#and then absolutely unrelated to anything whatsoever is the song of the day
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Song of the Day: May 12
"Howlin' for Youā by The Black Keys
#song of the day#made just the weirdest dish for dinner. got the tofu texture wrong and it fully dissolved into the sauce. not bad but /very/ unexpected#Nick cut the grass and did not cut my sunflowers. my impatiens have lost all their flowers but the leaves look very healthy still#gonna have to text the guy to come back and fix the shower drain. not looking forward to that exchange. 'again?' 'yes again' 'but again??'#maybe gonna see if my housemates will sit through Delicious in Dungeon with me?#I've been watching it with kaylithographica and it's so good! we're cat time now and I'm excited! full party acquired!#I was talking about how good it is and Duncan mentioned he hasn't started it yet (he has read the manga)#Nick and Ronan haven't done either and maybe I could get everyone interested in seeing it together?#might be nice to have an activity we all do#and then absolutely unrelated to anything whatsoever is the song of the day#because you see. DA-DA DA-DAT-DA DA-DA DA-DAT-DA DA-DA DA-DAT-DA DA-DA DA-DAT-DA
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Ishida Suiās Review of 2019
I didnāt think Iād ever finish this with my onslaught of classes including pharmacology, but I somehow managed! 6k word count, the longest TL Iāve done to date besides Parvatiās interlude for FGO. Lots of insight into Jack Jeanneās production and what Ishidaās been up to for the past year. It was tough to translate because it was so long, but I had a lot of fun.
Let me know if there are any mistakes, Iām sure thereās a whole bunch. Have fun reading!
Original can be found here.
ļ¼ļ¼ļ¼
2019. Iām reflecting on this past year while flipping through my agenda. Since Iām writing this for my sake, thereās going to be a lot of sections without much explanation.
January
ā This was when Jack Jeanne had yet to be announced, so I was mostly doing preliminary work at the time. Stuff like āBUā and ācharacter facial expressionsā will be finished some time this month, is written in my schedule book.
ā New Yearās party in Tokyo from the 16th - 19th. The New Yearās party is a joint party thatās comprised of the 4th editorial department (Shueishaās seinen magazine branch) thatās held every year in January. I attended the party with the staff every year during serialization, minus my first year.
2019 will be the first New Yearās party since the series ended, but I thought I should stop inviting the staff to attend since weāre not working together anymore (plus itād be a hassle), so I didnāt really invite anyone. But the day before the event, Editor M brought up the topic inside the taxi and asked, āAre none of the staff coming this year?ā (Even if theyāre invited now, itās going to be impossible, asking them to fly the next day and causing a ruckusā¦) When I replied, āHey, Iām sure itād be fun if you invited them and they all came~ā, the editor contacted Goubaru-kun, and after said, āHe said heās going.ā Guess he wasnāt busy. In the end, the staff during serialization and several people from OB and OG came, almost identical to the lineup from previous years, and it occurred to me that maybe I should have just invited them from the start.
Anyway, at this yearās New Yearās party, I donāt really remember much of what happened. I talked with my senpais from back when I was an assistant for Kingdom, and outside the venue I sobered up from the agoraphobic dizziness I was feeling inside. At the second party I remember people talking to me haphazardly and being photographed. I wish Iād refused. Also, I was sexually harassed by Rikudou Matsubara, my senpai from the same region as me. This New Yearās party will be my last.
February
Briefing session for the game held in Tokyo. Key visual created. It says here [on the agenda] that I want to go to Kagoshima. Every week thereās a checklist for 10 km of jogging and weight training 2-3 times a week. I spent about a week doing some composition work. It ended up being helpful for me, but it made me decide not to work anymore with people with different levels of interest from me.
ā TRPG is written for the 28th. Usually we use the DX (Double Cross) system, but this time one of our participating players, Mās schedule was under mysterious attack. As game master, taking consideration of everyone whoād made time in their schedules for tonight, I thought we could switch to Cthulhu and asked them to wait an hour. 2 hours later I finished coming up with a scenario and began the session. It was fairly fun.
March
Finish BU this month, is clearly noted down. BU stands for bust-up, which are drawings of characters in standing poses [sprites] that are common in ADV games. Normally, since it takes a huge amount of work, the BU work is always divided up. The original drawings are done by the illustrator, in this case I do the base illustrations (line drawing & colouring), and using them as the base, the department sharing the work cleans up the line drawings and recolours it...thatās how the process goes. But since Iām a mangaka and donāt have the technology needed to make gaming assets, I thought itād be best to leave it to the pros in that field, so that was how that stage proceeded. At that point in time at least.
I also had plans written down to go to Kagoshima. Looks like I didnāt go.
ā TRPG on the 25th. Player Mās schedule lined up with ours, so we played DX with 6 PL plus me as GM. We went to the aquarium, were attacked by witches, and so on.
April
Finish BU, is faintly written down. It seems like the work was more or less completed earlier this month.
ā High school friend Kās wedding on the 6th. Up until then Iād only been to two other wedding receptions. The weddings were for a different friend from high school, and Tajika-san, one of my senpais from Kingdom. This suddenly reminds me of that time at Tajika-sanās reception, when I took a super early flight because I absolutely didnāt want to be late whatsoever, but I ended up not being able to fly for about an hour and a half because of engine trouble or whatever, so I entered at almost the same time as the bride and groom during the receptionā¦
Kās wedding was the first time in my life where I was present all the way from the wedding to the reception, but how should I put it, I was struck by a beam of light. I donāt know who heās getting married to, I have no clue what their relationship is like. But I was somehow bombarded...by all these thoughts that became jumbled in my head, like the energy in this place, the power of their oaths, questioning what it was, how light isnāt always justice.
I got the feeling that this was what proper, respectable humans take part in, but since I'm fine with not being a proper, respectable human, I decided to not do anything other than what my heart desires.
I'm definitely not good with places where Iām in the spotlight. But congratulations.
ā āPlay Sekiroā is strongly noted down. Thank you for supporting me in the first half of 2019.
ā TRPG for the 29th - 30th. DX. Player Mās character dies.
