, but. It's all about Kabru and setting his character up, similarly to how Namari was to give Marcille growth and Toshiro was to give Laios growth, it offers us an early Kabru to compare middle and late Kabru with when it comes to relationships and alliances, and with how much they fail and the few scenes they have where Kabru has his mask on and even coldly rebutts Rin I think we're supposed to see the flaws in his way to lead and work in team, where Kabru changing on that end would be for the better. They're a window into Kabru's shortcomings in teamwork and social life, his status quo at the startof the story. Laios' team was as successful in the main story because they truly came together, became friends who revealed their authentic selves to be stronger even when they worked together and were all very different from one another- but what Kabru does is try to hide and compensate for flaws, especially his own, and he hides things from his party and he keeps himself at a distance from it. Laios wasn't all that different with his party pre-canon, but where in the emergency of current events Laios shed pretenses at the risk of being disliked and rejected by others, in early manga Kabru instead tightens his grip on trying to control the party- why Kabru pushes his party members into his plans with less and less care for their opinions with his rebuttal of Rin as the peak of that- until he even lowkey isn't all that motivated by his party members being hostages lol. Like- am I making sense??

Analyzing labru vs kabumisu interpretations of Kabru is honestly very interesting because the two ships' fans seem to often have a completely different take on him. Kabumisu fans tend to emphase on Kabru's need for agency and empowerment and labru fans tend to emphase on Kabru's need to learn to compromise and not taking everything upon himself only, and see like, both are true both are good, and which of the two ships you like more depends a lot on these subconscious little differences in interpretation you naturally develop I think, because while I'm a double agent I myself prefer labru a bit and I naturally lean towards the "Kabru has lessons and change to do" angle, where with kabumisu often the focus is on not Laios gaining understanding from another but Kabru gaining understanding from another. For Kabru to grow vs to be validated, for him to finally feel safe and comfortable, and that to be achieved either through growth or through comfort, though both through understanding one another. It's about trust it's about understanding others on your own terms vs theirs it's about how being willing to open up and delve in relationships makes your understanding of people better, truer!! Understanding others, debatably the biggest theme in Dunmeshi!! Anyways don't tell the fandom I said that

In the wider meta narrative- Dunmeshi has a big theme of conforming and fitting into society, all its main character have that as a big theme- Laios being a misfit, Marcille being a half-elf, Chilchuck being a half-foot in a bigoted society, Senshi being an exiled hermit, Izutsumi being a beastkin… The experiences are varied but it’s an universal theme, everyone has things they're ostracized for somewhere or other. And I think all of Kabru’s party have a facet, variance of that that’s interesting, one that’s less about social acceptance and finding your place like Laios’ party but has a bigger focus on economical struggle, Kabru and Rin are to put it very short powerless child refugees, Mickbell and Kuro are dirt poor, Daya was threatened to fit into a strict mold and Holm was put in jail for academic studies. They have codependent relationships and emotional unavailability all around in different ways, there's isolation as a theme there too. That also is largely a Dunmeshi theme. Does no one have a fucking healthy good thriving social life? A good work-personal life balance? Being in touch with yourown needs and feelings perhaps? The triforce of things you can never have all at once in dunmeshi. But all these similar yet different hardships, all these people with hard to pin down exteriors- it's all about understanding too. How can you judge without first understanding, you know?

They're doubtlessly minor characters, but they're also part of that large tapestry of diverse people that's needed for Dunmeshi to do what it does, thematically and narratively. For that final battle to have so many different people come together to fight on the side of humanity, for all its habitants for all the facets of people in it, together. "If even one thing had been missing, we wouldn't have gotten here" as Kabru puts it himself in the next-to-last chapter. This is Dungeon Meshi, everything is interwoven, it's all a web because our environment shapes us as much as we shape it.

They get sidelined by the story. much like they were by Kabru- but he does have their loyalty, like how Laios' party stuck together through it all, even Chilchuck and Izutsumi, and when it's time for the final battle they're there to help and it matters, they matter. Relationships, trust, goes both ways, it shouldn't be onesided. If someone proves genuine why not try opening up? Kabru's party always trusts him and show up when it matters- Because to put full trust in another is terrifying and risky, but sometimes it'll pay off, and still always they take that step to trust their leader. Trust and love and care isn't a transaction, earned or not, and all you can do is try to appreciate it and repay it in care. In the end Kabru's party reminds us of those things, that despite everything we all need someone.