May - June
My schedule book is starting to look more scattered now. On the other hand, since Iāve got a good memory of this time, I can write while recalling the events.
ā I did the covers for the Touken stage play book.
I drew the cover illustrations for the Touken [Ranbu] stage play that Mikasano-san, who Iām grateful to for his work on the anime and movie scripts for TG, worked on. In my mind, it feels like I'm watching the back of who I'd consider my older brother in the creative world, or a fellow comrade on another battlefield fighting to the death. I think it came out quite charmingly, so Iāll include the links for now. Link 1 | Link 2 | Link 3
During this time of work for Jack Jeanne, I was working on āmodel sheetsā. Blueprints for the charactersā attire, not just from the front but also the internal structure.
Unlike most other games, Jack Jeanne has āperformance costumesā in addition to normal attire. Because of its ārevueā theme, costumes that will be worn onstage needed to be prepared. I was shocked when I suddenly admitted that I needed model sheets for 5 different performances (spring, summer, fall, winter, final) for the 6 main characters, making 30 designs in total.
Back in the TG era, these kind of drawings that I just explained, or drawings that needed a lot of layers, were a pain in the ass. Plus I wasnāt good at them, so I thought that I didnāt want to do it for the rest of my life if possible. But it seems like I have to do this myself. With a sense of determination, I decided to work solely on this for all of May. At the same time, I made nothing but curry for all my meals. Thereās no deep reason behind it, but my aim was to kinda boost my ability to concentrate daily by choosing to be decisive in that action.
ā Working on model sheets It came with an unintended effect. Because I spent a month on work that required balance and consistency, my right-left checking skills got better, and completely unrelated, I improved in drawing perfect copies. The design work for the model sheets itself became really fun to do, starting around when I became obsessed with the scarf design (sumo wrestler drawing) I definitely couldnāt use for Nejiās summer costume. I discovered that itās precisely because Iām not good at this that my labour bore fruit. I feel like this was my experience for the latter half of the year.
July
The cast members were chosen. Unlike TG, there are 6 people + 1 person who can be referred to as the main character, so it was interesting to have a cast with some breadth.
Seems like lyrical work was the main thing I worked on.
Lyrical work. In Jack Jeanne, each performance contains several songs to sing and dance to, so each one is supposed to be sung. ...hence the lyrics.
The topic of what to do with the lyrics was brought up in November 2018. What happens typically is that, letās say thereās singing in an idol game, then a company that specializes in it is asked to produce the songs. Even for Jack Jeanne, there were several candidates I could pick and choose from. But after a quick look-through, frankly speaking, they all looked the same to me. Thereās one person thatās good, itād be great if we could get them...is what I thought, but, āEven though I donāt have the skills, Iām the one who understands this world the best,ā crossed my mind. ...should I try? I tried it. To be honest, I was super embarrassed since itād be seen by a lot of people, but it evolved into, āWho cares if youāre doing it?ā And so Jack Jeanneās lyrics were tasked to me.
I mentioned this earlier, but there are multiple songs for each performance. So if you combine those plus the opening and ending songs, that makes 17 songs in total. Lyrics for 17 songs that Iām fully responsible for. What the hell...am I doing? Maybe it was from that moment that I started losing it.
Including the lyrics that Iād been working on bit by bit every month, the remaining ones were finished in one go this July. By the time I finished everything, my current state was, āGive me more songs...let me write more lyrics!ā But it wasnāt over just yet.
August
Every time I meet someone I tell this story. Iām thinking of keeping it up. Here I am, relieved to have finished the lyrics, when a message pops up on the Skype group chat. Itās from Yamashita Daisuke of Broccoli.
To briefly touch upon Yamashita Daisuke, he is a young man whoās been involved with this project since October of 2018, and a poor soul who was tasked with conducting very important meetings on his third day of working at the company.
The producer from Broccoli was going on maternity leave, so he was scouted as her replacement. As an aside, if I have to be honest, the exchanges between me and Towada-san, and Broccoliās Jack Jeanne team up until then were quite frustrating. āHow about doing it like this?ā they would counter. And weād respond with something like, āThis part is going to be developed later on, and since this will become foreshadowing for the entirety of the story, it canāt be modified that easily.ā This kind of situation, having to explain everything in detail one by one, going 3 steps forward and being held 2 steps back, had been going on for about 3 years, so the two of us would often whine about it over drinks, going, āWhen should we quit, this is ridiculous,ā etc.
Finally when things began going more smoothly, the producer who was leading the project took her leave, so I wondered if weād be able to get along with Yamashita Daisuke, but he was, how should I put it, very diligent. For the last year I've been working with people who donāt put in their best effort, so I was very hopeful and thankful to him.
But I digress. This was the gist of the message that Daisuke sent.
āKosemura-sanās whoās in charge of musical composition wants āscratch vocal tracksā for when the singers are recording.ā āDoes Ishida-sensei happen to know anyone he could ask for this favour?ā āIām sure it wonāt be a problem for you!ā āFrankly speaking, itās okay even if theyāre bad.ā
Huh. Well, as you might have already guessed, even with the lyrics, itās impossible to really understand the song at first sight without knowing what kind of rhythm, what kind of emotions are being expressed in the bar measure. Of course weād need āscratch vocal tracksā to explain the general feeling of the song.
Now, what Daisuke said was, āDo you have anyone you can ask? Itās okay even if theyāre bad. Or even you can do it.ā But if I found a āitās okay even if theyāre badā kind of person, weād still have to show them how to sing it and explain how the rhythm goes. Daisuke already knew which was probably why he asked for the favour. āThe person writing the lyrics would be able to make the scratch vocal tracks the fastest.ā ...come to think of it, the demo songs that Kunimitsu sent me every time that were sung using Vocaloid, werenāt they also scratch vocal tracks?
Daisuke must have been in a pinch trying to figure out how he should ask me candidly. Ishida-sensei, I couldnāt just ask you to sing it, so I had to ask in a roundabout manner.