[youunravelme]

it's nice to have a friend

author's note: this is a little all over the place, but i saw a tiktok edit of seven by taylor swfit and then thought to myself, what if i ignore all my wips and wrote childhood friends to lovers with a hint of childhood trauma? and this was born. and if the timeline isn't perfect with reality, oh well. i'm but a human girl. also!! if you have ever experienced or currently experiencing abuse, please know that it was never your fault. you don't deserve to be treated that way.

pairing: mat barzal x reader

summary: wherever mat went, you were never too far behind or the one where you are childhood besties

warnings: cursing (as always), mentions of parental abuse and alcholism, tumultuous childhood, drinking, mentions of sex

there was a saying that floated around in your elementary, middle, and high school days, surrounding you like a warm oversized cardigan.

wherever mat went, you were never too far behind.

the saying could also be flipped, the two of you stuck to each other like glue.

mat, despite not being one for fights, had a bad habit of running his mouth whenever you were concerned. in fourth grade, he used newly learned vocabulary words to berate a girl who made fun of your beat up shoes and nearly got detention for it.

and you had a nasty habit of squaring up with anyone who looked at mat wrong, even if they towered over you.

your friendship worked well because of it.

age eight

you could remember summer days swimming in the pool with mat and liana, laughing as you and mat teamed up against his little sister until his mother scolded the two of you when she started crying.

but there was always a darkness that sat in the corners of your memories like fingerprints that had damaged an old photograph.

you didn't have to try to remember your parents' screaming and yelling at each other, just like you didn't have to try to recall the smell of alcohol on your father's breath. it didn't take any effort to remember the way your hands shook when you locked your room at night and climbed out of a second story window to go to mat's.

you could feel the splinters digging into your fingertips as you climbed the trellis up to his window. you could still feel the way your stomach dropped when you slipped and fell halfway up in the pouring rain, nearly breaking your arm in the process. you could still hear nadia come out and usher you inside moments before mat's eight year old feet came pattering down the stairs.

he didn't even give you time to explain, he just wrapped you up in a hug.

it took you that long to understand it was never raining, it was just tears.

the next week, you found yourselves at the park laying on your backs in the grass.

"what would you do if a genie gave you one wish?" mat asked out of the blue.

the summer sun kept you warm as the breeze kept sweeping in and blowing strands of hair into your face.

"get far away from here."

"would you bring me?" mat asked.

you turned your head to look at him only to find him already staring. "i wouldn't go anywhere without you." and you meant every word, spoke them with as much conviction as an eight year old could have.

mat reached out and squeezed your hand in his own.

"what would you wish for?"

he shrugged. "to be bigger."

you furrowed your brow. "why bigger?"

"so i could protect you better."

age nine

at nine, you and mat were playing cards in your room when the front door slammed. it was like you were on autopilot. of all the times that had happened, mat was never home with you. immediately, you were locking your door and shoving things in your backpack, pulling mat towards the window and climbing out as quickly as you could. the two of you ran to your bikes and biked all the way to an empty field where you collapsed in the tall grass and cried.

mat immediately brought you into his arms, hushing you and running his hand down your braids.

"what if--" he started stopped abruptly to clear his throat. "what if you stayed with me and liana and mom and dad? we could get bunk beds and a night light, if you want, and you wouldn't have to lock the door."

you just sobbed harder into his chest and shook your head.

it's not that simple, you wanted to tell him. but i wish it was.

age thirteen

you never moved in with mat, never got to get the bunk beds, but by middle school, your mom moved the two of you out of your old house. it was then that he started packing two lunches, one for you and another for himself.

things hadn't changed much since leaving your dad in that shitty house full of demons. you still spent most of your time at mat's house (your mom was working). still spent your saturdays going to his tournaments and games. you still cheered him on and let him cheat off your homework on sunday nights.

things shifted though, regardless if you wanted them to change or not. time, you found, never gave a shit about your opinion, thoughts, or desires.

because it felt like just yesterday, you were riding your bikes down the street, racing each other back home.

now, you were helping mat draft msn messages to a girl he had a crush on in your biology class. there was an uncomfortable sensation in your stomach that was comparable to the time you got food poisoning, but you couldn't place a reason for it.

you could paint the pink on his cheeks as the girl replied.

and you would've given anything to be the reason for it.

maybe it was silly, a small crush for the sheer convenience of it all. maybe it was the fact that he'd saved you so many times from the darkness that always seemed to follow you. maybe it was because he was a tether for you, pulling you back when you went too far in your head.

so when he laughed at something she said (which wasn't even really funny), you wanted to go back to the times the two of you would cloud gaze in the middle of the day just so you wouldn't have to be home.

age fifteen

you knew mat was a kind person, knew he was handsome and a good hockey player, that was never in question.

you just didn't realize other girls realized it too.