Iād already given my answer, but I was still hesitant. Itās true that after I finished writing the lyrics for the 17 songs Iād already lost sight of myself, but if I sang, my singing would reach Broccoli and Kosemura-sanās teamās ears. But I couldnāt just leave poor Daisuke hanging.
So I consult Towada-shi, whom Iād been collaborating with in creating the scripts for Jack Jeanne, for advice. (He had been in charge of TGās novels, and Iāve known him for a long time.) āDid you check Skype?ā āI did.ā āWhat do you think?ā āStart by looking up scratch vocal tracks,ā so we paid a visit to YouTube. The first search result that came up for āscratch vocal trackā was a video of a vocalist who was used to sing a scratch track for AKB or something. I see, so thatās what it looks like. Innocuous, but I could see it was very professionally done.
And the second result that came up was Tsunkuā-shi. The figure of Tsunkuā-shi himself recording a scratch track for his idols. The producer himself became an idol, and was singing really cutely, in his emotions and how he sang it. āThis is it?ā I said. āYeah, it is,ā Towada-shi agreed. If Kosemura-san and his team, and the people who will be performing the songs have to listen to it, itād be a disservice to them to half-ass it. I donāt like people who donāt try their best. That means I have to show that attitude myself. Letās come out of my shell for poor Daisuke as well.
āYouāre gonna become Tsunkuā.ā āYeah...Iām gonna be Tsunkuā!ā And that was how I became Tsunkuā.
I replied to Daisuke on the Skype group chat. āUnderstood, Iāll do what I can.ā
So this guy, who doesnāt even know what the āDā in DTM stands for, first downloads the software, and begins setting up a recording environment. Other work is pushed aside. I set 3 days to work on this.
I timidly begin working on the scratch tracks. From the perspective of someone who doesnāt have to listen to their singing for a living, it starts out as a living hell, but you get used to it as you listen to it over and over.
And so I kept learning new things. I noticed I was harmonizing with myself.
Just like Tsunkuā-shi, Iād change the voice for each character. If it was Jack (male in a male role) Iād sing like a man, and if it was Jeanne (male in a female role), then like a woman, while the main character Kisa (female) should sound cute... No, Kisa needs to be cuter! I re-recorded her part many times. Depending on the song, Iād sing for 7 people. I was Jack Jeanne now.
Tsunkuā (I) recorded 17 songs in 3 days, and sent the data first to Towada-shi. Since I was now Tsunkuā, I no longer felt any sense of embarrassment.
āI listened to it,ā the reply came, and I called him. Towada-shi was roaring with laughter. I regained the embarrassment Iād forgotten.
āOh no, I was laughing ācause I was impressed,ā he said, but my heart was already as fragile as that of an abandoned dog.
āEven this is a big help to Kosemura-san, and Daisuke should be grateful, right?ā Yeah. Although Towada-shi guffawed at me, Daisuke will surely thank me. And then heāll definitely tell me what a good job I did!
I dumped the music into the Skype group chat. āI did what I could,ā I added.
How will Daisuke react to my Tsunkuā? I waited restlessly. Three days later on August 5th, a formal message arrived after it was received.
āThank you very much. We will schedule a meeting with Kosemura-sanā¦ā
I couldnāt believe my eyes. My hard work got dismissed with, āThank you very much.ā
Daisuke, why? I thought you were in a pinch, so I...were...were you fooling with me from the start? Answer me! Daisuke! Just tell me I did a good job, or follow up with something, Iām fine with anything! So much for my heart being like an abandoned dog, itās more like a grown-ass man left naked on a snowy mountain. I did what I could! This feeling was welling up inside me, but was it myself that managed to do it?
ā Later, at a meeting with Kosemura-san āItās great that you could do this much for us. You didnāt have to do all that.ā With the gist of those words, a warm blanket was finally placed over my heart, which had almost frozen to death.
āI didnāt know how to respond. I wasnāt sure if Sensei was the most who did it in the first place,ā Daisuke said, so I decided to satisfy myself by threatening, āIām gonna tell this story until the day I die.ā
September
ā Responses to the Questions to Ishida Sui contest We did a āAsk anything to Ishida Suiā contest as a project for the art book āzakki:reā, where purchasers could apply with a postcard. I was writing the replies for them.
I thought thereād be a lot more questions about TG or its contents, but surprisingly there were a lot of questions asking for life advice. There were quite a few questions that I had to seriously think about to answer.
It was kinda tough since there were over a hundred of them, but I thought itād be nice to get in touch like this every once in a while.
ā BU work for Jack Jeanne Once the music-related tasks like lyrical composition and scratch vocal tracks were completed, I worked on BU. ...BU work? Wasnāt it finished back in April?
Well, a similar situation arose just like what happened with the lyrics. Regarding sprite quality I might not be able to beat the pros, but since Iām the one who best understands how the characters look best and their body balance, I had decided to do all the line drawing colouring myself in June. I had no clue whether Iād make the deadline or maintain the quality, but thanks to Broccoliās understanding, I was allowed to make it myself.
I realized once again that Iām terrible at splitting up work. If I can do it by myself, I will.
Plus, itās, how should I put it, starting from my TG days, even though it wasnāt a lot I got to see various types of workplaces. Iād see places where there was no sense of responsibility whatsoever, or the work may have been divvied up appropriately, but it felt like they were making something without a sense of purpose, like a main plot line that isnāt going anywhere.
Itās impossible to accomplish big things with that kind of stance, and I understand that the more people that intervene, the more uncertain the core becomes, so I didnāt like that kind of approach. It makes me wonder whether thereās any meaning in creating a work thatās conservative and unchallenged, and if itās nothing more than a money grab.
Since I donāt have any desire for material things, getting fed up about it is useless, but I just canāt help thinking about it.
Of course, it may be difficult to get what I want 100% of the time, but I want to create things in an environment that I think is beautiful, even in places that Iām slightly involved in.
...in other words, BU work is tough, but I began remaking the sprites once again by myself. This was the toughest work Iāve ever done out of everything, including the serialization...
ā Scratch vocals training camp at the end of September I went to the recording for the scratch vocal tracks. Based on the scratch tracks that I made, we got professional vocalists to sing it again properly. This is what the actual cast would use as a reference to sing. (So my version was like the pre-scratch vocal track.)
I was stuck in Tokyo for almost a week. Wake up, get ready, go to the recording studio. Come back at 8 or 9 pm, rest and sleep, repeat.
It was like I was back in school, and since I donāt have a steady lifestyle, I enjoyed it.
Kosemura-sanās team is really great, and I know I mentioned this before, but I felt like their workplace was a very healthy production site. When I was drawing manga, I never had much time to talk with fellow manga artists, and Iāve never had the chance to experience what other professionalsā workplaces were like, so it was very exciting for me to see people as professionals tackle one thing seriously. The vocalists were as amazing as I expected, and although my scratch tracks were played at a loud volume to annoy me, I had a great time.
The game might have a high level of entry, but itās worth listening to just for the songs, is what I truly thought.
ā Parting words to Editor M-shi This might have been back in August, but from 2018 to 2019 I had a lot of things on my mind, so I began talking to the editor.
In between the 11 years of serialization starting from my rookie days, Iād received guidance from him so it wasnāt easy, but I expressed to him that we should keep our distance for any future works.
āI want to become absorbed in myself, not to Ishida Sui or Tokyo Ghoul,ā I told him. The other part said he also felt the same way, and accepted it. The next time we meet, I hope we can talk about what weāre into, what weāre going crazy over, he said.
And so, 2 months after that conversation was the scratch vocals training camp in Tokyo, and I had the chance for the two of us to talk again. That day I was completely tuckered out from recording the scratch track, but it was a day filled with accomplishments.
He took me to a restaurant with delicious food in Ebisu or somewhere, and after concluding our brief business meeting, I tried throwing out the cliched, āSo, what are you up to lately?ā As the lead writer, there was a part of me that was curious about how he was doing after that talk we had.
The editor began talking about homemade curry.
...thatās what heās into? I decide everything from selecting and picking the ingredients myself, and next time I want Ishida-kun to also see how delicious the curry is...he told me passionately, but how should I put it, the conversation wasnāt very spicy.
The food was delicious.
October
ā BU work
Whatās hard about BU work is that itās difficult to separate the layers according to the face, hair and clothes, and they all have to have the same style and touch to it. If it was manga, then maybe...no, even in manga, thereās still some need to match the outfits, but it doesnāt really matter to that extent.
Itās because I donāt like game sprites. āThis character has so much energy from their sideways pose! Amazing!ā This never happensā¦
Around this time of the year, my older sister called this elaborate task, āthe task youāre probably the worst at.ā
ā The bean life Iām not really fat in particular, but I made up my mind to try dieting. At the time, my body fat percentage was at 18%, and Iāve never been below 10% ever in my entire life, so Iām thinking of aiming for that. Instead of eating rice with unseasoned chickpeas and black soybeans, I began my lifestyle of consuming vegetables and cuts of meat with less fat. Hopefully I can achieve my goal in about six monthsā time.
ā Ano-chan, Honda Keisuke, and I After Ano-chan left āYouāll Melt More!ā, her official Twitter account removed every single account she was following, but for some reason only two people remained. Those two people were Honda Keisuke and Ishida Sui. To Ano-chan, Honda Keisuke and Ishida Sui belonged in the same category. After some time passed, even we were removed, but I consider this one of my hottest mysteries of 2019. Ano-chan! Iāll always be waiting, so letās have tea some time with Honda Keisuke!
November
ā BU Need I say more.
ā Main castās first recording session from the 26th - 27th.
I visited Tokyo with Towada-shi to supervise the main cast membersā recording session. Wow, everyone was so amazing~
Of course, not just the main characters. Terasaki Yuka-san who plays the main character, Tachibana Kisa, was wonderful as well.
In this kind of game genre, the position as the main character feels less important than the male characters, but I want her to stand firmly in this storyās script. I thought itād be nice to have the main character not stand out too much and have her watch over the male characters, and I felt that Terasaki-sanās voice and acting fit that image perfectly.
About the cast members, it seems like thereāll be a chance to speak to them eventually, so Iāll come back again.
ā 1 month into the bean life Iām steadily losing weight. Basically I always work from home. I go to the gym and supermarket 2-3 times a week. I started cooking for myself. I got a brand new refrigerator to replace the one that suddenly broke. It actually cools things down now. Living standards have risen.
December
ā I break off ties with M who I played TRPG together with. He was a former classmate who was even chief assistant at some point during the seriesā run, but eventually he ended up getting fired due to falling asleep at work. He said heād attend the last session for the story that day (although his own character had already died), and I was working on a schedule to accommodate him, but once again he cancelled at the last minute.
Itās fine to cause trouble for me (although Iāll probably get pissed), but I canāt overlook treating others the same way. And itās not the fact that his schedule didnāt match up, itās because he was complete trash who didnāt know how to behave like an adult once he made plans with others, that I felt sorry for the other TRPG people who took time out of their schedules. Since I felt ashamed when I was together with him, I decided Iād had enough.
This was a year where I cut ties with a lot of people, but I think what they had in common was that I was ashamed to be with them. From now on, I donāt want to associate with such people.
Whatās more, when I finally told him, he didnāt even try to deal with it and just gave up, responding, āSo thatās how you felt about me. Okay. My bad.ā
I wonāt go anywhere with those kind of people again.
ā The bean life ā the potato life. I changed it to potatoes.
ā BU is over...
On December 17th, I finally finished the BU work that I spent ageeeeeeeees on.
Although I said that serialization is tough, as long as I finished 18 pages a week that was it (although there were times where I was chasing myself with other work), so I could finish it as long as I didnāt sleep. I somehow managed to finish both the manuscripts and the colour illustrations this way, so expecting BU to be similar, I wasnāt really scared about it never ending, but BU truly was despair. When is this gonna end? Iām even working super hardā¦ This is how it went on the entire time for over a month.
There were about 200 different sprites I had to make myself, including the different costumes and poses, and I had to do all of them.