mat always walked in front of you in the hallways because he could make way through the crowds in ways you couldn't. (he grew like a weed over the summer and while you hated how you couldn't reach things when he held them above his head, you appreciated the way crowds moved out of the way for him).

you were used to him being in front, his grip light on your wrist as he tugged you behind him. you weren't used to walking behind his new girlfriend, chloe, who had the honor of walking beside him.

mat used to tell you how much it irritated him that people would take up so much space in the hallway and make it impossible to move around them.

but there you were, an awkward moving triangle of your best friend, his girlfriend, and you trailing pathetically behind.

chloe was cool. she never felt threatened by your friendship with mat, which might've hurt your feelings if you were delusional. you knew you had no chance with mat, so you'd take him in whatever form you could get him.

lately, that looked like spending time with liana in the stands at mat's tournaments. you would both do your homework before dissolving into gossip sessions while you braided her hair.

chloe even showed up for some games, smiling and cheering as he played. at one game, he scored and came up and tapped the glass in front of you, pointing at you and smiling.

they broke up two weeks later.

age sixteen

you openly cried when mat left for seattle. you were used to times when mat had hockey camps and would be gone for two weeks, a month at a time. but he would be gone indefinitely now.

and leading up to the day he was leaving, you thought it would be harder on you, considering mat hadn't shown anything but excitement. but when it came time for him to leave, he wouldn't let you go.

both of your moms had to pry you apart with promises that he would call and text as soon as he got to seattle.

and he did.

he hadn't even gotten into his new home when he was facetiming you.

you did your best to smile as he showed you around his new place, but your eyes were watering still. he was indefinitely two and a half hours away from you.

"you okay?" he asked when you stopped responding.

you gave him your best smile, but knew he wouldn't buy it. "just miss you is all."

he nodded, eyes going blank for a second before you saw water appear in them. mat wasn't as emotional as you were, and he for sure wasn't as teary eyed as he used to be when you still lived with your dad, but his eyes were watering all the same. "let's just treat it like summer camp," he said. "i'll be back before you know it, and if you need something, you can always call me."

you had no intentions of calling him with your problems, but then your dad showed up at your house screaming and beating the door and calling for your mother while she was at work. the doors were locked, he had no way in, and the police were on the way, but your hands were still shaking.

you couldn't run to his house to hug him anymore.

so you called him sobbing.

he picked up on the second ring.

he was lounging in bed, playing call of duty or something like it. "hey--" he cut himself off and paused his game, jumping out of bed. "what's wrong?"

"my dad," you sobbed.

mat was back in coquitlam in three hours, holding you tight to his chest and rocking you back and forth. you were openly weeping into his shirt, clinging to him. you weren't gonna let him go, and mat wasn't willing to give you up either.

you and your mom spent the night at the barzal's, with her taking the guest room while nadia brought a twin mattress into mat's room under the pretense that you would sleep on it.

you didn't.

everyone knew that you got into mat's queen sized bed and clung to him all night long.

just like everyone pretended that mat wouldn't have to leave in two days to go back to seattle.

just like you pretended like you wouldn't absolutely shatter on impact the second he left your sight.

age nineteen

when mat was drafted to the islanders, you stopped breathing. sure, it was dramatic, but you only moved into vancouver for school.

mat was moving across the fucking continent.

but he came back to seattle, and for a moment, the world was right again.

until he went to new york full time.

and the full weight of his absence hit you like a damn eighteen wheeler.

you'd watch him on the tv, when you used to watch him live in much smaller stands. you used to use puff paint to make t-shirts with his name on it, now they were selling his jersey in the arena he played in.

he didn't pick up the phone as much as he used to. he would respond to your texts days later until you stopped texting him altogether.

you should've seen it coming, especially when you saw him hanging out with instagram models and going out to bars. were you really expecting him to sit at home and wait for you to call him with a panic attack?

you had to get a grip.

so you did.

you threw yourself into your studies, pretending you didn't know his game schedule or stats. and when a cute boy named thomas came along and took interest, you allowed him to get to know you better.

you told him you grew up in coquitlam, that you were an only child, and your favorite school subject growing up was english.

(you never told him that your favorite color was the shade of mat's eyes, that you haven't spoken to your dad since the night your mom left him, or that every night, you fall asleep to career highlights of the best friend you haven't spoken to in months).

you learned he was a business major, something that should've been a red flag, but you were so focused on proving to yourself that you could be loved, that you overlooked it.

you went on dates, had sex, made plans for the future, met each other's families.

but he never met the barzals, despite the fact that you could drive to their house blindfolded.

no, they felt like a precious secret. the world could have number 13, they could have the calder memorial trophy winner, but you would not allow them to have the little sister whose hair you braided, the mother who brought you inside after you wrecked her trellis, the father who covered your scraped knees with bandaids and neosporin when your biological one was drunk at 2pm.

you might have lost mat to the awful curse called distance, but you would not lose his family.

you couldn't afford to lose them too.

now thomas, you lost a month after you turned twenty when you found him balls deep in your freshman roommate.

you went back to your apartment and cried, because it hurt, but mainly because you realized how alone you were. you had no one to call other than your mom or liana. but liana didn't even know about thomas, and your mom was dating a new guy now.

your thumb hovered over mat's contact for five minutes before you locked your phone and just went to bed.

age twenty-three

you were single for a whole year before you met dawson. his brown eyes and salt and pepper hair captivated you.

you were hooked, despite the seven year age gap.

he gave you the number to a good psychologist to help you work through your past and was willing to listen to you talk about it or sit in silence when your therapy session was emotionally exhausting.

he remembered your favorite flowers and brought a bouquet of them to your college graduation and kissed you in front of your mom and the barzals (minus mat, but that was a given at that point).

and on your twenty-third birthday, he proposed.

you said yes while actively trying to forget the dreams you and mat had when you were six.

you were building a fort in his bedroom with thumbtacks and blankets and sheets you'd stolen from around his house. when the project was complete, the two of you found yourselves laying in it, staring up at the blanket canopy shoddily held up by thumbtacks pushed into the wall.

"do you wanna get married?" mat had asked randomly.

"only if i get to marry you," you replied.

mat smiled a toothy grin, it was the only time you remembered him having imperfect teeth, given that he'd just lost his two front teeth. "i thought the same thing!"

and it was the most honest you had ever been. though, that wasn't a strange concept, most people were the most honest when they were either children or drunk. and considering you stayed far away from alcohol (guided by the anxiety in your stomach and the advice of your therapist), your childhood memories held the most truth.

despite not having seen him in years, you still thought of him often. you tried to see if you could remember the sound of his laugh without looking up an interview. you tried to recall the way his hair felt through your fingers.

but you couldn't.

it was crazy how much he meant to you as a child, how you still remembered the order in which he ate his breakfast, but you hadn't spoken to him in years.

you found yourself sobbing at the kitchen table one night as you poured over who to invite to the wedding. liana was a bridesmaid, mike and nadia had to be invited.

but what about mat?

you felt sick to your stomach at not inviting him. when you were in high school, when you'd gotten a grip on reality, you believed he'd walk you down the aisle in lieu of your piece of shit father.

but you hadn't spoken to him in so long.

though you couldn't imagine which would suck worse, not inviting him, or mat rejecting the invitation.

that was how dawson found you, sobbing over photos from your childhood that you wouldn't let him see. and when you tried to talk to him about it, he suggested talking to your therapist.

he broke off the engagement two weeks later. he said he didn't feel "the spark" anymore.

age twenty-four

you'd been out of college for two years now and all you had to show for it was debt and a stupid piece of paper. you were working in a coffee shop ten minutes from your mom's house and wishing you could've gotten out of coquitlam like mat did.

maybe this was your cursed existence, going to the grocery store wondering if you were going to ever run into your father again.

you'd just gotten off your shift at the coffee shop when you stopped by your local grocery store to pick some things up for dinner. it was supposed to be a normal day, but you turned the corner out of an aisle and damn near ran into someone.

"sorry, my bad--"

you looked up and suddenly the earth stopped in its rotation. you hadn't seen in him years but you'd know him blind.

his hands were around your elbows, keeping you upright. his touch almost burned you. it was an uncomfortable feeling, like putting on jeans you loved and realizing they don't fit anymore.

you pulled away, ducked your head, and started walking the opposite direction without another word.

but you should've known he would follow you, like a moth to a flame. or maybe that wasn't the right analogy, you were used to being the bug while mat was the light of your life.

but he followed you like there was a string attached to your wrists and he wasn't used to you pulling in an opposite direction.

he managed to catch up to you in the self care aisle right in front of the menstrual products. any other man you'd known would've shied away from standing in front of the tampons and pads as you deliberated which products to get, but mat's eyes wouldn't even leave your face.

you should've known he was going to come back eventually. you'd avoided seeing him in the offseason pretty well considering you were off doing internships and working out of town in the summer.

but now you were stuck in a dead end job with no passion for anything anymore, feeling more alone than you had ever felt before.

and because nature or god or the universe hated you, naturally, that was when mat showed back up.

when you had nothing to show for the years you didn't speak.

you could see the wheels turning in mat's head as he tried to think of something to say. it was an interesting turn of events that simultaneously sent an ache straight through your heart. when you were kids, he never hesitated to say exactly what was on his mind. now, he was deliberating.