For one thing, when, āThis process is necessary,ā came out, I had to go through the same process roughly 200 times, that it felt like I was facing the final boss who already transformed many times. Also, itās like not equipping myself with a lot of equipment and recovery items in the previous town, but the dungeon I somehow managed to enter is extremely dangerous and even though thereās no safe points anywhere in sight, the boss suddenly comes up behind you, and you go Iām gonna die Iām gonna die
ā If you eat a lot while youāre losing weight, youāre going to have a bad time.
On December 15th I had trouble concentrating, so I tidied up the living room, created a space in the middle of the room, and darkened the lights. After an hour of meditating, only the sound of my breathing could be heard in the room, and so I went back to work with renewed concentration after confronting the issue (like a monk?).
On December 16th, Iāve been working the entire time since morning. I thought today was going to be the last day, but an entire day has passed and I donāt have any energy...
Iāll buy a midnight snack, replenish my energy, and end it once and for all. Iām trying to lose weight, but I went to the convenience store while thinking about how Iām gonna eat a katsu sandwich (I didnāt have the energy to cook).
While looking for something at a convenience store I can eat during weight loss, I think back over the last few months.
Like how it seems like BU is finally over, how a lot of things have happened, how Iām working hard, how lately Iāve been eating only potatoes, vegetables and meat.
And then I suddenly thought, āI wonder if the reason I donāt have any energy is because I havenāt had any rice lately.ā
...I thought I should go on a diet in October, so Iāve been living a very modest life since then. Thanks to that, my weight has steadily decreased, and my body fat percentage has gone down 3% to 15%. What will happen if I continue with my relatively strict dietary restrictions during this difficult time?
...even if youāre losing weight, thereās a technique you can set up to binge eat during periods where weight loss stagnates, called cheat day (though results may vary), but what is it that makes no-cheating so inefficient even for weight loss?
...should I have a cheat day today?
āHuh, is it really okay?ā I asked my mind. āDo it!ā was the answer I got. From that moment, everything around me morphed into things I could eat.
No exaggeration, my knees trembled.
I crammed into my shopping basket carbohydrates, carbs, more carbsā¦ Itās okay just for today, I say as I shove cream puffs, dorayaki, pudding, Family Mart chicken and ice cream. (Even if it's a cheat day, itās probably not a good idea to take non-nutritional foods, but shh.)
With food in both hands and in high spirits, the first thing I ate was the delicious part of the Family Mart chicken.
I groaned loudly, all alone in the room.
Alright, letās finish this work! I was energized, but my blood sugar levels spiked so much that I felt extremely sleepy and went to bed instead.
The next day on the 17th, I wake up at 4 am and immediately notice something unusual. My body is burning. Iām sweating.
I immediately wake up, and overflowing with energy, I head for my desk. Iām working actively, and I finish the BU work. It felt like I was pushing forward with only positive energy, feeling uplifted.
I break out a laugh at a slight joke I found funny from a foreign drama (The Mentalist) Iām playing while working. The greenery of the plants and the lighted sink glisten, and the scenery is vivid.
What is this?
I suddenly recall the story of a YouTuber I saw recently. He lives in a region where medical marijuana is legalized, and he explained in detail what changes would occur if you smoked cannabis.
To put it roughly, you feel calm and your senses sharpen. Trivial things can become funny, and funny videos can make you roar with laughter.
Then maybe...I thought, I'll watch Nagareboshi (a comedy duo) on YouTube. Usually I go, haha, that's funny! But that day I exploded with laughter...all of their videos were just too funny.
I learned that when youāre losing weight and suddenly eat a lot, it alters your mind and body as if you smoked cannabis. (ā» Just to be clear, I donāt know what cannabis is like.)
Thus the BU work ended with me being high as a kite.
(ā» Iām covering it with mosaics for now. Iāll remove it once I can announce it.)
ā I stopped playing TRPGs. Iāve been doing it for about two and a half years, but it also helped me in honing my creative skills. Iād sometimes perform, so it was useful when I was recording the scratch vocalsā¦ It was a good experience, managing to vicariously live the energy of ending a story. It was a story about a group of friends, so it was easy to appreciate.
Summing up 2019
After the weekly series finished in 2018, I was in a daze for a few months, but in 2019 I worked only on Jack Jeanne for the year.
This year I tried various things, and trite as it may seem, felt the possibilities within myself expanding. I had many opportunities to realize how important it is to keep a distance from bad things that donāt do anything for me.
During my work on Jack Jeanne, I vaguely thought about my future creations. The work Iām doing now in game production is fun so I wonder if I can keep working in this field, but Iād also like an environment where I can release things more constantly.
I canāt promise anything specific, but Iām going to work on things that I want to do.
I look forward to what 2020 has to offer. Have a happy New Year.
2019.12.31 Ishida Sui
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80ās Rap: Random Quarantine Thoughts
1. MC Ren...One of rapās greatest mysteries or tragedies depending on how you look at it is what happened to MC Ren. I recall always thinking that he was possibly the second best rapper in the group. He fell off the face of the earth after NWA pretty much imploded by the mid 1990s. I am not sure if it is really fair to wonder this In a less than flattering light, but the fact remains that the other members of the group are absolute icons who became gigantic In the history of rap.
2. Wild Thing by Tone Loc... The connections in early rap always surprise me. For example, this song was produced by Mario C, who did most of his well-known production work with the Beastie Boys. He was even mentioned by name in the song sure shot. One of the co-writers on this song was Young MC, who shortly after went on to greater fame with the song āBust a Move.ā He would also go on to write āFunky Cold Medina,ā which was a phrase coined by Flava Flav of Public Enemy.
3. Public Enemy... As a kid, I listened to Public Enemy, but only really got into a few songs. My issue with them was that their songs were more like speeches by Chuck D with a drumbeat, more than anything else. They get credited for being the first political rap group, but the problem with them was they were not that great at the music part. Their songs left out any sort of catchiness, hooks, chorus, and anything else that popular music contained in the 80s and 90s.