"you wanna come over for dinner?" he asked. "mom's making tomato soup and grilled cheese."

you wished you could've denied him, it would've been smarter in the long run. mathew michael paul barzal could get you to do anything, and you hated that even after all those years, he still could.

you found yourself sitting at his old kitchen table surrounded by his family, dipping your grilled cheese into the soup like you were six years old again.

except the difference now was you were laughing with liana, sitting next to liana, instead of mat.

you'd occasionally meet his eyes from across the table, but it wasn't the same.

when you were kids, you sat next to each other at every opportunity. when you were kids, mat pretended to steal food off your plate. when you were kids, you knew everything about each other.

but you were adults now. and he was effectively a stranger you knew too much about.

after dinner, everyone scattered. you tried to leave, but mat caught up with you.

"what're you doing tomorrow?" he asked.

"working," you replied.

he nodded and looked around. "can i see you?"

you wanted so badly to say no, that you were busy, but as much as you wanted to pretend that he didn't, mat knew you better than anyone else, even if he had been absent for five years.

you ended up going for a walk in the park the next day, deciding that getting dinner wasn't worth the headache of mat getting recognized.

his hands were shoved in his pockets with a baseball cap pulled down low over his face. if you were brave enough to look over, you could still see his eyes taking glances at you.

"how's your mom?" mat asked, immediately jumping into topics you'd planned on ignoring.

you shrugged. "fine."

he nodded and scuffed his feet along the sidewalk. "how have you been?"

"fine." you sighed and pinched the bridge of your nose. you didn't mean to be cold, you meant it even less when you looked over and saw mat desperate for connection with you again.

in the end, you could never really deny him anything he wanted.

"life sucks right now," you admitted. "feel like i've wasted my life away here."

mat nodded along. "didn't you say your genie wish would be to leave?"

"i think my words were to 'get far away from here.'"

"you know," he started. "new york is far from here."

you couldn't help yourself. you looked up at him and saw the beginnings of a smile tugging at the corner of his lips. "are you being serious?"

he nodded. "as a heart attack."

could this be the moment? the moment your life suddenly comes back into color? things haven't felt right since mat left for new york, and maybe moving, being with him all the time, would fix whatever existential crisis you were currently having.

the two of you were packing up your childhood room a month later .

you were on a flight to new york city two days after that.

mat was bouncing on his toes when he picked you up from the airport, having come home a few days early to get his apartment set up.

"you have to meet tito," he said as soon as the both of you got in his car. "you'll get along just fine. my childhood best friend meeting my other best friend? things couldn't be more perfect!"

you smiled though you felt like dying inside. no wonder you two lost touch, you were too ashamed to message him and he was too busy befriending his entire hockey team.

the apartment itself was large. larger than you could've ever afforded, even in coquitlam. mat brought your bags to your room and gently placed them on the floor.

"do you need any help unpacking?" he asked.

maybe a bitter part of you wanted to say no, but you'd waited for this moment for years. you nodded and mat's face lit up like a christmas tree.

while he was putting your clothes away in the dresser, he told you about his team, about his career, and all that you missed. he tried to ask about your life, but you kept up the story that nothing much had happened to you. and for the most part, you weren't lying.

you hadn't spoken to your dad, you hadn't dated anyone seriously in the last year (you conveniently left out the failed engagement. you just got into town, and couldn't afford a plane ticket to fly back to coquitlam just to bail mat out of jail).

but mat was more than content to listen to your work stories from when you were working at the coffee shop. he asked questions along the way, and momentarily, it felt like everything was headed back to normal.

you shooed him out of the room so you could shower. it was kinda incredible how a nice apartment meant that his shower was better than any other one you'd ever had growing up. when you stepped out into the nicely updated bathroom and changed into some gym shorts and a t-shirt, you felt the full weight of your insecurities hit you all at once.

your mat lived down the road from you. he had a twin bed until he was fifteen when his mom could no longer ignore the way his ankles hung off the end. he had posters of sidney crosby hanging up on the walls of his bedroom.

but this mat had expensive bathrooms and egyptian cotton sheets. you didn't get to see it yet, but you were willing to bet he had state of the art kitchen appliances that he didn't fully understand how to use outside of making eggs.

you were fully ready to walk into the living room, where you heard mat clicking through what must've been streaming services (because he could afford all of them), and tell him moving here was a mistake. too much had changed, he didn't know you anymore.

but you walked out and saw blankets and sheets strung up, pinned to the walls with pillows on the floor.

almost on cue, mat's head popped out from the makeshift fort, a bright smile on his face. "i don't have bunk beds, but i thought this would be a nice alternative."

you could've cried. you almost did.

but you sat down on a pillow and watched a movie with him instead.

two months later

mat had introduced you to anthony the second week you lived in new york. anders and matt you met the next week. the rest of the team you met over the course of the two months you'd lived with mat so far. they were all nice, and you could see why mat was so enthusiastic about his job, his passion for the sport aside.

you met his "not-girlfriend" as tito called her the day before. ashley was nice enough, but clearly not in the same tax bracket as you, who had recently gotten a job working at an indie bookstore while you worked on grad school applications.

you pretended to be too busy to notice the ache in your chest when he held her hand, remembering chloe and the nasty sensation internally of insecurity bubble up. you weren't dumb enough to not know you were jealous, insecurity was a closer friend than mat was, you'd known her longer.

and if comparison was a sport, you'd be making more money than he was at this rate.

because if it wasn't the way ashley laughed, it was her smile, or her stomach, or the gap between her thighs.

or the fact that mat looked at her with something more than a savior complex.

you stupidly agreed to go out to a bar with him, ashley, and a few islanders that night. it was dumb, you knew that going in, but you were finally with mat again, why wouldn't you spend every free moment with him?

it turned out to be a mistake.

you were left sipping a diet coke by your lonesome while he was dancing with ashley. you knew you shouldn't have done it, it was a bad idea, but you found yourself at the bar asking for a shot of literally anything the bartender would give you.

but anthony slid into the seat next to you a beat later and fixed you with a knowing look. "where's your diet coke?" he asked.

your mouth dried up when the shot was placed in front of you. your heart was pounding and for a moment, it felt like you could've thrown up.

when you didn't respond, anthony nodded and stood up. "wanna go take a breather?" and he sounded so genuine that your eyes immediately welled up with tears as you nodded.

the two of you walked outside and stood in the cool air, letting the wind hit your wet cheeks.

you looked out onto the street while anthony texted on his phone. "do you want to go home?" he asked as soon as he slipped his cellphone back into his pocket.

you shrugged. "i don't know what i want."

that was a lie. you wanted to go back to a time where mat was just your best friend, before he was number 13 for the islanders, before he won the calder memorial trophy. you wanted your best friend, the one who raced you down the neighborhood streets on bikes, who drove three hours to see you when you had a panic attack.

you wanted a childhood that wasn't tainted with the darkness of your father's mistakes. you wanted to be able to go into a room and not immediately check if you could lock the door. you wanted to be able to fall asleep in a dark room without being deathly afraid.

mat was outside a second later, huffing and puffing like he'd just run a mile. his gaze was fixed on you almost immediately, while he ignored the way ashley hung off of him. "what's wrong?" he asked. he even went as far as to pry ashley off of his body so he could frame your face in his large hands.

in the corner of you eye, you saw anthony usher ashley back inside while you and mat had a staring contest. "what happened?"

you shook your head and tried to speak, but more tears spilled out. mat nodded and pursed his lips before grabbing your hand and walking you home.

he didn't say anything else until the front door shut behind you. you had no intentions of staying in the common area, you just wanted to curl up in bed and cry yourself to sleep out of shame and pity.

"what were you doing at the bar?" mat asked before you could go anywhere. "you still had diet coke in your glass."

your throat seized up at feeling caught, but you stood your ground.

"i didn't think you drank," he continued. "mainly because--"

"because my dad's an abusive alcholic? yeah, you don't need to tell me that, mat, i already know."

"so if you know that, why did tito see you order a shot from the bartender?"

you threw your hands up in the air and shrugged. "i don't know, mathew. why do you invite me to bars when you know i don't drink?" he didn't have an answer. "you don't get to shame me for considering having a drink when a bar is the only place i get to hang out with you during the season!"

"that's not--" but he cut himself off. "what're you talking about?"

"i hardly see you! why did i move across the continent if i have to go to a scary place just to spend time with you?"

"i--"

"i mean it's not fair, you left and now i have to pay the consequences of it--"

"i'm sorry, what?"

"you left--"

"i heard you. did you forget the part where you stopped contacting me?" you rolled your eyes to keep yourself from crying even more. "uh uh, don't do that. don't blame me without taking accountability for this friendship ending."

you blinked.

but mat wasn't done. "because i always called you back when i missed your calls. you were the one who stopped texting me."

"you were too busy!"