4. The Beastie Boys... One of the things that came out in their recent book was their admission that they distanced themselves from Rick Rubin and Def Jam because they did not want to be portrayed as partying clowns anymore. I am not sure if this was purely accidental, but one of the byproducts of that distancing was they began to experiment with lesser-known samples, undiscovered samples, and eventually creating their own samples. Like I said, this could have been purely accidental, but in the future, the obvious popular samples being used for everything in rap at the time became much too expensive to use anymore. This is probably why groups was like Run DMC faded out as they were not skilled enough musically to manipulate good new samples into their work.
5. Run DMC...I have always wondered about their relationship with the Beastie Boys. By the 1990s, Run DMC was no longer anywhere near what they had been 10 years prior. I wonder if any conversations between them got awkward since the Beastie Boys star continued to rise throughout the 1990s. I remember in 1997 seeing them headline a small show at my college with Sugar Hill Gang opening. I felt a small bit of pity for them during that show. I was thinking how the mighty have fallen.
6. Bust a Move by Young MC...I just realized that the girl in yellow in this music video makes out with actor Max Perlich. I did some digging and discovered that he also appears in videos for Alice In Chains and Luscious Jackson. That is a strange group of videos to appear in if you ask me. In an unrelated note, Iāve always found it completely coincidental that Young MC has a friend named Harry with a brother Larry. Do you know who I mean? The one in a few days who is going to marry.
7. Heavy D... Heavy D, much like a lot of other rappers left music to go into acting to never return. I wonder when was the exact point that they decided to do this and why. There might be a different overall reason for each person, but I am thinking that there are more opportunities in acting with much more financial security. Music is just much more difficult to stay not only successful, but to maintain any kind of prosperity because making albums and touring those albums costs a lot of money.
8. As a kid, I did enjoy āParents Just Donāt Understandā by DJ Jazzy Jeff and the Fresh Prince. I remember thinking that it spoke to me like a story in no way other songs did at the time. As an adult, I cannot bear to listen to any of his songs anymore for some reason. I think it is because they are so cartoonish that the music critic in me cannot take it seriously whatsoever. The other thing about the song is the music video could possibly be taken as an audition tape for the Fresh Prince of Bel Air. Without that television show, we would not have the always riffing Will Smith that we see today for good or for bad.
9. Kool Moe Dee... I could never get into his songs. His lyrics were so annoying to sit through because his lines were three words long. Nobody talks that way in real life. The big thing about listening to his songs were you had to think really hard to figure out what he was trying to communicate because the staccato rhythm of it threw you entirely off.
10. Turn This Mutha Out by MC Hammer... People forget that hammer was actually thought of as a pretty hip rapper before Please Hammer Donāt Hurt Em and the promotional onslaught of āU Canāt Touch This.ā I remember listening to the song on cassette when I was in eighth grade. One of the things you can notice in the music video is a lack of white people in it, which totally changed in later videos. The biggest takeaway from this song when comparing it to āU Canāt Touch Thisā is the fact that Hammer is not so clean in this one.
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So recently I've really been struggling with mental health problems. Like I've known I've had them for awhile but I've never known specifically, and I thought maybe it's just puberty? But I'm an adult now and going off to college and I'm sick of not being able to do normal things? And idk what to do, I don't want to tell my parents because I don't think they'll believe me? But I don't know if I can wait until college? And even in college I don't wanna be judged? I just dunno what to do...
this is too close to home that it feels like i just ghost messaged myself. i wanna help ya out buddy but how can i when i donāt even bother to save myself and my own sorry ass? however, you plucked out the courage to ask me for help and it would be an asshole move for me to just leave it be, so iāll try my best on this.
from what i think, this might sound cliche and overused, but everyone needs a companion. if you feel like your parents wonāt believe you and the thought of it only worries you, then donāt tell them first. think of someone else you can open up to, may it be a friend or relative or even someone on the internet. it doesnāt have to be someone you know personally and irl, the internet is a great place too plus iāve met a lot of people here in tumblr who are open minded and can be empathetic with such things.Ā
theres also this option of telling someone unrelated to you, aka a stranger of sort. iāve met people who donāt tell their personal problems to the ones theyāre close with because they donāt want them to worry or make their loved ones doubt them, so they find it easier to tell someone they have no relationship or whatsoever with.
i get it, its scary to tell someone. even the very thought of it alone unnerves me that i canāt even grasp how it would go. its an easier choice to keep everything in because of our fear of peopleās reactions and the confusion we get if we really have something fucked up with our head or not. but think back, can you really go on like this, keeping it all in?
if ever you do find someone you know you can talk to, you donāt have to tell them everything. just share what you can/with what youāre okay enough with to spill out. itās absolutely okay not to tell them everything, but just enough for you to lift the weight off yourself. itĀ also doesnāt have to be a face-to-face kind of situation. if you find it difficult to say things verbally but easier to express something out via texting or writing, do it that way.
however, if youāre like me who prefers to keep everything in because i donāt like the feeling of people knowing too much about me, a companion doesnāt have to be human. my cat helps me out a lot and just hanging out with him eases my mind. animals are great friends to be with and to help keep yourself together, or for me anyway.
and ok, this actually took a while to answer because i wasnāt sure if i should put down on how i deal with my own but you know what? iām risking it and yelling fuck you at myself so here i go.
if you really canāt bring yourself to speak it out, then here is my suggestion of what i do: i distract myself. i keep my mind or body or both busy enough that i can push it aside momentarily. ironically, its what makes me move my body to exercise or do the chores around the house.
you can try and write down with what youāre good with and list down examples/experiences about it to remind yourself. you can make something, a doodle or those edits and moodboards or basically anything, and use it to express out how you feel. find and watch tv shows where you see characters that you can relate with and, in a way, have that character support your back. find things or use every trick at your disposal to keep yourself to just, you know, keep moving. for me, thatās already a lot.
but if itās too much for you that it takes a huge toll on yourself, lie down and play your favorite songs and just stay that way for as long as you need. or take a hot shower which is then followed up by wearing your comfy clothes and digging in on your favorite snacks. even the small and simple things can help.
for me, i self disciplined myself to keep on moving and thats how i go about with my days. one of the big reasons why i write stories and create my own characters is because itās the biggest and most effective distraction that i could ever do.Ā ultimately, i grew to love it and became passionate about it that it actually helps take the weight off myself even if its just for a moment.Ā being passionate about something is the best way for me to distract myself from my fucked up self because it gives me some kind of purpose. it doesnāt matter if its a fandom, a hobby, books, movies, use it for your own intentions. idk if i worded it out right.
lastly, have this post
iām in college myself right now and trust me that itāll get more complicated but iām still here. not exactly alright, i admit, but i still keep struggling on. and iāll wait for the day where youāll message me again, but this time itās because youāve found your own way to somehow make it through the day. for others, it might not seem much, but for me thatās already a huge step because fuck what others think. we grow and go on in our own phase.
if i was unable to help you, iām sorry. i truly am. just know that i can relate with you on this and that youāre not alone.
#i'm not even sure i gave you the answer you were looking for#but i hope you'll find this helpful or at the very least it eases you a bit#answered#anon
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THE COATHANGERS - BY GA REP ANDREW KOH
Our GA Rep Andrew caught up with the Coathangers - aka Stephanie Luke (Rusty Coathanger), Julia Kugel (Crook Kid Coathanger) and Meredith Franco (Minnie Coathanger) - on their U.S April tour.
First off, welcome back to Washington DC. Itās been a year since your last tour with L.A. Witch, and I saw that Stephanie went to the Womenās March on Washington this January - as did I. So, from last year to this yeas, things have been different. But itās great to have you back here in DC.
SL: āDifferentā *laughing* Yeah, you could say that.
Yeah! Congratulations on the one year anniversary of the release your album, āNosebleed Weekendā on April 15th.
JK: Aww, thanks.
Yeah, itās an incredible album and I told Meredith earlier that it was my soundtrack for the summer so thanks for that! Really looking forward to the release of your new EP āParasiteā available on Suicide Squeeze on June 30th. Now, back under āNosebleed Weekendā, itās been a year for these songs to kind of marinate with your fans and audiences. Which songs have resonated well with the crowds? Especially with some bands being tired of playing the same songs over and over again after touring relentlessly, which tunes still have you excited and pumped for shows?
JK: Squeeki Tiki is a rad one, you know? Itās been really fun. (Squeeki Tiki is a tune primarily featuring a squeaky toy for the songās melody). All of them have been great to play live.
SL: Yeah I donāt know. Down Down, Squeeki Tiki, umm, Burn Meā¦
MF: And Make It Right.
JK: Yeah, and people have been liking our latest songs off this new EP. I mean you said you get to add something fresh and new to the setlist.
So you guys are now on tour promoting your new EP. Is there anything else in store for The Coathangers in 2017?
JK: Yeah, weāve been touring a lot.
SL: Weāll be out on tour in Europe after this, which will be cool.
JK: So maybe somewhere near the winter time weāll have something in store. I mean weāre always writing and thinking.
MF: Yeah, who knows - maybe some live recordings or something.
JK: There are many possibilities available but right now we are just trying to take it one day at a time. I mean, plans are kind of overwhelming sometimes, you know, and fucking stressful. I donāt wanna plan my 2018 right now - you know what I mean? Like, āwhat are we gonna do in April next year?ā like shut up! Haha, I donāt want to talk about that.
Of course! I also want to touch on the title track of the new EP, Parasite. You (Julia) said in an interview that during the making of the last album, āNosebleed Weekendā that you didnāt want to scream anymore and just wanted to sing and focus on melody but when it came to that track, you just wanted to scream and curse.ā Were there any reasons - related or unrelated to your band - that lead you to make that change?
JK: I was so mad because I had fucking parasites. We all had them from touring so much and we got them somewhere. I was so mad and then there was the election. We recorded Parasite after the election too and it was like fuck.
MF: Yeah and honestly it was like we did it old school - we hadnāt had like an āAHH!ā crazy moment. And it just felt good.
SL: Yeah, just let it all out. It was the same with the song Captainās Dead. Because we took 3 months off for the holidays and for family stuff and then when we got back together for 3 or 4 days and jammed out, it just came to us.
JK: Yeah and the pressure of it like,āYOU HAVE TO WRITE A RECORD NOW! AND IT HAS TO BE AMAZING! AND IT HAS TO BE SUPER PRODUCED!ā and it just like, what? And when we started working this record out around spring time and we wrote 5 or 4 songs and it was just so great.
SL: Like you said, it was old times like the old Coathangers again when we would just get together and like āBLAH!ā and then itās just like yeah okay itās cool.
JK: Yeah like āHoly shit we need a bridge there and should be repeat it twice right there?ā like āNO!ā Haha, I mean we still did that though.
SL: Yeah we didnāt need to overthink it and stress out about it
MF: Totally, it just felt natural to us.
SL: It was really fun and we were all laughing and having a good time you know?
JK: Having parasites for 6 months and after was the first time we were all like clear headed - cause parasites will make you go fucking crazy. We all thought we had mono.
MF: Yeah, around the time we did the L.A. Witch tour.
Wow. I mean, you guys tour so much and are relentless in delivering fresh tunes like itās really inspiring hearing your story and how youāve managed to do it all yourself. And as an aspiring singer songwriter, that means a lot you know?
The Coathangers: Aww thanks!
Who are some of the musicians or cultural figures you kinda look up to as inspiration?
MF: First off, our momsā¦
SL: And then thereās like Kim Gordonā¦ whoās super inspiring,
MF: Salt N Papa.
SL: Yeah, Salt N Papa and TLC and coming from Atlanta, bands like The Black Lips, Mastodon, Deerhunter and every band who ever put us on a show. That Atlanta love really helped us out and shaped us.
What changes would you most like to see within music or the industry as a whole?
SL: Just equality. Like really? Just donāt be an asshole. It should be one big family.