"i'm in the nhl! did you expect me to just be laying around my apartment all day? i have practices and meetings and games at weird times, but i always made sure to get back to you."

you said nothing, the tears welling up behind your eyes, but you kept them in. the verbal lashing from mat was enough, you didn't need to further embarrass yourself by crying too.

he kept going, yelling and waving his hands around, occasionally pacing and dragging his fingers through his unruly hair.

but you zoned out.

you could hear glass bottles rattling as your father came up the stairs. you sat on your bed, hoping to god he'd just keep walking. mat was out of town for a tournament, and you were grounded.

your dad stopped at the top of the stairs and looked at you. your heart was racing in your chest and you wanted nothing more than to text mat, but your mom had your phone. "what're you lookin' at?" he slurred.

it was only 1pm.

and your mom was still at work.

but he apparently didn't feel like bothering you because he turned into his bedroom and shut the door.

you could feel the air release from your lungs before you went back to reading your book.

but the peace never lasted long. thirty minutes later you could hear him yelling and screaming obscenities before he opened his door. you launched yourself out of bed and slammed your own door shut, quickly locking it with an efficiency you'd learned at a young age. the door handle rattled and you flinched backwards, nearly tripping over clothes on the floor.

but you weren't a stranger to this situation.

you opened the window and climbed out.

but he was ready for you this time because he was at the front door screaming at you as you rode away on your bike.

you didn't stop pedaling until you got to the park where you collapsed on the grass and cried.

something in your face must've changed, because mat stopped yelling and looked at you, really looked at you.

"hey," he said, voice much quieter than before. "where'd you go?"

you shook your head, tears falling down your face uncontrollably.

"don't do that," he said. "don't shut me out." mat took a step closer to you, but you immediately stepped backwards. he breathed your name, but something in his eyes shifted, like he could read your mind. "i'm not him," he whispered. "i'm not your dad, i'm not going to hurt you. you know me, you know i wouldn't do that."

"you left," was all you could say.

mat nodded. "i did, but i didn't leave you, okay? i would never leave you." he closed the distance between you and held your face in his hands, his thumbs wiping away the constant flow of water from the corners of your eyes.

"but--"

he shook his head. "no, you mean too much to me to leave you, okay? you're my best friend. if you had called me and needed me? i would've been there as soon as i could."

"you would've been too busy--"

he pulled back, a bit bewildered. "when have i ever been too busy for you?"

you held your tongue, knowing that it wasn't him per se.

"what is it?" he asked, his eyes searching your own. "what aren't you telling me?"

so you told him about how you hadn't talked to your dad, and even though you were thousands of miles away, you were still scared he'd find you and ruin your life even more. you told him about thomas, about how you thought he could be the thing that fixed you, but he cheated on you.

you told him about dawson, who was older and more mature. you told mat how dawson got you going to therapy which you thought was a good sign, until you realized he never actually wanted to talk about your bad days. he proposed, you said yes, and then he broke off the engagement when he saw you sobbing over invitations.

your eyes were too blurry to see the way mat's jaw clenched, but you could feel him pull his hands away.before you could even stop yourself, you stretched out for him, but he was just out of reach.

"mat, what," you weeped. "what's wrong?"

"you were engaged?" he mumbled. "you were engaged and didn't tell me?" you expected him to look mad, but the only thing reflected in those deep brown eyes was hurt.

"that's why he broke up with me, i was crying over childhood photos while trying to figure out if i should invite you even when we hadn't talked in years." you shrugged pathetically and gave mat a watery smile. "guess he thought it was too immature of me."

mat's hands were clenching and unclenching by his side, like he couldn't decide what he wanted to do with them.

"please don't hate me," you whispered. "i don't think i could handle it if you hated me." but he didn't say anything, mat just resulted to pacing the living room. "i think my dad fucked me up beyond repair." your eyes never left his profile. if he wouldn't look at you, that was fine, you'd continue to stare at him. "i think i'm too codependent and messed up for anyone to love me." mat's head snapped up at that comment.

"i mean," you continued. "i wasn't enough for my dad to get sober, i wasn't enough to not get cheated on, i wasn't enough for someone to marry me. maybe it's not them. maybe i'm the issue."

"no," he said immediately, shaking his head in the process, crossing the room until he could pull you into his chest. "no. that's not true."

"yes it is! my dad doesn't love anything more than alcohol--"

mat cut you off. "anyone would've been proud to have you as a daughter."

"thomas wanted my freshman roommate--"

"thomas was an idiot."

"dawson couldn't handle me when i wasn't happy--"

"fuck him too. he was thirty dating a college student."

"and you left and i--"

mat pulled you back far enough to look you in the face. "and if i could do it all over again, i'd take you with me." he pressed his forehead against yours. "here's what we're gonna do, we're gonna make a fort and watch the mighty ducks. and tomorrow, we're gonna find you the best therapist money can buy and set up an appointment because i don't like you talking about yourself this way." your stomach twisted at the idea of therapy, hesitant because of dawson-- "and i wanna hear as much as you're willing to tell me, okay?"

you nodded.