JK: Yeah and just put your ego in check you know? If youāre running security, I get it, you are in charge but be fucking nice in our way. If you are a headlining band, cool youāre great but be fucking nice and normal. If you are a producer, donāt fucking try to grope me you know? Like why would you do that? Hire a prostitute. And if you do, make sure you pay them! Like seriously fuck you man. Go live out your dirty fantasies some other way. Where ever it is, you get it from everyone whether itās a boy or a girl, young or old, any race, people can be fucking assholes. Like please, be nice to people!
Do you ever get that vibe from venues, security people, etc?
SL: Oh hell yeah! Itās like people prejudge or have their pre-conceived notions about others and they feel like they need to be a dick to us before we can be dicks to them or something like that. Itās an ego thing or a complex but you canāt carry it with you.
Do you feel itās that misogyny that causes venues or security personnel to be reluctant to help stopping groping at gigs?
SL: I think that depends on the owner and environment of the club. We know so many great people who would be horrified to hear anything like that happening at their venue. There are obviously people who could probably care less. I guess itās just how your mother raised you.
JK: I canāt remember if there has been some fucked up thing Iāve just blocked out but like if anything we see security go after guys like, āWHERE THE FUCK IS HE!ā. I mean, weāve stopped gigs before if there are fights or whatever
SL: I mean thereās been shows where a girl broke a dudeās nose. Like clocked him and weāre like, āHELL YEAH! She took care of it herselfā. But if thereās anything we see fucked up, weāll stop a gig anything to help out because we can see more of the crowd on stage.
Of course, and sexual harassment at gigs is a microcosm of a much larger issue. What would you say about misogyny as a whole?
SL: I mean, look at our president. I think itās allow for a lot of people to come out of the rugs and think itās okay to be more racist, sexist, and homophobic.
JK: Weāve forgotten there was an opposition. Weāve like literally forgot they were there but there always has been.
SL: Now itās almost like accepted or normal like no! Youāre a fucking asshole! Thatās completely unacceptable behavior for anybody whatsoever. Even inside themselves they are fine if someone says some crazy racist shit if itās at a Trump rally. So theyāre fine with as long as they finally live out their fantasy for power. But that said, we are more of a welcoming community and we can bond you know. I mean weāve had girls come up to us in shows saying, āYour music help me break up with an abusive boyfriend, your music helped me start my own band, your music gave me strength, etc.ļæ½ļæ½ļæ½ You know thatās so powerful so I hope that everyone on our end can come together and fight power.
Do you have anything to say to the perpetrators of sexual harassment at gigs?
JK: Itās never okay to do something like that.
SL: There should be a fucking tazing area. Put them in a pit and have at it.
JK: I mean, itās like a cheap thrill for you that maybe you home and you enjoy yourself but that create a huge impact that scars someoneās heart you know? You are fucking someoneās life up. Go get a prostitute, go fucking touch yourself, go read a book. Find something else to do and express your urges in some other way. What the fuck are you doing scaring people if your free time?! Youāre an asshole.
SL: Go eat trash and die.
We have followers have personally been assaulted or harassed at gigs. Is there anything youād like to say to the victims?
SL: Speak out, itās not your fault, and it has absolutely nothing to do with you and what you were wearing. But bring it to the forefront and donāt be ashamed about it because it will ruin your fucking life.
MF: And I mean everyone, besides that asshole, is on your side. Especially at a show. I mean if someone said it right away, that person would get beat up. I mean at our shows anyway.
JK: Exactly, like straight away just be like, āTHIS FUCKING ASSHOLE JUST TOUCHED ME!ā and the response who be, āOHHH YEAH?! WHICH ASSHOLE?! GET HIM!ā You know? Like especially in DC? Are you kidding me? That dude would be handcuffed and kicked out of there. But in any show, say it right there and really loud, āFUCK YOU!ā and aggressively stand up for yourself. Donāt feel like thatās a bad thing too. I mean Iāve been groped before at shows and been so in shock and scared. I didnāt even point him out you know? But I should have been like, āFUCK YOU! This guy etcā¦ā Itās definitely hard but donāt be afraid to defend yourself and loads people at the show will support you.
Ā Girls Against sincerely thank the Coathangers for their time, honesty, and for supporting our campaign.
You can buy/listen to their brand new EP āParasiteā on Suicide Squeeze Records available across all major streaming platforms.
Ā You can catch the Coathangers live in these upcoming tour dates.
Date Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Venue Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Location
Jul 18 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā The Earl Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Atlanta, GA Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Jul 19 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā JJ's Bohemia Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Chattanooga, TN Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Jul 20 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Off Broadway Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā St Louis, MO Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Jul 21 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā The Riot Room Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Kansas City, MO Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Jul 22 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Globe Hall Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Denver, CO Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Jul 24 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Milk Run Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Omaha, NE
Jul 25 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Total Drag Records Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Sioux Falls, SD Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Jul 26 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā 7th St Entry Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Minneapolis, MN Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Jul 27 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Beat Kitchen Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Chicago, IL Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Jul 28 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā The Melody Inn Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Indianapolis, IN Ā Ā Ā Ā Ā Ā Ā Ā
Jul 29 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Daytrotter Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Davenport, IA Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Aug 01 Ā Ā Ā Ā Ā Ā Ā Ā Ā The Pyramid Scheme Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Grand Rapids, MI Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Aug 02 Ā Ā Ā Ā Ā Ā Ā Ā Ā Ace Of Cups Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Columbus, OH Ā Ā Ā Ā Ā Ā Ā Ā Ā
Aug 03 Ā Ā Ā Ā Ā Ā Ā Ā Ā Northside Yacht Club Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Cincinnati, OH Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Aug 04 Ā Ā Ā Ā Ā Ā Ā Ā Ā Zanzabar Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Louisville, KY Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Sep 16 Ā Ā Ā Ā Ā Ā Ā Ā Ā Electric Factor Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Philadelphia, PA Ā Ā Ā Ā Ā Ā Ā
Oct 07 Ā Ā Ā Ā Ā Ā Ā Ā Ā Project Pabst Atlanta Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Atlanta, GA Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Ā Additional tour info, discography, band info, and merch is available on their website, www.thecoathangers.com
Special thanks to the venue DC9, the Coathangersā manager Geoff Sherr, and to Hannah Stokes for taking photos.
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