"now, i need to see you smile so i know we'll be alright." you gave him a watery smile right before he pressed a kiss to the top of your head. "there she is."

you held onto each other for another minute before reluctantly letting go to gather blankets and pillows.

four months later

you hadn't been able to make it to many of mat's games until tonight when they played the devils at home. you sat with sydney and grace and their kids.

earlier that night, you'd gone to your therapy session and cried your eyes out. after years of feeling like you weren't a human being worthy of love, you just started seeing value in just existing.

and mat was as supportive as ever. he gave you space after therapy sessions to process until you were ready to talk to him, if you wanted to. the two of you made plans to hang out at cafes and central park rather than at bars every weekend.

"look at your man go," grace nudged you with her elbow. "he's feeling good tonight."

"i'm sure it has everything to do with you being here," sydney commented. "i've never seen that man more in love than he is right now."

you could feel the heat crawl up your neck as you shook your head. "he's my best friend."

"a best friend who loves you so much, he's willing to keep things platonic for your sake."

almost immediately, an insecure thought popped in your head, but you stopped it in its tracks, imagining the thought on a conveyor belt, moving down the belt until it was out of sight completely.

your shoulders relaxed.

you deserved to be loved, and it if was mat, great.

if not, you'd still have him as your best friend.

a buzzer sounded through the arena and a quick glance at the ice told you all you needed to know. mat was skating into a cluster of his teammates, smiling wide before pointing up at where he knew you were sitting.

grace and sydney jostled you around a little while fans, male and female alike, screamed at the idea of the mat barzal pointing at them.

when the game ended (5-4 with the islanders win), you followed sydney and grace down to the locker rooms. you met up with the other wags and smiled when they greeted you. some chatted and passed time while others rocked babies in their arms. you however were anxiously looking through your photos on your phone, specifically the album labeled mat that you'd had since you'd first gotten an iphone. you didn't glance up until you hear the sound of doors opening.

mat was the seventh person out, not that you were counting. he wore a bright smile when he saw you standing there and immediately crossed the distance between the two of you to wrap you in a huge hug.

"how was therapy?" he asked.

you rolled your eyes but couldn't help but smile. "why do we always talk about me?"

"because i care." he lightly nudged your shoulder. "so how did it go?"

"it was good, actually," you remarked. "figured out and accepted that i deserve love."

if it was even possible, mat's smile got wider. "yeah you do."

"and maybe there are people waiting around for me to figure it out..." you trailed off before shyly meeting his gaze. and before you could stop yourself, before you ran out of courage, you stood on your tiptoes (like you've been doing since he hit his growth spurt in seventh grade) and pressed a kiss to the corner of his lips.

you lingered for a moment before pulling away and loooking up at your bewildered best friend whose mouth was wide open.

"what?" you asked. "did i read that wrong? sydney and grace said--"

"that's all i get?" he asked. "i've waited for this since i was six years old and i don't even get the real thing?"

you furrowed your brow. "what're you talking about? six years old?"

but mat was leaning in and capturing your lips with his own. "six year old mat had the biggest crush on six year old you," he said.

"and what about twenty-four year old mat?"

he kissed you again. "head over heels for you."

age twenty-six

after a less than stellar playoff run, you and mat headed back to canada for a portion of the off season, mainly to visit family.

but it was also nice to get out of new york, even if it was just for a short period.

in hindsight, you should've known something was going to happen. your mother, nadia, and liana took you to get your nails done and to grab lunch while you were out shopping. but you were so caught up in how nice it was to be back home (words you never thought you'd ever say), you paid no attention to the lack of mat time.

so when you walked into the backyard of his parents' house and saw a giant projector screen with blankets and pillows strewn about to make yet another fort, you almost cried.

mat's head popped out from the middle with a smile on his face until he saw the tears in your eyes. "why're you crying baby? this is supposed to be happy!"

"i love you" was all you could blubber out.

mat laughed to himself, taking your hands in his own. "i love you too baby." he knelt down and the tears kept coming down your face. "ever since i was a kid, i thought i'd be the one walking you down the aisle to the man you'd marry because i never thought you'd be crazy enough to fall in love with me."

you scoffed. "i'm definitely the one batting out of my league here, mathew."

"don't talk about the love of my life that way," he said before continuing on. "we've gone through a lot together, and i couldn't imagine getting through life without you by my side." mat took a deep breath. "so tell me, do you wanna get married?" mat asked.

you nodded through your weeping. "only if i get to marry you," you smiled.